- 3 hours ago
The Artist - Season 1 Episode 2 -
Chapter Two: The Truth Will Fuck You
Chapter Two: The Truth Will Fuck You
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00:00What is there to say about Thomas Edison that hasn't already been written?
00:11Well, let me tell you.
00:19Hey, hey, hi, hi.
00:23The year was 1867, and I was the very first female student chosen to participate at a very prestigious Ivy League institution.
00:33They called this the dawn of a new era.
00:43Only that's when life starts.
00:46I don't like that one.
00:48Excuse me.
00:53I'm looking for bioanthropology 215.
00:57I'm curious if any of you lot might be able to...
00:59Do you mind if I take a look?
01:03Bioanthropology.
01:06Hmm.
01:07215.
01:11215.
01:13215.
01:14Yes, 215.
01:16You can read numbers quite well.
01:20You know, I don't recall where that one is.
01:23Even though you're holding a bio textbook right there?
01:26That's for something different.
01:28Oh.
01:29I see.
01:32I see.
01:34You know, if the lot of you can't muster up a decent retort, how do you expect to charm your future wives one day?
01:40Well, we can, we can retort.
01:42Oh.
01:44Sure you're telling yourselves it'll be all about the money, huh?
01:49But the truth is, women all over the country, the good ones anyway, they are just like me.
01:57They're challenging themselves to find unique purpose to do better, to be better.
02:03Enlightened women.
02:05I don't want enlightened women.
02:08I don't think you'll have much say in the matter after long.
02:13All right.
02:14Do you disagree?
02:15Yes, they disagree.
02:17Seems they disagree.
02:18Come on.
02:19Look at her.
02:20I mean, she's not a serious person.
02:22Look at her.
02:23Look at me.
02:25I am.
02:30Of the 6,072 submissions this year, there were 908 admissions.
02:35Which makes you all very smart.
02:36And very elite.
02:37But this fine lady, your name fine lady?
02:40Marion.
02:41Miss Marion here, applied against an entirely separate pool of applicants.
02:46900 applicants.
02:48One slot.
02:51I'm sure I don't have to explain how ratios work, but that makes her even more elite than you.
02:56And I believe that Marion, may I call you that?
02:58Okay.
02:59I believe the difference between you lot and Marion is that she doesn't believe that any of this is owed to her.
03:04You see, Marion knows that there are plenty of women who deserve to be here, but there needs to be a first.
03:08A catalyst that sparks change throughout the world.
03:12So I suppose what I'm trying to say is that you're absolutely right about women.
03:16They don't need to be enlightened.
03:18But in fact, most already are.
03:21Just simply waiting in the wings for the right moment.
03:26Rest assured, I most certainly was not in need of his saving.
03:30If anything, you might say that I unknowingly saved him.
03:40Dear reader, I must warn that if it is indeed this narrow love story that you yearn for, I might encourage you to look elsewhere.
03:49This story is a bit more complex and sinister.
04:12What's this?
04:13It's what?
04:14That's nothing.
04:15Nothing, nothing, nothing.
04:16It's nothing.
04:17I just mean to say it's, it's, it's, it's not ready yet.
04:19It's, it's, it's, it's far-fetched.
04:25Please, please don't judge me.
04:27I truly am on your list.
04:28What's this?
04:29It's what?
04:32That's nothing.
04:33Nothing, nothing.
04:34Nothing.
04:35It's nothing.
04:38I just mean to say it's not ready yet.
04:41It's...
04:42I don't know.
04:43It's far-fetched.
04:44Please, please don't judge me.
04:45I truly am on your list.
04:47You know, I don't expect it to go anywhere.
04:51God, listen to me talking myself in circles.
04:54I should really just shut up and stop talking myself in circles.
04:57But here I am.
04:59It's really nothing.
05:04On the contrary, Miss Marsh.
05:06On the contrary.
05:27No.
05:28No.
05:29When he's done here.
05:30No.
05:39No.
05:40No.
05:41No.
05:42Let's go.
06:12Let's go.
06:42I'll let my sombre put down the sombre.
06:47Marion, I implore you to leave this alone.
06:50Well, I think you're all fucking cunts and leeches.
06:53That's what I think.
06:54Shut up, woman. Shut up.
