- 2 days ago
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00:00Tell my heart which way to go
00:10Hey, look at this
00:16What's that?
00:18Well, it's pottery
00:20Maybe Greek
00:22It's probably been here for hundreds of years
00:24It's so beautiful
00:30Here
00:32No, you keep it
00:34Why?
00:36During those nights
00:38When you're in one far flung corner of the earth
00:40And I'm in another
00:42I want you to think of me with the same wonder and tenderness
00:44As you do when you look at that piece of clay
00:46We're too weary hearts
00:48A glow, no
00:50If you love me
00:54Let me know
00:56Let me know
01:01Once the moon should take a bow
01:07Maybe you'll find the world
01:26Let me know
01:27Let me know
01:28Let me know
01:29Let me know
01:30Let me know
01:31Let me know
01:32Let me know
01:33Let me know
01:34Excuse me
01:35Hi
01:36My name is Alice Monroe
01:37And I need help
01:38My boyfriend Tom Parker
01:39He works for this charity
01:40And he's...
01:41He's missing
01:42Can someone help me?
01:43Can I speak to someone in charge?
01:44Tom Parker?
01:45Yes, Tom Parker
01:46One minute please
01:47Thank you
02:02Hi, this is Tom Parker
02:04Hi, this is Tom Parker
02:07Hi, this is Tom Parker.
02:16Alice?
02:17Yeah, hi.
02:19I'm Alex Durant. I've heard so much about you from Tom.
02:23You have? You know Tom?
02:24Yes, of course. We used to work together in the field before I became a suit.
02:29metaphorically speaking.
02:31What happened?
02:32Um, Tom disappeared.
02:35What do you mean he disappeared?
02:38Okay, so he called here at SOS from Paris two days ago.
02:42Do you know who?
02:44He said he was talking to his uncle from England, but like, I don't know why he would lie to me.
02:48It's possible he was trying to call Jordan.
02:50The weekend route calls through here so you don't have to pay international charges, but...
02:55I know he's coming here after vacation, so there's no need for him to call him before.
03:00We encourage our people to take a complete break when they're on holiday and...
03:07Especially Tom after what he's been through.
03:09What do you mean?
03:12How's he been since the incident?
03:15What incident?
03:17Okay.
03:18I'm going to tell you this, but...
03:19When Tom comes back all happy and healthy, I'd prefer if you kept me out.
03:33Just tell me what happened, please.
03:34It happened about nine months ago in Jordan.
03:43There was this young boy named Malik, just eight years old, and he lived in one of the camps where things were already hard, but that night it got even worse.
03:55His mom went into labor alone in the middle of the night.
03:59She was very sick, had no one to help her.
04:01So Malik ran for four miles all the way to where the SOS team was staying and got Tom to drive them to the hospital.
04:10The baby was delivered safely, but the mother's condition kept getting worse.
04:14So, with his mom's sake, Malik dropped out of school, scavenging for food.
04:21He tried to take care of his family, and...
04:25Yeah, Tom saw what was happening.
04:28And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family was taken care of.
04:35But...
04:37Unfortunately...
04:38Bandits raided the camp.
04:43They took women and children no one knew who had survived.
04:50And...
04:52And Tom was obsessed.
04:54He spent weeks searching for Malik and his family, and...
05:01Eventually they found him.
05:03The boy, alongside his...
05:08His mother and sisters, in a mass burial pit ten clicks outside of the camp.
05:16We all have our breaking point, and...
05:18Yeah, that was Tom's. At least I think it was.
05:21But he didn't want to pack it in.
05:23We got him a counselor, we tried to give him support, but something in him had shifted, yeah?
05:28He disappeared, sometimes for days.
05:30There have been discussions to take him out of the field, but he wasn't himself anymore, he just seemed lost.
05:37Alice, I don't think he ever really came back from what happened.
05:46Sorry, I...
05:48I...
05:50You didn't know any of this?
05:52No.
05:54I just don't understand why he couldn't tell me himself.
05:57The world is in crisis every minute of every day.
06:03Our people here see enough depravity for a thousand lifetimes.
06:07Sometimes it just gets unusual.
06:09He just seems so normal in Paris.
06:12But maybe that dose of normality was the thing that shook him.
06:15But he'll show up.
06:17If it's not tomorrow, then soon.
06:19I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
06:27Don't worry.
06:28I might as well find him.
06:34I'll see you later.
06:35Thank you, Steve.
07:04Let's go.
07:34Hello?
07:48Hey, Helen. It's Alice.
07:50Hello, Alice. Has your boyfriend returned?
07:53No, he hasn't. But does the name Orly mean anything to you?
07:58Is it a place in Marseille? It could be a person...
08:01Orly? Where did you find that?
