- 8 hours ago
Vanished 2026 - Season 1 Episode 1 - Rosefinch
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Short filmTranscript
00:00You
00:30You
01:00You
01:30You
01:44Livraison
01:57J'ai une livraison pour Alice Monroe
02:00Je
02:03Je
02:07Je
02:09Je
02:11Je
02:13Je
02:15Je
02:19Je
02:20Je
02:21Je
02:23Come on.
02:53Come on.
03:23Come on.
03:53Come on.
03:59Hello, you.
04:00Stranger.
04:04So, tell me, how is Tarana in springtime?
04:09Oh, to be a woman in Albania.
04:11Oh.
04:12Oh, to be a woman in the springtime.
04:22Oh, to be a woman in the springtime.
04:24Oh, to be a woman in the springtime.
04:26Oh, to be a woman in the springtime.
04:30Oh, to be a woman in the springtime.
04:34Oh, to be a woman in the springtime.
04:46Oh, to be a woman in the springtime.
04:56Oh, to be a woman in the springtime.
04:58Oh, to be a woman in the springtime.
05:00Hey. Hi.
05:03When did you get this?
05:05Oh, the...
05:07I just stumbled across a Byzantine cave
05:11out of the barat,
05:13and the entrance was a bit dicey, and I slipped.
05:16Just stumbled upon a Byzantine cave.
05:20Yes, I did.
05:21Just casually.
05:22Just another day in the office.
05:23Uh-huh, yeah. It is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Can you show me?
05:30Yes, I would love to.
05:33Okay, look.
05:35Look.
05:37Look at this.
05:38Oh, wow.
05:39Yeah.
05:42I think it's one of the earliest examples
05:43of Christian worship.
05:45That's incredible.
05:48Hey.
05:50What are you going to tell me about that?
05:54I was wondering when you'd notice.
05:55Uh-uh.
05:57It's a Sinai Rosefinch.
06:00It was a loud one outside my bedroom every morning.
06:04Oh.
06:05So you just thought you'd have it with you forever?
06:07Mm-hmm.
06:09Reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirp.
06:14Loudly.
06:15So come on.
06:26Are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:41Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:44Mm-hmm.
06:44Mm-hmm.
06:45Mm-hmm.
06:46Mm-hmm.
06:46Mm-hmm.
06:46Mm-hmm.
06:47Mm-hmm.
06:48Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:53Mm-hmm.
06:54What?
06:54Associate Professor of Archaeology, Princeton.
07:02Oh, my God.
07:03Alice, I mean, um, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:14So.
07:15I'm going to have an apartment, you know, a place on campus from which you and I could live together.
07:24I know it's going to be hard to leave all the dysentery.
07:30I totally understand.
07:31No, no, um, no, no, no, no, that, that, that is, uh, big, um.
07:41Big?
07:42No, um.
07:43Well, for a man with an English literature degree, you really have a way with words.
07:47No, I know.
07:47It's, it's, it's a skill.
07:50We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually want
07:57to have sex with each other all the time.
08:00But I want this job.
08:05You know, I want to build a life that's mine, not just uncovering other people's.
08:11We have to make a decision, you and me, like, Tom, I, I love you so much and I want to keep loving you and I'd like to do it while I'm actually looking at you.
08:25And I love you, Alice Munro, and I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
08:48Hey, what time is it?
09:11Tom?
09:16Tom?
09:17Hey.
09:22Hey.
09:23Hey.
09:23Uncle Brian.
09:25He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29Trains at 10.30.
09:34Yes.
09:35Hi.
09:35Hi.
09:35Hi.
09:35Hi.
09:35Hi.
09:35Hi.
09:35Hi.
09:35Hi.
09:35Hi.
09:35Hi.
09:36Hi.
09:36Hi.
09:36Hi.
09:37Hi.
09:37Hi.
09:38Hi.
09:39Hi.
09:40Hi.
09:41Hi.
09:42Hi.
09:43Hi.
09:44Hi.
09:45Hi.
09:46Hi.
09:47Hi.
09:47Hi.
09:47Hi.
09:48Hi.
09:49Hi.
09:52Hi.
09:53Hi.
09:53Hi.
09:54Hi.
09:57Hi.
09:57Sorry, Brian talks like it's an Olympic sport.
10:11Oh, that's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have
10:19left us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project
10:27and Brian has called in a favor.
10:30Oh my God.
10:31Are you kidding?
10:33Can we get massages and lay by the pool?
10:35Yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42The weather feels very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:57I don't.
