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आर्किटेक्टर से अचानक कैसे बन गए एक्टर, इश्वाक सिंह ने साहित्य आजतक पर साझा की अपनी जर्नी
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00:00इस तालियों में कंजूसी मत करिये, क्योंकि काफी जादा प्रॉबलम होती है, काफी चलना भी पड़ता है, यहां मंज तक पहुंचने के लिए, थाइंक यू सो मच इश्वाक इस कमिट्मेंट को बरकरार रखने के लिए, बहुत सारी लड़कियों के दिल भी पसीज रहे हो
00:30जो भी सफर नहीं करना चाहिए, that's the rule, the mantra, the show must go on, so मुझा यहाद रहे है, जैसे काफी थेयर पे काफी place करता था, थेयर करता था, तो उसमें आपका, you know, a film set, of course, you can pause the shoot, but the discipline of theatre taught me that, you know, no matter what, आपकी तबियत खराव है, बारिश आजाए और आप ओपन में प्ले कर रहे हैं,
01:00The show must go on. So, कहिना कहिने एक वो हिम्मत थी, and that's why, and support था मेरे crew का, मेरे डिरेक्टर का, प्रोडूसर का.
01:10So, what we did was that, we did all the sitting scenes first, and now, दो हफते बाद में वापस सेट पे जारा हूं, and we'll do all the movement.
01:19चुटा सब्रेक आपने लिया है.
01:21हाँजी, हाँजी.
01:21दिली दा मुंदा है ये, और दिली दा मुंदा का जजबा, ऐसा है कि पेर टूटे जाहे कुछ टूटे चौटा सा ब्रेक, उसके बाद वापसी.
01:32लिकिन ये जो आच साल का आपका...
01:34ये कामी, जोश और जजबे बाल, ये आमी है.
01:36There is only passion, passion is the only thing that drives performing artist, और एक अक्टर के लिए, वे उसका सबसे बड़ा तूल है.
01:44Talent, hard work, all of that is there, but it's passion, जोश.
01:48इश्वाग, अर्किटेक्चर से सड़नली आक्टिंग, बतला है एक्टम ही आपने यू-टर्न ले लिया, कहां आप कहीं बढ़िया किसी एसी दफतर में बैठे होते, अपना आपका ओफिस होता, you'd have sat pretty, आराम का पूरा जीवन होता, इतनी आपने आठ साल थेटर, फिर आक
02:18and I was a good architect, good student, और अच्छा गाम कर रहा था मैं, लिकन कहींना कहीं होता है, अगर आप अपने अंदर जहांके तो एक self-reflect करें, तो आपको पता लगता है कि, क्या ये मेरी natural choice है, या फिर कहींना कहीं मैं इंफ्लूएंस हूँ क्यू मेरे फैमली में भी अर्किटेक्ट्स है, म
02:48क्या जरुवत है अदर acting तरफ? No, no sane parent will ever suggest this child to become an actor. मुझ कभी तो ऐसा हुआ, मतलए, तो मतलए, तो मतलए, तो मम्मी तो कहती थी, कि जा बिटा, जीले अपनी जिंदगी. नहीं.
03:04I eventually, मेरे पेरेंट से मुझे काफी support किया. I mean, my mother was the one who finally pushed me out of home. And I think it's very difficult for parents because…
03:14एक comfort zone होता है ना घर किसी प्रोफेशन में एक road map होता है. अगर आज आप किसी बैंक में काम कर रहे हैं or you know you're working in any corporate life, you know there's a structure कि इतने साल बाद I will progress and I will get to a certain level.
03:28But एक performing artist की जिंदगी में only you know where you are. You know the tricky thing is that वो progress हो रही होती है.
03:35But you can't explain it to the world because no one will understand. वो आपको पता होता है कि creatively मैं कितना advanced कर रहा हूँ, that networking मेरी कितनी अच्छी हो रही है.
03:44But अगर आप किसी को सम्झाने जाएंगे because there is no tangible evidence to it. You are not getting any you know high ex promotion.
03:52There is no you know that's a structure. There is no back up, no support. There is no structure to this thing, the progress that you are making in your line of work.
04:01You know the thing, interesting thing they say about acting is that it's either feast or famine.
04:07Does this godfather thing really work or talent matters? मैं यह जानना चाहती हूँ आपसे क्योंकि अब OTT इतना built-up हो गया है और OTT सब देख रहे हैं.
04:17क्या वो एरा ओगया जब आपको एक godfather एक ऐसी figure की ज़रत होती ही जो आपको प्रमोट करें, उस level तक पहुचा है या आप सिर अच्टिंट यही काफी है?
04:26I mean, I've never walked down that road, so I can't comment on that. But I know that hard work does pay off.
04:33जयादीप वसे कभी आपने गिवाप किया ऐसा लगा की बस छोडो यह चलो अब वापस.
04:37Give up to, मैने कभी नही किया ना कभी करूंगा. Because I think the day I decided I'll act, I decided that this is for life.
04:47It's a, I think the interesting thing, जो कि आपको drive भी करता है, of course it's money, fame, all those things.
04:55But it is your madness, your passion. कि आपको लगता है कोच होजाए, I will never give this up.
05:00And it is that passion that you start enjoying more than anything else.
05:04You know, because I am capable of experiencing something like this for anything, whether it's work, it's another person.
05:12So, you know, you realize that this is something which is unique, which I have never experienced for anything else.
05:19That, you know, life is a rollercoaster, आप उतारचडः होते हैं, sometimes it's, you know, there's extreme happiness,
05:27sometimes you're down in the dumps. But, but this is one thing that keeps you back on your feet and keeps you going strong.
05:34So, how can you let go of that?
05:36जब तक पातालोग नहीं थी, तब तक इश्वाक के जीवन में क्या चल रहा था?
05:40क्योंकि, recognition or turning point तो पातालोग से आया, अंसारी के character से आया.
05:45और जिस सीन का जिक्रा भी आँपर कर रहे थे, जैदीब, वो सीन के आपका भी फेवरिट है?
05:50यह वो दो सबका ही फेवरिट है, जो भी पातालोग का फैन है, अंड हमने वो सीन जब किया था तो,
05:57I remember it was, जब मैंने पढ़ा था, तभी मुझे पता था, this is something very special.
06:03और रात के कहां हम नागालेंड में, इंटेर्यर में शूट कर रहे थे, रात के सुबह के तीन बजे हमने वो सीन शूट किया,
06:11after waiting for 5-6 hours in the cold, because set up होता है, बड़ी सारी चीज़ होती है.
06:16And, कहीन गहीन जैसे वो countdown चल रहा था, we were getting closer to shooting the scene, I knew that this is make or break.
06:25वो आपको realization हो जाती है.
06:27और जब मैं सेट पे गया, despite all the pressure, और सब को जानते हुए, और वो एक डिरेक्टर की आखो में भी आपको दिख रहा होता है,
06:35you know, वो भी आपको यही बाते होता है कि यह, this is make or break.
