- 7 weeks ago
فسيلة
هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
Category
📚
LearningTranscript
01:30The scene shifts to a three-way scene featuring Potiphar's wife, Joseph, and Potiphar himself.
01:38When the incident occurred, they resorted to a witness to testify in the case.
01:49To give preference to the ruling of truth in it
01:52Then a witness from her family testified that if his shirt was torn from the front, then so be it, or from the back, then so be it.
02:02God's statement, "When he saw his shirt torn from the back, he said, 'This is from your scheme,'" indicates that he had already established the principle by which he would judge before even seeing Joseph's shirt.
02:18Otherwise, if he had decided on the principle and had seen the shirt, he would have kept the principle as he saw it, but he decided on the principle first in the absence of seeing the shirt.
02:30When he saw the shirt, in accordance with what he had decided based on the principle, he made the absent witness the judge in the witnessed case.
02:40And God Almighty ended the four-way situation at this point.
02:47The point that even the Aziz himself admitted that his wife had erred
02:55Joseph is asked to refrain from speaking about this matter and to keep it secret.
03:03This indicates the policy of the people of prestige towards their households.
03:11And in modern times we witness such a situation
03:18A man of high standing would refuse to see his family in sin.
03:23And he refuses even more to see his family involved in this sin.
03:30He wants to keep it to himself.
03:33The humiliation he suffered in that situation was enough for him.
03:38He does not want his opponents or enemies to seize him.
03:42He conceals it from himself
03:44This covering up for people may be a way for women to persist in sin.
03:52And some of them go so far as to say that if a man catches his wife in the act of committing a crime related to his honor and hers, he will...
04:02Then he is arrested and goes to get her out of the investigation department.
04:08We might see a scene where he sees her in a revealing outfit, meaning an inappropriate dress.
04:16He takes off his own jacket and covers her, fearing she might catch a cold.
04:22That is the character of the people of lofty palaces.
04:25But here is another point to note: the issue of faith remains deeply ingrained even among those who are deviant and those who cover up for deviants.
04:38He says, "Turn away from this," and to his wife he says, "You are a sinner."
04:47It is as if he knows sin, and only those who believe in a divine path know sin.
04:55Those who believe in a divine system find no refuge except in pleasing the author of that system.
05:04Ask forgiveness for your sin. Ask forgiveness for your sin means that he has acknowledged that a sin has been committed.
05:12He does not acknowledge that a sin has occurred unless he has learned God's way.
05:18He is in a position where he has no choice but to ask God to forgive her.
05:24The situation ends here.
05:29And he moves to a wider position, a wider shot than that.
05:34The scene was a quartet: Potiphar's wife, Joseph, the witness, and Potiphar.
05:41What carried the news outside the city while they were in the palace?
05:47The truth tells us a story that, as we said, shows that palaces have secrets.
05:56These secrets have eyes that witness them and tongues that speak of them.
06:05So that no one thinks he can protect himself from crime, even if he spies on it, and you will see
06:13Therefore, the Quran is true to this story, and women in the city said
06:20Potiphar's wife tries to seduce her servant
06:23That's the reality.
06:25We see it as clearly astray.
06:28We see it as clearly misguided, a matter of truth.
06:31And a real issue
06:34And women say it out of zeal for the truth
06:37Out of zeal for virtue
06:39God wants to ward off this article from them
06:43They didn't say
06:44They did not say that she was clearly misguided
06:48Because it is considered the position of truth and it supports it.
06:51no
06:51When I heard of their treachery
06:54And deception is the act of writing one thing after another.
06:58It is as if the truth is alerting us that her statement is not an act of anger for the sake of truth.
07:04Nor out of hatred for the error in which the wife of Al-Aziz resided
07:08But they wanted something else
07:12That the wife of Al-Aziz should humble herself from her pride
07:16They spread her scandal
07:20Two opposites
07:24The situation cannot be exceeded in them
07:28Except for the despicable approach
07:30Potiphar's wife means the most exalted figure in God
07:35She seduces her servant, her young man, and her king.
07:39Look at the inn, from Potiphar's wife to
07:42To the servant
07:44Potiphar's wife
07:46She seduces her young man.
07:48This is a practical matter, meaning a difficult process.
07:51This issue
07:53When God says, "So when she sensed their treachery..."
07:57This indicates that she understood that the statement was not intended to be true.
08:03But he meant something else by it, as a cunning person would do.
08:06The cunning one conceals his trickery in something to blind his opponent.
08:12So what does he want from you?
08:13He told you that this was the wife of the Aziz
08:16The boy and the young man were with her in the palace.
08:19This woman descended from her pride
08:22She is the wife of Al-Aziz, a prominent figure in the country.
08:24Dear word
08:26The Almighty means the Victorious One who cannot be defeated
08:29He prevails and is not prevailed over.
08:32This is derived from sensory meanings.
