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Reparto: Julia Martínez, Bernard La Jarrige, Pilar Sanclemente, Carlos Goyanes, Beni Deus, Manuel Alexandre, Josefina Serratosa, Rafael Bardem, Matilde Muñoz Sampedro, Emilio Santiago, José Luis López Vázquez, Matías Prats, Luis Domínguez Luna

Dirección: Juan Antonio Bardem

Sinopsis: Pilar (Julia Martínez) y Juan (Bernard Lajarrige) constituyen un feliz matrimonio, aunque sin mucho dinero. Un día deciden jugar a la Lotería de Navidad. Pilar, con el dinero destinado a los décimos de lotería, adquiere participaciones para la rifa de un cordero. Pilar gana el sorteo, pero cuando ya han decidido comérselo en Nochebuena, se dan cuenta de que tanto los niños como ellos se han encariñado con el animal, al que le han puesto el nombre de Bolita.
Transcripción
00:00:00Music
00:00:30This is the story of a man, a man named Juan, his wife and his boy and a suckling lamb.
00:00:40Make hands for him, whatever he needs, boyfriend, and make peace with the marriages.
00:01:00Also appearing are the characters, the friendly Manolo, some evil gypsies, and the Spanish army.
00:01:08Give it good reviews, the newspaper writers, and we'll send you two or three lambs.
00:01:17The nuns and schoolgirls also appear, along with lottery tickets and police officers running.
00:01:37Long live the producer, long live censorship, long live the bidder, long live the priest.
00:01:47Music
00:01:57The signs are ending, the story is about to begin, now the puppets come out and we won't sing anymore.
00:02:06Happy Easter to all of you, my happy Easter, have a good time.
00:02:1723,179, 2,728, 598, 2,149, 3,179, 2,458, 5,513, 3,500,000 pesetas.
00:02:36The boys have just announced 3,500,000 pesetas, a spectator who was looking at his own lottery tickets faints in front of the presidential box.
00:02:45Poor thing, what luck.
00:02:48I don't see the luck, sir, often a sudden surge.
00:02:51Of course, if he's been selected, that's great.
00:02:53What's great about it? The lottery? It's an expense.
00:02:56It's wonderful.
00:02:58Today, December 22nd, is the FARC's big celebration.
00:03:02The air in Spain is filled with numbers, and any one of them could mean the jackpot.
00:03:07The jackpot, 15 million pesetas per series, 105 million pesetas in total.
00:03:14That fat guy who hasn't come out yet, who refuses to appear and who makes us suffer so much.
00:03:19The lottery is the faith, hope, and charity of all Spaniards.
00:03:24Dear listeners, let's continue listening to the Christmas lottery draw.
00:03:28Good luck!
00:03:4914,742
00:03:5010,000 pesetas
00:03:5242,533
00:03:5410,000 pesetas
00:03:5514,972
00:03:5710,000 pesetas
00:03:5910,000 pesetas
00:04:0014,000 pesetas
00:04:0114,000 pesetas
00:04:0214,000 pesetas
00:04:0314,000 pesetas
00:04:0414,000 pesetas
00:04:0514,000 pesetas
00:04:0614,000 pesetas
00:04:0714,000 pesetas
00:04:0814,000 pesetas
00:04:0914,000 pesetas
00:04:1014,000 pesetas
00:04:1114,000 pesetas
00:04:1214,000 pesetas
00:04:1314,000 pesetas
00:04:1414,000 pesetas
00:04:1514,000 pesetas
00:04:1614,000 pesetas
00:04:1714,000 pesetas
00:04:1814,000 pesetas
00:04:1914,000 pesetas
00:04:2014,000 pesetas
00:04:2114,000 pesetas
00:04:2214,000 pesetas
00:04:2314,000 pesetas
00:04:2415,000 pesetas
00:04:2515,000 pesetas
00:04:2615,000 pesetas
00:04:2715,000 pesetas
00:04:2815,000 pesetas
00:04:29Oh, that's close. Look, look, if instead of a 5 it's a 0, instead of a 3 it's a 5, and instead of a 1 it's an 8.
00:04:44I don't think you'll get a 100 this time.
00:04:46You'll see.
00:04:47You'll see, of course. I can see you wielding a razor all year round.
00:04:50Yes, go ahead and use the knife, Juan, but don't cut off Don Arturo's head.
00:04:55Oh, excuse me. Well, it's nothing, I'm just a little nervous because it's my turn this time.
00:05:00And how much do you play?
00:05:01Two pesetas, one peseta, a lot.
00:05:04Well, it doesn't make you a millionaire.
00:05:05Here, I know, but take a good handful of bills.
00:05:08I bet you won't. You never win the lottery.
00:05:12Right?
00:05:14And I've won the jackpot, too.
00:05:16And in a number that can't fail.
00:05:19Excuse me, it's not that... no.
00:05:21Oh, and why is that?
00:05:22Because?
00:05:24Because that number is the sum of the ages of my wife, my two boys, and myself.
00:05:29divided by the number of years of marriage,
00:05:31then multiplied by the number of children and divided again by the salary I earn.
00:05:34Total?
00:05:35That?
00:05:36Zero.
00:05:36So, the number, Bob.
00:05:39It ends in zero, imagine.
00:05:41Don't worry, it's not.
00:05:42Okay, so what is that magic number?
00:05:44Which one is it?
00:05:46Listen.
00:05:463.270.
00:05:485 million pesetas.
00:05:503.270.
00:05:51The fat one, gentlemen, the fat one!
00:05:53I've won the jackpot!
00:05:55Oh no, I've won the jackpot!
00:05:57It's true that it says so here!
00:06:013,270, two pesetas.
00:06:03It doesn't say so here.
00:06:04Well, it says so, it says so.
00:06:05That means they lent me 20,000 pesetas.
00:06:07That means they lent me 20,000 pesetas.
00:06:09That means they lent me 20,000 pesetas.
00:06:10A phone, a phone.
00:06:11A telephone.
00:06:11A telephone.
00:06:11A telephone.
00:06:11He who gives fortune to the needy.
00:06:14As you know, in 1261...
00:06:16But, dude, that's not the number.
00:06:17They're dialing the jackpot number.
00:06:19Go away, amal, because I see nothing, hear nothing, and know nothing.
00:06:22But I've won the jackpot.
00:06:23Due to such a strange imperial whim...
00:06:25Miss Pilar.
00:06:27Miss Pilar, on the phone.
00:06:29Pilar, on the phone.
00:06:30On the phone?
00:06:31Will you forgive me?
00:06:32It's something to think about.
00:06:34What do you do about the afternoons?
00:06:35I smoke opium.
00:06:40Hey, Pili.
00:06:42Pillar.
00:06:44Listen calmly.
00:06:45Don't get nervous.
00:06:48Control yourself.
00:06:49Are...?
00:06:50Yeah.
00:06:51Pilar, we've won the jackpot.
00:06:53That?
00:06:54Poor thing, what a scream she let out.
00:06:56How many millions?
00:06:57How many millions?
00:06:59No, no, no, nothing about millions.
00:07:01Only 15,000 pesetas.
00:07:03Oh, isn't that okay?
00:07:04Well, yes, that's fine.
00:07:06Wow, now he thinks it's not enough.
00:07:08I'm telling you, women...
00:07:09Tell me, what was the number?
00:07:11The one with the fat guy?
00:07:12Yes, of course, the one with the fat guy.
00:07:13Which?
00:07:133.270.
00:07:163,270?
00:07:18Oh my God, are you sure?
00:07:20Yes of course.
00:07:21Okay, listen to me.
00:07:23You're leaving the hairdresser's right now.
00:07:25But, Juan...
00:07:25Yes, yes, you're leaving, you're going away, forever.
00:07:28You're going home.
00:07:29But...
00:07:29But what about...?
00:07:30You're going home.
00:07:30But, Juan...
00:07:31With the boys.
00:07:32A woman's place is in the home.
00:07:34Listen.
00:07:35From now on you will only do my nails.
00:07:38But, but, what about the customer?
00:07:39Your client?
00:07:41It doesn't matter.
00:07:42Let the devil go away.
00:07:433.270.
00:07:443.270.
00:07:453.270.
00:07:46Yes, yes, home, with the boys.
00:07:49I'm coming now.
00:07:50Bye bye.
00:07:51Bye bye.
00:07:52Muah.
00:07:53Oh my God.
00:07:553.270.