06:56I never lied to you.
06:57Please.
06:58Marion, shut up.
06:59A woman was never to be published.
07:02I did you a favor.
07:03They lied to us with their kind eyes.
07:05Quite a blaze.
07:06You are never going to go to Paris.
07:08Shut up, Marion.
07:11I'm getting the sense this isn't entirely about me.
07:14Marion!
07:15Shut up, Jared!
07:17Shut up!
07:17Well, would you look at that?
07:22He's out cold.
07:26Where is my fucking room?
07:28Where is my fucking room?
07:31My charbon!
07:35Norman.
07:36Norman, Norman!
07:37Where is my fucking room, ma'am?
07:40Sir, I'll show you to your room.
07:43This way, sir.
07:46To your right, sir.
07:47To your right.
07:50Sir.
07:50Nothing.
07:55Sir.
07:56What?
07:58Sir.
07:59Little bell.
07:59That's right, that's right.
08:00The bell is broken.
08:02Norman.
08:02Doctor!
08:03Try to tell you that the bell is broken.
08:04That is broken, sir.
08:06But you're in a manic spin.
08:08You see, you see, this is why he lost all of his businesses.
08:11He can't keep it together under pressure.
08:12Marion, I'm begging you to use discretion.
08:14We look at it.
08:14I am begging you.
08:15I am begging you.
08:16Oh, oh, oh, you don't want Thomas to hear?
08:18Anybody who doesn't need to be here, please go away.
08:20Go away.
08:20Thomas can't come to the window right now as it appears
08:22that he's truly cold under.
08:24Doctor, doctor, doctor!
08:26Doctor!
08:26Lily, Lily, Lily, where are you going?
08:31To my tent, to wait.
08:33For what?
08:36To be cold.
08:39Because I am a whore.
08:41Except I'm a stupid whore.
08:44Because I'm not even paid.
08:45Oh, don't be so dramatic.
08:47We're all whores.
08:49Lily, don't you do anything brash.
08:52Lily!
08:53No, you cunt!
08:55He's nothing but smoke and mirrors.
08:57He's better off dead.
08:58Marion, if you can contribute at least one thing to this family,
09:00it will be to help me revive this man.
09:02Well, um, I think you should get that bell fixed.
09:05Now, that's a meaningful confusion if you ask me.
09:09Because, you know, you never know when you're going to need some men.
09:11I'm sorry.
09:12Thank you, thank you.
09:12Doctor!
09:13Quiet on!
09:14Doctor, doctor, doctor!
09:15Doctor, doctor!
09:17Doctor!
09:18Doctor!
09:18Oh, you're a wife's a cunt.
09:34Look, please, this is tremendous foolishness now.
09:38Please.
09:38How long was he out cold?
09:41Probably ten minutes or so.
09:42I have to be on my way, all right?
09:43This is foolishness.
09:45Mr. Edison, please, follow my finger.
09:47Would you like me to leave with my chin or...?
09:49No, only the eyes.
09:50But, okay.
09:51That was the chin.
09:53I wouldn't recommend he drive tonight.
09:55Fine, it is settled.
09:56No, nothing's settled.
09:57It's settled.
09:58There's something called a cerebral edema.
10:00Do you know what that is?
10:01Never in my life have I been more accosted.
10:03I was assaulted, really.
10:04My lawyer is going to be my first letter upon my release from this prison stint that is this hellscape that you call Rhode Island.
10:12Oh, Mr. Edison, please, it was nothing more than the slip of, uh, to leave the fine state of Rhode Island quite out of it.
10:17Oh, it was a slip of nothing.
10:18It was positively intentional, and she needs a real talking to that woman of yours.
10:22Sir, sir, sir, I would never punch you intentionally.
10:25What?
10:25What?
10:26What did you say?
10:27Your wife, sir, needs a real talking to.
10:29Call me if you, uh, feel any dizziness or you see black spots.
10:36I should sue is what I should do for libel.
10:41Mr. Edison, it feels a bit brusque.
10:45That feels terse to you, does it?
10:47Can I ask you something?
10:48Yes.
10:49Honestly.
10:49Please.
10:50Are you a serious man?
10:52I believe you know the answer to that.
10:54Look around.
