The Graham Norton Show - Season 33 Episode 01
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00MUSIC
00:04MUSIC
00:08MUSIC
00:12APPLAUSE
00:14Oh!
00:16Oh!
00:18Thank you so much!
00:20Thank you! Thank you very much!
00:22Oh!
00:24Hello!
00:26Hello, everybody!
00:28Good evening!
00:30You are so welcome to the show!
00:32Yes, Autumn is here, and like a misty September morning, I'm back.
00:36Cool, grey, and just a little bit damp.
00:39Anyway, we've got a great line-up for our first show of the season.
00:42Look over there, sing it for us later.
00:44It's the fabulous Ray!
00:48Love Ray!
00:50She'll be performing her new single, Where Is My Husband?
00:53But more to the point, where are my guests?
00:55Let's get them on!
00:56First off, we loved him as the Prince of England in Grantchester,
01:00and we loved to hate him as Tommy Lee Royce in Happy Valley.
01:03Now he brings us the epic succession drama, House of Guinness.
01:06It's our good friend, James Norton!
01:09CHEERING AND APPLAUSE
01:12There he is!
01:14Hello, Tommy!
01:15Good to see you!
01:16Thank you!
01:17There he is!
01:18James Norton!
01:19This Oscar-winning actor and writer swaggered into our screens in Days of Confused,
01:24won our hearts in How to Lose a Guy in 10 Days, and was out of this world in Interstellar.
01:29His latest book, Poems and Prayers, is already a Sunday Times bestseller,
01:33while he returns to our screens in a heroic true story, The Lost Bus.
01:38It is a warm welcome back to Matthew McConaughey!
01:43CHEERING AND APPLAUSE
01:45Here he comes!
01:47It sounds really good to see you!
01:49There you go!
01:50Yes!
01:51That's Matthew McConaughey!
01:52Yes!
01:53And we've got two stars from the new sports drama The Smashing Machine.
01:59She made her mark in The Devil Wears Prada, thrilled us in A Quiet Place,
02:04and was Oscar-nominated for a performance in the global hit Oppenheimer.
02:08It's Emily Blunt, everybody!
02:10CHEERING AND APPLAUSE
02:12Oh, so shiny!
02:13So shimmery!
02:14So business!
02:16Ooh!
02:17So nice to see you!
02:19And as The Rock, he conquered the wrestling world before turning action movie star with roles
02:28in his like Jumanji, Moana, and the Fast and Furious franchise.
02:32Now earning rave reviews for his performance as champion wrestler Mark Kerr in The Smashing Machine,
02:38it's the mighty Dwayne Johnson!
02:41CHEERING AND APPLAUSE
02:44Hello, Dwayne, Dwayne, Dwayne.
02:46And great, lovely to see you!
02:48Good to see you, Dwayne, Dwayne, Dwayne, Dwayne.
02:54Hey, welcome along. What a couch. Sit down, sit down, sit down.
02:57Lovely.
02:59Uh, welcome along, thank you very much for being here, lovely to see you all.
03:01Thanks for having me.
03:02Thanks for having me.
03:03Cheers!
03:04Cheers!
03:05Cheers!
03:06Cheers!
03:07Cheers!
03:08Cheers!
03:09Cheers!
03:10Okay, yeah, if you're wondering, tequila!
03:12Now, some of you know, James, I've got to ask, are you alright because you injured
03:17yourself?
03:18Are you alright because you don't know anyone?
03:19Well, I feel like I know you. I know you. Yeah.
03:25Yeah, and you've met the other packs. I have we had a lovely time. We've got the tequila and other things. Yeah
03:34I am fine. I was this is the thing that's all now King and Conqueror which on BBC one on Sunday nights. Yes. I I fell off the horse
03:41Yeah, I fell off was my broke my collarbone now
03:44In Iceland now I was thinking oh that must be terrible to fall off a horse quite a distance
03:49And then I saw a picture of you with the horse and you are taller than yes
03:55I'm only a pony
03:58Okay, yeah, so Iceland have a protective order on their horses
04:01You cannot import a horse because they have this kind of gene pool and it doesn't it can't be polluted
04:05And so we we having committed to shoot the whole thing and I said and I was a producer on the show as well
04:09So I we were tasked with finding the biggest Icelandic ponies we could find and they were that was the biggest we could find
04:16Even though it was it was that small. I still broke my collarbone from falling from that great height. So yeah
04:21When did it happen? It happened at the very beginning of all the stunt sequences. That's fun. Yeah
04:26Stunts though if you have one of those scenes where you might get injured
04:30It's a good thing to schedule those at the end of the show
04:32Yeah
04:34Yeah
04:36Yeah, yeah, yeah, well producers producers will do that they'll put the big stand but he's producing
04:41It was
04:43I learned a lot. I learned a lot
04:47But also looking at that I'm thinking Dwayne never do an historical epic in Iceland because that pony would not survive
04:54Does a regular horse make a noise when you get on it?
05:04There's a lot of muscle mass there a horse would be going over Jesus
05:12Many things grown when I get on it
05:14I'm writing that down
05:27Let's get on with our first film tonight Dwayne and Emily are together in the smashing machine
05:33It's in cinemas from the 3rd of October, and here's just a little taste of what to expect
05:38Get done. Can you take this picture for me? Yeah, what are you thinking at the beginning of the fight?
05:42Oh
05:44It's simple. Am I going to hurt him before he hurts me?
05:57This Grand Prix to crown the greatest fighter in the world
06:03He has come back from the break. Let's see if he can pull out a victory over Mark Coleman
06:08Have you spoken to either about fighting such a good friend for a life-changing amount of money?
06:16I just need you to let me in
06:19Always about you only about you
06:26Let's fucking go
06:28It's strong man. I love you
06:40So good
06:42Thank you man. Thank you. Thank you
06:44Thank you
06:46Thank you brother
06:48It is phenomenal. It's a true story marker
06:50He was sort of the first star to come out of the
06:52MMA UFC world
06:54He was yeah for a lot of you don't know him and a lot of people don't know Mark Kerr was the first
07:00He was one of the pioneers of there. He is right there of MMA and he was at one time
07:04He was the greatest fighter on the planet heavyweight fighter
07:08And at that time there were no rules no regulations
07:12And MMA was different and there was no infrastructure around it. There was no
07:16Financial planning. There was just
07:18fighters and
07:20Mark fought his way to the top and he
07:22And he struggled
07:24And he struggled like a lot of fighters do unfortunately though
07:28He struggled under pressure and the pressure in many ways got to him
07:32There was addiction involved and he wound up overdosing twice
07:34And he's lucky to be alive, but he's here today
07:36And not here in the audience, but he is alive
07:42But he is with us today and he had this
07:44Unbelievable life and he had this
07:46Volcanic relationship with his girlfriend who eventually became his wife and they have a beautiful son named Bryce
07:52So it was it was really the role of a lifetime and so Emily tell us about dawn. Yeah
07:58I mean she's an extraordinary person
08:00You know and I I I found her when I spoke to sort of simultaneously heartbreaking and fierce and I think it is a very complex
08:10Relationship to be in when you're
08:14With a very dedicated athlete whose life is on the line constantly through his own addiction through actually being in the ring and they did have this rather hazardous
08:24Relationship
08:26But I think the movie is less about
08:28You know it's set to the backdrop of this 90s machismo
08:32But it's so about vulnerability
08:34And the brokenness and like how you never really know what's going on in someone's life, you know
08:38And the image of invincibility is not really the truth, you know
08:42And we've got to talk about the Venice Film Festival because you took actual Mark Kerr with you
08:46Yeah, so I mean obviously emotional to watch it but to watch it with him
08:50To watch it watch it with him must that was the first time he'd seen it right?
