- 7 hours ago
Category
🎥
Short filmTranscript
00:00Previously on Talamasca.
00:12You're going to use a 752 to bring down the Talamasca?
00:15Once and for all.
00:15Are you even sure you know what you're looking for?
00:17I need two exopacks.
00:19I'm getting out of here and I'm taking someone with me.
00:21Who?
00:21Doris, you don't know her.
00:22You'll need a passport photo and an alias.
00:24Your mother's been in hiding 16 years now.
00:27What's it going to take for her to come out into the light?
00:29You're looking for something, aren't you?
00:31Something more than just a book.
00:33I need you to find someone for me.
00:35My sister is all I have.
00:37I'll do anything to find her.
00:38Do you understand?
00:50Oh, come on.
00:52You're taking a business.
00:54Who and I both know that's not who they really are?
00:57These are con artists.
00:59Grifters.
01:00How can you say that?
01:01They're helping people.
01:03Where are we going?
01:03Helping groupies into the back of their disease-ridden limos is who they're helping.
01:08I mean, we are the world?
01:10More like you're a bunch of coked-up pop stars who can't even sing on...
01:13What are we doing down here?
01:15Why won't the deputy minister see me in his office?
01:17Deputy minister?
01:18Oh, you're way past him, mate.
01:22Oh, way past him.
01:25Well, here we are.
01:29Good luck.
01:30Who are you?
01:51My name is Houseman.
01:58Do you know why you're here?
02:01Well, it has come to our attention that you murdered two vampires in Marseille last week.
02:09Your wife and her lover.
02:13They had it coming.
02:15Oh, I'm sure they did.
02:17Codney act, jealousy, rage, etc., etc.
02:22And I'm sure the surviving members of the coven will be forgiving about the entire business.
02:29I can hardly wait to discuss it with them.
02:33There's no reason to do that.
02:35Oh, on the contrary.
02:37There is every reason.
02:40It's the Talamasker's bread and butter.
02:43It's what we do.
02:45You brought me all the way here just to tell me that.
02:49Oh, no, no, no.
02:50Now, I brought you here to demonstrate our vast benevolence.
02:57To offer you a way out.
03:20What the hell is this?
03:24I think you see what it is.
03:28You want me to kill her?
03:30Kill her?
03:32Please.
03:34I'm not a monster.
03:36Why me?
03:37Because you are just good enough and no better.
03:47This is against everything my kind believes.
03:56It isn't who we are.
03:58Who you are is a murderer in a tight spot.
04:08Something for something, my friend.
04:13Quid pro quo.
04:15Who you are.
04:33Can you see?
04:33I'm not leaving.
04:34I mean, yeah.
04:34Come here.
04:34Look.
04:35I don't have to drink.
04:36Come here.
04:37I don't have to learn yet.
06:38Where is it?
06:48Come on.
07:06Come on.
07:07It's not here.
07:08What are you doing?
07:10Leaving.
07:12All right.
07:20Just this day.
07:22Cheers.
07:24What are you doing?
07:26Leaving.
07:28Just like that?
07:30Yes.
07:32I don't want you to get hurt.
07:35We can't just run off together.
07:38Why not?
07:39Guy.
07:40...has occurred on a houseboat here at the Maida Vale Canal.
07:44As you can see, multiple metropolitan police streets are on the scene and have closed off the surrounding area.
07:50Horace?
07:51You've got to be kidding me.
07:58You've got to be kidding me.
07:59Rich.
08:00Rich.
08:01For Christ's sake.
08:03Did they call you on this?
08:04I heard it from dispatch.
08:05Yeah, that's what I thought.
08:06Half was spouting off around the station last night.
08:08You went around and won that DNA from Epworth Lane.
08:09You ain't happy.
08:10Is he ever happy?
08:11He's your boss, ain't he?
08:12Do yourself a favor.
08:13Stick to your knitting for a couple of days.
08:14Come on, Marty.
08:15I just want to look around.
08:16You might regret that.
08:17Looks like some dog.
08:18You've got to be kidding me.
08:19You've got to be kidding me.
08:20You've got to be kidding me.
08:21Rich.
08:22For Christ's sake.
