- 3 hours ago
The Artist - Season 1 Episode 3 -
Chapter Three: Fraudulent Fuckery
Chapter Three: Fraudulent Fuckery
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00:00Dear reader in order to understand how the very thought of a casual killing might have permeated
00:12our home in the country it is first very important to understand the times that we lived in.
00:30Miss. Miss. God damn it's hot. It feels hot in here. You feel it? Huh? It's hot. Oh no my darling. I call it kind of brisk. Are you catching something? God damn it please. Don't fucking contradict me like that. That's Bill Salosa. The loony one. I was merely clarifying which I should not have done and that that was wrong of me. It was wicked Harry and I'm sorry for that.
00:59Just a simple clarification. Is that it? That's fabulous. You fucking cunt. I was merely clarifying my love. No no no you're a good girl. You're a good fucking girl. Will somebody please take my fucking coat? It's bloody boiling in here. God damn it. Come on. Harry. What? What about mother? We can't leave her here. Have her meet us at the fucking table. Okay well she needs help Harry. Then fucking help her. God damn it. Suck my cock.
01:29Jesus. What the fuck? What the fuck are you looking at? Evelyn Nesbitt. Nothing could prepare her for the fame and notoriety that would befall her a mere hour later. Lovely Harry. Huh? I said this is wonderful. I've never seen a real life camel before. No it's a big fucking camel too. Yeah.
01:55From an early age she was a model. If you can call it that. Can you pull your shirt off your shoulder darling? Lower my bed. Lower. Could you hike up your dress? Hike your skirt up a bit. Could you bend over and touch your toes?
02:14A poor girl was a workhorse. But it wasn't enough to support both Evelyn and her widowed mother.
02:23Oh. I know I'd love to perform like this someday. The fuck did you just say?
02:27She would marry Harry Thaw out of desperation. Not love. He would put a roof over her head. And in return.
02:35Harry. Hello darling. Hi. You're not meant to be here. Meant to be here. Oh no. You're my wife.
02:41She had promised her virginity. Harry. No. Stop it. Harry. Harry. Not. Not yet. Not yet. I'm not ready.
02:47You're not ready. No. No. What do you mean you're not ready? I'm not ready. I'm sorry. You're my wife.
02:51I know. I'm sorry. Harry. Look. Let me just. Let me just. No. Harry. No. Get off me.
02:56God damn it. I'm sorry. I'm sorry. I'm sorry. Stop it. Stop it. Harry. Stop it. You're scared of me. Stop it.
03:06Harry. Harry. Stop.
03:11I'm sorry. I'm sorry. I'm sorry. That's okay. Forgive me. I'm sorry.
03:28No. I forgive you. My love. Soon. Soon.
03:33Sam. Say you're mine. I'm yours. Soon.
03:37Good night. Good night.
03:42The only problem, Evelyn Nesbitt was not a virgin.
03:49Not even close.
03:57And Harry Thaw was not her first benefactor.
04:01Good evening, Evelyn.
04:02My dear.
04:04Good evening, Stanford.
04:05Excuse me. Who the fuck are you?
04:10Mr. White. Stanford White.
04:12The architect of Madison Square Garden.
04:15So?
04:16Excuse me?
04:17I said so.
04:19I understood the word.
04:20I'm just sincerely confused by the context.
04:22The context is escaping you? Is that what you're-
04:24Forgive me.
04:25Harry, I didn't introduce you.
04:27This is Stanford White.
04:28He's a very good, an old friend of mine and my mother's.
04:32He knew me since I was a child and we're very close friends.
04:35Yeah, you said that already.
04:36You're repeating yourself now.
04:37Did I?
04:37Yeah.
04:38Oh.
04:39And who might you be?
04:41I'm her husband.
04:43Yeah, that's right.
04:44I'm her fucking husband.
04:45Yes.
04:45Harry, please.
04:46Yes, you said that.
04:48Seems you're repeating yourself.
04:49You're a smart guy.
04:49Well, enjoy the evening.
04:50Harry, he's not.
04:51He's not.
04:52He's a good friend.
04:52Harry, come on.
04:53I love you.
04:53What's up in there?
04:54No, let's go home.
04:55Let's spend the night together.
04:59Let's go home.
04:59I plucked your eyes with three cherries on a swing.
05:03Enjoy the show.
05:04Good evening.
05:05You're welcome.
05:06Absolutely welcome.