08:54It was the first time he had seen it with an audience
08:56So we get to the Venice Film Festival
08:58Which we're there for competition and we're sitting there and watching it I sit next to Mark Mark's a big guy and I could feel him and he's shaking
09:06He's he's shaking the entire movie especially the fight scenes with him and his girlfriend who eventually became his wife Dawn
09:12He's shaking every once in a while. I reach over and grab his knee and
09:16Towards the end of the movie where we have the big scene. Yeah with Emily and I don't ruin it. I won't ruin it. No
09:22Don't over bitch
09:27So anyway, you'll never go
09:29And then he is really shaking and crying and then I look over and Benny Safdie's holding his hand and
09:39You know in Venice Film Festival. It's very ceremonial right as we know and it means a lot films mean a lot to people in Venice
09:46And at the Venice Film Festival and before the credits came up
09:52The audience erupts and they give us a 15 and a half minute standing ovation and Mark
09:58And Mark Kerr is sobbing which makes us all cry and Benny as well and it was just beautiful
10:05And we've got a little bit of footage of the ovation and I say it goes I mean it's incredible
10:11Look at me
10:13By the way, yes, let's wait till this is over so I can embarrass you because this is
10:17I know. No, look at your face
10:19Yes, Mark Kerr is beside me, that's Mark
10:21So there I am, right? I'm very emotional. The house lights come on before they're expected
10:28I'm crying and I'm trying to wipe my tears away
10:31To try and still stay cool and this one is like
10:34Can you believe that we did that thing? Whatever the fucking joke was that she said
10:39No, I didn't even believe
10:41You can see in the clip that he's crying and I went, do you remember on Jungle Cruise when you said you never cried?
10:46I'm in a moment
10:49I'm in a moment
10:51It's like the British thing, right? No, I think it's the British thing
10:55It's like it's a long time for people to be clapping and I start to get embarrassed
10:58Yeah
10:59So I started making jokes because I was like, oh God, this is so much
11:03Yes, to remain kind of humble and grateful for 50 minutes is quite hard
11:07Yeah, it's hard to be a thank you so much
11:10And here's the thing, you know, just watching the trailer there, you know, that idea of Dwayne Johnson disappearing into any role
11:17You kind of think, oh, how can you transform? But you do
11:21What? What? And it's and it's not just the physical thing because it's obviously this hair, but other things went on
11:26It was about 22 prosthetics. We had Kazu heroes or Oscar winning prosthetic artist and he helped me transform
11:34There was also a vocal transformation too, but the idea I think of transforming for me was something that
11:41You know, I didn't know that I was
11:43I was I didn't know that that was for me and I wanted to do that because a lot of times in the movies that I've made in the past
11:49The bigger movies are big and they're fun and I've liked them from Jumanji to Moana
11:54And I'll go back to those but there was something about this opportunity where there was a little there was a voice behind my ribcage
12:02That was just telling me right so like like and I'd share this with Emily for years like it's just it's
12:09Gnawing at my gut to do more and challenge myself and grow and do something where I'm not chasing box office
12:17But I'm doing it for me. Yeah, and it wound up being the
12:21Most greatest most gratifying thing and and and and I've said this before and I mean it
12:25Smash machine changed my life
12:28Well, you so pulled it off. You really it really is phenomenal and and Matthew
12:32I'm interested because you had a kind of similar career pivot to the yeah
12:36What's Wayne's doing now where you had this incredibly successful career with with rom-coms and you went?
12:42No, I'm gonna search out different sorts of parts more meaningful parts. How hard was it to turn your back on that?
12:48So similar to what Dwayne said I had that 4 a.m. in my solitude on my own truth that hit me
12:56It lands like a butterfly and strikes like a lightning bolt at the same time that truth that you go
13:00Okay, tomorrow when the sun comes up and I'm back in the masses and all the world's coming at me and all those offers
13:05I need to remember this truth now
13:07I've been trying to get dramas and was even offering huge pay cuts and they're like no stay in your lane McConaughey
13:12You're the rom-com guy. You got that down mind you
13:15Mind you I enjoyed him, but I was wanting to do something different because I couldn't do what I wanted to do
13:19I said I got to stop doing what I'm doing. So I said no more no more rom-coms called the agent
13:23I said let the town know it's not gonna happen. I went to Texas when I was pregnant on the ranch quiet down there
13:29Camilla says me look you don't know how long it's gonna be dry how long you're gonna not go with work
13:33This could go on, but this is non-negotiable. We're not going back. I was like not going back
13:38Now a year goes by nothing nothing
13:42I call my agent goes Matthew. I haven't even heard your name in six months
13:45I'm done. Okay. I may have just wrote myself a one-way ticket out of Hollywood
13:49I start to think about other vocations school teacher
13:52Wildlife guide. Maybe I go back to law school all right 18 months go by I
13:58Really think I've done it. I'm out
14:01I get this this romantic action comedy. It comes with an eight million dollar offer
14:06I read it. I pass I say no. Thank you comes back with a ten million dollar offer
14:10I said no. Thank you comes back to the twelve million dollar offer. I said no. Thank you
14:14It comes back to the fourteen point five million dollar I said let me read that thing
14:19Same words as the eight million dollar offer but it was better
14:24I can see myself and this could work right
14:28But I ultimately said no
14:30That must be so hard to say no
14:32It was but
14:33It's saying no to it
14:35I think sent a little invisible message to Hollywood. Oh McConaughey's not bluffing
14:40We're talking about not flinching yes
14:42Oh, he's playing offense. He's not just doing nothing. He's playing on he's he's on to something and
14:4920 months two months after I turned that down the offers came in that I was looking for and they came in in droves
14:56It went killer Joe mud the true detective Dallas buyers magic
15:00They they came in everything I was looking for and I would not have they would not have come in if I wouldn't have unbranded
15:06For that 20 months. Yes. All right. Now Dwayne you didn't have to unbrand
15:10You had enough steam going I can make whatever choice I want and I'm gonna make this happen over here
15:15It was a time for me where I had to unbrand it took 20 months
15:18Mm-hmm, but then I was doing and all of a sudden my work was challenging the vitality
15:22I like it
15:23I was like there we go
15:24So cool
15:25I know absolutely
15:26And
15:27And
15:28And
15:29And
15:30And
15:31And it's one thing that they
15:32Every actor they want to be successful but then you don't want to be typecast
15:35And James you know you were so good as Tommy Lee Royce in Happy Valley
15:41You have that kind of psychotic
15:43Oh
15:48Like
15:49Were you just offered lots of psycho villains after that or
15:53Or
15:54Yeah
15:55Yeah
15:56I seem to get offered roles where they present as nice and kind of civil and then underneath they have a heart of stone
16:02And I don't know what that says about me but
16:04Um
16:05Yeah I mean I
16:06I haven't
16:07I haven't had to rebrand which is lovely I've
16:09You know been lucky I've been able to kind of twist and turns and I think that's the way you keep learning and keep it fresh
16:14That's what every actor wants
16:15Um and
16:16Yeah I mean the villains are also really interesting like the one I'm playing right now is a beast
16:21Yes
16:22So you know I get to
16:23I get to play and yeah
16:24But I have to say I've cited you as someone who has done it and you know now you as well Dwayne
16:29Like someone who has done it so elegantly you you managed to go against the grain because the producers they want their job to be done easily
16:34You know you you don't want your actor to have to go on these massive transformative journeys because it costs money and you have to get dialect coaches and everything else
16:41You want the actor to walk in as the character and actually what we want to do is go on those journeys which you guys have just described so beautifully
16:46So yeah it's um it's a it's a tough kind of struggle
16:50Talking of returning to our role
16:52We've seen a lot of paparazzi pictures of Miss Emily Blunt recently because you are you still filming The Devil Wears Prada 2?
