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00:00I live here.
00:00There's been a report of a domestic disturbance at this address.
00:03We've nothing to hide.
00:04So she gave Amy the happily ever after and put Stevie on the mainland ferry?
00:07It was an impossible call.
00:09Morag, did the Shannon sisters know that you were involved in their case?
00:12Did you set us up?
00:13I thought the stuff was on that boat.
00:15So that means they still need to land the gear, right?
00:17If it's not on the boat, then they're going to know someone talk.
00:19Jesus Christ!
00:21What did I tell you, sir?
00:26There is a couple of missing paper statements.
00:28I will try and find them.
00:29This is a police officer we're talking about.
00:32Don't be the word of this to Billy.
00:34That's how you lot operate, isn't it?
00:36Something like this happens and you go looking for a scapegoat.
00:39The one I saw in the dead woman's garden, it was her.
00:41Seems there were some disturbing reports
00:43that came from the children's homes where Stevie was placed.
00:46I don't trust her, Amy.
00:48We're a family after all.
00:50You, your mum, me.
00:53I'm going to win this time.
01:08No, you're not.
01:09Yes, I am.
01:11Snap!
01:12I win.
01:17Stephen!
01:32Mum! Mum! Mum!
01:34What have you got, Mum?
01:49Hello.
01:52I'm Edie Tulloch.
01:53I'm a social worker.
01:54I need to have a wee word with your mum.
01:57Is she here?
01:58God!
01:59Amethyst Bond-
02:16You, Mr.
02:51Will says he's working for you. Last thing he needs is to get dragged into any more ship.
03:08Hooray! And here he is.
03:11You're up early.
03:13I've got a wee favour to ask you.
03:15Stuart will you give us a minute please?
03:20Cheers.
03:27I don't think your mum likes me very much.
03:30Don't!
03:31Stuart's my best pal and I've known him since I was seven.
03:36Don't.
03:40What do you want?
03:42Well, we arrested a couple of couriers who were bringing drugs in for the Callaghan's. Long story short, they've got a man here in Shetland who they're working with.
03:54And?
03:55And I want you to get me the name.
03:58How am I supposed to do that?
04:00You work at the harbour.
04:02You see things.
04:05Then you know exactly who can get me that name.
04:08What if I don't want it?
04:10But we'll just have to call you a parole officer, won't we?
04:13In fact, shall we...
04:14Shall we do that now?
04:17Do it?
04:19Do it!
04:22Would you rather go back inside and be your lackey for the rest of my life?
04:24But you listen here!
04:25I have been working on this case for more than six months and I am this close to getting a result.
04:32You get me that name.
04:34I'll drop me a charge.
04:35How about that?
04:44Call me when you've got something.
04:48Give him plenty of water and tell your mum no more bloody cake.
04:55Call you later.
04:57Everything okay?
05:00Aidan was sick last night and Luke can't seem to calm him down.
05:04Well, I guess it's good that Luke's mum's there.
05:07She can look after him.
05:11So...
05:13I was thinking, since it's just us, we should do something.
05:18You know, maybe we could go to the beach or...
05:21I could go and get stuff for a picnic.
05:22Don't you think it would be better going to the police station?
05:25Why?
05:27To tell them about you being at Edie Tulloch's house.
05:30Stevie, this is why I stayed.
05:32You asked me to help you.
05:34Aye, but I didn't think that we'd just stroll in and confess.
05:38Well, it's better that you come forward with the truth than then find out your lies.
05:42Look, I'll come with you.
05:44Okay, we'll explain that you made a mistake and we'll just get it all sorted out.
05:48Amy, it doesn't work like that.
05:50What?
05:51What?
05:54Look, I'm...
05:56There's Calpo in the bag.
05:58I'm going to go to the shops.
06:00What?
06:02Stevie.
06:09Good morning, Stevie.
06:11I'm afraid we're going to need you to come back down to the station.
06:13Sorry, I don't have time.
06:15Well, you're going to have to make time.
06:17Or we could do it here, at your flat.
06:20Right.
06:21Right.
06:47Andy.
06:49Oh, man.
06:56Decent prices today.
06:58What?
07:00I was looking for some work. I wondered if maybe you could help me out.
07:03I've got all the crew I need, son.
07:05Well, it's not for fishing work. It's for the other sort of work.
07:10Callaghan sort of work.
07:13I think you've got the wrong guy.
07:15Well, maybe you know the right guy, though.
07:18Like, if you can point me in the right direction or give me a phone number or something.
07:20Move!
07:32Chris Burnett is positive he saw Stevie in Edie Tulloch's garden on the day we think she was killed.
07:38And then there's the taxi driver who picked up a woman who looked like Stevie and drove her to Lunaswick.
