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00:23:15eight o'clock. Don't you dare use that kind of tone with me. You were supposed to be home four
00:23:20hours ago to finish that job in the attic. I lost track of time. I'm sorry. Oh, well. Well, Debbie,
00:23:32these things happen. I mean, you're young. You're full of life. But if you want to remain in this
00:23:39house, you better learn to give me the respect I deserve. Now, when I tell you something, I mean it.
00:23:45And you better obey me and be on time. Goddammit, you're hurting me. How dare you use that language
00:23:51in this house. You're not going to turn out of the foul mouth trap your mother was. Oh, no, no, no.
00:23:57I'm going to teach you a little discipline. Now, you sit in there and you think what you have done.
00:24:04Tomorrow, you'll clean the garage and the attic.
00:24:15And I go running down the aisle where the wine is
00:24:43Now, Joy can't deal with the spiritual world at all. So, what she is symbolizing is, is the non-believer.
00:25:01So, we have the devil and we have a non-believer.
00:25:04Good morning, Mr. Strand. Good morning.
00:25:07Class, this is Debbie Strand. She's a new student.
00:25:14All right, settle down. Just settle down.
00:25:17Thanks for helping me yesterday.
00:25:19You're welcome. Please, take a seat.
00:25:21Oh, my.
00:25:30Okay, moving on.
00:25:32Uh, Ms. Wright, could you pass out this list of possible themes for tomorrow's homework?
00:25:40Okay, now getting back to what we were talking about.
00:25:42Joy is the intellectual.
00:25:43Her wooden leg represents Joy's soul.
00:25:46Now, what if he takes her from the schoolroom and takes her into the barn, opens his briefcase, and points...
00:25:54What a spaz.
00:25:59Sorry.
00:26:00Hey!
00:26:01What are you laughing at?
00:26:05Megan, are you all right?
00:26:07Yes, I'm fine, thank you.
00:26:09Okay, don't forget to write a page in your journals for tomorrow.
00:26:17The Strand, you need to start one.
00:26:20Oh, and last call for the garage sale on Saturday.
00:26:22Anything you want to get rid of, bring to my place.
00:26:24We're going to be there all day.
00:26:26I also need one kind-hearted volunteer to help me Saturday.
00:26:30I will.
00:26:31I will.
00:26:31Great.
00:26:32Two volunteers. Very cool.
00:26:34Okay.
00:26:35Great.
00:26:35I'll see you Saturday.
00:26:37See you.
00:26:37Okay.
00:26:38Bye-bye.
00:27:00Bye-bye.
00:27:06Bye-bye.
00:27:06Bye-bye.
00:27:07Bye-bye.
00:27:07I want to talk to you, Strand.
00:27:11Piss up a rope, Megan.
00:27:14Megan with two E's?
00:27:17Two E's.
00:27:19I know what you're up to.
00:27:22What?
00:27:26Come on.
00:27:28What am I up to?
00:27:31Megan.
00:27:32Megan.
00:27:35Well, I know what you are.
00:27:37You're a little bitch.
00:27:42Don't show up on Saturday.
00:27:45You or the Freak.
00:27:56Excuse me, miss.
00:27:58Debbie?
00:28:00Who are you?
00:28:03Joe Rosales, LAPD.
00:28:04This is my partner, Phil Archer.
00:28:06What do you want?
00:28:09Debbie, we need to talk to you about the, uh...
00:28:11I know it's only been a few days, Debbie.
00:28:13We really have to go.
00:28:14I realize this must be tough for you, but we'd really like to talk about the fire.
00:28:18I don't want to talk about it.
00:28:19Debbie, the sooner we talk about this, the sooner we can put the whole matter behind us.
00:28:23I really don't want to talk about the fire.
00:28:24I really don't want to talk about it.
00:28:28Oh, yeah.
00:28:30She's going to be a lot of fun.
00:28:37Yes?
00:28:38What do you want?
00:28:39Mrs. Long?
00:28:40Mrs. Long, yeah?
00:28:41Uh, with Detective, uh, Rosales and Archer, uh, we're sorry for your loss.
00:28:46I know this is a tough time, but if we could speak to Debbie about the fire for Joe...
00:28:49No, you may not.
00:28:50That poor child has been through enough.
00:28:52Now it's time to put this in the past.
00:28:55Ma'am, we feel like we still have some unanswered questions.
00:28:57Questions.
00:29:00Grieving mother.
00:29:01Poor thing.
00:29:05Anhydris.
00:29:05A-N-H-Y-D-R-O-U-S.
00:29:09Without water.
00:29:18Met Janie.
00:29:19Thank God.
00:29:20More importantly, Peter.
00:29:22The first time I saw you, the heat in your eyes.
00:29:25I knew you were different.
00:29:35What are you making?
00:29:55Pepper steak.
00:29:56Broccoli.
00:29:57Salad.
00:29:59Oh, my.
00:30:02No.
00:30:03No, I just got out of the shower.
00:30:04Oh, that's gonna stop me.
00:30:07Come on, I'm hungry.
00:30:08I'm hungry, too.