16:59Yes
17:00Yes
17:01Yes
17:02It must be lovely to be making something that people are so happy about
17:07They are so excited about it it is incredibly sweet
17:10I mean we're trying to keep as much of it under wraps as we can but it's not just the paparazzi that it's the fans outside
17:17I've never experienced this where it's just thousands of people waiting outside the sets and I think when we made the first one like we thought it was funny
17:25We were like it's really funny and then it comes out and I was a kid you know when it came out and it's 20 years ago and
17:32I remember my agent calling me going you know this this is the opening weekend I was like is that good?
17:37Like I didn't know what what was success was and and so it had this meteoric life and it's it's amazing to come back to it
17:46And because to make the second one obviously they needed the four of you you standing and Merrill
17:50So did the four of you have a lot of say and what the story was going to be or we did?
17:55I mean, I think they were very collaborative on it and you know, they wanted everyone to be happy
18:00They wanted us in cahoots with them. Yeah, it was it was really really cool. Well, we look forward to that
18:06But before then do I urge you go see Emily and Dwayne give extraordinary performances in the smashing machine in cinemas from October the 3rd
18:14Very good
18:16Thank you
18:17Thank you
18:18Thank you
18:19Okay
18:20Next up Matthew McConaughey
18:22He brings us the latest offering from director Paul Greengrass
18:26It's called The Lost Bus and it's out now in selected cinemas then on Apple TV plus from the 3rd of October
18:33Before we talk about it. Here's some of the trail
18:36At approximately 6 30 a.m. This morning a fire entered the town of paradise
18:45Where do you need to get to?
18:47My son's up there with his grandma
18:56It's too late
18:59I'm too late as a father
19:00It's not too late
19:09Wowza
19:11That was so cool
19:12Wowza
19:13That was so cool
19:14Wowza
19:15So cool
19:16And again this is another extraordinary true story
19:22And, again, this is another extraordinary true story.
19:29Yeah.
19:29These awful, awful California wildfires in 2018.
19:32And this kind of reluctant hero.
19:35Tell us about Adam McKay.
19:37Kevin McKay.
19:38Kevin McKay, sorry.
19:38In our story, he's come home because his father died.
19:42And he's there to take care of his widowed mother
19:45and reconcile our relationship with his son
19:47from an earlier divorce in his life.
19:49He's got a part-time job as a school bus driver.
19:52On this particular day, took the kids' school, dropped them off,
19:56was out and about, and fires were coming across the canyon.
19:59It happened all the time.
20:01No one even got alarmed.
20:02The first responders head up there and put them out.
20:05But on this day, the winds came and the fires jumped the canyon,
20:08so the first responders were stuck.
20:10And while they were stuck, they called it a mandatory evacuation
20:14out of the town of Paradise.
20:17When that happens, Kevin McKay has just made the decision,
20:20I'm going to go back and get my mom and my son, who cannot drive.
20:24I'm going to save them, evacuate them.
20:27Not two minutes later, it comes through dispatch.
20:30I've got 23 kids stranded on the east side of town.
20:33Does anyone on that side of town have an empty bus?
20:35Well, guess who's got an empty bus?
20:36Do you pick that up and say yes?
20:41Or do you go get your mom and your son?
20:45He picked it up.
20:46And he said, I got him.
20:48He picks him up.
20:49There's a teacher with a Mary Lugwig who's played by America Ferreira.
20:53And this is the story about the next six, seven, eight hours of what happens.
20:57Wow.
20:58And you mentioned the personal side of the idea of being a dad.
21:00And, of course, that's incredibly present in this film because it is a family affair.
21:06Yes, it is.
21:07Check this out.
21:08Ha, ha, ha!
21:11I go home and pitch the script to my family, as I always do.
21:14Here's what it's about, you know.
21:16And if it's too R-rated, you've got to kind of do it in a parable form.
21:20Kids were old enough and told them that this one was about straight.
21:23I get to the part about my son.
21:26And my son, Levi, who's 15 at the time, goes,
21:28is that part cast yet?
21:29I said, no.
21:29He goes, you think I can read for it?
21:31Oh, my God.
21:32And I just kind of look at him.
21:34Had he ever read for anything before?
21:36No.
21:37So this surprises me, but I kind of just give him a shoulder and like, yeah, right.
21:40He comes back the next day.
21:42The next day, he badgers me four times.
21:44I said, okay, all right.
21:45First off, sit down.
21:46We're going to talk about what this acting gig is.
21:48I said, this ain't modeling.
21:50This ain't no attitude.
21:52All right?
21:53This is a frickin' rodeo.
21:54You've got to go with soul and no bullshit in your bone.
21:58So he goes, well, I already got a scene worked out.
22:00I want to shoot.
22:00So I pulled out my camera shot.
22:02And I was like, first take.
22:02I was like, okay.
22:04Kids got present.
22:05He was able to behave honestly in front of the camera.
22:08I was like, that's for starters.
22:09You need that.
22:10We did two takes.
22:11I sent it to the casting director with a note saying, I think this is good enough for
22:15a callback.
22:16She writes back and says, I think it's good enough to send to the director, Paul Greengrass.
22:19I said, great.