00:07:573.270.
00:08:003.270.
00:08:033.270.
00:08:053,270!
00:08:073,270!
00:08:10Oh!
00:08:11How happy she is.
00:08:13She's a very good girl.
00:08:14And does he work?
00:08:15Of course, with what I earn and in such a fancy hair salon.
00:08:18What's happening?
00:08:19Doesn't she like mine?
00:08:21If I don't like it.
00:08:24Well, look.
00:08:25I'm going to speak plainly.
00:08:26I've been keeping quiet for five years.
00:08:29Eight months.
00:08:30Eleven days.
00:08:32Six hours.
00:08:34Seventeen minutes and...
00:08:34...fourteen seconds.
00:08:37Well, no.
00:08:38I don't like hairdressing.
00:08:39And you even less.
00:08:40It gives me an ulcer.
00:08:41Sore.
00:08:41But it's over.
00:08:42I can't take it anymore.
00:08:43Leave.
00:08:44Ha ha.
00:08:45Anyway, I was planning to fire.
00:08:49Look.
00:08:50How did you name Don Arturo?
00:08:52What does it matter?
00:08:53He's very ugly and he's an Atlético fan.
00:08:55I'll give it to you.
00:08:56What does it say?
00:08:56I'm leaving.
00:08:57That's where you stay.
00:08:58You are a selfish guy.
00:08:59You are a tyrant.
00:09:01You are a boss.
00:09:02I'm going home with my Pilar and my boys.
00:09:04And my fifteen thousand pesetas in cash.
00:09:08And I declare myself independent.
00:09:11And I'm going to have a few drinks with my buddies.
00:09:14That's where you stay.
00:09:16Barber!
00:09:17Long live freedom!
00:09:34Long live freedom!
00:09:52Long live freedom!
00:09:53Pilar! Pilar! Pilar!
00:10:23Pilar! Pilar! What was I telling you? What was I telling you? It's our turn.
00:10:31If that combination of ages and number of children and all that couldn't fail, you'll be happy.
00:10:36Of course, very much so. But today...
00:10:38Everyone's happy. Why don't you let go of me, son?
00:10:41Everyone is happy. And why? Because they love us. A magnificent example of solidarity.
00:10:47So what?
00:10:47You shut up. That's love for your neighbor. They're happy because we're happy. They're content because we're content.
00:10:54We've won the lottery and...
00:10:56And to them.
00:10:57Well, in a way, but we really have won.
00:10:59And to them.
00:11:00And them? Come on, rich girl, get down now.
00:11:03No!
00:11:04What are you saying?
00:11:06So, they've won the lottery.
00:11:09To everyone?
00:11:11Almost everyone.
00:11:13A good prize?
00:11:15The fat one.
00:11:17And how much did they play?
00:11:19Two pesetas.
00:11:20Like us?
00:11:22Yes, just like us. Before.
00:11:27What? Come on, get on the ground.
00:11:29What does that mean before?
00:11:31Well, before, before.
00:11:33But before what?
00:11:35Before distributing them.
00:11:38Distribute, distribute what?
00:11:40Our two pesetas.
00:11:42How? Like ours?
00:11:44Oh, Pilar, speak. Come on, speak.
00:11:46Me, me...
00:11:47Speaks!
00:11:49There were two peseta shares, right?
00:11:51And I... I took one and exchanged it for another.
00:11:55No!
00:11:56Yes, I swapped it for another Antonia the Fruit Vendor.
00:11:59And Antonia made appearances like a fat dog.
00:12:03I'll kill you! I'll kill you!
00:12:05Shut up!
00:12:07Clear!
00:12:08That's why those pigs are so happy.
00:12:10He gave them my money.
00:12:11My money!
00:12:12Well, it's for making mincemeat.
00:12:14It's just beyond words.
00:12:14It has no name.
00:12:15No crying!
00:12:16I don't want any crying!
00:12:18And the other one, yes.
00:12:19The other participation.
00:12:20Did you change it too?
00:12:21Or did it help you light the fire?
00:12:23No!
00:12:24No?
00:12:24No?
00:12:25That?
00:12:26I didn't light the fire.
00:12:28You changed it.
00:12:29Oh, Pilar!
00:12:30Oh, Pilar!
00:12:31The guy at the bar insisted.
00:12:34And of course, but we won.
00:12:37What have we gained?
00:12:38Yeah.
00:12:39What do you mean?
00:12:40What do you mean?
00:12:41I saw it on the guy at the bar.
00:12:43He also made appearances, right?
00:12:45Yes, that too.
00:12:46But he gave me one of the same number.
00:12:48From the 3270?
00:12:49Yes, from a raffle.
00:12:52From a raffle?
00:12:53From a raffle!
00:12:54On top of that!
00:12:55And what have we been given?
00:12:56Nougat?
00:12:57No.
00:12:58That's a great thing.
00:13:00More wonderful than 7500 pesetas?
00:13:02No.
00:13:02Look.
00:13:03That?
00:13:04That.
00:13:04That?
00:13:05What kind of crap is that?
00:13:06A lamb, Dad!
00:13:07A lamb!
00:13:09A lamb, Mother of God.
00:13:11I'm going crazy.
00:13:1315,000 pesetas in exchange for a lamb...
00:13:16Okay, get out of here.
00:13:18You and the children and that sheep.
00:13:20Go away, go away!
00:13:21I don't want to do anything stupid.
00:13:23Or else I'll leave.
00:13:25I'm going out on the street, yes.
00:13:27To the lesson, to the end of the world.
00:13:29And I'm never coming back, never again.
00:13:30A lamb, a lamb, a lamb.
00:13:34Boom!
00:13:34A lamb.
00:13:47Wow!
00:13:48Ready.
00:13:48Isn't he handsome?
00:13:50He looks like an idiot.
00:13:52Okay, so what are we going to call it?
00:13:53It's called 15,000 pesetas.
00:13:55It's too long.
00:13:56Little ball, I want it to be called Little Ball.
00:13:58Let's call him Bambi.
00:14:00That's a deer, man.
00:14:01So what?
00:14:02Little ball, I want it to be called Little Ball.
00:14:04Bambi.
00:14:05It would be better if it were called Bolita.
00:14:07Okay, but I'll baptize him.
00:14:08It will not be in the name of the father.
00:14:11Come on, let's baptize him.
00:14:17With wine?
00:14:18That, with champagne, like on ships.
00:14:21Ready?
00:14:21Be careful when touching the wine!
00:14:23With water.
00:14:26What am I saying?
00:14:27I baptize you.
00:14:28I baptize you.
00:14:28With the name of...
00:14:29With the name of...
00:14:31Pellet.
00:14:31That's it, that's it!
00:14:35Little ball, little ball, doesn't listen.
00:14:38What do you want?
00:14:39What do you want me to thank you for?
00:14:41Leave him be, he'll get used to it.
00:14:42Little ball, little ball.
00:14:44Let's play with him.
00:14:45No playing, time for bed.
00:14:47Kids, say goodnight to Dad.
00:14:50I'm not responsible for what I see from a distance.
00:14:51Good night, children.
00:14:55Good night.
00:14:58What's the matter?
00:14:59Are you still angry?
00:14:59No, if you want I'll start singing.
00:15:03Fifteen thousand pesetas.
00:15:07Little ball, little ball.
00:15:08To bed.
00:15:09To bed.
00:15:19I don't know what they've done wrong, poor things.
00:15:21That, poor things, has never been more aptly said.
00:15:24Well, Juan, it's not that big of a deal.
00:15:25No way.
00:15:26It's enough to make you cry.
00:15:29Who would you tell that you traded fifteen thousand pesetas for a lamb?
00:15:31If only it were from Astrakhan.
00:15:33Go on, but it's too late now.
00:15:35Absolutely, there's no money.
00:15:37I don't have a job.
00:15:38You'll see.
00:15:39Yes, but I have mine.
00:15:41Of course, as always you do whatever you want, I told you to say goodbye, didn't I?
00:15:44Yes, but as I knew...
00:15:46But I didn't know.
00:15:47From now on, in this house, things will be done my way.
00:15:49Don't even dream about going back to your hairdresser.
00:15:51Oh, what nonsense.
00:15:52No nonsense or anything like that.
00:15:54So what are we going to do?
00:15:57To die locked up here.
00:15:59To starve to death.
00:16:00Do we have a grandmother?
00:16:02That?