05:10You lied to me.
05:15No, I didn't.
05:16No.
05:17You fucking lied to me?
05:18No, I didn't.
05:19Yeah, you fucking did.
05:20You fucking lied to me.
05:22That's what you fucking did.
05:23No, no, Harry.
05:26Harry.
05:27Harry.
05:29He had her on a fucking swing.
05:33Don't, Harry.
05:34No, no, no, I won't.
05:35He had her every which way on a velvet fucking swing.
05:37Don't.
05:38Ah!
05:39Ah!
05:40Ah!
05:41Ah!
05:42Ah!
05:43Ah!
05:44Ah!
05:45Ah!
05:46Ah!
05:47Ah!
05:48What?
05:54Shut up.
05:56Eat your fucking shrimp.
05:58Dance.
05:59Fucking dance.
06:01Play some music.
06:05That's good.
06:07Fucking race.
06:17I'm sure you're wondering what this murder has to do with me.
06:21Well, everything.
06:37It's a kind of scary.
06:38It's a bit scary.
06:39It's a bit boring.
06:40It's a bit boring.
06:42It's a bit boring.
06:43It's a bit boring.
06:44I was going to clean it up.
06:45I can't even hear you.
06:47You know it's a bit boring.
06:49There, it's a bit boring.
06:50Oh, my God.
07:20I appreciate that, Norman, you know, for trusting me on this one.
07:36There will be other deals, I promise.
07:39Harry sent a note.
07:41What? Harry? What? What? Harry?
07:44Yeah.
07:45From prison?
07:46Yeah.
07:47He wants us to look after Evelyn and, you know, until the trial.
07:51Oh, God, you didn't agree to this preposterous notion, did you?
07:55He sent a note.
07:56He sent a note on the, on, on, on Toombs Prison letterhead.
08:00So, you know, send a note back on Henry letterhead.
08:05Marianne, Marianne, she's coming and there's nothing we can do to stop her.
08:08He's been a good friend, financially speaking.
08:14We owe him.
08:15We owe him. We owe him. We owe him. We owe him.
08:18Why, why does everything always have to be so drab and transactional?
08:24Well, of course life is drab and transactional, Marianne.
08:27It's what you do with it.
08:33Mr. Henry.
08:34Yes.
08:35Mr. Henry.
08:35Yes, yes.
08:36The artist, sir. He's in your study.
08:39I know. That's why I told him to meet me.
08:41Yes, but the thing is...
08:45Jesus!
08:49What in the name of God?
08:51What are you doing?
08:52I make room.
08:54Room?
08:54Yes.
08:55There's room. There's plenty of fucking room all over the house.
08:57Real art needs space. Real art needs to breathe.
09:00Real art needs light.
09:01Take it easy.
09:03Leave it. Leave it.
09:04This isn't real art. This is an investment.
09:07An investment.
09:08It'll live down in the basement in a vault in a crate.
09:11You're a madman.
09:12Your turn now, Celia.
09:18Oh, for fuck's sake. I just sat down to steam my cooter.
09:22I'm going to deduct from your pay for this.
09:24You shall not!
09:25The Pudos will more than cover it!
09:27I don't know who you think you are. Honestly, I don't.
09:30Where is my money, Mr. Henry? Where is my money?
09:35I shall pay your money once I have the peace of praise to insurance and the style and liking to the value that we had agreed on.
09:41And then I shall deduct for damages and then I'll write you a promissory note.
09:44No, I will not take a promissory note.
09:46You will.
09:46I will not.
09:47I take cash!
09:49Compris?
09:50Cash!
09:54How do I know you're not simply a fraud?
09:58Pardon?
09:59You heard me.
10:00You do not utter words as such in the presence of a man that has dedicated his entire life to holding a mirror up to society with his brush.
10:17Yadda, yadda, yadda.
10:19A little bit, uh, breezy up there on that soapbox.
10:23Oh, my heavenly father, what in the name?
10:28Clean it, ma'am.
10:30And the bones of an artist will live forever, whilst the prick of a rich man like you shall fade to dust.
10:38And do you know why, Mr. Henry?
10:41Because the rich have no soul.
10:43How does it feel to have contributed nothing of value in this world?
10:56Nothing!
10:57Want to know how I made my money?
10:59I don't care.
11:01You should.
11:03Because it's why you're here.
11:05Is it not?
11:07I pick up the pieces.