08:34The sensory meanings of the precious earth
08:37It is the one that contains rock.
08:39This rock is pointed
08:41Walking is difficult for her.
08:43So nobody can touch it, meaning
08:46What is the original?
08:47The origin of it
08:48She seduces her young man.
08:50What was her passion?
08:51Her love
08:52Her passion, her love
08:54It means you don't say you loved her, for example.
08:56Or did he say no, because love has levels?
08:59Love has homes
09:02These houses
09:04Its first rank is love
09:06Hawa means Yahoo
09:08Shash'a saw something and fell
09:10This infatuation may end with the moment of seeing.
09:15If some vision is attached to it
09:19Move from infatuation to relationship
09:22There was still attachment
09:23It's not just a scene that's over. He saw a girl walking by, flirted with her, and enjoyed himself.
09:28On the leftovers of Frasun
09:30What did Frason's leftovers get attached to?
09:32Attached to it
09:33And then comes the melasma
09:36It cost, it cost, it cost
09:38Cost means more than just the relationship.
09:40No, rather the cost
09:43To achieve what he wants from this relationship
09:46It means moving from infatuation to relationship.
09:48To the cost
09:50Then he moves on to another level
09:54This is the rank that contains the verse
09:57Meeting
09:58They call it love
10:00What does love mean? It means there's an exchange.
10:02It means he reached the level of what
10:04He announces the cost
10:06And an exchange takes place in it
10:08That's why they call her a lover.
10:10And beloved
10:11Love and beloved, what does it mean?
10:13After he moves on to this issue
10:18Which is the issue of the split
10:20The issue of spillage arises
10:22spill
10:23That's how he loses his mind
10:25And then comes
10:28What's the name of the question?
10:30That mind is preoccupied
10:34And then the body reaches the same
10:36Therefore, he says, "Your heart is captivated."
10:39"Tablat fu'adak" means "the verse ended."
10:41The matter was resolved
10:42Then comes
10:43infatuation stage
10:45He remained humiliated on his face
10:47He doesn't know where to go.
10:48And he doesn't know where
10:49If that was not a crime
10:54His name is still not inside
10:55If it continues, it will escalate to crime.
10:57His name remains the verse
10:58His name is Jawa
10:59stages
11:00The heart, as it says
11:02Pine nut
11:03The ones that are available
11:03What we know is that
11:04Her injuries
11:05They call it the headquarters of the doctrines.
11:09Research completed
11:10Humans among us have perceptions
11:13He perceives things through his apparent senses
11:16It means he sees and hears
11:18He touches, tastes, and smells
11:20Every deed and question of understanding
11:22If he realizes things
11:24I presented the things to the mind
11:26mind
11:29It balances them
11:31Finish what's good
11:32And he finishes according to what he chooses.
11:34When the mind has finished its investigation
11:37To a case that ended
11:38Go to the heart
11:41To reject an unwavering doctrine
11:44But the intellectual issue
11:46There might be another excuse
11:47Your mind is shifting
11:48But if you move from the realm of the mind
11:51To the realm of faith
11:52That's why they call it what?
11:53Beliefs
11:54What does "beliefs" mean?
11:56knotted
11:57It's knotted, meaning it can't be untied.
11:59If he reaches this level
12:02What should we do?
12:03Its effect is evident in the subjugation of behavior.
12:05The movement of life on it
12:07As long as he has principles
12:08And it settled in his mind
12:09He makes every movement
12:11In light of this verse
12:13Under this principle
12:14Which one?
12:15I believe
12:16I think there are several ways
12:18realize
12:18And then he reasoned
12:22And then I thought
12:24Since I think we can say "enough"
12:26This doctrine has become sound.
12:27What else is there to discuss?
12:28So we make our actions successful in light of this verse.
12:31This verse is a good omen.
12:33Doctrine
12:33So, what did this behavior stem from?
12:35About doctrine
12:36A word that has been seen as love
12:38It means moving from perception
12:39To the intellectual question
12:41Until he settled in
12:43In the heart
12:44The endocardium is
12:46thin film
12:48The one who writes the verse
12:49the heart
12:50It means he was able to understand the verse.
12:51From the verse
12:52From the heart
12:53What was her passion?
12:55Her love
12:55I will see it
12:57In clear error
12:59When I heard
13:01How wicked they are
13:02God
13:03If he said
13:04Their women in the city
13:06Not from the palace anymore
13:07Medicine and we move to them
13:08How can this be?
13:09There must be
13:11phase
13:12Between what happened
13:13In the palace, among the heroes
13:15The four
13:15And outside the city
13:17It must be
13:18Who took this out of the city?
