- 14 hours ago
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00:00This is Charlie's creator, Jensen.
00:07All we need to get the machine up and running is to enter an activation sequence.
00:12Enciphered in this diary.
00:14I need you to wake Charlie up for me, Iris.
00:16Or they're gonna kill me.
00:17Your diary is a puzzle.
00:19He calls the machine the lamentation of God.
00:21The silence of the dead voices.
00:23The abomination of the desolation.
00:25The Kali Yuga.
00:27You haven't finished decoding it yet.
00:29I'd like to see you try.
00:30You change the key every week.
00:32So, that's a no then.
00:34Hello?
00:35Hi, we've never actually spoken.
00:36My name's Iris Nixon.
00:37This is real.
00:38Right?
00:39Meet me in Rome and I will tell you everything.
00:41Provate, Iris Nixon.
00:45Theo, they found me.
00:46I need to get off this island or I'm dead.
00:48I told you they're here for money.
00:54I still got the diary.
00:55You kill me, you don't get it.
00:57You hurt, Joy?
00:59You don't get it.
01:00Get it!
01:19Team 1, Team 1, all clear.
01:21Two will survive the scene.
01:26What have you done to me, Jensen?
01:56Please help me understand.
02:07You know what you've done.
02:08Do you even remember?
02:14And can you explain it?
02:16It was my obligation.
02:20To what?
02:22These were nice people.
02:24These were brilliant, kind, clever people.
02:27They didn't mean you any harm.
02:29They didn't mean to hurt anyone.
02:32No.
02:34Sir?
02:37Can you tell me why?
02:40Help me?
02:44There was a man called Eugene Shiffman.
02:46Oh, no.
02:47Stop.
02:48Stop.
02:49Stop.
02:50Stop.
02:51Stop.
02:52Stop.
02:53really hard to understand that i am angry and i am scared and i just
03:05i need you to give me something so that i can forgive you you decided to introduce
03:10to the united states of america all the birds mentioned in the plays of shakespeare i know
03:17in 1890 released 80 starlings into central park and that's where all the
03:23starlings in america come from all 200 million of them a man who loved shakespeare and only wanted
03:31to make the world more beautiful i just need the activation sequence
03:39no
03:42never
03:45in 1960 a plane crashed into boston because
03:50ten thousand starlings had flown into it 62 people died starlings there's some microbes
03:58starlings drive out native species starlings they spread diseases
04:04i know
04:14you believe that the truth will be beautiful
04:21you think it will be poetry symmetry you believe it will set us free
04:27but the truth
04:33is savage
04:36and sorrow
04:39we must not speak
04:40you know
04:47you know i just need you to help me
04:51i know
04:55and i'm trying
05:10you know
05:23you know
05:23you know
05:24you know
05:24you know
05:28of insincerity
05:31And you pretend
05:37that it doesn't matter
05:39And that you're not scared
05:43Oh, here comes that day
05:49Oh, here comes that rain
05:54on your brain
05:56Fuck, fuck, fuck
06:05It's disgusting
06:07Here
06:13So who are you?
06:22No one, really
06:23What do you mean?
06:25Everyone's someone
06:26Yeah, obviously
06:27Just no one in particular
06:30No, I don't understand
06:31Who are you to Iris?
06:33She's my tutor
06:34In?
06:36Maths, science, philosophy
06:38So what were you doing in the airstrip?
06:40She asked me
06:41You had a bomb
06:42You brought a bomb
06:44No, I mean
06:45Yeah, but it's not like she told me that
06:47I just, I just thought
06:48What?
06:49I don't know
06:50Not that it was a bomb
06:51What?
06:51A literal bomb?
06:55So, you're not her accomplice or anything like that
06:59Her confederate?
07:00No
07:00Daughter?
07:02Daughter?
07:02No
07:02Girlfriend
07:04What?
07:04Jesus
07:05Sorry, I'm just trying to get this straight
07:07Are you nothing to her?
07:10Because I've just
07:11Oh, Christ
07:14What have I done?
07:19Meski
07:20When we're clear
07:22Find a quiet place to set us down
07:25What have I done?
07:55Thank you, Joy Baxter.
08:08Irish Nixon.
08:25and not.
08:27Control all the factories, every cabana, every station.
