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Fun
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00:00You dick!
00:01Hey!
00:02Mwah!
00:03You frightened!
00:04Well, aye!
00:05You've got to celebrate, haven't you?
00:07Huh?
00:08Fifty years!
00:09I was going to say, you've covered the bloody dog!
00:16Her flabbers have been gassed.
00:19You want some of this?
00:21Oh, that is!
00:22Look out!
00:23Oh, no!
00:24Steve!
00:25Oh, now there's a controversial statement.
00:27The gravy.
00:28Oh!
00:30Yeah!
00:31Do you like this music?
00:32No, not particularly.
00:33So suck on that!
00:35Oh, wow!
00:36He's been a bad boy!
00:38Don't ever take me to a restaurant like that.
00:40Not a chance, do we?
00:41Oh!
00:42Yes, look at that!
00:44He's had an absolute feast!
00:46Whoa!
00:47For a banana?
00:49This is insane!
00:51Well, thank all that's over, I've got a date gone.
00:54It is like putting chicken in a vodka tonic, this.
00:57That's very modern, isn't it?
00:59Nothing, no one saw that coming.
01:00No.
01:01In the week Scotland made it through to the World Cup Finals for the first time since 1998,
01:07we enjoyed lots of great telly.
01:11It was Bush Tucker business as usual on ITV.
01:14Martin Kemp's kids are in the flipping travelling round the world.
01:24Yeah, not bad, eh?
01:25Eh?
01:26Shirley's having a lovely time on her own, isn't she?
01:28Oh, gosh!
01:29To be Shirley.
01:30Lovely.
01:31Lovely.
01:32Lovely, Al.
01:33The countryside cape has continued on Emmerdale.
01:40It is always quite interesting living in the country.
01:43I don't know if you saw the lady in the van earlier that had a cage with birds inside.
01:48Yes, I pointed her out to you.
01:49I think they were budgery girls.
01:51Aren't they just called budgies?
01:52No, they're called budgery girls.
01:54In what world?
01:55That's the long name for them.
01:56That's the real name.
01:57Budgie's just a shorter version.
01:59No one's called them a budgery gar since 1962.
02:02That's when I was born.
02:03I know.
02:05And Sarah Snoop was looking stressed on Sky Atlantic.
02:09I don't know where my son is.
02:11You like the word fault, don't you?
02:16I like the word fault.
02:17Because that would immediately, if there's any blame to be apportioned, you'd be straight
02:22onto that, wouldn't you?
02:23Yes.
02:24Because you like to apportion blame within this family.
02:28Hmm.
02:31Do you remember when I said I wanted to have a tattoo on my forehead?
02:34Saying, yes, I'm sorry.
02:35Yes, it's my fault.
02:36In Hull.
02:45Stop laughing at me.
02:52Will you stop it?
02:53I can't help it.
02:54I'm sorry.
02:55Best friends Jenny and Lee.
02:57Oh, God.
02:58Me ribs hurt.
02:59Me ribs hurt.
03:00Well, stop taking the piss out of me, then.
03:03I can't stop.
03:06Oh, I'm worn out.
03:07I'm worn out.
03:08I'm worn out.
03:09Oh, God.
03:10Oh.
03:11Oh.
03:12Oh, thanks.
03:13Oh, God, Lee.
03:14I can't say out anything anymore.
03:15Shut up.
03:16Hit me.
03:17On Sunday night, the jungle drums sounded once again for the return of this on ITV.
03:30I'm meandering.
03:31I'm meandering.
03:32You're a what?
03:33I'm meandering.
03:34Oh.
03:35I'm a celeb has been on for so long now.
03:36Yeah, I think it's 25 years.
03:37Like, nine-eighths of your life.
03:38Nine-eighths?
03:39Oh, no, that's wrong, isn't it?
03:40I'm meandering.
03:41You're a what?
03:42I'm meandering.
03:43I'm meandering.
03:44I'm a celeb has been on for so long now.
03:47Yeah, I think it's 25 years.
03:48Like, nine-eighths of your life.
03:49Nine-eighths?
03:50Oh, no, that's wrong, isn't it?
03:51It'd be, like, eight-ninths.
03:52Or something like that.
03:53That doesn't sound right.
03:54It probably doesn't, but it's a lot.
03:55It's a lot.
03:56It's a lot.
03:57It's a lot.
03:58It's a lot.
03:59The time for talking is over.
04:00It's back.
04:01Back on the bridge, Julia.
04:02Yeah.
04:03It can only be the return of I'm a Celebrity.
04:05Oh, here you go.
04:06Are you ready?
04:07They're going to say it.
04:08Get me out of here!
04:10Wow!
04:11Ow!
04:12Ow!
04:13Ow!
04:15Ow!
04:16Ow!
04:17Ow!
04:18Ow!
04:19Ow!
04:20Ow!
04:21Ow!
04:22Ow!
04:23Ow!
04:24Ow!
04:25Ow!
04:26Night Jack, Mary.
04:27Do you remember there was a series called The Osbournes?
04:29Yes, funnily enough, it's on at the moment in the telly upstairs.
04:35Yeah.
04:36You switch it on, The Osbournes just come on on repeat.
04:40I've just put my hand down the side of your sofa and grabbed something mysterious.
04:45What is it?
04:47What is it?
04:48Summer Offerbush took a frigging trial.
04:51In the episode, we saw our favourite Geordie duo rock up.
04:55Heyo!
04:56Nice and a defender as well.
04:57Ant and deck!
04:58All Ant and deck will have packed for I'm a Celebrity's bowling shirts and jackets.
05:06Come on.
05:07And it wasn't long before things kicked off.
05:09Rangers?
05:12Oh, this is spooky.
05:14I tell you what, they're straight out of the traps, aren't they?
05:17Bring it all in.
05:18So each of you has a box.
05:20Inside the box is a getaway car key fob and green ants.
05:24Green ants?
05:25Who's gonna bite the shit out of you?
05:28Ugh!
05:29All you have to do is put your hand in the box, release the nuts, retrieve the key fob.
05:34See, now I think I could do this now I've had a tattoo.
05:37Oh, that's a piece of piss.
05:38That's not what it is.
05:39You what?
05:40But it's not a piece of piss.
05:41That's so easy.
05:42However.
05:43What?
05:44You'll also have your head inside a box.
05:47Oh, no.
05:48Not my face.
05:50Not the face.
05:53Gee, it's terrified.
05:54What did they expect?
05:55It's not strictly come dancing, is it?
05:57No.
05:58It's not just gonna be your head in that box.
06:00There could be other things in there, too.
06:02Right.
06:03How many legs?
06:04Of course it is.
06:06Because why would I have my head in an empty box?
06:08That's pretty easy, isn't it?
06:14Oh.
06:15Oh, my God.
06:16Please tell us what it is first.