13:21He has two relationships
13:22A relationship with the palace and a relationship with the outside world
13:25Palace relationship
13:27He caught up with him
13:28and foreign relations
13:30We are not, he said
13:31And their women in the city
13:34Scientists
13:34When his love brings him like this
13:36He told you
13:36They are five
13:38doorman woman
13:40And the woman of Al-Khazim
13:42And the wife of the animal owner
13:45Which means horse groom
13:47The jailer's wife
13:50And the woman of the sakil
13:52What is being weighed down?
13:53The one who makes a king
13:54Okay, these women
13:56Those who are staying in their homes outside
13:58international
13:58And the stakeholders involved
14:01These are the countries that transferred to other countries.
14:02Convicted individuals were transferred to other countries.
14:04We still know how it is
14:06The insistence of the palaces is a morsel
14:08A morsel of food that people carry around
14:10Who are they for?
14:11Those outside should stay and entertain their families.
14:13And then they speak and say, "They..."
14:15They move it to the second stage
14:17When she named
14:20I sent them
14:21I invited them
14:23She promised them a place to rest.
14:26The reclining
14:29It is the thing that man relies on
14:33So that he doesn't get bored of sitting alone for too long
14:38For example, he's sitting like that
14:39And they're sitting, for example
14:40If he was sitting for a moment like that
14:42He endures it and gets up
14:43But if he's going to stay put and settle down
14:45He still wants to relax once
14:47He wants to do that once
14:48He wants to extend it again
14:49What does he still need?
14:51A little bit of branding and a little bit of stuffing
14:53And a little bit of snot
14:54I don't know what
14:54It means they might leave it as they please.
14:56And this is a friendly indication that he and what a gathering
14:58It will take a long time
14:59And since it's taking so long, it's becoming tiresome.
15:02And Madam calls for boredom
15:04We still need something
15:05He wants to lean back like that and put his hand on it.
15:06He wants the one behind to come and put this, he wants to give it under his foot, and I'm not saying this.
15:09The labyrinth returned to them, a sign that the session was...
15:13Six long, and each one of them had a knife. She planned the plan and said, "Knife."
15:24There must be a reason for the knife to be used; something must be cut with the knife.
15:29Madam, if she's sitting comfortably and sitting for a long time, there will be food, and there will be something to cut with a knife.
15:33You must do that, and he said, "Go out to them." When they saw him, they were amazed and cut him off.
15:42Their hands are said to magnify something as if you had imagined it before seeing it in a picture.
15:51The image of beauty may be lovely, but when you see it, the woman grows older.
15:59Regarding imagination, I mean what I saw, what? Someone is talking about it and talking.
16:06He spoke well of him, and he wasn't bad at all. When you meet him, you'll find him even more than what you expected.
16:11He spoke of him, and that poetic saying almost told me about Juhfar, as if the riders' questions had revealed his secret.
16:18Ibn Ubayb told the most truthful story until we met. By God, I never heard of any adultery in Tayyiba.
16:23From what my eyes have seen, I found something that means what? And there is someone you hear about when
16:30And then when you hear it, that's what I was hearing about, and that's why they say in
16:33Hearing about the greeting is better than seeing it; I wish you were in my shade to hear about it.
16:39That's how it is, or you didn't see it, because if you saw it, this talk would end in Egypt.
16:46When we saw him, we were astonished, for they had seen the Aziz trying to seduce a girl and a man.
16:52This girl, I don't know what she looks like, we imagined a picture of her from
16:55The verse is a picture of beauty, and then they saw it and magnified the woman. What is this about?
17:01The verse is a picture. When we saw it, we were amazed, amazed—meaning it exists in a picture.
17:08Beyond what one could imagine, there is a sense of amazement; this amazement gives him first
17:14A stage of amazement, astonishment, that makes the thing
17:20A vision appeared to you that made you forget what you were thinking in his heart, meaning if it was
17:26It's still like that, if it's in your hand, it will fall if you don't know what it is.
17:29What happened? What distracted you from what you were doing? Then, when we saw him, we were amazed.
17:35The situation was so dire that they were utterly stunned.
17:38They forgot they had a knife in their hand while they were cutting the thing, so we cut it.
17:43What's this? It's a picture, isn't it? Tell me, is there a picture being taken?
17:47The image responds like, "Hey, what's possible?"
17:50When we saw him, we were amazed and we cut him down, and we all said, "God forbid, God forbid!"
18:00The word "hasha" means "exaltation," and exaltation belongs to God.
18:06Okay, and what about God's transcendence? What is his position here? Did he tell you that God is transcendent, that one thing is an addition to another, and that something comes from him?
18:15How can this be? How can we absolve God, or absolve Him, from the possibility that anything happened between Him and the wife of Al-Aziz?
18:25This testimony is not meant to be taken lightly or anything of the sort; it is a testimony to the One who purifies the source of the verse from God—God forbid!
18:35This isn't human; it must have transcended the most refined form of humanity they've ever seen, so he told you, "We've never seen anything like this in humanity."