08:32If it's going through villages, someone will see it.
08:37He needs food, water, a place to hide.
08:42Bar, pasticceries, crot, benzinae.
08:45No one passes without being stopped.
08:48He killed policemen, our friends.
08:51She doesn't leave this island.
08:53Is it clear?
08:55Chiamate the unit drone.
09:21Look, I'm sorry about this bringing you with me.
09:27I wasn't thinking.
09:29I thought you and she, I thought you meant something to her,
09:33which was pretty stupid because nobody does, not really.
09:40She'll come for me?
09:41Yeah, what makes you think that?
09:43She promised.
09:45Well, she lies.
09:46Not to me.
09:49I wish I could agree, I really do.
09:52I could run.
09:53And Mesky will shoot you.
09:59They'll find my body.
10:03Trace it to you.
10:05Not if we load you into a helicopter and drop you into the sea.
10:08No.
10:11Well, you don't want to do it?
10:12No.
10:13I really don't.
10:15So don't?
10:17Yeah, the thing is, I could probably have to.
10:21Because I might tell people.
10:23Yeah, pretty much.
10:28So pay me.
10:29Yeah, okay.
10:31The thing is, people who can be bought,
10:33can generally be bought again by different parties.
10:35So offer me a lot.
10:36No, I'm not talking about them paying you with money.
10:38I'm talking about bad stuff.
10:41I'm talking about fear and pain and all the rest of it.
10:47Yeah?
10:50What you've got?
10:53Actually, I think you've got some bone in your hair.
10:55Oh, please, get it out!
10:57Where?
10:58Look at that.
10:59Look at that.
11:05Uh...
11:15Who was that, do you think?
11:17In my hair?
11:18I don't know.
11:24How do you know Miss Brooke?
11:27Well, I was sort of her boss.
11:30Disgusting.
11:34What happened?
11:35Well, she stole something.
11:40And the thing is, if I don't get it back,
11:42then things are gonna get really, really bad for me.
11:44Really bad.
11:50There are people out there.
11:54Joy.
11:55Joy.
11:56There are people out there, Joy.
11:59And you wouldn't believe the things that they will do.
12:03I didn't believe it myself.
12:05Until it was too late.
12:07You just take one step, one fork in the road.
12:15And things get really dark.
12:18Yeah.
12:21I can see that.
12:28Well, for what it's worth, you do seem like the sort of person she would like.
12:32In a narcissistic sort of way.
12:39Which means you can't do it.
12:40Can't do what?
12:41Body me.
12:43Oh, right.
12:45Of course.
12:46Uh, sorry, why?
12:48Because you need your thingamabot back from Miss Brooke.
12:51Iris.
12:52And the only way that's going to happen
12:54is if she actually does care about me a bit.
12:57Which you yourself said she actually might.
13:00So even if you wanted to kill me, which you basically don't,
13:05you couldn't.
13:07Well, yeah.
13:09You need me alive.
13:11Plus, you need to be wrong about her.
13:16Which I actually think you are.
13:29All right then, clever clogs.
13:31So here we are.
13:32But you can get on the ground.
13:34And then some of the laws.
13:35So you have got to go?
13:36What's up here?
13:37That's a good thing.
13:39Yeah...
13:41No, no.
13:43I do not know.
13:45We're just going to keep going.
13:46What's up here?
13:47I don't know.
14:17I don't know.
14:47I don't know.
15:16Cazzo, ne abbiamo allertato guardia costiera, carabinieri, guardia di finanza, niente.
15:20Cazzo.
15:21C'è un motoscafo rubato sulla rivera del Corallo, i tempi coincidono.
15:25Bene, farlo controllare.
15:26Sì.
15:27Quanto devo aspettare ancora?
15:28Cazzo.
15:29Cazzo.
15:30Cazzo.
15:31Cazzo.
15:32Cazzo.
15:33Cazzo.
15:34Cazzo.
15:35Cazzo.
15:36Cazzo.
15:37Cazzo.
15:38Cazzo.
15:40Cazzo.
15:41Cazzo.
15:42Cazzo.
15:43Cazzo.
15:44Cazzo.
15:45Cazzo.
15:46Cazzo.
15:47Cazzo.
15:48Cazzo.
15:49Cazzo.