08:23Did they call you on this?
08:24I heard it from dispatch.
08:25Yeah, that's what I thought.
08:26Half was spouting off around the station last night.
08:28You went around and won that DNA from Epworth Lane.
08:30You ain't happy.
08:31Is he ever happy?
08:32He's your boss, ain't he?
08:33Do yourself a favor.
08:34Stick to your knitting for a couple of days.
08:36Come on, Marty.
08:37I just want to look around.
08:38You might regret that.
08:41Dogs or something got in there.
08:43It's a real mess.
08:48Let the leads at first crack before you go shoving your nose in.
08:51Give them an hour or two, yeah?
09:11It should have been me.
09:27The hell are you talking about?
09:29This is what happens when people get close to me.
09:32First Kevis.
09:34Now the witches.
09:36Hey!
09:41I need you both to come with me.
09:45Now.
10:06Hey!
10:07Move it!
10:08Hey!
10:09Move it!
10:32This is fucking bullshit.
10:33On what basis are you taking us in?
10:35Save your breath.
10:36No, seriously.
10:37We'll take it down word for word at the station.
10:40Really?
10:41In you go.
10:46This way.
11:03You get me out for a few weeks.
11:04Love.
11:06How long is it?
11:07OK, let's go.
11:08Oh, I'll go.
11:09Come on for a minute.
11:10Oh, let's go.
11:12Oh, let's go.
11:13Hey, let's go.
11:14I will.
11:15Can I help you?
11:16Yes, I'll hang out.
11:20Yes, sir.
11:21Can I help you?
11:22I'm here to see Dr. Jameson.
11:23May I help you?
11:27I'm here to see Dr. Jameson.
11:29Oh, I'm sorry. There's no one here by that name.
11:32Oh, cute.
11:34Dr. Melville, then, my white whale.
11:37I'm here from Amsterdam.
11:39I didn't receive any call from Amsterdam.
11:42Of course you didn't. This is that call.
11:45We can get on the horn and rouse an elder at headquarters if you prefer,
11:47but I guarantee by the end of that conversation you'll be on your way to cleaning bedpans at the field clinic in Winnipeg.
11:53Let her in, Patricia.
12:11And then there's one of you following the man who wound up dead next to Kevis Papadoris.
12:18And Kevis, well, our best friend, that's you, lives on a houseboat and made a veil.
12:27Same houseboat which happens to be the scene of a mass murder.
12:32Same houseboat I found the two of you looking down at this morning just hours after the crime.
12:37Never seen those trainers before in your life, eh?
12:45It's been a long time.
12:47Some tea, please, Patricia.
12:49Can we get you anything?
12:51No, thank you.
12:52Why don't you have a seat and we can talk?
12:54What a good idea.
12:55It's all circumstantial.
12:57Everything you're saying.
12:59I don't know anything about any of these murders and neither does Doris.
13:03And all I'm hearing is coincidences and guesses,
13:06but not a shred of forensic evidence that ties either of us to a crime.
13:10Forensic evidence, perhaps not, but photographic evidence.
13:15Well, who's this?
13:17No idea.
13:21No idea.
13:22I'm sorry.
13:24It doesn't ring a bell.
13:38Ding, ding, ding.
13:42Tell me what happened to my sister.
13:44I don't know.
13:46I haven't known for years.
13:48They kicked me out of the program once my utility had been exhausted.
13:54Just like the telemasqueray.
13:56Use you for what they need and then toss you aside.
14:01What was the program for?
14:02What did you want with Emma?
14:06I suppose you have a right to know.
14:09You can have five more photos like this or 5,000.
14:11It wouldn't matter.
14:12Clever clogs.
14:18What's that mean?
14:20It means that we don't have to explain these pictures or who we're friends with or how we like our eggs because the law presumes that we didn't do a damn thing.
14:30But, hey, if you think that you've got enough evidence here to convince a jury to convict us of murder based on some blurry pictures of me, kind of, sort of, maybe in the same vicinity as this lady, I mean, best of luck.
14:44The program was created to identify children of out-sized talent.
14:51Your sister proved to be the most talented of all.
14:54Because of her memory?
14:56Yes.