10:59Stay there.
11:01It's almost over.
11:11That's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously
11:19occupied France.
11:20What do you think?
11:22Okay.
11:23Okay.
11:23True income?
11:25Oh my God, no.
11:26Nine.
11:27For you all.
11:44Hi.
11:45Hello.
11:47Sorry, I can't hear you.
11:50Can you repeat that?
11:51I don't have any phone.
11:57One sec.
11:58Yeah.
11:59All right, one sec.
12:03You're on vacation with your husband?
12:05Yeah.
12:07New cello, Arl.
12:09Oh, yeah.
12:10And he's not my husband, he's my boyfriend.
12:13What?
12:23It's a good one.
12:37What's your husband?
12:37I don't know.
13:07Ladies and gentlemen, our train TGV to Marseille-Saint-Charles will arrive in Gare d'Avignon in a few minutes.
13:16Avignon, 5 minutes left.
13:37Did my boyfriend return?
14:06Marami?
14:08I know.
14:10I know.
14:12So weird.
14:14Where are you?
14:22Hi, this is Tom Parker.
14:24Unfortunately I'm unavailable.
14:26Leave a message after the time.
14:36Tom?
14:40I know.
14:42I know.
14:44I know.
14:46I know.
14:48I know.
14:50I know.
14:51I know.
14:52My name is Tom Parker.
14:54I know.
14:55I know.
14:56I know.
14:58I know.
15:00I know.
16:03Tom.
16:04Hey.
16:05Very funny.
16:06I have been looking all over this trip.
16:21Oh my God.
16:22I'm sorry.
16:23No, Desolée.
16:24I didn't...
16:25Thought you were...
16:26So...
16:27Yeah.
16:28Just...
16:29Excuse me.
16:30Can you see this?
16:31Can you see this guy?
16:32Can you speak English?
16:33No.
16:34Excuse me.
16:35Did you see him walking?
16:36No.
16:37Excuse me.
16:38Can you see him walking?
16:39No.
16:40Excuse me.
16:41Can you see him walking?
16:42No.
16:43Excuse me.
16:44I have seen him...
16:45No.
16:46Excuse me.
16:47Excuse me.
16:54Is there a problem, Madame ?
16:55My friend, he's gone.
16:59I can't find him.
17:01He's kind of a disparate.
17:03He's gone to Avignon.
17:05No, we're supposed to go to Arles.
17:07Have you tried to call him?
17:09May I help you?
17:11Yes, please.
17:13He's asking you if you have tried to call him.
17:15Yes, I have called.
17:17He's not answering. Could there...
17:19Could there have been an accident?
17:21Like, um...
17:23But if he was leaning against the door and maybe fell into the track, is that possible?
17:25En fait, elle s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte et tomber sur les voies.
17:29Non, ça, c'est impossible, ça, Madame.
17:31Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:35Ok, but we made a stop back there.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare. D'accord?
17:43Ok, I just wanna... I just wanna find my boyfriend, so...
17:47Je comprends très bien, ça, Madame.
17:49Continue à l'appeler, je suis sûr qu'il va finir par vous répondre, hein?
18:02I'm sorry, I'm sorry, but what's in here?
18:04C'est... c'est réservé au personnel.
18:06Ok.
18:07Yes, could you please open it?
18:09Non.
18:10What?
18:11Non, les passagers sont pas autorisés à entrer.
18:13C'est le règlement.
18:14Qu'est-ce que ça peut vous faire? Elle a juste un oeil, ça la rassure!
18:16C'est le règlement, c'est comme ça, c'est tout, là , pas le droit.
18:22Monsieur Giroux, may I please look inside?
18:25Non.
18:26C'est important, I...
18:27C'est contre l'alignement, j'ai dit.
18:28Oh my God, stop it.
18:29Tom, I've been looking all over for you.
18:33Where...
18:34Tom, are you there?
18:36Tom, I've been looking all over for you.
18:37Where...
18:40Tom, are you there?
18:51Tom...
18:53What the...
18:54One-why not...
19:04One-why not...
19:09One-why not...
19:14One-why not...
19:15Do you know Marseille?
19:32No, no, but it's...
19:34I'll be fine, I'm okay, thanks.
19:36What are you going to do?
19:38I don't know.
19:40We're supposed to go to Aurel, but maybe I'll go to the police.
19:43Do you need me to take you?
19:46No, no, I'm...
19:47You've been so helpful, thank you.
19:49I'm just kind of...