06:39But वो सीन एक ही टेक में हो गया. And everyone said, good, let's go. And I said, yaar, let's do some more takes.
06:47Avinash said, the director said, कोई जरुरत ही नही है.
06:50Sudeep Sharma and Avinash, they said that there's no need, we've got it.
06:54So this kind of magic, how does this happen? I mean, it's, I think, it's somewhere, you know, when you really, really, when everything comes together.
07:05Good writing, honest effort by the actors, a director who's very sincere.
07:10So, the things happen to yourself.
07:11There's a lot of questions that this scene, how did you perform, how did you perform, how did you perform.
07:15There is no, there was no one strategy that I should perform like this.
07:19This is an approach, intent and consistent work.
07:24That, you know, these magical moments happen when all these things come together.
07:29What is the homework behind that actor?
07:32That you have done your personality with the actor, you have done some of the things in your lifestyle, you have worked on your looks.
07:39Because this question is often asked, what is the homework behind that character?
07:43Obviously, the homework will be hard, but what was the difficulty in that character?
07:46This is crazy work.
07:48In this, you can, as much as you want to fall, you know, you can trip on the looks, you can go meet people, read about the subject, the world you're doing, you know, you're immersed in.
07:58No, but some things are spontaneous, Ishwak, you can't prepare anything.
08:02You will reach on the set, you will read your dialogues.
08:05And the spontaneity and the particular moment, how do you feel your mood?
08:10Now, if you have a little bit, if you have a joke with the director, listen to Ishwak's performance.
08:14No, but that is where craft comes in. That is where a skill set comes in.
08:19How much you're used to years of work, or whatever your thing is.
08:24Sometimes I perform on stage, so like in front of my monologue, sitting here, and in front of the front row, people start a photo of flash.
08:33Let me show some monologue, please. Please.
08:36There should be some dialogues that we should listen to.
08:40What is it? The monologues are very long.
08:43No, they should listen to OTT.
08:45Or listen to Rocket Boys.
08:47How do you listen to?
08:49How do you listen to?
08:50Vikram Sarabhai, if you meet with Ansari, what will he say?
08:54Vikram Sarabhai, if you meet with Ansari, what will he say?
08:56Vikram Sarabhai, if you meet with Ansari, what will he say?
08:59Hmm.
09:00Both are very sincere type of people.
09:02So, I think it will be a sincere thing.
09:06Now, you know, these are very serious characters.
09:15In my opinion, there is no juice in my opinion.
09:20But...
09:22Try something.
09:25This is a fun part of the honor.
09:27That he brings something like this, that we have never seen or heard.
09:31The fun thing is that Vikram Sarabhai and Ansari were madly in love.
09:40Vikram Sarabhai was madly in love with his wife, Mrinalni.
09:43And if you saw Rocket Boys, if you saw Rocket Boys, he would read a letter for his wife.
09:52And Ansari was very diligent, very dutiful and he was also madly in love.
09:58If you know in season two, you will know that there was this... he had a love interest.
10:05So, somewhere else, that commonality that performed all the time with me.
10:12I realized this thing later.
10:15That you know, there was something that was common in both Sarabhai and Ansari.
10:19And you got help in this work?
10:22No, no, these things you discover later.
10:24Because everything you don't know.
10:26You know, that's what I am saying.
10:27You are performing a character in which there are many aspects.
10:31And once you sometimes, you know, pause and think about what I did.
10:36Where am I?
10:37And you, you know, self-reflect.
10:38Think about the characters, the performances that you have done.
10:42So, wherever you think about it, he is the same man.
10:48You know, who is a man, who is virtuous, who is honest.
10:52And because you are seeing all these characters, the different characters that you have performed through a single man's lens, which is me.
11:00So, this is a very interesting aspect of performance.
11:04Ishwak,
11:05कोई ऐसा डिरेक्टर जिसके एक लुक से आपको डर लग जाता और आप समझ भी जाते उनकी लांगविज.
11:11कि यह कहना रहे हैं कि इस सीन को ऐसे नहीं ऐसे कर रहा हैं.
11:16Is somebody who really intimidates you as a director?
11:22डरते तो हम किसी के पाफ से नहीं हैं.
11:25सबसितर कोयाता हैं किसी के बालए लुक से flashy गाथ जाते से लाएं।
11:35इस ऑप अगर जाते हैं लुक स मुनें दीरेक्टर के साथ तो एक अटल इस लुख प्रते हैं अगर जाता हैं।
11:48है, any director worth his salt
11:49who intimidates his actors.
11:52I have seen some of the most
11:53you know,
11:56directors with a reputation
11:58of having a temper or anything,
12:00you know, senior most directors,
12:01जिनका लगता है कि
12:03हाँ, है रेख खौफ है इंडस्टी में,
12:05but with their actors, they are very soft.
12:07They are very loving, caring
12:09because they know that an actor
12:11is the most vulnerable person
12:13on set. You know, everyone is behind
12:15the camera. In front of the camera,
12:17आप अपनी पूरी ओनस्टी के साथ
12:19अपने आपको अपनी
12:21vulnerabilities सामने ला रहे हैं.
12:23So all those things, I think,
12:25a director senses. And
12:27that's why, you know, वो कही न कहीं
12:29एक एक एक एक अच्टर को
12:31हमिशा प्रोटेक्ट करके चलता है.
12:34I recently
12:35worked with a legendary director,
12:37Mr. Prakash Jha, and I think
12:38it was one of the, while I was
12:41intimidated because of his
12:42एक जोन की towering reputation है,
12:44जोन की personality है.
12:46But starting from the
12:48workshops to the time we started
12:50shooting, it was just a very,
12:53you know, we became
12:54that I
12:55came at that level
12:58जहां वो एक डिरेक्टर अक्टर की जो मैं
13:00एक beautiful relation की बात करहा हूं, that we were able
13:02to form that.
13:03आको लगा, this is it.
13:04मतलब उनके साथ काम करना, मतलब आपने
13:06एक पड़ाव ऐसा पार कर लिया,
13:08जिसे आप जीवन भर याद रखने वाले हैं.
13:11बिल्कुन!
13:13वो तो एक,
13:14यूनो, यू, जब आप शुरूआत करते हैं,
13:16किसी भी चीज में आप जिन लोगी फिल्में देखके
13:18बड़े हैं and finally you actually
13:20you know, see that man
13:22sitting across the camera and he is
13:24expecting you to perform.
13:27That is the biggest high.
13:29You know, से बड़ा
13:30reward भी कुछ नियो सथा. I remember again
13:32going back to stage, I used to work with Asmita
13:34Theatre Group and my director, Mr. Arvind
13:36Gaur, as he
13:38upstage पे और सामने आपको एक
13:40window दिखती थी, where the director would be
13:42you know, he would be controlling the light
13:44and sound and there used
13:46to be a, he also used
13:48to kind of direct the play sometimes
13:50कि आपकी जो performance जारी है
13:52किस note पे जारी है, you know, you would
13:54see, my performance I knew
13:56was going great, if he would
13:58just be standing still
14:00not moving his hands, not doing
14:02this, not giving any instructions
14:04he would just be involved.