06:19Please tell us what it is first.
06:20Angry Ginge isn't angry.
06:21He's panicked.
06:22Panicked Ginge.
06:23He's anxious Ginge.
06:25Oh!
06:26Oh!
06:27No!
06:28I couldn't do it.
06:29I couldn't do it.
06:30I couldn't do it.
06:31No, no, no, no.
06:32I'd die.
06:33Three, two, one, go!
06:38Holy shit.
06:39Anti-clockwise.
06:40Anti-clockwise.
06:41One down for Jack already.
06:44Jack's got the tickers.
06:45Jack's got it on there.
06:46Yeah.
06:47Excellent finger work, Jack Osborne.
06:49Oh, I heard a wingnut drop.
06:50Which wing has it got?
06:51Oh, no.
06:52Righty-tighty, lefty-loosey.
06:54People used to call me wingnut at school because of me fucking ears and I didn't know for years.
06:58Why didn't they call me wingnut and it's like that?
07:00Yeah.
07:01Because I look like a wingnut.
07:02Yeah.
07:03Yeah.
07:04What's happening here?
07:05They're all in the lids again.
07:06What?
07:07What are they doing?
07:08Oh.
07:09Oh, God.
07:10Oh!
07:11Oh, the yellow one.
07:12I don't know why.
07:13Oh, that would finish me off.
07:14Oh, more snakes!
07:15Oh, cut more snakes!
07:16Oh, my God!
07:17Put my head!
07:18Ha!
07:19Another big pipe, then, in each of your boxes.
07:22I know what would be funny.
07:23If I had my own one of them boxes, they wouldn't be able to celibise it.
07:26But I draw the hair.
07:27It'd be blue.
07:28Oh, he's done it.
07:30Ginger's done it, Mary.
07:31Oh!
07:32Angry Ginger's good with his fingers, isn't he?
07:34Snakes on the bloody first one.
07:36Are you awake?
07:37Has Ruby Wax died?
07:39She's not.
07:40I cannot get one of these off.
07:42I'm rubbish like these!
07:45Ruby can't even see!
07:47Is she dawning?
07:48Is Ruby still a witch?
07:50Is she all right, though?
07:51Seriously?
07:52Look at the glasses.
07:53I'm not saying that.
07:54Yeah!
07:55Oh, you know what, Ruby?
07:56Just have a nappy in there, love.
07:57What's Ruby's like?
07:58Give her a duvet.
07:59Some horlicks.
08:00What was that thing that you get where you fall asleep?
08:03Necrophil...
08:04No!
08:05It's not necrophil...
08:08Nar...
08:09Nar...
08:10Narcolism.
08:11Narcolism!
08:12What?
08:13Necrophilia.
08:14I'm sorry.
08:15I like this top on you, by the way.
08:17Beautiful.
08:18You do?
08:19Yeah.
08:20I think I look sophisticated.
08:21Sarah, her husband Andre, and their daughter Shay.
08:25It's very nice, though.
08:26It suits you.
08:27The colour looks nice on you, you know, coming into winter.
08:29Dad, I'm not babysitting.
08:30Why?
08:31The only reason you're doing that is because you want something.
08:32And it's probably to babysit.
08:33Trying to sweet you up, innit?
08:34Oh!
08:35That didn't work, did it?
08:36No!
08:37This week, high drama continued in the Dales on ITV.
08:38It's riddled with Emmerdale casting lead city centre.
08:39Running wick.
08:40Running wick.
08:41Do we have to watch Emmerdale?
08:42Yeah.
08:43We do.
08:44Really?
08:45Yeah, it's real intensely, I'm telling you now.
08:46What, Emmerdale?
08:47Yeah.
08:48Yeah.
08:49Yeah.
08:50Yeah.
08:51Yeah.
08:52Yeah.
08:53Yeah.
08:54Yeah.
08:55Yeah.
08:56Yeah.
08:57Yeah.
08:58Yeah.
08:59I'm telling you now.
09:00What, Emmerdale?
09:01Yeah.
09:06This love triangle has got me absolutely gripped.
09:14How are you feeling?
09:15Not great.
09:16Dressing gown, someone's stayed the night.
09:18Dirty bugger.
09:21Still worrying about Kev.
09:23Yeah.
09:24So, Robert and Aaron are back together.
09:25Right, okay.
09:26Robert dumped Kev.
09:27Robert got married to Kev.
09:28In prison.
09:29Yeah.
09:30But he thinks he's dying.
09:31Kevin's told him he's only got so much time left.
09:34Oh.
09:35But he hadn't.
09:36I mean, once he gets used to the idea that you two aren't together anymore, he'll move
09:40on.
09:41He has to.
09:42Yeah.
09:43Will he move on though?
09:44Yeah, he won't.
09:45Always a nasty piece of work.
09:46If he.
09:47You wouldn't want to cross him.
09:48Oh, Kev might want to hang around and see if he can get Robert back.
09:51You reckon he thinks of his persistent?
09:52Maybe.
09:53Maybe.
09:57Do you think he's all right?
09:59I'm going to go with no on that one.
10:02Kev looks stressed.
10:03Yeah.
10:05Morning.
10:06That's Dr Liam.
10:07So he knows the truth about Kev's medical condition.
10:11How are things?
10:12Very bad.
10:16Robert ended it yesterday.
10:17Oh, God.
10:18Is he just feeling sorry for himself?
10:20Yeah.
10:21You're not dying.
10:22He's dying of a broken heart.
10:23Oh, please.
10:24I need to get him back.
10:29I can't die alone.
10:30Oh, for heaven's sakes.
10:32That's a little bit dramatic.
10:34He's being beyond me if you hear his Kev.
10:36Yeah, yeah.
10:37But he's not dying.
10:38So why did he keep saying I don't want to die alone?
10:40Yeah, but...
10:43You're not actually dying.
10:45No, I've just said that, Liam.
10:48I wonder if I could invent a medical condition
10:50to get Nat to pop the question.
10:52I need a ringitis.
10:54Yeah.
10:55Do you remember?
10:56Yeah.
10:57Oh, yeah.
10:58Oh, yeah.
10:59Oh, yeah.
11:00Forgot I want dying.
11:01Oh, yeah.
11:02Do you know what?
11:03Bloody hell.
11:04Forgot about that.
11:05Believe in his own lies.
11:06You all right, lads?
11:07No.
11:08Did you want a drink?
11:09The next day, there was a big turnout
11:10as a karaoke-themed housewarming in the village.
11:13I want a...I want a...I want a...I want a...
11:19Oh, look who's in.
11:20Did you see that, Bob?
11:21It's like, I'm here.
11:22Yeah, baby.
11:23Now it's going to pop off.
11:24Here we go.
11:25Come on.
11:30The rooms went quiet, is the mood hoover.