18:45So what is this? It must be a king, and kingship is something of the imagination. Imagine a human being when they come, imagine this is an angel.
18:53This is an angel, an angel, what does that mean, in the most beautiful form? Because imagination can judge imagined things according to the judgment that suits their image in the verse, just as we imagine Satan.
19:05What do we imagine about Satan? We haven't seen Satan, but he hasn't seen us. When we imagine him, we imagine him in the ugliest way. And when we imagine an angel, we imagine him in the most beautiful way. So, what do we imagine about Satan? In the ugliest way?
19:20We disagree on this horrific image; you may see something horrific that others do not.
19:26It means that beauty standards in different nations are created and come in different forms.
19:30In Central Africa, a woman's beauty is defined by having lips as large as a thorn.
19:34The major is like that, and I saw her, she would be an assistant, but she doesn't know this, and these are the means.
19:40For them, beauty in a woman is defined by having curly or wavy hair.
19:44And then modern civilization confirmed that this is also a color that attracts people.
19:49Humans are inanimate, as evidenced by the fact that women go to hairdressers, he says.
19:52What's wrong with you? What kind of hair should I do? I don't know what to do with it.
19:57It's not always the case that flowing hair does this; it's a sign that there's something wrong.
20:01If it is inanimate, then beauty is not what I say in the verse with doubt, I do not say with doubt.
20:06This is beautiful, and that is not beautiful, and that is impossible, and God Almighty knows best.
20:11And He, the Exalted, casts the standards of inanimate matter into the human soul, according to its capacity.
20:17The elements of convergence in harmony
20:20She turns around and finds a servant
20:22In the palace
20:23And the palace has beautiful girls.
20:25The beautiful but
20:27And the hairy clothes in the glitter
20:30And then he doesn't even notice any of this.
20:32And the maid answers the household choir.
20:33Those with the other group
20:34And he still sits there? What? He said no.
20:36Questions, not definitions
20:38So that things don't get like this
20:40They call us "Wizlak" among the farmers and in the countryside.
20:44What do you mean by "every bean has its own story"?
20:45And one of them gets engaged to the girl
20:49And then someone comes along
20:50She doesn't like him or she doesn't like him
20:53And then another one comes along and oversteps the mark
20:55It means that he liked it
20:56If the first criteria don't work out, then so be it.
20:58These are the second measures that came
20:59The issue is that we don't know what it looks like.
21:01The beauty of it is not the beauty of it, nor is the deception of it.
21:03We don't know what it is, the One who created it.
21:05When God wills, He will bring them together.
21:07He writes the acceptance and explains it.
21:09The beauty traits that he admires only
21:11If he likes the hair, then her hair is fine.
21:13If he liked her, if he liked her body
21:15If he likes it, we don't know what he likes about it.
21:17Then they
21:19A generous king remains for the aesthetic image
21:22The highest that has no equal in humanity
21:23What the devil gives her
21:25The ugly picture that is not in the mirror
21:28What we see, and therefore the right
21:29Glory be to Him, when He willed
21:31It is ugly to us in the Quran
21:33Zaqoum tree
21:35He said that the Zaqqum tree
21:38Gray food
21:39Like molten metal, it boils in the stomachs like the boiling of the Hamid.
21:43And then he talks about it, saying it's a tree.
21:47The word "tree" suggests greenery and growth.
21:51It sprouts at the root of hell
21:53A tree that grows in the fire
21:55The question isn't, "What is common between the lands?" but rather...
21:59It is a tree that grows at the root of hell.
22:01He brought them out looking like the heads of devils.
22:06Well, we know that simile usually comes in language.
22:10To resemble something unknown to you
22:13With something known
22:15To take the picture
22:17But we didn't see the devil.
22:19We didn't see the Zaqqum tree.
22:22The Zaqqum tree remains
22:24Those who are yet to come, and God willing, we will never see them again.
22:27Like the heads of devils
22:31So we saw him, and so we saw him
22:33Although the simile resembles what?
22:36Unknown by known
22:38To give you a picture of the length of the known
22:40What is below my Lord, I say
22:42How is that possible?
22:43Or did he tell you
22:45Okay, so don't neglect the afterlife.
22:48Bring all the painters in the world and tell her
22:51Caricature type
22:53Tell them we want to do
22:58a race
22:58The image of the devil
23:01Everyone grabs their brush, paints, and paper and decides what to do.
23:05He draws a picture of the devil
23:07If they drew a million pictures, each one would draw one picture.
23:11And I held the photos
23:12What's in the picture?
23:13Meets with image
23:15What's the most hideous picture you've ever seen?
23:19In a way that he imagines
23:21This is how she imagines it, and this is how she imagines it.
23:23One might imagine that I am making you angry
23:25One person imagines it as me being conditional like that
23:27One person imagines it as me being here
23:29Everyone imagines the picture
23:32She's ugly
23:34If God had created
23:36The Zaqqum tree grew
23:39with something specific and hideous
23:41Our imagination remains our most compelling concern
23:45In this thing
23:46The ugly one remains a color
23:48one
23:50But when he spreads it like that, everyone will imagine.
