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Short filmTranscript
00:00Dear reader in order to understand how the very thought of a casual killing might have
00:12permeated our home in the country it is first very important to understand the times that we lived in.
00:30Miss! Miss! God damn it, it's hot. It feels hot in here, you feel it? Huh? It's hot. Oh no, my darling. I call it kind of brisk. Are you catching something? God damn it, please. Don't fucking contradict me like that.
00:50That's Bill Filosa. The loony one. I was merely clarifying, which I should not have done. And that was wrong of me. It was wicked, Harry, and I'm sorry for that.
00:59Just a simple clarification? Is that it? That's fabulous, you fucking cunt.
01:03I was merely clarifying my love. No, no, no, you're a good girl. You're a good fucking girl.
01:08Will somebody please take my fucking coat? It's bloody boiling in here. God damn it. Come on.
01:14Harry. What? What about mother? We can't leave her here.
01:17Have her meet us at the fucking table. Okay, well, she needs help, Harry.
01:20Then fucking help her. God damn it. Suck my cock.
01:29Jesus. What the fuck?
01:40The fuck are you looking at?
01:42Evelyn Nesbitt. Nothing could prepare her for the fame and notoriety that would befall her a mere hour later.
01:49Lovely Harry. Huh? I said this is wonderful. I've never seen a real-life camel before.
01:53No, it's a big fucking camel too. Yeah.
01:56From an early age, she was a model. If you can call it that.
02:01Can you pull your shirt off your shoulder, darling? Lower my bed. Lower.
02:06Could you hike up your dress? Hike your skirt up a bit.
02:10Could you bend over and touch your toes?
02:15Poor girl was a workhorse. But it wasn't enough to support both Evelyn and her widowed mother.
02:22I know I'd love to perform like this someday. The fuck did you just say?
02:27She would marry Harry Thaw out of desperation. Not love. He would put a roof over her head. And in return...
02:35Harry. Hello, darling.
02:37Hi. You're not meant to be here.
02:39I'm meant to be here. You're my wife.
02:41She had promised her virginity.
02:42Harry, no, stop it. Harry, Harry. Not yet. Not yet. I'm not ready.
02:45You're not ready. No, no.
02:48What do you mean you're not ready?
02:50I'm not ready. I'm sorry. You're my wife.
02:51I know. I'm sorry, Harry.
02:53Look, let me just... Let me just... No, Harry. No! Get off me!
02:57God damn it!
02:59Harry. I'm sorry! I'm sorry! Stop it! Stop it, Harry! Stop it! You're scared of me! Stop it!
03:05Harry! Harry, stop!
03:09I'm sorry.
03:13I'm sorry.
03:17I'm sorry.
03:19I'm sorry.
03:21I'm sorry.
03:25Yeah, it's okay.
03:26Forgive me. I'm sorry.
03:28No, I forgive you, my love.
03:30Soon.
03:32Soon.
03:33Sam, say you're mine.
03:35I'm yours. Soon.
03:38Good night.
03:39Good night.
03:42The only problem...
03:44Evelyn Nesbitt was not a virgin.
03:46Not even close.
03:57And Harry Thaw was not her first benefactor.
04:01Good evening, Evelyn.
04:02My dear.
04:03Good evening, Stanford.
04:05Excuse me, who the fuck are you?
04:08Mr. White. Stanford White.
04:12The architect of Madison Square Garden.
04:14So?
04:15Excuse me?
04:17I said so.
04:19I understood the word.
04:20I'm just sincerely confused by the context.
04:22The context is escaping you? Is that what you...
04:24Forgive me.
04:25Um, Harry, I didn't introduce you. This is, um...
04:27This is Stanford White. He's a very good, um, an old friend of mine and my mother's.
04:31Oh.
04:32He knew me since I was a child, and we're very close friends.
04:34Yeah, you said that already. You're repeating yourself now.
04:36Did I?
04:37Yeah.
04:38Oh.
04:39And who might you be?
04:40I'm her husband.
04:42Yeah, that's right. I'm her fucking husband.
