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  • hace 2 meses
Reparto: Analía Gadé, Fernando Fernán Gómez, Tony Leblanc, Licia Calderón, Antonio Ozores, Vicky Lagos, Lucía Prado, Ena Sedeño, José Luis López Vázquez, Margot Prieto, Mario Berriatúa, Luisa Sala, Leo Anchóriz, Xan das Bolas, Luisa Puchol, José María Tasso

Dirección: Pedro Lazaga

Atendiendo a los clientes de los grandes almacenes, las vendedoras, con su uniforme azul, se desviven para servirles. Pero en sus jóvenes mentes, una idea supera todas: la caza de un marido. Ana, enamorada de Juan, que parece encontrarse muy bien en su condición de soltero. Olga tiene aspiraciones de más alto nivel, su novio debe ser propietario de un gran coche. Pilar aspira a ganar un concurso radiofónico. Y allí está también Álvaro, el abogado cuya única causa capaz de defender, y aún con un fracaso rotundo, es la libertad del soltero.
Transcripción
00:00:00Love, which is honest and gives us our lives,
00:00:09Without love, without love, we do not live, we have no heart.
00:00:21The girls of love for peace, for the love of looking,
00:00:27Without love, without love, illusion and love, we girls who are born into life,
00:00:40hope and love, we girls who have heart.
00:00:47Where is that love I always wait for, who is it?
00:00:52Where is it, who will it be, the great aroma of my dreams?
00:01:00Where is he, who is he, the one I unknowingly seek?
00:01:05I will give her my laughter, I will give her my kisses, and I will give her my sincere love.
00:01:12I will give her my laughter, I will give her my kisses, I will give her everything she wants.
00:01:17Illusion and love, we girls who are born into life,
00:01:25hope and love, we girls who have heart.
00:01:30Humanity, from time, love, the girls who have hearts.
00:02:00Time immemorial is made up of men and women.
00:02:04Women are the main topic of conversation among men.
00:02:09And the main topic of conversations between women is men.
00:02:14Men talk about women with enthusiasm, with spontaneity, without ulterior motives.
00:02:19They admire them, they respect them, well, there's always some clumsy one.
00:02:28And women, of course, are also interested in men, and with what enthusiasm!
00:02:33And without any ulterior motive, of course.
00:02:41As for my admiration for man, let's not even talk about it, it's infinite.
00:02:45They admire him so much that one glance is not enough.
00:02:47They want to admire him comfortably, for a lifetime.
00:02:52And to further demonstrate their admiration, they dress him in a husband's uniform.
00:02:56The city is a vast marital jungle full of problems,
00:03:06which very often have tiny and noisy solutions.
00:03:11But what about arriving at these cheerful solutions?
00:03:13It's not so easy to give a man the shake.
00:03:18This film is about men and women.
00:03:27Fifth, ladies' clothing.
00:03:32I don't know if I'm making myself clear.
00:03:38I would like a color between this yellow and this green.
00:03:41Yes sir.
00:03:43For your family and for your home, at prices that will seem incredible.
00:03:48See it all.
00:03:49You will never be able to get more for less money.
00:03:52Two or three top-quality items, worth every penny.
00:03:55Like this?
00:03:58That?
00:04:00But I want it with short sleeves.
00:04:08Send it to my home.
00:04:09Mrs. Recaredo Suárez.
00:04:11Goya number 56.
00:04:12Recaredo?
00:04:13Recaredo?
00:04:14Recaredo, yes?
00:04:15Do you know him?
00:04:16Not her husband, but the Visigothic king.
00:04:18Reccared was elected king in the year 586 upon the death of his father Leobigildo.
00:04:22In the year 589 he embraced the Catholic faith, purging himself of Arianism.
00:04:26He died in the year 601, after 15 years of his glorious reign.
00:04:28But what are you saying?
00:04:29Excuse me, ma'am, I'm just obsessed.
00:04:32I'm preparing for the half-million contest with the theme of the Visigothic Kings.
00:04:36Ah, I hear it on the radio.
00:04:38Good luck to you.
00:04:39Thank you very much, ma'am.
00:04:41Here you go, ma'am.
00:04:42The same color and with short sleeves.
00:04:44Yes, but I don't like the genre.
00:04:47Don't they have the same thing in nylon?
00:04:48No ma'am, not nylon.
00:04:50Doesn't he even know where he could find it?
00:04:52No ma'am, I don't know.
00:04:54You'll surely find nylon on Gran Vía, next to San Bernardo.
00:04:57There is a specialized store.
00:04:59Thank you so much.
00:04:59But I don't recommend it.
00:05:01This fabric lasts as long as nylon and has a better drape.
00:05:04Do you think so?
00:05:04I'm sure, ma'am, it's what's most popular.
00:05:07I'll keep it.
00:05:08Is there anything else the lady would like?
00:05:09No, nothing more.
00:05:11Would you like to proceed to the checkout, please?
00:05:15Here you go.
00:05:19Thank you very much, ma'am.
00:05:21Come.
00:05:26You have to be patient with customers.
00:05:28They can be a pain sometimes, but you see, they eventually buy.
00:05:32Plus, you're in your probationary month and the boss is watching you.
00:05:34Lolita.
00:05:35Hey, we don't have any bullfighter hats, do we?
00:05:45Seventh sport.
00:05:53Yes, yes, you sleep like you're at home.
00:05:57Better than a feather mattress.
00:05:58And much healthier.
00:06:01Do you see?
00:06:03It's like Isi.
00:06:09Marta, will you help me, please?
00:06:17It couldn't be more comfortable.
00:06:19You'll see.
00:06:19The bond comes undone.
00:06:25The tie comes undone.
00:06:27Allow me, allow me.
00:06:32Marten.
00:06:33What's up?
00:06:37What do you want?
00:06:38Please.
00:06:39Do you want to untie the gauntlet?
00:06:41Do you unleash everything too?
00:06:49These are four ounces.
00:06:51For weekends, camping is much better than a hotel.
00:06:55And cheaper.
00:06:57I'm not saying this to compete with the hotel industry.
00:07:01It's true.
00:07:05The store is sensational.
00:07:06Is it easy to assemble?
00:07:08To assemble it?
00:07:08Very easy, very easy.
00:07:10It's very simple.
00:07:11Yes, yes.
00:07:11First, the nails are driven in...
00:07:13The posts.
00:07:14The posts, yes.
00:07:16Then the ropes are tied to two nearby trees.
00:07:18Or wherever.
00:07:20To anything.
00:07:21Yes, or anything else.
00:07:22It's the same.
00:07:23Then these pieces of wood are put in...
00:07:25The stakes.
00:07:25The stakes?
00:07:26The stakes, yes.
00:07:27The stakes.
00:07:28Then the tent is put up on the field.
00:07:32And that's it, right?
00:07:33The suspenders are tied.
00:07:34Yes, they tie their suspenders.
00:07:35And that's it.
00:07:36Time for bed.
00:07:37What do we do?
00:07:38Yes I like it.
00:07:39And we will be alone.
00:07:42It will be like another honeymoon.
00:07:43If I ever get married, I'm buying one of these stores.
00:07:47They're great.
00:07:49And they don't have a wedding suit?
00:07:53Can they be tested?
00:07:54Yes, yes.
00:07:55Juanito.
00:08:09Hello.
00:08:11Hello.
00:08:12Bye bye.
00:08:13Until this afternoon.
00:08:13Bye bye.
00:08:14Bye bye.
00:08:16What do you like?
00:08:17Yes, it's not bad.
00:08:18He's a cool guy, he's 35 years old, very handsome.
00:08:20Bye bye.
00:08:21Bye bye.
00:08:25Hello.
00:08:26Hello.
00:08:27What's up?
00:08:27How are you?
00:08:28Very good.
00:08:30Go up.
00:08:33Are you doing okay?
00:08:33Yes, thanks.
00:08:56Go!
00:08:56Go!
00:08:56Go!
00:08:57Go!
00:08:57Go!
00:08:57Go!
00:08:58Go!
00:08:59It's extremely difficult to get out of the sleeping bag.
00:09:07If it weren't for Marta, I'd still be there.
00:09:09Ah, but Marta was nearby.
00:09:10Marta is always there
00:09:12What thing?
00:09:12He never leaves your side
00:09:13He likes it if he doesn't hide it
00:09:15I was looking at you with this silly face, like this.
00:09:18She is unhappy
00:09:18I don't know why you dislike him.
00:09:20He'll end up catching you, you'll see.
00:09:22Me?
00:09:22Ah! Don't even think about it, that woman hasn't been born yet.
00:09:24How gallant!
00:09:26No, woman, don't take it the wrong way
00:09:27I talk to you like I talk to a friend
00:09:29We're colleagues and there's a different kind of trust, right?
00:09:31But then, you don't plan to get married?
00:09:34No never
00:09:34I have a much better time this way
00:09:36As my friend Álvaro says
00:09:38Marriage is suicide punishable by life imprisonment.
00:09:41Ha! That's funny, isn't it?
00:09:43A lot, of course
00:09:44And your friend Álvaro is so ingenious
00:09:46Yes, it has spark.
00:09:47It's a shame he's a drunk.
00:09:48And a lawyer without lawsuits
00:09:49And a pint and a bum
00:09:51What's wrong with you? Why are you acting like this?
00:09:53He's a really good kid.
00:09:53And my best friend
00:09:54That's the bad part
00:09:55What influences you?
00:09:57No
00:09:57Because you're not like that, Juan.
00:09:58You are good
00:09:59And you have a good heart.
00:10:00And you don't believe that marriage is suicide.
00:10:02No, woman
00:10:03Would you get married if you wanted to?
00:10:04And you would fall in love
00:10:05And you would be a normal man.
00:10:06But of course
00:10:07You're influenced by Álvaro, who's a cynic.
00:10:10Oh no, I've run out of cigarettes.