00:30:09My hair's wet.
00:30:12So?
00:30:13I don't know.
00:30:14I gave it a shot.
00:30:21Honey, is the stove on?
00:30:22Honey, honey, we need a bath.
00:30:49Okay?
00:30:49Okay.
00:30:50Let's go.
00:30:55I'm sorry.
00:30:56I'm sorry.
00:30:57Sorry.
00:30:59I'm sorry.
00:31:01Oh
00:31:31I am looking forward to this weekend
00:31:44You are?
00:31:47Yes
00:31:48An entire weekend to ourselves
00:31:50Well
00:31:53Sort of
00:31:55I have two students coming over to help out
00:31:57What?
00:31:58What are you talking about?
00:32:02Talking about the garage sale on Saturday
00:32:04I have two students from my first period
00:32:05Coming over to help out
00:32:07No
00:32:08No
00:32:09We are going to the desert this weekend
00:32:12Honey, I changed my whole flight schedule around
00:32:15Shit
00:32:17Uh-huh
00:32:18Oh man, I am so sorry
00:32:22It's okay, don't be sorry
00:32:25Just postpone the garage sale
00:32:27I can't postpone it
00:32:28I have commitments to the art department
00:32:30I have two students giving out their Saturday
00:32:32I can't
00:32:33Hmm
00:32:34This happens all the time
00:32:38And, uh
00:32:39Come on, it doesn't happen all the time
00:32:41Oh
00:32:41Yeah
00:32:42Well
00:32:43What about my sister's wedding?
00:32:47I had 35 final papers to grade
00:32:49Besides that, I don't like your sister
00:32:52Okay?
00:32:56I really hate your sister
00:32:57I'll make it up to you
00:33:06You know what?
00:33:09I...
00:33:09I got it
00:33:11Where are you going?
00:33:14I'm going to see if I can trade shifts with another flight attendant
00:33:17And I need some time away from you
00:33:19Marilyn
00:33:22Hey, Greg, hop in
00:33:43I'm walking today, guys
00:33:45Later
00:33:46Later
00:33:47I need some help
00:34:11Shouldn't you be with your jock-itch friends?
00:34:16I just wanted to walk my new neighbor to school
00:34:18Be nice
00:34:26Is this fun for you?
00:34:51Fun?
00:34:52Yes
00:34:52You don't know what fun is
00:35:00Gabby!
00:35:27Gabby!
00:35:27Yes
00:35:28Babe!
00:35:29Thanks
00:35:29Little girl
00:35:30Let's go
00:35:31Stop
00:35:33Move
00:35:38Ow!
00:35:39Ow!
00:35:40Ow!
00:35:41Ow!
00:35:42Ow!
00:35:43My leg!
00:35:44Ow!
00:35:45Ow!
00:35:46I guess you won't be making it to the garage soon
00:35:53Oh, my God.
00:35:56Oh, my God.
00:36:18Ma'am?
00:36:20Yes?
00:36:21May we speak with the principal, please?
00:36:23He's gone for the day. Your business?
00:36:26Former teacher of yours, Mr. Roberts. Died recently in a fire.
00:36:32Now, maybe you can help us.
00:36:35Possibly.
00:36:36Do you remember a student by the name of Debbie Strand?
00:36:39She just transferred out of here last week.
00:36:41Yes, she left something of an impression here.
00:36:44How's that?
00:36:45She had a nasty crush on Mr. Roberts.
00:36:49How long did that go on?
00:36:50Oh, months.
00:36:51She was finally suspended when Mr. Roberts complained that she had been stalking him.
00:36:56Stalking?
00:36:58Oh, the whole thing turned into quite a soap opera,
00:37:00especially when he got involved with Debbie's mother.
00:37:15You little shit!
00:37:21What on earth is going on in here?
00:37:27Nothing. I was just playing with Bebe.
00:37:29What do you have there? Let me see.
00:37:32They're just clothes.
00:37:34Well, where did you get these?
00:37:38Answer me!
00:37:39I bought them.
00:37:40Don't you lie to me!
00:37:44I told you, I bought them!
00:37:46And where are you hiding the other things at all?
00:37:48I know there's more, but where are they, you sneaky little minky?
00:37:52Get upstairs and finish packing that trunk!
00:37:55I want to go.
00:37:56Take her away!
00:37:56I재, I'll eat my food.
00:37:57I know there's more.
00:37:59I'll unemployment.
00:38:00What are you doing?
00:38:01I don't know.
00:38:02pintor, you can hear meivan here.
00:38:04imper accomplishes to him, but this is just a lie.
00:38:07Depois, I've got aksi inhabited gun.
00:38:14I never sneezed, 143.
00:38:17I had a contract with him.
00:38:19I thought I'd buy his hands.
00:38:21I was just жить culturally.
00:38:22Hi, baby.
00:38:39Yes, that's good.
00:38:48Oh, yeah.
00:38:55Bye.
00:39:02Hasta la vista, baby.
00:39:18Yeah, who is it?
00:39:25It's Debbie.
00:39:27Oh, hi.
00:39:29Come on in.
