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00:00Up next, it's What Would You Do?
00:03Followed by Wild and Crazy Kids, only on Nickelodeon.
00:30Hi, everybody. I'm Mark Summers, and welcome to a special edition of What Would You Do?
00:45You know, a few weeks ago, we had a very talented gentleman here,
00:48and he has told us that he can do an amazing experiment,
00:53and we'd like to see if he can really do what he says.
00:56Please welcome the amazing Kreskin!
01:00Hey, Kreskin, how are you? Nice to see you. Good to see you.
01:06We have a good group here. Good crowd.
01:09I'd like you to explain to our audience what it is that you say you're going to do in this 30-minute television show.
01:15Well, you know, to make it very brief, all of you kids have played a game called Hot and Cold.
01:21Everybody has, where you hide an object, you walk back in the room,
01:24your teacher, your friends are saying you're getting hot, you're getting cold.
01:27Remember how you play it? And you find the object.
01:29When I was a boy, Mark, I wanted to find out if I could find objects without anyone speaking verbally to me,
01:35through some kind of thought transference.
01:37And what we're going to do here, in my shows, my check is hidden by the audience.
01:40If I don't find my fee, I don't get paid.
01:42In New Zealand, I lost $51,000 in one show. Oh my gosh.
01:46Forfeited that. So what we're going to do tonight is, we're going to, you're going to bring the group together,
01:51we're going to do the test of Hot and Cold, but without the talking, all being done mentally.
01:56We need a committee for this.
01:57Okay, we have a group that we pre-selected because of time constraints.
02:00Where are the four people that we selected prior to the show?
02:02Four people, one, two, three, and four.
02:03You could come down here.
02:04I don't even know them, but I did.
02:05We have four people.
02:06One, two, three, four.
02:07Come on down.
02:08Step down here.
02:09Come on down.
02:10Hi.
02:11What's number one, two, three, and four?
02:12Where are you?
02:13Your name is?
02:14Nancy.
02:15And you are?
02:16Jeff.
02:17Charlie.
02:18Brad.
02:19Now, first of all, we should really say something because Mark is here to, can talk to you.
02:23You didn't, we didn't pre-arrange anything.
02:25You don't really know exactly what's going to happen, do you?
02:28Nothing's been pre-arranging anyway.
02:29No.
02:30This has nothing to do with the show.
02:31The show is completely absolved of this, but I offer $50,000 to anyone who can prove I employ paid assistants or Confederates.
02:38I never have.
02:39We're going to need an object, Mark, and I've left it up for you folks as to what they could hide.
02:43Could you maybe tell us now?
02:45Robin, do you want to see the object?
02:46Sure, fine.
02:47No problem.
02:48What we did is we took a tennis ball.
02:50I signed the tennis ball and put a couple of special things on there that I made, okay?
02:54All right.
02:55This is the object we will hide.
02:56So even, there's no duplicates of this.
02:58This is the only one you've signed.
02:59Only one I've done.
03:00All right.
03:01Mark, how about if you hand it to any one of the committee here?
03:03I hand it to this lady right here.
03:04All right.
03:05Now, here's what I want you folks to do, and I want you to listen to me very carefully.
03:09Mark will know the parameters.
03:10I have done no rehearsal.
03:12I've not walked around the place.
03:14The five of you, I'm going to use four people, you're going to hide this tennis ball.
03:17Anywhere in, did you say some of the area of Universal?
03:21I'd like to take all of Universal where the Nickelodeon Studios are.
03:24That's pretty sizable.
03:25Yeah, a couple acres.
03:26All right.
03:27You've got some acres that you're going to hide this ball on.
03:29Now, listen to me very carefully.
03:31Mark is going to go with you.
03:32When you hide it, one of you should not hide it.
03:34All four of you go together.
03:36The four of you must go together.
03:38And one of you put the ball in place.
03:40If there's somebody else involved, don't hand it to them.
03:42One of you put it in place.
03:44But listen to me.
03:45Each of you know exactly where the ball is.
03:48How to get to it.
03:49Is that clear?
03:50Now, when you come back, you'll come back in the same position,
03:53and Mark Wilkin calling me.
03:54You're going to now lead me from here, Mark, so I don't know what's going on.
03:56We're going to take him away.
03:57We have a blindfold.
03:58Now, hold on.
03:59I want two witnesses.
04:00Who wants to go?
04:01So that I cannot see what's going on.