15:50Cazzo.
15:51Cazzo.
15:52Cazzo.
15:53Cazzo.
15:54Cazzo.
15:55Cazzo.
15:56Cazzo.
15:57Cazzo.
15:58Cazzo.
15:59Cazzo.
16:00Cazzo.
16:01Cazzo.
16:02Cazzo.
16:03Cazzo.
16:04Cazzo.
16:05Cazzo.
16:06Cazzo.
16:07Cazzo.
16:08Cazzo.
16:09Cazzo.
16:10Cazzo.
16:11Cazzo.
16:12Cazzo.
16:13Cazzo.
16:14Cazzo.
16:15Cazzo.
16:16Cazzo.
16:17Cazzo.
16:18Cazzo.
16:19Cazzo.
16:20Cazzo.
16:21Diary is a puzzle one more code to crack five more pages to read
16:28Using a DNA sequence as a source of a book code
16:38Using a DNA sequence DNA is the book of life using DNA using DNA
16:44You use your own DNA you crafty bastard
17:14Ha sfondato la testa a Bernardo
17:16Un oggetto contundente, impatto elevato
17:19L'ha portato sulla scogliera, ha dato fuoco alla macchina e l'ha spinto oltre il ciglio
17:22Porca soccola
17:24Krause e Baptista
17:25Mordigno esplosivo nascosto in una varigetta
17:27Cristo santo
17:29Soldi facili, come no?
17:31Morirà per questo, vero?
17:44Parlo con Kasterman
17:47Si, sono io, comandi
17:49Tre uomini della mia squadra sono morti
17:52Erano dei bravi poliziotti e delle bravissime persone
17:55Lei quando mi saprà dire che gli avvole il successo all'agio?
17:58Ci stiamo ancora lavorando
17:59Avere il comandante la situazione è decisamente molto insolita
18:03Non è che potrebbe spiegarmi meglio cosa ci facessero i suoi uomini da queste parti
18:07Sono sicuro che le hanno dato tutte le informazioni che potevano
18:11Si, mi hanno detto che stavano effettuando un mandato di arresto internazionale
18:16nei confronti di una cittadina britannica di nome Iris Nixon
18:19Diciamo che lo hanno detto solo una volta che l'agente De Santi si era morto
18:23E l'hanno trovata?
18:25Hanno trovato qualcosa
18:27Ciò che è strano è che invece non vedo da nessuna parte un mandato di arresto nei confronti di Iris Nixon
18:32Ci sono diverse ricompense
18:34ma nessuna che cada sotto la nostra giurisdizione
18:37I miei parametri operativi non le riguarda un ispettore?
18:42Certamente
18:44Capisco che siano questioni operative molto delicate
18:47Ecco, con tutto il rispetto ho l'impressione che stiamo brancolando nel buio
18:51Quindi se...
18:52Se potesse dirmi qualcosa di più, darmi una mano ecco gliene sarei molto grato
18:56Ah, vuole che le dica qualcosa?
18:58Allora lasci che le dica questo
19:00I miei uomini sono morti
19:02E da ora in poi la sua unica ragione di vita è quella di parlare e agire per conto loro
19:06Mi porti la testa di quella donna su un palo quanto è vero in Dio
19:09Ma emagno lei e tutta la sua squadra dei pecorari
19:11Se siamo capiti, vero?
19:20Trovatela
19:21Roissà
19:39Quaglia
19:42Quaglia
19:43Quaglia
20:16Nice to meet you.
20:46Greetings and salutations.
21:08This is Two Seconds to Midnight and I'm Alfie Byrd
21:11with an important update on the Iris-Nixon affair.
21:14Okay, we have got a missing girl,
21:15an island-wide lockdown,
21:17a mysterious helicopter,
21:19an alleged terrorist bomb,
21:20and complete silence from local police.
21:24Why is Iris-Nixon in Sardinia?
21:27And what is being kept hidden?
21:30This is Two Seconds to Midnight and I'm Alfie.
21:45A few seconds to die that can be Wiele,
21:49in Sardinia,
21:50has been hit,
21:51and I'm in the middle of the World Station.
21:53We have to be able to get to it,
21:55and we have to be able to get to it.
21:57And what is the date?