14:06वो काह इतने दूर होते थे थे, छोटे से दिखते
14:08थे, you know, a director standing at the far end
14:10in a theater, but I could see in his
14:12eyes that he is involved, he is listening to what I am
14:14saying. So, that
14:16is a high of another level
14:18the, the fact
14:20that, you know, my skill set, my art
14:22has been able to engage
14:24the creator itself.
14:25रांजना, फिर पाताल लोक रख लेते हैं, उसके बाद
14:31रॉकिट बॉइस, इक आक्टर के लिए तो सभी समान होते हैं, उनको लगता है कि सभी फिल्मों में इने लग लग तरह का काम किया और लेकिन आपको सबसे ज़ादा किस फिल्म में, या यू कहें कि
14:45किस सीरीज में, चैलेंज़ महसूस हुए और आपको लगा कि इस इस अगर ये मैंने कर लिया, तो मैंने बहुत सारी ऐसी चीजे करी जो मेरे दिमांग में कभी ना कभी एक हर्डल की तरह थी, कि मैं ये शायद ना कर पाऊं और मैंने वो मकाम अब हासल कर लिया, उस चीज क
15:15कहिना कहीं एक फीलिंग आती है, इस ताइम, इस ताइम, आपका एक, एक एक, एक एक, वो किस में जादा हुए इस च्वाक, आपके तीनो रोल्स किरदार वो, जो मैंने नाम लिये, उसमे अलग थे, ये चीज शुरू में होती है, विन ये ज़िए नाम लिये उसमे अलग �
15:45आपका एक एक कारेक्टर के हर थरीकशे एक एक अंटर किजो 비, हाले हर अग्अ अटर काइक सेटकाए ये लिकिन वो कन लाने के लिए लिक वो कन लद कर आडए ज्टार काया है तै
16:03वहा पे जो एक एक, एक एक बविक्षिटा आपके पास है, तो बह
16:15अपको अमर कम है और आपको कोई मिचुर करदार प्ले करना चाहिए या इस सीरीज में मैं होता है यह किरदार बहुत जबरदस्थ है मुझे वो प्ले करना चाहिए था
16:23कोई ऐसी OTT series जो आपको लगा कि मुझे बिंज वाच करनी चाहिए। आपको इतनी प्रसंद आई कि आपने बिंज वाच किया।
16:30बहुत सारी है, I mean great content these days.
16:33And I say काफी सारे है, because you know when I see
16:36Jaideep and so many of his roles or other you know co-actors, contemporaries
16:42and with the kind of writing that is you know being churned out from Sacred Games to Mirzapur to Family Man,
16:49talking about shows, movies from all the way from Shahid to Gangs,
16:54back in the day Satya, I mean these are the kind of films that have changed
16:58and shows that have changed the landscape of Indian you know OTT.
17:02So कहीने कहीन आपको एक डिजायर होती, मुझे हमिशा लगता था कियार,
17:05when will I get my, I was a big fan of Satya and Gangs of Wasipur.
17:09So I wanted my Satya moment or Gangs of Wasipur moment.
17:13Which I mean if you work honestly I got something which was,
17:17which is equally special in its own way or maybe you know definitely most,
17:22very very special to me which is Patal Lok.
17:25To कहीना कहीन I think if you have that faith and honesty you know commitment towards your work,
17:32you get something which you don't expect, a little more than what you're expecting.
17:35Now that Gangs of Wasipur role you mean?
17:38Yeah, that's something like that.
17:42So Lutth or Goli?
17:44No, Lutth is not my personality.
17:46What does it mean that when you grow in North India,
17:50you feel like I am also a Dabang.
17:56As you can see, not so much.
17:59My body doesn't support.
18:01Body doesn't support.
18:03My aspirations and my bravado.
18:06Looks too cute.
18:07Yeah, so it's okay to me.
18:09Let's do it.
18:10I have been approached.
18:11I have been approached.
18:12I have been approached.
18:13It looks like something like that.
18:14It's a very stereotype.
18:15If someone will be a gangster,
18:17he will see a mess.
18:18They will now break the stereotype.
18:20No, it's my niche.
18:22It's a silent serial killer type
18:25which the directors tell me,
18:26you can really pull it off well.
18:28Serial killer?
18:30Interesting.
18:31Yes, it's like that.
18:32It's a little bit of work.
18:33It's a script that you are working on.
18:35I have been approached.
18:36It looks like something like that.
18:37It can be.
18:38It can be.
18:39We will not reveal it today.
18:41Let's do it a little bit.
18:42What is your work coming?
18:44We should keep a watch.
18:46So I mentioned Mr. Prakash Jha,
18:50which is a political drama
18:52and there is information about Janah Desh.
18:56My writer is very interesting.
18:58I can't tell you what I am,
19:00but I haven't done anything like this till now
19:02and could be closer to what you just said.
19:05So let's see.
19:06Oh, gangster.
19:08You gave me a hint?
19:10Or criminal?
19:12Well, political drama and heartland,
19:16you can fill in the blanks.
19:18Okay.
19:19We will fill in the blanks.
19:20But there are some young girls here
19:23who want to know Ishaak.
19:24How many times is his heart broken?
19:26Betrayal,
19:28ghosting,
19:29There are new terms,
19:30I am using them a little bit.
19:32So that it is of your interest.
19:35How many times is your heart broken?
19:37Or you have broken your heart broken?
19:39Yeah,
19:40you cannot do these things here.
19:42Just tell me a little bit.
19:43Just tell me a little bit.
19:44This is a big...
19:45It is a big...
19:49It is broken.
19:50This is a process.
19:51It is a big deal.
19:51It is a big deal.
19:52It is a big deal.
19:53It is a big deal.
19:54It is better acting.
19:55This is...
19:56Trauma is the beginning of talent.
19:57Isolation?
19:58The first acting theory that I learnt was that trauma is the beginning of talent.
20:03Every time I get traumatized.
20:05I think,
20:05let's not do anything else.
20:06It will be my craft advance.
20:08So,
20:09I mean,
20:11I mean,
20:13this thing is,
20:14I think,
20:15it is a story of a family.
20:16It happens with each man.
20:17And the first time,
20:19actually,
20:19I had a breakup.
20:20People,
20:21you know,
20:22go out,
20:23drink,
20:23smoke,
20:24or whatever.
20:25Do all kinds of things.
20:26I went to the gym.
20:27I don't know why.
20:29I went to the gym
20:30and I started pumping.
20:31Maybe I was like,
20:32you know,
20:33develop a revenge board.
20:35And
20:36so,
20:37sometimes,
20:37I remember from my childhood.
20:39No,
20:40so,
20:41isolation
20:42too.