11:33It is rubbish if you're at a party
11:34and your ex turns up, isn't it?
11:36But let's face it, not surprising in a small village
11:39that they would all be there.
11:40I love an awkward little situation like this.
11:46Oh.
11:47What's up?
11:48What's that?
11:49Oh, God.
11:50What's he doing?
11:51If you're not the one, then what does my soul feel glad?
11:55What the fuck are you on?
11:57Oh, shit.
11:58If you're not the one, then what does my hand fit yours?
12:03Oh, wow.
12:05He's singing, Kev.
12:07Daniel Beringfield.
12:09This is Auntie Jane and Uncle Kevin's song
12:11that they put on when they get pissed and cry, too.
12:13Yeah.
12:14If you are not mine, then what does your heart return?
12:20My call.
12:24No wonder he's packed him in.
12:25If there were any chance of Rob and Kev getting back together,
12:28Kev's just absolutely fucked it now.
12:30Well, I hope you are the one I share my life with.
12:38Oh, God.
12:39This is so awkward for everyone in the world right now.
12:42Oh, I can't bear it.
12:44Come on, Jane.
12:46If I'm not made for you then
12:48Why does my heart tell me that I am
12:53Why is no-one grabbing him and going...?
12:57What they should do is turn the mains off, Nati,
13:00the mains switch.
13:01Pretend there's been a power cut.
13:03Yeah.
13:04Because power cuts are happening everywhere.
13:06Please just take me back, Robert.
13:08This doesn't make any sense.
13:10Oh.
13:11Well, that went well, didn't it?
13:13Yeah.
13:14That...
13:15It went like a lead balloon, Nat.
13:17Yeah.
13:18Unbelievable.
13:19That was really awful television, wasn't it?
13:21I don't think we're going to see anything as emotionally draining as that this year, Jane.
13:26That was special, wasn't it?
13:28It breaks your heart.
13:32...
13:40In Blackpool.
13:42I've got the glass over it.
13:43Oh, God.
13:44Right, I've got an envelope.
13:46It's a big bugger this, Soph.
13:48It's actually got fangs.
13:50Pete and his little sister Sophie.
13:52Right, you lift the glass, I'll get the envelope underneath it.
13:55I think he... Whoa, fuck me! Will you shut up?
13:58Right. Right. Slightly lift the glass. Slightly.
14:03Go on, slide it under. Gently does it. Gently does it.
14:07Right, you're going to have to lift it more.
14:09Well, slide it under, then. I'm trying.
14:11Go on. Watch its legs. Watch its legs.
14:15Oh! Oh, stop it.
14:17On Saturday night, punters were pointing out pictures for prizes on BBC One.
14:24This programme doesn't slam, so if it slaps... Yeah.
14:27..as the young'uns say nowadays... Right in the face.
14:31..wicked.
14:32APPLAUSE
14:34Hello and welcome to a brand-new series of Picture Slam!
14:41Whoo!
14:43Every quiz show has to have a nice cheesy entrance, isn't it?
14:46Oh, yeah. We love a cheesy entrance.
14:48So, it's literally, like, catchphrase, just say what you see.
14:50And now you'll be going one-on-one against your opponent.
14:53Simple. Like...
14:55Green tracksuit.
14:56LAUGHTER
14:58Grandma's curtains.
14:59LAUGHTER
15:00You're an idiot.
15:02Let's have a look at tonight's categories.
15:04Ooh, let's do it.
15:05Theatre, woodworking, holes...
15:09Holes?
15:11What kind of pictures are we going to see for that one?
15:13LAUGHTER
15:14Molly, you're left with the category.
15:15No-one else wanted holes.
15:18Holes?
15:19I won't be good at this.
15:20Arseholes.
15:21Plug holes.
15:22LAUGHTER
15:23Man holes.
15:24Let's have a look at your picture board.
15:26Right. God, how do you even connect holes or anything?
15:30Who is this character?
15:32Who the bloody hell's that?
15:34Gar Fox.
15:35Macavity.
15:37Correct.
15:38Who?
15:38Macavity.
15:39Phil Macavity.
15:41Phil Macavity.
15:42Phil Macavity.
15:43Oh, Macavity from Cats, the musical.
15:46What coat is this?
15:47Oh, trench.
15:48Trench.
15:49Loving hell.
15:50Trench.
15:51No, me fashion me.
15:52Trench coat.
15:53Trench.
15:54A trench?
15:55I've dug a few trenches.
15:56And we have trench boxes.
15:57Shut up!
15:58Trench coat.
15:59Correct.
16:00We're talking about holes, not coats.
16:01Trench is a hole in the floor.
16:03Correct.
16:04What film is this?
16:05I've got it.
16:06I've got it.
16:07Is it Black Beauty?
16:08No.
16:09No, it's not Black Beauty.
16:10That's not a hole, is it?
16:11Black.
16:12Black hole.
16:13Black Beauty.
16:14It could be.
16:15Sleepy Hollow.
16:16I'm not getting any of these.
16:17Sleepy Hollow.
16:18Correct.
16:19Oh, that's clever.
16:20I was going to say Only Fools and Horses.
16:21What TV series is this?
16:23Oh, another foot in the grave.
16:25Grave being the hole.
16:27A window of appearances.
16:28Bodger Badger.
16:29One foot in the grave.
16:30Ah.
16:31Number one, please.
16:32Number one.
16:33What brand is this?
16:34Well Woman.
16:35Well Guard.
16:36Well Woman.
16:37Correct.
16:38Well Woman.
16:39She's like dug a well.
16:40Okay.
16:41That's clever, Mary.
16:42Would you have got that?
16:43Well Woman.
16:44Oh, that's disgusting.
16:45Why?
16:46Holes.
16:47It's in the category holes.
16:49Well Woman?
16:50Well, it's to do with bottoms.
16:52Women's front bottoms.
16:53Is it?
16:54Yes.
16:55How do you know it's...
16:56Well Woman clinics are to do with coils and stuff like that.
17:00I didn't know that.
17:01Yeah.
17:03In the Cotswolds.
17:05Look what I've found.
17:06Darling, you were so rude when my mother said we had to take one of those for Perkins.
17:11Andrew and his husband Alfie.
17:13I mean, it does look like it's from the 1920s, but as we haven't got any firewood, I think that this is just going to be needed in here because it's freezing, darling.
17:21Sweetheart, the heating's on full.
17:22I know, but it's so cold.
17:24It's so cold.
17:25I need this.
17:26So you laughed about it from Mum having it for Perkins and giving it for Perkins to stay warm, but for you, it's totally fine.
17:33It's so cold.
17:34I'm going to take a picture and send it to my mother.
17:36I'm sure she'll be chaffed.
17:37It's getting some use.
17:38No, I am.
17:39I'm taking a picture of it and I'm sending it to my mother.
