- 7 minutes ago
Category
🎥
Short filmTranscript
00:01The following program contains strong language.
00:10Would you mind stepping back from the edge, please?
00:12What's that in your hand?
00:13Give it to me, please.
00:15I'm Joyce Tuzo, Harriet Brooke.
00:17It's Monica.
00:18I feel like I don't know anything about it yet.
00:20Well, it's basically nothing to know.
00:22Iris, is it?
00:23Just trying to get you to come and work with me.
00:25Solving an incredibly difficult puzzle.
00:27Charlie Big Potatoes.
00:29He's a topological quantum device.
00:31So what's wrong with us?
00:32He's asleep, and I need you to wake him up for me.
00:35This is Charlie's creator, Jensen.
00:37What happened?
00:40All we need to get the machine up and running
00:42is to enter an activation sequence.
00:44And ciphered in this, it's his diary.
00:47Aye!
00:52With the reward at four million euros,
00:54the real question is,
00:55who's gonna find her first?
00:57Trovate Iris Nixon.
01:01What we need you to do is find a book
01:03she stole from us.
01:05.
01:09.
01:10.
01:19.
01:20.
01:23.
01:28.
01:31It's a pretty good thing.
01:33And this happens to be a British.
01:43There she is.
01:45That's enough.
01:46Go first.
02:01Oh, here comes that day
02:06Here comes that day
02:08Oh, here comes the rain on your parade
02:13There's a price to pay
02:17For a life of insincerity
02:24And you pretend that it doesn't matter
02:31And that you're not scared
02:35Oh, here comes that day
02:41Here comes that day
02:43Oh, here comes that rain on your parade
02:54Oh, here comes that day
03:24Oh, here comes that day
03:54Oh, here comes that day
03:56Oh, here comes that day
03:58Lavoro?
04:00Si
04:01Metto sul caffè
04:02No, no, no, tranquillo, amore
04:04Torni a dormire
04:05Cosa fai? Sveglia, eh?
04:13Vieni, vieni qua
04:16Vieni qua
04:26Vieni qua
04:36Vieni qua
04:38Vieni qua
04:40Vieni qua
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07:06Vieni qua
07:08Vieni qua
07:22Just do this one thing for me, Teo.
07:26I promise that's all I want.
07:28Just some names and I'm gone.
07:33Is this your husband?
07:40Yes.
07:42Nice to morning, you.
07:48Who are you?
07:50What are you doing at my house?
07:52I had some of my items stolen from the hotel
07:59and your husband didn't so much as take a fingerprint.
08:05I want to lodge a personal complaint.
08:08Yes, I insist you leave.
08:10Well, I don't know how else I'm supposed to get your attention.
08:13Okay.
08:16Now, I have more important places to be,
08:18but yes, during tourist season,
08:20things can get a little bit overwhelming,
08:22but I will make sure the matter is looked into, okay?
08:25Are you sure now?
08:28You promise?
08:30He said he'd help.
08:32Now you need to go, please.
08:34Right now.
08:35You need to leave my house.
08:37I'm so sorry to have woken you.
08:45I'm a tourist out of my head.
08:48Now I'll see you with her.
08:49I'll never see you.
08:49I'll never see you.
08:50No, no.
08:50No, no.
09:13No, no.
09:13I don't know.
09:43What do we have?
09:58It's a bad story.
10:05It looks like someone gave the fire to the car and then it was sent to you.
10:10Who?
10:11Who?
10:12We found an impront of a car.
10:14A small house, a boy, for sure a woman.
10:18A woman?
10:20For sure.
10:24Who are they?
10:29Who are they in sight?
10:36Commissioner Krauss, Commissioner Battista, special anti-crimine.
10:40Are you from the Bruni team?
10:42Yes.
10:43What do we do here?
10:45We're looking for him.
10:50Do you know him?
10:52No, he's one of ours.
10:54He's one of ours.
10:57He's a police officer.
10:58Yes, he was.
11:04Here it is.
11:05How did she find her before?
11:09Excuse me, who are we talking about?
11:11Do you know this woman?
11:22No, I don't know who she is.
11:24She's called Iris Nixon.
11:27She's a celebrity, at least in certain angles of the web.
