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Crveni mesec (2019) - Epizoda 98 - Domaća serija
Ljubavna i snažna istorijska priča smeštena je u period od avgusta 1913. (nakon pobede Srbije u balkanskim ratovima kad je povratila deo teritorije) do kraja 1915. godine (austrougarske okupacije Beograda i Srbije). Nikola Stanimirović, mladi srpski oficir, glavni junak priče, vraća se ratišta u rodnu kuću. Svadba mu je, tradicionalno već zakazana, ali zaplet priče počinje kad Sofija, ćerka austrougarskog poslanika Ota Baumana, baci oko na njega. Nedopustivo za to vreme, koketna mlada dama, ne krije svoja osećanja. Rasplet njihove ljubavne drame odvija se u realnom istorijskom periodu pred Veliki rat uz mnoštvo dramatičnih događaja, špijunskih intriga, diplomatskih nadmudrivanja, političkih spletki i prevara...
Transcript
00:00Apis, have you solved everything?
00:03Yes, without much money.
00:06Why do you look like that?
00:08Because I was not able to ask him to let him,
00:10he already gave me a new assignment.
00:12I'm looking for Jovan.
00:16So he started to be surprised?
00:18Yes, I don't know anything,
00:20but he's surprised because Jovan didn't come for two days.
00:24It's not enough that the Pašićevs are looking for him,
00:26but now Apis.
00:27Yes.
00:29See, Petre,
00:31whatever it is, it's time for us.
00:33We'll have to find him soon.
00:35That's right.
00:37Okay, what's the plan?
00:39I'll go outside the city,
00:41to find some place.
00:43And you go to the hotel
00:45to see that he couldn't sleep there.
00:47And find his cafe, you better know who they are.
00:49You better know them.
00:51That's right.
00:52And then we'll see you in the hotel for three hours.
00:55Okay.
00:56Okay.
00:57Okay.
00:59The colleagues of the terrain have contacted Mr. Dimitrovich.
01:04Where?
01:05He is hidden in the theater building.
01:08The agents have been looking for you and they wait for instructions.
01:12I'll go there, although they already know what to do with it.
01:16If he comes up or calls himself in the meantime.
01:21If he comes here, they'll call our mission in Belgrade.
01:26If he calls himself, you should tell him that he will come here as soon as possible.
01:33The daughter of Mr. Bauman is gone.
01:36The players are already on the way to Bangkok.
01:41If these two are going, we're going to go in.
01:45And the other people?
01:48Which other?
01:50That's just another master.
01:52I've already adjusted it.
01:56Where more were going,
01:58Il is now supposed to be a new house.
01:59Pass auf,
02:00wir dürfen die Frau Baronin nicht ruhen,
02:02aber das hindert uns nicht zu machen, was wir sollen.
02:05Sie können freilich abliehen,
02:07sich zu sein zu sehen, egal!
02:09Du weißt ja, dass sie keinem etwas erzählen kann,
02:13was sie das auch möchte!
02:16How symbolic are you?
02:41Have you checked those workers?
02:46You told me that they are wearing a scene for the show.
02:49Yes, but when I looked at the video where your man was hiding,
02:57I saw that they are wearing some things that are not from the show.
03:02What kind of things?
03:04I don't know exactly which ones, but I'm sure I know that the dead man is not from the show.
03:15And what did you say?
03:18I knew that I could love someone like me.
03:25And that was a shock.
03:28That I understood that you loved me all the time.
03:34And I know that I loved you.
03:39And that's why I still love you.
03:42There's no chance.
03:45Kalinic and Jovan would never leave.
03:48Even if he has to leave, he wouldn't leave and don't greet us.
03:51No, no, no.
03:54He would never leave his home.
03:56Never.
03:57But I don't know what you think about.
04:01Let's go.
04:06Let's go.
04:07You are close to the service.
04:09And the service is close to you.
04:10Of course.
04:11Let's try to think about the way he would think about.
04:15Try to put yourself in his skin.
04:16Where would he go?
04:19I thought about it.
04:21You are close to me.
04:24Do you want me to tell him?
04:25Let me tell him.
04:28I have one place.
04:29I know that he is evil.