10:54Because I drove for hours to the middle of nowhere because I was told that you were someone who would not waste my time.
11:00And for that, I shall write you a big fat check at favorable terms, of course.
11:04Yeah, you're going to award me more than that.
11:08What, what, what, what are you implying?
11:12I'm going to need a formal apology from your wife, sir, before a deal can be done.
11:16And let me tell you something, any deal that could be done, so it shall be done.
11:20And when it is, it's going to make you more money than you've ever seen in your life.
11:25And let me tell you, saying something, ask your robber baron friends.
11:30Hmm?
11:30Well, of course she'll apologize, Mr. Edison.
11:33She's, she's not a, uh, a peasant.
11:38She's a Henry.
11:39She's a Henry for fuck's sake.
11:41And a few other things, too.
11:42She's a Henry.
12:12She's a Henry.
12:42Yes, Norman, what is it?
12:46You got us into trouble today, Marion,
12:48and I mean that in the most constructive way I can
12:52because I'm your wife.
12:53My husband.
12:54Instigated madness in this house.
12:57Madness that's bled through into my business dealings.
12:59Thomas Edison is not a business dealing.
13:01He is an ass fucker.
13:03I told you that.
13:04You don't tell me what a business dealing is.
13:06You don't tell me what a business dealing is.
13:09Norman, I would ask you to take two big deep breaths
13:13before you speak to me again.
13:14You're acting with such savagery and barbarism
13:17that it's hard to...
13:18Savagery and barbarism?
13:19Norman, you're the one who's frothing a...
13:21Let me finish, I...
13:22Warthog!
13:25You might think me a dim-witted opportunist,
13:28but you need to set your differences aside now
13:31for the betterment of the Henry name.
13:36Mr. Edison has asked for an apology.
13:39I, for one, think that's a good idea.
13:44I owe him nothing,
13:46and you're the one who punched him.
13:48You know what I think it is?
13:49I think you can't conceive
13:51that an uneducated man like him...
13:53Uneducated?
13:53And an uneducated man...
13:54Say that again!
13:55...may try to claw his way
13:57out of the rat-infested rungs of society...
13:59The rungs of society is where he belongs.
14:00...and make something of his life
14:04without having to marry up.
14:05You will apologize in the morning.
14:17I know you can hear me.
14:19I know you're not asleep yet.
14:20You think you're the first artist
14:33who's ever whored herself
14:36for a warm bed
14:37and a loaf of stale bread?
14:40You disgust me!
14:43Do you know that?
14:44I loathe you,
14:45and not because you're
14:46an unadulterated cunt,
14:49but because you somehow
14:50actually believe
14:51that your talent
14:52means something more
14:54than all the others.
14:56You believe that you're better
14:58than all of us girls,
15:00and you're not...
15:01You're nothing!
15:02You're a passionate nothing!
15:08So don't you fuck us!
15:11Do you hear me?
15:13Don't even think
15:15about fucking this all up.
15:18Look at me.
15:21Look at me!
15:23Look at me!
15:23Look at me!
15:23Look at me!
15:25Look at me!
15:27Look at me!
15:32I hit ambition once, too.
15:38You know that, don't you?
15:44I was reviewed by the Times.
15:53When you create something,
15:55even if it lasts
15:56but only for a moment,
15:58something you believe
15:59to be truly remarkable
16:01and singular in this world...
16:02You have to stay
16:03outside the house.
16:05You have to stay
16:05the clue
16:06and wait until
16:07you're summoned, Lily.
16:09Dear!
16:11And then to have it
16:11ripped away
16:12without an ounce
16:13of acknowledgement
16:14by a complete
16:15and utter nobody.
16:18You'd think, perhaps,
16:20that one might feel
16:21rage,
16:23bitterness.
16:23But the truth is...
16:29No, man.
16:31The truth is
16:32I could never get past
16:34the shame
16:35because it was always
16:37my fault.
16:40All of it.
16:42Tell me she's a liar.
16:47Tell me she's a liar,
16:48I will go to Maui, yes.
16:56Go.
17:07I will see you
17:08on that stage in Paris
17:10if it's the very,
17:12very last thing I do.
17:14Annoying self-hatred
17:15that rattles you
17:16to your core.
