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00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:30CastingWords
00:01:59CastingWords
00:02:29He?
00:02:30He?
00:02:32Director!
00:02:33Oh!
00:02:37I thought I was all night on you.
00:02:39Really?
00:02:40I didn't see my eyes.
00:02:42Really?
00:02:46I hope that everything will be fine.
00:02:48I don't really care about it. I think it's already done.
00:02:59I'll give you an interview on half a page.
00:03:05Only half a page?
00:03:07My half a page is in my list.
00:03:09That's for a whole life's chance.
00:03:15You're from my friend.
00:03:16Who are you?
00:03:17I'm general director of disco hit.
00:03:21I'm from your friend.
00:03:25Let's talk.
00:03:29I'm sorry.
00:03:30I'm sorry.
00:03:31I'm sorry.
00:03:32I'm sorry.
00:03:33I'm sorry.
00:03:34I'm sorry.
00:03:35I'm sorry.
00:03:36I'm sorry.
00:03:37I'm not going to.
00:03:38I don't think that he wrote in my own bad list.
00:03:41I'm sorry.
00:03:42I'm sorry.
00:03:43Boris is the only author who knows how to write about our job.
00:03:45His opinion is...
00:03:46He was right when he was my product.
00:03:49He wrote what he thought about.
00:03:51Only that you don't want to accept it.
00:03:53I think you're always a great deal for him.
00:03:57He he.
00:03:58He was a good deal.
00:04:04How are you?
00:04:05How are you?
00:04:06How are you?
00:04:07How are you?
00:04:08How are you?
00:04:09I don't want to hear you.
00:04:10How are you?
00:04:11What are you?
00:04:12All this is nothing.
00:04:17You can see how my promotion looks.
00:04:20You must remember, in the history of the discography.
00:04:23What?
00:04:25My friend, my friend.
00:04:30I'm sorry.
00:04:32Your bank makes my money money.
00:04:38What is this? What is this?
00:04:41A coffee.
00:04:43A coffee, whiskey.
00:04:45For me, it will be only foreign beer.
00:04:48Jivas, rum, tequila, guloas.
00:04:52A coffee?
00:04:53A coffee.
00:04:55But what about the credit,
00:04:57if you get it,
00:04:59I will finish the contract for four months.
00:05:02How are you guaranteed for such high credit?
00:05:07Now...
00:05:09Dear friends,
00:05:11dear friends,
00:05:12dear friends,
00:05:13ladies and gentlemen,
00:05:15let me welcome you as the director of the discography,
00:05:18disco hit.
00:05:19And that,
00:05:20at this moment,
00:05:22we are going to give you a promociju,
00:05:23the most new page,
00:05:24and the magazine,
00:05:25of our exkluzifnog pevača,
00:05:28Borisa Novkovića.
00:05:31Dear friends,
00:05:32we know that we are soon
00:05:34that we will celebrate 30-year-old
00:05:35of the successful city,
00:05:37and that it is a significant jubilej of this house.
00:05:42Something more about this will tell you
00:05:44our music teacher,
00:05:46Vesna Logar.
00:05:47Excuse me,
00:05:48Vesnice.
00:05:49So,
00:05:50for our jubilej,
00:05:51we are prepared for a great music show,
00:05:53where our exkluzif singers will be
00:05:56and the gold and gold.
00:05:59They will be here and the guests from other countries,
00:06:01but let it will be a secret.
00:06:04So,
00:06:05do you see,
00:06:06at this great concert,
00:06:07all your stars.
00:06:34Oh,
00:06:35oh,
00:06:36oh,
00:06:37oh,
00:06:38Oh,
00:06:39ooh,
00:06:40oh,
00:06:41oh,
00:06:42oh,
00:06:43oh,
00:06:44yeah,
00:06:45yeah,
00:06:46mmm,
00:06:47all the dope was fun.
00:06:48It's interesting.
00:06:49You're a comedian from political groups.
00:06:51The actors from grassroots,
00:06:52turner Tina,
00:06:53Jackson Michael,
00:06:54Armstrong.
00:06:55It's interesting.
00:06:57I am Sabrina.
00:06:58Yeah, I am Sabrina.
00:06:59For Sabrina,
00:07:00please.
00:07:01Ružić, what about the credit, we were able to talk about my company.
00:07:05I don't know how a man will become a woman when you appear.
00:07:09Is he a woman?
00:07:11For God.
00:07:12Is he a singer like a crazy guy?
00:07:27What?
00:07:29No, no. I'm looking for Boris.
00:07:31A, Boris!
00:07:32I know him personally.
00:07:34I know him where he is.
00:07:36Oh, yeah, yeah, stromo mi je najbolje.
00:07:46No, no, no!
00:07:48No, no, no!
00:07:51No!
00:07:52No!
00:07:54Kukuk!
00:07:56Pardon.
00:07:57For you, Grofe, I want a great song from the reddit.
00:08:01Da.
00:08:02Don't worry! The list is lost, there is no part of your body!
00:08:07The rotation is running, man!