23:53The devil is an ugly image
23:54The Lord of meaning remains and provides for it.
23:56And he does not shorten it
23:57His Lord remains and provides for him
23:59So when he said it, it remains our custom.
24:01I will take over the canopy and find Nash
24:03This remains the image of a generous king
24:05What is this skin?
24:16This is nothing but a noble king
24:19She said, "I don't have the opportunity."
24:21Madam, they raised it
24:23She told them, "So I'm excused?"
24:25She's starting to prove herself
24:28Excuse
24:30She said
24:31So those are
24:33The one who did not forget
24:35The woman of the beloved is trying to seduce him
24:37I'm telling you about myself
24:39And you took it because you boasted about it.
24:41And she gave it to her to speak
24:42What is this skin?
24:43This is nothing but a noble king
24:44The reason for my attachment to him
24:46And that's what I am
24:49But I tried to seduce him.
24:52I wish you had seen it
24:53I said that
24:53I am excused
24:54She said
24:56She said
24:56So those are
24:58That
24:59Who is the sign of the min?
25:00Joseph
25:01And that is them
25:03A message to whom
25:04For women
25:06There remains a sign and there is
25:09letter
25:10The one where the confusion occurs
25:12People don't differentiate between gestures and spoken words.
25:18And the idea is that it's one thing
25:20We tell him no
25:21The sign is something
25:24And the speech is another matter.
25:26If you point to a singular masculine, you say this.
25:29Isn't that right?
25:30What if you're addressing someone?
25:33What should I tell him?
25:35Za
25:36your
25:37Who will remain, Zo?
25:39For the residents of Al-Mashari'a
25:41And who left?
25:42To the addressee
25:44enough
25:46What should I tell him?
25:47That is so-and-so
25:48That means you
25:49Sign your speech
25:50The one I'm consulting with
25:52And yours
25:53Are there two of them or not?
25:54It contains speech and it contains a sign
25:57If you are referring to a single male
26:00But you are proposing to a young lady
26:02She tells her that
26:04Because that's his
26:08Who are you proposing to?
26:09Miss
26:10So you're proposing to two people?
26:11She says this to you both
26:14That's for you both.
26:16So, you're giving a group speech?
26:18And for one, only
26:20She tells him that
26:21So, you're addressing a single person and referring to them.
26:24To females
26:25She refers to one and proposes to females
26:27That's for you
26:30This signal remains something
26:32And what is the speech?
26:34Something else
26:36That is what you blamed me for.
26:40Here, my stylistic stance remains.
26:45This stylistic stance
26:47When words are spoken
26:53Or when it is written to be read, it is spoken to be heard.
26:57It is written to be read
27:00It has multiple colors
27:03Once it's an eagle
27:06Eagle means they don't add weight or back.
27:09Mansour said that
27:11The eagle comes in two parts
27:13A falcon with a rhyming melody is praised.
27:16And why would an eagle be sent out like that without a reason?
27:18Without rhyme
27:20And sometimes the words are not a falcon's hair
27:22What is the ruling based on weight?
27:24The first verse means the same weight as the second verse.
27:26The third verse has the same weight and rhyme.
27:28Here, at the end, is here at the end.
27:30There's an eagle there, and what else? (A poem/song)
27:32The eagle is sent without rhyme
27:35For example, he might say, "I seek refuge in God."
27:36And the tori and my book, my written one, in it is parchment, and the second verse
27:40What kind of talk is this? What's in it? Rhyming
27:42Because what is it all about?
27:44God
27:45If the sky is split open, what will be the sign?
27:47And what about the verse?
27:49any?
27:50And if the planets triumph
27:52And if the seas are set ablaze
27:54And what if all the graves were squeezed?
27:56Words only, rhyming
27:57It rhymes, but it's not expensive.
27:59And sometimes the words come out differently
28:01assonant
28:02The conversation continues.
28:03Oh, tuned to the tune of my weight
28:06In the same verses of his rhyme
28:09Oh, it's not right in terms of rhythmic weight.
28:11But he himself sometimes comes as a singer
28:14And once, once
28:15If you hear any words
28:17Or I read any words
28:19You take his ear to the extent that his style is sublime.
28:24But if you switch from one style to another
28:28Your ear sensed that you moved from one thing to another
28:33Ibn Zaydun asks why he wrote the letter
28:35The son of a certain region is ravaging her.
28:37He tells him that this reproach has positive consequences.
28:40These storms are like a lioness's, then they subside.
28:42And I will not doubt my master if his release is delayed.
28:45Or a delay that was not stingy with his singing
28:47So the buckets were slow to overflow, I filled them and lowered the clouds
28:51And the clouds descended, walking towards its fields.