04:45Yes, Harry, please.
04:46Yes, you said that.
04:47Seems you're repeating your song.
04:49Smart guy.
04:50Well, enjoy the evening.
04:51He's not. He's not.
04:52He's a good friend.
04:53Harry, come on. I love you.
04:54What's up in there?
04:55No, let's go home. Let's spend the night together.
04:59Let's go home.
05:00I plucked your eyes.
05:01Three cherries on a swing.
05:04Enjoy the show.
05:05Hi.
05:06Good evening.
05:07You look absolutely lovely, Jackie.
05:14You lied to me.
05:15No, I didn't.
05:16No.
05:17You fucking lied to me?
05:18No, I didn't.
05:19Yeah, you fucking did.
05:20You fucking lied to me!
05:22That's what you fucking did!
05:23No, no, Harry!
05:26Harry.
05:30He had her on a fucking swing!
05:33Don't, Harry.
05:34No, no, no, I...
05:35He had her every which way on a velvet fucking swing!
05:37Don't!
05:48What?
05:54Shut up.
05:56Eat your fucking shrimp!
05:58Dance!
06:00Fucking dance!
06:01Play some music!
06:05That's good.
06:07Fucking right!
06:17I'm sure you're wondering what this murder has to do with me.
06:21Well, everything.
06:28We'll try a thing, so you're very good.
06:30I don't have to wait.
06:31You're not sure you're not-
06:32I don't want to wait.
06:33I'm not gonna kill you.
06:34Don't, you're gonna do it.
06:35Don't give me fuck you.
06:37I'm not sure you're having a lot.
06:38Looks like you're and you're gonna live.
06:39I'm not sure you're having a lot!
06:40You're too happy!
06:42You're a great guy!
06:43You're a beautiful fucking badass!
06:44I'm a beautiful guy!
06:45I'm not sure you're playing.
06:46I'm a great guy!
06:47You're too happy!
06:48You're out of love!
06:50I'm a beautiful girl!
06:51In this house, I'm a big celebrity.
06:53I'm a happy man.
06:54Wow!
06:55And I'm a bigleader!
07:26I appreciate that, Norman.
07:33You know, for trusting me on this one.
07:36There will be other deals, I promise.
07:39Harry sent a note.
07:41What? Harry? What? What? Harry?
07:44Yeah.
07:45From prison?
07:47Yeah. He wants us to look after Evelyn and, you know, until the trial.
07:51Oh, God, you didn't agree to this preposterous notion, did you?
07:54He sent a note.
07:56He sent a note on Tombs Prison letterhead.
08:00So, you know, send a note back on Henry letterhead.
08:05Marion, Marion, she's coming, and there's nothing we can do to stop her.
08:09He's been a good friend, financially speaking.
08:13We owe him.
08:15We owe him. We owe him. We owe him.
08:18Why? Why does everything always have to be so drab and transactional?
08:24Well, because life is drab and transactional, Marion.
08:27I mean, it's what you do with it.
08:33Mr. Henry.
08:34Yes.
08:35Mr. Henry.
08:35Yes, yes.
08:36The artist, sir. He's in your study.
08:39I know. That's why I told him to meet me.
08:41Yes, but the thing is...
08:45Jesus!
08:49In the name of God, what are you doing?
08:52I make room.
08:54Room?
08:54Yes.
08:55There's room. There's plenty of fucking room all over the house.
08:57Real art needs space. Real art needs to breathe. Real art needs light.
09:01Take it easy.
09:03Leave it. Leave it.
09:04This isn't real art. This is an investment.
09:07An investment.
09:08That'll live down in the basement in a vault in a crate.
09:11You're a madman.
09:12Your turn now, Celia.
09:18Oh, for fuck's sake. I just sat down to steam my cooter.
09:22I'm going to deduct from your pay for this.
09:24You shall not!
09:25The Pudos will more than cover it!
09:27I don't know who you think you are. Honestly, I don't.
09:30Where is my money, Mr. Henry? Where is my money?