07:44And her motive is what? Revenge?
07:46Well, essentially, yes. Stevie blamed Edie for putting her into care.
07:50Because anyone that's been through the care system is a criminal?
07:53No. That's not what we're seeing.
07:56You just said she killed Edie because Edie put her into care.
07:58It's a potential motive.
08:01I spent a year in care.
08:03And overall, for me, it was a positive experience.
08:06In fact, if it wasn't for the people who took care of me and my family, I wouldn't be here today.
08:11And we're very grateful that you are here.
08:13But Stevie Shannon did not have a positive time in care.
08:17Her case files prove that.
08:19And if she did resent Edie, maybe she used that resentment to take it out on her.
08:23Yeah, plus, Amy and Stevie's mum died after Edie removed them from their home and they blame her for that.
08:31Chris Burnett's statement won't stand up in court.
08:34And just because Stevie took a taxi to Lunaswick doesn't mean she killed Edie.
08:38But there's the unidentified print.
08:40Okay. And if they're a match to Stevie Shannon, you're on your way to building a case.
08:44But she's under no obligation to give you her prints.
08:47Frankly, given what you have, I'm so surprised you even brought her in.
08:51He's right. We don't have enough.
09:01But if we can get her prints...
09:03There's no way she's going to let us take her fingerprints.
09:06We'll be lucky if we even get her to talk in there.
09:08So what are we going to do?
09:12I've got an idea.
09:18Sorry to keep you waiting.
09:19You waiting?
09:21Right.
09:22Okay.
09:29Okay.
09:31Just so you know, Stevie, we have a witness who gave a fairly accurate description of the person that was in Edie Tullock's garden.
09:40Now, we can't say for sure, but we think that person might have been Amy.
09:49Look, we know this is difficult.
09:51Amy's your sister.
09:53But we wanted to ask whether you might be able to give us some insight into her state of mind.
09:59What?
10:00Well, because you've been around her recently.
10:04Yeah, and you said yourself, Amy blames Edie over the death of your mum.
10:10No, I didn't.
10:11Oh.
10:12Um, I'm pretty sure you did.
10:15Hang on.
10:17Yeah, you said, Amy's never come to terms with what happened to mum.
10:22She wants someone to blame and Edie's convenient.
10:25I mean, Amy had issues with Edie, didn't she?
10:31She was suing social services.
10:34Maybe the case was taking too long.
10:37She got frustrated.
10:38I've used to lost your minds.
10:41You think that Amy killed Edie Tullock.
10:46It's a pretty compelling motive.
10:48And given recent events, I mean, it's pretty clear that something's not right in that flat.
10:54What events?
10:56Someone called the police to report that Aidan was in danger.
11:00Yeah, it was just a prank call.
11:02How can you be so sure?
11:05Because Amy isn't violent, I know her.
11:07But do you?
11:09I mean, you two only got back in touch, what was it, a year ago?
11:14That's practically strangers.
11:16You don't know what you're talking about.
11:18You've got no idea what me and Amy are. You'd never understand.
11:22And see, this, what you two are trying to do.
11:25Get between us. They've been trying to do it for years.
11:27Social work, the courts, the police.
11:29You've all tried to keep us apart, so it won't work.
11:32See, the shit that we went through when we were kids.
11:36It bonds you for life.
11:40Sounds to me like you didn't get anything from her.
11:44She said she knew it was a prank call.
11:46What?
11:48Alex, the domestic at Amy Shannon's the other night.
11:51Do we know who reported it?
11:52I'm still saying it's anonymous.
11:54Yeah, but there'll be a recording of it somewhere, yeah?
11:55Do you think I could get a copy of it?
11:57Mm-hmm.
11:58Now? Today? Thank you.
12:00You think Stevie made that call?
12:02Well, maybe, yes.
12:03Why on earth would she report her own sister to social services?
12:06Well, because Stevie thinks the whole world is trying to get in between her and her sister.
12:10And maybe, maybe, that includes Luke and Aidan too.
12:17Yes, Alan, what?
12:19Sorry to catch you at work, but I think you're going to need to come up to the clerk.
12:23This might be important.
12:28Okay.
12:29I know.
12:41I've been through everything.
12:43Twice.
12:44I still can't explain where the Tulloch money came from.
12:48Unless...
12:50We entertain the idea that Robert Tulloch was taking bribes.
12:55What about the missing bank statement? Did you find it?
13:01No.
13:02I contacted the bank and they're sending a copy over to you today.
13:05But even without that, there's a clear pattern of what was going on.
13:11Look, maybe we should talk to Billy.
13:14He worked with Robert.
13:16Might be able to throw some light on all of this.
13:18I would like us to have a little more evidence before we go accusing his dead friend of corruption.