14:57It was extraordinary.
14:59Unnatural.
15:01You could ask her how many bricks there were in a building she'd walked past two days before.
15:06Or the precise weather for any day of her life.
15:09She was always right.
15:10She could remember passages from any text.
15:13And then entire books.
15:16Verbatim.
15:17After reading them only once.
15:19That's when we took her to Amsterdam, where her training really began.
15:22And she was exactly what we'd been looking for.
15:27Last night, I received a DNA report on hair, blood, and skin gathered at Clevis Barbadoris' flat, but belonging to neither victim.
15:37Belonging instead to a third person.
15:40For the first ten years, she flourished.
15:44It was a miracle watching what she took in.
15:46Flourished?
15:46Emma grew up alone in Amsterdam without her family.
15:49Why would you do that to her?
15:51She's not like the rest of us.
15:54Not anymore.
15:55And she hasn't been called Emma since she left London.
15:59Okay.
16:00My DNA would be on Kevis.
16:02Should be.
16:02Okay, we were...
16:04We were together the night before she was killed.
16:11Well, that's a wrinkle to add to my elbow, but...
16:14DNA wasn't yours.
16:18Belongs to your friend.
16:19Helen's her name.
16:22Right?
16:23Now does it ring a bell?
16:26It's her DNA that's all over the flat.
16:29We let your sister pick a new name.
16:32She called herself...
16:34Doris.
16:36Doris.
16:37You're not going to charge us with a crime.
16:57I can tell.
16:59That means that you can't hold us.
17:02Come on, Doris.
17:03We're going.
17:03With all that fancy Latin falling out your pockets, I'm sure you passed the American bar with flying colors.
17:09But on my side of the pond, I can arrest you and hold you for 24 hours on suspicion of perverting the course of justice.
17:15So do me a favor.
17:18Sit tight.
17:19This is Agent Wakefield from MIF-5.
17:37This is Agent Wakefield from MIF-5.
17:43I'll be taking over from here.
17:44There was unrest in the Talabasca.
17:58If leadership hadn't done what they did, the organization would have been torn apart long ago.
18:02From within, by those who wished to use all our knowledge for evil.
18:09Once we had a safe backup, we had to destroy all the original texts and information in order to protect the greater good.
18:17The 752 worked.
18:19The program was a success.
18:29Stop.
18:30Stop.
18:32If nothing else, I'm the one who brought these two in.
18:41I'm the one who's been working this case, who put the damn pieces together.
18:45You can't just barge in.
18:47You're the one that pitched all over the command chain.
18:50That's what you've done.
18:51I have my broad controller's order and assigned approval of a real direct supervisor.
18:56One question.
18:57If I called MIF-5 right now and asked them to verify an Agent Wakefield, what would they say?
19:02Because they're professionals, they'll say they've never heard of an Agent Wakefield.
19:06But if you give them this badge number, along with my verification password, Zephyr will be connected to my section chief.
19:14Find numbers on the back.
19:15I'll take a look.
19:22Ridge, if I were you, I wouldn't go near that phone.
19:25Right, come on you two.
19:26Where's Helen?
19:56We were supposed to meet her.
19:58Where?
19:59Waterloo.
20:00She has our passports.
20:01Guy, listen.
20:03I think it's a trap.
20:05We can't trust Helen anymore.
20:07I'm sorry.
20:09She's betrayed us all.
20:20It's right there.
20:22She has it.
20:23She has the fucking bra.
20:25Doris?
20:26James!
20:27Doris!
20:28James!
20:29Doris!
20:30Jeze!
20:31George!
20:33Doris!
20:35Thomas!
20:36Jane!
20:37Doris!
20:38James!
20:39Doris!
20:40James!
20:41Jai!
21:02Wait! Wait! No!
21:08Hey!
21:11I need you to go.
21:24Shut the boot!
21:25What are you doing?
21:26Daylight!
21:33Jesus.
21:41Oh, yeah.
22:03Helen?
22:04Jay, I need your help.
22:07Can you talk?
22:08Are you on your own?
22:08Helen, Helen, stop.
22:10It'll pull as a red notice out for you for a double murder.
22:13Yeah, you matched your DNA.