11:10Paper, rags, copper, lead, steel.
11:12I'm a junk man.
11:13I'm a middleman.
11:14I'm the glue.
11:16I pick up their crap.
11:17I feed it back into the furnace.
11:18I turn it around.
11:19And I shove it right back down their fucking throats.
11:25And there's an art to that.
11:31That's why you're here, my friend.
11:35My contemporaries, they wanted the biggest business.
11:37The flashiest.
11:38Not me.
11:39I just want to be everywhere.
11:40I want to be everywhere all at once.
11:41And I am.
11:42I'm everywhere all at once.
11:44In business.
11:44And especially in my home.
11:48I see how she looks at you.
11:51My wife.
11:58Don't make me nervous.
11:59You should never intend to make me nervous.
12:14Or I won't pay you for your painting.
12:18If you do not pay me,
12:20I will slit your throat in your sleep.
12:24Mr. Henry, sir, Mr. Henry, sir, the company has arrived.
12:42The new company.
12:43The new company.
12:44The new company.
12:45Okay.
12:46Tell Mrs. Henry where they are.
12:55I mean, it was horrid.
12:57I mean, have you ever seen a man's brains
13:00just splayed out across his tiramisu?
13:03Terrible accident.
13:06This is no accident.
13:08I mean, God, do you read the papers?
13:10It's just sensationalism at its finest, darling.
13:12Yeah, sensationalism at its finest.
13:14We know.
13:15You know, Harry walked right across the room.
13:18And he just shot him.
13:20In front of the whole ballroom.
13:21It's not that it was a shock to me
13:24because I am the first to say
13:26that Harry belongs in a ward.
13:27I was his wife, okay?
13:29But it wasn't the craziest part.
13:34Do we need to know?
13:36Do you know what Harry said
13:37before he shot him?
13:41In front of everyone?
13:42In front of a room full of status?
13:45You do not need to reenact this, darling.
13:47Harry held the gun out to here.
13:50And he pointed at me.
13:52And then he points it back to Stanford
13:54and he says,
13:55you ruined her, Stanford.
13:57You ruined her in every which way.
14:02He said that.
14:03He said you ruined her in every which way.
14:06I mean, as if I need the whole city
14:08knowing that I had been with Stanford White
14:10in every which way.
14:11That was much of a surprise to the city, darling.
14:14You know, he raped me.
14:16It was a raping.
14:17I mean, look, in the conventional sense of the word,
14:20I...
14:20What's the unconventional sense?
14:21I didn't mean to be with him
14:22for anything more than just money.
14:25You can even ask Mommy.
14:26She was right there in the room
14:27when it happened.
14:29Isn't that right, Mommy?
14:31She was in...
14:33Yes.
14:33The room.
14:34And I would wake up aching from the waist down
14:36every morning.
14:37And so eventually I just thought that...
14:39It's okay.
14:39You're safe now.
14:40And you can stay here as long as you like.
14:44What's your name?
14:45Mrs. Henry.
14:50Have you ever been taking up the asshole
14:52while you were sleeping, Mrs. Henry?
14:57Have you?
14:58No, ma'am.
14:59We don't sleep in the same bed, Evelyn.
15:02That's a shame.
15:03Apparently not.
15:04Why'd you marry him
15:10if you're not going to sleep with him?
15:12Well, you know, for love.
15:15Anyway, you just make yourself comfortable, you know?
15:18You can stay as long as you like.
15:21I won't be here long.
15:23Just until they need me for the trial.
15:26You hear they're calling it
15:27the crime of the century?
15:29I don't know.
15:30It kind of makes me lead billing.
15:34What?
15:39You don't think I can pull it off?
15:43Pull what off?
15:47I mean, I get a really handsome cash bonus
15:49if Harry's acquitted of the charges.
15:54Cash bonus?
15:56Yes.
15:56From what?
15:58Well, from Harry.
16:00Are you daft?
16:01Is your husband daft?
16:04Darling, he shot Stanford White in cold blood
16:08right in front of you.
16:10I wouldn't get my hopes up for a cash bonus
16:13if I were you.
16:15Oh, Mrs. Henry.
16:20This is not murder in cold blood.
16:22This is the crime of the century.
16:28I knew the moment I laid eyes on her
16:30that Evelyn Nesbitt was going to be the star
16:33she had always dreamt of being.
16:35I also knew it would be for all the wrong reasons.