17:20Because deep down
17:21you know
17:23that you're better
17:25than the bed you've made.
17:36Did you hear the news?
17:38He did it!
17:38Tell me he did it!
17:40Tell me he did what?
17:42What did Tom do?
17:43He figured the whole
17:44damn thing out!
17:46Direct current.
17:48Using direct current,
17:49we can generate heat
17:50just like the candles
17:51in this very room,
17:52only it is enclosed
17:53within a glass tube.
17:54But what does it mean
17:55to speak plainly,
17:56you louse?
17:57It's a candle
17:58that can burn forever
17:59without ever needing tending.
18:05Oh.
18:06Oh.
18:06Oh.
18:06Oh.
18:06Oh.
18:06Oh.
18:06Oh.
18:06Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:07Oh.
18:08Oh.
18:08Oh.
18:08Oh.
18:09Oh.
18:09Oh.
18:09Oh.
18:10Oh.
18:10Oh.
18:10Oh.
18:10Oh.
18:32Congratulations, Thomas.
18:36I am so very proud.
18:40of what you have accomplished.
19:04We'll continue this moment.
19:10Pardon me, miss.
19:24Oh, it's okay, Ida.
19:25I thought you were asleep by now.
19:28I didn't realize I drew your curtains
19:30about half past.
19:31I'm very sorry.
19:32It's fine.
19:32I suppose that's the reason.
19:34I'm very sorry, miss.
19:37Ida?
19:37Ida?
19:37Ida?
19:40Ida?
19:40Ida?
19:41Ida?
19:41Are you frightening me?
19:46Pardon, miss?
19:49I sense a liberal amount of anxiety pulse through your veins
19:52every time I turn a corner.
19:55I see.
20:01Is it like that with Mr. Henry, too?
20:10It's okay you may go
20:16I'm not frightened miss
20:20You just confused me is all
20:26Good evening, ma'am
20:28I'll be right back to the west in a jiffy you sitting at the table for me take my place
20:53Badone
20:58Yeah
21:03May are you with home?
21:06Am I with what the pooders are you with the pooders?
21:12Yes, sir
21:14They're evening walk. Are they the very same pooders and I paint?
21:18Yes, sir, they seem less of fidgety in the twilight
21:24Well, I suppose maybe they are perhaps
21:28In the evening
21:31So we paint in the evenings
21:36Do you hear?
21:37Yes, sir
21:39Yes, sir
21:41Yes, sir
21:43Yes, sir
21:45Yes, sir
21:47Yes, sir
21:49Yes, sir
21:51Yes, sir
21:53Yes, sir
21:55Yes, sir
21:57Yes, sir
21:59Oh, my God
22:01It's it's all right
22:03Um
22:05It's it's all right
22:06Um
22:07I'm sorry
22:08I'm sorry
22:10Um
22:11Uh
22:13Uh
22:15Uh
22:16Madame
22:17For an artist who painted poodles
22:25Painted poodles
22:27His passion was surprisingly palpable
22:31Passion I hadn't felt in years
22:33And for just a moment
22:35I felt like a woman again
22:39And for just a moment
22:41And for just a moment
22:43I felt like a woman again
22:45A dangerous woman
22:55With her own thoughts
22:59And her own ideas
23:01And quite a bit of power
23:05And quite a bit of power
23:13I asked myself if anyone might hear him gasping for breath
23:17If I strangled him right then and there with a pillow
23:19I love
23:25I can feel it
23:27Wow
23:29Yeah, yeah, yeah
23:31Oh, la, la, la
23:33la, la
23:49I don't care about you. I don't care about you.
23:54I don't care about you.
24:08Stop.
24:12But the truth remained.
24:14I didn't hold the power.
24:17He did.
24:20Oh, how history might have been written differently
24:24had I not lost myself in him.
24:26What is inside of a robbery? Upper wire.
24:28No. What's inside of a robbery?
24:30But in both of them.
24:40Instead, I sat empty, powerless,
24:43on the floor of a home that was in my husband's name.
24:47A home that we would not be able to afford without the proceeds from a deal with this man who had ruined me.
24:54I told myself at no point would I wallow in self-pity as I write to you.
25:01So I believe it best we break for an intermission so that I might regain my composure.