00:39:33Hello?
00:39:40Yeah, who is it?
00:39:42It's Debbie.
00:39:43Oh, hi.
00:39:44Come on in.
00:39:47Hello?
00:39:48Yeah, come on in here.
00:39:54Hi.
00:39:56Hi.
00:39:57Sorry I'm late.
00:39:59No, actually, I'm early.
00:40:01Thanks for helping out.
00:40:03Would have been nice if Megan could have made it too, but I'm sure we'll manage.
00:40:08She's such a cluck.
00:40:10Broke her leg.
00:40:11Don't you have any compassion?
00:40:14I didn't mean anything by it.
00:40:17Whatever.
00:40:21Are you mad at me?
00:40:24No.
00:40:26No, I'm not mad.
00:40:29I had a really bad night.
00:40:32My girlfriend that night were, uh, things aren't what they should be.
00:40:38I'm sorry.
00:40:39No.
00:40:40No, I shouldn't be taking a bet on you.
00:40:44Friends?
00:40:45Friends.
00:40:46Great.
00:40:47Well, let's sell some junk.
00:40:49Okay.
00:41:14I'm not bad at you.
00:41:15Let's do it.
00:41:16I'm not.
00:41:17No.
00:41:18No.
00:41:19No.
00:41:20I apologize, okay?
00:41:21So, I'm just going to turn over the chicken.
00:41:22Hey, my girlfriend.
00:41:23Okay.
00:41:24Oh, my girlfriend.
00:41:25I'm not too scared, I'm not too scared.
00:41:26I'm just going to be scared of the chicken.
00:41:27I'm too scared of everything.
00:41:28Oh, my girlfriend.
00:41:29Okay?
00:41:30Oh, my girlfriend.
00:41:31Well, my girlfriend, I'm not too scared.
00:41:32I'm not too scared of them.
00:41:33So, first of all I've been told about the chicken or bird that has a nice,
00:41:34I've been told.
00:41:35I'm not too scared.
00:41:36I've been told you to be scared, but I'm just like this.
00:41:38It's also a nice.
00:41:40Let's have no idea.
00:41:41This isn't for milk. This is for cream. Alta Dina Dairy. Ten dollars. No? Five dollars.
00:41:50Nah. Two. Two? Okay.
00:42:00How much for lunchbox? Glitter?
00:42:03I don't know.
00:42:12Hey, you. Hey. What are you doing, girl?
00:42:16I thought I'd come check out the junk.
00:42:24Debbie, does this work?
00:42:27I don't know. Peter!
00:42:30Hey, Jenny. You come to help us out?
00:42:32You're right. Does it work?
00:42:34Boy, that's a cool tattoo.
00:42:37I don't know. Here. Let's try it out.
00:42:40I don't know.
00:42:45It works.
00:42:50Ten dollars.
00:42:52Why don't I get one of you grabbing his ass?
00:42:54What?
00:42:55I'm not doing anything.
00:42:59Cool picture, huh?
00:43:08Phoebe?
00:43:13Where are you, sweetheart?
00:43:16Phoebe?
00:43:17Mommy?
00:43:21Mommy's got a biscuit for you.
00:43:22Mommy's got a biscuit for you.
00:43:24Oh, yeah.
00:43:28Seventy-six. Seventy-seven. Seventy-eight.
00:43:29A hundred and seventy-eight dollars.
00:43:30Get out.
00:43:31Seventy-six, seventy-seven, seventy-eight, a hundred and seventy-eight dollars.
00:43:49Get out!
00:43:51We make a good tune.
00:43:53Yeah, we do.
00:43:55I'll get it.
00:43:58Thanks.
00:44:00It's locked.
00:44:09Sorry.
00:44:10The spare key's under the pot.
00:44:17Hi, it's Peter.
00:44:18Leave a message.
00:44:21Peter, there's a flu bug going around.
00:44:23Some of the girls are out sick.
00:44:25I'm gonna pick up a couple more flights, so I don't know when I'll be back.
00:44:28Probably Monday.
00:44:30We need to talk.
00:44:31Bye.
00:44:36Message erased.
00:44:37I'll be erased.
00:44:38Okay.
00:44:39I'll be erased.
00:44:40Okay.
00:44:41Okay.
00:44:42I'll be erased.
00:44:43Okay.
00:45:14Who was it?
00:45:32No one.
00:45:34It was the wrong number.
00:45:44What are you doing?
00:45:50Where's the bathroom?
00:45:51It's right there.
00:45:52Thanks.
00:45:52That door is screwy.
00:46:05Let me get it.
00:46:05Well, thanks for helping me today.
00:46:18You were great.
00:46:20My pleasure.
00:46:26So I guess I'll see you Monday.
00:46:28Yeah, I'll see you.
00:46:32Peter, Peter, Peter.
00:46:54Peter, they didn't make them like that when I was in school.
00:46:59Where have you been?
00:47:26I was at church praying for my mother.
00:47:29Oh, pray.
00:47:32Isn't that nice?
00:47:34Don't you lie to me, you blasphemous slut.
00:47:37You've been out carousing.