11:30She's a judge of the police.
11:33And what's going on?
11:35What's going on?
11:37To kill a police officer.
11:45Is everything fine?
11:47Yes, yes, yes.
11:48Sorry, I didn't sleep.
11:49Two little children are little.
11:50I have two small children.
11:54Please, can I?
12:00I know you.
12:03Excuse me?
12:04There's a family here in English,
12:06in the village Ferrant,
12:08and this is my daughter's daughter.
12:10Her hair are different,
12:12but I'm sure she is.
12:14Great.
12:16Let's talk about it.
12:18Can you give me a walk?
12:20Yes, of course.
12:22It's a problem.
12:24Let's follow you.
12:28Theo?
12:30Everything is fine.
12:48Let's go.
12:50Let's go.
12:52Let's go.
12:54Let's go.
12:56Let's go.
12:58We'll see you next time.
13:28Oh, my God.
13:58What?
14:28No.
14:30No, no, no, no, no, no.
14:38Shit.
14:42Shit.
14:46Shit.
14:50Shit.
14:52Shit.
14:56Shit.
14:58Shit.
15:00Shit.
15:02Shit.
15:04Shit.
15:06Shit.
15:14Shit.
15:16Shit.
15:18Shit.
15:22Shit.
15:24Shit.
15:26Shit.
15:28Shit.
15:30Shit.
15:32Shit.
15:34Shit.
15:36Shit.
15:38Shit.
15:42Shit.
15:44Shit.
15:46Shit.
15:48Shit.
15:50Shit.
15:52Shit.
15:54Shit.
15:55Shit.
15:56Shit.
15:57Shit.
15:58Shit.
15:59Shit.
16:00Shit.
16:01Shit.
16:02Shit.
16:03Shit.
16:04So that's a no, then.
16:06How's Sardinia?
16:08Oh, my God, it's absolutely gorgeous.
16:12You should keep it that way and not come.
16:15I have to say, and I don't mean to be rude,
16:17but it's a weird place for a fugitive to hang out.
16:19Such an intelligent one, anyway.
16:21An island with limited points of ingress and egress.
16:26The point of a random choice is its randomness.
16:29Oh, that's right.
16:30You didn't want to be predictably unpredictable.
16:33There you go.
16:34How predictable.
16:36Well, we found you in the end.
16:38So let's summarise.
16:39You've got no money, God knows you've got no friends,
16:42you've got nowhere to run, and, well, you're on an island,
16:45so come on, play fair, game over.
16:47Give me back the diary you stole!
16:50Hmm.
16:53Yeah.
16:55No, sorry.
16:57You'd rather the money defenestrate me,
16:59dash my brains out against the wall,
17:01douse me in petrol, and burn me alive.
17:04Well, I mean, I'm not saying that I would prefer it,
17:07but, you know, it would definitely make things simpler
17:10from my perspective.
17:12Hmm.
17:13So can I just play devil's advocate for a second?
17:15Oh, be my absolute guest.
17:16In an infinite universe, there are infinitely many versions of you
17:20that just say, fuck it, give him what he wants,
17:23so why not be one of them?
17:25Give me the activation sequence,
17:27let me wake Charlie up and set him to work,
17:29make the money happy,
17:31and then no one needs to set fire to anyone
17:33or wrap them in razor wire
17:35and drop them out of a helicopter into a lake.
17:37I can't, Cameron.
17:43I need to know why Jensen did what he did.
17:47He killed five people, and I need to find out why.
17:50Wait, wait, wait.
17:51Which means you haven't finished decoding it yet?
17:54The diary.
17:56I'd like to see you try.
17:58He changed the key every week.
18:00One week, it was the DNA of Bloody Nematode.
18:03Next week, it was the 12th,121,863 digital pie.
18:09All right, I have to ask. I know you want me to.
18:13Because the artist, Edward Monk,
18:16was born on the 12th of December, 1863.
18:2012,12,1863.
18:28That's the one who painted the scream.
18:29Yeah, I'm aware of him, thank you, Iris.
18:34Every week, a new unbreakable head fuck.
18:39So, that's a no, then.
18:43As if.
18:45You know I can't resist a puzzle.