13:25So how do we move forward?
13:29Ray Powell.
13:31Gina Powell's husband.
13:33Ray was one of Robert Tulloch's old cases.
13:37Gina doesn't trust the police.
13:40Said they ruined our family.
13:41Maybe she knows something about Robert.
13:44I can pull that case by.
13:46Yeah, okay, great.
13:48And Sandy.
13:50We keep this between you and me for now, okay?
13:54Of course.
13:55An assault.
14:05A violent, unprovoked assault on a defenceless boy.
14:09Him a grown man too.
14:11And Tom Jameson did this to you?
14:15Why did he do it?
14:17What does that matter?
14:19Fact is, he committed a crime.
14:20You need to go over there and arrest the man.
14:22Margaret, do you think-
14:23What do you respect, Minister? I'm talking with your sister now.
14:28Ethan.
14:30Was this about Jess being pregnant?
14:33Yeah.
14:35And her dad not happy about it.
14:37He banned me from seeing her.
14:39You were with her yesterday, though.
14:41Are you trying to justify this?
14:43I'm just trying to understand it.
14:45Well, understand this.
14:48None of us are happy about this baby.
14:50Ethan's too young to be a parent.
14:54We tried to speak to them.
14:56Tried to persuade them that Jess should-
14:58Make an arrangement, but they wouldn't hear of it.
15:04Isabel, of course, digging her heels in.
15:08I've never met a woman so keen to become a gran.
15:10So, here we are.
15:13Two kids.
15:15Their whole lives ruined.
15:17Jess wants to get the baby adopted.
15:20You never told me that.
15:22She was talking to Edie about it.
15:24Edie Tillich?
15:27Edie said she'd look into it.
15:30That was before she, you know, died.
15:33Died.
15:35Who else knew about this?
15:55What's your name?
15:57Will Loudon.
15:59Give me your phone.
16:00What?
16:01Your phone.
16:07Go here.
16:09Say Jacob sent you.
16:11Cute kid, by the way.
16:19Gina.
16:22Can I have a word?
16:31I've been going over your late husband's case file.
16:34Why?
16:36We've had cause to look into Robert Tulloch's time in the police.
16:39Robert arrested Ray in connection with the robbery of a goods container at Lairwick Docks.
16:45According to the transcript of his first interview, Ray said that he was with you and David at the time that the robbery happened.
16:52So?
16:53So?
16:55There's no mention of the alibi in his second interview.
16:59He just submitted a signed confession.
17:02I don't understand the problem.
17:05Was Ray with you that night?
17:08It doesn't matter now.
17:10Gina.
17:12If he didn't do it, he shouldn't have gone to prison back then.
17:16All this, here, Lanneswick.
17:19This was Robert's kingdom.
17:22Hemenides.
17:24But bloody Ray couldn't resist it.
17:27Pulling off jobs right underneath Robert's nose.
17:30Way too big a temptation.
17:32He made an enemy of Robert Tulloch.
17:35Sorry, are you telling me that Robert framed Ray because Ray was goading him?
17:42You don't get it.
17:44I'm telling you that Ray wasn't with us the night of the robbery.
17:49Just like he said in his confession.
17:51A fish upper, please.
17:52I'm Will.
17:53Chill up.
17:54A fish supper, please.
18:15I'm Will.
18:18Sheila.
18:20Jacob sent me.
18:24Jacob from the Harbour.
18:28Does Jacob want chips?
18:30No, he told me to come here to see about some work.
18:33You want to work here?
18:36No.
18:38Maybe I can speak to the boss?
18:40I'm the boss.
18:42Salt and vinegar?
18:45No, no.
18:48That's 15.
18:54Here.
19:02Thanks.
19:03What the hell's that about?
19:15I don't know.
19:21I'm going to take my break, Sheila.
19:23I'll be back in an hour.
19:25Make sure you are.
19:27Aye, all right.
19:28Stevie, where the hell have you been?
19:29Hi, Amy.
19:30How are you doing?
19:32It's just a routine follow-up.
19:34Routine?
19:35Routine?
19:36You're here because you think I'm an unfit mother.
19:37Nobody thinks that, Amy.
19:38And it's for your protection too.
19:40It means if we get any more of these anonymous reports, we can take them with a pinch of salt.
19:43Where is the wee one anyway?
20:08Where is the wee one anyway?
20:10Anyway, he's with Luke.
20:13It's Luke's mum's.
20:14The whole family's up there this week.
20:15You didn't want to go?
20:17I was planning to, but I had to stay here.
20:19Stevie needed me for...
20:22And how is Stevie?
20:24Um, aye, she's fine.
20:31I admit, I was in the wrong eye.
20:34I should never raise my hands to Ethan.