22:15How did they get my DNA?
22:17And they want you in for questioning about a mass killing
22:19in Maida Vale.
22:21What the hell is going on?
22:24Olive.
22:40Oh, we got the moon.
22:42Oh, God.
22:43I'm sure you went.
22:44There's something here.
22:45We want you.
22:45Do it too.
22:46Sir, we're auching St global.
22:47Don't forget this scene.
22:48I don't know.
23:18Guy, what are you doing?
23:29You can let me out now.
23:38Can you hear me?
23:40Guy!
23:41What the fuck?
23:42Guy!
23:48It's just a scrapbook.
23:52That's exactly what I told you.
23:55You didn't tell me what you are?
24:00Does it change anything?
24:03Yes.
24:06I don't understand.
24:07If you're a vampire, how do you hide your...
24:09When we first met, you called me a liar.
24:27I'm not sure what that makes you.
24:29Well, now you see.
24:32Now you understand why I have...
24:32Just stop, okay?
24:34We're getting out of the country and we're going our separate ways.
24:36You understand?
24:40Guy.
24:41Would you just tell me the truth?
24:56Doris.
24:57I wouldn't know where to start.
25:02If you can't tell me, show me.
25:07Let me in.
25:09Guy.
25:12Let me in.
25:15Okay.
25:28Okay.
25:35I was separated.
25:37I was taken from home when I was very young.
25:40My parents were both dead.
25:42My sister and I were separated.
25:44I was taken to Amsterdam.
25:47I spent most of my time inside a library.
25:51The books, the knowledge, it was everything I wanted.
25:56And then they took it all away.
25:58They said it was inside me.
26:01That they didn't need the books.
26:03Because I was at the library now.
26:06The 752 isn't a book guy.
26:10It's you.
26:18After the fire, everything changed.
26:23Talamasca minders would come to extract information.
26:26They told me that I was a vital part of some mission to keep the peace between the mortal and the immortal worlds.
26:33And then, when I was old enough, they made me into what I am today.
26:40So that they could keep me forever.
26:42And use me forever.
26:44They moved me from Amsterdam.
26:46They hid me.
26:46I had no one.
26:49I was miserable.
26:50I was a tool.
26:51I didn't even know what for.
26:53But you're powerful.
26:54Couldn't you just...
26:54No.
26:55They'd made me into a vampire, but a weak one.
26:58I was immortal, yes.
26:59But I couldn't freeze time or read other people's minds.
27:04I felt trapped.
27:05I had to get out.
27:07And you escaped.
27:07Yeah.
27:09And then I met Kevis.
27:12She had just lost her mum.
27:14And she was just a kid.
27:17So I took care of her.
27:19Watched her grow up.
27:21She gave my life meaning.
27:25When she found out that people were getting close to me, like Archie, she couldn't help but get involved.
27:37But I was too late to save Kevis.
27:52And then you showed up.
28:22Kevis got hurt because she got close to me.
28:35The witches were massacred because they took me in.
28:38And now I have hurt my sister.
28:41Because the police think that she is the one who killed Archie.
28:45Your sister.
28:50Ellen.
28:51Fiona.
28:52To me.
28:53I was Emma back then.
28:56They tried to change everything about us.
28:58They tried to wipe away everything about who we were.
29:03But they couldn't.
29:05Because we're identical twins.
29:08And twins share an awful lot.
29:12Including our blood.
29:14The detective had the right DNA.
29:17But the wrong twin.
29:18Does she know?
29:21That you're, um, what you are?
29:31I know everything in every single book I've ever read.
29:35But I have no idea what my sister knows about me.
29:39Well, we're about to find out.
29:43Yes.
29:43Director, Houseman.
29:56Intercepted an all ports warning, sir.
30:00Well, there you are.
30:13They're going to try and flee the country I want agents found out across the city.
30:20And what about the other thing?
30:21Yes.
30:22He's served his purpose.
30:24Mm-hmm.
30:25Lead us straight to her.
30:26The team is standing by.
30:27Clean it up.
30:29All right.
30:30Are you OK?
30:31You're all right.
30:32I'm not looking for a man.