00:47:38Carousing?
00:47:40I was out with a friend.
00:47:42Oh, a friend.
00:47:43Are all your friends deviant men twice your age?
00:47:47What are you talking about?
00:47:48Giving your body to men.
00:47:51You're a whore just like your mother.
00:47:53Don't call me that.
00:47:54I'm nothing like her.
00:47:55Don't you dare talk back to me.
00:47:57I saw him.
00:47:57He's the one.
00:47:58The one you've been writing to.
00:47:59I'm talking about this.
00:48:02How dare you?
00:48:03This is my house.
00:48:05And I will not have this immoral behavior in it any longer.
00:48:08Now, I am calling the police.
00:48:10Then I am calling the school and reporting this devil, Peter.
00:48:14Then I'll call that Asian woman and have you put it every far school.
00:48:18You're not going to do anything.
00:48:23What?
00:48:24Spare the rod.
00:48:25Spoil the child.
00:48:26Is that the idea?
00:48:27Is this how you raised my mother?
00:48:29No wonder she was such a fucking bitch.
00:48:33Oh, please don't.
00:48:36Please don't.
00:48:37I'm sorry, Grandma.
00:48:39Did I hurt you?
00:48:40Oh, please don't.
00:48:45Can you talk to me?
00:48:47I'm hurt.
00:48:48I'm hurt.
00:48:50Mercy on me.
00:48:51Fuck mercy.
00:48:53We never showed any mercy.
00:48:54My mother never had any mercy.
00:48:56And now I don't have any mercy.
00:48:59It's a family thing.
00:49:00Oh!
00:49:01Oh!
00:49:03Oh!
00:49:04Oh!
00:49:04Oh!
00:49:04Oh!
00:49:10Fiona sure has been generous.
00:49:14She's very excited about this mission.
00:49:16Careful.
00:49:17This thing weighs a ton.
00:49:18Yeah.
00:49:19I remember she said that if she were younger, she'd love to go herself.
00:49:22Oh, she is.
00:49:24Spiritually, of course.
00:49:27Well, tell Fiona we missed her at church.
00:49:29And that we're all praying for a speedy recovery.
00:49:31Uh-huh.
00:49:40Let's go.
00:50:10Help the children to stray, so I don't mind why the devil's workshop.
00:50:15We must show them that Satan is not the way.
00:50:40Marilyn?
00:50:49I didn't expect you back so soon.
00:50:52I certainly didn't expect this.
00:50:57You have no idea how glad I am to see you.
00:51:01Glad to see you, too.
00:51:03What the hell are you doing here?
00:51:06Taking your shower.
00:51:07You know what I mean.
00:51:08How did you get in here?
00:51:10Don't you have any conditioner?
00:51:12How did you get in here?
00:51:16Your spare key, remember?
00:51:18Yeah, I remember.
00:51:21No, don't.
00:51:22You stay right there.
00:51:23We will discuss this when you're dressed.
00:51:25Hello?
00:51:40Marilyn?
00:51:43Yeah, yeah.
00:51:43No, I'm fine.
00:51:45Where are you?
00:51:45No, no, I'm sorry.
00:51:51You just caught me a little bit off guard.
00:51:54So where are you?
00:51:58No, no, I didn't.
00:51:59You left a message here.
00:52:00Peter?
00:52:05Yeah.
00:52:06Yeah, that sounds great.
00:52:08No, it sounds great.
00:52:10Okay.
00:52:11I'll see you tomorrow.
00:52:13Yeah, me too.
00:52:15Bye.
00:52:18So how's Marilyn?
00:52:23You have to leave.
00:52:24Peter, I just want to have some fun.
00:52:30Apparently you think there's more to our relationship than there is.
00:52:36I saw the way that you looked at me the other day.
00:52:43I don't know what kind of a schoolgirl fantasy you've got concocted for us,
00:52:46but you have to understand something right now.
00:52:48There is nothing going on here.
00:52:54There is something.
00:53:00No, there is nothing going on here.
00:53:14Fuck!
00:53:19Okay, everybody.
00:53:21Sit down.
00:53:24Open your readers to page 212.
00:53:26That's Young Goodman Brown by Hawthorne.
00:53:29Read that while I get organized.
00:53:31We'll discuss it when you're done.
00:53:42These are for you.
00:53:45Well, Mr. Mansoor, this is so sudden.
00:53:50They're not for me.
00:53:51Who?
00:53:59Be right back.
00:54:04What's the problem?
00:54:06They were sent to my room by mistake.
00:54:08I assumed they were for me, and I opened the card.
00:54:10I thought you were still seeing Marilyn.
00:54:16I am.
00:54:17She must be very understanding.
00:54:19No, this is a student.
00:54:20A student?
00:54:21Are you out of your mind?
00:54:22That's not what you think.
00:54:23It might be in your interest not to go to prison for buffing your student.
00:54:27I mean, we all have our little fantasies.
00:54:29I just don't think you should act on them.
00:54:31I am not buffing my student.
00:54:33Yes.
00:54:34The flowers are for your diction and penmanship.