28:53And with today there is tomorrow, and for every appointed time there is a book.
28:56Praise be to Him for His carelessness
28:58He is not to be blamed for his negligence.
29:00If the bad deed is one
29:02God's deeds have delighted us.
29:06I felt that you had moved from Mansour's words to measured poetry
29:12When you return to it, you feel that you have moved from measured words to victorious words.
29:19Except the Quran
29:22It moves from a sent eagle
29:25To a rhyming eagle
29:28To compose metrical poetry according to the meters of poetry
29:32You can hardly distinguish in style between the first and the second
29:37This is a verse, and this is us.
29:39What is he saying?
29:40She said, "That is what you blamed me for."
29:44Don't feel like you've moved from a narcissistic style to a poetic style.
29:50That is what you criticized me for regarding the weight of my poetry.
29:54That is what you blamed me for.
29:57Mustaf'il Fa'il Mustaf'il Fa'il
29:59From the simple sea
30:01I just felt that you had gone from being an eagle to a poet
30:04hair
30:06And Allah guides whom He wills to a straight path.
30:10Is it poetry or not?
30:12He guided her and exposed her in the Quran, so she could hardly distinguish between them.
30:14And to feel that you have moved from an eagle
30:17And then you go to the eagle
30:20Inform your worshippers that I am the Forgiving, the Merciful
30:23God
30:25No, it's not in the poem.
30:28Inform your worshippers that I am the Forgiving, the Merciful
30:31From the collection
30:32Inform your worshippers that I am the Forgiving, the Merciful
30:35God
30:36Is it hair or not?
30:37Poetry, my brother
30:38God
30:39He will humiliate them and give you victory over them.
30:41And heal the hearts of the people of Ayya
30:43believers
30:44By your words, O precious treasure, may he be blessed
30:49Indeed, Qarun was from the people of Moses.
30:53O precious treasure, may you be blessed
30:55Indeed, Qarun was from a people
30:57Is it hair or not hair?
30:59Not hair
31:00The Merciful One wrote on her mouth in the mosque of Wad
31:02A line whose summary has come
31:04We have given you the Kasr
31:06God
31:07Is it hair or not?
31:08God
31:09But did you feel, while reading the Quran
31:12You moved from Mansour to Manzoom
31:14no
31:15This indicates
31:16However, the tune that God spoke
31:19In verse, poetry, or victory
31:21There is no dissonance between them, and it is almost a flowing stream.
31:24It's almost like a flowing stream.
31:27One
31:28This can only come from the word of truth.
31:31As for the words of men
31:33So die if you read the measured
31:35Then she moved to Mansour
31:37Your ear sensed that you had moved from Mansour to Mansour
31:41Or conversely, it moved from Mansour to Mansour
31:44But then you
31:45If we hadn't alerted you to these weights
31:48I couldn't say that it contained weights
31:50There's nothing in it.
31:52He said
31:54Wow
31:55Wow
31:56Wow
31:57Wow
32:07I tried to seduce him.
32:09What is the basis for this?
32:11You're being boastful now.
32:13I tried to seduce him, but he refused.
32:17I tried to seduce him, but he refused.
32:23So he protected himself; it remains reasonable.
32:26The fact that he sought protection indicates that he was forcing himself to do something.
32:30And the difficulty of restraining himself
32:32The difficulty in restraining himself is the word "fasta'sim"
32:35To prove that his virility and manhood were not lacking
32:40Therefore, he struggled within himself to suppress it.
32:44Because if the matter passes like this, someone might say to you, "His origin is... I mean, there's no God in it."
32:50No, that's not the same as the old-fashioned one.
32:53The word "no" is a verb, so seek refuge in God.
32:59And if he does not do what I command him to do
33:03Let it be adorned
33:04Yah Salam is the one who issues the orders
33:08It's become the women of the palaces who issue the orders.
33:11It means insign
33:12He should not be humiliated, and he should be among the humiliated.
33:16Look at the words, "So when we saw him"
33:18We made him bigger
33:20We saw it in a greater way than we imagined.
33:24It's a machine that wasn't working.
33:26I'll keep this picture
33:28I'll make it terrifying
33:30I'll make it terrifying
33:32Because they are among the humiliated
33:34Saghir doesn't mean small, it means
33:38Saghir yusghir means Yasin
33:40But Saghir became humiliated and disgraced.
33:44So you made him bigger and raised him up
33:47I didn't do this, I'll post it there
33:49So what's the story?
33:54Why did they say that? If they're not jealous of virtue or anything like that.
33:58Why did they make this story?
33:59Or did he tell you it's because he locked her up in the palace and no one sees her? God help her.
34:03We want him to protect it and then expel him.
34:06They should at least see it outside so they can be impressed by it.
34:15The Lord said, “Prison is more beloved to me than what they call me to.”