04:02I cannot hear what's going on.
04:03Let me see.
04:04I need one other person.
04:05As a matter of fact, folks, I can't even see anything now.
04:07Someone's going to have to guide me.
04:09Give him a blindfold.
04:10Rob will guide him.
04:11We'll take him back to a soundproof area.
04:13Go ahead.
04:14Now, Mark, you're going to bring everyone back after they've hidden it
04:16and have me call back.
04:17Absolutely.
04:18That's exactly right.
04:19So we're going to follow him over there with the camera,
04:21and we're going to wait until he's totally out of our sight
04:23before we go anywhere in the studio.
04:26Now, we can go inside the studio.
04:27We can go outside the studio.
04:29It is strictly up to you.
04:30While he's going back there,
04:31we're going to take him through some doors
04:33where there are no monitors.
04:35I don't know what to do, folks.
04:36No audio.
04:37Yeah, we're working like this.
04:38Okay.
04:39We got ready?
04:40Yeah.
04:41I wouldn't have known that.
04:42There he goes through those doors.
04:44Okay, folks.
04:46And we do have a camera that will stay with him,
04:49and those people will act as witnesses.
04:51And now we're in the spot.
04:53All right.
04:54We're taking him actually down for my dressing room.
04:56Which is about a mile and a half down the road.
04:58Okay.
04:59Folks, you can come with me now.
05:00Now, let me show you various areas.
05:01It is up to you.
05:02Follow me, and we could go to this backstage area.
05:04We have cameras following me over here.
05:06We could go back over here,
05:07but I'll tell you what I'd like to do.
05:09If you'll follow me,
05:10you can certainly do whatever it is that you would like.
05:12Got a whole crew and everybody over here.
05:14Just keep following me.
05:15Stay with me.
05:16Okay.
05:17I will give you various areas that you can place this in.
05:20I have nothing to do with this.
05:22In fact, I'm not even sure that the man can do it.
05:25I don't believe this.
05:26I saw him do it on TV a few times.
05:28We've asked him to do it here.
05:30You can follow me.
05:33I believe we have a different microphone that we have to use.
05:36Okay.
05:37Let me just hold on.
05:38What I made to make a living, huh, folks?
05:39Okay.
05:40All right.
05:41Now, we can go in this area, around here.
05:43Now, if you like it, you can go down this area.
05:58You know what you could do?
06:02What did you say?
06:03I think we ought to hide it in the back of your shirt.
06:05I can't do that because we move around.
06:06I don't think it's fair.
06:07Anything around here, if you want to put it in something,
06:08if you would like to go further down there, what do you think?
06:09What's that?
06:10In the plant over there by the...
06:11Okay.
06:12Okay.
06:13Now, you're saying where?
06:14How about you?
06:15The plant by the...
06:16Do you have any decision, any word that you'd like to do it,
06:17or do you want to go with these folks?
06:18Sounds good to me.
06:19Crash can sounds good to you?
06:20Too easy.
06:21Too easy.
06:22Okay.
06:23What do you think?
06:24You want to go further down this way?
06:25Okay.
06:26They want to go further down.
06:27Strictly your choice.
06:28I will have nothing to do with it.
06:29Okay.
06:30You can make it hard.
06:32Okay.
06:33Okay.
06:34Okay.
06:35Okay.
06:36Okay.
06:37Okay.
06:38Okay.
06:39Okay.
06:40Okay.
06:41Take it hard.
06:42Now, there's some areas over there that you may want to look at, tree-wise, otherwise.
06:47We can go back inside the building over there, or you can put it towards this area.
06:52You can put it over there in one of those props.
06:54Over there?
06:55All right.
06:56Come over here.
06:57Come over here.
06:59Now, if you'd like, you can put it behind something.
07:08You can put it over here.
07:10You can put it behind a tree.
07:11Yeah.
07:12Somewhere in here.
07:13Somewhere back here.
07:14Right over here.
07:15Right over here.
07:23Want to cover it up?
07:24You can cover it up.
07:25All right.
07:26Is that good for you?
07:27Yes.
07:28Okay.
07:29All right.
07:30We're gonna go back inside the studio.
07:31We're gonna go to commercial now.
07:33When we come back, we'll take Kreskin out of his soundproof booth, and we'll see if he
07:35can actually find this.
07:37What would you do will return in a moment.
07:52Do you have it?
07:53Yes.
07:54You're unstoppable.