00:16:02We can make do until the day after tomorrow, which is Christmas Eve.
00:16:06And on Christmas Eve we had grandma for dinner.
00:16:10Clear.
00:16:12It must be cute, huh?
00:16:14Very sweet.
00:16:16How do you plan to cook it?
00:16:18Well, I don't know, whatever you want.
00:16:21Roast, I say.
00:16:23Yes, roast.
00:16:26By the way, what?
00:16:28Roast.
00:16:29Roast with potatoes.
00:16:31Or with plums.
00:16:33That wouldn't be bad either.
00:16:35What are you doing?
00:16:36I was afraid it was small.
00:16:38Will it fit?
00:16:39Yes, but without a head.
00:16:55It's cute.
00:17:00Yeah.
00:17:01My monkey.
00:17:04Okay, I'm going to bed.
00:17:05Are you staying?
00:17:06I've already stayed.
00:17:08I should have left and never come back.
00:17:11That?
00:17:12That I should have left.
00:17:14Where to?
00:17:17I don't know.
00:17:18To hell.
00:17:19To whomever it may concern.
00:17:21Fifteen thousand pesetas.
00:17:22Well, Juan, don't think about it anymore.
00:17:28Look.
00:17:29Ten thousand for the transfer of that hair salon.
00:17:33It's true.
00:17:35But she was small, wasn't she?
00:17:38She was wonderful.
00:17:40Great American hair salon.
00:17:43What are you saying?
00:17:44I was thinking of calling it the Great American Hair Salon.
00:17:48And why American?
00:17:49I don't know.
00:17:51It's the fashion.
00:17:55With the other five thousand pesetas we could have fixed up the house and taken care of the children.
00:18:05And you?
00:18:07Do you need clothes?
00:18:08Here, and you.
00:18:10There would have been very little left over.
00:18:13That's fair.
00:18:15That?
00:18:15We would have gone to dinner at an expensive restaurant and then to dance at one of those places
00:18:24that appear in movies very dark and with very sweet and soft music.
00:18:31Don't you like it?
00:18:33But when you have an idiot wife, fifteen thousand pesetas.
00:18:37That?
00:18:38That?
00:18:39Will you forgive me?
00:18:40Will you forgive me?
00:18:40Will you forgive me?
00:18:42Yeah.
00:18:43Really?
00:18:44Yes, yes.
00:18:45Really?
00:18:46Yes, yes.
00:18:47We'll see how we get out of this.
00:18:50Don't worry.
00:18:51Do you really forgive me?
00:18:52Do you really forgive me?
00:18:57I'm.
00:18:58Really?
00:19:03Yeah.
00:19:04Yes, yes.
00:19:08We'll see how we get out of this.
00:19:08Don't worry.
00:19:13Do you really forgive me?
00:19:14Yes, fifteen thousand pesetas.
00:19:15But he's so cute.
00:19:16Can I have a kiss?
00:19:46Get up, Peter! The dead man is coming and taking the fire away from you!
00:19:52Get up, Juan! Get up, Pedro! Get up quickly! Your grandfather is coming!
00:19:58Get up, John! Get up, Peter! Get up, Peter!
00:20:02Out on the street! I said out on the street!
00:20:05Why don't you play at this child's house or this child's?
00:20:07Because their parents don't want to be bothered.
00:20:09So, is bothering me fair?
00:20:11Equitation what?
00:20:13Horse horn! Out into the street!
00:20:15But what's going on?
00:20:15Let's play the tambourine in the street.
00:20:18Come on, kids!
00:20:19The lamb stays here with its parents.
00:20:21No amount of tears will help!
00:20:23Nothing's wrong with him!
00:20:24I said that Bolita is staying here.
00:20:26Life's too good to take a lamb for a walk.
00:20:28Anything can happen.
00:20:29Well, yes! What do we want Bolita for?
00:20:31Juan, let him take it tied with a string.
00:20:33And the scissors, huh?
00:20:34We don't count on the scissors that are around those streets.
00:20:36Dad!
00:20:37Take him away and leave!
00:20:39Come on, kids! Let's play outside! Come on!
00:20:41Let them go!
00:20:42Wow!
00:20:43And watch out for Bolita!
00:20:45I'm not at ease!
00:20:50Are you saying that because of the children?
00:20:53Well yes.
00:20:55Who would I have guessed?
00:20:57I don't know.
00:21:05Hey, what did you think of that?
00:21:06About what?
00:21:07From the lamb.
00:21:11What are we going to do?
00:21:13Well, let's eat it, I say.
00:21:15Of course, we're not going to register him with customs.
00:21:18The point is that...
00:21:20Lambs look good enough to eat, don't they?
00:21:23I think so, but...
00:21:24But what?
00:21:26Nothing.
00:21:27What is the use of a live lamb?
00:21:31Not at all.
00:21:33What are you saying?
00:21:34That a live lamb is useless.
00:21:37Oh, what a pain.
00:21:38They make everything dirty.
00:21:39Come from puddles in every corner.
00:21:41Oh, really?
00:21:43Ugh, you have no idea.
00:21:45Instead...
00:21:46A dead lamb can...
00:21:48It can be grilled.
00:21:50That is.
00:21:51That's what I say.
00:21:52That's it.
00:21:53No, son, there's no need to shout.
00:21:54Not a word.
00:21:55Tonight we will have roast lamb for dinner.
00:21:58That's all, isn't it?
00:21:59Yes, but we'll have to...
00:22:01Yes, we will have to...
00:22:03Well, let him stop living.
00:22:07Clear.
00:22:09Hey?
00:22:10Yes.
00:22:12Hey.
00:22:13How do you...
00:22:16Is a lamb being sent to a better place?
00:22:20Well, I don't know.
00:22:21There must be something to prevent him from suffering too much.
00:22:25Don't you think so?
00:22:27I guess.
00:22:30A quick and painless thing.
00:22:35Perhaps...
00:22:36An injection, huh?
00:22:38No.
00:22:39What if we move it closer to the gas?
00:22:41Let's see what happens.
00:22:44Oh, no.
00:22:45What nonsense.
00:22:46It's much better...
00:22:48A little poison...
00:22:50Sweet...
00:22:51Just like in the novels.
00:22:52One falls asleep.
00:22:54Hey?
00:22:55Hey?
00:22:56And Manolo?
00:22:58Which Manolo?
00:22:59What kind of Manolo is it going to be?
00:23:00The butcher.
00:23:01Isn't he a friend of yours?
00:23:02Inseparable?
00:23:05You think?
00:23:06Clear.
00:23:07It's his job, isn't it?
00:23:08Killing lambs.
00:23:09He can do it for us...
00:23:10Well, that's it.
00:23:14You're right.
00:23:14I'm going to get there right now.
00:23:16Things are happening while they're still hot.
00:23:17That beast must be eliminated, no matter what.
00:23:27One way or the other.
00:23:28Have you seen how it uses its mouth to eat?
00:23:52Just like cows.
00:23:53No sir, cows eat from left to right.
00:23:56And this one eats from right to left.
00:23:58But he doesn't eat anything.
00:23:59You, be still, as you are going to crush it.
00:24:01Let's see if you bring misfortune upon us, the pet.
00:24:03No, it's just that it's very strong.
00:24:05Now that we have the ball, we're not going to lose a single game.
00:24:08That was the last thing we needed, a pet.
00:24:09Hey!
00:24:10What's happening?
00:24:11Do you want a game or not?
00:24:14Be careful of the ball.
00:24:15Now let's go.
00:24:16Let's do it, let's do it.
00:24:17Wait, wait.
00:24:19But very bad, very bad.
00:24:20Wait, wait, wait.
00:24:50Hey!
00:24:51Hey!
00:24:52Hey!
00:24:53Hey!
00:25:04Hey!
00:25:10Hey!
00:26:47Hey, kid, what's that about?
00:26:49Come here!
00:26:49I'm coming, Juan!
00:26:50Cut!
00:26:51Keep going with the animals!
00:26:51Hey!
00:26:52You see, kid, people are eating more lamb every day.
00:26:55And I won't even mention what it's like around this time of year.
00:26:58Well...
00:26:58Well, at home we want to eat lamb.
00:27:01Yeah?
00:27:01Fair enough.
00:27:02A lamb is a must on Christmas Eve.
00:27:05A Christian home without a lamb these days is a sad home.
00:27:09Little lamb, come out!
00:27:10Very good!
