- 1 week ago
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00:00I
00:02I'm sorry.
00:04I'm sorry.
00:06Hi.
00:08Would you have any items?
00:10Yeah?
00:12Have some?
00:18Mom, are you okay?
00:20Yeah? Have some?
00:24Mom, are you okay?
00:26Mm.
00:28Mom, are you okay?
00:30It's like she's just popped in the back
00:34for some more wine.
00:36I keep expecting her
00:38to come round that corner, laughing
00:40at Sheila Roberts' god-awful
00:42bob. Hmm.
00:46Have you got your hearing aid?
00:48What?
00:50Ow. Ow, sorry, sorry.
00:52Your arm. Don't. I worry,
00:54Mom. And I told you, you don't
00:56have to. Now, come on.
01:00How many points for the creme?
01:04What?
01:06I thought Peter's
01:08eulogy was a bit meh.
01:10I mean, when did Marjorie
01:12ever light up a room?
01:14Bless her. I'll give it four,
01:16and that's being generous.
01:18What?
01:20Funeral top trumps.
01:22Me and Marjorie used to.
01:24Darling, when you come to
01:26as many of these as we are,
01:28you have to laugh, or you'll cry.
01:30Well, spread looks good.
01:32What would you say?
01:34Solid seven?
01:36It's very beige.
01:38Play havoc with Marjorie's IBS.
01:40Yes.
01:44Oh, my God.
01:46Don't start.
01:48Is that appropriate?
01:50Well, how am I going to attract anyone
01:52if I'm dressed like...
01:54It's a funeral.
01:56Oh, tragic, isn't it?
01:58You've got tinder, hinge and grinder
02:00and I have to make do with this.
02:02Dad's only been gone a year.
02:04I know, darling.
02:06Although we didn't have a lot of fireworks,
02:08doesn't mean I can't have a bit of fun,
02:11does it?
02:12Hm?
02:18Wish me luck.
02:34I hope you don't...
02:48Oh, I'm so sorry.
02:49I'm really sorry.
02:50I'll get a...
02:51There's a tea tale somewhere.
02:53There we are.
02:54I'll just...
02:55It's fine, Peter.
02:56Well, you should do...
02:58Yeah.
02:59No, I just wanted to say
03:00I found it in a jewellery box.
03:01Hope you don't mind.
03:02Look at the state of us.
03:04It took a whole can of hairspray
03:07to style that beehive.
03:09What were we thinking?
03:11Well, you look very nice now.
03:13It suits you, the...
03:15the black.
03:16Good job, too.
03:17Social life's all funerals these days.
03:19Yeah, well, I like...
03:21I like the fit of it.
03:25I really enjoyed the eulogy, Peter,
03:27for your wife.
03:28Oh.
03:29Captured her perfectly.
03:30Oh, well, thank you.
03:32That's...
03:33That means a lot from you.
03:34You know, you were such a good friend to Marjorie.
03:36And I like to think...
03:38a good friend to me, too.
03:39I mean...
03:40We can't tell you little secrets,
03:42don't we?
03:43Peter.
03:45Well, maybe now we're both on our own.
03:47We can spend a bit more time together.
03:49Oh, my heart is racing, too.
03:52He's racing, too.
03:53Mm-hmm.
03:54Mm-hmm.
03:55Mm-hmm.
03:56Mm-hmm.
03:57Oh.
03:58Oh.
03:59Oh.
04:00Come on, pull an ambulance.
04:01Oh.
04:02Oh!
04:07Oh!
04:08Oh!
04:09Oh, love!
04:11Oh, come on, pull!
04:12Oh, fuck!
04:13Oh, oh...
04:14Oh.
04:16Oh, my God!
04:17Oh, uh...
04:18Oh, okay.
04:20Oh, oh, oh, oh!
04:21Oh, oh, oh, oh!
04:23Oh, oh, oh.
04:28It'll be full of old people.