00:10:11Sorry
00:10:11Pretty
00:10:22You have a better body than a '58 Cadillac
00:10:26That's the kind of women I like.
00:10:28Currently filming and with a green license plate
00:10:30Leave me alone
00:10:31Leave me alone, I'm not alone
00:10:31Of course
00:10:32For us
00:10:34And for me
00:10:35So long
00:10:35Hey, listen
00:10:36Let's go, Paco
00:10:38Don Quixote has arrived
00:10:39What are they going to do to you?
00:10:39Less is more
00:10:40You're not going too far
00:10:41Leave him alone, Juan
00:10:41Come on, it's late.
00:10:42A quarry
00:10:45There is no right to harass women in public.
00:10:47What barbaric times
00:10:50Don't get excited, old man
00:10:51That can cause congestion
00:10:53There is no education left.
00:10:54Nor civic spirit
00:10:56Leave them be.
00:10:59After all, they haven't done anything wrong.
00:11:01And the compliment is a Spanish thing
00:11:03That's not Spanish, it's nothing.
00:11:05It's rude.
00:11:06I'm not Spanish.
00:11:08I don't know if it will be Spanish
00:11:10A rude person, that's for sure.
00:11:11As?
00:11:12I'm rude
00:11:12Take
00:11:13More, please
00:11:19Yes, miss
00:11:20Further?
00:11:23Yes, yes
00:11:24Enjoy your meal!
00:11:27Thank you
00:11:27I ordered for two
00:11:29My dog really likes them
00:11:30Oh, you have a dog.
00:11:31A stupid poodle
00:11:33You have a weakness for fried calamari.
00:11:35I like you, Olga
00:11:40More and more each day
00:11:43Like
00:11:44Anyone can like it
00:11:46What matters is something else
00:11:48That you love me
00:11:51Of course, woman
00:11:51Of course I love you
00:11:53You doubt it
00:11:54Oh, Don César
00:11:58Good afternoon
00:12:00How are you?
00:12:02Good
00:12:02Lady
00:12:03His wife, right?
00:12:07And the children, are they okay?
00:12:08Okay, everyone's fine.
00:12:09It has been a great joy for me
00:12:11At your feet, madam
00:12:13I'm very glad, Don César
00:12:15Bye
00:12:16Hey
00:12:19But you're married.
00:12:21A little, yes, yes
00:12:26You're a scoundrel.
00:12:28How's Juan doing?
00:12:45Equal
00:12:46We left
00:12:46Is he not declaring himself?
00:12:47No way?
00:12:48It defends itself like a cat on its back
00:12:50That's all
00:12:50Marital allergy
00:12:52What's worse
00:12:53That girl spends all day giving him cova
00:12:55Oh
00:12:56Hello
00:12:58Are you late?
00:12:59Okay
00:12:59And they bring you by car?
00:13:01I'm done with him
00:13:02Men
00:13:03They're all shameless.
00:13:05Ramón
00:13:06Good afternoon, ma'am
00:13:11That's seven pesetas
00:13:16Good afternoon, miss
00:13:30Good afternoon
00:13:30Are you in charge of the telegrams?
00:13:32Yeah
00:13:32Can I have a printed copy, please?
00:13:34Over there
00:13:34Over there
00:13:36Are you in charge of the telegrams?
00:14:06Is the address missing?
00:14:21It's for you
00:14:22Ah
00:14:22Eight forty-five
00:14:24Is he forty-five?
00:14:26No
00:14:26Take that word away, beautiful
00:14:29Most Holy Mary
00:14:32What a sight!
00:14:32Watch out!
00:14:33Oh!
00:14:33What a load of nonsense!
00:14:36Pass, pass
00:14:37Oh, how about that!
00:14:38Let me pass!
00:14:39Listen!
00:14:39No, don't go up, Eusebio!
00:14:41Eusebio!
00:14:42Be careful!
00:14:43Eusebio!
00:14:44Where are you going?
00:14:45Low!
00:14:46I'm getting off
00:14:46No, on the other hand
00:14:47But Maria just stays there.
00:14:49To get to Maria
00:14:50It's better the other way around
00:14:51But what is the other one?
00:14:52I'll take her
00:14:53Look
00:14:56Lady
00:14:57We're not going to Madrid
00:14:58Because Mary
00:14:59Follow
00:15:00Well, she
00:15:01We're going to Madrid
00:15:03And here I am, not going to Madrid
00:15:04And she said we were going to Madrid
00:15:05And it's quite a mess that's been made.
00:15:07That's where Maria is going
00:15:08Thank you
00:15:08Where could this woman be now?
00:15:12That Joachia finds her
00:15:13Here in this river
00:15:13Eusebio!
00:15:14But woman!
00:15:14Eusebio!
00:15:15But girl, get down!
00:15:15Come here!
00:15:16Come here
00:15:16Get on!
00:15:17Get on!
00:15:31Good afternoon, sir
00:15:32What are you like?
00:15:33Are you listening?
00:15:35Not at the moment
00:15:35If you would be so kind
00:15:36What do you want?
00:15:38Well, I have to give a gift, yes
00:15:40What do you think of this dress?
00:15:42It's the latest fashion, sir.
00:15:44The fact is that this is how it is
00:15:45On the mannequin
00:15:46I have no idea.
00:15:47Would you like to try it on?
00:15:48I'm sorry, sir.
00:15:49It is forbidden
00:15:50Darn it!
00:15:52Olga is already paying attention to that
00:15:53He won't sell you anything.
00:15:54You'll see.
00:15:55How awaits you upon leaving
00:15:56If you have a car, insurance is a good thing.
00:15:57What type?
00:15:58High?
00:15:59Ungainly?
00:16:00Well, I like them like that.
00:16:01So tall
00:16:02Car or mondo?
00:16:05Cupboard
00:16:05I like men without cars
00:16:07I even find them ugly
00:16:08I love that they smell like gasoline.
00:16:10Ugh, well I smell disgusting.
00:16:12Really
00:16:13Between the lighter on one side
00:16:15The cars
00:16:15Imagine
00:16:16I am a car racer
00:16:18Racing?
00:16:19Yes of course
00:16:19How exciting
00:16:21And aren't you afraid?
00:16:22Oh, me when I floor the accelerator
00:16:24I forget everything.
00:16:26Seriously, huh?
00:16:27By the way, what nonsense.
00:16:28Have I forgotten your name?
00:16:29I haven't told him
00:16:30Olga
00:16:31I, Julio
00:16:33And for close friends
00:16:34Well, Julio too, of course.
00:16:36I would love to get in a race car
00:16:39Ah, whenever you want, okay?
00:16:40Yeah
00:16:41The boss
00:16:43Wonder
00:16:48I leave at eight
00:16:50Hey?
00:16:51Peace
00:16:53Attention
00:17:05Attention
00:17:06Mr. Eusebio Chacón is requested
00:17:09Native of Torrelaguna
00:17:10Please go to the second floor
00:17:12Where his wife awaits him
00:17:14Don Eusebio Chacón
00:17:16Attention
00:17:19Attention
00:17:20Mr. Eusebio Chacón is requested
00:17:23Native of Torrelaguna
00:17:24Please go to the second floor
00:17:26Where his wife awaits him
00:17:28Don Eusebio Chacón
00:17:29Yes, it's me.
00:17:30I'm here
00:17:31Maria
00:17:32I'm here
00:17:34Are you going to the cafe today?
00:17:36I suppose so
00:17:37Although I don't know what for
00:17:38Juan says I'm like a friend.
00:17:41Don't get discouraged
00:17:42And it will be decided.
00:17:43I think that if I don't make up my mind
00:17:50The cake, sir.
00:18:02The water
00:18:05Oh, sorry.
00:18:19It was for her boyfriend
00:18:20Yeah
00:18:21We're not dating
00:18:23Sorry
00:18:23No
00:18:24Everyone mistakes us for something we're not.
00:18:32Yeah
00:18:32Whenever people see a man and a woman together, they assume they're something else.
00:18:35Yes, yes
00:18:36People are so strange
00:18:37Look at this waiter
00:18:39Total
00:18:39Because you've seen us together every day for the past 20 months.
00:18:42She already has to think we're dating.
00:18:43Go, a waiter
00:18:44Well, I'm sure everyone thinks so.
00:18:47Until Pilar
00:18:48Where did Theodore establish his court?
00:18:50In Tolosa
00:18:51Clear
00:18:52Since she has a boyfriend
00:18:53People don't understand the friendship and companionship between a man and a woman
00:18:56Yes, I think the same.
00:18:58Like you're not a man to me.
00:19:00You're a partner
00:19:01Look, I'm going out with you like I might go out with a friend.
00:19:04Well, it's not the same either.
00:19:06A friend is a friend, and I am a man.
00:19:09No?
00:19:09Well
00:19:09Well, that's normal.
00:19:10When a man goes out with a woman every day
00:19:12It's because he has feelings for her.
00:19:14Or are you not normal?
00:19:17Man
00:19:18I think so
00:19:20Come on
00:19:20So
00:19:21Do you have feelings for me?
00:19:23Ah, of course.
00:19:25You'll see
00:19:26And if you feel something for me and you don't say it
00:19:27It's because you have a reason not to say it.
00:19:30I just want to know that reason.
00:19:32Well, I
00:19:34You're shy, Juan
00:19:37You don't dare to say what you feel
00:19:40You won't.
00:19:43No, no, no
00:19:44Go on
00:19:44Tell me no
00:19:45See how you don't deny it?
00:19:50You love me
00:19:51Oh, John
00:19:53I've been waiting for you to tell me this for a long time.
00:19:56Ann
00:19:57What was the name of the Vandal king who invaded Mauretania?
00:20:01Fensérico
00:20:02And who were Alaric's wife and brother-in-law?