20:43I mean,
20:44I don't know.
20:45I don't know.
20:46It's a depressing period.
20:47Now,
20:48we won't do anything.
20:49I want to better myself.
20:50I want to,
20:51I go to the gym.
20:52I go to other,
20:53you know,
20:54find like,
20:55channelize it.
20:56Move on.
20:5710 days,
20:5815 days,
20:591 week.
21:00Life is short.
21:01Plenty of fish in the sea.
21:03That's good.
21:04Plenty of fish in the sea.
21:06And you will have a lot of options.
21:08I'm sure.
21:09Because of the plenty of fish that you're seeing.
21:11Who doesn't have options these days?
21:13No,
21:14you don't have that.
21:15As long as
21:16you love a lobster.
21:17The coolest compliment,
21:19Ishwak,
21:20like,
21:21and that out of the box.
21:22You didn't expect that.
21:23No,
21:24you told me,
21:25I was like,
21:26I'm a big gangster,
21:27Dabangu.
21:28What did you say?
21:29Tough.
21:30That's what I felt all my life.
21:31And,
21:32but I used to be called cute.
21:34In school.
21:35Cute are you,
21:36so why did you feel so shocked?
21:37Which,
21:38but I didn't like that.
21:39Because in my head,
21:40I was like this,
21:41really strong,
21:42macho,
21:43alpha.
21:44Alpha male.
21:45So,
21:46but,
21:47I've come to terms with that.
21:48It was like,
21:49when I started working in the movies,
21:51so,
21:52the film industry,
21:53you show your real place.
21:55Awkat.
21:56Awkat.
21:57So,
21:58there,
21:59the casting,
22:00the directors,
22:02and everyone would say,
22:03you're so sweet,
22:04you're so calm,
22:05and you know,
22:06and a day,
22:07I was talking to a casting director,
22:08and I said,
22:09bro,
22:10he said,
22:11you're a big,
22:12you know,
22:13I'm thinking of casting,
22:14and I said,
22:15yeah,
22:16I've done enough of that.
22:17You know,
22:18you don't,
22:19you're not exploring me enough.
22:20Abhi,
22:21I've been cast in a movie,
22:22in which I'm this,
22:23bad,
22:24drug addict,
22:25this,
22:26this totally messed up psycho guy,
22:27and you know,
22:28I said,
22:29I have a dark side to me.
22:30You know,
22:31you have no idea,
22:32I'm really like,
22:33deep down,
22:34I'm really evil.
22:35So,
22:36he pulled my cheek,
22:37and he said,
22:38you're so cute.
22:39So,
22:40I've come to terms with that,
22:41that,
22:42you know,
22:43I mean,
22:44in my head,
22:45I'm a lion,
22:46but people see me as a sheep.
22:47People,
22:48see you for what you are,
22:50your work,
22:51and,
22:52your work is saying,
22:53this is the biggest thing.
22:54But,
22:55if you have an option,
22:56to change your profession,
22:58which way you want to go?
22:59Because,
23:00you've seen
23:01Raja Babu film,
23:02Govinda Ji,
23:03that's,
23:04that's,
23:05I said,
23:06this is good,
23:07one day doctor,
23:08one day police,
23:09so actor,
23:10being an actor is the best profession.
23:12I love architecture,
23:13I still practice,
23:14I mean,
23:15I try,
23:16in fact,
23:17I don't practice,
23:18but I like putting,
23:19in fact,
23:20I don't practice,
23:21but I like putting,
23:22You do,
23:24you always help your father,
23:25I do,
23:26I do,
23:27so,
23:28whenever I have time,
23:29I go back to my father's office,
23:30and I just like,
23:31seeing what's happening,
23:32because,
23:33he's a professional,
23:34and if there is an architect,
23:35he will agree with me.
23:36He's an architect here?
23:38I don't even know,
23:39people don't know architecture,
23:40I don't know,
23:41you've left it in the same time.
23:42You've left it in the same time.
23:43Let's go,
23:44that's,
23:45I think,
23:46any kind of thing,
23:47probably,
23:48I don't know,
23:49but,
23:50architecture is so unique,
23:51that's a big,
23:52meditative process,
23:53which is,
23:54What are you talking about?
23:55You need to study so much,
23:56how is it?
23:57No,
23:58but when you,
23:59you know,
24:00actually sit down,
24:01to making,
24:02or drawing,
24:03if you've seen the pianist,
24:04you know,
24:05it is,
24:06it gives you a sense,
24:07of what I'm talking about,
24:08or at the fountain head.
24:10So,
24:11there,
24:12you know,
24:15you're creating spaces,
24:17in a way,
24:18you're doing,
24:19so much more,
24:20than a person is supposed to do,
24:21you're,
24:22you're creating a dwelling unit,
24:23for another person to live,
24:24you're imagining his entire life,
24:25how will this person wake up,
24:27what will he do,
24:28what will he do,
24:29where will he go from home,
24:30you know,
24:31how will he experience,
24:32use this space.
24:33It is a,
24:34mind boggling,
24:35immersive,
24:36kind of a,
24:37line of work,
24:38which is also what,
24:39I mean,
24:40that is the commonality,
24:41between architecture,
24:42and acting.
24:43In both,
24:44it's a great thing,
24:45that you,
24:46put yourself in your shoes,
24:48and imagine a whole life,
24:50and,
24:51then there is,
24:52sky is the limit,
24:53I mean,
24:54it's an ocean, no?
24:55I mean,
24:56you have to be selective,
24:57that I have to do,
24:58you can't go,
24:59I mean,
25:00if I am playing Ansari,
25:01I can't be thinking about,
25:02Ansari,
25:03who will he sing?
25:04Or,
25:05when will he go on the first date,
25:06you know,
25:07irrelevant stuff.
25:08Similarly,
25:09what is at the heart of,
25:10you know,
25:11the building that you are designing,
25:12what is at the core of it?
25:13So,
25:14you need to focus on that.
25:15.
25:16.
25:17.
25:18.
25:19.
25:23.
25:24.
25:25.
25:26.
25:27.
25:28.
25:29.
25:30.
25:31.
25:32.
25:33.
25:34.
25:35.
25:36.
25:37.
25:40.
25:42.
25:44.
25:45.
25:46.
26:00.
26:01.
26:02.
26:03.
26:04.
26:05.