00:27:11Well, Pilar and I would like you to come with us.
00:27:14And you bring your wife and family and you have no commitment.
00:27:17Great, man!
00:27:17Well, that's all that was needed.
00:27:19There will be red cabbage, eh?
00:27:20Lombarda, but I don't know.
00:27:21What we do have is lamb.
00:27:22Get out of the way, man, lamb!
00:27:23You already know that I like meat...
00:27:25Of course, you can have as many vegetables as you want.
00:27:27Some cold perches, a tender cauliflower, a good red cabbage...
00:27:31But I can't swallow meat, kid.
00:27:33Meat is out of the question.
00:27:34You invite me to eat anything.
00:27:36For example, some garlic soup, a good plate of chard...
00:27:39And so happy!
00:27:40But to eat a poor little animal...
00:27:43If it's not about that.
00:27:45You'll get a vegetarian dinner, and that's that.
00:27:47But we have a problem with lamb.
00:27:50One has to...
00:27:51Pilar and I had thought that you could...
00:27:55Hey?
00:27:56That?
00:27:58But, Juan...
00:27:59Do you realize what you're proposing?
00:28:02It seems unbelievable.
00:28:03Dude, there's no need to get so worked up.
00:28:05In short, you kill so many here.
00:28:07But...
00:28:08A little lamb.
00:28:09Do you want me to kill...
00:28:11A little lamb?
00:28:12Look, I'm not going to want you to kill your father.
00:28:14A lamb, yes, one of those.
00:28:16Juan, an executioner is not a murderer.
00:28:19I have my office hours.
00:28:20And then, out of obligation, I will wipe out the entire Spanish fauna, if necessary.
00:28:24But in the street, to make the sister act like an executioner...
00:28:27No way.
00:28:28I'm out on the street, not a fly in sight.
00:28:31But if it's outside of working hours...
00:28:33I see blood and I feel like I'm dying.
00:28:37Well yes.
00:28:38So what am I going to do?
00:28:39Very simple.
00:28:39I'll explain how it's done...
00:28:41...and then you're at home, relaxing.
00:28:43Hey?
00:28:44Oh, great.
00:28:45Take note.
00:28:46Do you have paper?
00:28:47Yes, go ahead, say it.
00:28:51You take a sturdy knife.
00:28:53I've already got it.
00:28:55Now you take the lamb and put it on a table.
00:28:59A table like what?
00:29:00A table, a table.
00:29:01You're not going to put it on top of the piano.
00:29:03Well, I've got it on the table now, so what?
00:29:05Now, you lift the little head of the creature, about forty...
00:29:10...forty-five degrees.
00:29:12AND...
00:29:12Are you going to break the table?
00:29:16Did you hear?
00:29:19No.
00:29:20Okay, I'll explain it to you again.
00:29:22Look, you have a lamb.
00:29:25A table and a knife.
00:29:28Okay, you put the lamb on the table.
00:29:31So.
00:29:31And then you raise his head to forty-five degrees.
00:29:35And what is that?
00:29:37Forty-five degrees.
00:29:39Something like that, or something like that, more or less.
00:29:43To put the collar on Capon.
00:29:44Well.
00:29:45Once this is done, you take the knife and...
00:29:49...a sharp, strong, decisive blow.
00:29:56Give me water.
00:29:57Thank you.
00:30:06Let's continue.
00:30:07Then you take a can.
00:30:10No, I've already said that.
00:30:11Dad, dad.
00:30:11What's up?
00:30:12What's up?
00:30:13Lambs don't eat meat, do they?
00:30:15Right?
00:30:16No, children, no.
00:30:18No.
00:30:18No no.
00:30:19Lambs don't eat meat.
00:30:21And they're doing the right thing.
00:30:23Allah, let's get out of here.
00:30:24Mom has something to do.
00:30:25Allah, Allah.
00:30:25Dad, do the Three Wise Men come one after the other or at the same time?
00:30:30Not at the same time.
00:30:31The black man in front and the others behind.
00:30:33That is.
00:30:34The black man goes first because the others are very polite and let him pass.
00:30:40Pili.
00:30:41What's up?
00:30:42I say we'll have to tie his legs.
00:30:44Because?
00:30:45Woman, aren't you just going to let yourself evaporate like that?
00:30:49Yes, these creatures are very good.
00:30:51Pilar, don't talk nonsense.
00:30:52No matter how good they are.
00:30:53But they are held up as examples because they are so good.
00:30:56And what does that have to do with anything?
00:30:59Come on, baby.
00:31:00Don't cry, don't cry.
00:31:01Dad will buy you another lamb.
00:31:06Pili, look.
00:31:07Look, look, grandma.
00:31:08Look, grandma.
00:31:10See?
00:31:11He has a head and it doesn't fall off.
00:31:15Pili, give her a caress, grandma.
00:31:17Go on, pet him.
00:31:18Don't cry anymore, daughter.
00:31:19Don't cry anymore.
00:31:20Don't cry anymore.
00:31:21Look at Dad.
00:31:22Look, look, Dad.
00:31:23Look, look.
00:31:24Pilar, the tambourine.
00:31:26Come on, come on, come on, the sea and brunette.
00:31:29Come on, come on, come on, tonight is a good night.
00:31:32And tonight is Christmas Eve and tomorrow is the truth.
00:31:35Give me the boot, Maria, I'm going to get drunk.
00:31:39Come on, come on, come on, the sea and brunette.
00:31:40Hey, Dad, what do you use to make flags?
00:31:44Well...
00:31:45With wood and some small nails.
00:31:47And hopefully, it is.
00:31:48And the skin is lambskin.
00:31:52Well, sometimes...
00:31:54Children, be quiet, or I'll get angry, be quiet.
00:31:59You, Pilar, pick up that lamb, it's going to fall.
00:32:01Come on, stay still.
00:32:03To the.
00:32:04Dad is going to give the little girl a piggyback ride.
00:32:06Okay, enough with the crying, enough, enough.
00:32:08That's it, that's it.
00:32:09When Dad says to be quiet, everyone is quiet.
00:32:12But what's wrong with you?
00:32:15Why are you crying?
00:32:16Oh, damn it.
00:32:18Well, this is over.
00:32:21Alright, everyone to bed.
00:32:23Come on.
00:32:25Time for bed.
00:32:26Time for bed.
00:32:30Time for bed.
00:32:31Time for bed.
00:32:33Time for bed.
00:32:34Time for bed.
00:32:35Time for bed.
00:32:36Time for bed.
00:32:37Time for bed.
00:32:38Time for bed.
00:32:39Time for bed.
00:32:40Time for bed.
00:32:41Time for bed.
00:32:42Time for bed.
00:32:43Time for bed.
00:32:44Time for bed.
00:32:45Time for bed.
00:32:46Time for bed.
00:32:47Time for bed.
00:32:48Time for bed.
00:32:49Time for bed.
00:32:50Time for bed.
00:32:51Time for bed.
00:32:52Time for bed.
00:32:53Time for bed.
00:32:54Time for bed.
00:32:55Time for bed.
00:32:56Time for bed.
00:32:57Time for bed.
00:32:58Time for bed.
00:32:59Time for bed.
00:33:00Time for bed.
00:33:01Thank you!
00:33:31Thank you!
00:34:01Thank you!
00:34:31Thank you!
00:35:01Thank you!
00:35:02Thank you!
00:35:03Thank you!
00:35:04Thank you!
00:35:05Thank you!
00:35:06Thank you!
00:35:07Thank you!
00:35:08Thank you!
00:35:23Juan, you're not leaving, are you?
00:35:26Yes, I was going to get some fresh air over there.
00:35:28No, no, son, no. You're staying here, that's all that matters.
00:35:31Wait a minute, wait a minute. You're the one who... the one who has to stay.
00:35:35You are the woman, the keeper of the prehistoric fire.
00:35:38As the saying goes, a dead woman means a broken house.
00:35:41Do proverbs tell you anything?
00:35:43It's your duty. It's your duty...
00:35:46...to elevate the lamb.
00:35:48What do you think? That's a man's thing, you're the man of this house, aren't you?
00:35:52I guess.
00:35:53And because I am a man, I fulfill my duty.
00:35:56My duty is to go out into the street and find the means to support my household.
00:35:59Do we agree?
00:36:00Yes, of course, but...
00:36:01To direct the education of my children.
00:36:03Hey...
00:36:04From my children.
00:36:05And to work and fight for my family.