16:38I knew it would be for me.
16:44Service!
16:46Service!
16:48Service!!
16:51Ahahaha!
16:51Ah.
16:52Ha, ha, ha.
16:53I'm going to post you in my day.
16:54Hey.
16:55You ready for class?
16:57Yes.
16:58Yes.
16:59Yes.
17:00Yes.
17:01Yes.
17:02Yes.
17:03Yes.
17:04Yes.
17:05Yes.
17:06Yes.
17:07Yes.
17:08Yes.
17:09Yes.
17:10They say Harry's to be released in January.
17:13I'm not sure.
17:15My husband insisted on a fine dinner for Evelyn and her lobotomized mother that evening.
17:21It was a dinner we could not afford.
17:24And he insisted I join the lot of them.
17:27Eat your fucking shrimp!
17:28Dish.
17:29What is it?
17:30Beef, sir.
17:31I don't see the beef.
17:32Where?
17:33He's certifiably insane, you know.
17:35A pointless charade if I've ever been a part of one.
17:40I mean, he can't be held accountable for what he did.
17:43That is what the doctors say.
17:44Perhaps your love struck.
17:46Mrs. Henry, how would I know love?
17:49I'm only 16.
17:50Does anyone here know a chap by the name of Mark Twain?
17:53You know, I'm to be fit for a new wardrobe before the trial.
17:56This man, Charles Frederick Worth, is doing it.
17:58And he is amazing.
17:59Everyone knows a chap by the name of Mark Twain.
18:01Do you know Charles?
18:02Not Mark Twain.
18:03What have you got against Americans?
18:04Charles Frederick Worth.
18:05He's a designer.
18:06Wrong.
18:07Oh.
18:08He's an inventor now.
18:09Well, the lawyers have a plan to get Harry off, which involves making me some sort of star.
18:17Which, I don't know how I could do that.
18:19He invented the female shoulder strap.
18:22Female shoulder strap.
18:24He's made it adjustable.
18:26Most inventors there are artists.
18:29Most funded innovators are artists.
18:31What kind of star?
18:32I hope you're not using my money to fund his invention.
18:35But I'm preparing myself for the sycophants nonetheless.
18:37That's not how investments work.
18:39Your money's safe with me until the, uh...
18:41Until the appraiser comes.
18:42When will, when will he come?
18:44He's scheduled.
18:45Coming shortly.
18:46Ah.
18:47Enjoy your beef.
18:48Merci.
18:49On the house.
19:01Do you know something?
19:03I do believe this may be the last evening that I'm in a room with the real people.
19:08You know, without ulterior agendas and such.
19:16Oh.
19:20He invited this bitch to sit with him. Why?
19:23Because she can dance in his shoes.
19:25I've never slept in the room to eat. Why?
19:28Because I'm just a ballerine.
19:30A villain, villain girl.
19:32Lili, would you mind going elsewhere with a fit you're throwing?
19:35Or at least give it to us in English so we can be in on it, yeah?
19:38You know what I mean a lot.
19:39This is enough.
19:41Don't do anything that might see you on the streets, Lili.
19:43She don't know the missus like we do.
19:49Ah, Miss Nesbitt.
19:50Hmm?
19:51What is it you do?
19:53Well, I'm a dancer and a singer.
19:58I'm also an actress.
20:00I was formerly a model, but that's a past life.
20:03You know, with and without teeth.
20:04Your work.
20:05What is your work?
20:09I...
20:12Well...
20:14I'm standing testimony from my husband, Harry.
20:17Oh.
20:18Your question was pointed. No?
20:20What?
20:21I don't appreciate the tone.
20:25Huh?
20:31Let us toast to the most meaningful performance of young Miss Nesbitt's life.
20:40May it be fleeting, immediate, and daring.
20:45Huh?
20:47It must be the most convincing performance that the world has ever seen.
20:57Well...
21:00I believe I'm simply reading from a script.
21:04But...
21:05The world expects for you to tell the truth.
21:11And they want you to...
21:13To put up a mirror up to a society.
21:17To speak.
21:20From the soul.
21:22However uncomfortable that may be.
21:26They want to know you.
21:29You.
21:34I...
21:39I don't believe I know me.
21:40Exactly!
21:42That is art.
21:44The exploration.
21:46The searching.
21:50A self-loathing.
22:00Mr. Henry.
22:04You pay a...
22:06A lot of money.