17:41It's the first thing that I'm doing.
17:42Look, you do actually like the heater.
17:45This week, the world's most menacing children's games were back on Netflix.
17:50Steve, Squid Game's on.
17:52Have you had your blood pressure tablets today?
17:54Oh, yeah.
17:55You've had them?
17:56Well, when I watch this, I take two.
17:58What would you spend the money on if you won 4.56 million?
18:01A decent haircut?
18:02Coming from you, boy.
18:04I'm growing this out.
18:05What, that tea cozy?
18:12Right, go on.
18:15Oh, my God, that was really good.
18:22Oh, this looks sick.
18:24Oh, my God.
18:26Oh, my God.
18:28Dwindling numbers now, I've noticed.
18:30Looks like there's slides.
18:32Slides and ladders.
18:33Oh, slides and ladders.
18:35Welcome to your fifth game.
18:37I'm getting anxious already, are you?
18:39No.
18:40Teams of two will take turns as they attempt to make it to the final square.
18:44End past the game.
18:46Right, that sounds all right, doesn't it?
18:48Quite easy, that.
18:49Slides take you down the board.
18:52Oh.
18:53Oh, that's so fun.
18:54Oh.
18:55The ladder.
18:56Result in your elimination.
18:58Oh, that is brutal.
19:00I'd be trying to stop myself in the middle of this line.
19:03Climbing back up.
19:04Yeah.
19:05Oh, come on, boy.
19:07Oh, don't be doing that.
19:08Oh, stop it.
19:09They've been practising that, haven't they?
19:10As the game got going, it wasn't long until the yellow team landed on a twist card.
19:16Oh.
19:17Oh.
19:18Oh, no.
19:19There we go.
19:20See what they've got to do.
19:21Send a team to the next unused slide.
19:25Oh, wow.
19:26Oh, shit.
19:27They must take a slide each.
19:30Oh.
19:31Oh, no, so one of them gets eliminated.
19:32Already.
19:33Oh, no, they haven't even started.
19:35This is where you want to be adding, isn't it?
19:37Yeah.
19:38Oh, yeah, yeah, I'm not even in it, yeah.
19:39And we're going with the red team.
19:41Oh, my God.
19:42One of the red teams going home.
19:44He was so confident they're not going to pick them.
19:46Yeah.
19:47See, this is why you can't even trust your own people.
19:49I just want to take right, if you don't care.
19:50Yeah, take right.
19:51I was going to take left anyway.
19:52All right.
19:53Are they going to have to just guess which slide is which now?
19:56Yeah, I think so.
19:57Oh, wow.
19:58I'd go right.
19:59I'd go left because I'm left-handed.
20:00Yeah.
20:01Sorry, guys.
20:02I'm sorry.
20:03Don't say sorry, ladies.
20:04It's not like there's a crocodile at the bottom.
20:07There might be.
20:08All right, Stephen.
20:12Oh, here we go.
20:14Which one?
20:17Whee!
20:22Oh!
20:25Where do they fall?
20:27And he was never seen again.
20:29Oh!
20:30Are they all disappointed?
20:31They all went, oh!
20:32I once friction burned my elbows carrying two kids down one of them tunnel slides.
20:41Oh, gosh.
20:42After a few more rolls of the dice, the remaining red player, Stephen, found himself on a twist card.
20:51Send a team to any ladder or any unused slide.
20:55Oh!
20:57Bye-bye!
20:58Payback is coming quick.
21:00That's them two.
21:01He's going to send them two, isn't it?
21:02He's going to send the two girls to an unused slide.
21:05Any team?
21:07He's going to pick us, bro.
21:09Yeah, he's going to pick you.
21:10Look, look, he's rubbing his hands.
21:14Payback time!
21:16I'm going to take yellow down to 22.
21:19One of them's gone.
21:20Good.
21:26Oh!
21:27They are giving him daggers.
21:28But they knew that was coming, didn't they?
21:30Yeah, totally.
21:31Yeah.
21:32That's fair enough.
21:33They took your teammate out.
21:34Yeah.
21:35That's a good choice.
21:36I love how they're going.
21:37Yeah, yeah.
21:38Pick yellow.
21:39Get the yellows out.
21:40Well, yeah, you're going to watch your own back.
21:42Okay.
21:43Yeah, that's very justified.
21:44Justified.
21:46I hope one of them disappears.
21:49Oh!
21:50He's so nasty!
21:51This is where you could have made a good deed
21:52and helped somebody in the end,
21:53but you decided to be petty.
21:55Yeah, you could have made some...
21:56No, it's not love.
21:57He's getting rid of you.
21:58At least the boys took it better.
22:00She is very salty about it.
22:03You started this.
22:04We didn't start it.
22:05We picked people we had better, really.
22:06Okay, you picked me, I picked you.
22:07It's not a big deal.
22:08It's fine.
22:09I'm hearing too much of this
22:10and not enough sliding.
22:11Yeah.
22:12Oh, my God.
22:16Oh!
22:17Is she coming back?
22:18Is she coming back?
22:19I've never seen someone come down a slide
22:20with so much anxiety in my life.
22:22No!
22:23Where's she gonna land?
22:24Oh!
22:25What do you reckon?
22:26Oh!
22:27Oh, the cat look.
22:28No.
22:29Oh.
22:30Where is she?
22:31No!
22:32No!
22:33Oh!
22:34Oh, no!
22:35Oh, no!
22:36Oh, no!
22:37Oh, no!
22:38Oh, no!
22:39Oh, no!
22:40Oh, no!
22:41Eye for an eye.
22:42And apparently, in real life, there's spikes at the bottom.
22:44Is it?
22:45Yeah, yeah, yeah.
22:46It's quite cruel.
22:48She didn't come back.
22:51Stephen is so far, I'm telling you.
22:53She didn't come back.
22:55There's too many Americans on that...
22:57Where have all the sensible people gone?
22:59I don't know.
23:00You know what?
23:01That says it.
23:02The world.
23:03Yeah.
23:04When it comes down to it, all the sensible people will be gone
23:06and there'll be all the Americans left.
23:08All there.
23:09Yeah.
23:10Being silly.
23:11Yeah.
23:12Yeah.
23:19In Leeds...
23:20Guess what?
23:21What?
23:22I've been for my Bowie doing this morning.
23:24And I haven't told Mum or Nat that that's what I were doing.
23:28Sisters Ellie and Izzy.
23:30And I said, Mum, I've got an appointment for a facial at 10.30.
23:34Can you look after Ezra?
23:36Well, I were going to go swimming.
23:38You're going to have to cancel your facial.
23:40And I says, I can't cancel it.
23:41I've already paid for it.
23:43Lie.
23:44Lie number one.
23:45No, lie number two.
23:47Lie number one is the fact that it's a facial.