00:54:42Miss McGray?
00:54:43You're late.
00:54:44Hi, it's Peter.
00:55:07Leave a message.
00:55:08Hey, I'm arriving at 6.
00:55:13I got a great idea.
00:55:14Dinner at Umberto's around 8?
00:55:16Let me know.
00:55:17I'm at 212-555-0183, room 876.
00:55:22Bye.
00:55:23New York Gardens Hotel.
00:55:35Yes, hello?
00:55:36Hi.
00:55:37I'd like to leave a message for room 876, please.
00:55:40Please hold.
00:55:41Thanks.
00:55:47Miss Nakashi?
00:55:48Can I help you?
00:55:49Joe Rosales, LAPD Homicide.
00:55:54It's my partner, Phil Archer.
00:55:55I was wondering if we could talk to you about Debbie Strand.
00:55:58Sure.
00:55:59How can I help?
00:56:01We need some family background information.
00:56:03Well, not much I can tell you.
00:56:05Anything would be helpful.
00:56:07Well, she's a minor.
00:56:09That stuff is confidential.
00:56:12Yeah.
00:56:14You mind?
00:56:15Please.
00:56:16Please.
00:56:19We're not looking to hurt anybody.
00:56:24We have an open investigation with this fire incident, and nobody wants to talk about it.
00:56:29Now, I don't want to call the DA and drag this kid and her grandmother into court if I don't have to.
00:56:37Off the record, otherwise we do the court and DA thing.
00:56:42What do you want to know?
00:56:43It is true, this love.
00:57:00You'll see, with your beautiful stare that sees only me, I will stay in your arms until forever meets.
00:57:07What do you want?
00:57:21You weren't at school today.
00:57:22I want to make sure you're feeling okay.
00:57:24Obviously you are.
00:57:26Thanks for caring so much.
00:57:28Where's the witch?
00:57:29She's asleep, so you should leave.
00:57:32Asleep?
00:57:33Oh, asleep.
00:57:36Well, good.
00:57:37She won't hear us.
00:57:38I told you, I'm seeing someone.
00:57:41Oh, yeah, who?
00:57:43You don't know him.
00:57:44Yeah, because he doesn't exist.
00:57:46Yes, he does.
00:57:48Yeah, who, Mr. Rinaldi?
00:57:53Oh, bingo.
00:57:55Yeah, I think I nailed it.
00:57:56I've seen the way you look at him.
00:57:58Every chick in school has a crush on him.
00:58:00It's that poetry bullshit.
00:58:03It's not a crush.
00:58:06It's serious.
00:58:08You're nuts.
00:58:10You know, he doesn't even know you exist.
00:58:12Really?
00:58:12Then what was he doing with me Saturday?
00:58:14Oh, because you helped him with this garage sale nut bag.
00:58:18That's what everyone thinks we did.
00:58:22Oh, really?
00:58:25Well, then why don't you show me what he's been teaching you?
00:58:28I'm not interested.
00:58:29Well, then if you're having an affair with Mr. Rinaldi, I better have a talk with Principal Saunders.
00:58:36You know, it's just not right, his corrupting a minor and all.
00:58:41So that's where we're at?
00:58:45Yeah.
00:58:45Let's see what we can work out.
00:58:53This is gross.
00:59:11Let's go to your bedroom.
00:59:12No, my grandmother will hear us.
00:59:14But it smells like that bug spray stuff.
00:59:23But, uh, I like bug spray.
00:59:26Hey.
00:59:39You take it easy.
00:59:41Come on.
00:59:45Hey.
00:59:46Stop it.
00:59:47You'll rip it.
00:59:47Look, I'll get you a new one.
00:59:52Look, maybe we shouldn't do this.
00:59:54Look, what the fuck is wrong with you?
00:59:56What?
00:59:57You're not getting out of this now.
01:00:01Stop it.
01:00:02Stop.
01:00:04No, stop.
01:00:05Please.
01:00:05Shut up.
01:00:07Shut up.
01:00:15No.
01:00:23Let me help you with that.
01:00:25Big mistake.
01:00:47Big mistake.
01:00:48Big mistake.
01:01:02Bitch.
01:01:18Damn.
01:01:28No means no. Don't you guys get that?
01:01:32What is it? You stop understanding English when you get a hard-on?
01:01:48Oh, it's too bad your macho friends can't see you now.
01:01:52You're not too bad.
01:02:18Oh, Marilyn. I'm so sorry about the other night.
01:02:31Shh.
01:02:48I'm so sorry about the other night.
01:03:18I'm so sorry about the other night.
01:03:48I'm so sorry about the other night.
01:03:50Peter.
01:03:52Yes?
01:03:54Have you got a moment?
01:03:56I'm running really late, Joyce.
01:03:58This won't take long.
01:04:00Have a seat.
01:04:08How are you doing, Peter?
01:04:12Fine. I could use a little more sleep, but otherwise no problems.
01:04:14Everything okay at home then?
01:04:16Yeah, perfect.
01:04:18Uh-huh.
01:04:20Joyce, if this is all you want to talk about, can we do it late around late for class?