09:35I shall pay your money once I have the piece of praise to insurance and the style and liking to the value that we had agreed on.
09:41And then I shall deduct for damages and then I'll write you a promissory note.
09:44No, I will not take a promissory note.
09:46You will.
09:46I will not. I take cash!
09:49Compris?
09:50Cash!
09:54How do I know you're not simply a fraud?
09:58Pardon?
09:59You heard me.
10:00You do not utter words as such in the presence of a man that has dedicated his entire life to holding a mirror up to society with his brush.
10:17Yadda, yadda, yadda.
10:17It's a little bit, uh, breezy up there on that soapbox.
10:25Oh, my heavenly father.
10:28What in the name?
10:28Leave it alone.
10:30And the bones of an artist will live forever,
10:34whilst the prick of a rich man like you shall fade to dust.
10:38And you know why, Mr. Henry?
10:40Because the rich have no soul.
10:50How does it feel to have contributed nothing of value in this world?
10:56Nothing!
10:57You want to know how I made my money?
10:59I don't care.
11:01You should.
11:03Because it's why you're here.
11:05Is it not?
11:05I pick up the pieces.
11:10Paper, rags, copper, lead, steel.
11:12I'm a junk man.
11:13I'm a middleman.
11:14I'm the glue.
11:16I pick up their crap, I feed it back into the furnace, I turn it around,
11:19and I shove it right back down their fucking throats.
11:25And there's an art to that.
11:31That's why you're here, my friend.
11:35My contemporaries, they wanted the biggest business, the flashiest, not me.
11:39I just want to be everywhere.
11:40I want to be everywhere all at once, and I am.
11:42I'm everywhere all at once, in business, and especially in my home.
11:48I see how she looks at you.
11:51My wife.
11:58Don't make me nervous.
11:59Don't make me nervous.
12:05You should never intend to make me nervous.
12:14Or I won't pay you for your painting.
12:18If you do not pay me,
12:21I will slit your throat
12:22in your sleep.
12:24Mr. Henry.
12:40Mr. Henry, sir,
12:41the company has arrived.
12:42The new company.
12:45Okay.
12:46Tell Mrs. Henry
12:47where they are.
12:48I mean, it was horrid.
12:58I mean, have you ever seen a man's brains
13:00just splayed out
13:01across his tiramisu?
13:04Terrible accident.
13:06This is no accident.
13:08I mean, God, do you read the papers?
13:10It's just sensationalism at its finest, darling.
13:12Yeah, sensationalism at its finest.
13:14We know that.
13:15Harry walked right across the room
13:16and he just shot him
13:19in front of the whole ballroom.
13:22It's not that it was a shock to me
13:24because I am the first to say
13:26that Harry belongs in a ward.
13:27I was his wife, okay?
13:29But
13:30it wasn't the craziest part.
13:34Do we need to know?
13:36Do you know what Harry said
13:37before he shot him?
13:41In front of everyone?
13:42In front of a room full of status?
13:45You do not need to reenact this, darling.
13:47Harry held the gun out to here
13:49and he points it at me
13:51and then he points it back to Stanford
13:54and he says,
13:55you ruined her, Stanford.
13:57You ruined her in every which way.
14:02He said that.
14:03He said you ruined her
14:04in every which way.
14:06I mean, as if I need the whole city
14:08knowing that I had been with Stanford White
14:10in every which way.
14:11That was much of a surprise
14:13to the city, darling.
14:14You know, he raped me.
14:16It was a raping.
14:17I mean, look,
14:18in the conventional sense of the word,
14:20I...
14:20What's the unconventional sense?
14:21I didn't mean to be with him
14:22for anything more than just money.
14:25You can even ask mummy.
14:26She was right there in the room
14:27when it happened.
14:29Isn't that right, mummy?
14:31She was in?
14:33Yes.
14:33The room.
14:34And I would wake up
14:35aching from the waist down
14:36every morning
14:37and so eventually I just thought that...
14:38It's okay.