25:06Come one, come all to the city that never sleeps.
25:13New York City.
25:14Rub shoulders with the high society elite at the Madison Square Garden rooftop theater designed by acclaimed architect Stanford White.
25:22Feast your senses upon the greatest arena in this world's famous metropolis.
25:26The only building on the island with a rooftop cabaret now open Sunday.
25:31The following morning was a Tuesday.
25:38I knew this because there had been a murder in the city the night before.
25:43This was one of those unconnected events that would ultimately contribute to my husband's untimely demise.
26:01Way to stay on our hands.
26:05Anything interesting?
26:06Yeah, there's been a killing in the city.
26:08Oh, I fucking hate the city!
26:25I can't.
26:26I can't.
26:34Petit chuchon.
26:41Qu'est-ce que c'est, doucement?
26:57Hey, Maria.
27:00Hey, you know, I think that the missus was shagging Mr. Edison yester-eve.
27:19Oh, deplorable. Absolutely deplorable.
27:23Have you seen this?
27:25Huh? What?
27:26The murder of Sandy White.
27:29Absolutely unbelievable.
27:31He was so proud of the rooftop at the garden.
27:34Have you been up there?
27:37Harry! Harry!
27:39Madison Square Garden?
27:40Of course, of course.
27:41Yeah, but have you been up top to the cabaret there?
27:43It's absolutely wonderful.
27:45A view of the city in every direction.
27:48Mr. Edison, I've just said I've been.
27:50I wasn't exactly sure if you had.
27:53What made you unsure?
27:56I think it was your tone, sir.
27:59Morning, Miriam.
28:00Morning.
28:02Morning, Mary.
28:03Morning.
28:07Have you heard?
28:08Yes, it's deplorable.
28:10It is absolutely deplorable.
28:14Harry always struck me as a man I'd never want to find myself alone in a room with.
28:17Well, of course not.
28:18You're a married woman.
28:20Oh, yes, I agree with that.
28:21Married women should definitely not be left unattended in rooms and such.
28:27Well, he has just murdered a man, so I imagine it's more than just, you know, the married woman thing, wouldn't you think?
28:35I'm sorry, do you know the murderer?
28:37Yes, yes, we do.
28:38Well, you know, he is an associate of Normans to some degree or other, so we've had them over and they've had us over a year.
28:44You know the way it goes.
28:47Well, isn't that a little bit troubling?
28:48No, no, no.
28:49I'm one signature away from being the associate of an associate of a murderer.
28:53Absolutely not close, at least.
28:54Mere acquaintance.
28:55Harry's always had a screw loose.
28:57Darling, you remember the time, uh...
28:59At the race horses.
29:00Yeah, but, you know, was that even his real mother?
29:03Well, not when he was done with her.
29:04Mr. Henry.
29:05Yes?
29:06This message came in for you, sir.
29:07It was a note on prison letterhead from the murderer himself.
29:14I'm gonna take care of poor Evelyn until it's time for her to testify on my behalf.
29:21I'm afraid she's my only way out of this mess.
29:24This mess?
29:27Murder?
29:29Misunderstanding.
29:30Write that.
29:31Misunderstanding.
29:32Oh.
29:35Am I suggesting that you distance yourself from this person?
29:38I mean...
29:39Oh.
29:41God.
29:43He's a madman, isn't he?
29:44Playing devil's advocate a moment because...
29:46Weren't you meant to be on your way home?
29:47I was meant to, yes.
29:49Sanford White did rape her, if I'm not mistaken.
29:51The incident happened...
29:52Plenty of times.
29:53...before they even met.
29:54So, why linger?
29:56What's a man to do?
29:57I'd at least sit by and watch...
29:58Such a glorious morning out here, Marion.
30:00But raping's a raping, if you ask me.
30:02Well, yeah, but Harry is a murderer.
30:03I...
30:04Do you not find your wife's tone a little bit troubling?
30:06Are you still here?
30:07Tone, Marion.
30:08I...
30:09Tone.
30:10Tone.
30:11You seem so bitter, Marion.
30:12So very bitter.
30:13And yet, apparently, you've been handed the world.
30:19How dare you?
30:21You just don't seem happy, Marion.
30:23Well, I am happy.