30:33I'm not looking for a man.
30:34I'm looking for a man.
30:35I'm looking for a man.
30:36I'm looking for a man.
30:37He's served his purpose.
30:38Let us straight to her.
30:39The team is standing by.
30:40Clean it up.
30:52All right.
30:53Are you okay?
30:56It's just...
31:01I thought that if I found the book, The 752,
31:04that maybe I would get closer to finding my mom.
31:07Excuse me.
31:09Yeah, we're getting out.
31:14Where are you?
31:15The girl's a damn vampire.
31:18She killed Highsmith.
31:21They're on their way to Waterloo now,
31:24and they have the 752.
31:27I'm coming back to you.
31:37We got him.
31:39I've had enough of this.
31:41You've gone too far.
31:43The fuck are you yapping about?
31:45I know what you did in Maida Vale,
31:46and I won't put up with any more of it.
31:51You won't put up with any more of it.
32:06No, I will not.
32:09And what exactly are you going to do?
32:15File a grievance form?
32:17Bury me in org charts?
32:21What power exactly do you think you possess?
32:28It's not mine to possess.
32:31That's how powerful it is.
32:33You have no idea what you're toying with, Jasper.
32:37You are a flea bouncing off the hard dick of our immortal history.
32:51And you landed under a fucking tidal wave.
32:56And yet I stand.
32:58Damn, you just fucked off me!
33:26Take care. Go. Restraints. Go.
33:31Roll and lift.
33:56All right.
34:12Boss, let me get you set down.
34:26Oh, shit.
34:42Come on.
34:44In here.
34:48Okay?
34:56Hey.
35:19Isn't that the one from New York?
35:22Your attention, please.
35:26Portman's line is officially closed.
35:28Line is officially closed.
35:30Lady of murder is trapped.
35:32Nine for error.
35:43Can you see her?
35:45Lady of murder is trapped.
35:46Lady of murder is trapped.
35:48Lady of murder is found.
35:50Lady of murder is killed.
35:52Excuse me.
35:54Excuse me.
35:55I'm so sorry to bother you.
35:57I need the police.
35:58Sorry?
35:58I'm wanted.
36:00Why?
36:00For a devil murder.
36:02Ah, very funny, ma'am.
36:04Be on the other line, please.
36:07Is this funny?
36:22I need the police.
36:30Move.
36:31Oops.
36:32Look, you gotta watch a schimmel.
36:32Look at that Kyle guy.
36:33Get her.
36:34I got hungry.
36:35If he can kinda stop while you're trying.
36:36oof.
36:37Maybe there's not these shown-
36:37Take him to cutous touch him.
36:38I'll see time.
36:40I have no way.
36:41I cannes.
36:41Oh, shit.
36:42I can't bring your leg.
36:43Go Need him to get my mask when I'm out of the heiße.
36:47I don't know.
37:17He thought he could see, see, see,
37:19But all that he could see, see, see,
37:22You are very gifted, Kai.
37:39I do know that you care about me.
37:43If I want you to know something, you will.
37:47I'm so sorry.
37:55Go.
37:57We can't blow a cover.
38:20I'm sorry.
38:40She seemed to really care about you.
38:45It's almost like your family.
38:53I'm so sorry.
38:54I want to be right back.
38:58What are you doing?
39:04I don't know.
39:05I'm sorry.
39:15I'm sorry.
39:15I don't know.
39:16I don't know.
39:17I don't know.
39:18I don't know.
39:19I don't know.
39:20I don't know.
39:21I don't know.
39:22I don't know.
39:23I don't know.
39:24I don't know.
39:25I don't know.
39:26But I don't know.
39:27I just want to be right back.
39:28I don't know.
39:28Oh, Rich, I thought you were sleeping in the doghouse.
39:39That's just tough.
39:41Butterfly flaps its wings and leeds.
39:43He goes from hugging you to kicking you.
39:45I'm doing the grunt work.
39:46You know how it is.
39:47I'll take her in.
39:57Watch your heads.
39:58You don't look much like a homicidal maniac, do you?
40:16It's always a mistake to underestimate a woman of my age.
40:23I'm going to tell you a secret.
40:26I'm not supposed to be here.