07:55Endurance unnatural.
07:56You're trying your best, and not all things are possible.
07:57Boldness unfolding.
07:58Thing you're holding.
07:59Persistence and courage together.
08:00You're molding.
08:01Sure shot to the clock.
08:02On top nonstop.
08:03Go get a good sport.
08:04Good times.
08:05You got you see your goal.
08:06You reach and you grab it.
08:07Now ask yourself.
08:08Do you have it?
08:09Do you have it?
08:10I'll hug your house.
08:11Wow.
08:12Come on, smacks.
08:13Scary how I love those spaghetti puss a week.
08:16A mirror.
08:17Hmm.
08:18I'll shine some light on this mystery.
08:29There they are.
08:30Hey, what did you have it?
08:33Oh my.
08:34And I wanted smacks to be part of my complete breakfast.
08:38But kids, you could help Bighum.
08:41You could help Bigham.
08:43What the more?
08:44It's a bad thing to be.
08:45breakfast. But kids, you could help Biggum. Just connect the dots on the back of the box to see
08:50how he gets away. And for helping, a free Biggum flashlight with mail-in certificate.
08:56The Secret Garden. It is the time-wonderful classic that has captured the heart of generation
09:02after generation. It is the one special story of magic. Are you making this magic? You are.
09:09Enchantment. And joy. That will awaken the child in all of us.
09:18From the producers of The Black Stag, The Secret Garden. Rated G. Starts Friday, August 13th.
09:26The Place. My name's Marty. I play guitar in roundhouse. I'm a bass player. I'm John. James Raymond plays keyboards.
09:35Jack Kelly is the drummer. We just kind of watch what's happening with the scene, you know.
09:40And then we have our little cue sheet that says, play a low grunge guitar chord here.
09:48Do it. That's solid.
09:50Be at the roundhouse to Snick.
09:53Tonight on Nick.
09:56Now, back to What Would You Do?
09:58Nick O'Neill.
10:00Okay, we're just getting back inside here on What Would You Do?
10:09And if I ran in, but if you folks could back into the same order in this line that you were prior to that.
10:16Okay, you folks set it up. I had nothing to do with it. You made the decision.
10:20No, you were the one who actually... Who actually put it in there?
10:22Who was the one?
10:23You actually...
10:23I covered it.
10:24Okay, you covered it.
10:25Okay, so actually the two of you.
10:26Okay, right now we'd like to go back to our camera backstage where Kreskin is.
10:30And could somebody tell Kreskin to come back here?
10:33Somebody go grab him.
10:34Robin or one of the two people that were sent backstage with him and bring him back into the studio.
10:39Okay, he's been blindfolded.
10:41I promise you there have been no cameras, microphones, television monitors.
10:45He did not watch us at any time.
10:47We'll bring him back down the hallway and into our studio.
10:51And then I'm going to hand the show back over to him and see if he can actually find this in the 20 minutes or so that we have remaining in the program.
11:00Okay, here comes Kreskin.
11:01Yeah, you got it.
11:02You got it.
11:10Yeah, someone...
11:12Okay, Kreskin, actually you can take off the blindfold now that I think about it because there's no way you can tell what's...
11:17Yeah, I'll tell you, Mark, it's a strange feeling to be in the dark for such a long period of time, but that's part of my life.
11:22Spent my whole career doing that, though.
11:23Don't worry about that.
11:24Listen, I think the point will be made by the people who escorted me that we knew nothing would happen in any way, shape, or form.
11:30Here's what I want to do.
11:31Which one of you last touched the ball?
11:34Actually, you did, actually.
11:36Who thought of where to hide it of the four of you?
11:38Did one of you more than the other?
11:40You started to raise...
11:40Well, all right, I'll tell you what we'll do.
11:42What's your name, ma'am?
11:42Nancy.
11:43Would you stand over here to my left, please?
11:44What's your name, sir?
11:45Chad.
11:46Chad, stand over here to my right.
11:47Now, Mark, they've got to do this.
11:49You see where you are, ma'am, how distant the position you are from me?
11:53Wherever I walk, you don't get any farther away than that from me.
11:57If I go that way, stay behind him, next to me, behind me.
12:01Would you stay behind this lady, but don't get any farther away than maybe a foot more, no matter where we go.
12:06Now, here's what I'm going to do.
12:07I had a dear friend, Walter B. Gibson.
12:09He was an authority on magic, but he also knew a lot about the parapsychology.