22:10For the real life.
22:12We...
22:15For some of us...
22:17We have to live it!
22:22We have to live it.
22:23Now.
22:39Bring me...
22:41My fucking...
22:42Money.
22:53Fucking French.
22:55Am I right?
22:57Yes.
22:59He's been paid.
23:01He wasn't serious about the money bit.
23:03Because he's been paid.
23:05You know, Harry...
23:07He used to withhold my allowance.
23:10Until I let him...
23:12You know, lick my inner thighs while I was chained to the bedpost.
23:16On that illustrious note, I shall retire to my quarters.
23:20Good evening, ladies.
23:23Marianne...
23:25Good evening.
23:28Good evening.
23:30All righty, then.
23:32Oh!
23:34Oh!
23:36You're everywhere!
23:38Good evening, then.
23:40I'm sorry.
23:42I'm sorry.
23:43Until I let him...
23:44You know, lick my inner thighs while I was chained to the bedpost.
23:48On that illustrious note, I shall retire to my quarters.
23:50artist painters galore this just in the new gangs in town and they're called the impressionists
23:57making a ruckus across the pond these painters are bucking tradition and painting outside of
24:02the studio cafes landscapes ballerinas get your impressionist painting today
24:07shipping to america available on the mauretania while room remains
24:20why did you lie mr henry i didn't lie i don't lie you told them that i had been paid
24:32you told them that it was a silly joke mrs henry
24:37you don't think that they're gonna embarrass me when i get up there for the trial
24:44because admittedly all this talk of truth makes me nervous
24:50have you not had the rumors monsieur henry i do not take kindly to swindlers
25:03what the fuck you're talking about it's a fucking painter
25:07painter yes not for you perhaps the grimmer
25:17young woman
25:35you have done nothing wrong and you have nothing to be embarrassed about
25:42you don't actually believe that do you
25:45help me
25:46help me help me
25:48excuse me
25:49somebody help me
25:51are you all right
25:54all right
25:55norman
25:55i think i think you're right
25:58what about what i think he's some sort of murderer i think he's jack the fucking ripper i think
26:05we just gotta give him the money get him out of here please
26:08norman you just said that you'd already paid him
26:10i did
26:10i did i did i did i said that i said that i'm sorry i said that
26:17shh shh shh
26:18norman you have to go back to your room
26:20you have to go to the safe you have to prepare the bills
26:22we will handle this together
26:24i don't i don't think
26:26i don't think we have the bills
26:30how many do you think you have norman
26:34i don't know i don't know you don't know
26:36well you had better check
26:38norman you had better check
26:39right now because you commissioned a painting that has already been completed
26:44well the appraiser hasn't been here
26:46you'll be happy to have the appraiser
26:47fuck the fucking appraiser it's a fucking portrait of fucking poodle
26:50you fucking
26:51fuck
26:52marion
26:53don't leave me there
26:55please
26:56please
26:57please
26:58artist
27:07i know you can hear me
27:09i certainly know that you are capable of following instructions don't you dare walk away from me
27:16you accosted my husband under the henry roof
27:18under the henry roof
27:21your husband
27:23your husband he owes me money
27:24so what
27:25loads of people owe money
27:27i just
27:30that's no excuse for this kind of degradation
27:34look my husband is a very sensitive man
27:38and he he really tries his best
27:41and i for one believe that that that he has been misunderstood in this particular instance
27:47no no no there's been no misunderstanding
27:49i am to be paid for the work that i have done
27:51for the work that has been completed
27:52for the work that that sits in the corner
27:55facing the wall in shame
27:57because it has not been appraised as such
27:59for fuck's sake
28:13but don't scare me
28:16don't scare me like that
28:16you don't know what i've been through this evening
28:27you don't know what i've been through this evening
28:31Do not lecture me on the burdens of your life.
28:33I'm sick of hearing about you and catering to you.
28:36You made promises to me first.
28:37Shut up, shut up.
28:38You made promises.
28:39Shut up, shut up, shut up.
28:40You made promises to me.
28:45What are you talking about?
28:46You ever pull a stunt like that again,
28:49and you will find yourself bludgeoned.
28:55In what sense?
28:57In the physical sense, sir.
28:59I am a trained boxer.
29:05You are a woman.
29:08Yes, I am.
29:09I am a woman.
29:14I expected more from you.
29:15Yeah.
29:18Most do.