23:49Lie number two is the fact that you've already paid for it.
23:51I'm ringing Mum now.
23:52I'm grating.
23:53I'm telling her.
23:54But I just know...
23:55I'm going to tell her.
23:56I'll take that.
23:57She would not have babysat Ezra if it was for you to go get Votox.
24:02She wouldn't have done.
24:04On Thursday night, famous faces were running around with backpacks again on BBC One.
24:09I remember that.
24:10I think you and we were together once.
24:12And you stopped someone to ask for directions when you were driving.
24:15And they gave you all these directions.
24:17And then you said to me, right, did you get that?
24:19I said, no, I thought you were listening.
24:25Why do we not have that competitive streak?
24:27Why are we not arsed about winning stuff?
24:29Because you've always been shit at everything, so...
24:32And you're a lazy bitch.
24:34Marking the halfway point for the race...
24:37Valley de Angeles, Honduras.
24:41Isn't Honduras insanely dangerous?
24:43Insanely dangerous I wouldn't be going.
24:45Absolutely not.
24:46Lot of prawns in the supermarkets from Honduras.
24:49Mollie and Tyler are planning to cross into Honduras at the El Amatillo border via the transport hub of San Miguel.
24:58OK, that looks like a trek, though.
25:00San Miguel? Mum likes San Miguel.
25:03Oh, she does.
25:04San Miguelito.
25:06Is that the same? San Miguelito?
25:09It's so close today.
25:12Do we know for definite that San Miguelito is San Miguel?
25:17I don't.
25:19Oh, well then, brilliant.
25:21I would have thought it's the same place.
25:23It's something you want to double check, though, isn't it?
25:25Excuse me.
25:26Is this San Miguel?
25:28This bus, San Miguel?
25:29The trick is, check once you're on the bus.
25:32Yeah. Halfway there.
25:33What the...
25:34Oh, another bus.
25:36It's not going.
25:38No, no, another bus. We're on the wrong bloody bus.
25:41That's called moving quick. We're on the wrong bus.
25:44Bosses are just a nightmare abroad, though.
25:46Yeah.
25:47No, you just potluck.
25:48I know.
25:49You get on and trust some man to get you to where you need to be.
25:51Yeah, yeah.
25:52Come on to the border.
25:54Oh, well, this is the San Miguel bus. That's all right, then.
25:57Oh, well, that was fairly easy.
26:01Crisis averted.
26:03You can do this.
26:04First place.
26:05What?
26:06Oh, you're still in the jacket?
26:08Overconfident, if you ask me.
26:09Yeah.
26:10He's just enjoying his holidays.
26:11Why's he stopped?
26:12What's happened now?
26:13One dollar.
26:14One dollar.
26:15Oh, my God, no.
26:16What?
26:17They're still in the jacket.
26:18They're going to get on the same bus.
26:19Oh, no!
26:20Oh, no!
26:21Ah!
26:22What are you doing here?
26:23Oh, my God.
26:24We're all on the same bus again.
26:25Looks like they're going on a fucking outing together.
26:26A court strip.
26:27The Valley of Angels.
26:28Here we go, Valley de Angelas.
26:29So, this is it.
26:30This is where they have to get to, isn't it?
26:31So, now, they've got to get running, because everybody's there at the same time.
26:34And on foot, follow the road.
26:36Take the first right past the Villa Slyna, continue into the town, and locate the bandstand
26:41in the main square.
26:42This is now all about...
26:44Oh, my God.
26:45Oh, my God.
26:46Oh, my God.
26:47Oh, my God.
26:48Oh, my God.
26:49Oh, my God.
26:50Oh, my God.
26:51Oh, my God.
26:52Oh, my God.
26:53Oh, my God.
26:54Oh, my God.
26:55Oh, my God.
26:56Oh, my God.
26:57Who can follow instructions?
26:58There's the bandstand there.
26:59Go.
27:00Yeah.
27:01Go, go, go.
27:02Bandstand!
27:03Your checkpoint hotel, La Casona, is 200 meters south.
27:06Come on!
27:07They want to find the hotel now.
27:08Hotel La Casona.
27:09Si?
27:10Oh, gracias.
27:11Vamos!
27:12I think it's anyone's race now.
27:15Well, it is, isn't it?
27:16It's so close.
27:17It's so tight.
27:18Yes!
27:19Let's go, bandstand!
27:20Go on!
27:21Go on!
27:22Let's go!
27:23Bolly's up!
27:24Quick!
27:25Hola.
27:26Hotel La Casona.
27:27Si?
27:28Hello.
27:29Ah, si.
27:30Here's Dylan the jacket.
27:31Come on!
27:32Oh, gracias, gracias.
27:33Are you there?
27:34That's not the right place, is it?
27:35This is a restaurant.
27:36I thought it was a hotel they were looking for.
27:39Is this Hotel La Casona?
27:40No.
27:41No.
27:42No?
27:43Oh!
27:44No!
27:45It's the wrong one!
27:46They wanted to sign them for an evening meal, them two!
27:47Keep going!
27:48Oh, Jesus!
27:49Gracias!
27:50Oh!
27:52Oh!
27:53They're going opposite directions, though!
27:55They're all going opposite directions!
27:57There's chaos!
27:58Yes!
27:59We've made it!
28:00Are they there?
28:01Are they there?
28:02Is this the right hotel?
28:03Come on, please!
28:04Ha-ha!
28:05Yeah, it is!
28:06Oh, we're here!
28:07Hi!
28:08Are they fast?
28:09Are they fast?
28:10Are they fast?
28:11Are they fast?
28:12Let's go!
28:13Congratulations!
28:14We have successfully reached your third checkpoint.
28:17Please sign in over leave.
28:18I love you!
28:19I love you too!
28:20Okay!
28:21Oh!
28:22Turn the page then!
28:23Give it a go!
28:24Give it a go!
28:27Oh!
28:28They're first!
28:29Yes!
28:30Well done!
28:31I've got no idea how they've got there first.
28:34No, I don't.
28:35I'm pleased for Molly and Tyler, because they were lovely.
28:38It slightly irritates me that they're full of energy after racing around and make it look effortless.
28:45That gets on my nerves, isn't it? These young people.
28:48They're young.
28:49Fit.
28:50Fit.
28:51In love.
28:52Don't be a grumpy old man.
28:54No.
28:55I'm very happy for them.
28:59Enough London.
29:00I actually need some advice.
29:02About what?
29:03Because I don't know how to tell someone bad news.
29:05Like, especially when it comes to people's hygiene, because that's been bothering me lately.
29:09Sisters Amira and Amani.
29:11Maybe drop hints here and there.
29:13Like, what would you say?
29:14Like, just be like, oh, yeah, I do this, you know, like...
29:17This is my shower routine.
29:19This is my routine.
29:20Like, I follow up with mouthwash every time I brush my teeth.