00:36:07And the woman... the woman takes care of the house, the children, preparing the food...
00:36:12Do you hear?
00:36:13Prepare the food, you understand?
00:36:15Well, yes...
00:36:16If you look at things that way...
00:36:17I look at them in the only way they can be looked at.
00:36:20Pure differentiation of marital obligations.
00:36:23You don't expect me to be the only one...
00:36:25Well, I was alone...
00:36:27...ease the lamb's life?
00:36:30It's your duty.
00:36:31Prepare the food.
00:36:32I'm going to mine.
00:36:33I'm going to look for a job.
00:36:35I'll look.
00:37:05Go.
00:37:35Other.
00:38:05Other.
00:38:35Other.
00:39:05Other.
00:39:35Other.
00:39:37Other.
00:39:39Other.
00:39:41Other.
00:39:43Other.
00:39:45Other.
00:39:47Other.
00:39:53Other.
00:39:55Other.
00:39:57Other.
00:39:59Other.
00:40:05Other.
00:40:15Other.
00:40:17Other.
00:40:18Other.
00:40:19Other.
00:40:21Other.
00:40:23Other.
00:40:25Other.
00:40:27Other.
00:40:29Other.
00:40:31Other.
00:40:33Other.
00:40:35Other.
00:40:37Other.
00:40:39Other.
00:40:41Other.
00:40:47Other.
00:40:49Other.
00:40:51Other.
00:40:53Other.
00:40:55Other.
00:40:59Other.
00:41:01Other.
00:41:03Other.
00:41:05Other.
00:41:07Other.
00:41:09Other.
00:41:11Other.
00:41:13Other.
00:41:15Other.
00:41:17Other.
00:41:19Other.
00:41:21Other.
00:41:23Other.
00:41:25Other.
00:41:27Other.
00:41:29Other.
00:41:31Other.
00:41:33Other.
00:41:34Other.
00:41:35Other.
00:41:37Other.
00:41:38Other.
00:41:39Other.
00:41:40Other.
00:41:41Other.
00:41:42Other.
00:41:43Other.
00:41:44Other.
00:41:45Other.
00:41:46Other.
00:41:47Other.
00:41:48Other.
00:41:49Other.
00:41:50Other.
00:41:51Other.
00:41:52Other.
00:41:53Other.
00:41:55Other.
00:41:56Other.
00:41:57It might sound silly, but I don't have the courage.
00:41:59You don't know how she looks.
00:42:01Sentimentalism.
00:42:02Juan, I swear that...
00:42:03Yes, it's useless, useless.
00:42:04You can't trust a woman.
00:42:06To kill a lamb.
00:42:07Look at him like this, look at him like this.
00:42:08Men, I've had to kill in the war.
00:42:10Machine gun corporal.
00:42:12That, that is what's troubling.
00:42:13Ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta.
00:42:15Well, why don't you do it?
00:42:18I?
00:42:20Okay, I'll do it.
00:42:21Will I do it?
00:42:22Dad, no, you don't like lamb, do you, Pili?
00:42:25What I want is cabbage, lots of cabbage, papaya.
00:42:29But we're crazy.
00:42:31A lamb so fat and so tender, and now cabbage.
00:42:34Come on, come on, don't drive me crazy, don't talk nonsense, be quiet.
00:42:37Bring it this way.
00:42:37Juan.
00:42:38Neither Juan nor Porras, bring it here.
00:42:40I don't get involved in murder, Juan.
00:42:42Well, I do.
00:42:44I do.
00:42:46You have to see it to believe it.
00:42:47The companion in joys and in sorrows.
00:42:50But when a difficult moment arrives, they desert.
00:42:52Don't worry.
00:42:53I am alone.
00:42:55Only!
00:42:56Life is full of neutrals, of Swiss people.
00:42:58For good days and bad days.
00:43:00Ha, ha, ha, ha, ha, ha!
00:43:07Stay still, stay still, little ball.
00:43:08Ha ha ha!
00:43:25Ha ha ha!
00:43:26Damn it! Who wants to kill the lamb?
00:43:31You, Juan! You!
00:43:32Well, I can't, I can't kill him.
00:43:35Tonight we had ajá soup for dinner.
00:43:37Oh, Juan, what joy, Juan, Juan!
00:43:41Who should I tell? I mean, I mean...
00:43:43...of machine guns.
00:43:49Beautiful, beautiful, beautiful! And you, sir, beautiful!
00:43:53What a lamb! When are they planning to have it for dinner?
00:43:56Dinner? Never. It's like I'm family.
00:43:59It is a sacred lamb from India.
00:44:01Yes, yes.
00:44:02Be very careful with balls hitting you!
00:44:04But what about the photo?
00:44:06He won't want me working here. A ball comes along and ruins my place.
00:44:09Okay, so where are we going?
00:44:10There, to a safe place, to that board.
00:44:15I'm really looking forward to seeing how it turned out.
00:44:16How's it going to turn out? Great. We'll do an expansion later.
00:44:19Should we put a frame on it?
00:44:21And we removed the still life from the dining room.
00:44:23You already know.
00:44:24Yes, the one your mother gave us.
00:44:26Filly! Filly!
00:44:32Watch out, little ball!
00:44:35Now, let's go.
00:44:36Polita! Polita! Polita!
00:44:50Pra, leg!
00:44:52Polita! Polita! Prá, pérna!
00:44:56Come on!
00:45:26Lolita!
00:45:52A lamb?
00:45:54Yes, a lamb.
00:45:56My lamb, Bolita.
00:45:58Look, there's your photograph.
00:46:00It was made less than an hour ago.
00:46:01And?
00:46:02It was stolen from me.
00:46:03Well, what do you want me to do?
00:46:04What do you mean, what?
00:46:05But isn't this the police?
00:46:07Look for it everywhere.
00:46:08Commissioner, do your duty.
00:46:10But what duty, my duty?
00:46:11Looking for a lamb on Christmas Eve.
00:46:13You are crazy.
00:46:14I'm not crazy.
00:46:15I am a good citizen.
00:46:16I do what I'm told without protesting.
00:46:17I know my rights.
00:46:18I have the right to have my lamb searched for.
00:46:20But listen, if they stole it, it's to eat it, don't you think?
00:46:24If they are going to eat it, they will have to kill it, skin it, and gut it.
00:46:28Please be quiet.
00:46:30And you expect me to go looking for a dead, skinned, and gutted lamb?
00:46:34No, I want my little ball.
00:46:36I want a live, white lamb with a red ribbon.
00:46:39I want my lamb.
00:46:40Well, then he took twenty pesetas and bought himself another new one.
00:46:43Twenty duros.
00:46:44That lamb cost me fifteen thousand pesetas.
00:46:46Fifteen thousand.
00:46:47Does it have music?
00:46:48That's nerve.
00:46:49Don't be funny.
00:46:50More respect, please?
00:46:51More respect.
00:46:51You are speaking to a police commissioner.
00:46:53A commissioner who does not fulfill his duty.
00:46:54I want you to look for my lamb.
00:46:56But listen, be reasonable.
00:46:58The police deal with many things.
00:47:00Some are more important than others.
00:47:01Today is Christmas Eve and I won't be able to go home for dinner because I have a lot of work.
00:47:08But today, my lamb...
00:47:10Stay calm.
00:47:11I said I have a lot of work.
00:47:12For example, that little angel.
00:47:15He stole fifty-three pesetas and twenty cents from his elderly aunt and then killed her.
00:47:22Then he cut it into pieces and finally billed each piece as a postal package to Logroño and other places.
00:47:29Oh.
00:47:29That's important, isn't it?
00:47:32Well yes.
00:47:33Well, that's what I have to take care of.
00:47:35In contrast, his lamb...
00:47:36On the other hand, my lamb is not important.
00:47:39You have no heart, commissioner.
00:47:40You are not a good Christian.
00:47:42Tonight is Christmas Eve, right?
00:47:44Love one another.
00:47:46Peace on earth, etcetera, etcetera.
00:47:48Moonshine.
00:47:49You don't feel any of that.
00:47:51Neither you nor any of yours.
00:47:52You focus on your work, on the important things.
00:47:55Of course, he has no other choice.
00:47:57But if a law-abiding citizen comes to ask you for help, you just shrug your shoulders.
00:48:02In short, a lamb isn't worth it.
00:48:05You don't think about my little ball.
00:48:07Don't you think he's one of my family?