12:14The old timers would hold people's wrists, apparently get impulses, pulses and what have you.
12:19But Walter said, Kresskin, you brought this closer to telepathy than anybody.
12:22I'm going to ask you to hold the end of this scarf in your hand.
12:25Now, you're going to go with me.
12:26All of you, listen to me.
12:27In your mind, you talk to me and tell me how to get to the ball.
12:30Not out loud, but in your mind.
12:32Don't you lead me.
12:33Don't you help me.
12:34Don't you guide me in any way.
12:35Go wherever I lead you.
12:36But in your mind, you talk to me as if I have to get to it.
12:39I have to go right or left or straight ahead.
12:41If I'm going the wrong way, think, no, it's not right.
12:43If I have to reach down, concentrate.
12:44Every step.
12:45Do you understand what I'm saying?
12:46Ready, begin.
12:46Don't talk to me.
12:47But in your mind, talk to me from now on.
12:49Concentrate.
12:51Concentrate, please.
12:52Stay with him.
12:53Keep concentrating.
12:54If I'm going the wrong way, think.
12:55Keep concentrating as clearly as you can.
12:58Keep concentrating as clearly as you can.
12:59Stay to my...
13:00Mark, they should be behind me no more than three feet away.
13:03If you have to bring any of them close, keep concentrating as clearly as you can.
13:07Keep concentrating as clearly as you can.
13:08I need another microphone, guys, if you can help me out.
13:12Keep concentrating as clearly as you can.
13:14Come a little bit closer back there.
13:17I have to go right or left.
13:18Concentrate as clearly as you can.
13:19Okay, he seems to be running in this direction.
13:30Excuse us.
13:31Excuse us.
13:32Get a little closer.
13:47You can move a little closer.
13:58Get a little closer.
13:59Kreskin is now off on a green climb guide where we have hidden a tennis ball.
14:29We hit a tennis ball in the early part of the show and Preston says you can't find it, that's where it is.
14:43We're going the wrong way, back to current, back to as early as you can.
14:57Keep concentrating as early as you can.
15:07Keep concentrating as early as you can.
15:13I don't understand.
15:23I don't understand.
15:25I don't understand.
15:39I don't understand.
15:41I don't understand.
15:43Stand point.
15:45Definitely.
15:46Keep concentrating.
15:47Keep concentrating as early as we can.
15:59Keep concentrating as you can.
16:01Where?
16:02Which way?
16:03I don't understand.
16:05Kreskin is not being told where it is.
16:07Inside the studio, outside the studio.
16:09I decided to come out here in front of the Nickelodeon Studios.
16:35I gotta tell you folks something, listen to me.
16:37Everything looks, hold on please.
16:39Everything looks the same.
16:40Hold on please.
16:41Everything looks the same.
16:42The images I'm getting, there's plants, there's plants,
16:45but you've got to pinpoint where because they all look the same.
16:55Just concentrate.
17:01You're dead.
17:02I don't know how much time, but I had yours.
17:09And you know what confused me?
17:11What's confusing me?
17:12Because everything looks so similar.
17:13Everything looks...
17:14Folks, I'll tell you something.
17:16I found my chicken everywhere, but this kind of takes the cake.
17:20It's wonderful.
17:21Thank you so much.
17:23Magnificent job.
17:24Stay tuned for the What Would You Do medley right after we do this.
17:27Did you know exactly where it was?
17:28What would you do will return in a moment.
17:42Every Monday, every Tuesday, every Wednesday, every Thursday, Friday, Saturday, even Sunday, Nick is every day.
17:52Nick is every day.
17:54So, why do you want to work here?
17:57I'll tell you why.
17:58Opportunity.
17:59When I was your age, I heard it knocking loud and clear.
18:02I remember it well.
18:03I was with the bank, interning.
18:05Good job.
18:17So, are you ready to get your feet wet?
18:19Absolutely.
18:21Starburst Food Juice, with real food juice.
18:25Salutations!
18:26We're in Seattle, Washington.
18:27To see what Kellogg's Rice Krispies are saying.
18:29Yeah, let's go!
18:30One say, help us, we're drowning in milk.
18:33One says, maximize chill time.
18:35It says, scarf city.
18:38Focus on Kellogg's Rice Krispies.
18:40The talkative part of this complete breakfast.
18:42It's my first thing, I'm the coolest.
18:44Not!
18:45Whoa!