00:08:10Is it normal?
00:08:17You didn't have to do half a month!
00:08:20I didn't!
00:08:22I don't bother you!
00:08:24No!
00:08:26If you don't want to do it, wait for the work!
00:08:30I'll finish one job, I'll come right away!
00:08:34Don't take that member!
00:08:37Come on!
00:08:39Come on!
00:08:43The night, where are you from?
00:08:45I'll be here!
00:08:47I'll be here!
00:08:49I'll be here!
00:08:56Bravo!
00:08:57Bravo!
00:08:58Bravo!
00:08:59Bravo!
00:09:00Bravo!
00:09:01Bravo!
00:09:02Bravo!
00:09:03Bravo!
00:09:04Bravo!
00:09:13There are lots of issues!
00:09:15Bravo!
00:09:16Hey, Bob!
00:09:17Who do you know?
00:09:18He's the kind of наверное who does' play himself, he!
00:09:22Leave him who is what?
00:09:24Help, the True member.
00:09:26There are seven roads with containers, full of materials for boxes and casets, waiting in Singapore.
00:09:36I have only a little more time.
00:09:39I would get my international music bank credit.
00:09:42The director is my great friend.
00:09:44Great.
00:09:45I have the MNB here where Zeka is drinking water.
00:09:56This is my film.
00:10:02Put it, put it, put it!
00:10:04Here it is!
00:10:05Here it is!
00:10:06Here it is!
00:10:09The director, three times was called Siv.
00:10:12Two times was the MNB.
00:10:14Singapore is stopped calling me, and Paris is insisting to hear me.
00:10:18So it's all for the day, from tomorrow to the dawn.
00:10:22The director of the other director of the bank is here.
00:10:25The director of the United Nations is here.
00:10:30Take it.
00:10:35Please, my friend, director.
00:10:46Please.
00:10:49Just a moment.
00:10:50And the other, director.
00:10:51The two of you know, Zorica Brun is on line.
00:10:53Zorule!
00:10:54Presentation of the bank.
00:10:55Oh!
00:10:56You are my friend!
00:10:57What are you looking for?
00:10:58Who are you talking about?
00:10:59I am the director of the bank.
00:11:01You, my friend, look!
00:11:02Your friend, right?
00:11:03You're not talking about the bank.
00:11:04Should I have some contact with theNean River Tower?
00:11:05Here, where is.
00:11:06I am the director of the bank.
00:11:07I'm the director of the property.
00:11:08I am the director of the bank.
00:11:09I am the director of the bank.
00:11:11I am the director of the bank.
00:11:12And I am the director of the bank.
00:11:13I know how much you want, I know.
00:11:16Zorica wants to talk to you.
00:11:20What?
00:11:21With you.
00:11:22What?
00:11:23You don't hear me.
00:11:29What?
00:11:32Why did you get up with me?
00:11:36Zorica isn't a thing for me.
00:11:39Why did you get up with me?
00:11:41You know what I've expected?
00:11:43I've told you about me as a gentleman.
00:11:47What?
00:11:49Do you want me to give you this one?
00:11:53I'm not.
00:11:55I'm not.
00:11:57I'm not.
00:11:59I'm not.
00:12:01I'm not.
00:12:03I'm not.
00:12:05Hi.
00:12:06Hi.
00:12:11It's a strange thing.
00:12:13I'm not going to tell you.
00:12:18Here we are going to be the usual pieces.
00:12:21And here we are going to be the compact pieces.
00:12:24This will be the revolution in the discography production.
00:12:27Of course, in the world it's been done, but we are Balkans.
00:12:31We will remain 150 years from the world.
00:12:34In this section, we will do a video series.
00:12:41Excuse me.
00:12:51I don't drink.
00:12:53We will take a heliodron.
00:12:54We will look at it a little strange, but if we are going to the world, we will have to do it.
00:13:00We will have a big world without heliodron and sauna.
00:13:05Sauna?
00:13:06Yes.
00:13:07I understand, Sauna needs to be a Norwegian for Sauna,
00:13:11and I tell him, excuse me, we don't have it.
00:13:14We've been for 500 years in Turkey.
00:13:17And he tells me, what, dear lady?
00:13:19I'm filming in Turkey, there's Sauna,
00:13:21and the Turks are still in Turkey.
00:13:23Hello, Tursk!
00:13:26Thank you, Tursk!
00:13:36I'd like to get out of the office with your guarantee.
00:13:40I can only do that.
00:13:42For example, a diamond ring has a conversation with a singer,
00:13:46with a very strong name.
00:13:49You know, like a disco hit,
00:13:51or you have a strange star,
00:13:55and then, like a world star.
00:13:58And for that, we need Jack Paren.
00:14:00I'll tell you.
00:14:01If the country is found, you'll find it.
00:14:04We'll find it.
00:14:06We'll find it.
00:14:12My dear, I'm very happy with the promotion.
00:14:15All of those who had to come,
00:14:17all of those who had to come,
00:14:18all of them came.