21:59The day of the U.S. flashes from the согласie of the U.S.
21:59We have to be able to get to it.
22:01The future with our first flight is an amazing elektrisch.
22:03Oh, come on.
22:21Multiple mainstream outlets are confirming that Iris has been spotted in Sardinia.
22:33Hello?
22:38Hello?
22:39Am I speaking with Alfie Bird?
22:42Uh, you are, yes.
22:45Sorry, who's that?
22:47This is Inspector Casterman of the Sardinian Police.
22:52Okay, gosh, I see.
22:56How can I help? Am I in trouble?
22:58No, not at all.
23:00I think I'm correct in saying you are the closest thing there is to an expert on the subject of Iris Nixon.
23:07Well, it's not for me to say, really, but, yeah, I think it's fair.
23:11I mean, you might say so, but I couldn't possibly comment.
23:16So, yeah, what's going on? How can I help?
23:20We have reason to believe that Iris Nixon is currently in Sardinia.
23:24So it's definitely true, then?
23:26You know what they're saying on the news?
23:28I'm afraid that I'm not at liberty to say.
23:30No, no, of course.
23:32I'm actually calling to ask if you might be in possession of any information that could be useful to our investigation.
23:39What sort of information?
23:40Well, I'm thinking of the kind of material you wouldn't be comfortable sharing in a public forum.
23:47Such as?
23:48I don't know, Mr. Bird. I'm asking you.
23:50Ha!
23:51Yeah, yeah.
23:52Of course.
23:53Um...
23:54Ba-ba-ba-ba-ba-ba.
23:55Well, yeah, not that I can think of.
23:58I mean, not off the top of my head.
24:00Sorry.
24:01I see.
24:02But, you know, if you're ever in London, maybe I could interview you for the channel.
24:07Well, I don't think that will be necessary.
24:09But thank you.
24:10I appreciate it.
24:11Thank you for your help.
24:17You're not off the top of my head.
24:23Sorry.
24:27You're not off the top of my head.
24:29Sorry.
24:32Gia, ho bisogno che mi localizi un numero.
24:47Ha!
24:48Ha!
24:49Ha!
24:50Ha!
24:51Ha!
24:52Ha!
24:53Ha!
24:54Joy!
25:04You're free to come and go as you please, within the limits of your access privileges.
25:09Don't worry, it's pretty easy.
25:12Green for go, red for no, that kind of thing.
25:19Seems very basic, yeah.
25:22Is that basic in the pejorative sense, or...
25:27Home again, home again, jiggity-jig.
25:33You've got access to the grounds if you want,
25:35but trying to leave would be a bad idea.
25:38Yeah?
25:39Afraid so, yeah.
25:40Even if you got bitten by a radioactive spider
25:42but somehow managed to make you past the perimeter,
25:44we're in the middle of nowhere and you'll die of exposure.
25:47Miss Brooke managed it.
25:48Iris, and she did, yes.
25:51But A, she's the devil, and B, that's why we upgraded,
25:55so just don't try and leave, okay?
25:58I'd hate for you to get shot before you got fried,
26:01before you were exploded by a mine,
26:03before you went hungry and froze to death
26:06and got eaten by mammals.
26:12Whatever.
26:14Not the internet?
26:15No.
26:16I suspect we can organise some sort of monitored, read-only thing,
26:19but obviously no social media.
26:20Obviously.
26:21Just Spotify.
26:23Oh, yeah, okay.
26:24What sort of stuff are you into?
26:26I mean, are we talking Billie Eilish?
26:28Quite like Bissell Serenade.
26:30Oh, yeah.
26:31Pale Midnight, alright, I guess.
26:33Okay.
26:34And Delulu sisters sometimes.
26:36Right.
26:37Are you making these up?
26:39Yeah.
26:41Hello?
26:42Mr. Beck.
26:43I hope this isn't an inconvenient time to call.
26:44My name's Hugo Pym.
26:45I'm the acting head of the intergroup committee.
26:46Uh, well, I wasn't actually expecting a call, but I normally deal with-
26:47Yes, no, well, you won't be dealing with them anymore.
26:48This issue has been, well, kicked upstairs.
26:49How far upstairs are we talking?
26:50Top floor, I'm afraid.
26:51What's that mean, exactly?