34:21God is the best of healers.
34:22What's wrong? Why the plural form here?
34:24That's what she said
34:25And he does not do what I command him, nor does he increase us
34:28Doka Malhamsh Dhat
34:30My Lord says, "Prison."
34:32She said, "They should not increase."
34:34He says, "What does prison mean to me?"
34:36What are you calling me to?
34:38They are the inspiration for the others.
34:40He told you no, it needs to take an hour to walk
34:42What time is it?
34:44They should not point at him in any way.
34:47It means Bashman
34:48It's not necessary to get yourself into trouble, even if it's minor.
34:53And they winked at him like that
34:55No, what does the plural have to do with the singular here?
34:59That's what she's saying
35:00And if their water does not do so
35:01Let us be imprisoned
35:03And it will be from the neighing
35:05She's the one who says
35:06My Lord said, “Prison is more beloved to me.”
35:09If words could speak, they would say what you are calling me to.
35:13Who did he bring? He brought the women.
35:15It's as if the women are also present in the picture.
35:17They're still in the picture
35:18She said, "It remains an hour."
35:20So, get back to work.
35:24It means take things easy
35:26or
35:28The moment they saw him like that, he scratched himself in a Zaidi manner.
35:32What are eyes, expressions, and facial features?
35:36It has an expression more eloquent than words.
35:40Each one of them met him and gave him a look.
35:43It means you are drawn to it, that is.
35:46You are drawn to it
35:48And as long as those eye signals and stuff
35:50So, what do they want?
35:52Whether they respond to what she asks of him
35:56Or what are they doing there?
35:58Or he might replace it with a side-swept flirtation
36:00What does each one replace?
36:02What is the poet's side verse?
36:04Abu Dolama is sitting
36:06And then in the middle of the Caliphate
36:08And around him were the state dignitaries
36:10And then the Caliph wanted to playfully tease the statesmen.
36:14Abu Dolama teases the poet
36:16It is satire
36:18Or did he tell him
36:20I have isolated you unless you insult one of us.
36:26What does "one from whom" mean?
36:28Who are these people sitting here?
36:30So he looked at those who were sitting
36:32Everyone points to him
36:34What does he buy then?
36:36What do you mean by "what I have to offer you"?
36:40Do they understand it or not?
36:46Everyone who does this, does that, is a fool.
36:50He wants to take all of this
36:52What did he say?
36:54What is spelling yourself out and what is being recited?
36:56Farah Haji himself
36:58Who will remain outside the prince's section and appease whom?
37:00And he satisfies everyone and takes from them what?
37:04Therefore, he said there are poetic verses
37:06The famous verse
37:08I cannot inform you of Abu Dulama, for he is neither noble nor honorable.
37:12Is this what it is, or what?
37:14If he wears the turban, he is a monkey, and if he takes off the turban, he is a pig.
37:20Hagi himself
37:22And what did he gain?
37:24Earn what you saw
37:26Take note of these instructions.
37:29So we say that this transfer is what she said, "If they imprison us."
37:34And let us be among the humble, for the Quranic style has won the hearts of women.
37:39Except turn away from me
37:41Unless you avert their plot from me, what will become of me?
37:43To them and I am from the Ija
37:45The prison master said, "And more beloved to me than what they call me to."
37:48Are they calling on me to agree with Potiphar's wife?
37:51Should he do whatever she tells him to do?
37:55Or are they the ones who direct their hearts towards him?
37:57To them
38:05God, God, God
38:07My Lord said, “Prison is more beloved to me than that to which they invite me.”
38:15My Lord used to say "my God" because the logic of divine obligation is inherent in divinity.
38:22The logic of divine assignment
38:24Because this is worship, do this or don't do that
38:27He told you, "No, you're the one who raised me and you're the one who took care of me."
38:30Don't abandon me at this time
38:33Because you are my Lord and you are the one who takes care of me in everything.
38:36So call upon God by the name of Lordship.
38:40My Lord, prison is more beloved to me than what they are calling me to.
38:44And I say to him, I am human and you created me human
38:47If you do not turn away their plot from me, I will be drawn to them and eat them.
38:51Who are they? The ignorant ones.
38:54He still confirms his humanity and virility.
38:58And that he refrained not due to any deficiency in his nature.
39:01But he refrained because he had God's way before his eyes
39:05His Lord answered him.
39:10So He averted their plot from him.
39:13The conspiracy is what God Almighty is doing.
39:16What is done is by God Almighty.
39:18And the one who calls to the Lord remains the one who spent the word.
39:21So He averted their plot from him. Indeed, He is the All-Hearing, the All-Knowing.
39:25Then it appeared to them
39:27When they realized that there was no point in it
39:30After they saw the signs
39:32They should not imprison him until he is
39:34The word "don't imprison him" is also used.
