- 3 hours ago
Category
📺
TVTranscript
00:00...and scenes which some viewers may find distressing.
00:10Wolfgang Amadeus Mozart.
00:11Antonia Salio.
00:12The whole reason why I came to Vienna was to write for the Imperial Opera.
00:17Oh, yuck. Who wrote this? Can I change it?
00:22Ha, ha, ha!
00:24My goodness! Oh, fantastic!
00:27Thank you!
00:28Good composer.
00:29It's an honor to serve the crown.
00:31I want you to succeed here.
00:33Hermosa!
00:35Hello.
00:40It used to be that I could find his voice as easily as I found my own.
00:44His?
00:45God's.
00:46Oh, yes. Him.
00:51It was just... too many notes.
00:54Just because you're stuck rehashing boring old operas doesn't mean I have to be.
00:57Maybe God doesn't speak to you because you fucking bore him.
01:01Perhaps it was in that moment I knew I was gonna kill Wolfgang Amadeus Mozart.
01:07I absolutely auf.
01:08I knew I was gonna kill Wolfgang Amadeus Mozart.
01:09I definitely knew I was gonna kill Wolfgang Amadeus Mozart.
01:10I had time to kill Wolfgang Amadeus Mozart.
01:11I had time to kill Wolfgang Amadeus Mozart.
02:12It's a shocking thing to hear.
02:16Why?
02:17Why share this with me?
02:20Why not tell this to a priest or a constable?
02:24You and I have no great bond.
02:27Or had you forgotten what you did?
02:29But we have the greatest bonfrau Mozart.
02:36We have him.
02:48Hey, Mozart.
02:49They're ready for you.
02:52Let's go.
02:53Let's go.
02:54Come here.
02:57Come here.
02:59Come here.
03:01Oh, my God.
03:31Ah, Antonio, her Salieri.
03:53Oh, and Frau Salieri, it's the Salieri.
03:55You came.
03:56Of course we came.
03:57Congratulations.
03:58Thank you so much.
04:00Your bride is on a table.
04:02Yes, I don't know why.
04:04You know, I've been thinking about it,
04:06and I forgive you for what happened when you didn't defend me.
04:08I really do.
04:09I mean, I understand it now.
04:10You're in a very difficult position.
04:12We all know how beholden you are to this emperor,
04:14all the constraints and the rules.
04:16So no wonder that some of your things don't fly.
04:19You're like a big, beautiful bird in a cage.
04:21I could never do what you do.
04:23Drive me absolutely fucking mad.
04:24I heard there's a new one coming, though.
04:26Is that true?
04:27Yes.
04:28La scuola di gelato.
04:30La scuola di gelato.
04:31Ice cream school.
04:33Gelos.
04:34Ah, gelos.
04:35School of jealousy.
04:36Well, Stanzi's sister is going up for a part.
04:39Very good singer.
04:41Completely fucking mental, but lovely singing voice.
04:43Oh, they are.
04:44Please, make yourselves at home.
04:46Enjoy these sausages and gherkins.
04:48Please.
04:49Stop talking.
04:51Sorry.
04:52Go go.
04:52No, no.
04:55Excuse me.
04:56I got시.
04:57It's a pleasure.
04:58Let's have a look.
04:58And you're going up and see your face,
05:00you'll have to do.
05:01Oh, I see.
05:02I saw your face.
05:03I saw my face.
05:04I saw my face.
05:04Oh, that's my face.
05:06I saw my face.
05:07I saw my face.
05:08Yeah, I saw my face.
05:09Let's meet her face.
05:10I saw my face.
05:11I saw my face.
05:12I saw her face.
05:13I saw my face.
05:14I saw my face.
05:15He didn't come to the wedding.
05:29Who?
05:32My father.
05:39My mother didn't mind.
05:42I suppose he is dead, so I have to forgive him.
05:45You should write to him.
05:50Tell him off.
05:54Maybe I will.
06:00Come now.
06:01You're getting better, your majesty.
06:02What's the punishment for lying to an emperor, do you think?
06:04Is it flogging or beheading?
06:07There are people in this palace who drag you out of the garden
06:09and beat you to death with rocks, if I ask them.
06:12All of them, actually.
06:14You still have some way to go, but you are improving, majesty.
06:23My niece, Elizabeth, was coming to Vienna.
06:26She needs a music tutor, lest she ends up like her uncle.
06:29The princess?
06:30Your majesty, I would be honored to...
06:32I'm sure you would call composer, but no, I think the princess would like somebody a little bit more.