18:47It's a compulsion, evidently.
18:52One more code to crack.
18:54Five more pages to read.
18:59What does he say?
19:04He calls the machine the lamentation of God.
19:07The silence of the dead voices.
19:09The abomination of desolation.
19:10Kali Yuga.
19:14You wrote that?
19:18Mm-hmm. Yeah.
19:24Then he's insane.
19:26But what if he's not?
19:27Because if he's not, and Charlie frightened him that much, then it should frighten us too.
19:44Either way, we don't have the right to just flick his switch and turn it back on.
19:50Not until we know for sure.
19:55They're gonna murder me, Iris.
19:58No offence.
20:00It might just be better to let that happen.
20:03No offence, but fuck off.
20:08See you soon.
20:09See you soon.
20:39With these two men and individuals,
20:43We shouldn't do these negotiations.
20:45Keep the Praia 20.
20:47Then he's planned to let us get out.
20:49Everybody has done this from Italy
20:51You can't stop him.
20:53These, that they're really good.
20:56Thank you for passing,
20:59The opportunity to make two guests in private.
21:01Of course.
21:03No on.
21:04I wanted to inform her that Iris Nixon has the habit of,
21:09how to say it,
21:12to have sentimental relationships with the people of the order
21:17and then to use the relationship in case of a person.
21:34So, the ideal would be that she, with discretion,
21:39could have some indagine
21:42to understand if somehow she was able to infiltrate her.
21:48Is there someone who has problems with a couple?
21:51A marriage in crisis, problems with alcohol, pastiche?
21:56A marriage in crisis always comes with a divide?
22:00No.
22:01It's true that she's around her.
22:32≫
22:41≫
22:52≫
22:55≫
22:58I don't know.
23:28I don't know.
23:58Why weren't you answering me?
24:15I need you to do something for me right now.
24:22A what?
24:31I don't know.
24:33I don't know.
24:35I don't know.
24:36I don't know.
24:38No, no, that's not possible.
24:42That doesn't make any sense.
24:43A police officer from where?
24:44I haven't committed any crimes.
24:46Well, none to speak of.
24:48Well, not until last night.
24:49Okay, I need you to create a suspect for me.
24:54Tell them that you have a description of a man leaving the crime scene.
24:57Any man, doesn't matter.
24:59Buy me a few hours.
25:00They don't have absolutely no sense, dear.
25:03No, they already know exactly what they're looking for.
25:06Do they use the name Iris?
25:08Eh, yes.
25:09Exactly.
25:11I'm an expert in this.
25:12They only have to understand where to look, but it won't take a long time.
25:15They are lying.
25:16They might be police, but they're not here as police.
25:18They're here chasing money.
25:19Don't trust them.
25:21I'd like to, amore, but it's not possible.
25:24You're calm, stay at home.
25:25I'll call you when I'm here, okay?
25:26Okay.
25:32All right?
25:34Yes, yes, yes, absolutely.
25:41We have a kitchen.
25:43My wife odiai i ratti.
25:45I'm a petifogna.
25:49I'm everywhere.
25:51I can't suffer.
25:58So, let's go?
25:59Well, we know her as Harriet Brooke, obviously.
26:17The hair's different.
26:18The eyes are all wrong, but that's definitely her.
26:22I don't understand.
26:24She was, well, she came highly recommended.
26:27I'm sure.
26:29But she's very clever, and references can be faked.
26:33Nobody here considers you to be a fault.
26:36Would you happen to have her address?
26:38Of course, yes.
26:42She's in town.
26:46She's in apartment 7, 352, Piazza Sandoriano.
26:50Joy, sit down, please.
27:07I'm afraid to ask, are we safe here?
27:10The assumption has to be now.
27:13This is a very dangerous woman.
27:29Joy.
27:29I understand that you might feel a tug of loyalty to this woman.
27:34But however you might feel, it's important to remember,
27:37the woman you believe her to be isn't real.
27:40Harriet Brooke is an invention.
27:42The invention of a very dangerous woman.
27:44She's in the apartment.
27:48She's in the apartment.
27:49And she's in the apartment.
27:51She's in the apartment.
27:51Let's go.
28:10Hey.
28:11We found the room of Liz Nixon.