22:22And it dawned on me.
22:22Wait a minute.
22:23Do me a favor.
22:24Can you pull his last name?
22:25If he gets it, is he going to have an inkling that the last name helped him?
22:31Oh, I don't want that happening.
22:33So she pulled the last name, goes into Levi.
22:34Paul sees it, director, looks at it, goes, this is the kid.
22:37She said, well, you know, it's actually Matthew's son in real life.
22:40He goes, even better.
22:41Oh, that's so cool.
22:42And then, so it's lovely, your son's in it.
22:44Your mom's in it.
22:45My mom's in it.
22:46My mom's in it.
22:49Tell them who she plays.
22:50Tell them who she plays.
22:51No, she plays my mother.
22:55There she is.
22:56Kate McCauley, 93 years young.
22:58Oh my gosh, she's gorgeous.
22:59So, what we're going through, Paul and I would get together every week and kind of just go
23:10over the last week.
23:11How are we doing?
23:12Are we missing anything?
23:12Is there anything we want to do?
23:13Anything special?
23:14And the news was always good.
23:15We were always happy with everything that was going.
23:17But he said, about four weeks in, he goes, I got one problem.
23:19He goes, I think I miscast the mother and I either misdirected it or we got to rewrite this
23:23scene.
23:23Do you know, do you have any idea who could play your mother?
23:27I said, let me think about it.
23:28Next day, he goes, what about your mom?
23:30Wow.
23:31They're making this family affair, Paul.
23:33I said, hang on a second.
23:33He goes, let's just cast her.
23:35I said, hang on.
23:35Hang on.
23:36Before we just cast her, let me get her in front of you.
23:38And I said, I said, mom, can you send me a minute video on your phone of why you love
23:43being a mom?
23:44She sends me an eight-minute video.
23:47I show that to Paul.
23:48He's like, yes.
23:50That's her.
23:51What's that conversation like when you told your mom?
23:53She was already into, like, let me check with my agent, which she didn't have.
24:02She was already like, well, let me think about it.
24:05Yeah.
24:05This is all sounding very familiar to James Norton because your dad, has he been in every
24:14single thing you've done?
24:15Dad?
24:16Has he?
24:16My dad has been in nearly everything I've ever done, yeah.
24:18I'm terrified of him watching this because I know I'm going to get a text saying, why
24:22can't I play your dad?
24:22I want to, you know, I've got my notes ready.
24:25He mostly does kind of supporting background work.
24:27Yeah, yeah.
24:28He does a day as an essay on everything I do.
24:30So, here he is in the House of Guinness.
24:32This is your current project.
24:34Oh, God.
24:34There he is.
24:36But we have found footage of him from War and Peace.
24:40This is, it's over, is it 10 years ago?
24:41More than 10 years ago.
24:42At least.
24:42He flew himself out to Lithuania to shoot this.
24:44Yeah, he flies across the world.
24:45I did wonder how the hell he ended up in Lithuania to be in this.
24:49So, he flew himself.
24:50He loves it, yeah, yeah.
24:52Okay.
24:52He gets a free haircut.
24:54He kind of struts around the set like a peacock.
24:56Gets, you know, to flirt.
24:58You're not in this scene, but keep an eye out.
25:02I'll show you James out here.
25:04I mean, blink and you might miss him.
25:05But, here we go.
25:06Warm Peace.
25:07It's all going very well.
25:09Lovely, very dramatic.
25:10And look, who's that in the moustache?
25:14There you go.
25:16Did he keep the moustache?
25:18Yes.
25:18He loved it.
25:19Did he keep the moustache?
25:20He didn't keep the moustache, no.
25:22It's a new one in House of Guinness.
25:23It's a new one in House of Guinness, yeah.
25:25In House of Guinness, he had to throw a bottle at me.
25:26And he's not the most coordinated.
25:28And it was a stunt sequence.
25:29And he had to throw the bottle multiple times.
25:31But, yeah, no, he loves it.
25:32So, when he comes out, is it specifically for one scene?
25:35Or does he just lurk around for many background scenes?
25:37No, no, no.
25:38We make sure that he's only on for one scene.
25:39I mean, he would.
25:40He would, if he had the choice, get an agent.
25:42I mean, I'm terrified.
25:43But has he never asked for lines?
25:46Has he never asked for lines?
25:46Has he never had a line in one thing?
25:47Oh, it was terrible.
25:48He had a, I'm sorry, Dad.
25:49Dad.
25:50He had a line in Lady Chatterley's Lover.
25:53And I remember him, it was, the director said,
25:56Hugh, let's give you a line.
25:58And he improvised something about the state of the coal mine.
26:01And he looks at me, he goes, what the fuck?
26:03Like, how do I, what does he mean?
26:04And then it was, I don't know about you,
26:06but you, obviously, your son and your mum are obviously
26:08clearly much more talented than my dad,
26:09because he was terrible.
26:11And I was standing there, and I'm trying to stay in character,
26:13and all I have is this man going,
26:14the coal is not coming up the ground.
26:19Terrible.
26:20Really distracting when you're a terrible actor.
26:23And, Dwayne, your mum, she didn't act,
26:28but she has now done some acting.
26:30She has.
26:30We actually, so I followed in Matthew's path,
26:33and I put her in, I cast her in live-action Moana.
26:37So she's in that, yeah.
26:39Does she have lines?
26:40No, thank God.
26:41OK.
26:42You went the Norton route.
26:44No, yes, that's it.
26:46You've talked about her before,
26:47but I love the idea of your mother.
26:48She enjoys your fame very much.
26:51She loves it.
26:52She does.
26:52My mum's had a tough life,
26:54and she, so now she's living like,
26:56there she is.
26:57She's just living her best life,
26:59and she does.
27:00She's my biggest fan,
27:01and she has this crazy room
27:03that's called the Smackdown room.
27:06And in the Smackdown,
27:07it's just all me.
27:10She has everything that,
27:12I mean, every little thing,
27:14anything you can think of,
27:15she just shoves it in there.
27:16Does your mum have something like that?
27:18My mum has the same room.
27:19It's not of you, but it's of all my stuff.
27:22That would be weird.
27:26That would be amazing.
27:27So your mum is your biggest fan?
27:28Yes, but she also,
27:30and she is my biggest fan,
27:31but she also is very clear to take credit
27:33for all of it.
27:35Wow.
27:36Every role I've ever played,
27:38here's what she comes up after.
27:39She goes,
27:40Matt, you did so good.
27:43I can tell where you got it from.
27:46Very proud.
27:47We're fine now.
27:50My ship's stable enough
27:51where I'm like,
27:51Mom, say whatever you want.
27:52Whatever you want.
27:53Now that she's got a great agent,
27:54she's good.
27:56But she published a book.
27:58Yes.
27:58Can you remember what the name
27:59of the book was?
28:00Oh, yes.
28:01Because she probably has already
28:03put a sticker of the title
28:04of the book on my truck.