06:38A bit more...
06:39Oh, I don't know.
06:40Vibrant.
06:42Well, she's young.
06:43You understand what I'm trying to say.
06:45Yes, I think I do, sir.
06:46She had a rather fun idea.
06:48How about Mozart?
06:50Mozart?
06:51I think she might rather like that.
06:52He tutors, surely.
06:53I've heard the boy play.
06:55I mean, God, if he can rub some of that off on my niece, then so much the better.
06:59How is he, anyway?
07:01I was worried that he was a bit wounded by my critique on his opening night.
07:05Well, he's written about 200 concertos and got married since then, so I think he's doing fine, sir.
07:10Yes, I was hoping that he might be given a chance to write something new for us.
07:12Another brothel-set fantasy with too many notes, perhaps.
07:18Perhaps a little more judiciousness in your handling of him next time, but...
07:21You know, it's funny.
07:21I went away from that opera.
07:22I couldn't stop thinking about it.
07:24Gone under my skin, somehow.
07:26We need to be bolder, Antonia.
07:29You were right.
07:29Getting you to restage Terraria, it was...
07:31A success.
07:32It was safe.
07:34A copy of a Parisian hit, that's what my sister called it.
07:37You know, courage is what's needed now.
07:39Courage in court and in government.
07:41We need to be brave, Antonia.
07:42Brave men win the day, do they not?
07:46Of course, Your Majesty.
07:47I'll let you give Mozart the good news about Elizabeth.
07:50One.
07:58My goodness, Rupert.
08:04Have you been practising?
08:07Um, yes.
08:10Yes, now I can tell you've really improved, haven't you?
08:13I kid, of course.
08:15I jest, I jape, I make merry.
08:16I can tell that you're lying, Rupert.
08:18I can tell you have not been practising.
08:21In fact, what you just produced leads me to question whether you haven't actually discovered
08:25something that is sort of the reverse of practising.
08:27A kind of not practising so powerful as to completely undo all of the accumulated knowledge
08:31of our previous session.
08:32A sort of anti-practice.
08:34Have you cultivated an irrational fear of competency, perhaps?
08:38Did somebody perform rudimentary surgery and replace your ten fingers with flaccid baby
08:43cocks, Rupert?
08:44Do you have flaccid baby cocks for fingers, Rupert?
08:46Have you even touched this fucking hops a quarter a single time since I walked out of that door
08:50a week ago?
08:50No, I didn't think so.
08:56And that's why you're not playing it very well.
08:59Now, I'm going to go and use your privy in the hope that the noise of my intestinal fluctuations
09:04are more pleasing than whatever the fuck you just try to fart out of these keys.
09:14Are he be cocks for fingers?
09:16Yes.
09:17I'm going to run out of students.
09:19Don't worry.
09:20Everybody in this town wants to learn the violin or the forte piano or the fucking triangle.
09:24Got a letter.
09:27From your father.
09:28Came on your sleep.
09:29Like an assassin.
09:30Mm-hmm.
09:32Mm-hmm.
09:33Let me see.
09:43Don't worry.
09:44It's just his way.
09:46He doesn't deserve you.
09:48He definitely deserves me.
09:50Poor old bastard.
09:52Right.
09:53I might be a little bit late this evening.
09:55Mm-hmm.
09:56Bring some people back with me.
09:57Do you mind?
09:57No.
09:58Your sister is a great talent.
10:23Thanks.
10:30I'm sorry.
10:31You did want to see me, didn't you?
10:33Yes.
10:33Aloysius said that you...
10:35Yes.
10:35Yes.
10:38I hear your husband lost another pupil.
10:42Yes, he did.
10:43Well, as luck would have it, a new job has become available.
10:49A royal appointment, actually.
10:51Princess Elizabeth.
10:53A princess?
10:54The princess.
10:55Now, tutoring her is a position that will hold significant standing in the court and beyond.
11:02I mean, he'd be perfect for it.
11:04He's a brilliant tutor.
11:05My playing has come out so much.
11:07And that's just what I'm saying.
11:07I mean, if you might bring me his manuscript so that I can properly consider his work.
11:11Make his case to the emperor.
11:16Yes, of course.
11:17Bring the works to my residence.
11:20Newer ones, if possible.
11:21And I ask that we keep this strictly between us.
11:25Absolutely.
11:27Well, I'll go and get them right away.
11:31All right.
12:01A young lady is here to see you, sir.
12:11Yes.
12:16Send her in.
12:23Constanza.
12:24Herr Salieri.
12:25Come on, please.