04:48Well, I mean, you're quite old.
04:51Excuse me.
04:52Ten thousand steps a day.
04:55I'm sure they're all lovely.
04:57You might even meet someone.
04:58I read somewhere there's a lot of STIs in places like these.
05:02You know I'd have had you at ours, but the boys are already sharing.
05:06Well, you've got your divorce lawyer to thank for that.
05:08And I'm out all day, so if anything happens...
05:11I don't need anyone.
05:13I was coping fine on my own.
05:15Mum, I have really tried.
05:19This place sent great reviews.
05:21Yeah, on last trip, advisor.
05:22Honestly, one fall and you put me in a home.
05:27Two, and it's not a home.
05:29It's a retirement village.
05:32You still have your own space.
05:33There's just a supervisor on hand.
05:35To watch me every hour, tell me off, treat me like a child.
05:38No, Mum.
05:39In case you collapse again.
05:42Look, I know this is going to feel very different.
05:44And I know that it feels like a big step back.
05:49But give it a chance.
05:51Please.
05:52For me.
05:53I mean, you might even like it.
06:03Oh, you must be Cynthia.
06:30And Amanda, is it?
06:31Hi.
06:32I'm Heather, the village manager.
06:34I'll be here whenever you need me, always watching.
06:40Morning, Brian.
06:43Squire of the Morris Dancers, isn't she fab?
06:47She's practising hard for the big festival of Cedar Woodstock.
06:52Although she has been told several times to keep off the lawn.
06:57Heather?
06:58And this is reception.
07:05Oh, let me show you to your room.
07:06Oh, let me show you to your room.
07:29Amanda?
07:29And here's yours.
07:37Home sweet home.
07:39Feel free to make it your own.
07:41You'll find an approval list of white paint in your welcome pack.
07:44Oh, I found Dad.
07:52Our residents absolutely love living here.
07:56There's something for everyone.
07:58What are you into?
07:59Crafts?
08:00Sport?
08:02I'm a bit old for pasta necklaces.
08:04And I got all my swimming badges in 1963.
08:07Oh, well, I'm sure we'll find you something.
08:11Now, we do have one or two little rules.
08:14The rules for fun, I like to call them.
08:16I'm sure you do, dear.
08:19No stiletto heels in communal areas.
08:22Ruins our lovely new carpet.
08:23No antisocial behaviour.
08:30No noise after 9pm.
08:32Shh.
08:32Bye, Mum.
08:33No, hang on.
08:34Oh, Cynthia.
08:35No, please don't worry.
08:37You'll have plenty of company here.
08:38Yeah.
08:39That's what I'm afraid of.
08:40Speaking of, your buddy's here.
08:44No.
08:44Amanda, tell her I don't need a buddy.
08:47This is Mary, your new BFF.
08:52She's going to give you the grand tour.
08:54No.
08:55See, I'm all right, thanks, because I know that it's left for the way in and right for the hospice.
09:00Mum.
09:03Look, thank you, everyone, for barging in, but I'd really rather be on my own.
09:10Two down, three up.
09:28Rested.
09:29Three, two, one.
09:31Go.
09:32One stand.
09:33Two down.
09:34Two down.
09:36The knit and matterers don't get much knitting done, but they know everything about everyone.
09:46Oh.
09:47Can't have my buddy all by herself.
09:50Actually, I quite like being on my own.
09:52Oh, hi.
09:54Wouldn't believe the gorgeous pair of tits I saw today.
09:57I've got photos.
09:58This is Brian, the pervert.
10:03Bird watcher.
10:05Well, he was having it.
10:06I don't know.
10:07So, this one is for Anne in flat 12 from the walking netball girls.
10:15And where are you?
10:16Oh, there you are.
10:18You don't look a day over 81.
10:20Who's that?
10:21Oh, sir, what do you want me to play, by the way?
10:24Frank Davies.