01:04:24Peter, sit down.
01:04:26Peter, sit down.
01:04:28Okay.
01:04:30Peter, it's been brought to my attention that you may be getting a little too involved with your students.
01:04:34What has that pompous ass been telling you?
01:04:36What pompous ass would that be?
01:04:38Mansour?
01:04:39Mansour?
01:04:40Mansour and I didn't talk about you.
01:04:41Is there something he knows that I should be aware of?
01:04:42Peter?
01:04:43No.
01:04:44Peter.
01:04:45Peter, I heard about the basketball game.
01:04:46Come on, Peter.
01:04:47Gambling for grades.
01:04:48The basketball game?
01:04:49Oh.
01:04:50Oh.
01:04:51Oh.
01:04:52Oh.
01:04:53Oh.
01:04:54Oh.
01:04:55Oh.
01:04:56Oh.
01:04:57Oh.
01:04:58Oh.
01:04:59Oh.
01:05:00Oh.
01:05:01Oh.
01:05:02Oh.
01:05:03Oh.
01:05:04Oh.
01:05:05Oh.
01:05:06Oh.
01:05:07Oh.
01:05:08Oh.
01:05:09Oh.
01:05:10Oh.
01:05:11Oh.
01:05:12Oh.
01:05:13Oh.
01:05:14Oh.
01:05:15Oh.
01:05:16Oh.
01:05:17Yeah.
01:05:18Rather unorthodox, don't you think?
01:05:20Not to mention setting a bad precedent, perhaps?
01:05:23Yeah.
01:05:24I guess I see your point.
01:05:27Good.
01:05:29Thanks, Joyce.
01:05:32Anytime.
01:05:44Debbie?
01:05:45Miss Long?
01:05:59Miss Long?
01:06:00Hi, Miss Nakashi.
01:06:01You scared me.
01:06:02Sorry.
01:06:03How's school?
01:06:04Good.
01:06:05Any trouble with Fiona?
01:06:19No.
01:06:20She's okay.
01:06:21Thanks.
01:06:22Oh, my God.
01:06:23What happened to your face?
01:06:24The cup.
01:06:25Nothing.
01:06:26Nothing.
01:06:27Nothing.
01:06:28I just fell.
01:06:29Debbie, you can tell me.
01:06:30What happened?
01:06:31Was it Fiona?
01:06:32You can tell me.
01:06:33It's really okay.
01:06:34She won't be doing that anymore.
01:06:36I'm so sorry.
01:06:37I should have known with your mother's history of abuse.
01:06:38What?
01:06:39I think it's best you come with me now.
01:06:40I like it here.
01:06:41I don't know what happened.
01:06:42I don't know what happened.
01:06:43Nothing.
01:06:44Nothing.
01:06:45Nothing.
01:06:46Nothing.
01:06:47I just fell.
01:06:48Debbie, you can tell me.
01:06:49What happened?
01:06:50Was it Fiona?
01:06:51You can tell me.
01:06:52It's really okay.
01:06:53She won't be doing that anymore.
01:06:54I'm so sorry.
01:06:57I should have known with your mother's history of abuse.
01:07:02What?
01:07:04I think it's best you come with me now.
01:07:07I like it here.
01:07:08I don't want to leave.
01:07:10I have to take you out of any abusive situation.
01:07:13And after what those detectives told me, I have no choice.
01:07:16Detectives?
01:07:17Would you like some lemon?
01:07:24I think it's best you come with me right now.
01:07:27I'm sorry, Anna.
01:07:29I just can't do that!
01:07:33I've got a date.
01:07:37May I help you, sir?
01:07:38Yeah.
01:07:39I have a reservation.
01:07:40Rinaldi for two at 7.30.
01:07:41Rinaldi, Rinaldi.
01:07:42Yes.
01:07:43The lady's already here.
01:07:44If you would follow me, sir.
01:07:46Here you are, sir.
01:07:47Hello, Peter.
01:07:48Hello, Peter.
01:07:49I'm sorry.
01:07:50I have a reservation.
01:07:51I have a reservation.
01:07:52Rinaldi for two at 7.30.
01:07:53Rinaldi, Rinaldi.
01:07:54Yes.
01:07:55Uh, the lady's already here.
01:07:58If you would follow me, sir.
01:07:59Here you are, sir.
01:08:13Hello, Peter.
01:08:14How sweet.
01:08:15No.
01:08:16No.
01:08:17These are my new friends.
01:08:18This is Dan.
01:08:19And this is Art.
01:08:20And this is Peter.
01:08:21Hey, Peter.
01:08:22If you'll excuse me.
01:08:23Peter, have a seat.
01:08:24Where's Marilyn?
01:08:25She couldn't make it.
01:08:26Who's Marilyn?
01:08:27The other woman.
01:08:28No.
01:08:29No.
01:08:30No.
01:08:31No.
01:08:32No.
01:08:33No.
01:08:34No.
01:08:35No.
01:08:36No.
01:08:37No.
01:08:38No.
01:08:39No.
01:08:40No.
01:08:41No.
01:08:42No.