04:31But I don't know what is.
04:32I don't know what you want.
04:34That's what you don't know, but that's what I don't know.
04:37I'm sitting here like I'm falling in the dark.
04:41You know what?
04:43Jovan is in the question. That's clear.
04:46But what is in the middle, I don't know.
04:49The best thing is to go to Vere and tell me everything.
04:52Because we can't even help if we don't know what's going on.
04:55Wait, don't wait. I pray.
04:57Vere said that it's better for us than we don't know
05:00and that she doesn't have any help.
05:02Come on, she said it.
05:04What does she know? She has everything I can tell.
05:06Then I'm going to check if we can help.
05:08She said that we don't move.
05:10Do you think Velti really could come here?
05:16But it's possible.
05:21But why did he choose this place?
05:26Where is the danger there?
05:29Maybe that's why.
05:31No one thought about it here.
05:35And what if he wants to make sure that we come here?
05:45They allude on the possibility that he has lost us.
05:51And that he wants us to lock us in a fall.
05:55Right?
05:56Come on, you're welcome to talk to me all the time.
05:59And I'll see how to help you.
06:02I don't know if anyone can help.
06:05That's why I'm not called Valer, I think there's no help.
06:08Look, Vere, the best would be to be nice to talk to you all the time.
06:13And I'll see how to help you.
06:18You are bad.
06:20You're bad.
06:21You're bad.
06:22You're bad.
06:23You're bad.
06:24You're bad.
06:25I have to make something to tell you.
06:27Come on, if I don't want you?
06:29You're bad.
06:30Let's go.
06:31You're good.
06:32You see what happened between Tatiana and Alexandra?
06:35I've noticed that flirted.
06:37Of course.
06:38I?
06:39They flirted.
06:40They were not lying.
06:41What is all?
06:42Yes, I don't know what you expect to tell you.
06:45Don't lie to me.
06:47You're already a little hurt, your insinuations.
06:51I'm sorry for my dreams to never be upset,
06:54but I hope you don't lie to me,
06:57because you don't harm me and Tatjani.
07:00I have to admit that I'm the first time
07:02that you accepted the invitation for the evening.
07:04Of course, it's crazy for me.
07:06Your most important thing was to believe your mother.
07:09I believe that no one woman can't beat your call,
07:12like she didn't want to.
07:14But I hope you'll have to understand
07:16what she was supposed to do to the hotel.
07:18That's not the question.
07:20You're doing me like that you're not dead.
07:24I'm dying out of pain.
07:26Don't worry.
07:27You won't have to wait to get ready
07:29what you ate yourself.
07:31Everything is done already.
07:32On the menu there are
07:33srnetina, prepelice and gulaš od vepra.
07:36When I hear everything on the menu,
07:38I don't expect that I was dead before.
07:39Even if we don't have a receipt,
07:40that's see,
07:41if we don't have a receipt,
07:42we're going to be paid.
07:43I don't have a receipt.
07:44I'll be ready to go,
07:45I'll be ready once.
07:46I'll be ready for the rest of my weigh-up.
07:48I can't do this.
07:50If not,
07:51they'll be in charge with me.
07:52I'll be ready,
07:53and I'll be ready.
07:54You're ready to go.
07:55I'll be ready.
07:56I'll be ready.
07:57I'll be ready.
07:58Come on now,
07:59get up,
08:01get up,
08:02get up.
08:03Get up, get up.
08:04Get up, get up, get up.
08:06Kuda žuriš tako?
08:17Kuda žuriš tako?
08:24Ja imam jade svoje, jade svoje
08:36Meni nije lako
08:48Meni nije lako
08:58Stani, stani pivar vodom
09:04Ivar vodom
09:09Moran, moran, drago e posi
09:20Moran, moran, drago e posi
09:34Moran, moran, drago e posi
09:40Moran, moran, drago e posi
09:47Moran, moran, drago e posi
09:48Wollen Sie sich endlich beruhigen, Herr Leutnant?
09:54Entschuldige mich, Herr Major.
09:57Sie machen mich auch langsam nervös.
10:01Und Sie werden in diesem Beruf nicht weit vorankommen,
10:07wenn Sie nicht fähig sind, geduldig zu warten.