28:06It's called I Amaze Myself.
28:10I feel like every book,
28:12every book should be called
28:13I Amaze Myself.
28:14Oh, she's a legend.
28:16Chapter 26,
28:17guess what the title is?
28:19Some people deserve to be pissed on.
28:27Wow.
28:28What is Christmas like in your life?
28:32It's wild.
28:33Is it novel?
28:35No, it's short stories.
28:37Some people,
28:38it's probably helped out some people.
28:39She's very much a,
28:41she gets by on positive thinking
28:43and denial.
28:46And it works.
28:47And she's 93
28:47and not shallow
28:48and kicking ass,
28:49so I'm going to love it.
28:50Talking of books,
28:51I must say,
28:52after the success of your memoir,
28:54Green Lights,
28:55you now have a new book,
28:56Poems and Prayers,
28:57number one in the New York
28:58Times.
28:58We already know
28:59there's going to be
29:00the bestseller list
29:01in Sunday night.
29:06From what I read,
29:07so a lot of the material in here,
29:09you've been working on
29:11off and on for years.
29:12Yes.
29:13So this is something
29:13you've always done.
29:15Yeah, I've been writing poetry
29:15since 18.
29:16Yeah.
29:17Yeah.
29:18And I think you're going
29:19to do one for us?
29:21Yeah, I'd love to read one.
29:22Have you got the book with you?
29:23Actually, your mum is here
29:24and she's here
29:25in her toothpiece bikini
29:27ready to read.
29:29Ready to be on somebody.
29:31Well, you've got the book there.
29:31Oh, you've got the book there.
29:32Okay.
29:33Why I wrote it
29:34and why I put it out now.
29:36Seems to me belief
29:38is in short supply.
29:40Look around,
29:41turn on the news,
29:42you look around,
29:43there's not much
29:43to believe in
29:44or reasons to believe.
29:47And that's not going to work
29:49because if doubt wins,
29:50we're all going to lose.
29:52So this is me
29:53looking for belief
29:54because I found
29:55my own self
29:55getting cynical.
29:56I found my own self
29:57objectifying people
29:58and kind of thinking,
29:59I guess that's just
30:00the way it is.
30:01First, that scared me.
30:02Secondly, thankfully,
30:03it pissed me off.
30:04And I said,
30:04no, no, no, no, no.
30:05I promise I'll never
30:06become a cynic.
30:07That's an early death
30:07if you do that.
30:09So I wrote this
30:10to dive into my own belief
30:11and I've also found
30:12a lot of people
30:13along the way going,
30:14they feel kind of
30:14the same way.
30:15They're looking for belief.
30:16So poems and prayers,
30:17instead of looking
30:17to reality
30:18and the evidence
30:19for belief,
30:19let's look at our dreams
30:21and our aspirations
30:22and see if we can bring
30:23those back down to earth
30:24and that's why
30:24I wrote this book.
30:26There's a bunch in there.
30:27Why don't I read one
30:28that's kind of funny?
30:28Okay.
30:29All right?
30:29And not that long.
30:30How about that?
30:31Okay.
30:31All right, it's called
30:32More Time.
30:33I think it was about 2 a.m.
30:35The band played
30:36the last tune
30:37and I said amen.
30:38Went to pay my tab
30:39over at the bar
30:40when the main event
30:41started tuning their guitar.
30:43So I ordered myself
30:44another bottle of wine.
30:46God, I love it
30:46when I got more time.
30:47Thought it was
30:49the year 2010.
30:51Not a worrying sight
30:52in the fast lane again.
30:54Signed all my checks
30:55one year tardy
30:56because it was 09
30:57and I hadn't left the party.
30:59So happy my balance
31:01wasn't in the red.
31:02God, I love it
31:02when I'm early instead.
31:05Met a woman I liked
31:06and she became my friend.
31:08We turned into lovers
31:09and thought we'd make it
31:10until the end.
31:11But as soon as we lined up
31:12hand in hand in the queue,
31:14my eyes started turning
31:15a lighter shade of blue.
31:18Well, sometimes love
31:19just loses its shine
31:20and sometimes leaving early
31:22just gives you more time.
31:25Come on!
31:25Very good!
31:28Very good, guys.
31:35Meanwhile,
31:36in another part of the forest,
31:37James Norton brings us
31:39a new epic historical drama,
31:41House of Guinness,
31:42on Netflix now.
31:44and here's a taste
31:45delicious.
31:47The death of your father
31:48has served to
31:49poke a stick
31:50in a hornet's nest.
31:54A gift
31:55from Mr. Guinness.
31:56And you're gonna start a war
31:58from a representative
31:59of the Dublin poor.
32:02Children, Sir Benjamin
32:03leaves behind
32:04are weak
32:04and divided.
32:06Now is the time
32:07to use that weakness.
32:09Freedom!
32:09Freedom!
32:09You think there'll be
32:13trouble today?
32:14The man's name
32:15is Guinness.
32:19Of course
32:19there'll be
32:20fucking trouble.
32:21And here's the thing,
32:42obviously the Guinness family
32:44who are kind of fighting
32:45for control of the brewery,
32:47they're real.
32:47Who do you play
32:49and are you
32:50kind of an actual
32:51historical figure?
32:52So I'm not,
32:53I'm made up.
32:54The story is
32:55kind of the father,
32:56Benjamin Guinness,
32:57it's all true,
32:57he died in the early 1860s
32:59and he left
33:01his power vacuum
33:01in the kind of
33:02big dynasty show,
33:03the four children
33:04then take over
33:04the brewery.
33:05I play there,
33:07fixer,
33:08caretaker,
33:09kind of the four,
33:09he runs the show,
33:10he's the boss.
33:11He's called Sean Rafferty
33:12and he's a badass.
33:14Yeah, he really is a badass.
33:15It's really fun.
33:16Yeah, and it's by
33:17the same guy
33:18who wrote Peaky Blinders,
33:20right?
33:20It's Stephen Knight,
33:21yeah, and he is,
33:21Oh, I love Stephen Knight.
33:22Yeah, yeah,
33:23and he's firing
33:23on all cylinders,
33:24he's in his element,
33:26you can tell he had
33:26a lot of fun making it.
33:28Yeah, it's a really,
33:29it's a romp,
33:30you know,
33:30it's an amazing
33:31period of history,
33:32it's when this brand,
33:34Guinness,
33:34became this,
33:35you know,
33:35the biggest beer brand.
33:35I didn't realise
33:36how famous Guinness
33:37was in the 1860s,
33:39it was global already.
33:40Well, it was just,
33:41this story is the kind
33:42of the moment
33:43it exploded
33:44into North America
33:44and on the kind
33:46of coattails
33:47of the Industrial Revolution
33:48and, but it's sort of,
33:49it's smoky and sexy
33:50and it's irreverent
33:51and, you know,
33:52it's, we have many names,
33:54the crown with beer,
33:55subsession,
33:57it's been called.