12:26I'm telling you.
12:27Help yourself to a treat.
12:30They're from Werner's.
12:31My footman gets them.
12:32Do you know Werner's in town?
12:33Mm-hmm.
12:34Very good bakery.
12:34So these are his newest works?
12:40All from the last month or so.
12:45All this from the last month.
12:47Or so.
12:48Do you think I could keep these to, to look over?
12:58I don't think that, um, well, he doesn't know I've come here.
13:02And he'll miss them.
13:04He doesn't make copies.
13:06These are our origins?
13:13Mm-hmm.
13:20Dear God.
13:24Do you mind if I...
13:25No, please.
13:25No, please.
13:53So what do you think?
13:59Could you speak to the emperor on his behalf?
14:01Yes, I could speak to the emperor.
14:06Put his name for it.
14:14But know that to do so would be a cost on my body.
14:20It would be a cost.
14:21There are many powerful men who could give me something in return for my help.
14:29We don't have anything we could give you.
14:37I thought you wanted to help us.
14:43Well, I do.
14:45I do, of course I do.
14:49But you are a woman.
14:50I am a man.
14:54This is the way of things, now.
15:03Is it really so awful, the thought of it?
15:06The idea of it?
15:08Is it so high a price to pay for what I am offering?
15:12You do understand what I am offering.
15:14You must never know.
15:20You must never know.
15:35I am a woman.
15:51Like you said.
15:53So where should we do it?
15:54Should we do it here?
15:55Or in the bedroom?
15:56You have to be delicate.
15:57Do you understand?
15:58Get dressed.
15:59Why, have you changed your mind?
16:02You're just so dressed.
16:07The princess.
16:08Yes, I'll speak to the emperor.
16:14Forgive my sinful mind and my temptation.
16:27I walked to the edge, but I didn't go over it, didn't you?
16:30You pulled me back, and I commend myself to you.
16:38I know your testing me is right.
16:41Perhaps in your divine wisdom, you felt you'd given me too much already.
16:45Terraria was a success.
16:46I feel the next one will be too.
16:49And I am grateful.
16:51I'm so grateful.
16:52And I commend myself to you, to purity.
17:04This ends now.
17:07I swear.
17:08I swear.
17:22Dear Wolfgang, I write to you now as a father, a position which I understand you are soon to occupy yourself.
17:50I have great concerns about you, and much that we need to talk about.
17:55I wonder if you will now understand this better once...
17:57It looks like a tomato.
18:21Is he said anything yet?
18:27Um, no.
18:28No.
18:29Very rude, John.
18:31Very rude.
18:33How was it?
18:35I shit myself.
18:36What are you trying to write?
18:52What?
18:53What are you trying to write?
18:55A mass.
18:56A mass?
18:57Yes, you know, celebration.
18:59For what?
19:01For becoming a father.
19:03Oh, how is that going?
19:06I'm trying to get the book to snooze.
19:09About as well as this fucking mass.
19:11Why can't you just sit and be a kill with you?
19:20Oh, my God.
19:23Oh, my God.
19:24Oh, my God.
19:26Oh, my God.
19:27Can I get here?
19:28Oh, my God.
19:31Dear Wolfgang, I've concerns about you and much that we need to talk about.
19:37I hear you've been making a spectacle of yourself.
19:40I hear hardly anything of your talent, and I hear even less of your success.
19:44You embarrass our good name.
19:45A child masquerading as a composer.
19:47Outstanding arrogance to think you know better than your own father.
19:50The years your mother and I spent on you.
19:52You've trained for so long, so hard.
19:54You must listen to me.
19:55Insolent fool.
19:56Abject failure.
19:56Salvat your reputation.
19:57Come back to Sonsville, return home.
19:59Come back.
20:01It's my car time.
20:12Hello.
20:13Have a good night, Claire.
20:15Have a good night.
20:16Have a good night.
20:19Hello.
20:39You're having a night, Leigh.
20:49Let's have a look at you.
21:00I do love you.
21:03I think I do.
21:06I think that's what this is.
21:10Do you feel loved?
21:12Eh?
21:14I can ask you a question.
21:16Do you like me to love you, Raymond?
21:21No, I'm just asking.
21:24Just asking.
21:27All you do is piss and shit and suck on my wife's tits.
21:33You stole my act.
21:38Why can't I finish your fucking mass, Raymond?
21:41Yes, well, there we go.
21:53A noble attempt, Your Highness.
21:56Um, might I suggest...
21:57I don't care for it.
21:58I'm sorry?