28:13Piazza San Doriano 352 Interno 7.
28:16Let's go immediately.
28:21Do you know where the psychopath is?
28:28Oh, my God.
28:29Is she Pitt?
28:30Joy, please.
28:31Joy, show some respect.
28:33Remember who you're talking to.
28:35I'm so sorry, officer.
28:36Who is Sario?
28:44She's not a psychopath.
28:46Interesting.
28:48What makes you say so?
28:50Psychopaths don't have empathy.
28:52Huh?
28:53But they fake it to get what they want from people?
28:55That's often the case, yes.
28:57So if she were a psychopath, she'd pretend to care about me
29:00to get what she wanted?
29:02And she doesn't do that?
29:04She doesn't pretend to care about you?
29:06No, she doesn't.
29:07Oh.
29:08What does she do? Pretend not to care?
29:11Huh?
29:12No.
29:13Forgive me, Joy.
29:14I'm confused.
29:15What makes you think she's pretending?
29:18Fuck off.
29:19Joy.
29:20What?
29:21He can fuck off.
29:22Right.
29:23Okay.
29:24That's enough.
29:25Go to...
29:26You'll never catch her.
29:27She's much too clever.
29:28Joy, room now.
29:30I'm so sorry, Commissioner.
29:33She's...
29:34Her behavior is inexcusable.
29:35She was raised to be better.
29:37Tell?
29:38Do you have any idea what they'll do to me if they find out I'm having a cop killer?
29:56Get out of my life, you fucking psychopath.
30:01Leave me alone.
30:02Leave everyone I know alone.
30:04Yeah, yeah, yeah.
30:05Now listen.
30:06The minute I'm arrested, the first words that are coming out of my mouth are your name.
30:10Fuck you!
30:11Such bullshit!
30:12Oh, well, why don't you give it a whirl and see?
30:18An assault team has been dispatched to your apartment in Piazza Sandoriano.
30:22The other thing is, the woman who leads me to the front.
30:24No, no, no, no, no.
30:25No, no, no, no.
30:26No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
30:27A piazza Sandoriano, then.
30:31Theo, can I bring her?
30:33Baptiste, you follow me.
30:57Let's go.
31:27Let's go.
31:57Libero!
31:59Libero!
32:03Libero!
32:06Libero!
32:07Libero!
32:27Libero!
32:29Libero!
32:31Libero!
32:33Libero!
32:35Libero!
32:37Libero!
32:39Libero!
32:41Libero!
32:43Libero!
32:45Libero!
32:47Libero!
32:49Libero!
32:51Libero!
32:53Libero!
32:55Let's go!
33:10Have you found the whole room?
33:12Every room, every room.
33:14The roof, the kitchen, the lavanderia, nothing.
33:17Okay.
33:19I call the operation center.
33:21Let the field go and make the identity kit.
33:24Remember that this woman killed a friend.
33:27No one will come home until we find her.
33:30Is it clear?
33:32The operation center.
33:50Excuse me, Miss.
33:51Excuse me, Miss.
33:54It's still cold.
33:55It's changed.
33:56It's still cold.
33:57It's changed.
33:58Yes?
33:59Yes?
34:00Yes?
34:01Yes?
34:02Yes?
34:03Yes?
34:04Yes?
34:05Yes?
34:06Yes?
34:07Yes?
34:08It's still cold. It's been changed.
34:12Tato!
34:13Yes!
34:29It's all new stuff. Never put it in.
34:31This means that it's a new dress.
34:33We have to find the card.
34:35The card that corresponds to the dress.
34:38Look everywhere.
34:52You've got your spirit!
34:54Come on!
34:55Come on!
34:56Come on!
34:57Come on!
34:58Come on!
34:59I'm sorry.
35:00I'm sorry.
35:01Come on!
35:02Come on!
35:03Come on!
35:04Come on!
35:05Come on!
35:06Come on!
35:07Come on!
35:08Come on!
35:09Come on!
35:10Say it.
35:11Come on!
35:12I'm a cop killer.
35:13What?
35:14I don't know what you're talking about!
35:15I am a cop killer.
35:16Say it.
35:17I am a cop killer.
35:18Say it.