00:20:06Clotilde, the wife, and her brother-in-law, King Franco Chindeberti
00:20:09Very good
00:20:10Give you 250,000 pesetas
00:20:12What if I retired?
00:20:13No no
00:20:14We must continue
00:20:14Juan
00:20:20How happy I am
00:20:21More than any other woman in the world
00:20:23Ten fifteen, you're going to be late
00:20:26What does it matter?
00:20:27Today is different.
00:20:28No, I meant it because of your parents.
00:20:29But what's the rush?
00:20:30Where are you going now?
00:20:33Where am I going to go?
00:20:34To the guesthouse, for dinner
00:20:35I'll call you in a little while.
00:20:36I suppose there will be a phone.
00:20:38Yes, yes, but it's almost always on.
00:20:40We are 14 guests
00:20:41And the witch of the owner
00:20:42They don't treat you well.
00:20:44Terrible, I can't get used to it
00:20:46The pension life wasn't made for me
00:20:47I've been to three, and each one was worse than the last.
00:20:49I hate pensions
00:20:50They all have a fat owner
00:20:52With a printed robe
00:20:52Colorful and with a cat in her arms
00:20:54Hello, daughter
00:21:09Hi, Mom
00:21:10Great news!
00:21:12Mother
00:21:13What's happening?
00:21:14Ah, finally
00:21:15He loves me
00:21:16He told me
00:21:17We're dating
00:21:18Boyfriends, mom
00:21:20Balbina
00:21:21Balbina
00:21:22What's happening?
00:21:26She has a boyfriend
00:21:27Juan has declared
00:21:28She's getting married
00:21:30Finally
00:21:31You bring me so much joy
00:21:32And how has it been?
00:21:33What did he tell you?
00:21:34Well, look, he told me that...
00:21:37Well
00:21:38To say, to say...
00:21:42Actually, he hasn't told me anything.
00:21:44Okay, just like your father
00:21:46That's due to shyness itself.
00:21:48Poor little cart
00:21:51Continued on page 5
00:21:54Who has it?
00:21:56I'm missing the 7
00:21:57As?
00:22:03Felipe!
00:22:04Felipe, there's the girl.
00:22:06With boyfriend
00:22:07Congratulations, daughter
00:22:09Give me a kiss
00:22:09Two
00:22:10I congratulate you
00:22:11This is the first step
00:22:12On the natural path of woman
00:22:13Thank you
00:22:14The thing is, the boy
00:22:15Earn a living
00:22:16He is a section chief
00:22:17From the sports section
00:22:18Today's youth are all about sports
00:22:21That's what prevails
00:22:22Hello good evening
00:22:34Good night
00:22:35What a time to come for dinner
00:22:36Yeah
00:22:37I'm a little late
00:22:38I'll be right there
00:22:39In 5 minutes
00:22:40I order it removed from the table
00:22:41Clear
00:22:41I waited for you until 10:30
00:22:57It's just that I've been
00:22:58We had arranged to meet
00:22:59Yes, yes, I know.
00:23:00But I was with Ana
00:23:01And it's gotten late.
00:23:02That woman is going to upset you.
00:23:04You will find yourself married to her
00:23:05Without realizing it
00:23:06Today he/she declared himself to me
00:23:08To you, daughter
00:23:09What have I always told you?
00:23:11If it can't be done
00:23:12Play with fire
00:23:13Okay, but
00:23:14While one doesn't want to
00:23:15Not everyone gets married
00:23:16All those who have today
00:23:17Large family card
00:23:19They said that once
00:23:20Kid, I get excited
00:23:23Everything at home
00:23:24You
00:23:26Dinner or no dinner?
00:23:27Yes, yes
00:23:28I'm going now
00:23:28Did they think the house was theirs?
00:23:30If everyone were like you
00:23:31This looks like a madhouse
00:23:32Ah
00:23:33He gets a phone call
00:23:35A woman's voice
00:23:36It's her
00:23:37You will fall
00:23:38I'm telling you
00:23:39Don't be a jinx, man
00:23:40They will hunt you down.
00:23:41They are extremely dangerous
00:23:42And Ana more
00:23:42Just think about getting married
00:23:43Okay, I'll add the joke.
00:23:48Well, I've always had the hope
00:24:02To get married in a chapel
00:24:03It's much more poetic
00:24:05I don't
00:24:06Don't you like hermitages?
00:24:08No, I don't care.
00:24:08What I don't have
00:24:09I want to get married
00:24:10It's tremendous
00:24:11I live here
00:24:12What a house
00:24:15Do you like it?
00:24:16Almost as much as you
00:24:17What I don't mean, Mr. Brando
00:24:19It's like
00:24:19Like living in this house
00:24:20You work in galleries
00:24:21I like being helpful
00:24:23I like being helpful
00:24:23Do something
00:24:23My father didn't want to
00:24:25But I convinced him
00:24:26Oh, it's very late
00:24:28Clear
00:24:28Since we came on foot
00:24:30I'm sorry
00:24:30There is a general inspection on Saturdays.
00:24:32Racing cars are extremely delicate.
00:24:34You'll see tomorrow.
00:24:35You're going to feel the vertigo of speed
00:24:37It's tremendous
00:24:40I'll be waiting for you at three.
00:24:41Yeah
00:24:41Bye
00:24:42See you tomorrow
00:24:43See you tomorrow
00:24:44Bye
00:24:46Good morning, Miss Olga
00:24:55Good morning, Mr. Pepe
00:24:56Thank you!
00:25:26Hello, Pepeito
00:25:37Hello, daughter
00:25:39It's here
00:25:46Hello
00:25:49What have you brought us?
00:25:50I want calamari
00:25:51Well, there are squid.
00:25:51But I'm bringing olives and potatoes
00:25:53Okay, that's going
00:25:54First the soup
00:25:55Everyone sit down, hurry!
00:25:57Here goes
00:25:58Hey, no, no
00:25:59I picked that one up.
00:25:59I'll open it first
00:26:00Oh, how fat!
00:26:01Look, look
00:26:02No, no, no
00:26:03Not that one, I took it.
00:26:04Give me one
00:26:06No, no, I want the fatter one.
00:26:08Let's see if you eat your soup today.
00:26:09Otherwise, there will be neither olives nor potatoes.
00:26:11Thank you, daddy
00:26:17When will you settle down, my daughter?
00:26:20I swear I'm the most sensible girl in the world
00:26:22It doesn't matter if you keep going down the same path, you know?
00:26:34You can't do anything right
00:26:35If you have the same steady hand with the scalpel
00:26:37I'm nervous
00:26:39I really need it
00:26:40Leave it to me
00:26:41It's a matter of life or death
00:26:42Don't be crazy
00:26:43You don't even know how to ride a bike
00:26:44And you want me to lend you the car?
00:26:45No way, man, no way.
00:26:47The man
00:26:47Mario
00:26:56Mario
00:26:58Hey, Mario
00:27:00You're my friend, aren't you?
00:27:01Man, yeah, what things you have
00:27:03I need your fishing rod tomorrow, Sunday afternoon.
00:27:04It's a matter of life or death
00:27:05If you don't know how to carry it
00:27:07That's why I say it's a matter of life or death.
00:27:09Furthermore, it is the same
00:27:11I'm learning this afternoon
00:27:13I've met a sensational girl
00:27:15She'll only go out with me if I'm on a motorcycle.
00:27:17Well, what a party!
00:27:18He's crazy about cars.
00:27:20And I use psychology.
00:27:22I told him I'm a race car driver.
00:27:24She's going crazy!
00:27:25It has to be ready to go with you.
00:27:27If you lend it to me
00:27:29I'll tell you where I met her.
00:27:31It's a unique place
00:27:32A goldmine
00:27:33There's enough for everyone.
00:27:34I invite you
00:27:35Do you have money?
00:27:36You're hitting me again, man.
00:27:38I'll tell them to put them on my account.
00:27:40Oh, mother
00:27:41Forward
00:27:50Good afternoon, Mr. Luis
00:27:53Come in, Ana, come in
00:27:54What's happening?
00:28:00I've come to ask you a favor.
00:28:01You will go, Ana
00:28:03I would like to be moved to a different department
00:28:05Something wrong?
00:28:06No, nothing bad.
00:28:08I know it's a house custom
00:28:09When two employees from the same section
00:28:11They become boyfriend and girlfriend
00:28:11Ah, that's the reason.
00:28:13Who is he?
00:28:14My boss
00:28:15Is it in sports?
00:28:16Yeah
00:28:16Juan Ferrandi?
00:28:18Yes, that one
00:28:18Ah, an excellent lad.
00:28:20And very serious
00:28:22Thank you for letting me know.
00:28:24Have you worked in any other departments?
00:28:27Yes, in women's clothing
00:28:30We'll see if he can come back there.
00:28:32Thank you
00:28:33And please accept my congratulations.
00:28:36I don't think either he or you could have chosen better.
00:28:38Thank you very much, Don Luis.
00:28:39See you later
00:28:40Goodbye, Ana
00:28:41This helmet thing is great!
00:28:56If it falls on you, nothing will happen to your head.
00:28:58You break the rest
00:28:59But the head is nothing
00:29:00What are you saying?
00:29:01Nothing
00:29:01For going out into the countryside I prefer the Vespa
00:29:07It's sportier than the car
00:29:09And it gives off so much more air.
00:29:10Too much
00:29:12That?
00:29:14This is the first time I've ridden a Vespa
00:29:16Me too
00:29:17I hear you
00:29:19What did you say?
00:29:22Me too
00:29:23As?
00:29:26I love sudden braking.
00:29:28Well, be careful.
00:29:30We almost rolled over
00:29:31Let's see how this gets going
00:29:35Not working
00:29:40Have you seen?
00:29:40Give it to him.
00:29:41Don't break it
00:29:44Do you want to give me just a little push?
00:29:54You'll see when you decide to run.