21:59Music.
22:00Ah.
22:01Yes, I wondered if that might be the problem.
22:03Would you like to, um, sit next to me once again?
22:06Yes, I'm sorry.
22:07I'm sorry.
22:08I'm sorry.
22:09Music.
22:10Ah.
22:11Yes, I wondered if that might be the problem.
22:13Would you like to, um, sit next to me once again?
22:17On the stool?
22:18Of course.
22:19Okay.
22:20Sarah.
22:21Hello.
22:22The last teacher I had was even younger than you.
22:25Used to, um, rub himself under the clavacord as I played.
22:30Did he?
22:31Yes.
22:32He put a finger inside me once.
22:33My father found out and had his hand cut off.
22:37That was just before I was sent to live here.
22:42Oh.
22:43Oh.
22:44Oh.
22:45Oh.
22:46Oh.
22:47Oh.
22:48Oh.
22:49Oh.
22:50Oh.
22:51Oh.
22:52Oh.
22:53Oh.
22:54Oh.
22:55Oh.
22:56Oh.
22:57Oh.
22:58Oh.
22:59Oh.
23:00Oh.
23:01Oh.
23:02Oh.
23:07Shall we, ah, start again?
23:08From the top?
23:09Well, we can start from whichever end you like, eh, Mozart.
23:15Very good.
23:18Fucking hell.
23:20Okay, Your Highness.
23:21Whenever you're ready.
23:22I'm just going to, ah, eh, watch from over here.
23:27the opportunities i lost time i spent come back to salzburg you cannot continue to ignore me
23:45wolfgang come back to salzburg you must listen to me fight then i'll shut you up stanza
23:52pack your trunk we're going away
23:54where salzburg he used to feed every two hours or so but it's been going down lately
24:03and that he usually sleeps quite badly he needs his bed clothes cleaned child i've raised four
24:07girls i think we can look after a baby well this one has a cock so don't get startled and
24:11chop it off by mistake we're right here when we get there we don't have to stay at the end of the
24:14month off we go enough laughing bye raymond
24:23sometimes just you and me without the small goat lying between us kicking us with his tiny hooves
24:32do us good i think don't talk about him like that it was a joke mozart had taken
24:40you his beautiful wife on a sojourn away from the city and in his absence piano was mine once again
24:49i released my newest opera la scuola de gelosi to great acclaim
24:57is
25:06is
25:16Dispensato il lor sarÃ
25:19Col marito in ogni modo
25:21Nessi sta mattina e sera
25:25Chi insurna il sacco d'oro
25:28Quattro fasi perderÃ
25:31Ma non vede che c'è perfetto
25:33Più di quella di giustosi
25:36Se ne stringe noi ci afferco
25:38Non in certa venerdÃ
25:41Non in certa venerdÃ
25:45Venerdà ! Venerdà !
25:51It was such a hit in fact
25:53That my librettist Di Ponte
25:54And I even considered a sequel
25:56The idea was abandoned
25:58But offered to another composer
25:59Who reworked it into a new piece
26:02You'll know it by the name Cosifantutti
26:05But then I tried not to dwell on such detail
26:09For a while I reveled in my success and position
26:13As if nothing had ever changed
26:16Little did I know what was coming
26:19This is where you grew up?
26:27Would Master Wolfgang care for some supper perhaps?
26:31Or would Sir prefer to go straight to his bedchambers?
26:37Straight to the bedchamber please, Florian
26:39Very good sir
26:40Very good sir
26:44Oh, my God.
27:14Morning, Florian.
27:18Morning, Master Wolfgang.
27:21Where is my father?
27:22Left early this morning, sir.
27:25He expects to return in a day or two.
27:27You told him that we arrived last night, yes?
27:29Oh, indeed, yes, sir.
27:34Very good.
28:14The first piece I ever wrote.
28:33The piano I wrote it on.
28:36Oh.
28:37Where's your father?
28:37Gone somewhere for a few days, I don't know.
28:43But he knows we've arrived.
28:47Yes, he does.
28:48No, no, no, no, no.
29:09Hello?
29:39Good to see you.
29:40You too.
29:41We're having chicken.
29:43We've been here for three days.
29:45Oh.
29:46I had business out of town.
29:48Well, you knew we were coming.
29:51Where's your wife?
29:51Getting changed.
29:53Into what?
29:54Is there wine?
29:56You know, I wrote to you for months.
29:59You didn't reply.
30:01I'm busy.
30:01Oh, yes, I hear that.
30:02I hear you've been very busy.