10:11Ja, sind Sie recht, Herr Major. Entschuldige mich noch einmal.
10:17Ich verstehe, warum Sie nervös sind.
10:21Und deshalb werde ich Ihnen durch die Finger schauen.
10:25Aber auch wenn Ihr Übergeordnete einen Fehler macht,
10:31Ihre Aufgabe ist trotzdem, seine Befehle aufzuhören.
10:37Ich möchte nicht, dass Sie wegen meiner Nervosität denken,
10:49dass ich an Sie zweifle, Herr Major.
10:53Aber Sie denken, dass ich Fehler mache. Nicht wahr?
10:57Niemals werde ich Recht geben, in Ihrem Befehl nachzuprofen.
11:03Das heißt nicht, dass Sie keine eigene Meinung haben. Und?
11:11Sie brauchen nichts zu sagen. Ich sehe schon.
11:15Sie glauben, dass es ein Fehler ist, dass wir hierher gekommen sind.
11:21Ja.
11:23Macht nichts, macht nichts.
11:25Sie müssen nichts sagen, ja.
11:27Ich nehme es Ihnen nicht übel, dass Sie so glauben.
11:31Ganz im Gegenteil.
11:33Das beweist, dass Sie die Situation recht eingeschätzt haben,
11:39da alle Argumente dazu führen, dass Sie es falsch machen.
11:43Es ist nicht vernünftig, in diesem Augenblick hier zu sehen.
11:47Wir unterziehen uns einem grossen Risiko.
11:51Die Gegner wissen über diesen Platz.
11:54Es ist möglich, dass Sie ihn auch beobachten,
11:58und dass wir uns in eine große Gefahr gebracht haben.
12:08Petre, ich sagte, ich glaube, dass es keine Chance gibt,
12:10dass wir ihn hierher kommen können.
12:12Was, wenn sich die Pašičevi起?
12:14Nichts, dann pusten Sie mich zuerst.
12:16Warum?
12:18Ich würde mich wirklich gerne überlegen,
12:20wenn ich mich auf der Lande auf dem,
12:22auf dem, auf dem, auf dem, auf dem, auf dem, auf dem, auf dem.
12:48That's why, Petr. We have a lot of problems without that.
13:04What did I lose my head for a little bit?
13:08Petr, it seems to me that this was a nice case.
13:12They didn't want you.
13:14They didn't want you, but they did.
13:16Well, what did I do on their place?
13:19It's clear to me that it wasn't the goal.
13:22It's the same as now.
13:24But okay, you said that we won't go there,
13:28but I see that something is going on to that place.
13:32It's going on to me, honestly. I don't know what to do, but something is going on to me.
13:36Yes.
13:38It would be quite dumb to get there, isn't it?
13:42I agree, but I think that the Pašićevsky thought
13:45that the Pašićevsky thought that the Pašićevsky didn't appear there,
13:47and that the Pašićevsky didn't appear there.
13:49Well, it sounds quite silly.
13:51It's silly, Petr.
13:53It's silly, but there are no other people
13:55that your Pašićevsky, Jovan...
13:57A lot.
13:59...
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17:16Do you want me to tell you something?
17:18I'm sorry if I'm going to make it wrong.
17:26Maybe this will help you to do the rules?
17:32I'm going to ask you how many people are looking for.
17:42What did you say?
17:44I don't know exactly.
17:48Wait, I don't understand anything. You don't know exactly.
17:52You don't know exactly.
17:54Listen, when Kalanić came, I heard that they said they would take a horse.
18:00That is, the request took his horse, the captain sent him to your house to take his horse.
18:06But you help me, my mother.
18:10It looks like it goes to one place, my mother.
18:13Listen, listen. I don't know exactly.
18:17But I heard that the request told you that you will not go there.
18:25Okay, I ask you once again, what did you say exactly?
18:29What did you say exactly?
18:31I remember that the request told you that you would go to that place after all.
18:37Okay.
18:39Okay, thank you.
18:41Good.
18:43Good.
18:45Good.
18:47Good.
18:49Good.
18:51Good. Thank you.
18:53Good.