00:29:55There's no stopping her
00:29:56There's no stopping her
00:29:56Push a little more
00:30:01Push daughter
00:30:05Puerta de Hierro is only five kilometers away
00:30:14Know?
00:30:14Chick
00:30:18You don't drink coffee
00:30:19You're going to get cold
00:30:20I'm coming
00:30:21I'm running late.
00:30:23Juan is coming to pick me up at four
00:30:25Why don't you call him and tell him to come up?
00:30:27We don't know him yet.
00:30:28Clear
00:30:29We are quoted below
00:30:31Well, I can tell you
00:30:32No, call him on the phone
00:30:34If you tell him in the street, he won't come up
00:30:36Surprises are better
00:30:37As if it were the most natural thing in the world
00:30:39Hey, Juan
00:30:41Why don't you come up to my house to pick me up?
00:30:43You think?
00:30:45Isn't that too soon?
00:30:46The sooner the better
00:30:47Come here, baby
00:30:51You're going to scare him
00:30:54Go ahead, call him
00:30:57Call him
00:30:58There is no doubt
00:31:07Through her mother's words
00:31:09Experience speaks, miss.
00:31:10Juan, please
00:31:11It's you, Juan
00:31:15I don't know
00:31:18I think we're going to be late, don't you?
00:31:21Better another day, okay?
00:31:22Another day
00:31:23Do I care?
00:31:25No, woman
00:31:25No
00:31:26Woman, don't take it like that
00:31:28Well, yes
00:31:31I'll go up
00:31:32About 20 minutes
00:31:36A quarter
00:31:37Are you talking to Ana?
00:31:39Watch out, Juan
00:31:40I'm afraid of something horrible.
00:31:41Yeah
00:31:41She says to come up and pick her up
00:31:43To your home
00:31:44Okay, fine, agreed
00:31:50Say no
00:31:51Don't go
00:31:52Hey?
00:31:53No
00:31:53Hey?
00:31:55Yes, so far
00:31:56Bye
00:31:57No, no, I couldn't help it
00:32:01Having signed your marriage certificate
00:32:04Moron!
00:32:05It's coming
00:32:06He'll be here in 20 minutes
00:32:07Don't worry, there's time
00:32:09You
00:32:09Put on a tie and shoes
00:32:11Hurry up and shave
00:32:11He'll have time to see you become an Adam.
00:32:13Okay, woman, I'm coming.
00:32:15Juan doesn't know we have a pension and he hates pensions.
00:32:17You, if it didn't matter to you whether you entered the room
00:32:19Understand it
00:32:20The first impression has to be pleasant.
00:32:21Men always remember first impressions
00:32:24Goodbye, goodbye
00:32:24As you wish, ma'am
00:32:26Come on, come on, and please, don't make any noise.
00:32:27Unclear
00:32:28I'm going to finish getting ready
00:32:29Balmina!
00:32:31Ana's boyfriend is going to come up
00:32:32Yes, now
00:32:33Yes, now
00:32:33Dust, remove things
00:32:35Go downstairs and buy some flowers too.
00:32:36First here, in a hurry, everything clean
00:32:38Remove that ashtray; it's full of cigarette butts.
00:32:40Draw back the curtain, so the house looks bigger
00:32:42Oh!
00:32:44The dwarves
00:32:45You will forgive us, a visitor is coming
00:32:50Ana's boyfriend
00:32:51If you didn't mind playing in the room, please
00:32:53And above all, don't make noise
00:32:55Yes, ma'am, of course.
00:32:56Remove the chairs and tablecloths
00:33:01And the bottles, soon
00:33:03Oh
00:33:03Mom, mom, please tie the bow for me, I can't do it alone
00:33:05Yeah
00:33:06Mother!
00:33:09The sign on the door!
00:33:10Balmina!
00:33:11Find a screwdriver, run
00:33:12Yes, ma'am, I'm going
00:33:13And the flowers, don't forget
00:33:15Yes, yes, yes
00:33:15Take
00:33:16You will not serve the coffee with the other game.
00:33:18The one with the same lists
00:33:19And put on the other uniform
00:33:20And comb your hair!
00:33:21Oh, how annoying!
00:33:23If Juan sees the sign on the door, I'm not getting married.
00:33:25How can you not get married?
00:33:26Of course!
00:33:27Hurry!
00:33:33Ah, full house!
00:33:35And how come there are so many levers!
00:33:36Who knows what it will be!
00:33:37Oh!
00:33:37Oh, I was playing here! There it goes! There it goes!
00:33:39There you go, you have the deal, be careful and it's over!
00:33:44Stop, they're coming for us! Oh, stop it!
00:33:49What are they coming for?
00:33:50Yeah.
00:33:50Are they coming? Yes.
00:33:52For this, for this!
00:33:53It can't be stopped!
00:33:55I'm left with my hands, you'll see, and my foot too!
00:33:57No! Not with your foot!
00:33:58With one foot less! If you can see it's not happening!
00:33:59This isn't working, I don't know what!
00:34:01Oh ok!
00:34:03That's it!
00:34:04They really are going crazy!
00:34:05You can't drive on the road like those people are doing!
00:34:07They're crazy!
00:34:16Give me more room to pass!
00:34:18I don't want to, I don't want to!
00:34:19I don't want to!
00:34:20I don't want to!
00:34:28Not you, let Balbina open it!
00:34:30Is he going to think you're eager to hunt him down?
00:34:32Oh, what women!
00:34:35Good afternoon!
00:34:36Good afternoon!
00:34:37Good afternoon!
00:34:38Good afternoon!
00:34:43Good afternoon!
00:34:44Good afternoon!
00:34:45I've come to play Parcheesi with the boys!
00:34:46Yes, yes, come in!
00:34:50Here!
00:34:51Happens!
00:34:52Here!
00:34:53Thank you, ma'am, thank you!
00:34:54Happens!
00:34:55Good afternoon, guys!
00:34:56Hello, beasts!
00:34:57Hello, good afternoon!
00:34:58Above all, don't make noise!
00:34:59Yes, yes!
00:35:00Oh, yes!
00:35:01The dice are here!
00:35:02Let them not be heard!
00:35:03Good, good!
00:35:04Oh, yes!
00:35:05Oh!
00:35:06Oh!
00:35:07Oh!
00:35:08Oh!
00:35:09Oh!
00:35:10Oh!
00:35:11Oh!
00:35:12What a silly mess I've made of things!
00:35:14Oh yes!
00:35:15Oops!
00:35:16Oops!
00:35:17Helmet, helmet, all those points here!
00:35:19Why didn't he obey our signal?
00:35:20Or did he want to run us over?
00:35:22No, don't say that, officer.
00:35:23I got nervous and couldn't find the brakes.
00:35:26How funny!
00:35:27Okay, let's go.
00:35:28I still don't know where he is.
00:35:29And on top of that, he's going to pull the wool over our eyes.
00:35:30Please, guard.
00:35:31Forgive us.
00:35:32We were distracted.
00:35:35Forgive us.
00:35:36He has committed two serious offenses.
00:35:37The first one, you, miss.
00:35:38You can't sit on a motorcycle while eating ice cream.
00:35:39How would you like me to style this star skirt?
00:35:41That?
00:35:42That's none of our business.
00:35:43That?
00:35:44And your fault is extremely serious.
00:35:46Resistance to authority.
00:35:47Please don't tell me.
00:35:48That's because I get very nervous.
00:35:49Be good, officer.
00:35:51We just won't do it anymore.
00:35:52Yes, go ahead.
00:35:53Alright.
00:35:54We will forget resistance to authority.
00:35:55And to make them wary, a fine of one hundred pesetas.
00:35:58Twenty duros.
00:35:59Twenty duros.
00:36:06Olga, if you have fifty pesetas to complete the...
00:36:10This is the last thing I needed.
00:36:13A moment that now...
00:36:14I don't know if I'll have it.
00:36:18Don't go, no.
00:36:19Take.
00:36:23Not right away.
00:36:24Tell him to call again.
00:36:25He's going to think we're looking forward to his arrival.
00:36:27Oh, Mom, what a trick!
00:36:29You're right, daughter.
00:36:30You keep quiet.
00:36:33Already?
00:36:34Girl, you have lipstick on your teeth.
00:36:36That's fine.
00:36:37So.
00:36:41Hello, Juan.
00:36:42Good afternoon.
00:36:43Hello good.
00:36:44That tie.
00:36:45And put the book down.
00:36:46It seems I'm a bit late, don't you think?
00:36:47Don't worry.
00:36:48Come in.
00:36:49I'm going to introduce you.
00:36:54My mother?
00:36:55Good afternoon, ma'am.
00:36:56Nice to meet you.
00:36:57My dad.
00:36:58Nice to meet you.
00:36:59Nice to meet you.
00:37:02Well, you already know me, right?
00:37:03Yeah.
00:37:04I think so.
00:37:05Sit down, sit down.
00:37:06Yes, thanks.
00:37:09A small cup of coffee?
00:37:10Hey?
00:37:11No, don't bother yourself about me.
00:37:12No, no, if I...
00:37:13It's no trouble.
00:37:14Thank you.
00:37:15The coffee, Balbina.
00:37:17Look, Balbina.
00:37:18This is Juan.
00:37:19The magazine did know him.
00:37:21And I'm so glad he's finally coming home and everything.
00:37:24Because I love the girl the way I do.
00:37:27And that it tired me to always see him in the doorway.
00:37:30Go on, Balbina, the coffee.
00:37:32That?
00:37:33A baby bison?
00:37:34No, I...
00:37:35Okay, thanks.
00:37:36It's very fresh.
00:37:37Well, to be honest, we were looking forward to meeting him.
00:37:40Ana has told us so much about you.
00:37:42Yeah.
00:37:43And where do you plan to go this afternoon?
00:37:44Uh, I don't know.
00:37:45We haven't thought about anything.
00:37:46Okay, and we'll go to the movies.