14:39You're safe now
14:40and you can stay here
14:41as long as you like.
14:44What's your name?
14:47Mrs. Henry.
14:50Have you ever been
14:51taking up the asshole
14:52while you were sleeping,
14:53Mrs. Henry?
14:57Have you?
14:58No, ma'am.
14:59We don't sleep
15:00in the same bed, Evelyn.
15:02That's a shame.
15:03Apparently not.
15:04Why'd you marry him
15:10if you're not gonna sleep with him?
15:12Well, you know, for love.
15:15Anyway, you just, just, just
15:16make yourself comfortable, you know?
15:18You can stay as long as you like.
15:21I won't be here long.
15:23Just until they need me for the trial.
15:26You hear they're calling it
15:27the crime of the century?
15:29I don't know, it kind of
15:30makes me lead billing.
15:34What?
15:39You don't think I can pull it off?
15:44Pull what off?
15:47I mean, I get a really handsome
15:48cash bonus if Harry's
15:50acquitted of the charges.
15:54Cash bonus?
15:56Yes.
15:56From what?
15:58Well, from Harry.
16:00Are you daft?
16:01Is your husband daft?
16:04Darling.
16:06He shot Stanford White
16:07in cold blood.
16:08Right in front of you.
16:10I wouldn't get my hopes up
16:12for a cash bonus
16:13if I were you.
16:15Oh, Mrs. Henry.
16:20This is not murder
16:21in cold blood.
16:22This is the crime
16:25of the century.
16:28I knew the moment
16:29I laid eyes on her
16:30that Evelyn Nesbitt
16:31was going to be the star
16:33she had always dreamt of being.
16:35I also knew
16:36it would be for all
16:37the wrong reasons.
16:39and of the past.
16:45Service!
16:46Service!
16:48Service!
16:49Service!
16:51Ha!
16:51Ha!
16:51Ha!
16:51Ha!
16:54Raise your glass.
16:58they say harry's to be released in january i'm not sure my husband insisted on a fine dinner
17:18for evelyn and her lobotomized mother that evening it was a dinner we could not afford
17:24and he insisted i join the lot of them eat your shrimp dish beef sir i don't see the beef
17:33well he's certifiably insane you know a pointless charade if i've ever been a part of one
17:41i mean he can't be held accountable for what he did that is what the doctors say perhaps your
17:45love struck this is henry how would i know love i'm only 16. anyone here know a chap by the name
17:52of mark twain you know i'm to be fit for a new wardrobe before the trial this man charles
17:58frederick worth is doing it and he is everyone has a chap by the name of twain american what have you
18:04got against americans he's a designer wrong oh he's an inventor now well the lawyers have a plan to get
18:12harry off which involves making me some sort of star which i don't know how i could do that invented the
18:21female shoulder strap female shoulder strap he's made it uh adjustable most uh inventors there are
18:29artists most funded innovators are artists what kind of hope you're not using i'm not sure my money
18:35to fund his adventure but i'm preparing myself for the sycophants nonetheless that's not how investments
18:39work your money's safe with me until the uh when will when will he come he's scheduled coming shortly
18:46all right enjoy your beef i'll see on the house
19:01do you know something i do believe this may be the last evening that i'm in a room with real people
19:08you know without ulterior your agendas and such
19:16oh
19:17you know
19:33would you mind going elsewhere with a fit you're throwing or at least give it to us in english so we
19:38can be in on it yeah you know what i mean a lot this is enough don't do anything that might see
19:43you on the streets lily she don't know the missus like we do
19:49now miss nesbitt what is it you do well i'm a dancer and a singer i'm also an actress
20:00i was formerly a model but that's a past life you know with and without your work what is your work
20:12well i'm standing testimony from my husband harry your question was pointed no
20:20i don't appreciate the tone
20:31let us toast to the most meaningful performance of young miss nesbitt's life
20:41may it be fleeting immediate and daring
20:45uh it must be the most convincing performance that the world has ever seen
20:58well
21:00i believe i'm simply reading from a script but thank you the world expects for you to tell the truth