10:25Used to tour the clubs back in the day, apparently.
10:28The knit and matter girls reckon he's headlining Cedar Woodstock.
10:36Sin?
10:36What's something for your nerves?
10:55I want to be on my own.
10:57Frank has this effect on all ladies.
10:59Mirror had to go on tablets.
11:01The stitch and bitch girls reckon he's having a thing with Heather.
11:05It's not like that.
11:06I know him.
11:07I mean, I knew him.
11:08You didn't.
11:09Long time ago.
11:11Look, I know you're trying to be friendly, but I don't need a minder.
11:15All this knitting, chamomile tea, bouncy people.
11:21It's just not for me.
11:24Help calm you down.
11:25Oh.
11:26I'm a little spy.
11:28Ah!
11:30I'm a little spy.
11:33Eat that fire burn.
11:35See what it was?
11:36Me and my pal Marjorie, we were mucking about at this open mic night.
11:42I mean, stupid really.
11:44We were both about to get married.
11:47I think I was trying to prove I was still young.
11:49Anyway, Frank Davies was the headline act.
11:54What was he like?
11:55Oh, you know, wannabe Sinatra, smart suit, trilby hat.
12:01It caught my eye once or twice.
12:03And then he came over later, said he loved my song, and we went to a few clubs, and then we went back to his hotel.
12:15Oh, what was he like?
12:17Oh, what was he like?
12:17He was...
12:19I mean, it was meant to be just a bit of fun.
12:29And then Marjorie decided to go home, and I stayed just for a week or two.
12:36He told me that he loved me, and he begged me to go on tour with him.
12:43And did you?
12:44Of course not.
12:45Oh.
12:46I know his type.
12:48Living out of a suitcase, girlfriend in every city.
12:51Part of you must have wanted to.
12:54No.
12:55I went home, married Kenneth, and had my Mandy.
13:02Best decision I ever made.
13:14Sin, five minutes.
13:17Come on.
13:18You're only there at least.
13:20Alexa, volume up!
13:23I've never been the same since you came into my life, no, no, no, no, no.
13:30They say that I had things, but I'm fine.
13:41Hi, Sin.
13:42Oh!
13:43What are you doing here?
13:44Well, this is my flat.
13:46I guess we're neighbors.
13:48Of all the retirement villages in the world,
13:52she walks into mine.
13:54I just want to talk.
13:56Go away!
13:57Alexa, music off, please.
13:58I said go away.
13:59I'll use my lifeline alarm.
14:00Come on, Sin.
14:02It's Cynthia.
14:03No, no, no.
14:04It's Cynthia.
14:05No, no, no.
14:06It's Cynthia.
14:07No, no, no, no.
14:08It's Cynthia.
14:09No, no, no.
14:10It's Cynthia.
14:11No, no, no.
14:12It's still Sin.
14:14Oh, you do remember.
14:15Oh, come on, Sin.
14:16At least I deserve an explanation.
14:17You couldn't stop talking about the tour.
14:18And then...
14:19And then...
14:20Then I came to my senses, went home, got married.
14:21You're kidding.
14:22You went through with it.
14:23No, no, no.
14:24No, no, no.
14:25I'll use my lifeline alarm.
14:26Come on, Sin.
14:27It's Cynthia.
14:28No, no, no.
14:29It's still Sin.
14:30Oh, you do remember.
14:32Oh, come on, Sin.
14:33At least I deserve an explanation.
14:34You couldn't stop talking about the tour.
14:35And then...
14:36And then I came to my senses, went home, got married.
14:38You're kidding.
14:39You went through with it.
14:40Best decision I ever made.
14:42What went on between us was just pre-wedding nerves.
14:58I just needed to get whatever it was out of my system.
15:00So you used me?
15:01Oh, I used you.
15:04You used a different girl every night.