00:37:47To the second session.
00:37:48Good.
00:37:49Well.
00:37:50They have until six thirty.
00:37:51Until six thirty.
00:37:52Well.
00:38:04It's four fifteen and we have the children's show at four thirty.
00:38:07What do we do?
00:38:08We have to leave.
00:38:14Look at the listings, Juan, and see where there's a good movie.
00:38:21Yes, yes, yes.
00:38:22They are having coffee.
00:38:28Ah, some trembling.
00:38:29In these modern houses with such thin walls, you can hear everything.
00:38:33Well, "modern" is from the last century.
00:38:35Of course, modern houses back then were just like they are now.
00:38:38It may be improperly closed.
00:38:40I'll see.
00:38:44Shh, be quiet.
00:38:48They won't let us leave.
00:38:49Well, we have ten minutes left.
00:38:51Let's put on our makeup here to save time.
00:39:02Do you see it coming? Are you pushing now?
00:39:04I recognize things.
00:39:05Very funny.
00:39:12I'm not exactly a mechanic, but I think it's the engine.
00:39:15It can't be guaranteed because, of course, this thing...
00:39:17You are a liar who doesn't understand cars or anything.
00:39:20And you already cost me a pair of shoes, a suit, and ten bulls.
00:39:25And how am I?
00:39:27And I'm thirsty.
00:39:28And hunger.
00:39:29And I won't push anymore.
00:39:30And is this going away?
00:39:31Wait.
00:39:32Wait.
00:39:33Run, climb.
00:39:34Look at me.
00:39:35Wait.
00:39:36Wait.
00:39:37Wait.
00:39:38Wait.
00:39:39Wait.
00:39:40Wait.
00:39:41Wait.
00:39:43Wait.
00:39:44Wait.
00:39:45Wait.
00:39:47Ow! Ow! Ow!
00:39:53Ouch!
00:40:16Abandoned bicycle collection service.
00:40:19What did you say?
00:40:20I'll take you to Madrid, beautiful, and for free. Come on, get in.
00:40:24Is he free?
00:40:25What am I saying? I speak incorrectly.
00:40:28Who do you think you are to address me so informally? You've never been reported!
00:40:32Well, this might be the first time. To Madrid!
00:40:37Oh my God!
00:40:38Come on!
00:40:46Are your parents from Madrid?
00:40:48No, no, from Peñafiel, in the province of Valladolid. They own land there. I live on a boarding house.
00:40:54Yes, and he doesn't like it at all.
00:40:55Nothing!
00:40:56Of course, that's understandable.
00:40:57We have lived in this house since before the war.
00:41:00We have plenty of space. Right there we have a room just as big as this one and it's empty.
00:41:05Empty.
00:41:06Empty.
00:41:12Good afternoon.
00:41:13Good afternoon.
00:41:17Good afternoon.
00:41:18Good afternoon.
00:41:19Good afternoon.
00:41:21Good afternoon.
00:41:27Who is one?
00:41:28I don't know, Mom.
00:41:31I swear I didn't bring them.
00:41:46Excuse me, miss, I've misunderstood, but please understand.
00:41:48I've seen her alone on the road, and you know what happens so often...
00:41:52What do I owe him?
00:41:52Leave it, it's all the same.
00:41:53Not for me. How much?
00:41:5842.50.
00:42:02Here, the change is for you.
00:42:03Thank you.
00:42:05Goodbye, miss.
00:42:18Thank you!
00:42:19Thank you!
00:42:20Thank you!
00:42:21Thank you!
00:42:22Thank you!
00:42:23Thank you!
00:42:24Thank you!
00:42:25Thank you!
00:42:26Thank you!
00:42:27Thank you!
00:42:28Thank you!
00:42:29Thank you!
00:42:30Thank you!
00:42:31Thank you!
00:42:32Thank you!
00:42:34Thank you!
00:42:35Thank you!
00:42:36Thank you!
00:42:37Thank you!
00:42:38Thank you!
00:42:39Thank you!
00:42:40Thank you!
00:42:41Thank you!
00:43:07What do you think?
00:43:09Would a larger size be better than one that's too big?
00:43:12No, no. I prefer a snug fit.
00:43:14It's because they're worn wider now.
00:43:16And don't you think it will make me fat?
00:43:18I don't know.
00:43:20This is the first time I've celebrated two saints in one year.
00:43:22It's going to be a lot of fun.
00:43:23It's a great trick.
00:43:25Bah, Mom came up with it.
00:43:27And Juan won't suspect a thing.
00:43:29What? Men are miserable.
00:43:30They believe everything.
00:43:32And he'll give you chocolates, you'll see.
00:43:34Well, actually I'm not lying to you.
00:43:37Sunday is a Saint Anne's Day.
00:43:38It's not mine, of course.
00:43:40But it could be.
00:43:43I wish I had a mother like yours.
00:43:52This is the one I like.
00:43:53I don't know if they have your size, ma'am.
00:43:55We only have size two.
00:43:56It's the model, it just arrived.
00:43:58It doesn't matter. I'll try it on.
00:44:00It might be a little small for him.
00:44:01Will we receive other sizes next week?
00:44:03No, no, no, no. I prefer this one.
00:44:05My husband likes them like that. A little daring.
00:44:08Ten.
00:44:08Would you like to go to the fitting room, ma'am?
00:44:10Yes, yes.
00:44:18Go on.
00:44:19And she has a husband.
00:44:21How did he manage it?
00:44:23She knows more than your mother.
00:44:24Some people are lucky.
00:44:26Don't be fooled.
00:44:27Spaniards like fat women.
00:44:29That must be it.
00:44:30I have to invent a saint so that Juan can come up to the house.
00:44:33Since that happened, he doesn't even go near the front door.
00:44:35He's a very strange boyfriend.
00:44:37Like everyone else.
00:44:38He doesn't want to commit.
00:44:40Which boys will go?
00:44:41Pilar's boyfriend.
00:44:43Juan will go with Álvaro.
00:44:44AND...
00:44:45Julio has promised me that he will bring a friend of his.
00:44:47Ah.
00:44:47The more, the merrier.
00:44:49That's outrageous!
00:44:49What a lousy swimsuit.
00:44:51And you call this elastic fabric?
00:44:53That?
00:44:53That?
00:44:53He's wrecked it.
00:45:06You never stopped here, did you?
00:45:08No, but I like the neighborhood.
00:45:09There are many houses.
00:45:10Don't believe it.
00:45:11Sometimes it takes us more than an hour to load.
00:45:13He told me he would come with another great girl.
00:45:15Do you know her?
00:45:16Not the other one.
00:45:18Well, what if I don't like it?
00:45:19Will you like it?
00:45:20I'm sure.
00:45:21Are they all gorgeous?
00:45:22I don't want any trouble.
00:45:23I see her.
00:45:24And if I don't like it, I'll make an excuse and leave.
00:45:26Don't mess with me.
00:45:28We agreed.
00:45:28You provide the car and the gas.
00:45:30And me, the girl and the party.
00:45:31So far so good.
00:45:34There they are.
00:45:41How are you?
00:45:42Hello.
00:45:44My friend Lolita.
00:45:45Nice to meet you.
00:45:46Hello, what's up?
00:45:47That's Jaime.
00:45:48That.
00:45:48How are you?
00:45:49Well, what nonsense.
00:45:50I see it now.
00:45:50Awesome.
00:45:51Hey, you're going up front with Jaime, you know?
00:45:53Thank you, Julio.
00:45:54You're a good friend.
00:45:55That?
00:45:56And you behind me?
00:45:57No no.
00:45:58He's with me, in front.
00:45:59Or better yet, both in front.
00:46:01You get in behind, Julio.
00:46:01But I had thought that...
00:46:02But, hey, it goes up.
00:46:05Well, look, looking at things objectively.
00:46:07You go first with the two of them, they're cute and all.
00:46:08Me, alone, in the back.
00:46:09This is not fair.
00:46:10It's clearly visible.
00:46:11Be quiet!
00:46:12Well.
00:46:12Wow, girls.
00:46:17I like the tall one.
00:46:19It's driving me crazy.
00:46:26I have this smell inside me.
00:46:32I think it's better if we don't go up.
00:46:35Wouldn't that be rude?
00:46:36Man, absolutely.
00:46:37But rudeness is the only effective defense against marriage.
00:46:40I said I would go.
00:46:41And I've spent 70 pesetas on chocolates.
00:46:44Well, not me, and I'm not going.
00:46:45They are waiting for you too.
00:46:47Do they want me to marry one of my sisters?
00:46:49It doesn't have one.
00:46:51Well, I understand.
00:46:53Two more cognats.
00:46:56Ah, well, now the ocean comes in very handy.
00:46:57There's a good kiss there.
00:46:59How strange that Juan hasn't arrived.
00:47:05It's still early.
00:47:06What time did you tell him?
00:47:08Now, at seven o'clock.
00:47:13It's a bit weak.
00:47:14Pour more champagne.
00:47:15But Mom, if he already has three bottles, he's very strong.
00:47:18The more loaded, the better.
00:47:20That will make John happy.
00:47:21Men are very shy and need to be encouraged.
00:47:29You dance so well.
00:47:36How much do you know about Reyes Goros, Carlos?
00:47:47And how's your phone service?
00:47:4835, 71, 38.
00:47:50But you'll forget.
00:47:51No, I won't remember my whole life.
00:47:54Juan.
00:47:56How refreshing.
00:47:59You don't dance.
00:48:03I don't know how to take a step.
00:48:04And I don't have a car like others.
00:48:06We're just chatting here.
00:48:07And Juan, when is he coming?
00:48:08I don't know.
00:48:10He should be here by now.
00:48:12Something has happened to him, hasn't it?
00:48:14Another little cutie?
00:48:16It will come.
00:48:23I don't like.
00:48:24Leave it, leave it.
00:48:25There's a lot.