18:46What do your Rice Krispies say?
18:49It says goodbye, there's nothing more to say.
18:51Who knows where we'll be next?
18:52Yeah, who knows?
18:53Oh, whoa, whoa!
18:55Critics declare Free Willy is pure magic.
18:59You'll cheer.
19:00Joe Seaton, Good Morning America.
19:02It's a terrific family movie.
19:04Roger Ebert.
19:05Siskel and Ebert.
19:06Free Willy.
19:07Rated PG.
19:08Now playing at a theater near you.
19:10At Chuck E. Cheese's you can win your way.
19:13Where games arise, you can play all day.
19:15You can zap, you can score, you can hit the floor.
19:18Chuck E. Cheese.
19:20Looks like we both won big today.
19:22Where a kid can be a kid.
19:24This is Nickelodeon.
19:27Now back to What Would You Do?
19:29What?
19:30What?
19:31What?
19:32What?
19:33What?
19:34What would you?
19:35I said to these folks, I said I had no point of reference, everything looked the same.
19:48And one lady said, I've seen you enough in the past, we had to make it hard.
19:51Oh, really?
19:52That's what she said.
19:53They made it hard.
19:54Well, you did it in seven minutes.
19:55When I saw you do it with Regis and Kathie Lee, it took you about 20 minutes, and they
19:58took you a couple of blocks down the street, right?
20:00And yet, I can think of one time in Northwestern, I do a lot of college shows, I almost gave up.
20:05I finally had a man in the audience stand up, an elderly man amongst 8,000.
20:08He said, open your mouth.
20:09No check.
20:10I said, sir, I've never asked anyone this.
20:13Does it have to do with the roof of your mouth?
20:15He reached in, took out his upper plates, and there was the check.
20:18Oh, my gosh.
20:19That's amazing.
20:20So I found it everywhere.
20:21That's the first name.
20:22That's right.
20:23Amazing.
20:24Amazing.
20:25All right.
20:26Now tell me, you mentioned that one time you couldn't find the check.
20:27Nine times, actually.
20:28Nine times.
20:29Yeah, but New Zealand was the roughest thing.
20:30What's the problem?
20:31Are the people not sending the right signals?
20:33Let me tell you something.
20:34Art, I've never mentioned this in my life, but in four of the occasions, and I have a handwritten
20:38letter which I read nationally in New Zealand over the airwaves.
20:42The committee had decided not to think of the correct place, and I, I, it was unfair,
20:48but I found out the next day, and what can you do?
20:50I just threw in the towel.
20:52Usually it's a problem that people are distracted, they get confused.
20:55What was brilliant about the committee is, that was confusing with all the bushes looking
20:58the same, but they seemed to be able to focus in which one it was.
21:01Well, you ran out of the studio right away, which was interesting.
21:03Did I?
21:04Did I run out?
21:05Yeah, you ran like crazy.
21:06I couldn't even keep up with you.
21:07I don't know how old you are, but you're in better shape than I am, I've got to tell
21:08you.
21:09Well, my name is Dorian Gray.
21:10No, no, no.
21:11And, first you went to the left, which was wrong, and eventually you found it.
21:15Did I go to another area?
21:16You went to another area?
21:17Were there people in line going in some places?
21:19Yes.
21:20Is that what it was?
21:21There were some lines.
21:22I started calling my name, but then once I zeroed in on the subjects, and the young
21:25man on my right was as important as the gal on the left, because he kept talking to me
21:29saying, no, you're not right, Kreskin.
21:31In his mind, the phrase that he was using is, you're not right, Kreskin.
21:34Now you're right.
21:35Now you got it.
21:36Now you got it.
21:37And he kept using the phrase, now you got it.
21:38And that's when I found out that I had it.
21:40Round of applause for the amazing Kreskin.
21:41Thank you so much.
21:42See you again.
21:43Bye-bye.
21:44Bye.
21:45Well, we have a few moments left.
21:47And what we are going to do is play our What Would You Do medley, and since you were the
21:51committee, we are going to put you on here.
21:52You have something on your head.
21:54It is a card.
21:55You now have to make a decision.
21:56You can either put that, do what that card says on your head, or you could go over there
22:00to the pie pod.
22:01So what's it going to be?
22:02I'll do what's there on my head.
22:04You'll do what's on your head.
22:05Okay, take it off, and it says you have to balance pancakes on your head.
22:09Robin, how are we going to do this?