08:04I was looking in Tom's notebook and it's... it was in there.
08:08Orly? It could be anything or anyone. Anything else in the notebook?
08:14Not really. I was just on a post-it note.
08:17Okay.
08:18Leave it with me. I will look into it.
08:31How do you know it's a boat?
08:50Oh, I don't. It's a hunch.
08:53Would you prefer it to be another woman?
08:57Look around you. What do you notice?
09:01Men paint women's names on their boats
09:04to pretend those women are central to their lives.
09:08And then they run away to the sea with their buddies.
09:13And here.
09:15Aurelie.
09:25Anyone here? Bonjour.
09:28Hello?
09:29Is there someone?
09:31Mom, what are we gonna do?
09:33What the heck?
09:35What? Oh.
09:37Every good journalist carry them.
09:39Oh, my God.
09:41Keep look out.
09:42Yes.
09:43Yes.
10:07Oh, my God.
10:08You're just carrying out.
10:09Keep talking.
10:10That's how we're going to get back.
10:11Nice to meet you.
10:12I mean, that's how we were going to get back.
10:13Hey, bear, I see.
10:14Hey, bear.
10:16Hey, bear.
10:17Hello.
10:18What?
10:19Hey, bear, bear.
10:20Hi, bear.
10:21Hey, bear, bear.
10:22Hey, bear.
10:23I've got a friend.
10:24Hey, bear, bear.
10:25Be good, bear.
10:26I was so nervous.
10:27Hey, bear.
10:28How you're going to eat?
10:29I will eat something new.
10:30I'm so nervous.
10:31Can't you learn, bear, bear?
10:32I will eat something new.
10:33I'm going to be in there,
10:34Oh, my God.
10:49Is it his?
10:58Alice.
10:59Alice!
11:00Alice!
11:02Alice!
11:04Alice!
11:05Taxi?
11:22It's Uncle Brian. He's in London.
11:24It's Uncle Brian. He's in London.
11:28It's Uncle Brian. He's in London.
11:31What were you going to tell me about that?
11:33I was wondering what you'd notice.
11:36He may be useless with cars, but he could talk a dog of a Mitra.
11:39A dog of a dog.
11:41I came as soon as I could.
11:42Hey.
11:43Um...
11:44Yeah. I spoke to Jordan. You were right?
11:46Tom did make a call on Thursday morning.
11:47And?
11:48He wanted to be put through to one of his colleagues.
11:49He wanted to be put through to one of his colleagues.
11:52That as there is no easy way to say this.
11:55Um...
11:56You know, um...
11:57I met her actually.
11:58That...
11:59That...
12:00That...
12:01That woman that you're...
12:02That...
12:03That...
12:04Were...
12:05Were they...
12:06Are they...
12:07Are they...
12:08It's really not in my place to speculate.
12:09Come on.
12:10Come on.
12:11Amazing.
12:12What the other is...
12:13what the other is.
12:14What the...
12:15Was that...
12:16Well...
12:17Mr.
12:18No.
12:19He wanted to be put through to one of his colleagues.
12:20I guess there is no easy way to say this.
12:21Um...
12:22No.
12:23Um...
12:24I, um,
12:25I met her actually.
12:26That...
12:27That woman that you're...
12:29Uh...
12:30Were...
12:31Were they...
12:32Uh...
12:33Are they...
12:34It's really not in my place to speculate.
12:35Come on.
12:41He's not thinking rationally.
12:51So, what happens now?
12:56My goddess, he will show up somewhere,
12:58or makes contact with someone in the next 48 hours,
13:01and then you both need to decide what happens next.
13:06If I were you, I would go to Aal.
13:09Go to Aal.
13:11There's no need to hang around in Marseille.
13:13If he turns up, you'll be the first one to know.
13:16Okay?
13:18Great.
13:20That is, um, I wish I had better news. I'm sorry.
13:24No, it's okay. You've been very kind to me. Thank you.
13:31Call me for Ma, yeah?
13:33If you need anything at all.
13:41I love you.
13:42I'm sorry, I don't know.
13:43If you need anything at all, you're sorry.
13:53It's okay.
13:55All right.
13:56I don't know.
14:26I don't know.
14:56I don't know.
15:26But one thing I learned living here, if an attractive woman invites you to a party on a Friday night, you go.
15:34Is everyone here from the dig?
15:58Yeah, why?
16:00I kind of want you to show me your world.
16:04This is totally illegal, you know.
16:16We get caught.
16:17What?
16:18Well, I could get fired.
16:21What's that man back there, your boss?
16:25Rafiq?
16:25Yeah, why?
16:27I think your job is safe.
16:31What?
16:33Really?
16:34Come on, let's go.
16:39Come here.
16:43Yeah.
16:44This was built by the Nepotians.