35:19I am a cop killer.
35:20Say it.
35:21I don't know who you think I am.
35:22Please.
35:23Look at my face.
35:24Say it.
35:25But I didn't hurt anyone.
35:26Please.
35:27I didn't hurt anyone.
35:28I didn't hurt anyone.
35:29I didn't hurt anyone.
35:30I didn't hurt anyone.
35:31Oh!
35:32Come on!
35:33God!
35:34Go on!
35:35Come on!
35:36Come on!
35:37I could run the walligosa!
35:39Oh!
35:42Oh!
35:43I could run the walligosa.
35:44Oh!
35:45Oh!
35:48Oh!
35:51Oh!
35:53Go on!
35:54Oh!
35:56Get up the room if I can shoot you.
36:05No! No, please, I don't know what she means.
36:08I'm the wrong person. I didn't hurt anyone.
36:11No!
36:12No!
36:26Jus.
36:28Jus.
36:29Jus.
36:31Jus.
36:31Jus.
36:36Jus.
36:38Jus.
36:39Jus.
36:44Jus.
36:45Jus.
36:46Jus.
36:48If you say anything to anyone,
36:52I'll make sure you wish you had it.
36:54You understand me?
36:55Yes, yes, yes, yes, yes, I do.
36:57You need to go!
37:24Allora? Come vi siete conosciuti?
37:50Chi?
37:52Lei è sua moglie? Carlotta, giusto?
37:57Carlotta, sì. Siamo conosciuti che eravamo piccoli.
38:01Io ero sei anni, lei cinque.
38:03Siete felici?
38:05Sì. Molto.
38:10E le gemelle? Quasi due anni?
38:13Quasi due anni.
38:14La cosa più bella che c'è?
38:16Lei ha figli?
38:22Tre.
38:23E li amo tutti quanti.
38:27Ognuno di loro è...
38:29è l'amore della mia vita.
38:33Pure non mi vergogna di ammetterlo, ma su alcuni aspetti ho faticato.
38:38La paternità ...
38:40è una mancanza di sesso.
38:45Un desiderio di scopare.
38:48Voglio dire, adoro mia moglie.
38:49Ma dopo il primo figlio...
38:51la sua libido era...
38:54evaporata, scomparso.
38:56Io non voglio essere frenteso, il nostro figlio ci ha uniti, eh.
39:00Ci ha...
39:01ci ha reso più affettuosi l'uno con l'altro.
39:04Pure quel desiderio di scopare.
39:06E' la nostra parte peggiore, vero?
39:09E' la nostra parte peggiore, vero?
39:13E' talmente...
39:15profondo.
39:19Come se fossimo attaccati a...
39:21ad un cane affamato.
39:32E' Harris Nixon quando l'ha conosciuta?
39:36E' meglio se accosta, non le pare?
39:44Forse...
39:45E' meglio se accosta, non le pare?
40:00Posso far sparire tutto?
40:01Qualsiasi cosa quella donna volesse usare contro di lei...
40:07nessuno lo verrà mai sapere.
40:10Né sua moglie, né i suoi colleghi, nessuno.
40:14Come?
40:16Aspetti che chiami.
40:17Perché è sicuro che chiamerà bisogno del suo aiuto.
40:20E quando lo farà faccia quello che le dico.
40:22Non so quello che le dico.
40:23No.
40:25No.
40:26Two years ago, an enigmatic group calling itself Nine Horses began an online search
40:46for highly intelligent individuals.
40:48A growing collective of puzzle solvers began cooperating on chat rooms and message boards
40:53across the world, but then Nine Horses went quiet, deadly quiet, until 18 months ago it
41:01posted another mystery, a different kind of mystery, one that really set the conspirosphere
41:07alight.
41:08Exactly who and where is Iris Nixon, and soon Nine Horses was offering a massive cash reward
41:15for information leading to the whereabouts of Iris Nixon.
41:18Now, to be sure, many people believe the entire thing to be some kind of online hoax, but
41:23with the reward standing at over four million euros, there are plenty of people out there
41:31who believe the search for Iris Nixon to be something, literally, worth, well, believe
41:38it in.
41:39Yeah?
41:40Joy!
41:41It's Ms. Brock.