00:48:10He's like a son.
00:48:11You will have children, or grandchildren, or nephews.
00:48:17Just think about it, imagine if one of them were stolen from you.
00:48:20Imagine if I were suddenly no longer with you.
00:48:24And one would begin to believe that one would be cold and afraid.
00:48:28Very scared.
00:48:30That he is alone.
00:48:31He has nothing to eat.
00:48:34And if they kill him.
00:48:34Or they torture him little by little to make him suffer.
00:48:40And the thieves meanwhile...
00:48:41Ah!
00:48:42Stop laughing.
00:48:43And then they remove the skin.
00:48:45And they roast it.
00:48:46And they eat it.
00:48:48But think, think of your grandchildren, your little children, your nephews and nieces.
00:48:52What would you do if, after some time, they brought you the only thing that remained of him?
00:48:56A little hat, or a shoe, or a t-shirt, or her red ribbon.
00:49:04I think he would burst into tears of sorrow and remorse.
00:49:09I would have nightmares about my lamb, I mean no, about my grandson.
00:49:13I wouldn't live peacefully.
00:49:15It would appear to him everywhere, like a lost soul, and say...
00:49:20Go! Go!
00:49:22Then he would realize his mistake, but by then...
00:49:26But already...
00:49:27There would be no remedy.
00:49:29Not anymore.
00:49:47Where is the photo?
00:49:48Is that it?
00:49:52Yes, commissioner.
00:50:06Notice to all brigades.
00:50:08Affair.
00:50:09Theft of a lamb.
00:50:12Yeah!
00:50:13A lamb!
00:50:14LAMB
00:50:17What did you say your name was?
00:50:20Bolita, commissioner.
00:50:22Pellet.
00:50:22Ambro, jatxe, erribi, bedeuk, kissegat, neuk, gerenet, negrome.
00:50:28Aixer, gau, bitna, let.
00:50:30Aix, net.
00:50:31The araptelat, nemad, duk, nare.
00:50:33Toc, surte, son, bitlu, sol.
00:50:35Jira, garcho, medokon, oron, deicidatxe, son, eko, ser.
00:50:38Hey, what afe, da, deukon!
00:50:39Ole, maqueno, izke, loke!
00:50:41Ole, maqueno, izke, loke!
00:50:41Ole, maqueno, izke, loke!
00:50:43Ole, maqueno, izke, loke!
00:50:43Ole, maqueno, izke, loke!
00:50:45Ole, maqueno, izke, loke!
00:51:15xa, xa, xa, xa, xa drowni?
00:51:18Ponozze, tadaneza, xaаю, om ponoza, Whereas witch, dadeio
00:51:20iz Teide zahdu,t meet acidu, l Chevrolet,
00:51:21xa marvel, izke, loke, dro, maqueno, iz CantORxxu.
00:51:24xa Aa naproville, maqueno, vezboxo, dadeio
00:51:26君z Ponozze, ederec, hellara, xa International
00:51:32Love,de, go Mentor, confoxo.
00:51:35u ChanHHH
00:51:36Astare 27
00:51:40Thank you!
00:52:10Thank you!
00:52:40Thank you!
00:52:42Thank you!
00:52:54Don't stir the soup.
00:52:58But hey, you're not going to eat...
00:53:00Come on, little one, eat a little. Come on.
00:53:04It's because of Dad.
00:53:06Eat.
00:53:07It's for mom.
00:53:09What do you eat?
00:53:10He's with the uncle.
00:53:13You, Juan, let's see if you can set an example.
00:53:15Hey?
00:53:16What do you eat?
00:53:17And what about you? Using the excuse of coming and going?
00:53:20Don't you like it?
00:53:21From now on, I'll eat meat.
00:53:23But...
00:53:25Is this thing meat?
00:53:27Meat? What kind of meat?
00:53:28Oh, we're not eating you, grandma!
00:53:32Come on, come on, daughter.
00:53:34Don't cry.
00:53:35I'm coming!
00:53:36It's open.
00:53:38The door?
00:53:39Because?
00:53:40Well, maybe he'll decide to come back.
00:53:43It's open!
00:53:44Forward!
00:53:45Where is the lamb?
00:53:47Killer!
00:53:49Where is the lamb?
00:53:51Killer of Ferals!
00:53:52Hey family!
00:53:53Ha ha ha!
00:53:54What a lovely smell!
00:53:56It will be a misfortune.
00:53:57Could it be?
00:53:58Pellet.
00:53:59Bolita has been stolen from us.
00:54:00Have they stolen the lamb?
00:54:01Yeah.
00:54:02Well yes.
00:54:03And what are we having for dinner?
00:54:05Nothing.
00:54:06We are in mourning.
00:54:07He doesn't understand.
00:54:08Hey, no offense.
00:54:09What is it that I don't understand?
00:54:10Man, you're used to seeing them.
00:54:12It's different.
00:54:13I am as sentimental as anyone.
00:54:15My job is...
00:54:17My job.
00:54:18Yes of course.
00:54:19But one has a heart.
00:54:21Yeah.
00:54:22At forty-five degrees.
00:54:23Forty-five clubs.
00:54:25I've been asked a technical question, haven't I?
00:54:27Well, let's see.
00:54:29Pellet.
00:54:31Pellet.
00:54:33But...
00:54:34But they're not lambs to me there.
00:54:36Are...
00:54:37Things.
00:54:38Well, they stole our... thing.
00:54:41We are saddened.
00:54:43It's already noticeable.
00:54:44So what?
00:54:45Is Christmas Eve not celebrated?
00:54:46Without Bolita, I don't think so.
00:54:48Well yes.
00:54:49I was the one who brought the reinforcement supplies.
00:54:51Well, there you have it.
00:54:52There is no humor.
00:54:54We don't feel like doing anything.
00:54:57Well, what are you waiting for?
00:54:58Should he come alone or send you a postcard?
00:55:01We hope they find him.
00:55:02The police are working on it.
00:55:03I gave them the bar's phone number.
00:55:05Let me know as soon as you have a lead.
00:55:07Oh, mother!
00:55:08Let me know!
00:55:10What's happening?
00:55:12What's up?
00:55:13They've found the lamb!
00:55:15Oh, mother!
00:55:20How beautiful!
00:55:21What a delight!
00:55:22How wonderful!
00:55:23How nice!
00:55:24It's exquisite, exquisite!
00:55:25The patron saint sent it!
00:55:27It's a gift from heaven!
00:55:28It's exquisite, exquisite!
00:55:30It's gorgeous!
00:55:32Delicious!
00:55:33A blessing!
00:55:34And such bright little eyes!
00:55:35Has!
00:55:36Oh, how cute!
00:55:37I'd tell your charity that we'd have a Christmas Eve present!
00:55:41With potatoes!
00:55:43Or with some lettuce!
00:55:44Or maybe!
00:55:45Plum filling!
00:55:47I'm sure we all like it better roasted!
00:55:50Oh, yes!
00:55:51That's barbecue!
00:55:52Tell me your charity regarding the berzángulas!
00:55:56Is this the lamb that came in the basket of bread?
00:55:58This, Mother Loreto!
00:56:00Isn't it a gift from heaven?
00:56:01What a cute little animal!
00:56:03I recommended to my sister that she cook it with baby eels!
00:56:06What does your charity think?
00:56:08But, sister, they're berzángulas!
00:56:12They're little herbs like this!
00:56:16With leaves like these!
00:56:19That's how you eat it!
00:56:20Those are asparagus!
00:56:22In my town they're called berzángulas!
00:56:24Are you Dutch?
00:56:25I'm from Quinto de Ebro, in the province of Zaragoza!
00:56:28That's exactly what I say!
00:56:30The lamb will be better roasted!
00:56:32Roast!
00:56:33Roast!
00:56:34And nothing else!
00:56:35For now, the lamb will be working in this afternoon's performance!
00:56:37It could be extremely useful to us!
00:56:39Then, sister, visitation!
00:56:42What does your charity command?
00:56:43Grab the lamb and keep going!
00:56:45There are also sautéed eggplants!
00:56:48And eggplant pie!
00:56:50And putting the bezangulas in a bain-marie!
00:56:53Already!
00:56:54Already!
00:56:55Already!
00:56:56Already!
00:56:57Already!
00:56:58Already!
00:56:59Already!
00:57:00Already!
00:57:01Already!
00:57:02Already!
00:57:03Already!
00:57:04Already!