33:58It's a lot of fun.
34:00I mean, there's many people
34:01who have coined it,
34:01but yeah,
34:02it's a lot of fun.
34:03It's definitely a fun,
34:03fun romp.
34:04And when I watch
34:05something like this
34:05and, you know,
34:06you're in it
34:06and you're doing
34:07a really good Dublin accent,
34:09I kind of think,
34:09when you said yes to it,
34:11did you just kind of think,
34:11I'm sure I can do that accent
34:13or did you know
34:14you could do a Dublin accent?
34:15No, I mean,
34:16I was terrified.
34:17You know,
34:18the Irish are a very,
34:19well, you know,
34:19they're a very proud people
34:21at the right show.
34:22They'll tell you.
34:22They will tell me.
34:23They do.
34:24They often do.
34:25Have you done press
34:25in Ireland yet?
34:26I have.
34:27You've got it where you're at it.
34:28It's terrifying, honestly.
34:29I sat on this couch
34:30with Jamie Dornan
34:31and he told us
34:31he got crucified
34:32by a journalist
34:33for his Irish accent
34:34and he's Irish.
34:35I was in that movie with him.
34:36You were in that movie?
34:37And we got destroyed.
34:39Yeah, but he's Irish.
34:40I mean,
34:40I know he's,
34:41but he's from Belfast
34:43and they told him
34:44his Irish accent was shit.
34:46So it was like,
34:46I don't know what,
34:48I don't know.
34:48It was, anyway,
34:49but no,
34:49listen,
34:50the accent was terrifying
34:51and I worked really hard at it
34:53because, you know,
34:54we all know actors
34:55who didn't get it right
34:56and they do get
34:56held to account.
34:57And did you have any kind of like,
34:59were you given shortcuts into it?
35:01Yes, I did.
35:02I had an amazing dialect coach
35:03called Paul Mousselides
35:04who basically,
35:06yeah,
35:07he gave me,
35:09I don't know if you've ever done this
35:09for an accent,
35:10but he gave me kind of
35:11the vowels broken down
35:12into eight sounds
35:13and then these little poems,
35:15actually,
35:15funnily enough,
35:15I could follow,
35:16I could follow with one of the poems,
35:18but they were kind of ridiculous
35:20and I would listen to them
35:21and look kind of crazy
35:22walking around.
35:23Can you remember any of them?
35:24I remember,
35:25like,
35:25the sound,
35:27I mean,
35:27I'm going to butcher it
35:28and the Irish people
35:29are going to come.
35:30No, they're not.
35:30They are.
35:31You're not on set.
35:32No, I'm not on set.
35:33It was a year and a half ago
35:34in my defense.
35:34So, like,
35:35the sound,
35:35like,
35:35wine,
35:36light,
35:37fine Ireland,
35:38it was something like,
35:40the prime height
35:42for umpours in Ireland
35:43is five foot nine.
35:44I'm smiling now
35:45because of the fine white wine
35:47I'm drinking.
35:47It makes me feel like
35:48I'm a lion flying over a toy.
35:51Yeah, yeah, yeah.
35:52You know what I mean?
35:53Can you do that?
35:53Yeah, yeah, yeah.
35:54Still got it.
35:55Still got it.
35:57That's one of,
35:57that's cool.
35:58Yeah, sure.
35:59You meant that,
35:59no, as an actor,
36:00you've, like,
36:00it's very scientific.
36:02You've got to break
36:02the accent down
36:03into these times.
36:04Have you ever done
36:04an accent, Matthew?
36:05Yes.
36:06Yeah, Tim Monick
36:07is who I worked with.
36:08He's great.
36:08He's done the same things.
36:10Yeah, you give
36:11the little limericks
36:12and you just find
36:13the, uh,
36:14actually the rhyme
36:15and the vowel sounds
36:16along the way
36:17and you start,
36:18it sort of seeps in.
36:19And, uh,
36:20James Norton,
36:21this is a,
36:22you know,
36:22it's a big action,
36:24uh, series,
36:25a big action role
36:26for you.
36:26And, you know,
36:27we've had fighting,
36:28we've had fires.
36:30You bring us explosions.
36:32I do.
36:33Now, have you ever
36:33had to do
36:34walking away
36:35from an explosion before?
36:36I'm so pleased
36:37we can get to talk about this.
36:38Yeah, so we have,
36:39no.
36:40You, you have,
36:41I know you have
36:41because there is a song.
36:43So we were shooting
36:44this scene, um,
36:45in, in Liverpool
36:45and my,
36:46and Sean Rafferty,
36:47my, my role was made
36:48very easy
36:48because all I had to do
36:49was sort of strut
36:50and smoke cigarettes
36:51and look kind of cool.
36:52And so one of these scenes
36:54I was walking away
36:55from an explosion
36:55and my business partner
36:56and my dear,
36:57dear best friend,
36:58she, she texts me
36:58in the middle
36:59of this, this, uh, scene.
37:00She said,
37:00have you seen
37:01Cool Guys Don't Look Back
37:02at Explosions?
37:03The Lonely Island guys.
37:04Have you seen it?
37:05Yes.
37:05The Andy Sandberg,
37:06which you were in.
37:06The Lonely Island guys.
37:07It's a song
37:07and he's cut together.
37:08It's so good.
37:09He's cut together
37:10all the actors
37:11and actresses
37:11over the,
37:12over the time
37:12in Hollywood
37:13who have walked away
37:14from an explosion
37:14and not turned back.
37:15You can't turn back.
37:16You can't turn back.
37:17But you are my inspiration.
37:18Oh, cool.
37:19This is, this is what,
37:20actually in the series,
37:21this is, uh,
37:22Sean Rafferty
37:23walking away
37:24from an explosion.
37:25I'm not afraid
37:25of a bit of progress.
37:27Blackwood will never win.
37:29And wait for it.
37:29Oh, there you go.
37:30But then I do a look back.
37:31Do I not?
37:32No, you don't.
37:33No!
37:34It's so cool.
37:35So, the rules,
37:36Bernie, are
37:37you don't look back.
37:38That's a rule.
37:38You don't look back.
37:39Yeah.
37:39And I suppose
37:40the other thing would be
37:40you wouldn't look
37:41sort of pleased with yourself
37:42for walking away
37:43from an explosion.
37:44Oh, no.
37:44No, don't look back.
37:45Don't look pleased, yeah.
37:46Don't react.
37:47Don't look at me.
37:48He's a stone-cold
37:48straight face.
37:49Stone-cold straight face
37:50all the time.
37:50Yeah, like,
37:50this is what I do
37:51kind of thing.
37:52But, by the way,
37:53you're a producer.
37:53Make it happen.
37:54Yeah.
37:54I wasn't a producer
37:55on this,
37:55but I didn't know
37:56what you were about.
37:56Yeah.