01:08:43No.
01:08:44No.
01:08:45No.
01:08:46No.
01:08:47No.
01:08:48No.
01:08:49No.
01:08:50No.
01:08:51No.
01:08:52No.
01:08:53Come on, let's go.
01:08:54I'm gonna take you home.
01:08:55But you just got here.
01:08:57And we're having so much fun, aren't we?
01:09:01I said let's go.
01:09:02Why don't you go, Peter?
01:09:04I'll take her home.
01:09:05Why don't you and your friend go back to your Aunt Apostol?
01:09:07She's a miner.
01:09:15Let's go.
01:09:17I don't wanna go.
01:09:18I don't think she wants to go, Peter.
01:09:20It's not your business.
01:09:21I said come on let's go come on. I'm making it my business Peter
01:09:51Jesus Peter
01:10:21I know. What the hell is going on? I don't know I mean who is that? That's her. Just wait in the car.
01:10:51I've been waiting here forever. Peter thank God you're all right. Don't. You were so great with those men last night. Listen to me. Peter. Just listen to me. You need some help. Peter.
01:11:21Don't say that. Peter. It's all right Marilyn. Just get back in the car.
01:11:29It's her. That's why you're being like this. This game stops now.
01:11:39Oh
01:11:41Oh
01:11:43Oh
01:11:45Oh
01:11:47Oh
01:11:49Oh
01:11:51Oh
01:11:53Oh
01:11:55Oh
01:11:57Oh
01:11:59Oh
01:12:01Oh
01:12:03Oh
01:12:05Oh
01:12:07Oh
01:12:11Oh
01:12:13Oh
01:12:15Oh
01:12:17Oh
01:12:19Oh
01:12:29Oh
01:12:31Oh
01:12:33Oh
01:12:35Oh
01:12:37Oh
01:12:39Oh
01:12:41Oh
01:13:03Oh
01:13:05Okay. Now this right over here. This could have been done with a large kitchen knife. And if that is indeed the case, it was probably done with a right-handed sweep like this from behind. And it could have gone deep enough to sever the carotid sheath. In which case, would have stroked out like that.
01:13:23Oh
01:13:25Oh
01:13:27Oh
01:13:29Oh
01:13:31Oh
01:13:33Uh Detective's homicide. Looking for Principal Saunders?
01:13:35Where?
01:13:37Come on.
01:13:45Just a little bit.
01:13:47Mm-hmm. Um
01:13:49I'm still holding.
01:13:51Cyanometry.
01:13:55P-S-Y-A-N-O-M-E-T-R-Y.
01:13:59Blue tissue.
01:14:01Anything blue.
01:14:03Wrong.
01:14:05S-I-A-N-O-M-E-T-R-Y.
01:14:09The study of blue light.
01:14:15Gentlemen.
01:14:17Cyanometry.
01:14:19Cyanometry.
01:14:21C-Y-A-N-O-M-E-T-R-Y.
01:14:23The study of blue in light.
01:14:27Is there anything else I can do for you?
01:14:33Uh...
01:14:35Yeah.
01:14:41Mr. Rinaldi, she's in a meeting right now.
01:14:43Just ignore me.
01:14:45Joyce, I need a minute.
01:14:47Joyce, I need a minute.
01:14:49We were just going to call for you.
01:14:51Please come in and sit down.
01:14:57Peter, this is detectives Rosales and Archer.
01:15:01They're here because of Debbie Strand.
01:15:03We haven't been able to locate her this morning.
01:15:05And we understand that you were involved with her in some sort of an altercation last night.
01:15:09Yeah.
01:15:11I can explain that.
01:15:15Is something...
01:15:17Is she okay?
01:15:19No.
01:15:21She's not okay.
01:15:22What do you think?
01:15:23What do I think?
01:15:25Well, the reason I was coming to talk to Joyce this morning was about Debbie Strand.
01:15:29You see, Debbie believes that she's...
01:15:31That we are in love with each other.
01:15:35Oh, good.
01:15:37Yeah.
01:15:39I've tried talking to her.
01:15:41Nothing gets through.
01:15:44She's obsessed or delusional or something.
01:15:47You haven't done anything to encourage this kind of behavior.
01:15:50No. No, I didn't.
01:15:51But you didn't feel it was necessary to tell Miss Saunders about this.
01:15:54Well, I thought I could handle it.
01:15:56I thought that it was a simple schoolgirl... thing.
01:16:00You don't have kids.
01:16:01I have dozens.
01:16:08This girl's father was killed when she was a child.
01:16:12There was suspicion her mother did it, but never proved out.
01:16:15On top of that, it looks like both her mother and father abused her when she was young.
01:16:20Nothing about this girl is simple.
01:16:23I'm sorry. I have a call for Mr. Rinaldi.
01:16:28It's Debbie Strand.
01:16:31She says it's an emergency.
01:16:46No, Peter.
01:16:48You need to make this real clear.
01:16:50You do what we say, or I cuff you to the car.
01:16:53Stay behind me.
01:17:09Debbie.
01:17:10This is Detective Rosales.
01:17:12I've got Peter with me.