00:57:05Already!
00:57:06Already!
00:57:07Already!
00:57:08Already!
00:57:09Already!
00:57:10Already!
00:57:11Already!
00:57:15Hey!
00:57:16Hey!
00:57:20Hey!
00:57:21Hey!
00:57:22But these girls haven't arrived yet!
00:57:26Look calm!
00:57:27I don't even know what I'm reading anymore...
00:57:28Let your charity, patience, and good order come.
00:57:32Mother, Abra's lamb doesn't want to walk.
00:57:35What do you mean, no?
00:57:35Of course, Father.
00:57:37If this lamb is asking for something else.
00:57:40A lettuce leaf in the mouth.
00:57:42Oh, and if you can do a service before the lettuce, go with the man.
00:57:47Nothing has changed in twenty years.
00:57:48Always the same Jerónimo.
00:57:50Oh my God.
00:57:52Pedro Botero is going to give him some good blows with his sword.
00:57:54Mother, this creature refuses to walk.
00:57:56That's all, Mom.
00:57:58And Manolita?
00:57:59Here I am, mother.
00:58:00Oh, I hardly knew our Abraham anymore.
00:58:14The Mother Superior is already seated.
00:58:16Come on Pepita, go on, Manolita.
00:58:19Jerome.
00:58:20Please continue.
00:58:20The lights.
00:58:21Oh, this lamb can't walk.
00:58:27My daughter, you are the lead weight.
00:58:29The lead man himself.
00:58:30Come on, those who don't have to go to the other side.
00:58:34But for God's sake, sister.
00:58:36And the rock?
00:58:37Oh, my mother Loreto.
00:58:38Don't overwhelm me.
00:58:39I had forgotten.
00:58:42Come on, come on.
00:58:43Mother, yes, right away.
00:58:45I'll see, God willing.
00:58:46Yes, yes, mother.
00:58:48Ready?
00:58:48Ready.
00:58:49Okay then.
00:59:00Pepita, I'm your mom.
00:59:02How far have we walked?
00:59:04And how long is the path?
00:59:05Longer still is eternal life, which is true living.
00:59:09You're right, Buenabrán.
00:59:10Have a little bit of bread.
00:59:12I feel fleeting and restless in this lost field.
00:59:19More is lost in sin than in the flowering field.
00:59:23You're right, Buenabrán.
00:59:25Have a little bit of bread.
00:59:27My father, my father, what idea does your brow embrace?
00:59:31Something I must...
00:59:31My mother says to give me three pesetas, because the other one wasn't enough.
00:59:34Well, let's make sure it's not necessary.
00:59:35Look, Abram.
00:59:36Have a little bit of bread.
00:59:38Oh, distant and beautiful city that has seen me leave.
00:59:42Oh, cousin, sister-in-law, wife, what are you doing with your hand like that?
00:59:45Oh, Abram.
00:59:46What, Don Juan Tenorio?
00:59:48Don Juan Cordero, son.
00:59:50The owner of the printing press.
00:59:52But you don't see that lamb.
00:59:54He's been foolish.
00:59:55My father, my father, what do I read in your angry gesture?
00:59:59The rope and it hurts to finish what I've started.
01:00:03It doesn't bother you, Father, give me the three coins.
01:00:05I've escaped from the barracks and they're going to round me up.
01:00:07Hush, I'm just getting a truly sensational idea.
01:00:11Oh, pleasant and leafy forest, where I spent some good times.
01:00:15Oh, fountain, oh, river, oh, oak tree, oh, bird, oh, dog, oh, cat.
01:00:22I tremble from head to toe and think about what Cina knows.
01:00:26Ah, my arm fails me, my great will condemns me.
01:00:31Mom, they're going to give me a package.
01:00:32Look, son, do you see that little lamb standing there so still?
01:00:35My Father, my Father.
01:00:36Yeah.
01:00:36Well, it needs to be moved.
01:00:38That?
01:00:38To take it home and digest it tomorrow.
01:00:41Sorry, sorry, good opening.
01:00:43Have a little bit of bread.
01:00:45There's a warning in the air, a threat to life.
01:00:48Mom, I have to take attendance.
01:00:49But if it's just a moment, a moment of carelessness, then it's home.
01:00:54I don't want to think about it anymore.
01:00:55Well, it's not a pleasant thing.
01:01:01Now I'll take this torch and light the bonfire.
01:01:04What happened to the flames that melted?
01:01:10A man, Mother Loreto.
01:01:25Let Mother Loreto come.
01:01:26Who is Mother Loreto?
01:01:29Of course he's coming, that goes without saying.
01:01:31Get out of here!
01:01:32Wow!
01:01:32That girls have to work.
01:01:33But...
01:01:34The evil one is a thousand times over.
01:01:40The cruel one on her knees.
01:01:41The percidor on his knees!
01:01:47Oh!
01:01:49And the ferocious lion!
01:01:52Ball!
01:01:53No bad words are used here.
01:01:55Mother Loreto!
01:01:56But it's a little ball, a little ball!
01:01:57Shh!
01:01:58Come with me.
01:01:58Up with the sinna, there's no time.
01:01:59Jerome, light to the palace of Salome.
01:02:01Yes, Mother!
01:02:24The moment has arrived.
01:02:25There's a basket down there.
01:02:27When I say so, you pick up the animal, put it in the basket, and go home.
01:02:30I don't have time, shouldn't I tell you I have to take attendance?
01:02:32You can take it.
01:02:34Anywhere.
01:02:35But you take it.
01:02:36Package, what package?
01:02:37And on Christmas Eve.
01:02:38Do that to me.
01:02:43Mother, this man.
01:02:44And I don't know how Sister Portela let it go.
01:02:47I am the owner of the lion.
01:02:49Which lion?
01:02:49Well, from the lamb, that's it, from the lamb.
01:02:52It was stolen from me.
01:02:54Gentleman?
01:02:54Yes, some gypsies.
01:02:55They've put it in one of your baskets.
01:02:56Well, from the convent.
01:02:57The police told me.
01:02:58And what do you want?
01:02:59What would I want?
01:03:01The lamb?
01:03:01Please wait until the show is over.
01:03:03I will speak with the Mother Superior.
01:03:05Dance, dance, Salome.
01:03:10And don't stop dancing.
01:03:17Dance, dance, Salome.
01:03:24That you are a mortal sin.
01:03:27She dances with a venal gesture, and I don't think that's wrong.
01:03:38Do those little verses last long?
01:03:40Dance, dance, dance, Salome, for Rhodes wants to see you.
01:03:50So now you know and you don't have time right now, don't go home.
01:03:54You leave, go to the hotel, check in, and come back for dinner.
01:03:59But you're getting to keep the lamb, right?
01:04:01Ear?
01:04:02Yes, my lieutenant, I mean, yes, father.
01:04:04And you're carrying it in your basket?
01:04:06They're going to execute me.
01:04:08Are you comfortable, Tetrarca?
01:04:09My words are scattered.
01:04:14But what about the Mother Superior?
01:04:39Have patience, man of God, until the performance is over you cannot be notified.
01:04:43Sister, the pastors.
01:04:44I'm coming, mother, I'm coming.
01:04:46Don't bother me.
01:04:47Jerónimo, the angel, do not forget.
01:04:50It's take care, mother.
01:04:51The night is very cold, let's eat hot soup, for in your map and joy we are good people.
01:04:59Little shepherds of Bethlehem who take care of their flock and always behave well, working all year round.
01:05:07Through cold, rain or heat, in winter or summer, with joy and without harm, always with a fresh sense of humor,
01:05:14Here they are all year round, watching over their flock, the shepherds of Bethlehem.
01:05:21Oh shepherds, oh mortals, hear the good news.
01:05:25These are heavenly news stories that already fill the air.
01:05:29Bellizca herself, the friend, that an angel from heaven speaks.
01:05:32I'll be talking to you because I can't hear my leg.
01:05:35Oh shepherds, oh mortals, you honest tradesmen who in good peace and contentment earn your living by caring for animals,
01:05:46flying low, flying, flying low, flying, flying low from the sky, flying, flying low from the sky, flying low from the sky, flying low from the sky, flying low from the sky.
01:06:05No, no, no.
01:06:35Come on, hurry up.
01:06:49Come on, man, don't dawdle so much.
01:06:51I'm going.
01:06:52Come on, come up here.
01:06:59The patrol is nearby.
01:07:02Hurry up, man.