21:10and they want you to to put up a mirror up to the society to speak from the soul
21:23however uncomfortable that may be they want to know you
21:35i um
21:35i don't believe i know me exactly that is art the exploration the searching
21:50a self-loathing
21:51monsieur henry
22:04you pay a a lot of money
22:10for the real life
22:12we
22:15some of us
22:16us
22:18we have to live it
22:23we have to live it
22:39bring me my fucking money
22:46you
22:59fucking french
23:03am i right
23:05yes
23:08he's been paid
23:09he wasn't serious about the money bit because he's been paid you know harry he used to withhold my
23:21allowance until i let him you know lick my inner thighs while i was chained to the bedpost
23:32on that illustrious note i shall retire to my quarters
23:36good evening ladies and good evening
23:48all righty then
23:52artists painters galore this just in the new gangs in town and they're called the impressionists
23:58making a ruckus across the pond these painters are bucking tradition and painting outside of the
24:02studio cafes landscapes ballerinas get your impressionist painting today shipping to
24:08america available on the mauretania while room remains
24:18why did you lie mr henry i didn't lie i don't lie
24:30you told them that i had been paid you told them that it was a silly joke mrs henry
24:36you don't think that they're gonna embarrass me when i get up there for the trial
24:47because admittedly all this talk of
24:48truth makes me nervous
24:55have you not had the rumors was your ornery i do not take kindly to swing the house
25:04what the fuck you're talking about it's a fucking painter
25:07what the fuck you're talking about it's a fucking nightmare
25:12yes
25:12yes
25:13for you
25:13perhaps
25:15the grimly bear
25:17oh
25:17oh
25:19oh
25:21oh
25:23oh
25:25oh
25:27oh
25:29oh
25:31oh
25:33oh
25:57oh
25:59oh
26:01I think it's Jack the fucking ripper, I think.
26:04We just got to give him the money, get him out of here, please.
26:07Norman, you just said that you'd already paid him.
26:09I did. I did. I did. I said that. I said that.
26:14I'm sorry I said that.
26:16Shh, shh, shh. Norman, you have to go back to your room.
26:19You have to go to the safe. You have to prepare the bills.
26:22We will handle this together.
26:24I don't think... I don't think we have the bills.
26:31How many do you think you have, Norman?
26:33I don't know. I don't know.
26:35You don't know. Well, you had better check.
26:37Norman, you had better check right now
26:39because you commissioned a painting
26:41that has already been completed.
26:43The appraiser hasn't been here.
26:45He'll be at the appraiser.
26:46Fuck the fucking appraiser.
26:47It's a fucking portrait of fucking poodle, you fucking...
26:51Fuck.
26:52Don't leave me buried, please.
27:01Artis, I know you can hear me.
27:08I certainly know that you are capable of following instructions.
27:13Don't you dare walk away from me?
27:15You accosted my husband under the Henry roof!
27:18Under the Henry roof!
27:20My husband... your husband, he owes me money!
27:24So what? Loads of people owe money!
27:29I just...
27:31That's no excuse for this kind of degradation.
27:35Look, my husband is a very sensitive man,
27:38and he really tries his best.
27:40And I, for one, believe that he has been misunderstood
27:44in this particular instance.
27:46No, no, no. There's been no misunderstanding.
27:48I am to be paid for the work that I have done,
27:50for the work that has been completed,
27:51for the work that... that sits in the corner,
27:55facing the wall, in shame,
27:57because it has not been appraised as such!
28:11For fuck's sake!
28:13Don't scare me like that!
28:19You don't...
28:21You don't know what I've been through this evening!
28:27You don't know what I've been through this evening!
28:31Do not lecture me on the burdens of your life!
28:33I'm sick of hearing about you and catering to you!
28:35You made promises to me first!
28:37Shut up! Shut up!
28:38You made promises to me!
28:39Shut up, shut up!
28:40You made promises to me!
28:42What are you talking about?
28:45What are you talking about?