37:57So, this is,
37:58this is, uh,
37:59this is a slightly
38:00longer take.
38:00This is from
38:00behind the scenes
38:02of, uh,
38:03Sean Rafferty
38:04walking away
38:04from the explosion.
38:05Oh.
38:06So, uh,
38:06here he goes.
38:07So, there's the explosion.
38:09Not looking back.
38:10Oh, he looked back.
38:15All right,
38:26it's time for music.
38:27The seven-time
38:28Brit Award-winning
38:29Grammy-nominated artist
38:30first set the world
38:31to light with her
38:32debut album,
38:33My 21st Century Blues.
38:34Here, performing
38:35her newly-released single,
38:37Where Is My Husband?
38:38It's Ray!
38:40CHEERING
38:41I was like a baby.
38:46I was like a ring.
38:47I was like a diamond ring
38:48on my wedding ring.
38:49I was like a big
38:50and shiny diamond.
38:51I could wave around
38:52and talk and talk about it.
38:53And when the days
38:54you ever give me
38:55God, that I could
38:55ever doubt it.
38:57Till death,
38:57I do, I do, I.
38:59This man is testing me.
39:02Oh, oh, oh,
39:03oh, help me.
39:05Baby,
39:06what had it my husband?
39:09What had it taken
39:09him so long
39:10to find me?
39:13Oh, oh, baby.
39:15What had it my love?
39:16Getting down with my love?
39:18Ooh, yeah, yeah.
39:20Tell him if you see him, baby.
39:21If you see him,
39:22he should have.
39:23Why is this beautiful man
39:25waiting for me again?
39:25Oh, why are you already
39:26testing my patience?
39:28I'm literally taking time
39:29with other women
39:29that ain't me.
39:30Well, I've been reviewing
39:31applications.
39:32Well, I've got my men's
39:33only when I tell him
39:34I'm too vile,
39:35no, he can't be waiting
39:36and it's a patient.
39:37Praise to the Lord
39:38to give him to my loving
39:39all to the spot.
39:40I can't believe
39:40He's just me
39:41He's just me
39:42He's just me
39:42He's just me
39:43He's just me
39:44He's just me
39:44How my heart
39:46can't fall
39:47Is he far away?
39:49Is he far away?
39:50Is he okay?
39:52This man is testing me
39:53Uh-huh, uh-huh, uh-huh,
39:54help me
39:55Help me
39:55I need you to tell me, baby
39:57What had it my husband?
40:00What has it taken him so long
40:02To find me?
40:03To find me
40:04Oh, baby
40:05Where has my lover
40:08given down with another
40:10Ooh, ooh, ooh, ooh, ooh
40:11Tell me if you see him, baby
40:13He should hide
40:15I'm doing
40:15The acrobatics
40:16I'm sipping my dress
40:17at 2 a.m.
40:18And I'm tired
40:18of living like this
40:19He must be out
40:20They're getting ready
40:20Trying to fix up his tire
40:21Uh-huh, uh-huh, uh-huh
40:22Hello, this way you're right
40:23It's ready
40:24Well, I got your heart going
40:25I'ma turn it up too foul much
40:27I'ma love you
40:27No one above you
40:28Pray
40:29To the locker
40:30Hurry, hurry
40:30You alone, baby
40:31I ain't telling you
40:32I'm not sure
40:32P-C-D
40:34P-D-D
40:35P-D-D
40:36Oh, my heart
40:38Yeah, it's wrong
40:39Yeah
40:39Is he far away?
40:41Is he okay?
40:44This man is testing me
40:45Uh-huh, uh-huh, uh-huh
40:46Help me
40:47Help me
40:47I need you to tell me, baby
40:49What had it my husband?
40:52What had it taken him so long?
40:54To find me
40:56Oh, baby
40:57What had it taken him so long?
41:00Get it down with a number
41:02Ooh, ooh, ooh, ooh, ooh
41:03Tell him if you see him, baby
41:04It's the invitation
41:06Tell him I'm mm
41:08Tell him I'm mm
41:09With the mm, mm, mm, mm
41:10Tell him I'm kind
41:11Tell him I'm fucking
41:11Tell him I got brown eyes
41:13And a grown fit
41:13If he doesn't find me
41:14Now I'm gonna die
41:15I'm so pretty
41:16Oh, my, my, my, my
41:17Oh, my, my, my, my
41:19No, no, no, no, no, no
41:20Want it, want it, want it, want it, want it
41:21I'm like a baby
41:22I'm like a baby
41:23I'm like a diamond ring
41:24I'm a wedding figure
41:25I'm like a black and shiny diamond
41:26I'm like a baby
41:27I'm gonna talk and talk about it
41:28One day
41:29Still will give me all
41:29That I could have without it
41:31To tell God, do I, do I
41:33This man is testing me
41:35Oh, baby, where the hell is my husband?
41:42What's taking him so long to find me?
41:46No, no, no, baby, where the hell is my lover?
41:50Getting down with another
41:51Tell him that my grandma said it, tell him that my grandma said it
41:55Your husband is calm
42:05Diamond, diamond, diamond, diamond, diamond
42:09Oh, where is my husband?
42:16Wow!
42:19Wow, wow, wow!
42:22Putting on a show!
42:25Give it up for Ray, her orchestra and her backing vocalist.
42:31Come on over, Ray, dude.
42:33How amazing was that?
42:36Startening!
42:37Hello, Ray!
42:39So good to see you!
42:41How are you doing?
42:42Hello, everyone!
42:43Hello, everyone!
42:44Hello, everyone!
42:44Hello, everyone!
42:45Thank you, Ray!
42:46Hello, everyone!
42:47Thank you, Ray, right there!
42:50Oh, my God!
42:50I love you, Emily!
42:52I love you, Emily!
42:53I love you, too!
42:56Hey!
42:57Sorry for being here, hello, guys!
42:59First of all, thank you for that amazing performance!
43:01It was in my hair, God!
43:03It's a standing-up dress!
43:05It is!
43:05OK!
43:05It is!
43:06I know you put on a show, thank you so much!
43:09Thank you!
43:10Just terrific!
43:11Woo!
43:11I know!
43:12And also, I want to say just congratulations on everything that's happened to you since the
43:15last time you were on the show.
43:16Oh, it's been a whirlwind!
43:17I mean, broke records at the Brits, performed at the Grammys, the Oscars, it's just, it's
43:22phenomenal!
43:23I'm so happy for you!
43:24I'm so happy for you!
43:25So happy for you!
43:26And, Patrick, question on that!
43:28With, so, with all your success, did you lean into being more you?
43:34Definitely, yeah!
43:35Yeah?
43:36Yeah, like, that right there is me!
43:38Oh!
43:39Thank you!
43:40And that is the new single that's out now, Where Is My Husband, and that voice we heard
43:46at the end...
43:47Yes!
43:48Is it true that that's your granny?
43:49It's my grandma, yes!