01:07:05Careful.
01:07:17Okay, you can continue now.
01:07:23Hurry up.
01:07:26Give me your hand.
01:07:27The other one.
01:07:27Come on, man, hurry up.
01:07:39What a job.
01:07:41Damn.
01:07:42But, man, don't be a fool.
01:07:44Leave it to me.
01:07:47Let's see.
01:07:48Some more.
01:07:52Take care.
01:07:52Oh man.
01:07:54But what on earth are you carrying in the basket?
01:07:56My dinner, a lamb.
01:07:57A what?
01:07:58A lamb!
01:08:00Grabos on guard!
01:08:01Grabos on guard!
01:08:02Come on, man, jump in.
01:08:03My lamb, man.
01:08:04My only possession is my lamb.
01:08:05Come on, we're not going to make a big deal out of it.
01:08:08Grabos on guard!
01:08:10High!
01:08:11High!
01:08:11Stop the strike!
01:08:14Stop the strike!
01:08:14Stop the strike!
01:08:14Stop the strike!
01:08:41Stop the strike!
01:08:49What's happening?
01:08:51Yes, sir.
01:08:52A lamb.
01:08:55Ear!
01:08:55Scratch off!
01:08:56Terracotta!
01:08:56Discreet fire!
01:09:06A lamb?
01:09:07Yes, Sergeant.
01:09:10It's amazing!
01:09:11Fire!
01:09:11Fire!
01:09:13Fast!
01:09:14From the situation to the lieutenant!
01:09:15Call for backup!
01:09:15Fire!
01:09:16Fire!
01:09:16Fire!
01:09:16Fire!
01:09:17Thank you!
01:09:47Thank you!
01:10:17Thank you!
01:10:18Thank you!
01:10:19Thank you!
01:10:20Thank you!
01:10:21Thank you!
01:10:22Do you hear?
01:10:23The shots?
01:10:24No way! Listen!
01:10:28Christmas Eve!
01:10:39You know what?
01:10:41That?
01:10:43It's Christmas Eve
01:10:45Christmas Eve?
01:10:51I would like to have lamb for dinner.
01:10:53Yeah
01:11:15Christmas Eve!
01:11:16Christmas Eve!
01:11:17Christmas Eve!
01:11:19Christmas Eve!
01:11:21Christmas Eve!
01:11:23Christmas Eve!
01:11:25Christmas Eve!
01:11:27Christmas Eve!
01:11:29Christmas Eve!
01:11:31Christmas Eve!
01:11:33Christmas Eve!
01:11:35Christmas Eve!
01:11:36Christmas Eve!
01:11:37Christmas Eve!
01:11:39Christmas Eve!
01:11:41Christmas Eve!
01:11:43Christmas Eve!
01:11:45Christmas Eve!
01:11:47Christmas Eve!
01:11:49Christmas Eve!
01:11:51Christmas Eve!
01:11:53Christmas Eve!
01:11:55Christmas Eve!
01:11:57Christmas Eve!
01:11:59Christmas Eve!
01:12:01Christmas Eve!
01:12:03Christmas Eve!
01:12:05Christmas Eve!
01:12:07Christmas Eve!
01:12:09Christmas Eve!
01:12:10Christmas Eve!
01:12:11Christmas Eve!
01:12:13Christmas Eve!
01:12:14Christmas Eve!
01:12:17Christmas Eve!
01:12:18Thank you!
01:12:48What a scare!
01:13:18What a scare!
01:13:48What a scare!
01:14:19What a scare!
01:14:23What a scare!
01:14:48Hey! Hey!
01:15:10Stop! Who goes there! Stop! Who goes there!
01:15:13What are you doing here?
01:15:14Good evening. We are looking for a lamb. Have you seen any lambs?
01:15:17We've seen many.
01:15:18Many?
01:15:19The door of 513 has been forced open and lambs have been led out.
01:15:22And where are they?
01:15:23We've put them back in their place.
01:15:25Oh, really? I'm sure it's mixed up with them. Little balls, my lamb.
01:15:28This old man stole it from me. It was in a basket by the barracks wall.
01:15:32Have you seen a lamb with a red ribbon?
01:15:34A red ribbon? Well, to be honest, we haven't really noticed it.
01:15:37Hey, you?
01:15:38I haven't seen anything.
01:15:39And you say you were around here?
01:15:41Yes, by the barracks.
01:15:42Then it's most likely that it got mixed up with the others.
01:15:44And where are the others?
01:15:45We've put them on that train.
01:15:47And where is that train going?
01:15:48To the slaughterhouse.
01:15:49To the slaughterhouse.
01:15:50Eye!
01:15:51Oh no!
01:16:08Payis!
01:16:09Pensis!
01:16:11Pensis!
01:16:12Pensis!
01:16:12Don't come with us!
01:16:14Oh my God!
01:16:15It's a matter of life or death!
01:16:17To the slaughterhouse!
01:16:18To the slaughterhouse!
01:16:19What is not without its charm!
01:16:20Well, what do you want?
01:16:22Take us away!
01:16:24Take us away!
01:16:24If you're going to the limping place already...
01:16:26Don't run into trouble!
01:16:46You and I were going to have dinner with two friends...
01:16:48But it's all gone wrong, they've lost Bolita.
01:16:51What a pity!
01:16:53Is Bolita a boy or an aliria?
01:16:55Bolita is a donkey.
01:16:56And of course, since they're such corny people,
01:16:58worry about a lamb,
01:17:00where there is good red cabbage.
01:17:04Felipe, hurry, we're running out of Bolita.
01:17:07Runs!
01:17:18What red light, what the hell!
01:17:39And who pays the fine?
01:17:40Oh, there are no fines, it's Mechebuena!
01:17:42Hurry, Felipe, we're going to be late!
01:17:45Run, we're going to get the dead man!
01:17:46The best dead person is one without Bolita!
01:17:47Run, Felipe!
01:17:53Come on, lamb, come on, lamb!
01:17:55People do nothing but eat lamb.
01:17:57The civilization that is ending...
01:17:59That's it! Come on, come on, let's eat some meat!
01:18:02That's why there are so many wars!
01:18:03And there's no culture, no shame, nothing!
01:18:14There's nothing here, nothing at all, nothing at all!
01:18:17There's nothing here, nothing, nothing, nothing, nothing!
01:18:22There's nothing here, nothing at all, nothing at all!
01:18:27Fico, to be honest, I'm exhausted.
01:18:29My arms get very tired.
01:18:31These creatures may seem cute, but they're made of iron.
01:18:34Well, there are only a few left.
01:18:35Yes, few, we've already killed one hundred and fifty.
01:18:38Okay, let's go.
01:18:40There's nothing here, Happy Easter!
01:18:42Hurry, Felipe, I have a feeling we won't make it!
01:18:44Run, Felipe, run!
01:18:46Accelerate!
01:18:47And I said to him, how are you going to find a live lamb on Christmas Eve?
01:18:55Furthermore, being young, there is no way to distinguish one from the other.
01:18:59That.
01:18:59I didn't know how to kill a lamb here!
01:19:08Imagine, he didn't know how to kill a lamb?
01:19:11And you explained it to him.
01:19:12I explained the procedure to him, Simpson.
01:19:15Yes, the neck at forty-five degrees.
01:19:23There you go, take a look.
01:19:26I've never seen anything like it in my life.
01:19:28What do you think this is?
01:19:30The fact that?
01:19:31The red ribbon.
01:19:32Unless it's the brand of the flock?
01:19:34Well, whatever it is, I don't care.
01:19:41Come here, little lamb.
01:19:53Runs!
01:19:54Run, Felipe!
01:19:55Run, Felipe!
01:19:57Come on!
01:19:57Come on!
01:19:58Come on!
01:20:04A.B.O.D.O.D.O.D.O.D.O.D.O.D.O.D.O.D.,!
01:20:28We'll find her now when they're about to kill us, and with our eyes, with our beaks, we'll celebrate.
01:20:34Come on, come on, come on, the sea and brunette, come on, come on, come on, it's Christmas Eve.
01:20:41Tonight is not good and tomorrow is Christmas, we eat delicious things made from delicious vegetables.
01:20:47Long live! Long live! The sea and the brown! Come on, come on, come on!
01:20:52Hooray! The sea and the brown! And everything ends well! We wish you the same kind of luck.
01:21:01Happy Father's Day to all of you! Happy Father's Day, have a great time!
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