01:17:14Go away.
01:17:15I only want to see Peter.
01:17:17He's out here.
01:17:18Come on out.
01:17:19We can talk about this.
01:17:20No, I don't want to talk anymore.
01:17:22Leave me alone.
01:17:23Debbie, you know we can't leave.
01:17:25We're here to help you.
01:17:27Let me go in there.
01:17:28Let me go first.
01:17:33Debbie.
01:17:34Why don't you...
01:17:35Why don't you...
01:17:39Joe!
01:17:40Why don't you bring him here?
01:17:41Why won't you love me?
01:17:43Shoot, we gotta go.
01:17:44God damn it, Peter!
01:17:45Get back here!
01:17:46Fuck!
01:17:47Fuck!
01:17:48This hurts.
01:17:49Debbie?
01:17:50Debbie, it's Peter.
01:17:51Open the door.
01:17:52You can trust me, Debbie.
01:17:53I don't want to talk anymore.
01:17:54Debbie, you don't have to do this.
01:17:55You can trust me, Debbie.
01:17:56I don't want to talk anymore.
01:17:57Debbie, you don't have to do this.
01:17:58You can trust me, Debbie.
01:17:59I don't want to talk anymore.
01:18:00Debbie, you don't have to do this.
01:18:01You come out of there.
01:18:02I promise I'll stick by you all the way.
01:18:03I know how you really feel.
01:18:04Debbie, I am on your side.
01:18:05I'm on your side.
01:18:06I promise.
01:18:07Officer down.
01:18:08Request backup.
01:18:09Debbie, you come out of there.
01:18:10Debbie, you come out of there.
01:18:11I promise I'll stick by you all the way.
01:18:12I know how you really feel.
01:18:13Debbie, I am on your side.
01:18:14I'm on your side.
01:18:15I promise.
01:18:16Officer down.
01:18:17Request backup.
01:18:18Debbie, you come out of there.
01:18:19I promise I'll stick by you all the way.
01:18:20I know how you really feel.
01:18:22Debbie, I am on your side.
01:18:24I'm on your side.
01:18:25I promise.
01:18:26Officer down.
01:18:27Request backup.
01:18:28Debbie, you come out of there.
01:18:291729 Oxford.
01:18:31Debbie, please come out of there.
01:18:35No!
01:18:58Thanks.
01:20:35Wait, that's a cool tattoo.
01:20:51It's her.
01:20:53That's why you're being like this.
01:20:58Oh, God, no.
01:21:03Oh, no.
01:21:05Oh, my God.
01:21:19Come on, come on.
01:21:26Oh, my God.
01:21:32Come on, come on, come on.
01:21:35Stay with me.
01:21:37You're not going anywhere.
01:21:54You're not going anywhere.
01:21:55Fuck.
01:21:56Fuck.
01:21:57Fuck.
01:22:01Fuck.
01:22:03Fuck.
01:22:05Fuck.
01:22:12You bitch.
01:22:17He's mine.
01:22:18You're mine.
01:22:19You're mine.
01:22:25You're mine.
01:22:26Shh.
01:22:26Shh.
01:22:28Shh.
01:22:30Shh.
01:22:32Shh.
01:22:33Shh.
01:22:34Shh.
01:22:35Shh.
01:22:36Shh.
01:22:37Shh.
01:22:38Marilyn!
01:22:39Marilyn, Marilyn, Debbie, no!
01:22:56Marilyn, Marilyn, please be on the...
01:22:59Don't move!
01:23:01Officer, there's a girl in here with a knife.
01:23:04Let me see your hand, Hallie.
01:23:05Now!
01:23:06There's a girl in here...
01:23:07Now, shut up, get down!
01:23:08You're making a mistake, shut up!
01:23:12Get off!
01:23:14This is ruining everything!
01:23:39No.
01:23:43No, no, forget her.
01:23:45I will, in a minute.
01:23:47Debbie, there's no need to kill her.
01:23:55Peter, we need some time alone.
01:23:57I know.
01:24:00I know.
01:24:01It's just you and me, Debbie.
01:24:07It's just you and me.
01:24:16I love you.
01:24:17Ah!
01:24:38Ah!
01:24:38Peter, come on Peter, come on, Peter, come on, Peter, come on, don't die, Peter, come on.
01:25:08Okay, okay.
01:25:38Come on, Peter, come on, Peter, come on.
01:26:08Come on, Peter.
01:26:38Come on, Peter, come on.
01:27:08Come on, Peter, come on.
01:27:38Come on, Peter.
01:28:08Come on, Peter, come on.
01:28:10Come on, Peter.
01:28:12Come on, Peter, come on.
01:28:14Come on, Peter, come on.
01:28:16Come on, Peter, come on.
01:28:18Come on, Peter, come on.
01:28:20Come on, Peter, come on.
01:28:22Come on, Peter, come on.
01:28:24Come on, Peter, come on, Peter, come on.
01:28:26Come on, Peter, come on, Peter, come on, Peter, come on.
01:28:28Come on, Peter, come on, Peter, come on, Peter, come on.
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