18:55Good.
18:57Good.
18:59Good.
19:01Good.
19:03Good.
19:05I don't expect anything else to expect.
19:08I don't understand why I need something else to do.
19:11No, you didn't understand me.
19:14I really don't understand myself.
19:17But in any case,
19:19you worked for me more than anything else in my life.
19:24I'm so angry,
19:27but I'm ashamed because I know that I can't do this for all.
19:31I want you to know that I'm aware that I can't do anything else.
19:35I don't expect you to answer my words.
19:40Pavel, what do you say?
19:42The words are the only thing I gave you.
19:45I agree.
19:48But the words are the only thing I want to now.
19:53Let's go.
19:55The young man who comes to you,
19:57Sofine's friend from the university.
19:59You can have a complete confidence.
20:02I'm going to go on to the border.
20:04And more than that.
20:05He'll take you to the river.
20:07Do the river?
20:08Yes.
20:09There you go on to the road that goes to the United States.
20:12The road that goes to the United States.
20:13The road that goes to the United States.
20:15Wait a minute.
20:17Wait a minute.
20:18I'm thinking about everything.
20:20I'm thinking about everything.
20:21We've got a card.
20:22That's not a luxury.
20:24You know, you know.
20:26And we've got a card for your independence.
20:28You know, you've got a card to go.
20:29And you have to come up with the third level.
20:30And then you'll leave.
20:35I just need it.
20:36I should say that.
20:37If the opponent has such a important information,
20:53how is the place where the employees meet?
20:58Then do you think that all the other communications channels are compromised?
21:08Right?
21:10That's logical.
21:12In this case, there are only two possibilities for our employees.
21:20Probably can you consider yourself and see which one?
21:26First, you should go to the location,
21:32which is presented for a critical situation.
21:38Yes, where they were already.
21:41And I wanted to go to the location too.
21:44Second, I would like to say,
21:48that we are talking about something,
21:56what would you expect from him in this situation at least?
22:05Yes, so is it.
22:07I would like to do the same thing on his place.
22:11The Gegners have discovered this place.
22:15Yes.
22:16And they know that we also know that.
22:19And so they are waiting for us here at least.
22:23And so, something that worked as a big risk in the first moment,
22:31is actually the smallest risk.
22:35But that's not all my purpose.
22:47But that's not all my purpose.
23:01So a way to achieve my mentor,
23:05how I am going to give you this kind of experience and strategy.
23:15Our job requires,
23:25that we always work the plans and strategies
23:29so that we can see what we actually do
23:32and the person who sees us a illusion,
23:37so that something happens completely different,
23:40something that doesn't have a doubt.
23:43That doesn't seem to watch that,
23:46but that's correct.
23:48That's true.
23:49And that Tesla's purpose.
23:51And that stuff can be seen inimatdag
23:52so that we make on building it quite a bit.
23:57That's true...
23:59your comfort is amazing.
24:01That the things do not work like such a design,
24:03that the things don't look at it like,
24:04how they work like it.
24:07As it's thought that these things are like.
24:11so how they look at them.
24:32But one can say it's easy,
24:34you need strong charisma, charm,
24:38Unfähig zu sein, um zu überzeugen, und in all dem soll man bis zu dieser Masse lässig wirken,
24:47so dass man auf die Beobachter Einfluss haben könnte, damit sie keinen Zweifel merken.
25:08Wenn sich jemand um jeden Preis bemüht, etwas zu entdecken, was versteckt ist,
25:25und sie geben ihm das unter die Nase, er wird das nicht sehen.
25:30Er wird sehen, aber er wird es nicht glauben, dass das geschieht, was er sieht.
25:38Wollen Sie mir sagen, dass...
26:03Genau das. Der Mann in dieser Geschichte war ein Agent von Ochana.
26:12Redl hat vor meinen Augen Informationen verkauft, und ich habe gar nichts daran gedacht, dass es sich darum handelt.
26:22Wenn er wegging, hat Redl nonchalant gesagt, dass es sich um einen russischen Graf handelt,
26:32der er beim Kartenspiel ausgeraubt hat und der Schmuck seiner Frau verkaufen musste,
26:42damit ihm Redl die Wechsel zurückgibt, die er ihm diese Nacht im Casino unterschrieben hat.