26:06काहिना की किसी प्रोफेशन में ना एक एक गार होता है
26:09and once you cross that barrier
26:10एक आपको एक human side दिखते है उस आदमी की
26:13चाहे कोई politician हो, actor हो
26:16या फिर पुलिस वाला हो
26:18तो वाँ वो जो एक bond established होता है
26:21I think that was a very important thing
26:23for me to understand
26:24कि वो जो एक कमराडरी होती है
26:26पुलिस वालो की आपस में
26:27for me to keep that, hold on to that
26:31और वो जो मेरा एक
26:34हाथिराम के साथ एक जो bond बना था
26:38कहीना कहीन उसमें बहुत एक इंपोर्टन उसका पार्ट था
26:40उस पूरे एक्स्परियंस का जो भी मैने ताइम स्पेंट किया आँ जाके
26:43डेली कॉप्स परी, डेली क्राइम आई अपने देखिये वो
26:46यस, yes, it's one of my favorite shows
26:48one of your favorite, और और कॉँछा था कॉँछा था कॉँछा था कॉँछी आपने बिंज वाच करी है
26:52like छोडी नहीं पाई, it was so
26:56ingrossing
26:57अए लोकल, close to home or internet, so Breaking Bad
27:00is one of my favorites, better call Saul
27:03I love Mirzapur
27:04season one
27:06आर बार आप इसका जिकर कर रहे है
27:07Mirzapur?
27:08या
27:08या मतलल समें एक है, इक स्पंक एक energy ए उस show में
27:11which is, I mean, I can't be, I don't wanna talk about
27:15say that pataal luk, because that's my own stuff, tu ek bias toh रहता ही है वहाँपे
27:18but, mere उसके अलाबा, I think, एक
27:21वो एक शो है, जो मैंने बाट एंजोए किया था
27:23and of course I have favorite movies, but
27:26but Mirzapur has that
27:29that spunk, that energy
27:30मैं आपको बताय ना कही ना कही वो एक
27:32हर एक North Indian के अंदर एक गांग्स्टर होता है
27:34तो आपको
27:36वो एक चीज
27:38बौत
27:39यूनो एक एक एक एक एक एक एक एक एक एक एक एक एक एक
27:42फिर अगर उसको रिलेटेबल बना दिया जाए
27:44तो आपको पता है हाँ यार
27:45इतो बड़ी मजदार चीज है
27:47Insights
27:48कोई भी चीज जब
27:49जैसे, you know, any show I think
27:52when it becomes
27:54goes a step beyond
27:56entertainment and also becomes informative
27:58वो quality in सब चीजों मैं
28:00पातालोग में भी है, Mirzapur में
28:02भी है, Breaking Bad में भी है
28:04that you know, there is, you get to learn
28:06about a new world
28:07कि वहाँ पे
28:08sometimes it's a deep dive, sometimes it's
28:12you know, skimming the surface, but एक वो बहुत एक
28:14interesting चीज बन जाती है, for a viewer
28:16कोई ऐसा
28:19substance जिससे आप रिलेट नी करते हैं
28:21शराब, सिगरेट,
28:22drugs, और अगर
28:24on-screen उसका portrayal हो, तो क्या आप उस
28:26किरिदार से बचेंगे?
28:28No, not at all, I mean, it's
28:29in fact, काई बार लोग on-screen
28:32persona वैसा नहीं दिखाना चाहते हैं,
28:35they stay away,
28:36by principle.
28:37मैं अपनी सारी वाइस,
28:40अपनी
28:40characters के थूँ जी के,
28:42जो एक, you know the saying
28:44that eventually we all feed
28:46the wolves that we staff,
28:48so, जितने भी मेरे wolves हैं,
28:50जिनको मैं staff करता हूं, उनको मैं
28:51अपने characters के थूँ फीड कर देता हूं.
28:54इश्वाक, मैं आपसे पहरे भी सवाल किया था,
28:58money और character कही बार आपको दोनों मिल जाते हैं,
29:03कही बार किसी एक के साथ
29:04compromise करना पड़ता है,
29:06you see a lot of money,
29:07but you compromise on the character,
29:08the role.
29:10इश्वाक के लिए क्या important है,
29:12अगर पाँच top priorities,
29:13मैं आपको बता हूं,
29:15role, character,
29:17more or less the same,
29:18money, director,
29:21the co-actors,
29:24these five things,
29:26अब कैसे prioritize?
29:28ये director, role or character
29:31कही न कहीं एक intertwined,
29:32कोई भी अच्छा director,
29:33कोई ऐसी script नहीं करेगा,
29:35जिसमें वो, you know,
29:36he doesn't believe in.
29:37So, writing and direction,
29:39that's the only,
29:40those are the parameters,
29:41and he will always cast right.
29:43So, वो सारी चीज़े secondary है,
29:45and money, I don't think any actor
29:46worth his salt thinks about,
29:47when you have,
29:48get an opportunity to work
29:50with a good director
29:50and get a good script.
29:53From time immemorial,
29:55I mean, since forever,
29:58great roles are very few.
30:01So, no good actor
30:01will ever let go of
30:03a good script
30:04and working,
30:04the opportunity to work
30:05with a good director.
30:06Good directors don't make films
30:08every, you know,
30:11now, that frequently.
30:13So, वही एक प्रिए रहती,
30:14बहती,
30:15at least in my case.
30:16So, जैदीब के लावर,
30:18on-screen camaraderie,
30:19आपकी किसके साथ,
30:20chemistry बहत अच्छी है?
30:22No, I've been very fortunate,
30:23I mean, I've worked with
30:23really, really good actors.
30:25I started with,
30:26you know, by doing a small part
30:28in Aligad.
30:29So, I worked with
30:30Manoj Bajpayee.
30:30That was a great
30:31learning experience.
30:33He is one actor
30:34I really look up to.
30:35that pedigree of actors,
30:40Manoj Bajpayee,
30:41Irfan Sir,
30:43Nawaz,
30:43KK.
30:44So, they,
30:45I think,
30:46and I haven't worked with all of them,
30:48but what these actors do,
30:50for what I've heard
30:51from other people,
30:52and what at least
30:53Manoj Bajpayee does,
30:54is that,
30:55वो कहीन कहीं,
30:55उनको बड़ा अच्छा लगता है,
30:56if he sees
30:57an honest effort
30:58in a newcomer,
30:59so he really
30:59promoted me,
31:00helped me,
31:01promoted in the sense
31:02that encouraged me.
31:04So,
31:05अगर कोई सीन अच्छा होता,
31:06तो आपर कोई सीन अच्छा होता,
31:07तो आपर कोई सीन अच्छा किया,
31:08वो नहीं क्या,
31:08and you know,
31:09he would come and give two bits.
31:11So, ये चीज़,
31:12एक यंग अच्छा को,
31:13इस बाक इन 2015,
31:14तो ये एक नए लड़के को बहुत इंस्पार करती है,
31:21कि आपको कोई आपकी पीद थप थपाए.
31:24I once got a message from Javed साब,
31:26out of all the people.
31:28It was such a humble message,
31:30which said that,
31:31I am Ishwak Singh साब,
31:34I am Javed Aktar,
31:36a writer and a lyricist.
31:39Did he introduce himself?
31:40Introduce.
31:41That is the magnanimity of the man.
31:42That's very humble, actually.
31:44Please, let me know when we can speak.
31:48It was regarding work.
31:49I thought,
31:49I thought,
31:49I was joking,
31:50I was putting a good true caller,
31:51I said,
31:52I was a good friend of my school,
31:53like modern school kids,
31:55they don't give me a chance to give me a deal.