26:52Well, I'm sorry to be the bearer of bad tidings and...
26:53Obviously, this is terribly embarrassing for you and
27:15to be the bearer of bad tidings, and...
27:18I mean, obviously, this is terribly embarrassing for both of us,
27:21but I have a duty to inform you that there is, uh,
27:24rather an issue with the shareholders, as it were.
27:28Money.
27:30I mean, their investment, as you know,
27:31it does amount to several billions of dollars.
27:33And they will recoup their investment a thousand times over.
27:36Yes, when you have regained access to the...
27:39...device, the apparatus.
27:42Obviously, yes.
27:44Well, there's a rub.
27:45You see, when do you think that's likely to be?
27:47Because without a definitive timeline,
27:49this situation feels less like a deferred return on investment
27:53and more like...
27:54Well, Ford.
27:55Mr. Pym, it works.
27:57Be that as it may, I have a duty to inform you
28:00that given the continued absence of any compelling evidence
28:02as to your good faith, sanctions will be entered into.
28:05Would you care to articulate the nature of those sanctions?
28:08I'm afraid I'm not at liberty to do so.
28:11Well, just to be abundantly clear,
28:13we are talking about killing me here.
28:16Obviously, I can neither confirm nor deny that.
28:19But between you, Ma and the Gabriel, I would advise you
28:22to ensure your affairs were in order.
28:24Mr. Pym, I'm on top of it.
28:26I have leverage.
28:28Well, that's good news.
28:29What kind of leverage?
28:30Well, I have something that Iris wants very much
28:33and that she cares about very deeply.
28:36Joy?
28:39Say hello.
28:43Hello.
28:44And how does this leverage work in practice?
28:49Well, Iris gives me what I need or...
28:53By which we mean the stolen diary?
28:55Yes.
28:56And if she doesn't, you...
28:59you kill this young woman?
29:01Yes.
29:07Mr. Beck, that won't do at all, will it?
29:11No.
29:13Of course not.
29:14It doesn't kill the goose that laid the golden egg.
29:18One keeps the goose alive as long as one can,
29:20while one sections and cooks it.
29:23Sorry I don't follow.
29:25I'm saying we start perhaps with an amputation,
29:27a foot or a hand.
29:28That is often enough to do the trick.
29:30And if not, well, we have a number of highly skilled surgeons
29:33on the payroll and they'd be more than willing
29:35to keep this young woman alive and conscious,
29:39past the point where continued existence becomes...
29:44Well, a moral obscenity.
29:46Frankly.
29:47Once the limbs have been removed,
29:48we move onto the lower mandible,
29:50the tongue, nose, eyes.
29:53They feel quite fascinating.
29:56Mr. Pym.
29:59I employ professionals,
30:02not psychopaths.
30:05Well, then it's lucky we spoke.
30:08I'll be there in the morning.
30:18I'll be there in the morning.
30:19I'll be there in the morning.
30:23Okay?
30:24Mm-hmm.
30:48Hey, don't walk around me.
30:50Hey, don't walk around me!
30:51Yeah!
30:52Yeah!
30:54Yes!
30:55I don't know.
31:25I don't know.
31:55I don't know.
32:25I don't know.
32:55Attack, attack, and attack.
32:58Being relentless is the key to your success.
33:25I don't know.
33:27I don't know.
33:31I don't know.
33:33I don't know.
33:35I don't know.
33:36Shut up.
33:37I'm not going to hurt you anymore.
33:51I'm just going to rob you.
33:53And it's not like you're going to go to the police, is it?
33:56Shhh.
33:57Shhh.
33:58Shhh.
33:59Shhh.
34:00Shhh.
34:01Shhh.
34:02Shhh.
34:03Shhh.
34:04Shhh.
34:05Shhh.
34:06Shhh.
34:09Shhh.
34:10Shhh.
34:11Shhh.
34:12Shhh.
34:13What else have you got?
34:14Cucine.
34:15Cucine, MDMA, Adderall,
34:20Pencil.
34:23Naloxone.
34:25Disease and cure, eh?
34:27Nice.