29:23So, let's pretend, yeah, that I'm that friend that you need to have this conversation with them.
29:27Oh, God.
29:28That would kill me.
29:29OK, let's go.
29:30So, I'm in your face going...
29:31So, I'm like, yes, I have it.
29:32Why are you breathing?
29:33This week, a brand new mystery thriller was keeping us all guessing on Sky Atlantic.
29:44Do you know what?
29:45I need to be thrilled.
29:46Yeah.
29:47Do you know what I mean?
29:48Yeah.
29:49I need a good thrilling.
29:50Oh, come on, let's watch it.
29:51I hope it's good.
29:52I hope it ain't one of them back to front ones where they keep going backwards.
29:56I say that a lot when I'm with you.
29:57Everyone says that.
29:58That's how everyone does.
29:59All we know in this show is a child goes missing.
30:00I love that.
30:01Oh, no, not the idea of a child going missing.
30:02Just the drama of it.
30:03Just the drama.
30:04Hi, I'm Marissa.
30:05I'm here to pick up my son Milo.
30:06Oh, look, there she is, Mary, from Succession.
30:07Hmm.
30:08Sarah Snook.
30:09Hmm.
30:10I think you've got the wrong house.
30:11There's no Milo here.
30:12What?
30:13You've got the wrong house, love.
30:14Kid's not here.
30:15The address is 1800 Crescent Hollow Road.
30:17If I'm not home from work when you get there, my nanny will be there with the boys.
30:22Oh.
30:23Oh.
30:24Oh.
30:25Oh.
30:26Oh.
30:27Oh.
30:28Oh.
30:29Oh.
30:30Oh.
30:31Oh.
30:32Oh.
30:33Oh.
30:34Oh.
30:35Oh.
30:36Who's injured the text?
30:37Uh, a mom from the school.
30:39Jenny.
30:40Oh, dear.
30:41She didn't take Milo to the house.
30:44Jenny's taken him from school.
30:46So where?
30:47Where?
30:48Should you give her a call?
30:49Yeah.
30:50Yeah?
30:51Get Jenny on the phone.
30:53Where's Milo?
30:54Do we not trust this woman in the house, or is it Marissa's made a mistake?
31:01Shit!
31:02Oh, my God.
31:03It's not working.
31:04It's not working.
31:05Oh!
31:06I'd be in panic mode.
31:07I'd start screaming.
31:08Come on in.
31:09We'll figure it out together.
31:12Oh, she's nice.
31:13I'll do the same, mate.
31:15This is too juicy not to get involved.
31:18The address is 1800 Crescent Hollow Road.
31:20If I'm not home from work when you get there, my nanny will be there with the boys.
31:23Jenny.
31:24I know she keeps saying it.
31:25She keeps going off the address, doesn't she?
31:26Yeah.
31:27And you are at the right address, but there's no Milo.
31:29There's no child.
31:30But you know this, Jenny.
31:31Yeah.
31:32Yeah, we met at the school social.
31:33She was great.
31:34She...
31:35Autocorrect.
31:36That's why...
31:37That's why the address is wrong.
31:39Yeah.
31:40Yeah.
31:41She's kidding herself.
31:42Of course it is.
31:43It's either autocorrect or fat fingers.
31:45It's one of the tips.
31:46They sent me messages, love you, miss you, and really meant to say, fuck off, Tom.
31:50Here, let me try it.
31:51We have a nanny as well, and she might have another...
31:53Okay.
31:54Got a nanny.
31:55Let's call a nanny.
31:56Must be nice.
31:57Is there any chance your nanny could have picked up your son?
32:00No, she's away for a few days, so it's...
32:02So her nanny's away as well.
32:04Who's picked up Milo?
32:06She's not answering.
32:07The nanny's not answering.
32:09There's some dodgy going on here.
32:11Hello?
32:12Hello, Jenny.
32:13You don't know me, but I'm here with your friend, Marissa.
32:16Hi, this is Jenny.
32:17Yeah.
32:18Is everything all right?
32:19Oh.
32:20Is that Jenny?
32:21Yeah.
32:22Right, so she's got Jenny's number, who she thought Milo was with.
32:26Well, Marissa thought her son was at your house today, but there seems to be some kind
32:30of confusion on that.
32:31Oh, no, I'm working tonight.
32:32Jacob's at Sarah Larson's for a play date.
32:34So Milo isn't with you?
32:36No, he isn't.
32:37Who the fuck's been texting her, then?
32:40What the hell's going on and where's Milo?
32:42Okay, so...
32:43No, you sent me a message.
32:44Hi, Marissa.
32:45No, I'm so sorry, but I didn't...
32:47It's off my phone.
32:48I'm not crazy.
32:49It's on my phone.
32:50It's on my phone.
32:51I've got it here.
32:52Yeah, because she got a text message sent off her.
32:54So who sent the message?
32:58Who picked up my son from school?
33:00Oh, we don't know.
33:01Do you?
33:02I know.
33:03Someone's orchestrated a fake text to say he's going to be on a play date.
33:07Yeah.
33:08And now has picked up Milo.
33:10For who?
33:12No.
33:13No.
33:14OK, this is me.
33:15I'll just be here.
33:16Please take a copy and hand it round.
33:19There we go.
33:20Two months earlier.
33:21Oh, OK.
33:22Oh, here's Jenny.
33:23Two months earlier.
33:24Two months earlier.
33:25Two months earlier.
33:26Oh, it's one of them.
33:27Oh, God.
33:28Are you all right?
33:30Oh, who is this woman?
33:33There's the babysitter.
33:34Who's this woman?
33:35Which one is yours?
33:37Milo.
33:38Irvine.
33:39Oh, he's a sweet one.
33:41He is.
33:43He's perfect.
33:46Oh.
33:47Looks like the nanny's had him away.
33:49Perfect.
33:50I don't know any nanny that sort of is like that, really.
33:56Oh, a bit of a creepy, lingering look as well.
34:00Yeah, creepy, lingering look, definitely.
34:02Nanny's at the top of my list now.
34:07Do you have him?
34:08Where is he?
34:09Where is he?
34:10Tell us where he is.
34:11What?
34:12Oh, it's a nanny.
34:13I don't have Milo.
34:14I'm not working this week.
34:15He's not in here.
34:16He's not in here.
34:17I'm not working this week.
34:18What?
34:19I told you I don't have Milo.
34:20I left my phone.
34:21I was coming to get it.
34:22We leave tomorrow morning instead.
34:23Anna hasn't got Milo.
34:24Oh, and she left her phone.
34:25That's where she wasn't answering the phone.
34:27What happened to Milo?
34:28We don't know.
34:29Mr. and Mrs. Irvine.
34:31Oh, police now.
34:32Detective Alcaraz has spoken with Milo's teacher.