31:58I said,
31:58I was the only one.
31:59I said,
32:00they found a new way to humiliate me.
32:03But,
32:03it was Javed Aktar,
32:06I called him,
32:07and I didn't remember five people,
32:08I didn't remember anything.
32:09Because I was on a high,
32:10he just said some wonderful things about Rocket Boys,
32:12he saw it.
32:14and he really appreciated that show.
32:17And,
32:17but what does this say about our industry?
32:21You know,
32:21it means that
32:22they don't have to.
32:24You know,
32:24I get calls from some
32:25really legendary directors,
32:28actors,
32:30contemporaries,
32:31because they don't really do that.
32:34But,
32:35the thing about the film industry is that
32:37it's a close-knit community,
32:38where at the end of the day,
32:40everyone's an artist.
32:41When they see an honest performance,
32:43they make the effort
32:44to reach out,
32:46not for any other reason,
32:47but,
32:48especially,
32:49I can say,
32:49I can say,
32:50I can tell you about seniors,
32:50I can tell you about seniors,
32:51that they feel like,
32:51yes,
32:52I will call from this,
32:54it will encourage him,
32:55and he will continue on this path.
32:56Which is what Bhatsaab told me,
32:58exactly,
32:58I used to play with them,
33:00Bhatsaab used to produce some plays.
33:03So,
33:04recently,
33:05we were on a stage,
33:06he was sitting in front of me,
33:07so I told him that I'm here because of him,
33:09he was the first industry person
33:10to tell me,
33:11backstage,
33:12that you're very good.
33:14And that day,
33:15I told my parents,
33:15that I'm going to do this,
33:17professionally.
33:18Because I was a new theatre actor.
33:20So,
33:20that day,
33:21they told me that,
33:23you still remember this 15-year-old thing,
33:28and I'm touched by it,
33:30and I did it because,
33:31if there was any element of doubt in your mind,
33:35from that encouragement,
33:37he will die from me.
33:39I mean,
33:40it is amazing,
33:41I get goosebumps when I talk about these things.
33:43You have shared a lot of memorable experiences,
33:45but every actor,
33:48you have to tell about your struggle period.
33:50I'm sure you will be staying there,
33:52unless you have to get your parents'
33:54monitory support.
33:56Which I want to know,
33:58if you were taking it,
33:59or if you were taking it,
34:00or if you were taking it,
34:01I didn't have to take it,
34:01I didn't have to manage it.
34:02I've been independent since I was out of college,
34:05because as an architect,
34:06I used to work when I was doing theatre.
34:07So,
34:08I didn't want to have that liability,
34:11or anyone to tell me,
34:12that money is a problem.
34:14So, for that,
34:14I worked extra hard.
34:15I cut down on my social life.
34:17I used to,
34:17work as an architect,
34:19moonlight as an actor.
34:20I used to do theatre in the day,
34:22as an actor,
34:23until I gradually knew that,
34:25now I'm prepared as an actor.
34:28Then that period came,
34:29where I wasn't working,
34:30and I was purely,
34:31you know,
34:32relying on acting.
34:33And going to Bombay,
34:34that thing becomes very difficult,
34:37when you're in Mumbai.
34:40I believed in,
34:41again,
34:42it's very important to have good mentors,
34:43because my mentor,
34:45my theatre director,
34:46Aravind Gaur,
34:47told me that,
34:47if you,
34:48once you're ready,
34:48only then,
34:49you should take the plunge.
34:51You know,
34:51once you believe that,
34:52yes,
34:52I'm ready as an actor,
34:53and I can go and work,
34:54professionally in the industry.
34:56And sure enough,
34:58I,
34:58when I was in Bombay,
35:00then I,
35:00in six months,
35:02I got cast as Patalog.
35:03Of course,
35:04before that,
35:04I was living in Delhi,
35:05and I auditioned from here,
35:07from the small and small roles.
35:10But I was working consistently,
35:12on stage.
35:12So,
35:13there was never a struggle.
35:14It was always a journey.
35:14What was that call like,
35:15when you called Patalog,
35:16when you called it for Patalog?
35:17Yeah,
35:17what was that moment that changed your life forever?
35:25If you,
35:26if you were casting in any kind of thing,
35:28you didn't have the script,
35:28you didn't have the script,
35:29you don't know what it is.
35:31But somewhere,
35:31you have a sixth sense,
35:34which tells you.
35:34It was a name strike,
35:35you have to Patalog.
35:36It wasn't called Patalog,
35:38it was untitled at that time.
35:40It came later.
35:41It came later.
35:42So,
35:42what was the intuition?
35:43No,
35:43but,
35:44because that scene,
35:45which I performed,
35:46and,
35:47which,
35:49you have a sense,
35:54that it was writing,
35:55which level it is.
35:56Because,
35:56I had to read two scenes of audition,
35:57and that it performed.
35:59And when I got the callback,
36:00that you are cast,
36:01then,
36:02I had a sense,
36:03and of course,
36:04you know,
36:04Suddeep Sharma,
36:05which type of writer,
36:06Abhinash Sharun,
36:07which filmography is.
36:09So,
36:09I knew that this was something,
36:10very special.
36:10I knew that Jaideep was playing the,
36:12the protagonist.
36:14To,
36:16aapke ek ummid,
36:18joe ek nai actor ke hoti hai,
36:19ek hope,
36:21ray of hope dikhti hai.
36:22Because,
36:23otherwise,
36:23it's,
36:23it's a,
36:24while,
36:26you know,
36:26you're hopeful,
36:27aap meinat kar rahe ho,
36:27constantly.
36:28It's abyss,
36:30you know,
36:30the life is in,
36:32a kind of a,
36:33I mean,
36:33you don't see any light at the end of the tunnel,
36:35it's an abyss.
36:36And no idea,
36:37kisi ko mi nii patata,
36:38muje patata ki,
36:38it will get its pace,
36:39it will get its,
36:41due as a,
36:42as a niche,
36:44and,
36:44you know,
36:45something joe ek,
36:47madlab ek,
36:47ek creative circles mein,
36:49yaa,
36:49critics appreciate kareenge,
36:50itna to muje,
36:51yakeen tha,
36:52lekin itti badi,
36:53itta bada,
36:54commercial success ho ga,
36:55and popular show banjaega,
36:56wo I don't think kisi ko bhi idea taam mein se.
36:59Rocket boys ke baare me badi kam baat hui aaj,
37:01ar uske baare me mein jana chaoongi ki,
37:03what was that experience like,
37:05ar usme,
37:06what was your homework like,
37:08kyunki usme bhi I'm sure,
37:09it's very contrast to your personality and character.
37:12Mai skool mein na padhta nahi ta,
37:14because I was a table tennis player,
37:15and I used to play for Delhi and national,
37:17so,
37:18o, yase bhi mujhe interest hi nahi ta,
37:19kya ajud holu hai,
37:20to,
37:21kabhi mujhe padhaai me interest hi nahi ta,
37:22in skool.