28:46You ever pull a stunt like that again,
28:49and you will find yourself bludgeoned!
28:52Hmm...
28:54In what sense?
28:56In the physical sense, sir.
28:58I am a trained boxer.
29:01You are a woman!
29:05Yes, I am!
29:07I am a woman!
29:10I expected more from you.
29:15Yeah.
29:16Most do.
29:18Most do.
29:19Do not treat me like an imbecile up here in a linen pantry while the stent of your new orbs...
29:25Shut up!
29:26Ah!
29:27Fuck!
29:28You talking about Evelyn Nesbitt?
29:31You think I'd be stupid enough to sleep with Evelyn Nesbitt?
29:35You see what her husband did to the last one?
29:38You know what I see before me?
29:39What?
29:40I see a failed, miserable, greedy old artist who's so lost and blind that he can own or follow the scent of money!
29:49And...
29:51Well, actually, that's absolutely fine by me.
29:54But just don't bring your ideas of truth and purpose into this house!
29:58That's just dangerous, and it's just... it's bullshit!
30:02You will send me back to Paris to star in Les Saisons ou Accapella?
30:08Or I will...
30:11I will...
30:12What?
30:14You will what?
30:19I found you on the streets.
30:24You're nothing more than a pickpocket.
30:29Who can spend?
30:35I'm...
30:37I'm sorry.
30:42Oh, God.
30:43I'm so sorry, Lily.
30:46I don't want to... I'm sorry.
30:49It's alright.
30:51H Window.
30:52Oh, my goodness
30:56Lentine!
30:57I've been lost and gone forever
31:08手.
31:09I don't want to sit down, like,
31:15Oh, my dear, dear girl.
31:40Let us say our prayers.
31:50I'm grateful tonight for our bed and for the food we eat and the clothes we wear.
32:03I'm sorry, Lily.
32:10I'm sorry.
32:16But really, I am grateful for this stage because one day I will be a great big stage actress
32:27and everyone will love me, Mother.
32:37They will all love me.
32:42Look, we don't want any trouble.
32:46My husband is a man of his word and as are the men who vouch for him.
32:51And at this very moment, he's in his room.
32:54He's in our safe.
32:55He's counting out your bills.
32:57Yes, he's counting out your bills and, uh, he has the bills.
33:18Yes, yes, yes, he has the bills.
33:33Well, if we all survive the night, you, you may just very well be able to claim those bills
33:39as you own.
33:49Oh.
33:52That is a great relief.
33:56Lily?
34:13What are you doing?
34:22Writing my sonata.
34:25A...
34:41Uh...
34:42Uh...
34:43Uh...
34:44A huge relief.
34:46Yes.
34:47Yes, yes.
34:52Love, love, love
35:22Even if we don't have Paris
35:52We still have this
35:54You know my sister is an artist
36:16Yeah
36:17She's a sculptor
36:19Or I don't know
36:21Something in the physical form
36:23And um
36:24She goes to shows across the country
36:33And you know that's a really very very different world from this
36:36And I guess I'm just trying to say that um
36:39No, no, no, no
36:42Well I understand the life of a struggling artist
36:46I guess that's what I'm trying to say
36:48And the embarrassing life of Edgar the God
36:53Say no more
36:55No
36:56Shouldn't be ashamed
36:58You value art above everything else
37:03And I admire that
37:06And I think there's something rather romantic about it
37:10What did you say?
37:11I am Shadda!
37:13I am Shadda!
37:14I am Shadda!
37:14I am Shadda!
37:16The embarrassing life I think
37:25No, no, no
37:29The other bit
37:30Could it have been true
37:33That the man painting my poodles was in fact
37:37One of the most acclaimed impressionists of all time
37:43The very same impressionist
37:47Who would sit shoulder to shoulder with the likes of Renoir, Pizarro and Monet
37:53The fifth set up
37:55Your head could take up
38:11Where?
38:23What have they done to you?
38:27The world is cruel
38:28To all men
38:30And yet
38:32Everything would change the moment I touched him
38:53I am Shadda!
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