15:06night i know your type frank you chase after us tell us everything we want to hear make us fall
15:14in love with you and then when we do you lose interest so that's what you really think of me is
15:36the man broke into my flat i don't feel safe this place is full of freaks i don't know how you stand
15:45it some of them are all right i thought i had somewhere else to go what about your old place
15:50rented out amanda won't let me live on my own have you talked to her i don't want to worry her
15:56it's me that should be looking after her not the other way around anyway i promised her i'd make
16:02a go of this place and i've been here what 24 hours six and a half oh my god you promised you
16:11wouldn't leave i just said so what if you didn't if i stay here much longer i will go mad what if
16:22you got yourself kicked out oh let's do it
16:41i am out well we are playing strip bridge aren't we
16:52i'm doing the most i raise the talks and i don't mean to boss but i'm that chick
16:57no stilettos
17:08careful the waiting list for hip replacement is 18 weeks please i did the school running higher than
17:17these although it was a lot easier before my plantar fasciitis
17:24what's that it got pushed through my door this morning it's stupid
17:31mm-hmm
17:36to the lady with the kestrel spirit who's lost
17:42love startles pigeons and with the slender nose of a heron
17:50have you ever read anything so crass who's it from
17:53morning obvious who it's from and it's offensive is it mary have you seen the state of him
18:05he's got the social skills of an amoeba and he smells like compost it's a natural deodorant
18:12oh give me strength mary look at yourself you're fun you're gorgeous with an interesting take on vintage
18:20clothing how dare he even think he's remotely in your league don't worry i'll see to it
18:34brian she's not interested she never will be so you can keep your grubby little love letters to yourself
18:42oh frank
19:00i'm so sorry peter no no it's me that should apologize to you after what happened at the funeral
19:07i've been married so long i just didn't realize the effect i had on women carnations oh marjorie's
19:15favorite yeah she loved carnations from the little natter ladies actually she prefer a little get
19:20well soon yeah be needing something to keep me warm at night push the boat out a bit frank what do you
19:26like come on in expensive but uh yeah do they smell no they don't smell peter
19:34uh why don't you come inside
19:41still got it
19:48uh that is the curve what oh probably
20:03well at least you got company i suppose yeah far too much of that
20:07yeah i'm just rattling about in my big old house all by myself
20:26peter
20:26would you like to stay for dinner would you like to stay for dinner yes please
20:36oh it's hot
20:37the beef will be about an hour
20:52we'd better make our own fun then oh peter whatever did you have in mind
20:58well actually i i am very passionate although i i haven't since marjorie so i might be a bit out of
21:19practice
21:28fire on the pizza i'll start with the corners uh marjorie usually started with the scum
21:32no i i won't actually thank you no place havoc with my stomach acid
21:36i'll check on the beef oh no and look um sorry i i hope this isn't
21:48really forward but i can i be really really cheeky
21:53i haven't been able to work the machine since marjorie died
22:07show yourself out
22:23frank can you please keep the noise down come to break the other arm it was an accident
22:39i've told heather i'm pulling out i don't need the gory details thank you of the festival
22:44first gig in a decade pathetic can't play the guitar with this can i frank
22:50all right i'll turn it down i didn't want to disturb you and your friend he's left actually really
23:00seemed like a nice guy solid just your type
23:06oh listen do you remember this
23:12it had to be you may i
23:20why didn't you come away with me i thought about it i really did me and poor marjorie went over and over
23:35it and then i woke up one morning and thought screw it got on a train and went to newcastle
23:45you came back i didn't see you i went round after the gig to surprise you and there you were
23:55coming out of the stage door with someone else oh she was i know what she was frank
24:03she was me five weeks before i thought you'd left sin honestly
24:08you were just having a bit of fun i never had as much fun as i did with you
24:17i'm sorry i can't
24:47i think you and i need to have a little chat don't we can it wait dear i'm feeling
25:17a bit under the weather i don't know where to start with you cynthia we have had complaints
25:23about anti-social behavior nudity rumors about the ingredients in your bake sale brownies every
25:31are refusing to take back the gaboon viper and then to top it all off you injure our poor lovely frank
25:43you have cost us our most exciting headliner since that dancing border collie of britain's got talent
25:49have you got anything to say for yourself
25:55you've got five days to find something else i'll let your daughter know no no please let me tell her
26:01oh
26:13oh
26:15I don't know.