20:36You make it sound like you give him a clip around the ear.
20:39Right.
20:41This is what Ethan's mum woke up to this morning.
20:44Jesus.
20:46I'm sorry.
20:48That was...
20:50Yesterday was a tough day.
20:51Was it?
20:52It's not an excuse.
20:54I'm just saying that isn't something that I would normally do.
20:57Ethan says you've banned him from seeing Jess.
21:00Is that right?
21:01Not your thing, is it?
21:02Deciding who your daughter gets to spend time with?
21:05No.
21:06I never said they couldn't speak to each other ever again.
21:08This baby has caused a lot of grief between us and Ethan's family, so I thought it best if they kept away from each other until after the baby was born.
21:14Yeah, Margaret Stone doesn't seem too happy about Jess being pregnant.
21:17Margaret's never happy.
21:18What about you and Isabel?
21:20How do you feel about Jess becoming a mum?
21:23It's what she wants, so we're behind her.
21:27Is it?
21:27Is it what she wants?
21:28Did you know that Jess had gone to Edie Tulloch about putting the baby up for adoption?
21:36No, I didn't.
21:38You don't seem too surprised by it.
21:41Jess is alone to herself.
21:42She stopped surprising me years ago.
21:47Did Edie speak to you about it?
21:49No, I barely spoke.
21:52Apart from a grudging hello now and again.
21:53You never discussed it with her?
21:55No.
21:55So why do you think Jess went to Edie?
21:59Like I say, Jess is unpredictable.
22:03So how do you feel about it now?
22:06Knowing what they were planning?
22:07Look, you brought me in here because of what happened with Ethan, right?
22:10Now, I've admitted to the assault, so let me just sign whatever it is I have to sign so that I can go.
22:18I need to get home.
22:19I need to get home.
22:25Is Ethan okay?
22:32Well, he's got a sore face, but I think he'll live.
22:35Poor kid.
22:37Still, at least now we know Tom Jameson's got a violent streak.
22:40Well, yes and no.
22:42I mean, to be fair, the man's had a tough time.
22:44He's lost his job, he's got health issues, and now his daughter's gone and got herself up the duff.
22:48That doesn't excuse beating up a kid.
22:51No, it does not.
22:53Alex, could we charge Tom Jameson and bail him for now and get someone to drop him off back home?
22:59Sure.
22:59Anyway, we're going to have to find some time to talk to Jess, see when she last saw Edie.
23:05According to Ethan, Jess went to see Edie a couple of weeks ago about finding a family to adopt the baby.
23:11Well, it makes sense, doesn't it, given Edie's history in family services.
23:14Did the Jamesons know that Jess has given up the baby?
23:17Tom Jameson didn't, was this?
23:20Oh, I've got to go and see Loudon.
23:23I'll catch you later.
23:24Okay.
23:25Can I get you some tea?
23:27No, I'm good.
23:30Everything all right?
23:33Actually, I went out to Linneswick to see Gina Powell.
23:40I think we need to have a chat about Robert Tulloch.
23:43Robert?
23:43What?
23:44Why?
23:45Some things have come to light, Billy.
23:49Things I can't explain.
23:51You know what?
23:53I'll wait.
23:56Thanks.
23:56Oh, he's a handsome boy.
24:15Amy, it's me!
24:16Good to see you, Stevie.
24:26Morag's just checking in after the police visit the other day.
24:29Nothing to worry about.
24:30Like I said to Amy, just an informal visit.
24:34See how everybody's doing.
24:35You have to give notice.
24:39Well, that's not strictly true.
24:41I'm pretty sure you can't show up on an ounce like.
24:43Stevie, will you leave it?
24:45Amy, listen to me.
24:46There's rules and procedures that she's not following.
24:49It's fine, okay?
24:50It's not fine.
24:52This is my family.
24:56Now, go in the other room and let me and Morag finish up here.
24:59I'm sorry about that.
25:22Oh, no, you're fine.
25:23She's just looking out for you, like a sister should.
25:27Look, I'll need to drop by again when Aidan's here,
25:30but as far as I'm concerned, there's nothing to worry about.
25:34Except what you have with Aidan and Luke.
25:37That's what's important.
25:38Don't let anyone get in the way of that, Amy.
25:41No matter who they are.
25:51What do you mean, you can't do it?
25:57It's only been a morning.
25:59It's just too dangerous.
26:00It's just a name-loading.
26:02I think they're onto me.
26:04Who?
26:04The people who work for the Callaghan's.
26:06Right, and what makes you think that?
26:09I got a tip-off this morning and it turned out to be bullshit.
26:12Why do you know?
26:13Because why would they piss me about like that?
26:16What if they know that I'm working for you lot?
26:17I think you've been paranoid, Mick.