34:45Sous-titrage ST' 501
35:15Sous-titrage ST' 501
35:45Sous-titrage ST' 501
36:15Sous-titrage ST' 501
36:17Sous-titrage ST' 501
36:19Sous-titrage ST' 501
36:21Sous-titrage ST' 501
36:23Sous-titrage ST' 501
36:25Sous-titrage ST' 501
36:27Sous-titrage ST' 501
36:29Sous-titrage ST' 501
36:31Sous-titrage ST' 501
36:33Sous-titrage ST' 501
36:35Sous-titrage ST' 501
36:37Sous-titrage ST' 501
36:39Sous-titrage ST' 501
36:41Sous-titrage ST' 501
36:43Sous-titrage ST' 501
36:45Sous-titrage ST' 501
36:47Sous-titrage ST' 501
36:49Sous-titrage ST' 501
36:51Sous-titrage ST' 501
36:53Sous-titrage ST' 501
36:55Sous-titrage ST' 501
36:57Sous-titrage ST' 501
36:59Sous-titrage ST' 501
37:01Sous-titrage ST' 501
37:03So please just bring me the diary.
37:09I'm trying. It's nearby.
37:12Well then just tell me where it is.
37:15Not on your Nelly.
37:18We do swapsies.
37:20I bring you the diary and...
37:24you give me joy.
37:27I'll call you tomorrow.
37:29Proof of life.
37:31I need to know she's okay.
37:34Okay, swapsies it is.
37:46Now, I realized something really weird today.
37:51Yeah, what's that?
37:53According to some metrics, you're probably my best friend.
37:58According to others, you're drunk.
38:01I need to get a message to her, but there's no messages in her right.
38:16Then again, it's not Supermax's account when it's not Gitmo.
38:19Because you want her to like you. You can't help yourself.
38:21So what do you do to make her like you?
38:22You give her something.
38:23Because you think that's the way to make her like you. I mean, it's not, but you think it is.
38:26So what does someone like you give someone like you?
38:29right then again it's not super maxes it can when it's not git mo
38:36do you want her to like you you can't help yourself so what do you do
38:41to make her like you you give her something because you think that's the way to make her
38:46like you i mean it's not but you think it is so what does someone like you give someone like her
38:50in her position does someone someone like you give someone like her in her position
38:59we're lost in music
39:16feels so alive
39:19i quit my life
39:29so
39:55what
39:55an incomplete list of songs i love that you probably hate
40:05when will i see you again
40:07don't speak don't make a sound i'm coming for you i will never let you down however there is
40:13something i need up on the roof listen up this is for you miss brooke
40:19listen i know you're scared and alone but i know exactly where you are and everything's going to be
40:34okay i'm going to get the diary that cameron wants and i'm going to get you out of there but i'm going
40:41to need you to do something for me i need you to find a man called jensen i need you to get some of his
40:49this dna for me just one strand of hair would be enough for me to find out why all this is happening
41:05so
41:07an
41:21There's more.
41:23A woman has arrested a car in a beach
41:25a less than a kilometer from where the car was removed.
41:28The description coincide with the one of the Nixon.
41:31They saw her last time
41:33while she was on an autobus
41:35direct to Rome.
41:39Look at this girl.
41:44Call all the contacts you have.
41:46You can use it.
41:48You can use it.
41:51You can use it.
42:07Just keep looking straight ahead, please.
42:10Thank you for coming.
42:12You're welcome.
42:13No, no problemo.
42:16Okay, I'll tell you everything.
42:18Jensen Lind, Charlie Big Potatoes.
42:20Do with it whatever you want.
42:22Take them all down.
42:24Get rich.
42:25Get famous.
42:28So how do we do that?
42:34First, I need to get my hands on a book.
42:36It's kind of a diary.
42:38I've hidden it here in Rome.
42:40The problem is, is I can't get it myself.
42:44Too many people looking for me.
42:47So where is it?
42:50Come on, happy maid.
42:52Where's the best place to hide a book?
42:54Actually, now Maria.
42:55I don't know if I can actually do this.
42:57Where is it going?
42:58Easy be easy.
42:59I feel like everyone's looking at me.
43:01It's like a seven-cent thing.
43:02Nobody is looking at you.
43:03Who is it?
43:04I'm given a baby.
43:05No, you're the only one.
43:06I'll have to look at you.
43:07I'm given a blank.
43:08What are you doing?
43:09I'm given a blank.