16:49Was that 9th century?
16:504th century.
16:51A.D.?
16:52B.C.
16:53B.C.?
16:54Did you say the Nepotians?
16:56Oh, you didn't hear me?
16:57No.
16:58Oh, now you know.
17:01That's what I want to know.
17:01Yeah, sure.
17:03You know, it actually flourished due to trade routes, incense, spices, silks, and of course, it's gorgeous.
17:09Rock-cut architecture.
17:11It was annexed by the Romans and fell into total disrepair.
17:14By the time the earthquakes hit in the 6th century, entire infrastructure was basically destroyed.
17:20So when the Ottomans got here, they didn't know what to do with it.
17:23They just kind of left it.
17:25As is that interesting to you.
17:33Very.
17:34I don't know.
18:04He's coming back.
18:34He's coming back.
19:04He's coming back.
19:34He's coming back.
20:04He's coming back.
20:34Hello.
20:35Hi.
20:36I'm looking for Maurice Giroux.
20:37Is he around here?
20:38Maurice?
20:39I'm sorry.
20:40He left around an hour ago.
20:42Do you know where I could find him?
20:44Why?
20:45It's personal.
20:47Do you have an address or a number or something?
20:50I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
20:53I don't.
20:54He was the conductor on a train I took recently and I need to tell him.
20:57Tell him.
20:58Yeah, okay.
20:59I'm sorry, Mademoiselle.
21:00I can't just give out his address.
21:03You understand?
21:04Yes, of course.
21:05Okay.
21:06Sorry.
21:07I think she slept together about a month ago.
21:14It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant with
21:19Maurice's child.
21:20I need to speak to him right now.
21:22What did she say?
21:23Oh, yeah.
21:24She said she was born by Maurice.
21:27What?
21:28That's not true.
21:29He was born by Maurice Giroux.
21:32He was born by Maurice Giroux.
21:34What?
21:35I'm sorry.
21:36I'm sorry about my colleague.
21:37Sorry.
21:38Of course.
21:39I'll give you his address.
21:41Sorry.
21:42Good.
21:43Yes.
21:44Here.
21:52Hear, hear, hear!
21:53What have they been?
21:54Stop, stop, stop.
22:24I'm ready to go.
22:31I'm ready to go.
22:36I'm ready to go.
22:41I'm ready to go.
22:48My baby, what are you doing?
22:51I lost you, it's what the hell?
22:53Come here, you can't talk to me.
22:55I promise you will never see me like mine.
22:57Alex, 20 minutes.
22:59Let me give you 20 minutes.
23:01How are you 20 minutes? I'm not known for two.
23:03For two, you're so gay.
23:05You're so gay, you're so gay.
23:09Get out of my way.
23:11Why are you still there?
23:13Tranquille.
23:14It's okay.
23:16It's okay.
23:18It's okay.
23:19It's okay.
23:20It's okay.
23:21It's okay.
23:22It's okay.
23:23Why don't you trust me?
23:25How are you doing now?
23:28What are you doing now?
23:30Look at me when I tell you.
23:35Come on.
23:37Come on.
23:39Come on.
23:40Come on.
23:41Come on.
23:42Come on.
23:43Come on.
23:44We hear you.
23:45Come on.
23:46Come on.
23:47Come on.
23:48You're wearing a hat.
23:49Come on.
23:50You're a foreign man!
23:51Come on.
23:52How do you do this, Golly?
23:53How do you talk to Missingi?
23:54You speak of your mother?
23:55She's auality!
23:56I call her mother.
28:28Slow down, okay?
28:29Are you okay?
28:30Yeah, I saw the man who did it.
28:34What man?
28:35He was very muscular.
28:36He had very dark hair with like a bun.
28:38Where are you?
28:39I'm at the hotel room 218.
28:44Okay, I'm coming.
28:46Okay, thank you.
28:47She saw you, she saw her, she's at the hotel room 218.
29:00She saw you.
29:05Go to her, she's at the hotel room 218.
29:10Go to her now.
29:14Go to her.
29:15Ñ‹Ñ…...
29:19go to her.
29:22Go to her.
29:23Go to her, she's at the hotel room 228.
29:25Go to you.
29:26Go to her, Lou.
29:29Go to her.
29:30Go to her!
29:32Go to her, don't you?
29:35Go to, I'm good.
29:36Go to her!
29:36Go to their, mate.
29:37Go to her.
29:37Go to her, she's Hi.
29:38Go to her, she may the mu?
29:39Go to her.
29:39Go to me.
29:40I was right about the conductor.
29:57What?
29:58I went to his apartment, but when I got there, he was already dead.
30:00Someone slit his throat.
30:03Who have you spoken to?
30:05Just one person from Tom's Charity.