30:04I hear you drink.
30:06I hear you throw lavish parties.
30:08I hear you've been making a spectacle of yourself.
30:11Or am I wrong?
30:13Too many notes.
30:14Don't think that didn't filter back to me.
30:15The emperor does not know anything about music, does he?
30:19Is this cognac, brandy?
30:21Take anything at this point.
30:23My greatest fear when he left Salzburg was that this would happen.
30:27That what would happen?
30:30That you would squander your gift.
30:32I don't think of squandering anything.
30:34Teaching the princess piano.
30:36Did you not know about that?
30:37I thought you'd be impressed.
30:39That's one hour of your week accounted for.
30:41What of the rest?
30:42Why do I not hear any tales of triumph and glory?
30:46Just stories of an insolent fool
30:48dancing around an apartment he can barely afford
30:51with some pauper's daughter on his arm.
30:54And Mozart?
30:59You should call me Popper.
31:03Your father is dead.
31:04He won't mind.
31:05My mother also forbade the wedding, by the way.
31:08He weren't the only one.
31:09She did attend it, though.
31:12You think me rude?
31:13What would you call it?
31:14I'm a straightforward man.
31:17I don't feign enthusiasm where I do not feel any.
31:20I don't send regards where I do not feel they're warranted.
31:25How is my grandson?
31:30Wolfgang.
31:31He cries when he doesn't get exactly what he wants.
31:33Pairs no attention to anyone else's feelings, needs, or desires,
31:36so we can be sure he's a Mozart, at least.
31:43I'm glad to have finally met you.
31:45I told you Vienna would not be impressed with your frivolities.
31:50Oh, you think the Imperial Opera indulges nonsense?
31:54An opera set in a whorehouse.
31:56That was your grand entrance.
31:58Yes.
31:59Was it worth it?
32:01For you to get a dressing down on stage
32:03from the Emperor in front of everybody?
32:05Was that what we were working so hard towards
32:08all those years, all those miles?
32:12I'm talking to you.
32:13Yes.
32:16What about a follow-up?
32:19I assume you have plans to try and salvage your reputation?
32:22I've written hundreds of things.
32:24I write every day, Father.
32:25Don't worry.
32:26Thank you very much.
32:28Looking forward to the chicken.
32:30What about a follow-up, then?
32:31Well, obviously, I have been a little bit distracted.
32:34I have a Basset Hound who I'm trying to train.
32:37He can follow basic commands,
32:39except for when he sees a pigeon,
32:41when he completely forgets what he was doing
32:42and sits there drooling slightly.
32:45I can forgive him this, because he's an imbecile,
32:47and he is a Basset Hound.
32:48But you are not a Basset Hound, Wolfgang.
32:51Your ears are not long and soft.
32:55You do not have a rounded muzzle or a glossy coat.
32:58You are a man.
33:03Something colorful should be able to float into view
33:06without knocking every last intelligent thought from your mind.
33:09Grow up.
33:10You're distracted.
33:12No one cares.
33:13Your first opera was a failure.
33:15You haven't written a second one.
33:16That should alarm you as much as it does me.
33:18What's his name?
33:20What?
33:20Your Basset Hound.
33:23Gregor.
33:24Well, that's a bit of a silly name, Papa.
33:26Well, Wolfgang was already taken.
33:28You are throwing away the gift that God gave you.
33:36Not you as well.
33:37Wolfgang.
33:39They're my gifts.
33:42So they're mine to do what I want with.
33:44No, they are not.
33:46You tell him.
33:47Maybe he'll listen to you.
33:48People have died for your tads.
33:55Beg your pardon?
33:57Your mother is in the ground.
34:00No flowers on her grave.
34:02No mourners to tend it.
34:04Left to rot in a cold corner of a Parisian church
34:08500 miles away from home
34:10because you...
34:12She was ill.
34:14She was ill and you didn't send for me.
34:17It's not true.
34:24It's true.
34:26It's true and you know it's true.
34:28And you can drink and whore
34:31and play as loud as you can
34:32but you know she stands in the dark
34:35and watches you
34:35and she weeps
34:37at what you're doing
34:39with the gift that she gave her life for,
34:41you selfish little bastard.
34:43Why do you behave like that?
35:07Hmm?
35:09Why?
35:12Like what?
35:14Wolfgang.
35:16Like the great Amadeus Mozart
35:18who teaches piano to princesses
35:20and writes ditties for babies.
35:21Our baby.
35:25Oh.
35:26It's the one piece
35:27you've never been able to finish.