37:24So,
37:25when I,
37:26got cast as Vikram Sarabhai,
37:29to,
37:29meinne tamam jittti bhi skool ki physics ki kitabhe thi,
37:32nine,
37:33tenth,
37:33eleventh,
37:34aise hi excitement me,
37:35matlab,
37:36or,
37:36matlab,
37:36mujhe,
37:37har ek actor k apne ek wo hota hai,
37:39josh hota hai,
37:39junoon hota hai,
37:40to,
37:40mujhe kahi na kahi,
37:41ek geek out karne me maza hata,
37:42usmein.
37:42so,
37:44physics ki kitabhe,
37:45astro-physics ki kitabhe,
37:47tamam-tamam kitabhe,
37:48meinne laa ke,
37:49kam sa kam 20-25 kitabhe rak di,
37:51to,
37:51meri madara hai neiche,
37:52aur,
37:53hunne ka,
37:53bita,
37:53agar tu ne etni skool mein padhaai karli hoti,
37:55meri kitte hazaaro tuition ke paise baj jate hai.
37:57So,
37:58that was the beginning of my,
38:00knowing Vikram Sarabhai,
38:02aur,
38:03kahina kahin,
38:03wo,
38:04aapki jo intuition hoti,
38:05galat ni hoti,
38:06because Vikram Sarabhai was an iconic character,
38:09he made institutes,
38:10he was a philanthropist,
38:12he was an educationist,
38:14the father of Isro,
38:16and you,
38:16we all know where Isro is today,
38:17you know,
38:18in the world.
38:19To,
38:20industrialist,
38:21you know,
38:22legacy of the Sarabhai family is phenomenal,
38:26but,
38:27ye,
38:28jo,
38:28merai ek intuition tha,
38:31wo,
38:31kitabe kathe karne ka isle thik tha,
38:34kyunki at least,
38:34mujhe o direction uski day one se samajhagi thi.
38:37In our script,
38:38after I read the script,
38:39I started doing the prep work,
38:41hamari script mein,
38:43wo ek baat apko bade zaruri hai ki,
38:45character ke,
38:46what's at the heart of the character.
38:47Man, saari cheize to,
38:48usko leke ni chal sakta,
38:49tabo to,
38:50ho khichdi ban jati,
38:50you know,
38:50in your head,
38:51you don't know what to do.
38:52But I played him as a man of science.
38:55He was a husband,
38:56he was a brother,
38:57he was,
38:58you know,
38:58a devoted son,
39:00and all those things that I mentioned,
39:01but at the heart of that character,
39:03every moment in that show,
39:04in every scene,
39:05every frame of that show,
39:07he is thinking,
39:09working as a man of science.
39:10that's at the heart of it.
39:12So,
39:12wo,
39:13ye cheezeh,
39:13kaha se aati,
39:14ye kahin na kahin,
39:14apko ek,
39:15constantly,
39:16joh actor ki,
39:17saalau ki,
39:18mahnat hoti hai,
39:19wo ek,
39:19groov hoti hai,
39:21ah,
39:22writing ko leke,
39:22ki,
39:23ap kaise apne karakter,
39:24ki ee pulse ko samad sakein.
39:26Kiunki wo,
39:26agar aapka basic ki galat hai,
39:28phir apus me kittini mihinat kar lo,
39:29paantho baar dialogue par lo,
39:31woh bhao ni hai ga,
39:32kiunki aapko,
39:33uski approach,
39:34uski direction galat jaygi.
39:35To ye ek complex character,
39:38ko apne simplify kar dia,
39:39as man of science.
39:41Everything has to be simplified.
39:42Kaafi underestimate vi kiya,
39:44vishwaki.
39:45You said ki,
39:45aapki mader ne bola ki,
39:46wo,
39:47tuition pe etne peise baj jate hai,
39:49agar tu itna pad leta hai.
39:50Ashi,
39:50binna padhe thodna,
39:51koi architect kar leta hai.
39:52Architecture is a difficult thing to do.
39:54Masks be strong hon hi chahiye,
39:56us mein.
39:56Wo, wo,
39:57meri mader ke saath,
39:58humari banter ke ek,
39:59banter koh hai.
40:01There is a,
40:02wo tradition hai maare kar mein.
40:03Abhi baya sab parents hota hai ki,
40:06they give you a banter,
40:07yaar kya kar rahe hai,
40:08wapas aja.
40:09Haan,
40:10my mother,
40:10nahi,
40:10nahi,
40:10wo ni hota,
40:11wo,
40:12now they are very proud.
40:13I think ye ek moment hota hai.
40:16Supporters to ho har jaga hi,
40:17har time pa thay mere parents,
40:18but it's just that,
40:18I think,
40:19any parent,
40:20yaapay,
40:21you know,
40:21I'm sure you,
40:22you all would agree that it's,
40:24no one wants to,
40:25ah,
40:25ah,
40:26har ek,
40:27aapko aane bachche koehe fikr hoti hai.
40:28And I always understood,
40:29that's,
40:29that's why I never,
40:30kabhi kabhi kuchh,
40:31agar harsh words bhi bolta hai ta,
40:32so,
40:32I never gave it to me in a wrong sense,
40:34because I knew they were coming from,
40:37ah,
40:37a point of view of concern,
40:38ah,
40:39you know,
40:39from the place of concern.
40:42And,
40:42ek fikr hai honne,
40:43isliye woh,
40:44you know,
40:44they feel that,
40:45you know,
40:46a secure,
40:46Indian maabaab ki,
40:47a ki fikr hati hai,
40:49pata na aapko,
40:50shadi.
40:50That bridge has been burnt down,
40:55woh,
40:55woh,
40:56fikr karni,
40:56hunne bant kati hai.
40:58Kati hai.
40:59Looking at the successful marriages in our society,
41:02they have,
41:04and how,
41:06there are only two kinds of men,
41:07ah,
41:08I don't know if I should say this,
41:09you should say,
41:10this is a platform,
41:12you can say anything,
41:13I'm only,
41:27this is a dialogue from a movie,
41:28so you can't hold me against it.
41:31Either a man is married,
41:33or he's happy.
41:36All good-looking men are either married,
41:39or they're gay.
41:43Are you calling me ugly?
41:44No.
41:45I was just telling you another saying.
41:51Now,
41:52we come to a serious question,
41:53Shwak,
41:53kyunki,
41:55fun moments to,
41:56bhoot sare,
41:57aapki,
41:58real life,
41:59real life,
42:00dono mein aate hai.
42:01Any one actor,
42:02who makes you laugh,
42:04like,
42:04unconditionally,
42:05unki company mein aate hai,
42:06aapko lagta hai,
42:06bhai,
42:07pele kyun di mila hai,
42:08se,
42:08bataan jiwan ka seriousness,
42:10sari,
42:10hi khatam kare deate hai.