26:19I'd rather be paranoid than dead.
26:21I'm done.
26:26Sorry, I'm done.
26:30All right.
26:32Hey.
26:34What if I did something for you?
26:37Like what?
26:38I don't fucking know.
26:39What do you want?
26:42I want to see my daughter.
26:43What?
26:44Erin.
26:44I want more access to Erin.
26:46Oh, come on.
26:46Please.
26:47Why didn't you know I can't do something like that?
26:51Oh, gee, yeah.
26:59All right.
27:00All right.
27:01Okay.
27:03I'll make a phone call.
27:06It's me.
27:08I found the grass.
27:09Well, she said she had no concern, so maybe that'll be the end of it.
27:19Look, I'll call you back.
27:22What are you doing?
27:25I think it's better if I go.
27:27What?
27:28Go?
27:29Go where?
27:31Back to Aberdeen.
27:33Why?
27:35I'm obviously in the way.
27:37That's not true.
27:39Amy.
27:41I heard you at the door.
27:43You and my Gabe talking about getting rid of me.
27:46I mean, she made it perfectly clear that I shouldn't be around you or Aiden.
27:50That's not what she meant.
27:51It's exactly what she meant.
27:55She was just talking, okay?
27:56And it's not...
27:58It's not like I agree with her.
28:00Didn't disagree with her, though.
28:02Didn't stand up for me, did you?
28:05Stevie, stop.
28:08I'm sorry.
28:09Okay.
28:09I...
28:10Just this stuff with Aiden, it's freaking me out.
28:14But I don't want you to leave.
28:16I need you.
28:20Especially now.
28:23Look, um...
28:24Why don't we, uh...
28:26Why don't we do that picnic?
28:29Here, just you and me.
28:33Be like the old days, back in the house.
28:36Except this time we'll actually have something to eat.
28:41Tell you what, why don't you, um...
28:43You take the car.
28:45Go to the supermarket and get some food.
28:48Nothing healthy, mine.
28:49Just junk food and wine.
28:51I'll get everything sorted here.
28:53Please.
28:55Stay.
28:58Just at least for one more night.
29:03Bye.
29:03Bye.
29:04Bye.
29:04Bye.
29:04You were right.
29:20I'm always right.
29:22But remind me again what it is I'm right about this time.
29:24Alex got the recording of the 999 report made about Amy Shannon.
29:28Stevie Shannon made the call.
29:29So she did report her own sister?
29:31Let's go.
29:32What?
29:33Now?
29:33Well, she made a malicious report we have grounds to her aether.
29:36And then we'll have her prints.
29:37Your sister's been lying to us.
29:38About what?
29:39About being in Edie Tillach's house.
29:42On the day she died.
29:45Okay.
29:47She went up there, yes, but she didn't see or talk to Edie.
29:51So you knew about this?
29:52You were going to come by the station today to explain.
29:55She's already been at the station.
30:11Yeah.
30:12This morning.
30:13And do you know what?
30:16She never said anything about being at Edie Tillach's house.
30:21Well, like I said, she's worried about how it looks.
30:25But even if she went up there, she didn't do anything to eat it.
30:28How can you be sure?
30:29Because she would have told me.
30:30Did she tell you about the phone call?
30:34What phone call?
30:35Are you OK?
31:01Why would she do that?
31:05Well...
31:07PHONE RINGS
31:09If that's Stevie, can I talk to her?
31:15I didn't know if you wanted red or white, so I just got both.
31:19How could you, Stevie?
31:22After everything I've done for you.
31:28Aidan's my son, your nephew, and you told them he was in danger.
31:33No, they're...
31:34They're lying.
31:36That's not true.
31:37I heard the recording, Stevie.
31:38Let me talk to her.
31:40That's not me.
31:41They've made it up.
31:42They're...
31:43They're faking it, so it sounds like me.
31:45No, no, no, no, no, there is no they.
31:47There is no big conspiracy working against us.
31:50There is only you, and I'm...
31:53And I'm done with you.
31:55Amy, I think you should come with us to this station.
32:04No, no, no...
32:05I'll be.
32:09No, no, no, no, no, no.
32:09Fuck!
32:29If Jess and Ethan hadn't called the ambulance, who knows what would have happened.
32:34You know, I do owe you my life, Jess.
32:39What happened?
32:46Just took my prints, asked me a few questions.
32:48Did they charge you?
32:50So you're gonna go to prison?
32:53So I'm right if he does go.
32:55Jess.
32:56What?
32:57He attacked Ethan.
32:59And I said I was sorry.
33:01So?
33:02That doesn't change anything.
33:04I never thought you were capable of doing something like that.
33:08We've all got our secrets.
33:10What?
33:15Jess.
