- 3 minutes ago
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00:00You
00:18Hey stranger
00:20I missed you too. I got offered a teaching position you and I could live together
00:26Sir?
00:28Sir, I can't. One sec.
00:30Did my boyfriend return?
00:32Uh, no.
00:38Do you know how many people are reported missing each day in France?
00:44I know where Tom got off the train. There was a door in the conductor's office.
00:48Oh, the conductor is in the compass now. This is all getting quite dramatic.
00:51His name is Marie Chirou. He was hiding something I could tell.
00:54The police are either useless or corrupt.
00:57Tread carefully, Miss Monroe.
00:59You know Tom better than anyone.
01:02Who has he been in touch with lately?
01:04Uncle Brian. He's in London.
01:08You probably know more than you realize.
01:11It's a sign I rose, Finch.
01:13Reminds me of you.
01:24If you love me with more
01:38Tell my heart which way to go
01:47Hey look at this.
01:48What's that?
01:49Well, it's pottery. Maybe Greek.
01:54It's probably been here for hundreds of years. It's so beautiful.
02:03Here.
02:05No, you keep it.
02:07Why?
02:08During those nights when you're in one far flung corner of the earth and I'm in another,
02:14I want you to think of me with the same wonder and tenderness as you do when you look at that piece of clay.
02:19We're too weary hearts
02:21Yeah.
02:22Aglow, no.
02:28If you love me, let me know.
02:36Once the moon should take a bow
02:42Maybe you'll find the worse
02:46Maybe you'll find the better part.
02:52Maybe you'd find the better part.
02:53Maybe you'll find some good cup of lonely, jeep.
03:02Maybe you talk to them.
03:05Maybe you're your favorite part of the end.
04:37I mean, can someone help me?
04:39Can I speak to someone in charge?
04:40Tom Parker?
04:41Yes, Tom Parker.
04:42One moment, please.
04:44Hi, this is Tom Parker.
04:51Nice to meet you.
04:59Alice?
05:00Yeah.
05:01Hi.
05:01I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a suit.
05:13Metaphorically speaking.
05:15What happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but like, I don't know why he would lie to me.
05:32It's possible he was trying to call Jordan.
05:36The weekend route calls through here so you don't have to pay international charges, but...
05:40I know he's coming here after vacation, so there's no need for him to call him before.
05:45We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:11I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if he kept me out of it, okay?
06:20Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where things were already hard,
06:40but that night, it got even worse.
06:43His mom went into labor, alone in the middle of the night.
06:47She was very sick, had no one to help her.
06:49So Malik ran for four miles, all the way to where the SOS team was staying, and got Tom to drive them to the hospital.
06:59The baby was delivered safely, but the mother's condition kept getting worse.
07:03So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and...
07:14Man, Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family was taken care of.
07:24But, unfortunately, bandits raided the camp.
07:35They took women and children, no one knew who had survived.
07:42And Tom was obsessed.
07:45He spent weeks searching for Malik and his family, and...
07:48...eventually, they found him.
07:57The boy, alongside his mother and sisters, in a mass burial pit, ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's.
08:11At least, I think it was.
08:12But he didn't want to pack it in, we got him a counselor, we tried to give him support, but something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore, he just seemed lost.
08:31Alice, I don't think he ever really came back from what happened.
08:33Sorry, I, uh...
08:42And...
08:43You didn't know any of this?
08:45No.
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes, sometimes it just gets under your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
10:27Hello?
10:48Hey, Helen, it's Alice.
10:50Hello, Alice.
10:52Has your boyfriend returned?
10:53No, he hasn't.
10:54Uh, but does the name Orly mean anything to you?
10:58Is it a place in Marseille?
11:00It could be a person...
11:01Orly?
11:02Where did you find that?
11:05I was looking in Tom's notebook, and it's...
11:07It was in there.
11:08Orly?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really.
11:16I was just on a post-it note.
11:18Okay.
11:19Leave it with me.
11:20I will look into it.
11:24How do you know it's a boat?
11:52Oh, I don't.
11:55It's a hunch.
11:57Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:05Men paint women's names on their boats
12:07to pretend those women are central to their lives.
12:12And then...
12:14they run away to the sea with their buddies.
12:16And that's it.
12:18And here...
12:18Orly.
12:29Anyone here?
12:31Bonjour?
12:31Bonjour.
12:32Hello?
12:34Is there someone there?
12:35Well, what are we going to do?
12:37What the heck?
12:39What?
12:40Oh.
12:41Every good journalist carries them.
12:43Oh, my God.
12:45Keep lookout.