00:48:25Oh ok.
00:48:25The whole box.
00:48:26This.
00:48:28This one is chocolate.
00:48:31Who's a hottie?
00:48:32It's my girlfriend's saint's day.
00:48:33Yes, that's appreciated.
00:48:34Hey, what did you say?
00:48:35Whose saint?
00:48:37From my girlfriend.
00:48:38Oh, sorry.
00:48:38From my ex-girlfriend.
00:48:39Ah, that's right.
00:48:41Remember what you promised.
00:48:44No girlfriends.
00:48:45Man must be free.
00:48:47And you're going to explain that very clearly to your girlfriend.
00:48:52You mean my ex-girlfriend, right?
00:48:55Dude, don't talk nonsense.
00:48:57She's still your girlfriend.
00:48:59Until I tell him.
00:49:00Then she'll be your ex-girlfriend.
00:49:03Okay, have a chocolate.
00:49:05Let's see if we can come to an agreement.
00:49:06Thank you.
00:49:07You mean...
00:49:10Of course, man.
00:49:11Who am I referring to?
00:49:13Oh, and you also have to speak very clearly to his mother.
00:49:16You mean his ex-mother.
00:49:19No, no, no.
00:49:19Damn it!
00:49:21Even if you break up with Ana, her mother, well, she'll still be her mother.
00:49:26Ah.
00:49:27Come on, let's go.
00:49:30Things are happening while they're still hot.
00:49:38Do you want the aftertaste?
00:49:39No, thanks.
00:49:42Let's see.
00:49:42And do you want to?
00:49:43These are ham and these are cheese.
00:49:45I prefer them with ham.
00:49:47Me too.
00:49:47I like everything you choose.
00:49:49Thank you.
00:49:50Can I have both?
00:49:51You know, I'm very greedy.
00:49:52Ah, of course.
00:49:54Take.
00:49:55Thank you.
00:49:57It must be Juan.
00:50:01Balvina.
00:50:09Man, Balvina.
00:50:10Pretty.
00:50:11Pretty.
00:50:12Pretty.
00:50:16We were waiting for you.
00:50:17Hello, hello, little chant.
00:50:18How did it take you so long?
00:50:19No, it's just that...
00:50:21Here, it's for you.
00:50:23Unhappiness.
00:50:24That.
00:50:24Thank you, Juan.
00:50:25I love chocolates.
00:50:27It's great to see you here.
00:50:29They arrive on time.
00:50:30It's very cold and they'll like it.
00:50:32Thank you very much, ma'am.
00:50:44Take.
00:50:44Juan brought them to me.
00:50:48I want more.
00:50:49I want more.
00:50:50I'm glad you like it.
00:50:52Ana prepared it.
00:50:54Hey, Ana.
00:50:54It's great, isn't it?
00:50:56Delicious, delicious.
00:50:57And I don't have dogs on my tongue, okay?
00:50:59I like to speak clearly.
00:51:01Very clear.
00:51:02What does this mean?
00:51:04Hello, huh?
00:51:05Ah, thank you.
00:51:05She's a sweetheart.
00:51:07Oh, they're bitten.
00:51:09Ugh, how disgusting.
00:51:11Suck on the chocolates.
00:51:12In the camera concierge.
00:51:14And this is Ana's boyfriend?
00:51:15Yes, but I didn't buy it.
00:51:17He's a very serious guy.
00:51:18It will be, but only until they fall.
00:51:20I'm going to prepare a small cup of coffee for you.
00:51:21Sit down.
00:51:22Ah, very good.
00:51:24And don't worry, daughter.
00:51:31Poor.
00:51:32Let's all dance, as if nothing were wrong.
00:51:34Yes, great.
00:51:36Come on.
00:51:38Let go.
00:51:38Hold on, man.
00:51:42Do you want to?
00:51:43Yeah.
00:51:52Do you see that door over there, the one on the right?
00:51:54I see her.
00:51:55Well, look closely because some dwarves are going to appear.
00:51:58They always come out.
00:51:59Dude, don't talk nonsense.
00:52:02And remember what we came here for.
00:52:04Having gone out to the dwarves.
00:52:06That.
00:52:07Swear to me that you will never drink.
00:52:09Of course not, my love.
00:52:11I swear.
00:52:13Ah.
00:52:13Man, this is really good.
00:52:17We danced, huh?
00:52:18Hala.
00:52:19Take care of me.
00:52:21Hey, handsome.
00:52:23Hey, let me dance.
00:52:24For me, because.
00:52:25No, the service can dance.
00:52:26Man, you've got things going on.
00:52:28Oh.
00:52:28Come on.
00:52:29Doctor.
00:52:29No, the service can dance.
00:52:40No, the service can dance.
00:52:42Hey, handsome.
00:52:43Hi, how are you? Have you been here long?
00:53:06No, a little.
00:53:08And the car?
00:53:10It's a repair, I'll have it tomorrow. Let's take that taxi.
00:53:13To Florida Park in El Retiro.
00:53:43Subscribe to the channel!
00:54:13What is he doing? Is he crazy?
00:54:22Is something wrong?
00:54:23Why has it stopped?
00:54:24Because it's my car and I do what I want with it, understand?
00:54:26And if he doesn't like it, he gets off. I don't like certain shows either.
00:54:30My car isn't a Spanish theater for you to come and act like a Don Juan in front of me.
00:54:32With what? By walking?
00:54:33How dare you? I'm going to have to teach you some manners.
00:54:35Why should I care?
00:54:36Leave him alone, let's go. I'm fed up with you.
00:54:39Do you know him?
00:54:40He called me Vicetible on the road to A Coruña and now this. He must not be right in the head.
00:54:45Did you call this young lady Vice-President?
00:54:46It was a mistake. Forgive me for that, miss, but what's happening now is no mistake.
00:54:50You are a man who has tried to take advantage of this young lady and I will not tolerate that.
00:54:53Whether you put up with it or not is of no concern to me, and I'll do whatever I want, is that clear?
00:54:56Don't yell at me, I'm not deaf.
00:54:57I yelled at you and whoever else I need to.
00:54:58I also tell him...
00:54:59It's clear that I yelled at him.
00:55:00Joke, cat face.
00:55:01And of course, meringues.
00:55:03Playing it costs more. Just pick up the rat and the razor blades; you have nothing to sell here.
00:55:06Let's go with the man.
00:55:07Hey, listen! Wait!
00:55:08Hey, the sleeve!
00:55:09What has been a child?
00:55:10Nothing, just a charlatan who sells rats.
00:55:26Hey, Miss Ana. From Juan.
00:55:38Yes, from Juan. Juan.
00:55:40Ah, it's you. Ex-excuse me, ma'am.
00:55:42I wanted to talk to Ana.
00:55:45I am ashamed of what happened yesterday and wanted to give you an explanation.
00:55:49Huh? Yes, thank you.
00:55:51It's Juan. He says to put it on.
00:55:53I don't want to.
00:55:54Tell him never to call me again.
00:55:56That we're finished for good.
00:55:58He is ashamed. He apologizes.
00:56:00I don't want to know anything about him.
00:56:03I wish you could hear him. It's a shame.
00:56:05This man loves you, Ana.
00:56:07Give him hope.
00:56:08I said no.
00:56:09What if he doesn't call back?
00:56:10That's what he wants.
00:56:13He says he doesn't want to get it done.
00:56:16The poor woman suffered a lot because of that.
00:56:19Understand it.
00:56:19Yes, yes.
00:56:22Of course.
00:56:22Sure, sure.
00:56:27Things that happen when you're young.
00:56:30Ponte.
00:56:31No.
00:56:33Yes, yes.
00:56:34Please, I need to talk to her.
00:56:36Beg her to put it on.
00:56:37Just a moment.
00:56:39You're wrong, Ana.
00:56:40We must forgive.
00:56:41Go on, get on.
00:56:42No.
00:56:43Men are like that.
00:56:45Especially the shy ones.
00:56:46If I were to tell you about your father's bachelor party, he arrived at the church between two friends.
00:56:52She couldn't even stand up, but she got married.
00:56:54Well, I'm not getting married.
00:57:03My God.
00:57:10I don't want coffee with milk.
00:57:11I want cookies.
00:57:12If you don't have coffee with milk, there are no cookies.
00:57:14Olga, this taxi driver is here to return your glove.
00:57:17Good night.
00:57:18Do you live here?
00:57:25Yeah.
00:57:26In goal?
00:57:27Yeah.
00:57:28Is she your daughter?
00:57:29Yeah.
00:57:29He gets everything right.
00:57:31I am worth a lot, yes.
00:57:32Well, well.
00:57:33The goalkeepers' daughter.
00:57:35You have no idea how happy I am.
00:57:36Ah, yes.
00:57:37This changes the situation considerably.
00:57:39Here you go.
00:57:40His glove.
00:57:42And I'm sorry I didn't return it right away.
00:57:43Yes, I needed it.
00:57:45Thank you.
00:57:46You are welcome.
00:57:47Go on, drink this.
00:57:48I don't want to.
00:57:49Are they your little siblings?
00:57:51Yeah.
00:57:52Don't put your fingers in.
00:57:53Don't put your fingers in there, baby.
00:57:55Poop.
00:57:56He hopes it will be gratifying.
00:57:58I don't expect anything.
00:57:59But anyway, I'll tell you one thing.
00:58:02With your permission, Dad.
00:58:04I like you very much.
00:58:05Well, you don't do anything for me.
00:58:08It surprises me.
00:58:08We'll meet again.
00:58:10That's on me.
00:58:11See you soon.
00:58:14Poop.
00:58:20He's a shameless person.
00:58:23He seems nice.
00:58:25And if the taxi is yours,
00:58:27It wouldn't be a bad thing for you.
00:58:30After all, it's a car.
00:58:34A car.
00:58:35A car.
00:58:41A car.
00:58:42A car.