33:16I'll deal with her.
33:17Make yourself comfortable.
33:24I'll get you some water.
33:26Thanks.
33:27Thanks.
33:28Thanks.
33:29Thanks.
33:30Thanks.
33:31Thanks.
33:32Thanks.
33:33Thanks.
33:34Thanks.
33:36What is it?
33:37You don't know them like I do.
33:38What are you talking about?
33:39You don't know how they work.
33:40They twist things.
33:41Stevie, you made that call.
33:43You sent the police to my house.
33:44I know.
33:45And I'm sorry.
33:46But don't worry.
33:47I'm gonna put everything right.
33:48I promise.
33:49And...
33:50And...
33:51I'm gonna make sure she can't take it another time.
33:52She's like, what's the same?
33:53Mom.
33:54What is it?
33:55You don't know them like I do.
33:56What are you talking about?
33:59You don't know how they work.
34:01They twist things.
34:02Stevie, you made that call.
34:04You sent the police to my house.
34:06I know.
34:07And I'm sorry.
34:10But don't worry.
34:12I'm going to put everything right, I promise, and I'm going to make sure she can't take Aiden off you.
34:42Stupid woman.
34:58Oh, no!
35:01Help me!
35:04Oh!
35:05And did she say where she was?
35:20No, but she sounded weird, like she was going to do something.
35:24Like what?
35:25She said she was going to make sure she didn't take Aidan away.
35:28Is she? Sorry, who is she?
35:30Stevie was there this afternoon when she came round to visit.
35:33When who came round to visit, Amy?
35:34Oh, Christ.
35:35Billy.
35:42Morag, where are you?
35:44I'm back at the house.
35:45I need you to get in the car and come into the station.
35:49What?
35:50Just do as I ask, Morag.
35:54Morag?
35:55Yeah, no, no, I'm here, I'm here.
35:57Look, what's going on?
35:59We can't find Stevie Shannon.
36:01I think she might head to the house.
36:03I think she's here.
36:12Morag!
36:13Stevie, do you want to come out, pet?
36:23If you want to talk, I'm here.
36:39Stevie?
36:39Okay, Sandy, find out if there's anyone near the house and get them over there.
36:47No, no, no, no, no, no, no, no, no, Billy, you need to stay here.
36:51The hell with that.
36:51I know you had it tough, Stevie, and I'm sorry.
36:56You got a bad deal and you have every right to blame us, but we were just doing our jobs.
37:01You took her from me, you stole her, you and Tulloch.
37:08We had to, Stevie.
37:09Your mum was a good person, but she couldn't cope.
37:12My mum, you think I give a shit about that useless junkie?
37:16You took Amy from me.
37:17I remember everything, even Tulloch, because outside, I saw the looks between yous.
37:26I remember you grabbing me while she threw Amy in the car.
37:32I can still smell your perfume.
37:37You were wearing it now, weren't you?
37:41It fucking stinks.
37:45You took my sister from me.
37:52You've still got Amy.
37:53It is not the same!
37:55She is different!
37:56She has Aidan and Luke and her work in a flat with fucking tea towels!
38:02I want the old Amy!
38:03You know, just me and her, nobody else, just like it was in the flat!
38:07You know, you can't have that!
38:10I know.
38:12You can't have it, Stevie!
38:14I've had!
38:15I know!
38:18You can't, you can't have it, Ben.
38:23You can't, you can't have it.
38:27I'm sorry.
38:34I'm so sorry.
38:37I'm sorry.
38:38I'm so sorry.
38:41Morag?
38:44Morag?
38:48Morag?
38:51Oh.
38:53I don't want a charge, Sandy.
39:17As far as I'm concerned, there was no crime here.
39:20Did she say anything, Warag?
39:21About what?
39:23Edie.
39:24No, no, she was speaking about the day we took her and Amy away.
39:30What do you mean, Edie, we should have handled things better?
39:34You did what you could, love.
39:36Yeah, and a fat lot of good that did.
39:44She's head of shock.
39:46Her and me both.
39:49I'll leave you to it.
39:51Let me know if you need anything.
39:53Sandy, Elliot, I thought she was asking about the robot.
39:58Any idea why?
40:00No.
40:01I'm sure it'll keep her.
40:04Just take care of him, Warag.
40:06Hello?
40:07Is that Loudon?
40:08Yeah.
40:09Are you looking for a job?
40:10Right.
40:11Yeah, yeah, yeah, yeah.
40:13Yeah, hey.
40:14How did you get this number though?
40:15Look, if you're not interested.
40:16Nah, I am.
40:17Yeah, 100%.
40:18Good.
40:19Because I might have someone on tonight.
40:20Nothing too big, but I need an extra pair of hands.
40:22Yeah, okay.