41:42No, it's not.
41:43No.
41:44No.
41:45No, no, it's not.
41:47I take it the police have been around.
41:48Just a bit, yeah.
41:49And what did you tell them?
41:50Nothing.
41:51What?
41:54Yeah, good.
41:55Ms. Brock, are you all right?
41:57You sound...
41:58Is everything okay?
42:00Oh, it's just, I mean, it's been a bit of a rough all morning, but, um, I'm fine.
42:07Um, listen.
42:08I don't want to do this, I really don't.
42:09But, um, I'm in a bit of a bind and, um, I don't want to do this, I really don't.
42:14But, um, I'm in a bit of a bind and, um, there's literally no one else I can trust.
42:42The men who've come to find me are very dangerous.
42:49What men?
42:50You mean the police?
42:52No.
42:53Well, yes, but not primarily.
42:56Ms. Brooke, is everything okay?
42:58I need to hide something from them.
43:01It's something that they want very badly and they mustn't be allowed to have, not under
43:08any circumstances.
43:10Something like what?
43:11Or something.
43:12No, it's, um, it's a book.
43:14Sort of a diary.
43:15What's in it?
43:16I'm still trying to figure that out.
43:18Okay.
43:19Where is it?
43:21At my house.
43:22Right, well, tell me where you live and I'll go there now and get it.
43:28I'm so sorry, Joy, I don't know what I was thinking, I shouldn't have done this.
43:36Come on, it's not like it's drugs or anything.
43:38I have to go.
43:40Is it drugs?
43:41Or something?
43:42Sadly not.
43:43No.
43:44No, it really is just a book.
43:47So let me help you.
43:49I can't.
43:50I can't.
43:51Um, thank you.
43:54Now you look after yourself.
43:56You don't lie to the police.
43:57You tell them as much as you know and you do not try to protect me.
44:01Honestly, I don't mind.
44:02Miss Brooke?
44:03Miss Brooke?
44:04Miss Brooke?
44:05Miss Brooke?
44:08Miss Brooke?
44:09Miss Brooke?
44:38Miss Brooke?
44:39Miss Brooke?
44:42Miss Brooke?
44:43Miss Brooke?
44:44Miss Brooke?
44:45Miss Brooke?
44:46Miss Brooke?
44:47Miss Brooke?
44:48Okay.
44:49Listen to me.
44:50Use the front door.
44:51That's the one facing the sea.
44:52It'll be open.
44:54Go to the cooker.
44:56Remove the handle, don't worry.
44:57It's magnetic.
45:01The hatch you want is beneath the rug.
45:04Open it.
45:05Now, listen carefully.
45:07You need two combinations.
45:09The first is three, one, four, five, nine, okay?
45:17Now, here's where you're gonna need that magnetic handle,
45:20because there's a second safe hidden under the first,
45:23and the combination of that safe is one, four, five, eight, eight, six, nine.
45:29There's a briefcase inside.
45:34Please be very, very careful with it.
45:38There's something very precious inside.
45:44Now, mind the man traps.
45:49You'll have your leg off seriously.
45:54Find a hollow tree about 200 meters north-northwest of the cottage.
45:58Hide the briefcase in there.
46:01Then go home.
46:03Don't try to contact me.
46:04I won't be using this phone.
46:28And Joy, Joy, listen to me.
46:35This is very, very important.
46:37Under absolutely no circumstances, and I say again,
46:41under no circumstances whatsoever can you let anyone see you,
46:46or get their hands on that briefcase.
46:50That absolutely cannot happen.
46:51Do you understand me?
46:52Fuck.
46:53Fuck.
46:54Fuck.
46:55Fuck.
46:56Fuck.
46:57Fuck.
46:58Fuck.
46:59Don't you let me tell me not to find one
47:01ordinates my voice
47:06at any time.
47:07This is my last apartment.
47:10Some good friends who work right now but,
47:12you know the town who is a therapist,
47:14you know what to do?
47:15I take nine hours off anymore.
47:16This has been the last place.
47:17I had one stop.
47:18Yeah.
47:19It's not good until,
47:20I had two minutes left.
47:21I picked all three hours and weeks left.
47:22I played wherever I was.
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