42:12He takes it like a,
42:13asa koi bhi,
42:15jo aapko hasa sata hai,
42:16kabhi bhi.
42:18Who is it?
42:18Ye,
42:19ye meri life,
42:20in a blessing hai,
42:21ki mere,
42:22jiasse skool mein,
42:23eka aapka group ban jata hai,
42:24per college mein,
42:25aur,
42:26har ek group mein,
42:27eek aisa a,
42:28ea character raha hai,
42:29ah,
42:30you know,
42:30when I used to play a sport,
42:32theater mein,
42:33ki koi na koi,
42:33eek aisa character hota hai,
42:35jo ek,
42:36who has this,
42:37gift of the gap,
42:39who has,
42:39an amazing bit.
42:40No, aapke jeevan me.
42:41Matlab,
42:41skool ke dost,
42:42college,
42:42eek aisa aapko abhi bhi,
42:43waisi leete hai,
42:44same ishwag,
42:45ya pher they look up to you,
42:46ay,
42:46the actor,
42:47nahi,
42:48nahi,
42:48aise kuchhi,
42:48nahi,
42:49everyone is successful in their own domain,
42:50first of all,
42:51I don't think actor is any higher model,
42:54or any person who's,
42:55because who kahi na kahi,
42:57aap,
42:58it's very important to be,
43:00they bring you,
43:01to your roots,
43:02and say,
43:02bhai,
43:03I am already grounded,
43:04that's why I put it in my own domain,
43:05that you're fine for me,
43:08but I mean,
43:09that is the beauty of friendship,
43:11and,
43:11and this thing,
43:14kahi na kahi,
43:14haraik film set pe bhi hoti hai,
43:15that I always come across friends and people,
43:18who have the ability to make you laugh,
43:20Jaideep is great,
43:21a great,
43:22great storyteller,
43:23humare jitti bhi shoots hoti ti,
43:25uske baad,
43:26you know,
43:26we all used to get together,
43:27especially season two mein,
43:28because hum,
43:29kaafi time,
43:31offset bhi miltethi hai,
43:32outstation,
43:32mitsla,
43:33outstation,
43:34season one mein utna nahi tha,
43:35aur utni humare,
43:36wo bhi nahi thi,
43:37rapo bhi nahi tha,
43:38in fact,
43:39hum humne utna time ni spent kia,
43:40so season two mein,
43:41because we had spent,
43:42ek success tha season one ka,
43:44kaam karna me bhot maza aara tha,
43:45aur sare ek saad te,
43:47kabhi nagaland mein,
43:48kabhi kahin,
43:49to hum,
43:50roze,
43:52shoot ke baad,
43:54we used to meet,
43:55in,
43:56you know,
43:57this,
43:58humare hotel,
43:58mein jo,
44:00sikkim mein kaafi,
44:01humne ek bada skedule kiya tha,
44:02uske baad,
44:03restaurant ke baar,
44:04hum maa pae,
44:05thand mein,
44:06baar khadai hojateate tha,
44:07we used to all,
44:08hold on to,
44:10you know,
44:10our drinks,
44:12aur fir humare baatai shuruo hajate thi,
44:13and jadeeb is a huge,
44:14is a great storyteller,
44:16he used to entertain everyone,
44:17by telling his stories,
44:18with his,
44:18with his wit,
44:20and,
44:20so he is one person,
44:22I really enjoy hanging out with.
44:24Ishwak,
44:25mere thode se,
44:26rapid fire questions,
44:27shalling hai,
44:29shoot.
44:31Eek koi,
44:32viyakti,
44:33jes se,
44:33aapko baut dar lagta hai.
44:35Mujhe apne father se,
44:37dar lagta hai,
44:37not to,
44:38he is not to be blamed for it,
44:39he parennts ki,
44:40game hoti,
44:40good cop,
44:41bad cop,
44:41especially when two boys are in the house, two boys are shaitan, so to tame us because we were problem childs, both of us,
44:51they made such a strategy that…
44:54You are one more sibling.
44:56Yes, my elder brother. So my father was a very docile man, my mother had made him the bad cop and she was the good cop.
45:03So his fear was in our mind.
45:06Is there any song that you can't stop playing with yourself?
45:12Do you not give it?
45:14No.
45:15You don't give a pair of consideration.
45:18I love Mr. Bachchan, I love…
45:20All songs of his.
45:22Hum, Jumma Chumma.
45:23Oh, wow.
45:24I don't know what comes in my mind.
45:27Serial kisser?
45:29No, no, there's… I mean, so I started out as a dancer.
45:33Before I started theatre, I worked with a dance company, so I'm… I've loved being on stage as a kid.
45:38In school, I used to…
45:40My school was a big thing, you know, doing these dance performances and all, so I always used to take part in that.
45:47So, sometimes these are the seeds of childhood, which…
45:51Or if it's a Prabhu Deva song, you know, the good old prick dance.
45:55I love all of that. I love shaking a leg.
45:57Koi aasi film joe aapne bohut baar dekkyo and repeat.
46:03There's a bohut sari hain, but off late I think the…
46:05Bollywood.
46:06Recent ones…
46:07I have to say Gangs. Gangs of Asipur.
46:09Gangs of Asipur.
46:10Instagram ya Twitter?
46:12Instagram, of course.
46:14YouTubers ya media people?
46:17YouTube and media, they are inseparable.
46:22I said YouTube and media people, they are inseparable.
46:27I said YouTube and media people, they are inseparable.
46:29Aapne bad news per affu kar diya.
46:31Nay, nay, I mean, there is…
46:35Anything you like about this generation?
46:37This… people who are born in the…
46:41Bhi, jab tak aap zinda hain, aap ish generation ke hai.
46:44Mai bhi ish generation ka.
46:45Saare ish generation ke hai.
46:47I'm a millennial.
46:48Haa, so wo… wo… wo… that distinction.
46:50You have categorized kar diya na.
46:51But that… those lines are blurred anyway.
46:53I don't see that distinction.
46:54Because you know, you are somewhere…
46:56I'm not an ageist.
46:57I don't believe that, you know, you're born in a certain age.
47:00Aapka toh phase bhi aisa hai ki jaldi age bhi nahi hoga.
47:03That adds a few years to my career.
47:05Thank you for saying that.
47:06Bhoort-boort thank you aapko bhi.
47:08Wakt humai itani ki ijazat deta hai.
47:10Bhoort-boort shukriya OTT sahe te aash tak e smanj parane ke leishwaak.
47:13Thank you.
47:14Thank you.
47:15My pleasure.
47:16A very thank you also because aapka peir sara se zakhmi hai.
47:19Aap phir bhi aapne commitment ko poora kiya.
47:22Zor dar taaliyah.
47:23Thank you.
47:24Ishwaak kese.
47:25Thank you so much.
47:26Zor dar taaliyah ho jai.
47:27Thank you so much Ishwaak.
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