29:20Do not treat me like an imbecile up here in a linen pantry
29:23while the stunt of your new orphanage.
29:25Shut up!
29:26Fuck!
29:29Are you talking about Evelyn Nesbitt?
29:32Are you going to be stupid enough to sleep with Evelyn Nesbitt?
29:36You see what her husband did to the last one?
29:38You know what I see before me?
29:39What?
29:40I see a failed, miserable, greedy old artist who's so lost and blind that he can only follow the scent of money.
29:49And, well actually that's absolutely fine by me, but just don't bring your ideas of truth and purpose into this house.
29:58That's just dangerous and it's just, it's bullshit.
30:01Bullshit!
30:02You will send me back to Paris to star in Les Saisons or Accapella or I will...
30:11I will...
30:12What?
30:15You will what?
30:20I found you on the streets.
30:24You're nothing more than a pickpocket.
30:26Who can spend?
30:27I'm...
30:28I'm sorry.
30:29Oh God.
30:30I'm so sorry, Lily.
30:31I'm...
30:39I'm sorry, Lily.
30:42The one in bed?
30:44Oh God.
30:45Oh God.
30:46I'm so sorry, Lily.
30:51The one in bed?
30:54Oh God.
30:55I'm tired.
30:56I've been lost and gone for real.
30:58I've been lost and gone forever.
31:28Oh my dear, dear girl, let us say our prayers.
31:50I'm grateful tonight for our bed and for the food we eat and the clothes we wear.
32:08I'm sorry, Lily.
32:10I'm sorry.
32:12But really, I am grateful for the stage because one day I will be a great big stage actress.
32:27And everyone will love me, Mother.
32:29They will all love me.
32:31Look, we don't want any trouble.
32:46My husband is a man of his word and as are the men who vouch for him.
32:51And at this very moment, he's in his room.
32:54He's in our safe.
32:55He's counting out your bills.
33:01And, uh, shit.
33:02He has the bills.
33:03Yes, yes, yes, he has the bills.
33:18Yes, yes, yes, he has the bills.
33:28Well, if we all survive the night, you may just very well be able to claim those bills
33:39as you own.
33:40Oh, that is a great relief.
33:58Lily?
34:13What are you doing?
34:24Writing my sonata.
34:28A huge relief.
34:41Yes.
34:43A huge relief.
34:56A huge relief.
35:09A huge relief.
35:22A huge relief.
35:35A huge relief.
35:48Even if we don't have Paris.
35:49We still have this.
36:01Oh.
36:02You know my sister is an artist.
36:16Yeah.
36:17She's a sculptor.
36:19Or, I don't know, something in a physical form.
36:23And, um...
36:29Lily.
36:30Lily.
36:31Lily.
36:32Basta.
36:33She goes to shows across the country.
36:34And, you know, that's a really very, very different world from this.
36:36And I guess I'm just trying to say that, um...
36:40No!
36:41No, no, no, no, no!
36:43Well, I understand the life of a struggling artist.
36:46I guess that's what I'm trying to say.
36:49The embarrassing life of Edgar the God.
36:53Uh...
36:54Say no more.
36:55No.
36:56Shouldn't be ashamed.
37:00You value art above everything else.
37:03And...
37:04I admire that.
37:06And...
37:07I think there's something rather romantic about it.
37:10What did you say?
37:11I am Chantal!
37:13I am Chantal!
37:15I am Chantal!
37:16I am Chantal!
37:17You snagged me, Yaakob!
37:18I said, uh...
37:21The, uh...
37:23Embarrassing life, I think.
37:25No, no, no.
37:28The other bit.
37:32Could it have been true that the man painting my poodles was, in fact...
37:37Le Flapete?
37:39...one of the most acclaimed impressionists of all time?
37:42The very same impressionist who would sit shoulder to shoulder
37:49with the likes of Renoir, Pizarro, and Monet.
37:53It's been seven hours.
38:09You're Edgar Descartes.
38:11There.
38:24What have they done to you?
38:27The world is cruel to old men.
38:31And yet, everything would change the moment I touched him.
38:37The world is cruel to old men.
38:41To bear their impulse to old men even after that,
38:43to a car to the new one being a male.
38:45Jesus is an대flaguer.
38:46Jesus is an대flaguer.
38:48He is a man of trauma.
38:49He is a man of a human being.
38:50He is an대flaguer.
38:51He is a man of a human being.
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