26:51Und er hat sogar gescherzt, dass er die Gesicht der Gräfin sehen wollte, wenn sie am Morgen ihre Schmuckschachtel öffnet.
27:04Jetzt ist Ihnen vielleicht klar, warum meine Karriere zerstört ist, zusammen mit Redls Karriere.
27:15Aus dem Platz der zweiten Mann des Evidensbüro hat man mich degradiert und nach Sarajevo geschickt.
27:24Jetzt, als Sie mir alles erzählt haben, so staue ich, dass Sie geschafft haben, um den Kopf zu bewahren.
27:47Das kann ich nur gedanken, dass ich am Ende Redl entdeckt habe.
27:55Obwohl ganz ausführlich und im Augenblick, als er seine Strategie geändert hat,
28:02als er seine schmutzigen Geschäfte verdeckt wollte.
28:08Aber das ist eine lange Geschichte.
28:12Wenn die Pointe ist, dass die Sachen trotzdem so sind, wie sie aussehen, dann Sie haben recht.
28:23Wir lagen hier uns eine Gefahr aus.
28:27Aber keine Sorge, wir werden hier nur noch ein bisschen.
28:34Und dann gehen wir in die Stadt zurück.
28:42Ich gehe nicht nach.
28:48Du sollst in der Mission gehen, um nachzuprüfen,
28:51ob Doppler erscheinen ist oder ob er doch eine Nachrichteninstruktion in Ligen gelesen hat.
28:59Ich bleibe hier.
29:01Für alle Fälle.
29:03Jetzt bin ich gar nicht sicher.
29:04Ich gehe Ihnen nach.
29:31Du sollst in der Mission gehen und Ihnen melden.
29:33Ich gehe Ihnen nach.
30:03If you don't know everything, you can tell us what you know, but it's not all.
30:07Who knows what else?
30:09I would give you everything to you.
30:11Woman's head, if you don't know all the details, you don't know exactly what happens.
30:16So, Jovan can't be...
30:20Come on, say it!
30:22You see how scary it is, and you can't even say it.
30:26I'm your host.
30:28My Jovan, my host.
30:30I can't say it because I don't believe it.
30:33It can't be like that.
30:35It must be a lack of understanding in the question.
30:39From all the most difficult, it hurts me.
30:42I can't see you in my eyes.
30:44Come on, Vera. Don't talk stupid.
30:51Stop.
30:52How do you don't understand the person?
30:55How do you don't understand?
30:57From all of this, it's not the best that my husband is.
31:00He's a lawyer.
31:01But what he heard all the time.
31:04And what he was ready to do
31:06that your son, our Nikola,
31:08will die, that Nevin will lose his head
31:10because of his bloody work.
31:12You're right.
31:14You know me.
31:15You know me.
31:16You know me.
31:17You know me.
31:18You know me.
31:19You know me.
31:20You know me.
31:21I don't know how to do this,
31:22to be in the right place.
31:24To be accountable.
31:25No, no.
31:26You don't use anything to do.
31:28You don't pay attention.
31:30I don't trust my thoughts.
31:32Let me look at him.
31:33But I'll see him.
31:34I'll tell him that Nikola...
31:35You don't want anything to say.
31:36You don't use anything to do with a problem.
31:38If we don't help,
31:40we don't use damage to someone.
31:41In other words, if God does, everything will be very quickly and it will be the best way to do it.
31:52I will tell you. I think it's not time to talk to you, but when I'm so upset, I will tell you only.
32:04And you have to tell me that you won't talk to me about this.
32:10We're on the track.
32:13Give it to me.
32:15If God gives you, we'll have a few moments to solve and we'll know who is.
32:23Very quickly.
32:34Let's go.
32:51Petra.
32:54Let's go.
32:58Let's go.
32:59Let's go.
33:00Let's go.
33:01Let's go.
33:02Come on.
33:32Come on.
34:02Come on.
34:32Come on.
35:02Come on.
35:04Come on.
35:06Come on.
35:08Come on.
35:09Come on.
35:10Come on.
35:11Come on.