26:45I know this is what you wanted, but I will miss you.
26:49You were right, love.
26:50Number of damn pants moments I had since you got here.
26:56Well, I might miss you.
26:58A bit.
27:00What did your daughter say?
27:02Oh, you know.
27:04You have told her.
27:06It's complicated.
27:08You do want to leave, don't you?
27:10I've got no choice now, have I?
27:15Mary, how long have you liked old Birdman over there?
27:25Well, I...
27:27I don't.
27:31It's not like I think about him all that much.
27:37I just like our chats and his poetry.
27:42Mary, I've seen better prose on toilet walls.
27:46There are 23 women for every 10 men in this retirement village.
27:51As far as I'm concerned, that man's a poet.
27:56Anyway, we don't really...
28:00anymore, so...
28:03It doesn't matter.
28:05Mary, I've got some making-up to do before I go.
28:17Oh, it's you.
28:24Cedarwood's answer to Charles Bronson.
28:25Oh, you've heard, have you?
28:26Well, I bumped into Heather.
28:30Frank, I need to talk to you about the festival.
28:32You can't deny all those people the chance to see you at your best.
28:37I told you, without my guitar.
28:40Yeah, but I was thinking maybe you could make a change to the performance, add a new element.
28:45Make it a duet.
28:46Oh, with who?
28:47You?
28:52Well, I promised to sing with you 50 years ago.
28:55Maybe it's time I made good on my promise.
28:57I don't understand.
28:58I thought you were leaving.
28:59Not until I get you back on that stage where you belong.
29:03You're not going to run out of me again, are you?
29:05Not with my plantar fasciitis, no.
29:08Is it a deal?
29:11Great.
29:11I just need one minute, because I need to go to talk to Mary about her bush.
29:15No, that was...
29:16Just leave.
29:17Leave the room.
29:21Brian!
29:23Brian!
29:27Brian!
29:30Ah, there you are.
29:32Hi.
29:32Now, this is a bit awkward.
29:35Obviously, I said some things about you, about your poor personal hygiene,
29:40and I think there was something about you having the social skills of an amoeba.
29:43Oh, sorry, did I not say that to your face?
29:48Oh.
29:49Oh, well.
29:49Anyway, for some reason, well, for many reasons, actually, none of which I can remember,
29:53Mary does, in fact, like you.
29:56If I were you, I'd write another one of your so-called poems, and this time, sign it.
30:02She likes you, you like her, no point in pissing about, right?
30:07Yes.
30:08Yes.
30:08Good boy.
30:09Good boy.
30:10Hmm.
30:11Yuck.
30:12It's London town, a town made for lovers, London town, ain't like...
30:21Christ, I feel such an old fool, trying to play at being a pop star.
30:28You're not an old fool, Frank.
30:30You've got more sex appeal in your good arm than any Gen Z boy band.
30:36Ah, thank you.
30:37It's my pleasure.
30:40Why didn't you say something when you came to Newcastle?
30:42Oh, Frank.
30:43No, but I just thought that, you know, I thought we could be something serious.
30:51You didn't want serious.
30:53I did.
30:54I thought we could make a go of it, you know, wife, kids, and then you blink and you're in
31:01your seventies.
31:05No one coming to visit, living in a retirement village for company.
31:10Why didn't you tell me you were there?
31:13I could have explained it all.
31:15Well, I didn't know how you were going to react.
31:17Oh, come on, Sin.
31:18I begged you to come with me.
31:21Well, it wasn't just about me.
31:29I was pregnant.