40:27I've been suspended.
40:30And if my supervisor knew I was picking you up, I'd be busted down to death to you, Ian Croydon, if I came out of the good side of his arse.
40:36Why are you telling me all this?
40:38Because I've just laid eyes on some information no one else has seen yet.
40:42And since I won't get a chance with you in an interview room, I thought I should ask now.
40:46This is a photo of an MI5 agent named Wakefield.
40:54Turned up on an encrypted drive belonging to a dead woman named Soledad Marcel.
41:00But I made some calls.
41:01And MI5 had never heard of an agent Wakefield.
41:05Sounds like she's quite the impostor.
41:08Well, you should know.
41:11You've been all over London with her.
41:15I'll tell you what, let's circle back to that.
41:18Because the thing that's a real head spinner is this.
41:22Just one hour after you apparently killed two souls in a London flat, you're all the way back at JFK, boarding a flight to Heathrow.
41:33Now, how is that possible?
41:37You might be very surprised by what's possible.
41:40What's your name?
41:43Ridge.
41:44Ridge.
41:45You strike me as someone who's been overlooked, but who has quite a bit of potential.
42:15Ridgegaet, you let me go.
42:16Convention alley.
42:16ffe.
42:17зачag.
42:17You prettier than you have any Moore?
42:18Like a tower...
42:18klik.
42:20�리ak.
42:20It's."
42:21It's the one who has seen it.
42:22I'm going to say just llam' leak.
42:23If someone could say they weren'thand & baseball, they were full of who has done this.
42:31I know exactly what.
42:32What's my name?
42:34It can't be like, in aoyosỗ, 차라� Andrade one.
42:39My name is he.
42:40Colon, rel Wi-Fi.
42:41I have beenprovница.
42:42I have no idea how you came to fight for them.
42:44My name is Michael.
42:45Let's go.
43:15Let's go.
43:45They're ready for you downstairs, sir.
43:52Go ahead.
44:03Target is in sight.
44:06Very good.
44:08Shall I bring her in?
44:11No.
44:13Let's see who she leads us to.
44:14Let's see who she leads us to.
44:44Let's see who she leads us to.
45:14Do you know why you're here?
45:41you've been training a little army of half-bred vampires
45:48in the london mother house
45:52now that
45:56that is a no-no
45:59whoever the hell you are
46:05why don't you just kill me and get it over with
46:08I prefer to show you my vast benevolence
46:17offer you an alternative
46:20quid pro quo
46:22you help me
46:24I help you
46:26something
46:28for something
46:38who are you
46:54my name is Haussmann
46:58and I am the man who watches
47:03tell me
47:08how many vampires
47:11would you say are
47:12in the world
47:14not enough
47:20come
47:33what is this
48:01it's your destiny
48:04better get to work
48:08hey
48:16hey
48:37you're gonna be okay
48:47out there
48:49on your own
48:51I haven't ever thought
48:55the world's a big place
48:57so
49:01where are you gonna go
49:04oh guy
49:09it's okay
49:10you don't have to tell
49:11I think
49:11I think I know where your mother is
49:21I don't have to tell
49:23that
49:24you don't have to tell
49:27you
49:28I don't have to tell
49:28if you don't like
49:29So
49:32first
49:35I
49:40like
49:41I
49:49DNA wasn't yours.
50:04Belongs to your friend.
50:06Ellen's her name.
50:08Right?
50:09Now does it ring a bell.
50:19I don't want you to get hurt.
50:21We can't just run off together.
50:23The early going of episode six is all our chaos.
50:26Because you've got Doris, who Guy believes that she's got the 752.
50:30He thinks that Helen has killed Kevis.
50:32All of this stuff is coming to a real head here.
50:36He doesn't really know who to trust.
50:38The center cut between Helen at Jameson's house.
50:41What was the program for?
50:43What did you want with Emma?
50:44Who's this?
50:45And Guy and Doris at the police station.
50:47No idea.
50:48What we come to find in these scenes is not only Helen realizing that the 752 is not a book.
50:55It's not something.
50:56It's not an object to be searched for.
50:58That it is her sister.
51:01Doris.
51:02Doris.