30:07He's coming actually to meet me right now.
30:09Alice!
30:10Which hotel?
30:11Which hotel are you staying at?
30:13Prawn.
30:14I'm coming now.
30:15Do not speak to anyone.
30:17You hear me?
30:18Do not speak to anyone.
30:20Come on!
30:20Come on!
30:29Come on.
30:31Come on.
30:32I don't know.
31:02I have a delivery for Alice Monroe.
31:32To be continued...
32:02Get in! Now! Quick! Quick!
32:18Are you okay? Yes. Okay?
32:23I'm having a panic attack. Freeze.
32:26Oh, my God. Freeze, freeze. Slowly.
32:29Oh, my God. You're safer.
32:32It's Durian.
32:35The works at SOS? Not answer.
32:38No, he's been helping me.
32:40I cannot protect you if you do not want to be protected.
32:43Uh...
32:44Does he know which hotel you are staying at?
32:46Yes, but who else knows?
32:48I guess Inspector Drax knows, but...
32:50Okay, so at least one of them is trying to kill you, huh?
32:57I didn't tell you about SOS. How do you know that's where Tom worked?
33:02It's my job.
33:03What is?
33:04To... to know things.
33:05Okay, you better start telling me some truth or I'm gonna call him back.
33:06Don't be so stupid.
33:07Okay, fine.
33:08Don't be so... please!
33:09Look!
33:10Look!
33:11Look!
33:12Look!
33:13Look!
33:14Look!
33:15Look!
33:16Look!
33:17Tom got off the train because of me.
33:18What?
33:19We explain.
33:20What?
33:21First...
33:22What?
33:23First...
33:24We need to go somewhere safe.
33:25First.
33:26I...
33:27Shit, my bags are at the train station.
33:28Okay.
33:29Don't worry.
33:30Let's go to the train station.
33:31Seriously, what is going on?
33:32Seriously, what is going on?
33:33What?
33:34What?
33:35What?
33:36What?
33:37What?
33:38What?
33:39What?
33:40What?
33:41What?
33:42What is going on?
33:43What?
33:44What?
33:58What?
33:59What?
34:01What?
34:02What?
34:06I'm something like...
34:07a pet noir for your former lover.
34:11The truth is, for the past six months,
34:15I've been investigating him.
34:18On the train, I was following him.
34:21Either he saw me or someone told him I was on it
34:24and he must have panicked and got off.
34:28Why on earth are you investigating him?
34:32I believe Tom Parker runs one of the largest
34:34human trafficking operations in the Middle East.
34:39Tom?
34:40Yes.
34:45I have reason to believe.
34:48Oh, no.
34:49You are so, so far off on this one,
34:53Tom would never, ever...
34:55Did you know he kept a boat in Marseille?
34:59So you knew about the boat?
35:00Yes, of course.
35:01So you lied to me.
35:05No, I with her, the truth.
35:07That's very different.
35:09I thought you were helping me.
35:11I was investigating you.
35:15Who do you work for?
35:16Oh, I'm freelance.
35:18Suits me better.
35:19Yeah, when did they let you go?
35:25Five years ago.
35:29I'm not gonna listen to any more of this nonsense.
35:30You don't know Tom at all.
35:31I'm leaving.
35:33Where to?
35:34It's the police, obviously.
35:37You told me only two people knew you were staying at Le Perron,
35:41right?
35:42Durand and Drax.
35:44So the question is, which one is trying to kill you?
35:48If I had to choose, I would bet on Durand.
35:50He's too smooth, too polite, too German.
35:53Okay, no.
35:53No, Alex has been kind.
35:55He's been helpful.
35:56Okay, so Drax, hmm, this city is packed with dirty cops.
36:00Maybe he plans to set you up for Jero's murder.
36:03Oh my god, this is insane.
36:05There has to be a very simple explanation for all of this.
36:08Explanation?
36:09For what?
36:10A guy showing up at your door, ready to kill you?
36:13Give me a simple explanation for that.
36:15Have you seen the news?
36:21Un crime brutal a bouleversé Marseille ce soir.
36:28La police a ouvert une enquête après la découverte du corps de Maurice Gérou,
36:3145 ans, retrouvé sans vie à son domicile en début de soirée.
36:34Selon les premières informations, une femme aux cheveux bruns aurait été vue quittant
36:38les lieux peu après l'agression.
36:40Elle est désormais activement recherchée et considérée comme principale suspect.
36:44You have nowhere to go.
36:46Nous recherchons activement la suspecte numéro un,
36:49une américaine dénommée Alice Monroe, la trentaine.
36:52Si vous avez la moins d'informations concernant cette personne,
36:55vous avez la moins d'informations.
36:57Contactez la police.
37:14Sous-titrage ST' 501.
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