39:37A punishment that contains a hint of preserving the yearning for love
39:43Well, they didn't say he was dead, or that he was in a terrible state, or that nothing happened.
39:47What else is there? What is there? What is there? There are hopes.
39:54And prison, we usually know who is in prison?
39:57He is the prisoner, confined to restrict his movement in existence.
40:06After he had been free to move and free to meet, he was released from his prison.
40:11Why does this happen?
40:13Either surrender or fear of evil
40:16By reducing his greed
40:18What's wrong? Get it down.
40:21Because man does not mock the rulings
40:23Unless he understood that he was above him, that he had power and dominance.
40:26So we say to him, your victory is over, and your power is over.
40:29And what did I become? Oppressed
40:31You were working in Teh Bara, right?
40:32No, now you stay here, and what is a jailer and a soldier supposed to do?
40:35What is he doing? He's hitting him with a pen, spitting at him, and making fun of him. What was he doing?
40:39Whatever it is? Great.
40:41What does prison mean for her?
40:42They took the prisoner
40:44They isolated him to restrict his movement.
40:47His movements are restricted to prevent him from harming society.
40:50Or what should we go down to?
40:52prostrate
40:53And of course, prisons are something that exists in every society.
40:58However, there is another prison there.
41:01The Messenger, peace and blessings be upon him
41:04We are in the modern principles in all systems
41:07Take the prisoner and isolate him from society.
41:10the society
41:12And the community might sympathize with a house that is also open to people visiting it or not
41:16She takes him food, gives him a drink, and gives him a baby, I don’t know
41:19What, maybe you could sneak him something he likes, like cigarettes or books, or I don't know?
41:23What evening?
41:24Religious imprisonment is not about books.
41:26Religious imprisonment is not about isolating the criminal from society.
41:30To isolate society from the criminal
41:32What is he doing in society?
41:36He is isolated
41:38Don't talk to so-and-so
41:40Nobody should deal with him
41:42Nobody did
41:43Isolation may escalate to the point of insisting on isolating him from his family.
41:46He remains with the family, saying, "Beware of anyone who comes near you."
41:48As the Messenger of God did in the three
41:50What? We're embellishing his backwardness.
41:52Not a mission for women, may God keep them away from you.
41:54What is the word of the verse?
41:56True isolation
42:00Then it became clear to them, after they had seen the signs
42:03Let him be imprisoned until then
42:05And as long as prison remains, our involvement in that area will be affected.
42:09And young men entered the prison with him
42:13He entered with him
42:15This association is negated by meanings
42:17Is it the presence of a self, or the presence of causes, or the presence of events, or the presence of what?
42:21So, if he enters prison, the entry will be in the company of the same person.
42:24With him and with him
42:26Is this also due to the policies of the palaces?
42:28The company came like this, how well
42:30What did he tell you?
42:32What will be here is the baker and the waiter.
42:36Is this a matter like how some events are manufactured?
42:40To distract from an event and divert attention from it
42:44They turn people away from him because of it.
42:46They answer, either there's a super event on the day, what do they do for a bit?
42:50What other events?
42:52As they say, they're giving you a taste of the verse?
42:54What is the meaning of the verse?
42:56They made a commotion in the palace and said
42:58The king is named after him, and the cupbearer is named after him, I don't know what.
43:00And what's the second one?
43:02And what did they take?
43:04Two young men entered the prison with him.
43:08One of them said that they remained as soon as he entered the prison with him.
43:14What does that mean? Ten?
43:16ten long
43:18To the point that they passed judgments on him
43:22The wisdom of judgments only comes through long experience and familiarity.
43:28The length of time spent together and the familiarity between them will lead them to him.
43:32They consult him about a matter that concerns them.
43:35Before there was something that concerned them
43:37Is he a normal, good person who doesn't know that there's nothing wrong with him?
43:41No relationship
43:43Two young men entered the prison with him, one of whom said
43:47I see myself squeezing wine
43:51The other said
43:53I see myself carrying bread on my head, from which birds eat.
43:57Tell us its interpretation
43:59It means that a dream is necessary.
44:01Here, I see a dream.
44:03What did someone see?
44:05Squeeze the grapes
44:07So that it remains a secret
44:09What did someone see that he was doing?
44:11Tell us its interpretation
44:13By interpreting it
44:15These are two visions
44:17Tell us their interpretation
44:21Tell us their interpretation
44:23Or did he tell them both to speak on the request of both of them?
44:27Each one said
44:29Each one remains
44:31Tell us its interpretation?
44:33By interpreting his command
44:35Or tell us the interpretation of this matter that we see
44:37He keeps walking
44:39Tell us its interpretation
44:41Indeed, we see you as one of the doers of good.
44:45The hysic remains
44:47Which made them
44:49They head towards Joseph
44:51So that he can separate them from this heart
44:53Indeed, we see you as one of the doers of good.
44:57Until next time
44:59hopefully
46:11Thanks