22:10We're going to balance.
22:11Are we going to put mine on too?
22:12Okay.
22:13Now is Kreskin going to play?
22:14Oh, good.
22:15A little lower.
22:16He almost pulled his skin off last time.
22:18Okay, have a seat over here, Kreskin.
22:20We're going to balance pancakes on your head.
22:22Oh, my gosh.
22:23Now how are we going to do this, Robin?
22:24You know how.
22:25What you have to do.
22:26Yes.
22:27Pour some syrup on.
22:28I love pancakes.
22:29Oh, good.
22:30Not you, Kreskin.
22:31Pick them up with your hands.
22:32Give her the syrup back.
22:33Oh, no.
22:34Oh, my gosh.
22:35Oh, my gosh.
22:36Put them on your head.
22:37She's dangerous.
22:38And you have to balance it on your head while we do the other medley.
22:40Okay, so put it on there.
22:41You want to use the plate or the...
22:43Okay, there we go.
22:44Now put it on your head.
22:45Now you have to balance it on your head.
22:46Now keep your head perfectly still.
22:47Okay, we'll be back to you in a minute.
22:48Okay, you're going to do the card or you're going to do the pie pod?
22:50Pie pod.
22:51Pie pod.
22:52All right.
22:53Well, we're going to take this off and it says you have to...
22:55I don't want to hurt your hair.
22:56Eat Rice Krispies with anchovies.
22:58We need somebody to do that.
22:59Why don't you go over there in the pie pod?
23:01Anybody want to eat Rice Krispies with anch...
23:03You want to do this?
23:04Come over here.
23:05What is your name, please?
23:06Oh, she dropped the pancakes.
23:08She dropped the pancakes.
23:10Uh-oh.
23:11Okay, now these are Rice Krispies and these are anchovies.
23:14You want to reach down in there with a spoon and eat Rice Krispies?
23:16It's better than bananas, they tell me.
23:17Go ahead and take a bite out of that.
23:19Mmm!
23:20How is it?
23:21Good?
23:22Apparently not.
23:23Go over there and get that out of your mouth and we'll give you a t-shirt.
23:28Oh, no.
23:29If it drops again, they tell me, you're going to have to go to the pie slide.
23:32All right?
23:33So you don't want...
23:34You'll hold it.
23:35Okay, hold on.
23:36Now we have a gentleman over here who is in the pie pod.
23:38I know what the answer is, folks.
23:39You probably want to give them what?
23:40Four pies?
23:41Is that what you want to do?
23:42Yes.
23:43All right, on the count of three.
23:44Here he goes.
23:45One, two, three.
23:47Pie number one.
23:48Pie number two.
23:49Pie number three.
23:50Yes, that's it.
23:51There they are.
23:52Okay.
23:54You don't want to drop those again.
23:58Well, sir, you have a decision to make.
23:59Are you going to do the card or are you going to go to the pie pod?
24:01Or you could go to the pie slide.
24:02It's up to you.
24:03Pie slide.
24:04Pie slide for you.
24:05Okay.
24:06Take that card off.
24:08It says pick up cherries with chopsticks.
24:11All right?
24:12Well, you go over there.
24:13Get ready to get in the pie slide.
24:14You take off your shoes and socks.
24:15Do we have anybody here who can pick up cherries with chopsticks?
24:17I'm looking for somebody who can do it.
24:18Anybody good with chopsticks?
24:20Are you good with chopsticks?
24:22Oh, good.
24:23Come down here.
24:24Let me see you a second.
24:27What's your name?
24:28Karen.
24:29And where are you from?
24:30California.
24:31California?
24:32What part of California?
24:33San Francisco.
24:34Well, see, I don't know how to do this.
24:36So you show folks how to do this.
24:37And then maybe...
24:38This is funny.
24:39No, you have to do mouth.
24:40They have to be in your mouth.
24:42They have to be in her mouth?
24:43Yes.
24:44Chopsticks?
24:45It's a medley.
24:46Chopsticks in your mouth.
24:47Well, first of all, let me see how you do it with your hands.
24:49Okay?
24:50Can you just pick...
24:51Yeah, with your hands.
24:52See, now that's really...
24:53Yeah, you can put it in your mouth.
24:54There you go.
24:55Now what I want you to do is put the chopsticks in your mouth.
24:56Mm-hmm.
24:57Okay, now see if you can pick up a cherry that way.
24:59That's my nose.