35:12Come on.
35:13Come on.
35:14Come on.
35:15Come on.
35:16Come on.
35:17Come on.
35:18Come on.
35:19Come on.
35:20Come on.
35:21Come on.
35:22Come on.
35:23Come on.
35:24Come on.
35:25Come on.
35:26Come on.
35:27Come on.
35:28Come on.
35:29Come on.
35:30Come on.
35:31Come on.
35:32Come on.
35:33Come on.
35:34Come on.
35:35Come on.
35:36Come on.
35:37Come on.
35:38Come on.
35:39Come on.
35:40Come on.
35:41Come on.
35:42Come on.
35:43Come on.
35:44Come on.
35:45Come on.
35:46Come on.
35:47Come on.
35:48As soon as you go to New York, when you go to New York, we will go.
35:51And then I will go back to my money.
35:54If you have enough, you will find a job.
35:58I can't. No, I can't.
36:00This is not my usual obligation.
36:03I can't.
36:04Pavele, listen to me now.
36:06Don't forget it.
36:08Don't forget it.
36:09Don't forget it.
36:11I want to know if I can help you to do it in the best way.
36:14But you've done it without it.
36:17Don't forget it.
36:19I will go to America.
36:21Every day, thousands of people will go to America.
36:23No one will never be able to do it.
36:26Don't worry about it.
36:27I want to do it because of me.
36:29I promise you.
36:31I know that all of this work,
36:33that all of this risk,
36:35that it is worth it.
36:37Vera, now everything will fall on your path.
36:39You will have to do it yourself.
36:41We are here to help,
36:43but we are not able to do it without you.
36:45Let's go.
36:47Let's go.
36:48Let's go.
36:49Let's go.
36:50First of all we have to know
36:52all the details,
36:53all the facts,
36:54and we have to do it precisely.
36:55I will tell you to be able to help me in the way.
36:57And you,
36:58Jelka,
36:59you will not be able to stay here with you.
37:02That's right.
37:03I can't.
37:04I can't.
37:05I can't.
37:06I can't leave you alone.
37:07I can't leave you alone.
37:08You better if we can.
37:09That's right.
37:12Come on.
37:14Come on.
37:15I know what's going on.
37:16I'll try Milica.
37:17I'll try Milica
37:19and tell her to leave home
37:21and find her nice to see her.
37:23You should never be able to see her.
37:24She did say she had to have said.
37:26She said she never members.
37:28Okay.
37:29She actually made a smile because she didn't know nothing.
37:31But you can see, as soon as everything is nice to explain,
37:34he will only allow himself to help.
37:37I really think that he is the right thing,
37:39and you can only do it for you.
37:41I am on your own.
37:43I hope that everything is not so red.
37:46What can I hope?
37:48I don't know everything.
37:51My Petar knows.
37:53And you think that he would accept that my father,
37:56and that he had a doubt.
37:58Okay.
37:59Okay, we'll see everything.
38:01We'll see everything.
38:02We'll pray.
38:03Please, Vera, I'm going to call you Nikola,
38:06and you two here.
38:08That no one isn't a mess.
38:18Oh, Bože moj.
38:21Obećaj mi.
38:23Pavle!
38:26Obećam.
38:29Obećam.
38:31I don't think that I'll give you a lot.
38:34You won't be able to live like this.
38:36But you'll be able to live like this.
38:38But you'll be able to dovoljno for the beginning,
38:40and you'll see what's going on with you.
38:42Let's go.
38:44Time.
38:45I can only tell you something?
38:47I'm going to ask you.
38:48I'm going to ask you.
38:49I'm going to ask you.
38:50I'm going to ask you.
38:51I'm going to ask you.
38:52I'm going to ask you.
38:53I'm going to ask you.
38:54I'm going to ask you.
38:55I'm going to ask you.
38:56I'm going to ask you.
38:57I'm going to ask you.
38:58I want to say, and I hope that you will trust me because there is no reason to lie now.
39:05You are the only woman I've never loved.
39:12I love you.
39:15I know it's stupid, stupid, but I have to ask you.
39:21Come alone.
39:28Is I wrong with you, or are you going to talk about the topic of today's vlog?