19:50Where is the police station?
19:55You go down the hill, it's on your right, you can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine.
20:02I'm positive this is all a big misunderstanding, so...
20:05You know, if you need help, I'm Hélène.
20:19Alice, thanks.
20:26So, good luck, Alice.
20:29And don't worry, it's going to be okay.
20:34Bye.
20:35Bye.
20:35Bye.
20:36Bye.
20:37Bye.
21:06Bye.
21:07Excuse me, can someone help me? My boyfriend's gone missing
21:19Please, I live with a storm of the new church
21:23Do you know how many people are reported missing each day in France?
21:30600 on the good day
21:32Okay, well that cannot be an excuse to not help me, please
21:37It is 48 hours before a person can be described officially as missing
21:41He has only been gone for two hours
21:43He left his bag, you say, what about his passport?
21:47Yes, I have it, I have it right here
21:49Just one second
22:02I don't, I don't understand
22:07Mademoiselle Mongeau
22:09How long have you known your boyfriend?
22:15Well, we've been dating for four years
22:19We met in Jordan, that's where he heads the region for SOS Global
22:23It's a charity that helps Syrian refugees
22:27I'm currently working in Albania, so we meet up when we can
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist
22:37Do you two or you fight?
22:40What?
22:41Fights, disagreements
22:43Have you had any lately?
22:45No
22:45Anything else? Any changes of circumstance?
22:51I mean, I got offered a position at a university, a job
22:56It would mean relocating to America for both of us
23:01And you agreed?
23:03Yes
23:04Are you sure?
23:05Yes, I'm sure
23:07Because there are three major reasons people disappear
23:10Work, money, and relationships
23:15So?
23:21So perhaps your boyfriend wanted to escape the relationship
23:26So he got off the train at Avignon without telling you, eh, voilÃ
23:28He would never do that, you don't know Tom
23:31I am no man
23:33Okay, Inspector Drax
23:40I really need to find him
23:46Please
23:48Help me
23:5048 hours, Miss Monroe
23:5648 hours
23:58Oh, my God
24:14Oh, my God
24:26Oh, my God
24:27Hey, what's this, what's this.
24:30Go!
24:34Get it up in the car, come!
24:56Sorry, thank you.
25:26Hey, are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture too.
25:46Oh, I don't have a spare spare, I'm afraid.
25:48Sorry.
25:50Right.
25:52What's in there?
25:53Uh, vaccines.
25:55Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:09It's, um...
26:11That way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of my life?
26:23It's possible.
26:25Well, then, I guess you better hop in.
26:35All right.
26:36All right.
26:46Hi.
26:48Tom Parker.
26:49Alice Munro.
26:50Nice to meet you, Alice Munro.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:54It's beautiful, isn't it?
26:58Yes, it is.
26:59Yes.
26:59It's beautiful, isn't it?
26:59Shoes off at your house, then, is it?
27:15What?
27:15Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:22No dust.
27:23Means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No, no, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:49I know how to get dirty.
28:17Okay, can you stop already up here?
28:44Okay.
28:44Can you see the play?
28:47I know how to get dirty.
29:17I know how to get dirty.
29:18I know how to get dirty.
29:19I know how to get dirty.
29:20I know how to get dirty.
29:21I know how to get dirty.
29:22I know how to get dirty.
29:23I know how to get dirty.
29:24I know how to get dirty.
29:25I know how to get dirty.
29:26I know how to get dirty.
29:27I know how to get dirty.
29:28I know how to get dirty.
29:29I know how to get dirty.
29:30I know how to get dirty.
29:31I know how to get dirty.
29:32I know how to get dirty.
29:33I know how to get dirty.
29:34I know how to get dirty.
29:35I know how to get dirty.
29:36I know how to get dirty.
29:37I know how to get dirty.
29:38I know how to get dirty.
29:39I know how to get dirty.
29:40I know how to get dirty.
29:41Oh, my God.
30:11Oh, my God.
30:41Oh, my God.
31:11Oh, my God.
31:41Oh, my God.
31:43It's Tom.
31:44Oh, my God.
31:52Oh, my God.
32:05Oh
32:35Oh
33:05Oh
33:22Hi, hello
33:24Mademoiselle Monroe, what a pleasant surprise. So has the prodigal son returned?
33:29No, but um
33:31Then we can report him missing tomorrow
33:34Can I please have a moment of your time, please?