00:58:43A car.
00:58:43No, no, no, no.
00:59:13Forgive him.
00:59:14No, if it's not because of the drunkenness.
00:59:16Apparently, everyone does that.
00:59:19It's because he doesn't love me anymore.
00:59:21Women.
00:59:22And for entertainment, he already has that scoundrel Álvaro.
00:59:28Juan's business, right?
00:59:29Yeah.
00:59:30I'll fix that for you.
00:59:32You have to force him to make a decision, it's all or nothing.
00:59:36Either it ends for good, or she gets married in Mallorca already.
00:59:39You're right, aren't you?
00:59:40You should talk to him and bring it up.
00:59:41That would never be scared.
00:59:44Juan has a "hunted" complex, like all single men.
00:59:47You can rest easy now.
00:59:49I don't plan to ever see him again.
00:59:50What do you mean, no?
00:59:51Next Sunday on the excursion.
00:59:53Go, Juan.
00:59:54Gonna.
00:59:54That's on me.
00:59:56If he goes, I'm not going.
00:59:58I don't understand you.
00:59:59You are in love with Juan.
01:00:00Of course.
01:00:02And the bad thing is that it's very noticeable.
01:00:04Very serious mistake.
01:00:05On Sunday you'll have to hide your feelings better.
01:00:08No drama.
01:00:09Here, the only one who has to suffer is Juan.
01:00:12Understood?
01:00:14He has to suffer.
01:00:16Poor.
01:00:17Naturally.
01:00:17This is a crime.
01:00:27Will they go on the excursion?
01:00:28Yeah.
01:00:29All of us friends are going.
01:00:30And boys too.
01:00:32And can I go?
01:00:34Of course.
01:00:36And you're going to have a great time.
01:00:37Look at that thermos.
01:00:39We'll put in half a liter of coffee and half a liter of cognac.
01:00:41Or do you think that's not enough cognac?
01:00:44You too?
01:00:45Tell your friend Alvaro to come.
01:00:46He seems nice.
01:00:48Oh, then we'll have to buy a two-liter thermos.
01:00:53Hello.
01:00:53What are you doing here?
01:00:55Shopping.
01:00:55We're going on a hike on Sunday.
01:00:57We're counting on you.
01:00:58Great.
01:00:58I'm looking forward to getting a tan.
01:01:00We'll take it.
01:01:02And Ana, do you still feel the same way about me?
01:01:04No way, it's over now.
01:01:06And she's so happy.
01:01:07It was lucky that you realized it in time.
01:01:10But tell us what about.
01:01:12That you weren't in love.
01:01:14It was all an illusion.
01:01:15No, but if I...
01:01:16And he also considers you a good friend of his.
01:01:19Bye bye.
01:01:29We didn't add a single drop of cognac.
01:01:31Then they get really annoying.
01:01:33Julio will go.
01:01:34If you want, I'll let you know.
01:01:35Do you like it?
01:01:36A lot.
01:01:37He looks so good.
01:01:38And so tall.
01:01:40I like tall men.
01:01:42I can't help it.
01:01:43Well, he's a fantasist.
01:01:45And he doesn't have a car.
01:01:46Men without cars are missing something.
01:01:48I don't pay attention to that.
01:01:49I'll go with Pepe.
01:01:51He has an Austin.
01:01:52A taxi.
01:01:53But that's beside the point.
01:01:55He is an extraordinary man.
01:01:56I have an inferiority complex.
01:01:59I must be really stupid, right?
01:02:00No boy has ever confessed his feelings to me.
01:02:04And how is he going to confess his feelings to you?
01:02:06Men don't declare themselves.
01:02:08We declare ourselves.
01:02:09That's why we paint ourselves.
01:02:11Or we'll put a little curl here.
01:02:12Or we let our hair down.
01:02:14Or whatever.
01:02:15And we put on heels.
01:02:16Or we look at them.
01:02:17Or we let ourselves be taken by the hand.
01:02:19Or we'll give them a good slap in the face.
01:02:21They don't count for anything.
01:02:23Poor things.
01:02:23All they do is go through the formality of declaring themselves.
01:02:26And for that they have a terrible time.
01:02:28They become very serious and very nervous.
01:02:30They light one cigarette, then another, and bite into it.
01:02:33They're great.
01:02:34So, do I have to do all those things?
01:02:37Of course, woman.
01:02:38Yes, you are very pretty.
01:02:39But you lack flirtatiousness.
01:02:41And another hairstyle.
01:02:43And more heels.
01:02:44And the reddest lips.
01:02:46And smile.
01:02:47Smile mischievously.
01:02:52Come on.
01:02:55But Thomas.
01:03:15I'll bring you some of that.
01:03:16No, it's not necessary.
01:03:19Okay, take this.
01:03:20But be careful, okay?
01:03:22We can't go on like this, Ana.
01:03:23I assure you that I will never drink again.
01:03:25Glad to hear it.
01:03:25Because you're a good guy and drinking turns you into an ordinary person.
01:03:28So, forgive me.
01:03:29Altogether.
01:03:30If you only knew how much I've thought about you these past few days.
01:03:32And me too.
01:03:33And it was lucky for both of them that it happened.
01:03:35I don't understand you.
01:03:36Yes, Juan.
01:03:38We were wrong.
01:03:39We had confused friendship with love.
01:03:41No, I love you.
01:03:42Me too.
01:03:43But like a friend.
01:03:44Like my best friend.
01:03:45It's something else.
01:03:47You are still the same to me.
01:03:49I like you as a woman, just like before.
01:03:51Well, no, even more so now.
01:03:52Thank you, Juan.
01:03:53You're very kind.
01:03:55But I can't say the same about you.
01:03:57As a man, you mean nothing to me.
01:03:59And besides, you're so thin.
01:04:01That's right.
01:04:02So...
01:04:03No!
01:04:03Go!
01:04:04Woman, I've always been thin.
01:04:22You look gorgeous.
01:04:27Julio won't last a minute.
01:04:29You think?
01:04:30I'm sure.
01:04:31And now you know, time to flirt a little.
01:04:35I don't know if this will burn.
01:04:38Oh, how boring I was there.
01:04:40Let's see, let ...
01:04:52No, I've gotten involved.
01:04:53She's got me in this mess.
01:04:56But who do you like?
01:04:58July.
01:04:59So, my case.
01:05:01Who do you care about the least?
01:05:03I don't know about the others.
01:05:05For example...
01:05:07Álvaro, who has no commitment.
01:05:08Yes, Álvaro.
01:05:09Well, let's win over Álvaro.
01:05:11This is like billiards, you have to make a carom shot.
01:05:13Come on?
01:05:13Come on.
01:05:15And how long have you been dating?
01:05:18We're not dating.
01:05:19He still has a lot of crickets in his head.
01:05:21But do you love her?
01:05:23Yes, and she loves me too.
01:05:24But getting married requires more than that.
01:05:27I don't make decisions just like that.
01:05:29Olga will prepare the paella today.
01:05:31And if it goes well for him, he'll have a lot to gain.
01:05:34Do you like cod in pil-pil sauce?
01:05:36That's outrageous.
01:05:38Well, I make it finger-licking good.
01:05:42You won't be able to handle that much.
01:05:44And with double the amount too.
01:05:45You are so strong.
01:05:46I like men to be strong.
01:05:49That's not important.
01:05:50In the army he carried a machine gun on his shoulders.
01:05:53Just you?
01:05:54Yes I have...
01:05:55I'm very nervous.
01:06:06Look.
01:06:07Álvaro in the army.
01:06:09He was carrying a machine gun by himself.
01:06:11Really?
01:06:11Just you?
01:06:12Yes, and the ammunition and everything too.
01:06:15In my company, the machine guns were carried by mules.
01:06:18And in mine.
01:06:19Apparently, his was a poor company.
01:06:21What nonsense are you talking about, Pepe?
01:06:23No comment, beautiful.
01:06:25You make the paella, I'm coming here as a professor.
01:06:27I don't know how it will turn out.
01:06:29So, in the countryside, with a bonfire.
01:06:31No apologies, you know what's at stake.
01:06:33If it's not good, then no...
01:06:35You understand me now.
01:06:36Álvaro, will you come with me to the river?
01:06:38I'm going to put the fruit in the refrigerator.
01:06:40Yes, yes, I believe it.
01:06:41Always at the service of the ladies.
01:06:45Can you give me a ride?
01:06:46Thank you.
01:06:48Can I help you?
01:06:49Ah, the bottles!
01:06:50We forgot.
01:06:52There, there they are...
01:06:55Come on?
01:06:57Yes, that's right.
01:06:59I'm ready.
01:07:01Come in.
01:07:02Bye bye.
01:07:02Bye bye.
01:07:10Are you coming in the water, Juan?
01:07:13Into the water?
01:07:13No, I don't know how to swim.
01:07:15Come on, come here.
01:07:16Well.
01:07:21Cuckoo!
01:07:22Hey, I didn't know you today, huh.
01:07:27You look absolutely gorgeous.
01:07:29How kind.
01:07:30Well, no, that's what I meant.
01:07:31I mean that...
01:07:33Wow, how stupid of me.
01:07:34I mean, she looks gorgeous today.
01:07:36But she looks really beautiful on other days too, you know.
01:07:39It's the kind of summer that benefits everyone.
01:07:40Yes, but well, in your case,
01:07:42You must be recommended.
01:07:45No, no, no!
01:07:51How stupid.
01:07:52Erechuga, mother!
01:07:54No, no, no!
01:07:57Monda más, monda más.
01:08:01It has dirt in it.
01:08:13Come on, Pilar, cheer up.
01:08:14It's very cold.
01:08:15No way, she looks great!
01:08:21Be careful, Carlos.
01:08:22Don't do anything crazy.
01:08:24Hey, which Visigothic king died at the Guadalete?
01:08:26Don Rodrigo, my love.