12:47Yes.
13:07...
13:25Wow.
13:27...
13:31...
13:35Oh, my God.
13:58Is it his?
14:05Alice, Alice, Alice, Alice, Alice, Alice.
14:15Cathy?
14:17Alice in London
14:34It's Uncle Brian. He's in London.
14:37It's Uncle Brian. He's in London.
14:40What were you gonna tell me about that?
14:44I was wondering when you'd notice he may be useless with cars, but he could talk a dog of a meet your dog
15:10Yeah, I came as soon as I could hey
15:14Yeah, I spoke to Jordan you were right Tom did make a call on Thursday morning
15:24And he wanted to be put through to one of his colleagues
15:31At us, there is no easy way to say this
15:35No, I met her actually
15:39That that woman that you're what
15:44Were they are they and it's really not in my place to speculate come on
15:58He's not thinking rationally
16:00So what happens now
16:09My goddess he will show up somewhere
16:14Or makes contact with someone in the next 48 hours and then you both need to decide what happens next
16:23If I were you I would go to all go to all
16:26There's no need to hang around I must say
16:30If he turns up you'll be the first one to know, okay?
16:35Okay
16:37At us, um, uh, I wish I had better news. I'm sorry
16:40No, it's okay. You've been very kind to me. Thank you
16:48Call me for Ma, yeah
16:51If you need anything, I'll
16:52At us, we gotta go so okay, right?
16:53Let's go
17:07If you don't know who you're going to do this
17:07Then we'll make a sleeping
17:08You know what?
17:09If you do this, I get the room
17:11I want something to see the one
17:13This is not I'll be the only one
17:14I love you
17:15No, you're not
17:16I love you
17:17No, you're not
17:18No, you're not
17:19No, you're not
17:19No, you're not
17:20You're not
17:20No, you're not
17:21I don't know.
17:51I don't know.
18:21I don't know.
18:22I don't know.
18:23I don't know.
18:24I don't know.
18:25I don't know.
18:26I don't know.
18:27I don't know.
18:28I don't know.
18:29I don't know.
18:30I don't know.
18:31I don't know.
18:32I don't know.
18:33I don't know.
18:34I don't know.
18:35I don't know.
18:36I don't know.
18:37I don't know.
18:38I invited him.
18:40Hi.
18:41Hi.
18:42Hi.
18:43Tom.
18:44Rafiq.
18:45Okay.
18:46You came.
18:47You came.
18:48Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday
18:54night, you go.
18:56One day we will be free from fighting violence, people crying in the street.
19:11I don't know.
19:12Is everyone here from the dig?
19:13Yeah.
19:14Why?
19:15I kind of want you to show me your world.
19:18This is totally illegal, you know.
19:39We get caught.
19:41What?
19:43Well, I could get fired.
19:47Was that man back there, your boss?
19:50Rafiq? Yeah, why?
19:53I think your job is safe.
19:57What?
19:59Really?
20:00Come on, let's go.
20:05Come here.
20:09Yeah.
20:11This was built by the Nepotians.
20:14Oh, so what's that?
20:16Ninth century? Fourth century.
20:18A.D.? B.C.
20:19B.C.?
20:20Did you say the Nepotians?
20:23Oh, you didn't hear me.
20:25No. Oh, now you know.
20:28That's where I went wrong.
20:29Yeah, sure.
20:30You know, it actually flourished due to trade routes,
20:33incense, spices, silks, and, of course,
20:35its gorgeous rock-cut architecture.
20:39It was annexed by the Romans
20:40and fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century,
20:45the entire infrastructure was basically destroyed.
20:48So when the Ottomans got here,
20:49they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
20:56Is that interesting to you?
21:02Very.
21:03I don't know.
21:10I don't know.
21:13I don't know.
21:14You have to cook my current...
21:16You have to beé’± of money?
21:17Yes, he's going to eat...
21:19He's going back.
23:51Please meet.
23:59Excusez-moi.
24:01Excusez-moi.
24:03I need help, please.
24:07Hello.
24:09Hello.
24:11Hi, I'm looking for Maurice Giroux.
24:13I'm looking for Maurice Giroux.
24:14Is he around here?
24:15Maurice?
24:16Uh, I'm sorry.
24:17He left around an hour ago.
24:19Do you know where I could find him?
24:21Uh, why?
24:23Uh, it's personal.
24:25Do you have an address or a number or something?
24:28Oh, I'm afraid I can't give this address to a stranger.
24:30But, uh, how do you know Maurice Giroux?
24:32I don't.