30:25Well, you sure there's not an ounce of regret?
30:28Not a shred?
30:29Nothing?
30:32Wow.
30:33You bitter, lonely little man.
30:36Is that all you have left?
30:38Is it?
30:39The need to placate your wrongdoings by trying to force me to admit that I might have been better off?
30:44I'm not following.
30:45What does placate mean?
30:46What?
30:47Placate means to mollify.
30:48To appease, Norman.
30:50I have told you what this man is.
30:52Why won't you believe me?
30:54I mean, I know I am...
30:55I am tempestuous, but have you ever known me to be a liar?
30:58What the fuck does mollify mean?
31:00What am I, Marion?
31:02Hmm?
31:03No, what am I?
31:04You step away from me.
31:05Don't shout, Marion.
31:06Work yourself into a huff.
31:07I'm not shouting.
31:08I'm calm.
31:09I am completely calm and collected.
31:10You know, he's a man who invented the light bulb.
31:12For heaven's sake, give him some respect.
31:18Jesus fucking Christ!
31:27Don't touch that glass.
31:29You don't touch that glass, Gretchen.
31:32It's not your mess to clean up.
31:35No, you're right about that.
31:37You are absolutely right about that.
31:41Well, I guess that's my cue.
31:46Norman, he did not invent the light bulb.
31:50Marion, fuck yourself.
31:51Norman, please.
31:52He did not invent the light bulb.
31:56I suppose you know who did.
31:58Huh.
32:06Look at me.
32:07Look at me.
32:09You can't, can you?
32:14I can't, can you?
32:29Pardon me.
32:30I'm so very sorry that you've had to endure such preposterous ridicule.
32:35You have my sympathy for what you have to put up with on a daily basis.
32:40Well, she Perchume.
32:45He's did not invent the wow.
32:46Who's theasons.
32:47What do you think is that?
32:48Oh, wow.
32:49I know they are in a flash夢.
32:50What?!
32:51I know.
32:52That's so big part of this time.
32:54How do you think is that?
32:55Oh, oh, oh...
32:57TheORY planet is looked for the light bulb.
32:59It's really honourable.
33:00Oh, oh.
33:01What did you think is a wall of today?
33:02What did you think, who's going to do?
33:03와?
33:04Please.
33:05No bless yourları.
33:06You left your books.
33:22Just leave them.
33:23Here, you will need these, I assure you.
33:24Just leave them.
33:25Just fucking leave them.
33:27Marion, you need to calm down.
33:30The nerve.
33:32And I want to say men, the nerve of men,
33:35but no, I've come to the realization that you are not men.
33:39No.
33:40No, you are so much worse.
33:44You are an abomination.
33:46And you can take this entire institution and fucking...
33:50What am I even saying?
33:52You're not even a member of this institution.
33:54You're a squatter.
33:56A research assistant.
33:57Yeah, you're nothing.
34:01How can you do that?
34:02After what you just did to me, you smile?
34:09You stand there with a smugness that permeates to my very core
34:13and makes me want to take a boxing!
34:19I'm very sorry, Marion,
34:20but I'm entirely confounded by this behavior.
34:23It's not very ladylike at all, I'm afraid.
34:24Oh, you're confounded?
34:26Are you dumb?
34:28Are you mentally retarded?
34:30Keep your voice down.
34:31I said, are you mentally fucking retarded?
34:35Marion, I would just watch my tone if I were you.
34:37Or what?
34:40Marion, I was always going to add your name to the work,
34:42but you know as well as mine.
34:43That women can't publish on their own?
34:45Yes.
34:46But they will.
34:48I will.
34:50You've stolen my work, Thomas.
34:58Marion, we're a team.
34:59We are not.
34:59No, no, we are not.
35:02We are not a team at this.
35:06My mind,
35:07my thoughts
35:09are not communal.
35:11They are wholly
35:12mine.
35:13Marion, Marion, Marion.
35:16Marion, will you just
35:17just marry me?
35:19I will never, ever marry you, Thomas.
35:40Not ever.
35:41No, no, no, no.
36:11Marion, I'm sorry.
36:13Marion, I'm sorry.
36:14No, no, no...
36:15No, no, no...
36:16No, no, no...
36:19No, no...
