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16:27Okay, they only open at this stage.
16:29Okay, I just want to... I just want to find my boyfriend, so...
16:32I'm sorry, I'm sorry, but what's in here?
16:49It's... it's reserved for the personnel.
16:50Okay. It's obvious.
16:52Yes. Could you please open it?
16:53No.
16:54What?
16:55No, the passengers are not allowed to enter.
16:57C'est le règlement.
16:58Qu'est-ce que ça peut vous faire?
16:59Elle a juste un oeil, ça la rassure.
17:00C'est le règlement, c'est comme ça, c'est tout.
17:02Elle n'a pas le droit.
17:06Monsieur Giroux, may I please look inside?
17:08Non.
17:09It's important, I...
17:10C'est contre le règlement, je dis.
17:14Oh my God, c'est...
17:15Tom, I've been looking all over for you.
17:20Tom, are you there?
17:27Oh my God...
17:44Do you know Marseille?
18:10No, no, but it's... I'll be fine. I'm okay. Thanks.
18:15What are you going to do?
18:17I don't know. We're supposed to go to Aurel, but maybe I'll go to the police.
18:23Do you need me to take you?
18:25No, no. You've been so helpful. Thank you. I'm just kind of... I'm...
18:30Where is the police station?
18:33You go down the hill. It's on your right. You can't miss it. But are you sure I can take you?
18:39No, I'm fine. I'm positive this is all a big misunderstanding, so...
18:50You know, if you need help, I'm Hélène.
18:56Alice, thanks.
19:03So, good luck, Alice. And don't worry. It's going to be okay. Bye.
19:11Bye.
19:13Bye.
19:14Bye.
19:45Uh, excuse me, can someone help me? My boyfriend's gone missing. Please?
20:00Do you know how many people are reported missing each day in France?
20:04Six hundred on a good day.
20:07Okay, well that cannot be an excuse to not help me, please.
20:10It is 48 hours before a person can be described officially as missing.
20:15He has only been gone for two hours.
20:17He left his bag, you say? What about his passport?
20:20Yes, I have it. I have it right here.
20:23Just one second.
20:37I don't... I don't understand.
20:39Mademoiselle Monho, how long have you known your boyfriend?
20:46Um, well, we've been dating for four years.
20:51We met in Jordan. That's where he heads the region for SOS Global.
20:55It's a charity that helps Syrian refugees.
20:58I'm currently working in Albania, so we meet up when we can and...
21:02Oh, glamorous couple, huh?
21:05And you work in Albania?
21:06Yes, I'm an archaeologist. I'm a...
21:08Do the two of you fight?
21:10What?
21:11Fights. Disagreements.
21:13Have you had any lately?
21:15No.
21:17Anything else? Any changes of circumstance?
21:22I mean, I got offered a position at a university, a job.
21:26It would mean relocating to America for both of us.
21:31And you agreed?
21:32Yes.
21:33Are you sure?
21:34Yes, I'm sure.
21:36Because there are three major reasons people disappear.
21:39Work, money, and relationships.
21:47So?
21:50So perhaps your boyfriend wanted to escape the relationship,
21:54so he got off the train at Avignon without telling you et voilà?
21:57No.
21:58He would never do that. You don't know Tom.
22:00I am no man.
22:05Okay, Inspector Drax.
22:12I really need to find him.
22:15Please.
22:17Help me.
22:21Forty-eight hours, Miss Monroe.
22:23Forty-eight hours.
22:47Let me show you a perfect time,
22:55and I'll sit down once and you do that story.
22:57We all have another time,
22:59we all have time to visit the tour of Ashensitra-
23:02and enjoy it from us.
23:04We see me matching him for the train ride in France-
23:05We see you next week,
23:10and we're looking back to Banner.
23:13Sorry, thank you.
23:43Hey, are you okay?
24:02Yeah, not really.
24:05The spare's got a puncture too.
24:07Oh, I don't have a spare spare, I'm afraid.
24:10Sorry.
24:11Right.
24:13What, what's in there?
24:15Uh, uh, vaccines.
24:17Yeah, without refrigeration they'll be useless within a couple of hours.
24:21So you're screwed?
24:23Basically.
24:26Okay, where are you headed?
24:27To a camp in Fainan.
24:29It's, um, that way.
24:36Okay, so if I don't help you, children might die and that'll be on my conscience for the rest of my life?
24:41It's possible.
24:44Well, then I guess you'd better hop in.
24:54It's all right.
24:56It's all right.
25:05Hi.
25:07Tom Parker.
25:08Alice Munro.
25:08Nice to meet you, Alice Munro.
25:10You too.
25:10Thank you so much.
25:12You're welcome.
25:14It's beautiful, isn't it?
25:16Yes, it is.
25:17Shoes off at your house, then, is it?
25:32What?
25:34Want to know what gives you away?
25:35Oh, it's shirt.
25:37The AC unit.
25:39No dust.
25:40Means you must clean it every day.
25:42God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
25:47No.
25:47No, I like it.
25:48I like hygiene.
25:49Hmm, good.
25:50It's just that sometimes, well, I mean, not everything in life is neat and tidy, right?
25:57Okay, well, my car is not a metaphor for my life.
26:00I'm actually an archaeologist.