24:33He was the conductor on a train I took recently and I need to tell...
24:35Yeah.
24:36Yeah, okay.
24:37I'm sorry.
24:38I...
24:39I can't just give out his address.
24:42You understand?
24:43Yes.
24:44Of course.
24:45Okay.
24:46Sorry.
24:47We actually slept together about a month ago.
24:54It wasn't a big deal, kind of casual, but now it is a big deal,
24:58because I'm pregnant with Maurice's child.
25:00I need to speak to him right now.
25:01What?
25:02Oh, wait.
25:04I'm sorry.
25:05I'm sorry about my colleague, sorry.
25:19Of course.
25:20I'll give you his address.
25:22Sorry.
25:23Good.
25:24Of course.
25:25Here.
25:34Good.
25:36Good.
25:37Thanks.
25:38Stop, stop, stop!
26:08Mon bébé, qu'est-ce que tu fais?
26:36Je t'ai perdu, c'est quoi le bordel?
26:37Viens là , pourquoi tu ne veux pas me parler?
26:39Je te promets que tu n'en verras jamais comme la mienne.
26:42Alex, 20 minutes.
26:44Laisse-moi 20 minutes.
26:4520 minutes?
26:46Comment ça 20 minutes?
26:47Tu n'es pas connu pour deux, toi?
26:48Deux, c'est le tétongue gag, ça.
26:49Ah, tu vas me foutre, toi, t'es connu.
26:51Back up!
26:52Oh, oh, oh, oh!
26:54Get out of my way!
26:56Pourquoi tu as siloé?
26:58Tranquille.
26:59Ça va, oh.
27:01Ça va, tiens.
27:02Tu vas te blesser, là , arrête.
27:04Ça se voit qu'elle n'en a jamais tenu.
27:06Ouais, ça se voit.
27:07C'est comme ça qu'on se tient, plutôt.
27:09Comment vous pouvez avoir confiance?
27:11Hum?
27:12Comment on fait, maintenant?
27:14Ah, on fait quoi, hein?
27:19Regarde-moi quand je te parle.
27:26Eh, viens danser à la bachata, viens.
27:28Viens, tu vas danser à la bachata.
27:29Oh!
27:30Cassez-vous, j'appelle la police!
27:31Oh là là !
27:32Oh!
27:33Vous m'entendez?
27:34Vous êtes sourds?
27:35Allez, on se dégueule!
27:36T'es une bite à la place du cerveau!
27:38Dans ta gueule, je t'ai dit.
27:39Tu pourrais pas aller encore une fois comme ça?
27:41J'étais en colune.
27:42Non, encore!
27:43J'appelle ta mère!
28:09Non !
28:10Non t'es!
28:11Non, seulement je vous tourne, on a danser...
28:12En haut drожно ain't醒.
28:13Non t'es Lopez.
28:142-3-1-1-2-1-1-2-1-1-1-2-1-1-2-3-1-1-2-1-3-2-1-2-1-1-2-1.
28:30Hello, Mr. Giroux.
28:42Hello.
28:43Hello.
28:44Hello.
28:45Hello.
28:50Hello.
28:52Oh, my God.
29:13Oh, my God.
29:15Oh, shit.
29:16Oh, my God.
29:17No, no, no, no, no.
29:19OK.
29:20Oh, my God.
29:26What the fuck?
29:32Madame?
29:35Madame.
29:37Madame, hold on.
29:38Wait, wait, wait.
29:39Hold on.
29:40It's OK.
29:41I know.
29:42I'm sorry.
29:43I don't like that.
29:44I don't know.
29:45I just got in my mouth.
29:46OK, shh.
29:47Adam!
29:48Adam!
29:49Adam!
29:50Elin!
29:51All right.
29:53All right.
29:54All right.
29:54vontade.
29:55All right.
29:56All right.
30:00All right.
30:02All right.
30:03All right.
30:04What?
30:05I'm sorry.
30:06All right.
30:06All right.
30:07All right.
30:08All right.
30:09Elin.
30:09All right.
30:10All right.
30:10Let's go.
30:11Legs go.
30:12Look.
30:13Yes.
30:14That's
30:16him.
30:16Yeah.
30:17I heard.
30:17Oh, oh, oh, oh, oh, oh, oh.
30:47Oh, oh, oh, oh.
31:17Oh, oh, oh, oh.
31:47Oh, oh, oh.
31:54Okay.
31:55Okay.
31:56Okay.
32:27He was dead.
32:28He was dead.
32:28He was dead.
32:29Wait, wait, wait.
32:30Slow down, okay?