40:23Right.
40:24Well, keep your phone on, yeah?
40:25And I'll let you know when and where later.
40:26I didn't get your name though.
40:27I didn't get your name though.
40:28We'll do the proper introductions tonight.
40:29I'll be in touch.
40:31She was strangled, tied to a post.
41:01And left to rot in her garden.
41:09Edie Tulloch.
41:10Your social worker.
41:14And then there's Morag McCabe.
41:16Another social worker.
41:17Who you attacked in her own home this afternoon.
41:25I didn't do this.
41:26But you were in Luniswick.
41:28You were in Edie Tulloch's house.
41:31No, I was in her garden.
41:32Why were you in her garden?
41:36I don't know.
41:37I just...
41:38I wanted to see her.
41:42Right, so you spoke to her?
41:43No, no.
41:44I mean...
41:47I wanted to look at her.
41:49Why?
41:51I just...
41:55I wanted to look at her.
41:58You know...
41:59See if she still looked the way that she did when...
42:02She came to the house that day.
42:05And did she?
42:07No.
42:09She looked like a wee old woman.
42:11Wait, let me get this straight.
42:13You, er...
42:14You didn't go into the house.
42:16You didn't talk to Edie Tulloch.
42:18And you didn't attack her.
42:19Like you tried to attack Morag.
42:21I just watched her through the window.
42:22And then I went back to Amy's.
42:24Yes.
42:26Okay.
42:30Was she with anyone else?
42:33The thing is, Stevie...
42:36It's really hard for us to believe you.
42:39You say one thing, and then you go and do something that completely contradicts that.
42:44This morning...
42:46You told us you and Amy were bonded.
42:49That you would do anything for each other.
42:52And then...
42:53We find out that you reported her to children's services.
42:57No, I...
42:59I didn't mean that.
43:01So why'd you do it?
43:03I think I wanted her to have that...
43:05Feeling...
43:06Again.
43:07What do you mean?
43:08What feeling?
43:10Like...
43:12Chaos.
43:14When everything's out of control and you're falling.
43:21When I was 13...
43:23I spent a year in a children's home in...
43:26Bantford.
43:28Well, again, I don't...
43:29I don't remember.
43:31Anyway, the...
43:32The kids there, they would...
43:34They'd play this game where they'd imagine the families that would adopt them.
43:40It's bullshit.
43:43Nobody fucking wanted us.
43:49I never fantasized about a new family.
43:53I just wanted to be at home.
43:55With Amy.
43:56With the chaos.
43:58And the falling feeling.
44:03I was happy.
44:05There.
44:07With Amy.
44:13I think Amy's the only person that's ever loved me.
44:28I didn't do this.
44:31So what are your thoughts?
44:32It sounded like the truth to me.
44:35But we've been here before.
44:37Oh, come on.
44:39Even you can't think that children's home story was a lie.
44:42Maybe it was.
44:43Maybe it wasn't.
44:45Jesus, you are cynical.
44:47What?
44:48I'm not going to form an opinion on someone just because they've given me the little orphan Annie's shtick.
44:52Day I called her.
44:55Ah.
44:57All right.
44:58Right, thanks.
45:00So...
45:02Stevie's prints are not a match for the set that were found at the Tulloch house.
45:06So where does that leave us?
45:09With no suspect and no motive.
45:12Okay, well look, it's not a total washout.
45:14We can still charge Stevie for making a false report.
45:16And that's before the assault on Morag.
45:19Yeah, except Morag's already said she doesn't want to press charges.
45:23That's not her choice to make.
45:25Um, I'll take a view over it.
45:27We should, um, probably release Stevie for now.
45:30I'll go and sort it.
45:31Shit!
45:33I'm supposed to be going out.
45:35Er...
45:36I'm meeting a friend.
46:01I'll leave you to it.
46:05I'll leave you to it.
46:16You...
46:31I'm sorry.
47:01You made it then.
47:02Sorry, sorry, sorry.
47:04Er...
47:07Look who I ran into.
47:09It's Ed.
47:10You remember Ed.
47:11Don't you Ruth?
47:12Yes I do.
47:13You made it then.
47:23Sorry, sorry, sorry.
47:25Eh, look who I ran into.
47:27It's Ed.
47:28You remember Ed, don't you, Ruth?
47:30Yes, I do.
47:32How are you doing, Ed?
47:33I'm fine.
47:35I thought we could all eat together.
47:37Sit down, both of you.
47:39I'll go to the bar, get us a nice bottle of wine.
47:41Eh, no, I'm fine.
47:42No wine for me.
47:43Yeah, nor me.
47:48We didn't bump into each other.
47:50He called me, invited me for dinner.
47:52It's all right.
47:53I didn't know you were coming.