33:36Walk with me. I'm late to the cinema for an Alain Delon double bill and Madame Drax will not take it kindly if I'm late
33:43I know where Tom got off the train
33:47I followed the line back from Avignon where the train stopped and I found this
33:54Bubblegum
33:55Well, yeah, it's Tom's favorite. He offered me a piece before he disappeared
34:00And the ejected seat on the train where was that found?
34:03He should really be a stand-up comedian. You know that my wife doesn't think so
34:07So there was a door in the conductor's office
34:09Oh, the conductor is in the compass now. This is all getting quite dramatic
34:12His name is Maurice Giroux. He was hiding something. I could tell you have to bring him in for questioning
34:17I have to go to the cinema Samoa awaits. You know, I'm not making this up and I'm late
34:25Nice car
34:29My wife makes the money in our house. I chose well better than I knew it seems
34:34Yes
34:36Tread carefully, Miss Monroe
34:46I
36:22Mr. Tom!
36:27Mr. Tom, I'm here.
36:30All right.
36:31No, I'm here.
36:32Salma, Salma, one sec.
36:33Can you take these in there?
36:34Yeah.
36:35Just tell me they need to be in the fridge right away.
36:37Okay.
36:38Okay.
36:39Okay.
36:4036-2.
36:44Hi.
36:46Who are you?
36:48I just gave Tom a lift.
36:51You broke down?
36:52Yes, he did.
36:53It's the second time this week.
36:55The men couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:00I know.
37:01Wait, what's happening?
37:02Stay back.
37:03What's he doing?
37:05Wait, what's happening?
37:06Stay back.
37:07What's he doing?
37:08What's he doing?
37:09What's he doing?
37:10What's he doing?
37:11What's he doing?
37:12What's he doing?
37:14Wait, what's he doing?
37:15What's he doing?
37:16How fast are you?
37:17Hey, hey, hey, hey.
37:18You're not taking me.
37:19You're not taking me.
37:20Go, go, go, go, go!
37:22Hey, hey, hey!
37:24You're not taking me! You're not taking me!
37:26You're not taking me!
37:28Oh, daddy.
37:34I'm not, I'm not, I'm not!
37:38You have to go through me.
37:50Who are they?
37:52Local bandits.
37:54I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli,
38:00sell them to traffickers for a king's ransom.
38:04He stopped them before?
38:06Yeah.
38:08He may be useless with cars, but he could talk a dog off a meat truck.
38:20Yeah.
38:48You look like, you know,
38:50he needed a drink.
38:52Something must have happened to Tom before Avignon.
38:56I just feel like the conductor had something to do with it.
38:58I mean, you saw him yourself,
39:00the way he was acting, like all shifty.
39:02What do you think happened?
39:04Okay, this is gonna sound insane,
39:06but I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Are you rich?
39:14No.
39:15So why would someone kidnap him?
39:18Maybe it's not about money.
39:20No.
39:21It's always about money.
39:24What is...
39:30Oh.
39:31Diabetes.
39:32Wow.
39:36Okay, so what do I do?
39:38The police are either useless or corrupt.
39:42And if you're really lucky, they're both.
39:44Great.
39:46What then?
39:48What am I?
39:50I'm an investigative journalist.
39:52Who are you?
39:54I'm an archaeologist.
39:56Yes.
39:57You're like me.
39:58You look for clues in the past to tell you about the future.
40:03You know Tom better than anyone,
40:06so you probably know more than you realize.
40:13Did he mention anyone or anything?
40:16Who has he been in touch with lately?
40:18Who has he been in touch with lately?
40:27Has he said anything strange?
40:35Find something more than a piece of twinkle man.
40:37Maybe I can help.
40:39Find something more than a piece of twinkle man.
40:40I want to help.
41:09eleventh related to his e priest.
41:11Let's see he knows that he happened.
41:12How long does he have lost his feet?
41:13I want to help.
41:14He's in luck.
41:15He's in luck.
41:16He's in luck.
41:17He's in luck.
41:18He's in luck.
41:19He's in luck.
41:20Come on.
41:22Come on.
41:23Don't forget that.
41:24You actually love me.
41:24I would so half a bit.
41:25Come on.
41:26You again.
41:27It's McKGameDash and die.
41:28A A A A A POWA.
41:31Even Instagram.
41:32I don't always forget...
41:33...he's in luck.
41:34maybe I want you to know.
41:45Go to the US Global,
41:47the the Marseille department.
42:04it's a semi-rose finch
42:23reminds me of you
42:24reminds me of you
42:34this is a semi-rose finch
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