01:08:28But don't get too involved.
01:08:29Well.
01:08:39He still writes to me from Uruguay.
01:08:42Poor, yes.
01:08:42He loved me very much.
01:08:45Oh, how exciting!
01:08:47That's nothing.
01:08:48If I told you my life story...
01:08:50Promise me you'll tell me.
01:08:52It must be extremely interesting.
01:08:54I've lived a lot, simply put.
01:08:56And I'm over it all.
01:08:59How different you are from Juan.
01:09:01He was so vulgar, so lacking in history.
01:09:04And to think that I fell in love with him.
01:09:06He's a very good guy, but naive.
01:09:09If it weren't for me, I'd be married.
01:09:13Yeah?
01:09:14He has no experience.
01:09:17Now I can tell you.
01:09:18The drunkenness he got on your saint's day
01:09:20It was my idea.
01:09:22I got him drunk.
01:09:23What ideas do you have?
01:09:25How funny I am.
01:09:26Was it you?
01:09:27Of course, woman.
01:09:28It would never have occurred to him.
01:09:35Tell me, what about you? Nothing?
01:09:37I?
01:09:38Good.
01:09:41I have been very athletic.
01:09:46Come on, let's go for the hundred meters.
01:09:48I mean, the 100-meter freestyle.
01:09:50Come on, Juan.
01:09:51Cheer up.
01:09:52Jump in the water.
01:09:53No, I don't feel like it.
01:09:55Relief!
01:09:56Relief!
01:09:57What should I do?
01:09:58Me!
01:09:59Relief!
01:09:59What should I do?
01:10:01Relief!
01:10:03What should I do?
01:10:06What should I do?
01:10:09Me!
01:10:10What's happening?
01:10:10Me!
01:10:11What's wrong, Ana?
01:10:12What's happening?
01:10:13Juan, Juan.
01:10:13What's happening?
01:10:13What's happening?
01:10:15Help him, he's going to drown!
01:10:17Help him!
01:10:17Help him!
01:10:17Help him!
01:10:18Help him!
01:10:18Help him, he's going to drown!
01:10:19Help him, he's going to drown!
01:10:19I'm a friend!
01:10:19He has no idea.
01:10:20He has no idea!
01:10:21My God!
01:10:21Nothing!
01:10:23Help me!
01:10:24Help me!
01:10:24I can't swim either!
01:10:26Careful!
01:10:27Come!
01:10:28Wait, I'm coming!
01:10:28How!
01:10:30How!
01:10:38If the water reaches your stomach!
01:10:40Help me!
01:10:40Come on, let's go!
01:10:42Come on, man!
01:10:43Come on, come on!
01:10:43But who's there, or more!
01:10:44This idiot!
01:10:45Help me!
01:10:47Sweat for me!
01:10:48Wow!
01:10:49Help me!
01:10:51Help me!
01:10:53I've gotten so wet!
01:10:58I have to confess something to you.
01:11:00That?
01:11:00When I met you, I had no idea about the Visigothic kings.
01:11:04But you know a lot.
01:11:05Now it's like I'm family.
01:11:07But first, nothing.
01:11:08And why did you lie to me?
01:11:10I liked it.
01:11:10If you were so obsessed with the contest,
01:11:12I thought that way it would be easier for you to love me.
01:11:14What a fool!
01:11:15I'm crazy about you.
01:11:16That's now that I know the size of the sandals Don Pelayo used.
01:11:19And before that too.
01:11:21I'm going to be honest.
01:11:22I couldn't care less about the Visigothic kings.
01:11:24Yeah?
01:11:25It was a trick to see you all the time.
01:11:28I thought they were your weakness.
01:11:29You are my only weakness.
01:11:30I fell in love with you listening to you recite the entire list.
01:11:33When you arrived in Bamba, I already felt a strong urge to kiss you.
01:11:36Bamba?
01:11:36Hey?
01:11:37Hello.
01:11:38Hello.
01:11:39You're just jealous because there's nothing better than you.
01:11:42Don't talk nonsense.
01:11:43Anyway, we had a laugh.
01:12:08But you, almost for the last time, clinician.
01:12:11I'm so hungry!
01:12:12You're just in time.
01:12:13What a way to calculate!
01:12:14Here it comes.
01:12:15Uh-huh.
01:12:15The paella is ready.
01:12:23Come on, Pedro!
01:12:25I hope you like it, Pepe.
01:12:27We'll see.
01:12:27I think I'm going to fall in love with you.
01:12:31Don't be surprised by my speed.
01:12:33I'm a race car driver, so you know.
01:12:36But besides cars, what do you do?
01:12:40Fifth year of medical school.
01:12:41I love medicine.
01:12:44And you only have one year left.
01:12:45How's the rice?
01:13:05Marvelous.
01:13:07I've never eaten rice like this.
01:13:09Pepe, I'm so happy.
01:13:11Do you want to be my girlfriend?
01:13:12Yes, Pepe.
01:13:13I'd love to make you rice for the rest of my life.
01:13:17What dish do you like?
01:13:19Done by anyone.
01:13:22I make chantilly cream cakes.
01:13:23And I take a drag of the pilpil.
01:13:26Man, what a day.
01:13:27How I do.
01:13:28And nothing more than none.
01:13:29No, no, no, no.
01:13:59No, no, no, no.
01:14:29Hello, man.
01:14:52You scoundrel, you bad friend, you stole my girlfriend
01:14:55And you were the one advising me to leave her, huh?
01:14:57It was all premeditated, you wanted to take her from me, well I'm going to take your life.
01:15:01Juan, Juan, Juan, Juan, let me explain, man.
01:15:03She's my girlfriend and I love her and I'm going to marry her, just so you know.
01:15:06And that's how I'm going to step on you like a worm.
01:15:08Yes, but I haven't done anything to him, man.
01:15:10What do you mean, no?
01:15:10Honestly, Juan, do you just think I've made a very good impression on everyone?
01:15:14That's all.
01:15:14And you're going to brag about it, huh?
01:15:16No, no, no, don't take it like that, man.
01:15:18Yes, yes, I myself am very surprised.
01:15:21Women have never listened to me before, and now they all do.
01:15:24My girlfriend too?
01:15:25No, no, no, no, everyone except your girlfriend.
01:15:27Oh ok.
01:15:28And of course, since I'm not used to this success, I'm like drunk.
01:15:34Not like a drunk, you're drunk.
01:15:36Yes, my God.
01:15:37That joke smells disgusting, it's disgusting.
01:15:39This piece of shit.
01:15:42If everything isn't fixed, you'll pay for it with your life.
01:15:45With life, right there.
01:15:46Buongiorno says.
01:15:58Buongiorno says.
01:16:03Say
01:16:19Say
01:16:24Is it really me?
01:16:27I love you Ana, if you don't marry me I'll go to your house and burn it down, I can't live without you
01:16:38Daughter, Ana, what's wrong?
01:16:45No way?
01:16:46He's going to set the house on fire
01:16:48Ah, fire
01:16:49Fire!
01:16:50Happy, fire!
01:16:52Fire!
01:16:53Fire!
01:16:54Lord and siren!
01:16:55Fire, rise up!
01:16:57To the kitchen for water!
01:16:59Fire!
01:16:59Fire!
01:17:07Congratulations, please!
01:17:08It's not that big of a deal!
01:17:09What are you doing?!
01:17:16The house is on fire, Juan!
01:17:18Fire!
01:17:19Fire!
01:17:20Fire!
01:17:21You don't love him now!
01:17:22The house is on fire!
01:17:24Fire, rise up!
01:17:41Fire!
01:17:42He remembers!
01:17:43Fire, rise up!
01:17:43Fire, rise up!
01:17:43Fire, rise up!
01:17:44Let's empty this place!
01:17:45Fire, rise up!
01:17:45Help!
01:17:46Help, get up!
01:17:46You can't pass, ma'am, goodness!
01:17:48Stop walking by, please, my girlfriend is here...
01:17:50Fire, rise up!
01:17:50Fire, rise up!
01:17:51Ann!
01:17:53Ann!
01:17:55Get me out of here! This is horrible!
01:17:57Ann!
01:17:59Come on, get out! Get out of here! You haven't slept!
01:18:01Here it is!
01:18:03Out! Long live the descent!
01:18:05Above!
01:18:21Ann!
01:18:27Look out! We'll pick you up!
01:18:29I'm scared of it!
01:18:30Don't worry! I'm here!
01:18:32Come on, miss! She's coming downstairs! Come on!
01:18:42Ana! Ana!
01:18:43Oh, my love! How frightening!
01:18:45Ana, my love!
01:18:51But what happened?
01:18:55It can be found out! It's your fault!
01:18:57Wait a minute! Of course!
01:18:59Wait a minute! Stay put!
01:19:01Who said there was a fire?
01:19:03Hey?
01:19:04Nobody knows anything, right?
01:19:06Come on! Pick everything up!
01:19:08It was a fake larva!
01:19:10Clear!
01:19:15Were you really going to burn the house down if I didn't marry you?
01:19:17Through and through.
01:19:19Oh, Juan! How much you must love me!
01:19:22I'm marrying you tomorrow.
01:19:27Congratulations!
01:19:28Congratulations!
01:19:29Thank you.
01:19:34Congratulations!
01:19:35Congratulations!
01:19:36Congratulations!
01:19:37Congratulations!
01:19:38Congratulations!
01:19:39Congratulations!
01:19:40All of this had to happen for Ana to choose a wonderful wedding dress
01:19:45And so that Juan could debut his husband's uniform,
01:19:48the glorious and heroic jacket.
01:19:50Oh, my love!
01:19:51Congratulations!
01:19:52Congratulations!
01:19:53Congratulations!
01:19:54Congratulations!
01:19:55Congratulations!
01:19:56Congratulations!
01:19:57Congratulations!
01:19:58Congratulations!
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