43:50Oh, I don't know if you picked it up.
43:52This was right at the end of the track.
43:54Your husband is coming!
43:55Come on, grandma!
43:56That's my best friend!
43:57Aw!
43:58She's my best friend!
43:59I call that lady every night, we pray together, we talk about life together, that's my rock!
44:05Pun and no pun intended!
44:10You know, I sang your song today on the radio!
44:12You did?
44:13Yeah!
44:14What do you mean?
44:15Greg James, I sang it!
44:16Like, it was a challenge to me, like, the rap portion, because, you know, there's, like,
44:19a rhythm to it.
44:20What, you sang?
44:21I was like, okay!
44:22Yes!
44:23It was crazy, yes!
44:24I really...
44:25No, I butchered it!
44:26But it was terrible!
44:27It was terrible!
44:28I'll tell her it was terrible!
44:30But, I did!
44:31So, congratulations on everything!
44:32Oh, my gosh!
44:33I would love to get that footage, please!
44:36It's one of those life achievements!
44:39That is the new single, and it's going to be on the new album?
44:42Yes!
44:43Now, when is the new album going to be out?
44:45So, you can pre-order it.
44:47Great!
44:48Pre-order it, but it's just not done at all, like, at all.
44:51I'm an independent artist, right, you've got to get ahead of these things!
44:56Okay!
44:57We put it out there.
44:58I've kind of given myself a rough deadline.
45:00I would like to say the first third of next year.
45:03Definitely the first half of next year.
45:05Okay, so, I...
45:07Okay, this is not what I thought.
45:09Sorry.
45:10I thought it was kind of like, done, you were just doing a little polishing.
45:13Oh, no, no.
45:14Yeah, maybe add some... add some horns to that.
45:17No.
45:18Not at all.
45:19So, are you writing it right now?
45:21I am, yeah.
45:22Oh.
45:23So, it's a beautiful process, but it does take time, and I...
45:26Yeah.
45:29Yeah, I had it in, where is my husband, eight days before it came out.
45:32Do you know what I mean?
45:33So, I'm combing away at it, chipping away.
45:35No, this could be better, we should add this.
45:37Yeah.
45:38When you're writing, do you sleep, or are you just always churning with it?
45:41No, you need rest.
45:42Being tired in the studio is the worst.
45:44Yeah.
45:45Yeah, you need to be on, you need to be present,
45:47and I think it's kind of like imagining your guys' crafts,
45:50you know, when your heart starts beating,
45:52and you just feel like this adrenaline goes,
45:54and you're like, I'm where I need to be right now,
45:56I need to chase this feeling.
45:57It's that feeling, you know?
45:58Yeah.
45:59Being tired in the studio, your songs are going to suck.
46:01But now, if you're just finishing the album,
46:04tell me this, does the album at least have a name?
46:07Um...
46:09Not really.
46:10Kind of, kind of, kind of.
46:12What is it kind of called?
46:14Yeah.
46:15Um...
46:16Not that I'd answer that question.
46:20Kind of is the title, right?
46:21Kind of is the title right now.
46:22Oh, nice, nice.
46:23Yeah.
46:24Kind of.
46:25Yeah.
46:26Actually, so if Matthew McConaughey says it, it's cool.
46:27Yeah, I need one of them, you know they do quotes of like,
46:29you know, it's just like Matthew McConaughey, kind of.
46:31Yeah.
46:32Yeah.
46:33But look, the one thing we do know is you are going on tour.
46:38Yes.
46:39Yes, you are.
46:40When does that kick off?
46:41Next year.
46:42And, um, yeah, we just announced a fifth O2 Arena.
46:46Like, can you believe it?
46:47That is phenomenal.
46:48Oh!
46:49It is phenomenal.
46:50And it's interesting because we were, uh,
46:53we've been talking about family a lot tonight,
46:55and your tour is going to be a family affair.
46:57It is my two beautiful sisters.
47:00Who are here?
47:01Is that them right there?
47:02That's them over there.
47:03Get over here now.
47:04Emma, absolutely.
47:05Come on up.
47:06Come on, sisters.
47:07Give it up.
47:08Hello.
47:09Emma, absolutely.
47:10Hello.
47:11Emma, absolutely.
47:12Hello.
47:13How much to do.
47:14Well done.
47:15You did well.
47:16Well done.
47:17So, this is Emma and absolutely,
47:19and you are going on tour.
47:21Now, absolutely, you've been on tour with Ray before?
47:24Yes, I have.
47:26This is like some fever dream right now.
47:29Is it weird everyone just staring at you?
47:32Yes, it is.
47:33You sound like you're not thrilled at the idea of going on back on tour.
47:37You're like, yes, I have.
47:39It's a good dream.
47:40It's a good dream.
47:41She is.
47:42Abby's the shy one of us three.
47:43A bit more.
47:44Yeah.
47:45Mother named you absolutely.
47:46No.
47:47No.
47:48My name is Abby.
47:50Abby Lynn.
47:51Where did absolutely come from?
47:53That's your name.
47:54Tequila.
47:55Tequila.
47:56No.
47:57No.
47:58No.
47:59No.
48:00No.
48:01No.
48:02No.
48:03No.
48:04But that is what you're called.
48:05You're called absolutely, right?
48:06Yeah.
48:07Yeah.
48:08That's your stage name.
48:09That's my artist name.
48:10I didn't just make it up, Matthew.
48:12I didn't just look at the woman and go,
48:13looks like an absolutely amazing.
48:14Abby's too short.
48:15It feels rude.
48:16This is such a real moment.
48:17I'm just sat here with my sister on one side.
48:18I know.
48:19It's so weird.
48:20And then you guys on the other side.
48:21Really abnormal.
48:22Yeah.
48:23You'll never believe who's in the lounge.
48:24Well, you're not looking.
48:25Well, listen, good luck with the tour.
48:26I know you're adding locks of extra dates.
48:27So you're going to be together for quite a long time.
48:28Yeah.
48:29So enjoy it.
48:30Yeah.
48:31And Ray, thank you.
48:32That is really a performance for the ages.
48:33It was just fantastic.
48:35Ray, everybody.
48:36I love you.
48:37That is it for tonight.
48:46Sadly no time for red chairs, I'm afraid.
48:47So please thank the rest of my guests, James Norton.
48:49Matthew McConaughey.
48:50Emily Blunt.
48:51Yeah.
48:52That is it for tonight, standing no time for red chairs, I'm afraid, so please thank the rest of my guests, James Norton, Matthew McConaughey, Emily Blunt, and Mr. Dwayne Johnson.
49:08Join me next week with another great line-up, Lewis Capaldi, Donald Gleeson, Jodie Turner-Smith, Greta Lee, Oscar winner, Cillian Murphy, and the one and only Taylor Swift, I'll see you then, good night already, bye-bye.
49:38Up next, start your engines for a new series of RuPaul's Drag Race UK.
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