26:02Trust me.
26:03I know how to get dirty.
26:04I know how to get dirty.
26:34Okay, uh, can you stop?
26:55Oh, let's see?
26:56Up, up, up here?
26:57Okay.
26:57Let's see if I play.
26:58Okay.
27:04Let's see if I play.
27:34Let's see if I play.
28:04Tom?
28:14Tom?
28:18Let's see if I play.
28:48Oh, shit.
29:18Let's see if I play.
29:48Tom.
30:18Let's see if I play.
30:19Oh, shit.
30:20Let's see if I play.
30:48Let's see if I play.
30:50Let's see if I play.
30:58Hi, hello.
31:24Mademoiselle Monroe, what a pleasant surprise.
31:27So, has the prodigal son returned?
31:29No, but, um...
31:30Then we can report him missing tomorrow.
31:33Can I please have a moment of your time, please?
31:35Walk with me. I'm late to the cinema.
31:38Foreign Alain Delon double bill and Madame Drax will not take it kindly.
31:41If I'm late...
31:42I know where Tom got off the train.
31:44Bravo, Madame Preuseau.
31:45I followed the line back from Avignon, where the train stopped, and I found this.
31:52Bubblegum.
31:53Well, yeah, it's Tom's favorite.
31:55He already offered me a piece before he disappeared.
31:57Hmm.
31:58And the ejected seat on the train, where was that found?
32:01Should really be a stand-up comedian, you know that?
32:03My wife doesn't think so.
32:05So, there was a door in the conductor's office.
32:07Oh, the conductor is in the compass now.
32:09This is all getting quite dramatic.
32:10His name is Marie Giroux.
32:12He was hiding something, I could tell.
32:13You have to bring him in for questioning.
32:15I have to go to the cinema.
32:16Samoa awaits.
32:17You know, I'm not making this up.
32:19And I'm late.
32:19Nice car.
32:26My wife makes the money in our house.
32:28I chose well.
32:29Better than you, it seems.
32:32Tread carefully, Miss Monroe.
32:34Oh.
34:17Mr. Tom!
34:19Mr. Tom!
34:20I'm here!
34:21Okay, alright.
34:22Salma, Salma, one sec.
34:24Can you take these in there?
34:25Yeah.
34:25Just tell me earlier.
34:26They need to be in the fridge right away.
34:27I'm here to be in the 30s.
34:29Okay.
34:3336, two.
34:36Hi.
34:37Who are you?
34:39I just gave Tom a lift.
34:41You broke down?
34:42Yes, he did.
34:43It's the second time this week.
34:45The man couldn't change a tire.
34:46His life depended on it.
34:48He said these need to be refrigerated.
34:50I know.
34:54You saved me!
34:57Wait, what's happening?
34:58Stay back.
35:01What's he doing?
35:06What's he doing?
35:07You're not taking me!
35:13You're not taking me!
35:14You're not taking me!
35:16You're not taking me!
35:16Oh, Eddie.
35:20I'm not taking me.
35:21I don't want me.
35:23Take me.
35:24No.
35:24You'll have to pursue me.
35:27No.
35:28No.
35:28No.
35:28No.
35:29No.
35:30Who are they?
35:40Local bandits.
35:42I think no one will notice missing refugees from Syria.
35:45Take them down to Tripoli, sell them to traffickers for a king's ransom.
35:50He stopped them before?
35:53Yep.
35:54He may be useless with cars, but he could talk a dog off a meat truck.
36:00He can't listen to them before him.
36:04He's dead.
36:06There's a gun to smoke.
36:10He's dead.
36:12He's dead.
36:14He's dead.
36:16Your dead.
36:18He's dead.
36:20He's dead.
36:26He's dead.
36:28You look like you need a drink.
36:37Something must have happened to Tom before Avignon.
36:40And I just feel like the conductor had something to do with it.
36:42I mean, you saw him yourself, the way he was acting all shifty.
36:45What do you think happened?
36:48Okay, this is going to sound insane, but I think Tom was kidnapped.
36:54Is he rich?
36:55No.
36:56Oh, you're rich?
36:57No.
36:58So why would someone kidnap him?
37:01Maybe it's not about money.
37:03It's always about money.
37:07What is...
37:11Oh, diabetes.
37:15Wow.
37:18Okay, so what do I do?
37:20The police are either useless or corrupt.
37:23And if you're really lucky, they're both.
37:27Great.
37:27What then?
37:29What am I?
37:31I'm an investigative journalist.
37:34Who are you?
37:36An archaeologist.
37:37Yes.
37:38You're like me.
37:39You look for clues in the past to tell you about the future.
37:42You know Tom better than anyone, so you probably know more than you realize.
37:53Did he mention anyone or anything?
37:57Who has he been in touch with lately?
37:59Has he said anything strange?
38:08Has he said anything strange?
38:08Hmm.
38:09Find something more than a piece of Twingo man.
38:17Maybe I can help.
38:18What?
38:30Hmm.
38:38Hmm.
38:39It's Uncle Brian, he's in luck, he's in luck, he's in luck.
39:09SOS Global, Bureau de Marseille.
39:39It's a semi-rose, Finch.
39:58Reminds me of you.
39:58Reminds me of you.
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