25:02Yeah, there you go.
25:03Thank you very much.
25:04What a good sport.
25:05Go over there and we'll get you a t-shirt.
25:07I don't know.
25:08We're going to go here to the pie slide.
25:09All right, sir.
25:10Are you going to go...
25:11You want to go head first?
25:12You want to go feet first?
25:13All right, come on down here.
25:15And on the count of three, ladies and gentlemen.
25:17One, two, three.
25:19There it goes.
25:20That's the way it goes.
25:21That's the way it goes.
25:22Come on over here, have a seat.
25:24We'll come back and we'll clean you up when we have one.
25:26What's that?
25:27What's that?
25:28Have a seat.
25:29I think we want to do yours now, okay?
25:30We want to do mine.
25:31Mine says, get your car keys.
25:32And you know what, Mark?
25:33You're in trouble.
25:34What's that?
25:35What's my...
25:36You see?
25:37Oh, man.
25:38We took your car keys before now.
25:39Dig them in there and get them.
25:40What are those?
25:41They're eels.
25:42Eels?
25:43Sea worms?
25:44Sea worms.
25:45Are they going to bite?
25:46You're not going to get your keys.
25:48I'm not...
25:49Oh, God.
25:51Yeah!
25:52Okay.
25:55Yours, or are you going to the Pie Pie...
25:58What's it say?
25:59What's it say?
26:00I can't tell you.
26:01That's part of the game.
26:02Go for it.
26:03Pull it off.
26:04And it says, hidden talent.
26:05Do you have any hidden talent whatsoever?
26:06No.
26:07You don't have any hidden talent whatsoever?
26:08You can't just stand on your head or do a handstand or anything like that?
26:10No.
26:11Well, audience, should we be nice or should we send it to the Pie Pie?
26:13What do you think?
26:14No?
26:15It's up to you.
26:16I tell you what.
26:17We're going to be nice.
26:18I'll sing.
26:19You'll sing?
26:20Go and say, we'll see you tomorrow on What Would You Do?
26:22We'll see you tomorrow on What Would You Do?
26:24Thank you very much.
26:25We'll see you so long.
26:26We didn't get to you, but I'm sorry.
26:28We'll see you tomorrow on What Would You Do.
26:45This Sunday afternoon, you're invited to a place that's not at all normal.
26:49Because it's not supposed to be.
26:51It's Wienerville.
26:52Nick's new two-hour show packed with cartoons and...
26:56You'll never know.
26:57Until you watch Nickelodeon's Wienerville.
26:59Sunday afternoon at 2, 1 Central right here.
27:03Now, stay tuned for Wild and Crazy Kids.
27:05Next on Nick.
27:11What would you do?
27:16What would you do?
27:17What would you do was taped in Nickelodeon Studios at Universal Studios Orlando, Florida.
27:33This Sunday, tune in to Nick News W5 and tune in to your world.
27:40Cute and cuddly or Jurassic Park?
27:42What were dinosaurs really like?
27:44Moon landing, Skylab, Space Shuttle.
27:47Where's NASA going now?
27:50Cheese puff sculpture.
27:51Why is this art?
27:53It's all on Nick News W5 this week.
27:56Nick News.
27:57Your world, your news.
27:58This Sunday at 8, 7 Central.
28:00On the network that's tuned in to kids.
28:02Nickelodeon.
28:07Some bad smells.
28:08You can't help.
28:11You said it.
28:12Some bad smells you stay away from.
28:19Some bad smells don't have to happen.
28:29Smoking stinks.
28:30Don't start.
28:31Once upon a time, two very special friends began a relationship that's entertained audiences for 50 years.
28:43Now, Tom and Jerry are back in their first major motion feature.
28:46Hello, all you happy people.
28:48Featuring six original songs from composer Henry Mancini.
28:52The critics are calling it delightful fun for the whole family.
28:59It's Tom and Jerry.
29:01The movie rated G.
29:02Starts Friday.
29:05Come on now!
29:09All right!
29:13Did you know that drink boxes can be recycled by over 1.5 million homes in 14 states?
29:19Who would have ever dreamed?
29:23You see, empty drink boxes can be recycled into helpful things.
29:26Like writing paper.
29:34School recycling has grown to over 1,500 schools in 17 states.
29:38While most communities don't have drink box and milk carton recycling yet,
29:42we're working to keep this good thing growing.
29:44We're working to keep this good thing growing.
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