00:14:19That's how it was.
00:14:20Now, let's go to the bathroom.
00:14:22It was great.
00:14:24Tomorrow, it's important to get out to all the news,
00:14:27on television, radio,
00:14:29and, of course,
00:14:31in the news.
00:14:33and you'll find it.
00:14:34Make sure you missing a screen of the interview.
00:14:36What are you hearing?
00:14:37Y'all?
00:14:38Yes, you've got the photo we have,
00:14:39and I'll mention it all.
00:14:40And you'll ring the album as a bride.
00:14:42Yes, I'll start with the record.
00:14:44Mm-hmm.
00:14:45Because I can't hold the time to meet one person,
00:14:46who would be a star in the evening.
00:14:48That would be a great, a world casual personality.
00:14:52I guess there's no head?
00:14:53There's no head of Karen.
00:14:54Who?
00:14:55Karen.
00:14:56Ah, no you can just go over there.
00:14:58We can't wait.
00:14:59We can't wait.
00:15:00I'm not sure what the hell is going on.
00:15:02I'm not sure what happened.
00:15:04What happened is nothing.
00:15:06Nothing was going on.
00:15:08You promised three schleifers, not one.
00:15:10Ok, man.
00:15:12What did you do for the promotion?
00:15:14You've been on time.
00:15:16But, man, it wasn't enough.
00:15:18They're just preparing for a good job.
00:15:20What kind of job?
00:15:22I've been on 30 years of existence.
00:15:24I'm going to get to the people.
00:15:26Stop! Stop, I don't know how.
00:15:28I don't know how to do it, but I want to interview with a man who works.
00:15:32No man!
00:15:34She's a woman!
00:15:35You're even better, but you're a teacher for women!
00:15:38Wait, wait, you know that music teacher?
00:15:41No, turn it to her!
00:15:43With her interview we go to the other side!
00:15:46Wait, wait!
00:15:48We change the mirror!
00:15:51We change the mirror!
00:15:53You forgot what you did?
00:15:56She was a producer of Long Play, and you said it was Beethoven!
00:16:01I didn't write it!
00:16:03No, you didn't write it!
00:16:04You wrote it that you wrote it like the top of the battery!
00:16:06That's right!
00:16:07The amount of money was obvious!
00:16:09But she became gold!
00:16:10You won't forget it!
00:16:12Yes!
00:16:13How can I explain it to the idiot in the office?
00:16:16With your wife, I don't want to remember everything.
00:16:19I'm at your place.
00:16:21I don't want to be like that!
00:16:23The people love the stress!
00:16:25You know women!
00:16:27They are only selling money!
00:16:28That's what you say!
00:16:29You know what?
00:16:30Who would want to be able to cover his wife with her?
00:16:32Who would want to fight her?
00:16:33No one!
00:16:34But I only wanted to put her into the etherality!
00:16:37I think I'm really not sure.
00:16:39You know what?
00:16:40If she wants to be able to get the etherality?
00:16:42Our mother doesn't have to be able to!
00:16:44Are you ready for the cassette?
00:16:46Yes.
00:16:47Here we go.
00:16:48Let's go to the club.
00:16:50Bye.
00:16:51Bye.
00:16:52Bye.
00:16:53Bye.
00:16:54Bye.
00:16:55Bye.
00:16:56Bye.
00:16:57Bye.
00:16:58Bye.
00:16:59Bye.
00:17:00Bye.
00:17:01Bye.
00:17:03Bye.
00:17:04Bye.
00:17:05Bye.
00:17:06Bye.
00:17:07Bye.
00:17:08Bye.
00:17:09Bye.
00:17:10Bye.
00:17:11Bye.
00:17:12Bye.
00:17:13Bye.
00:17:14Bye.
00:17:15Bye.
00:17:16Bye.
00:17:17Bye.
00:17:36Don't forget the news.
00:17:38An interest is preparing the show because of the story.
00:17:41He works on a two-struck album of our exclusive album.
00:17:45Juri pevače, aranžere, kompozitore.
00:17:48He tries to engage Kerin.
00:17:50Kerin?
00:17:52I don't have to say anything.
00:17:54That's why I ask you to stop.
00:17:57No.
00:17:58No.
00:17:59No.
00:18:00No.
00:18:01No.
00:18:02No.
00:18:03No.
00:18:04No.
00:18:05No.
00:18:06No.
00:18:07No.
00:18:08No.
00:18:09No.
00:18:10Okay.
00:18:11No.
00:18:12No.
00:18:13No.
00:18:14No.
00:18:15Vanshee.
00:18:16No.
00:18:17.
00:18:22.
00:18:25.
00:18:27.
00:18:29.
00:18:33.
00:18:35.
00:18:39.
00:18:41.
00:18:43.
00:30:14We're right back.
00:38:14We're right back.
00:38:44We're right back.
00:49:43We're right back.
00:50:13We're right back.
00:54:13We're right back.
00:55:43We're right back.
01:01:43We're right back.
01:06:43We're right back.
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