35:28Perhaps you can't write a celebration
35:33for something you don't actually celebrate.
35:38You know I spent five minutes with your father
35:40and I have to say I'm not a fan.
35:43But he's right.
35:47People have made sacrifices for you.
35:49They have.
35:50They've humiliated themselves.
35:53Twisted themselves
35:54into what you needed
35:55because we see what you are.
35:57What you could be
35:58but you need to earn that.
36:01You're not a little boy
36:02writing minuets anymore.
36:05You're a man.
36:08At least you're fucking supposed to be.
36:10You're a man.
36:40You're a man.
37:10Let's go.
37:40Oh, my God.
38:10Who the hell is that?
38:14Why does it smell of smoke? Is the house on fire?
38:16Only briefly, sir.
38:17I'm sorry for the hour of my arrival. I have urgent news for Herr Mozart.
38:21Which one?
38:22The composer.
38:23Which one?
38:24Wolfgang.
38:29Sir, I'm sorry to tell you that your son is dead.
38:35He succumbed to a fever shortly after you left.
38:40He succumbed to a fever.
39:10No!
39:19No, no, no, no, no!
39:20Let's show me!
39:23No, no, no!
39:32she needs rest a proper bed
40:02good speed on your travels
40:32good speed on your travels
41:02that's the last time I leave you with a baby
41:05is she dressed she's in bed she's asleep
41:17I've never seen anybody sleep like this
41:22what am I supposed to do have another
41:26have another before the grief is allowed to settle
41:30only joy can dispel grief joy and light and love and music
41:34I'll see you next time
41:39Oh, my God.
43:39There's a service on Sunday to church.
44:04The Mass for Raymond is ready to perform.
44:07People keep saying to me that God speaks through me.
44:27Well, now he's taken our son.
44:36Maybe we can speak back.
44:39And if it's in your voice, I think you might hear it.
44:44There's a service on Sunday to church.
44:49There's a service on Sunday.
44:53There's a service on Sunday.
44:53In my life, I think you might hear it.
44:56CHOIR SINGS
45:26CHOIR SINGS
45:56CHOIR SINGS
46:01CHOIR SINGS
46:06CHOIR SINGS
46:11CHOIR SINGS
46:16CHOIR SINGS
46:21CHOIR SINGS
46:26CHOIR SINGS
46:31CHOIR SINGS
46:36CHOIR SINGS
46:41CHOIR SINGS
46:43CHOIR SINGS
46:48CHOIR SINGS
46:52CHOIR SINGS
46:57CHOIR SINGS
47:01CHOIR SINGS
47:03CHOIR SINGS
47:08CHOIR SINGS
47:10CHOIR SINGS
47:12CHOIR SINGS
47:14CHOIR SINGS
47:19CHOIR SINGS
47:23CHOIR SINGS
47:25CHOIR SINGS
47:30CHOIR SINGS
48:46Thank you for showing me what you are.
48:49You gave me the desire to praise you and then made me mute.
48:55You put into me the perception of the incomparable and then ensured that I would know myself forever mediocre.
49:11Why?
49:13Why?
49:15What have I ever done to you?
49:17Straight from the path I came back to you.
49:19I came back to you.
49:20I promised myself to you to piety.
49:23I have only ever pursued virtue with rigor.
49:28I have worked, and I have worked with the talents you allowed me,
49:33solely that in the end, in the practice of the art
49:36that alone makes the world comprehensible to me,
49:39I might hear your voice.
49:44And now I do hear it.
49:50And it says only one name, and it's not mine.
49:55You chose him.
49:57A foul, spiteful, shit-talking bastard
50:03Mozart to be your sole conduit.
50:05And my, my sublime pleasure is to be the one man alive
50:09in this time that can clearly recognize your incarnation.
50:12You give me just enough talent to know how little I truly possess.
50:33It's, it's a wonderful joke.
50:36So be it.
50:43From this time on, we are enemies.
50:51You and I are not accepted from you.
50:56I won't.
50:59They say God is not mocked.
51:00I tell you, that is not.
51:04I tell you, I am not mocked.
51:06You are the enemy.
51:07I name thee now.
51:08And this, I swear.
51:09To my last breath, I will block you on this earth.
51:22I will block you.
51:23And your vessel as far as I am able.
51:27I tell you that I am capable.
51:29Diminish the man.
51:30Diminish the god.
51:34Kill the man.
51:35Kill the god.
51:38Kill the man.
51:40Kill the god.
51:43God.
52:13God.
52:43God.
Be the first to comment