47:55I don't know what he's playing at.
47:56Well, I think it's pretty obvious.
47:59Look, I'll get out of your way.
48:01No, no, it's fine.
48:02Just stay.
48:03It's OK.
48:04To be honest, I'm short-staffed at the pub.
48:06I could do it being there.
48:08Tell James I'll get my revenge.
48:10You know, it's not that I don't want to.
48:15At dinner, I meet you.
48:16It's just, you know.
48:18Yeah, yeah, yeah.
48:19No, I know.
48:19It's fine.
48:20Catch you later.
48:21Yes, go on.
48:21Go.
48:22Where is he going?
48:29Did you scare him away?
48:30You scared him away?
48:33Your bloody Silla Black impression.
48:34T.I. Calder, leave a message.
48:43Hi, it's Will.
48:45I've got some information for you, right?
48:47So, just meet me at the fish market in an hour
48:49and don't be late, please.
48:50T.I. Calder, leave a message.
49:20How can I help you?
49:37Hello.
49:37I was wondering if I could speak to D.I. McIntosh, please.
49:40Ray was with me the night the robbery at the docks took place.
49:56Robert arrested him at the house the next morning.
50:00At first, I wasn't worried.
50:01I knew Ray hadn't done it.
50:02I figured he'd be at the station a couple of hours
50:05and then he'd come home.
50:07About the day dragged on and he didn't come back.
50:10And then about ten o'clock,
50:14Robert came to see me.
50:17He said they were keeping him in overnight.
50:20Holes in his story they needed to check.
50:27I told him, you've got it wrong.
50:30He was with me.
50:31What did Robert say?
50:35He said it would be better
50:38if Ray wasn't at home.
50:42That I should lie
50:43and say he'd been out all night.
50:49Robert was tired of him.
50:51Wanted him off the aisles.
50:53He made it quite clear
50:54that I was to help him do that.
50:57But you refused.
50:58Yes, of course I did.
51:02But then,
51:04Robert reminded me
51:05that Edie was the head of family services.
51:11And one word from him
51:13and she would start investigating us.
51:18Kids get taken from their mums all the time, Gina.
51:21You can either
51:31stand by Ray
51:34or
51:36you can lose David.
51:41Did Edie know about this?
51:44I don't know,
51:45but I couldn't take the chance.
51:46I did what he said.
51:47I betrayed Ray.
51:48I mean, to be fair to him,
51:52he understood why I had to do it.
51:53He never blamed me for it.
51:54Why didn't you report this, Gina?
51:57Who to?
51:59To another police officer.
52:01Sergeant McCabe was here at that time.
52:05Sergeant McCabe?
52:07You mean Robert Tulloch's pal?
52:18You mean Robert Tulloch's pal?
52:19You mean Robert Tulloch's pal?
52:20You mean Robert Tulloch's pal?
52:21You mean Robert Tulloch's pal?
52:22You mean Robert Tulloch's pal?
52:23You mean Robert Tulloch's pal?
52:24You mean Robert Tulloch's pal?
52:25You mean Robert Tulloch's pal?
52:26You mean Robert Tulloch's pal?
52:27You mean Robert Tulloch's pal?
52:28You mean Robert Tulloch's pal?
52:29You mean Robert Tulloch's pal?
52:30You mean Robert Tulloch's pal?
52:31You mean Robert Tulloch's pal?
52:32You mean Robert Tulloch's pal?
52:33You mean Robert Tulloch's pal?
52:34You mean Robert Tulloch's pal?
52:35You mean Robert Tulloch's pal?
52:36You mean Robert Tulloch's pal?
52:37You mean Robert Tulloch's pal?
52:38Okay. Thank you very much.
52:51Here we go. I'm just saying you've got a type.
52:55I don't have a type.
52:56You do. You're like the charming losers, the useless arty ones.
53:01You want to be someone's muse.
53:03Shit.
53:05Don't be too hard on yourself.
53:06The heart wants what the heart wants.
53:09Yeah, I'm sorry, James. I've got to go.
53:14I'll see you later.
53:36I'll see you later.
53:38I'll see you later.
53:43You there?
53:45Let's see if there's a fucking wind-up.
53:50Hi, it's Will. Sorry I can't come to the phone right now.
53:53I'll leave my message.
53:54I'll leave my message.
53:55I'll leave my message.
53:56I'll leave my message.
53:57You there's a fucking wind-up.
54:03Hi, it's Will. Sorry I can't come to the phone right now.
54:06I'll leave my message.
54:07I'll leave my message.
54:20Oh, don.
54:21?
54:23?
54:25?
54:27?
54:33?
54:35?
54:37?
54:39?
54:41?
54:43?
54:45?
54:47?
54:49?
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