39:34I've never told you that I've never been in a good mood.
39:39I'm not sure what you want to say, but I need to be precise.
39:43I'm not sure the results of today's vlog.
39:47You don't have the love of your friends.
39:50I've been trying to forget what I'm going to do today,
39:53I'm not sure what I'm going to do today.
39:55But you don't allow me to prevent my punishment.
39:59I didn't know that it was so much about you.
40:02That's right.
40:04You know, with the military jargon,
40:06I'm not sure what I'm going to do today.
40:08I don't even know that the amount of snag is not good.
40:12I'm not good with you.
40:14But the indictment for this is the one of me for you.
40:16I'm missing you, Mr. Stanimirović.
40:18Yeah, I understand.
40:20I was just a lot because of his sleep in his mood,
40:23I'm not sure as he's aware of his weapon traits of his weapon.
40:27That is the most important thing.
40:29The american weapon is the second best weapon in his class.
40:33And his boss was only Captain Rujić,
40:36and for his weight.
40:38Mio Vuku?
40:39Excuse me, Vaše Istošanstvo, my name.
40:42I thought I was a problem that I called you, Vaš Otac.
40:45I'm sorry, Vaše Istošanstvo, if you allow me.
40:48He was a family problem.
40:50But I hope that it wasn't something that was not done.
40:52But, Vaš Otac didn't do this to me today.
40:55It's not to me. It's to Ružičić.
40:58And my Otac didn't even notice that the problem is.
41:01We just remembered a little bit, Kapitana Ružičić.
41:04If there is again a couple of questions,
41:07I'm going to send him to Arsena to Ružičić.
41:09Don't worry, Vaše Istošanstvo, it's not to me.
41:11It's all right, Kapitana.
41:13I'm going to blame you to come back to the hotel,
41:15and you're free.
41:17I'm going to start with you.
41:26Muti, I want you to know that I'm brought to you.
41:30in order to take you to your life.
41:32You brought your life into danger.
41:39Maybe you could even hurt your future,
41:45but you could save one life.
41:47Muti, I pray for you.
41:49I pray for you, regardless of all, I think you've done the right thing.
42:00And if something means something, I want to say something to you.
42:08I won't ask you anything, I won't say anything.
42:13I'm sure you'll talk with me when you're ready for it.
42:19But you know that I'm trying to listen to you.
42:29Let's go.
42:40What do you think?
42:42Come on, come on.
42:44Come on.
42:49What did you do?
42:53Come on, come on.
42:55Come on, come on.
42:57Come on, come on.
42:59Come on, come on.
43:00Come on, come on.
43:01Come on, come on.
43:05Come on, come on.
43:07Come on, come on.
43:08Let's go.
43:09Come on.
43:10Come on, come on.
43:11Come on, come on.
43:12Come on.
43:13Come on. Come on.
43:18Come on.
43:25Come on, come on.
43:27Come on, my son.
43:30You will not stay here.
43:33Good, my son.
43:43Good.
43:50Good.
43:55Good.
44:01Good.
44:03Good.
44:08Good.
44:10Good.
44:18Good.
44:22Good.
44:26Good.
48:00There is no reason to say that we have not found that this is the safest place here,
48:10because everyone knows this place.
48:12Right.
48:14Yes.
48:16There is no reason to say that, except if they have another plan,
48:22where we can look for them.
48:26You know yourself, we have all the possibilities.
48:30Everything that was in these situations, like everything that was not included.
48:36Then it is better to wait.
48:40And it is the safest way.
48:44Yes.
48:46I don't know, Vera, why did you jump so far when I told you that Jovan may decide to win?
48:58That could be the best.
49:00Oh God, that would be the best for everything.
49:04Why?
49:05You know yourself, if he doesn't, people will forget everything.
49:10Before or later.
49:12What?
49:13What if he did something that he did to us all?
49:18Why are we all going to fight?
49:21Especially Peter and Teodora.
49:23Yes.
49:24I didn't think about that.
49:27What?
49:28It was not running.
49:29He's not running.
49:31Where will he even go?
49:33No.
49:34As of course, he would never leave his family.
49:37He wouldn't have done anything with his children.