36:19No, no.
36:22What is it, c'est de golpe?
36:25De golpe?
36:26Shut up!
36:27Ah, merde!
36:29Putain!
36:32Shut up!
36:33Shut up!
36:38Shut up!
36:41Shut up!
36:44Do you ever speak to me like that?
36:47Do you hear me? Ever?
36:49I have heard quite the morning of abuse,
36:52and I will not be spoken to like that by a fake fucking artist
36:57who paints fucking bubbles!
37:00Do you hear me?
37:02Do you hear me?
37:05Wait. I hear you.
37:09I hear you.
37:11I will.
37:14I will.
37:17You're false, huh?
37:20Everything all right?
37:24Looky, look.
37:27Now he comes to rescue her from the crazy freshman.
37:30He's so possessive of her.
37:32Oh, he doesn't love her.
37:33I believe he does.
37:35Well, you're stupid.
37:37Honey, if he loved her, why would he be parading you around like his little pony?
37:41He's a complicated man.
37:46The painting is finished.
37:48It is?
37:49It is?
37:50Would you like to see it?
37:53She thinks it's a foolish venture.
37:57My commissioning poodles.
38:00Yes, well, I don't usually paint poodles.
38:04What do you usually paint?
38:07Oh, look at her.
38:08She's just begging to be fucked.
38:11You see how she looks at the artist.
38:13She can't help herself.
38:15Well, this we both agree on.
38:17Hmm.
38:18Why don't you have the painting brought to my study and then we'll settle up and you can
38:22get on your way.
38:24Now.
38:25Now.
38:26Good time.
38:27Now.
38:28Good time.
38:29Now.
38:30Now.
38:32Please.
38:34Oh, she's a terrifying woman.
38:38I mean, I can understand why he can't, you know, make the whole thing work.
38:44Are you scared of powerful women?
38:47Not all of them.
38:49She's the reason I brought me his impact to Paris.
38:52Well, I can't understand that logic.
38:55She doesn't believe I deserve to succeed.
38:58She'd rather seem trapped in a cage with her, living in a circle of hell over and over again.
39:04Oh, darling, it just doesn't add up.
39:06If it were up to Marion, she would have sent you back to Paris months ago.
39:10She hates you, Lily.
39:13All right.
39:15Les saisons.
39:16Gunter, please.
39:18From the top.
39:19You know, for a smart girl, you're really quite daft about the dynamics here in the country.
39:25Marion.
39:27Yeah.
39:29I'm sorry.
39:31What for?
39:33For not understanding you in the way a husband should, I suppose.
39:39I do wish sometimes, just sometimes, you could simply speak truth and honesty, and instead of dancing around your thoughts like a romantic.
40:00Maybe I am a romantic.
40:04Well, you're not French, thank God.
40:06I told you the truth, Norman.
40:09In simple terms, I told you the truth.
40:11He left Marion.
40:13He can quit the charade. He's gone about his business.
40:16All done now.
40:17Truth doesn't matter anyway.
40:22But you're my wife.
40:27I don't know.
40:29Here we are.
40:31Ironically, the feeling of resignation that sat squarely between his eyes that day was the very same emotion that I had wrestled with for most of our marriage.
40:41Well, um...
40:42Wolf.
40:43I appreciate that, Norman.
40:44You know, for trusting me on this one.
40:45I...
40:47There will be other deals.
40:48I promise.
40:49But unfortunately, the truth was, for Norman Henry, there would be no other deals.
40:54Not ever again.
41:10Thanks.
41:11One, two, three, two.
41:13Here we go.
41:14You are over.
41:15There is a lot of seeing.
41:16I don't know.
41:17Where are you?
41:18I don't know.
41:19There are a lot of seeing.
41:20We're all going to the same thing.
41:21You're so bummed.
41:22You're too.
41:23It doesn't matter.
41:24You're so bummed.
41:25You're the only one.
41:26In fact.
41:27You're the only one.
41:28You're ready.
41:29There are a lot of holes.
41:30I'm so bummed.
41:31I'm so bummed.
41:32By the way.
41:33You're so bummed.
41:34I'm so bummed.
41:35I'm so bummed.
41:36The killer.
41:37I'm so bummed.
41:38We'll see you next time.
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