43:10What are you doing?
43:11What can I do?
43:12I don't know.
43:13You're the same thing.
43:14You're the same thing.
43:15The shit of shit.
43:16Oh my God.
43:17I swear.
43:18God damn it!
43:19I swear.
43:20Hi, God damn it.
43:21I swear.
43:22I swear I can't give you a damn thing.
43:23I swear you didn't give me.
43:24I swear you didn't give me a shit.
43:25Hell yeah.
43:26I swear you didn't give me a shit.
43:27and I swear you didn't give me shit.
43:28I swear to you, I swear to you.
43:33Where are my money?
43:35My money!
43:39I don't know, I told you.
43:41I took that one.
43:42That one?
43:43That one?
43:44I don't know, I took that one.
43:51It's her!
43:53It's her!
43:58Listen!
44:00Everyone!
44:01There's a recompense of 4 million euros in Rome.
44:06In this moment.
44:08What's waiting for us?
44:12Here it is!
44:13Have you looked at it?
44:17Then move yourself!
44:19Go for it!
44:25Okay, let's go.
44:28Oh, it's actually massive.
44:44That guard is definitely looking.
44:48No, he's not.
44:49He is definitely not looking at you.
44:52And what are his eyes doing then when they're pointed at me?
44:56Just keep moving, Alfie.
44:57Just keep moving, Alfie.
44:58No, no.
45:10No.
45:11Oh!
45:12Oh!
45:13Oh!
45:14Oh!
45:15Oh!
45:17Oh!
45:19Oh!
45:20Oh!
45:21Oh!
45:22Ciao, che bella giornata. Per favore, potrei avere il secondo libro della poetica di Aristotele. Grazie mille.
45:30Ok, aspetta un minuto.
45:39È solo scaffale.
45:42Grazie.
45:46L'altro.
45:47Ok.
45:52That God's definitely looking at Iris.
45:56He is not looking at you, but he's going to start looking at you if you keep talking to yourself like you're neglecting your medication.
46:02Wow, rude.
46:05Just...
46:06Just be invisible.
46:10Ok.
46:14How?
46:16By remembering that nobody cares that you exist.
46:19Ok, brilliant. Thanks.
46:22I swear down, they're all looking.
46:26It's like that bit.
46:27Invasion of the body snatchers.
46:30What bit?
46:30I don't know.
46:31All of it.
46:35So, pretend that you were a pod person and stand still.
46:38I've forgotten how to stand.
46:41Did you put on your hands?
46:44Christ, this isn't a minute.
46:45She said she'd only be a minute.
46:46Just relax.
46:47Relax.
46:57Thank you. Can't wait to dip in.
46:59Pin.
46:59Oh, my God.
47:29Open the book, Alfie.
47:38There it is. That's it.
47:48I'm actually a bit scared to touch it.
47:51Don't be nervous.
47:53Okay, careful now.
47:55Slowly.
47:59Now shove the bars of soap into the cavity.
48:10Oh, fuck.
48:13Alfie, Alfie.
48:15Alfie, seriously, pick up the diary.
48:17Alfie, would you snap out of it and pick it up?
48:21Alfie, can you hear me? Alfie, pick it up.
48:23Alfie.
48:24Alfie, pick up the fucking diary.
48:48Alfie, now.
48:49Alfie, that's it.
48:55That's it. Well done. Good boy.
48:57You're doing great.
49:15Well done.
49:19I thought it would be funnier.
49:43Okay.
49:45Va bene.
49:46A posto così?
49:49Grazie.
49:51Buona giornata.
49:54Okay.
49:59Oh no.
50:01That's it.
50:02Just get out of there, Alfie.
50:16You have outdone yourself, my friend.
50:32That was good work.
50:33I know, right?
50:36You're made for it.
50:38You know, I'm made for a glass of tequila.
50:40That's what I'm made for.
50:41I'm buying.
50:42Well, actually, you're buying.
50:44Mr. Bird.
50:46Nico Kasterman.
50:48We spoke yesterday.
50:49I wonder if you have time to answer a few questions for me.
50:56Yeah, of course.
50:57Good.
50:58Do you have a place to stay?
51:00Uh, yeah.
51:02Can you take me there?
51:03Do you have a place to stay there?
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