49:40He would not kill his children.
49:41Hold on.
49:42Stop.
49:43Stop.
49:44Stop.
49:45All will be fine.
49:46No doubt it is the same thing.
49:47Maybe he will never stop his sons.
49:48Maybe he will not bring that other parents.
49:51No matter his winnings, he would not do it.
49:53Then he would be the best of all of you, with your children.
49:55Me? Where do I go? We live in the entire life here.
50:01That's why Vera, that's why you live in the entire life.
50:04If he has to go, then you go with him in the new life.
50:08Is that true? You think we'll go in the foreign country?
50:13What? You have enough money.
50:16And you take care of children and you start from the beginning.
50:20Do you think we live in the foreign country?
50:25Why not? You are educated people, you know languages.
50:30What do you mean today, a foreign country?
50:34Everybody speaks your language here,
50:37as if you don't know that each other is on a foreign country.
50:41Come here.
50:49Stay here.
50:51My lady, you are the only one who lives in the same time?
51:07We were on the way to the house.
51:09We got away from the city and more than we wanted.
51:12Sofija, we should go. We have no reason to get away from the Lord.
51:17Yes, yes, yes. It wasn't a purpose.
51:20But I saw your father and imagined that he was waiting for you.
51:26I thought that it wasn't fair to thank you for your first savior.
51:32I don't thank you.
51:34You think you're on Petra?
51:36Yes, I think he was on.
51:39When we went to the city, he was with Kalimć.
51:44Where is that?
51:46What, where is that?
51:47Where is that?
51:48Where is that?
51:49Where is that?
51:50Where is that?
51:51We went to the city, and the two went from the city.
51:55We went to the city where we went to the city.
51:59We went to the street where the road is going.
52:00I'm sorry, I'm going to go.
52:01Go.
52:02Go.
52:03Go.
52:04Go.
52:09Go.
52:10Go.
52:12Go.
52:13Visit me again one more time, please.
52:15Go.
52:18You know.
52:19I read these days more news about it.
52:25In the whole of Europe now, people go and go to America, thousands of them.
52:36You know what, I know that you want to help, but tell me honestly,
52:42can you imagine me and Jovana living anywhere else,
52:46especially in America?
52:52I can't.
52:55Where do you go, America?
52:59Here, you, Stojan, you've always been more advanced, easier,
53:06and faster, and faster, and faster, and faster, and faster, and faster.
53:11Let's say, can you imagine yourself and say to Stojan,
53:15let's go, Stojan, go to America.
53:17Let's say, let's say it.
53:19Let's say that-
53:20Do you imagine?
53:25Do you imagine me?
53:26Do you imagine me?
53:27Do you imagine me?
53:30Do you imagine me with him, as I'm surprised,
53:32for terrible-assive man.
53:34He can't even you know his mother-in-law.
53:37He can't speak to his mother-in-law,
53:38There's someone who says something in America, and he looks so white.
53:44I don't think that he would throw you away from the road.
53:47He would throw you away from the road. He would call some coffee. I believe it.
53:54He is. He is someone. I don't know who he is at this time.
53:58Let's do it.
54:08I don't know who he is at this time.
54:18Yes. It looked like they were just two.
54:23And who?
54:25I've been looking for him several times.
54:28And he's always following him, at least two.
54:33Maybe who is the part of the security.
54:35Really.
54:38But I don't think that he's a routine.
54:41Think about it.
54:43It's about a person who has a brilliant understanding.
54:47With seldom intelligence.
54:49He could, like no one of them, see the people through.
54:56All these mistakes would be drawn to these reasons.
55:01That's not the case.
55:05That's not the case.
55:07I'm afraid that something doesn't go wrong.
55:12You said they went away from the village.
55:14Yes, from the village.
55:16And Kalinic with them.
55:18I think I know where they went.
55:20Maybe there is Ružićić.
55:21I'm going to go to the people and we'll go again.
55:23Great. Thank you very much.
55:24Thank you very much.
55:26Yes, yes.
55:27Thank you very much.
55:30I came to the hotel and gave me a message for you.
55:35From Jovana.
55:38For you?
55:40From Jovana.
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