34:34He says Milo was picked up by a woman named Carrie Finch.
34:37Carrie Finch?
34:38Who the hell is Carrie Finch?
34:40Carrie Finch!
34:41Who is Carrie Finch?
34:43That's what we'd like to know.
34:45I'm Carrie, by the way.
34:48Oh!
34:49There is Carrie Finch.
34:51Anna.
34:52Nice to meet you.
34:53Nice to meet you.
34:54So who do you work for?
34:56Jenny Kaminsky.
34:57Jenny!
34:58Ah!
34:59So that's how she's been able to pretend to be Jenny.
35:03So she's Jenny's nanny.
35:04The plot thickens.
35:06Miss Garcia, you're Milo's nanny, right?
35:08Yes.
35:09Have you ever spoken with Carrie Finch?
35:11Yes.
35:12Don't lie.
35:13Um...
35:14No.
35:15Why is she lying?
35:16Why are you lying, though?
35:18I...
35:19I've seen her, but we've never talked before.
35:21Why is she protecting Carrie?
35:23What if the nannies are in there together?
35:25Oh...
35:26There's something going on there.
35:28No.
35:38Okay, hold Peter.
35:39Hold him.
35:40I have to just check the number.
35:42You just check it, okay?
35:44Oh!
35:45You arse.
35:47Oh, he's blaming the wife now.
35:50Hmm.
35:51Hang on.
35:52What's the title again?
35:54Just don't go there.
35:58Listen.
35:59Listen.
36:00I'm...
36:01What an arsehole thing to do.
36:03Yeah.
36:04I bet he hasn't got any numbers of any of the people.
36:06He hasn't even got a bloody clue.
36:07I doubt he even knew he was on a play date.
36:09Exactly.
36:10Right, that's it.
36:11Ezra's not getting looked after by anyone else apart from me,
36:14from now on.
36:15Isn't he going to Primrose Valley this weekend with me?
36:17After this weekend.
36:20In Blackpool...
36:21After you got engaged the other day, Jimmy was going, I'm married.
36:33Pete and his little sister Sophie.
36:35Anyway, we got talking about, you know, how, like, me and Paige are married
36:39and, you know, Auntie Sophie and Uncle Ben are engaged.
36:41And Jimmy said that he's married...
36:43To who?
36:44Colin.
36:45Aww.
36:46And I said to him, well, you could have picked a bit better.
36:48He's a bit of a dog.
36:49Went straight over his head.
36:51This week, the fancy world of IN dining was on the menu on Apple TV.
36:57See, this is all about gaining a Michelin star and I'm a bit done with Michelin stars.
37:03Oh, have you?
37:04Yeah, I think I am done with them.
37:05Are you all Michelin star mixed out?
37:07I am.
37:08Yeah.
37:09I want a proper meal on the plate.
37:11What would you rather, Michelin star or Toby Carvery?
37:16Toby.
37:17God, how could you take you to a Michelin star restaurant swinging like that?
37:29I've actually dined at one and five star rated food hygiene places.
37:35Well, that is the northern Michelin star.
37:37That is the northern Michelin star.
37:39On the south east coast of Ireland, Chef Tony Parkin won't settle for anything less than two.
37:45Oh, so he's already got one.
37:48It's more difficult to keep the Michelin star than actually gain one,
37:52because they're always looking to knock you off.
37:55You're peggers star.
37:56Yeah.
37:57Most of the team, like 22-year-old Sean, have barely worked in a professional kitchen.
38:01Oh, God.
38:02Oh, it's a young buck.
38:03Everyone's going to start somewhere.
38:04Yep, that's true.
38:05And chefing is a fucking hard industry, so let's give them their credit.
38:08It is a really good opportunity.
38:10Do you know what I mean?
38:11It's like going to train with Man City.
38:14You know what I mean?
38:15There's no doubt that trying to win two stars with rookie chefs is a tall order.
38:19As long as they show up on time and they're not slackers a bag of knackers.
38:23Ringing in sick.
38:24Exactly.
38:25Do you think you could take the pressure of the kitchen?
38:27I, as a pot wash, yes.
38:29Yep.
38:30Not anything to do with the cooking.
38:31I could operate the dishwasher.
38:32No, you can't.
38:33Could you?
38:34I'm not sure you could.
38:35I don't think you could.
38:36In the office.
38:37In the office.
38:38Dylan and Sean have a vital job of plating Tony's twist on Haddock Chowder.
38:41It's all in the presentation.
38:43You eat with your eyes.
38:45It's like a clutch of a car, yeah?
38:47It's like a little biting point.
38:48And you want to hit that point every time.
38:50Even handing someone who's never worked in the kitchen before a cream gun.
38:53It takes long to master that.
38:55I swear.
38:56It takes long.
38:57Perfect down if it's not.
38:58And that's the difference.
38:59Yeah.
39:0022 of them tonight.
39:01Make sure they're perfect, yeah?
39:02Just say, yes, chef.
39:04Now he said that to that young lad.
39:05He'll be like that with it.
39:06And it'll be going all off it because he's nervous.
39:12Is that downed?
39:13Is that downed?
39:14Oh, fucking hell.
39:15That's not even.
39:16No, no, no.
39:17Not sure that's going to go down well.
39:19So that's going up the top there.
39:20That one's not even covered.
39:21That's not covered.
39:22That's not covered.
39:23That's not covered.
39:24That's not covered.
39:25That's got shit around the sides.
39:26Yes, chef.
39:27Right.
39:28Right.
39:29So do it all again then.
39:30I'll start crying.
39:31I'll be like, why are you being so mean to me?
39:32Please stop.
39:33And if someone's food tastes salty, you know why.
39:35My tears.
39:36I guarantee after he's just told Sean that, it'll have gone in here, straight out of there.
39:45It's absolute garbage.
39:46Absolute fucking garbage.
39:47Oh, Tony's getting a bit stressed.
39:49I mean, surely to God you've got to give him a bit of leeway.
39:52Just get everything out there.
39:53Bring it over.
39:54I'll do it myself.
39:55Oh.
39:56Someone's tired.
39:57That's going to knock those young people's confidence big time.
40:01Well, it's a pressurised environment.
40:03These are hearties oysters.
40:05These are 14 years old.
40:07So what we're going to do with this is just carve it into three.
40:09These oysters are almost as old as these guys are.
40:12That's sad.
40:13The poor oysters have lived all that time without being caught.
40:16And now these greedy millionaires are going to eat them.
40:19These have all got to be equal.
40:21Yeah.
40:22So it's pretty simple.
40:23It's hard to cut things in equal slices.
40:25How does his knife do that?
40:27Because he's got good knives that don't cover Margos.
40:33Oh, shit.
40:34I'm scared for Sean.
40:35Oh, please get this right.
40:37Sean, wake up.