51:02How could that be?
51:03They're different ages.
51:05Well, she's a vampire.
51:06Three, two, one, action!
51:10It was a massive stunt day.
51:12And we were using a rubber knife.
51:15It's a knife fight.
51:16I think they're always actually a lot more scrappy than we think.
51:21I got stabbed twice.
51:22I didn't die.
51:24And lucky that knife was rubber.
51:25But we had fun with it.
51:26I'm grabbing Maisie.
51:27I'm dragging her this way.
51:29She's stabbing me here.
51:30I'm telling her to don't stab me too much.
51:32It was a lot of fun.
51:33Hey!
51:34It's a scratch.
51:44It's a flesh wound.
51:45I've lost fire football.
51:46It is this huge reveal, which, on paper, reads like a hell of a lot of context and exposition.
51:53It was a really gratifying thing for all of us.
51:56It was seeing Celine fucking burst out of this van.
51:58And this look that the two of them have with each other, it's a fleeting look, but it's
52:04a look of shock.
52:05It's a look of disappointment.
52:07It's a look of betrayal.
52:09There's a lot going on between the two of them at this point.
52:11You didn't tell me what you are?
52:17I always knew who she was, and so it was kind of a relief once those scripts were out
52:22and everyone knew, because I could be honest about who this character was.
52:28The 752 isn't a book.
52:33It's you.
52:34It is a heartbreaking story that she's been groomed much like Guy has and treated as kind
52:39of a specimen to the Talamasca and turned into this big holding cell for Talamasca intel.
52:46The detective had the right DNA.
52:48For the wrong twin.
52:54We got him.
52:56When Jasper, who's gotten, you know, way out ahead of his skis, goes too far for the Talamasca,
53:01they dispatched their cleanup crew.
53:04I know what you did in Maida Vale, and I won't put up with any more of it.
53:07Well, I just think that Jasper just takes one look at him like,
53:10I'm sorry.
53:13Come again?
53:14You have no idea what you're toying with, Jasper.
53:17That was one of my favorite scenes in the whole season,
53:20especially to do with him, with Johnny.
53:25And then, of course, you know, great storytelling.
53:28All of a sudden,
53:29boom, I'm in a carpet, and I've got a metal cage on my head.
53:35Bruce Springsteen, I don't know, I'm like,
53:37see, they're too stunk, guys?
53:38See this nose here?
53:40Don't break it.
53:47Come on.
53:47We have to be out of this train station before five in the morning,
53:52because, you know, it's a train station.
53:54People need to go somewhere.
53:56We shot those scenes all through the night in a freezing cold station,
54:01and before we started, I was thinking,
54:03how am I going to do this at my age?
54:05But the commitment of this crew,
54:08it just lifts you up,
54:10and you just want to do anything in order to not let them down.
54:14I feel like we're all pieces in this big sort of puzzle,
54:19and it's kind of cool to see the whole collage come together.
54:22Can you see it?
54:23You start wide and get tighter and tighter and tighter,
54:26both emotionally and from a camera standpoint.
54:29You'll see.
54:31It's all done without dialogue,
54:33all done through their thoughts.
54:34For us, it's the kind of freshness of seeing each other
54:41for the first time.
54:43Go.
54:44Guy has become the perfect spy that she hoped he could become.
54:48Oh, he can do this.
54:50Sorry.
54:50He can be a spy,
54:52and he probably has the ability now to go after and find his mother.
54:57She's saving them from the town of Aska,
54:59and she's saving them from herself.
55:01I'll take her.
55:02The cliffhangers at the end,
55:08I hope are provocative
55:09and have viewers asking what-if type questions.
55:13What is this?
55:14It's your destiny.
55:16I want this.
55:17I want more vampires.
55:20Hey, at this point,
55:22they're probably trying to make the best of a Bows situation.
55:25I think I know where your mother is.
55:26Doris basically gets what she wants
55:28by revealing that she might know where his mother is.
55:31I don't even know if it's an ending.
55:34They're still on a big old journey.
55:35Let's go.
55:36Go.
55:37Go.
55:38Go.
55:39Go.
55:45Go.
55:47Transcription by CastingWords
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