32:31Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular.
32:38He had very dark hair with, like, a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:08She's at the Hotel, room 218.
33:14Go to her now.
33:15Go to her now.
33:52What?
33:59I was right about the conductor.
34:02What?
34:03I went to his apartment, but when I got there, he was already dead.
34:06Someone slit his throat.
34:09Who have you spoken to?
34:11Um, just one person from Tom's Charity.
34:13He's coming actually to meet me right now.
34:15Alice!
34:16Which hotel?
34:17Which hotel are you staying at?
34:19Peron.
34:20I'm coming now.
34:22Do not speak to anyone.
34:24You hear me?
34:25Do not speak to anyone!
34:27I'm coming.
34:28I can't forget.
34:32I'm coming.
34:33I keep looking at him.
34:34I'm coming.
34:36I'm coming.
34:37I'm coming.
34:40I'm coming.
34:42I don't know.
35:12I have a delivery for Alice Monroe.
35:42I have a delivery for Alice.
36:12Get in! Now! Quick! Quick!
36:32Are you okay?
36:34Yes.
36:35Okay?
36:36I'm having a panic attack.
36:38Freeze.
36:39Freeze. Freeze. Slowly.
36:42Oh my god.
36:43You're safe Alice.
36:47It's Durand.
36:48The works at SOS?
36:50No, he's been helping me.
36:52I cannot protect you if you do not want to be protected.
36:56Does he know which hotel you are staying at?
36:59Yes, but it does.
37:00Who else knows?
37:01I guess Inspector Drax knows, but...
37:04Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:13How do you know that's where Tom worked?
37:19How do you know that's where Tom worked?
37:21What?
37:24It's my job.
37:26What is?
37:28To... to know things.
37:30Okay, you better start telling me some truths or I'm gonna call him back.
37:33Don't be so stupid.
37:34Okay, fine.
37:35Don't be so...
37:36Please!
37:37What?
37:41Tom got off the train because of me.
37:44What?
37:45I will explain.
37:46What?
37:47First...
37:48First, we need to go somewhere safe.
37:50First.
37:52I...
37:54Shit, my bags are at the train station.
37:56Okay.
37:57Don't worry.
37:58Let's go to the train station.
38:00Seriously, what is going on?
38:07I'm something like a Bette Noire for your former lover.
38:29The truth is, for the past six months, I've been investigating him.
38:35On the train, I was following him.
38:39Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:50I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:58Tom.
39:00Yes.
39:01I have reason to believe.
39:08Oh, no.
39:09You are...
39:10You are so, so far off on this one that Tom would never, ever...
39:15Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:21Yes, of course.
39:25So you lied to me?
39:26Oh.
39:27I'm with her.
39:28The truth.
39:29That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:36Who do you work for?
39:38Oh.
39:39I'm freelance.
39:40It suits me better.
39:41Yeah.
39:42When did they let you go?
39:47Five years ago.
39:49Yes.
39:50I'm not gonna listen to any more of this nonsense.
39:52You don't know Tom at all.
39:53I'm leaving.
39:55Where to?
39:56It's the police.
39:57Obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:04Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:13He's too smooth, too polite, too, too German.
40:16Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:21So Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:24Maybe he plans to set you up for Gerou's murder.
40:27Oh my God.
40:28This is insane.
40:29There has to be a very simple explanation for all of this.
40:32Explanation?
40:33For what?
40:34A guy showing up at your door, ready to kill you?
40:37Give me a simple explanation for that.
40:44Have you seen the news?
40:50Un crime brutal a bouleversé Marseille ce soir.
40:53La police a ouvert une enquête après la découverte du corps de Maurice Gerou,
40:5645 ans, retrouvé sans vie à son domicile en début de soirée.
41:00Selon les premières informations, une femme aux cheveux bruns aurait été vue quittant les lieux peu après l'agression.
41:06Elle est désormais activement recherchée et considérée comme principale suspecte.
41:09You have nowhere to go.
41:11Contrôleur Maurice Gerou, nous recherchons activement la suspecte numéro 1.
41:15Une Américaine dénommée Alice Monroe, la trentaine.
41:19Vous avez la moins d'informations contrairement à cette personne.
41:22Vous êtes moins d'informations.
41:23Contactez la police.
41:24Les fieldes d'ervation a la Shit criminelle...
41:33Parfait.
41:35Parfait.
41:37Parfait très bien.
41:38Parfait.
41:43Parfait.
41:45Parfait.
41:47Parfait.
41:49Parfait.
41:51Parfait.
41:52Parfait.
41:53Parfait.
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