40:38You've got fucking dick loads of watermelon on the second one in.
40:41Dick loads?
40:42What's a dick load?
40:43I don't know.
40:44I've got a new phrase.
40:45I'm going to have dick loads of baked beans on toast later.
40:50You need to hurry up.
40:51I said, just stick me on the pot wash.
40:53I'm sick of this.
40:54Can I not do, like, concierge or something, Tony, instead?
40:58Wait, did you do it again?
41:00Honestly, Sean, I'm doing the fucking head in.
41:03Oh, God, you're doing Sean's fucking head in and all.
41:06No, I wouldn't have that.
41:08Well, the best thing to do is...
41:09I say, shove your oysters up your ass.
41:12It's a fucking waste of time.
41:13You, go away.
41:15Gamma site.
41:16Oh, my God.
41:17Oh, my days.
41:18Oh, my God.
41:19Poor Sean.
41:20To be fair, when I go in the kitchen sometimes,
41:22when you're doing tea and they open up a cupboard,
41:24you go, what the fuck are you doing in here now?
41:26Can't you see them doing tea?
41:27Fuck off!
41:29Kate.
41:30Kate.
41:33In Kent.
41:34Jake, are you wearing skinny jeans?
41:36Can you come here?
41:37Sally and her sons Jake and Harry.
41:40You are slaying!
41:44Yeah?
41:45I am.
41:49No, I...
41:50It was intentional.
41:51It's a strong look.
41:53They're not that skinny.
41:55Slim fits the word.
41:59On Tuesday night, they were sorting out more dodgy dogs down under on Channel 5.
42:04Do you know what?
42:05Me and Paige actually say about Colin, that he's the best company that we could have.
42:09I know you two sit and cry about when he's dying.
42:11Oh, don't.
42:12Because I think he'll actually make me well up now thinking about it.
42:15Because, you know...
42:16Ugh.
42:17Yeah, but he is...
42:18You do just think, like, they don't live forever, do they?
42:20You are a fucking loser.
42:22No, he's...
42:23I am welling up now because he is class.
42:26Like, he's got...
42:27Yeah.
42:28He's a good lad.
42:29Aw.
42:30He's one of my kids.
42:31He's my firstborn, like...
42:32Aw.
42:34Look at those doggies.
42:36You know what?
42:37I think we've got to get a dog again.
42:38No.
42:39No.
42:40No.
42:41No, no, no, no.
42:42We don't need to go to Australia to see dogs behaving badly.
42:44We've just come round here.
42:45Go round your house, more like.
42:47These two are angels.
42:50Golden Retriever Goldie is the heart of this household.
42:54Oh, I love Golden Retrievers.
42:57I was named after a Golden Retriever.
43:00Who the fuck had a Golden Retriever called Abbey?
43:02Asked me mum, I don't know, but I was called after a Golden Retriever.
43:05Pin wrap.
43:07One more time.
43:08And the apple of owner Will's eye.
43:10She looks very well behaved.
43:11She's a beaut, she, isn't she?
43:13That looks a very cute little dog.
43:15Yeah, you wait.
43:16You wait, Jane.
43:17And Goldie just adores Will.
43:20Aw.
43:22What?
43:25Why are they playing that music?
43:27A lot.
43:29Oh, no!
43:33That's the issue.
43:35Oh, no.
43:36But why is he putting on with her?
43:38He's just reading a book as if nothing's happening.
43:40Well, you couldn't really concentrate on the Da Vinci code, which...
43:44Is that what he's reading, is it?
43:46I don't know, I'm just using it as an example.
43:48She doesn't do it to my mum or dad.
43:50No one.
43:51Only him.
43:52Well, yeah, because he's fucking letting about looks of it.
43:54Well, that's it.
43:57I'm just my left leg.
43:59Never my right leg.
44:00What is it about that leg?
44:01Well, you put your left leg in.
44:03Your right leg out.
44:05It's like he's leaving his leg out there to tempt her.
44:07It's so embarrassing.
44:09We can't have people at the house.
44:11Well, if he's been neutered, then it's okay.
44:13It's not okay.
44:14There's nothing okay about that, Rosalba.
44:16Do you know what I like to look at this, like, glass half full?
44:19You know, she's not bitten anybody.
44:22Go on, get off.
44:23Go on, get off.
44:24That was Milo!
44:26Bro, if that was Milo, I'd be like, fuck off, bro!
44:29Like, even if I'm getting changed or if I'm in the bath,
44:32I, like, hide my boobs from Milo.
44:36Here's our Graham.
44:38He'll sort this out.
44:39Let's get the top bollocks in.
44:41Right, Graham.
44:42Right, Graham, can you stop this dog from shagging my leg?
44:44She normally humps me when I lie down,
44:45and especially my left leg.
44:47Your left leg?
44:48Yes, my left leg.
44:49Never your right leg?
44:50Never my right leg.
44:51Funny, that.
44:52Have you thought about cutting your leg off, sir?
44:54I think you've been a bit too nice.
44:56Too nice, yeah.
44:57Graham's already decided who the culprit is.
45:01Yeah, I think he has.
45:02To make it crystal clear enough is enough...
45:05Oh, here we go.
45:06..every time Goldie tries it on, she'll be told.
45:09It doesn't take a genius to know that, I'm sorry.
45:11I was going to say,
45:12I don't think Graham needs to even be here.
45:14Enough. Enough.
45:16But will it be enough?
45:18Can you be more assertive with your voice, please, Will?
45:20Put some bass in your voice, son.
45:22Enough.
45:23He's being quite soft enough.
45:25If anything, he's almost flirty.
45:27Yeah.
45:28Stop it, you.
45:29Enough.
45:30Next time you say enough,
45:31it needs to be a little bit more forceful.
45:33Enough!
45:34Stop shagging your leg!
45:35He's not got to be aggressive, but he has got to be firm.
45:38OK.
45:39Like I am with you.
45:40Oh, yeah.
45:41You need to get a less attractive dog to hump him.
45:44Yeah.
45:45Yeah.
45:46That's it, you're right.
45:47Yeah, yeah.
45:48A bulldog.
45:49Yeah.
45:50If he had a French bulldog humping him, he'd be like, get off.
45:54Did we all disagree that Goldie's an attractive dog then?
45:57Yeah.
45:58Yeah, yeah.
45:59Very quickly as well.
46:00Yeah.
46:01Picture yourself in a nice remote Scottish holiday park where you're supposed to be getting
46:08away from it all.
46:10But the exact opposite happens.
46:12Our dark thrilling drama Summer Water is available to stream now.
46:15And Samantha Morton stars in our major new stylish historical drama.
46:20France 1560 gets a 2025 makeover with the gripping story of the Serpent Queen.
46:26Stream or watch tomorrow at 5 past 10.
46:28Next, The Last Leg.
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