31:32So that's why you got married?
31:33No.
31:35Kenneth and I didn't before we got married.
31:37It was over the clothes action at best.
31:41What are you trying to tell me?
31:45I'm sorry.
31:46I should have told you before, but I only told Marjorie.
31:52It was only years later I found out that she'd blurted it out to Peter.
31:57She never could keep a secret, bless her.
31:59I just wanted my baby to have a father.
32:05Someone who was present.
32:09You didn't think to get me involved.
32:12You didn't give me a chance.
32:13I tried.
32:14That's why I came to Newcastle.
32:19You can go, Cynthia.
32:20What?
32:38Frank.
32:39I just want to be on my own.
32:50I've been in a lot of places, never called one home.
33:03A crowd of friendly faces, still fell alone to you.
33:11Hiya.
33:13Hi.
33:14Bit of spring watch and chill, is it?
33:16I've been in.
33:22Make sure you use protection.
33:42Oh, Heather.
33:46You wanted to talk?
34:14Peter.
34:15Sorry about before time of the month.
34:18Oh, right.
34:19Yeah, yeah, yeah, of course.
34:21You mentioned about rattling around in that big old house?
34:26Well, yes.
34:28There's always a bed for you.
34:30It doesn't have to be mine, obviously.
34:33Sin, are you all right?
34:34Leave me alone.
34:35What?
34:36What's the matter?
34:36No, she said, can you leave?
34:38So, will you leave, please?
34:40What you got to do with you?
34:42You're him, aren't you?
34:43You're the bloke in the photograph.
34:45And you are?
34:45Well, I'm, I'm...
34:47We're moving in together, actually.
34:49No, we're not.
34:50What?
34:52No, just...
34:53No, don't...
34:53Oh!
34:54Oh, dare you.
34:55Right, go easy.
35:09Ow, my arm.
35:10Let's be careful.
35:11Oh, you're all right.
35:12It's got a bad arm.
35:12It's all right.
35:13Just give me a minute.
35:14Can someone pull my fucking lifeline?
35:17No, no, no, no.
35:20Nurse?
35:30The beta blockers should manage her bradycardia,
35:32but I advise you watch her diet and alcohol intake.
35:36Avoid stress.
35:38Thanks, nurse.
35:41How are you feeling?
35:42Mortified.
35:43I'm sorry.
35:45Not for the antisocial behaviour or the casual drug use.
35:49Heather is not a fan of yours.
35:51I'm sorry for all of it, but it'll be all right,
35:54because once I get out of here, I'll move in with Peter,
35:56and then there'll be someone there if I have a funny turn.
36:00Is this really what you want to do?
36:03It's for the best.
36:05Mum, when Marjorie was alive,
36:07you said Peter had the personality of a tub of cottage cheese.
36:11Why didn't you tell me things had gotten this bad?
36:13I didn't want to worry you.
36:14I worry because I care.
36:17Mum, we've got to start being open with each other.
36:21We've got to start talking.
36:22Mrs. Jackson, what did I say about keeping calm?
36:25Kenneth wasn't your father.
36:27Mrs. Jackson.
36:28Yeah, he was.
36:30No, you don't understand.
36:31You see, before we got married...
36:32It doesn't matter what happened before.
36:35He was my dad.
36:37He was.
36:40You knew.
36:42I think I always suspected.
36:45Never really saw much of myself in Dad.
36:48And after a few Chardonnays, you and Marjorie
36:50would always bang on about some wild night you had
36:52with a sexy singer, although Frank...
36:55Why didn't you say anything?
36:58I wanted to, but when Dad was alive,
37:02he stepped up, didn't he?
37:03I cried at all my parents' evenings.
37:08Came to all my terrible student shows.
37:12And then after he died, I...
37:14I thought about mentioning it, but...
37:16I guess I didn't really want to know.
37:19What was the point?
37:23Did it matter?
37:26He was my dad.
37:29And when he was alive, I...
37:31I didn't want him to think he wasn't...
37:32because he was...
37:35enough.
37:39Anyway, this Frank's probably long gone.
37:42Probably dead.
37:48Mum, what aren't you telling me?
37:53Mum?
37:53Mum?
38:10Sim?
38:14Sorry, I thought you might be your mum.
38:16You must be Frank.
38:18Well, um, that's my stage name.
38:20I'm really Colin, but we'll keep that between us.
38:26Nice to meet you.
38:31So, she really is going with that strong and stable guy?
38:36No, she's, uh, she's moving in with me, actually, for a while.
38:40I'm sure we'll sort something out.
38:43My ten-year-old's gonna move out the bottom bunk.
38:46Oh, you've got kids.
38:48Yeah, two.
38:49Sorry, you...
38:51You must be thinking...
38:51Well, I don't know what to think, really.
38:57She wanted the best for you, Amanda.
39:00And after what she saw in Newcastle,
39:02she decided that I wasn't the one.
39:06And I don't blame her.
39:08But I'm not that guy anymore.
39:13So, if you wanted...
39:14To what?
39:15I'm not gonna call you dad.
39:17No, you had a dad.
39:21I just want to get to know you a bit, that's all.
39:25Yeah.
39:28Yeah, maybe.
39:31Better get this stuff to the car.
39:33Tell my 12-year-old to, uh, clean the dirty plates out of their room.
39:37Look, I can't stop her going if that's what she wants.
39:40But there is another way.
39:45Let's get away to Monterey for our London scene.
39:51Come in, Amanda.
39:56Actually, she sent me.
39:57You know, she's great.
40:08She has her moments.
40:09I just want to say, is there any part of you that would like to stay at Cedar Woods?
40:17Because you could always live with me.
40:19I've sorted Heather.
40:23I'd rather not know what you've done with Heather.
40:25Uh, is that a no?
40:28Of course it's a no.
40:29I saw you ramming your tongue down her throat.
40:32Ah.
40:34I'm so sick of you messing me about.
40:37Telling me you've changed and you're pulling the same tricks you pulled 50-odd years ago.
40:42If Amanda can't pick me up, then I'm going to call a taxi.
40:45No resident-staff relationships.
40:48It's the number one rule for the village managers.
40:50And Heather broke it.
40:52And?
40:53Well, she's on gardening leave.
40:56So she won't be able to throw you out.
40:58Do you expect me to believe that you kissed her for me?
41:03No, she's been flirting with me for months.
41:07And I knew I could get her to overstep the line.
41:11And I just thought, well, if it meant I could get you to stay.
41:15I didn't mean you to actually watch it.
41:20I hope I haven't blown my chances.
41:36You and I have something to do, haven't we?
41:46Come on.
42:02Come back, darling.
42:03Thanks for coming.
42:04Yeah, of course.
42:05You know, I never kept it a secret to hurt you.
42:09I just wanted you to have a good life.
42:12Yeah.
42:13But we've got a lot to talk about, haven't we?
42:15It's time we were honest with each other.
42:19But for now, good luck.
42:22Yeah.
42:34I love you, Cynthia.
42:35You can be with me.
42:42You ready?
42:43I love you.
42:45It had to be you.
42:49It had to be you.
42:53I wandered around and finally found there's somebody who could make me be true.
43:04Time to make me be blue.
43:07I'd even be glad just to be sad thinking of you.
43:15Some others I've seen.
43:17Some others I've seen.
43:18Some others I've seen.
43:18It's boogie!
43:20You might never be mean unless they are.
43:23You might never be close or try to be boss, but they wouldn't do.
43:30But nobody else gave me thrill.
43:34But nobody else gave me thrill.
43:36Without your faults, I love you still.
43:39It had to be you.
43:40It had to be you.
43:41Wonderful you.
43:42It had to be you.
43:46It had to be you.
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