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S05 E10 >>> https://dai.ly/x9ryouo
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00:01You?
00:04You?
00:30You?
00:33Oh.
00:38Oh.
00:47Oh.
00:54Oh.
01:00Stay back.
01:17Stay back.
01:22Stay back.
01:25Please.
01:27Please, I beg you, leave me.
01:28Leave me.
01:30Leave me alone.
02:00Oh, Frank, please, can you turn it down?
02:08I can't hear myself think.
02:10This is research for our next client.
02:14Her father is a very famous film director.
02:17Reynard Lennox.
02:19Well, surely even you've heard of the death fail.
02:21Oh, is it a rom-com?
02:23Oh, it's a horror.
02:24Well, then, no.
02:25Uh, Reynard Lennox, famous film director and nobody told me.
02:29Well, I don't get too excited.
02:30He's retired.
02:31Bit like you.
02:32I think you'll find I'm resting.
02:35Oh, is that what you call it?
02:36Excuse me.
02:37Sorry, the door was open.
02:38Oh, there's Lennox.
02:39Oh, there's Lennox.
02:41Oh, no, Regan Curnow.
02:42I'm here about the receptionist job.
02:44Oh.
02:45Oh, lovely.
02:46Oh, great.
02:47Well, come in.
02:48I mean, you have.
02:49Finally.
02:50I'm so sorry.
02:50Yeah, no, what he means is we've had two no-shows already, so it's really lovely to meet you.
02:55I'm Luella Shakespeare.
02:56And I'm Frank Hathaway.
02:58I'm the senior partner.
02:59Oh, it's debatable.
03:01And this is Sebastian, our investigative assistant.
03:05Executive investigative assistant.
03:07Hi.
03:08Well, sorry I'm so late.
03:09I missed three buses.
03:11Well, drove straight past me.
03:12They were full of people in horror costumes.
03:14Some big convention in town, apparently.
03:16Well, don't worry.
03:17You're here now, aren't you?
03:18Do you want to have a seat, have a tea or a coffee?
03:20Oh, could I get a coffee, please?
03:21Milk with no sugar.
03:24And I hope it's not really cringe, but I bought these.
03:27I do a bit of baking in my spare times.
03:29How lovely.
03:32Bait the hook well.
03:33This fish will bite.
03:34Yeah.
03:34Do you want to go and put them on a plate and maybe we'll eat them?
03:37Mm.
03:44The interview.
03:45Should we do the interview?
03:46Yes.
03:46Yes.
03:47Great.
03:50Oh, me.
03:53So, Miss Colonel, what first attracted you to working at a detective agency?
03:58I found what you do so fascinating.
04:00It must be so exciting.
04:02You know, catching criminals and finding missing people.
04:05You must be so clever.
04:06Oh, I have my moments.
04:08I have more.
04:09The thing is, your role would actually be more admin-based.
04:13Oh, I know that.
04:15I mean, I've got lots of office experience and I'm very computer literate.
04:18That's great.
04:19That is great.
04:21Do you bake much?
04:23Hmm?
04:23Is that a requirement?
04:24Absolutely.
04:25Absolutely.
04:25Yeah.
04:26I mean, it actually might be, you know, if we were going undercover as chefs.
04:31Yes, or like in a bakery.
04:33Or bellagerie.
04:34Imogen and Annotes to see you both.
04:36Oh!
04:39Quick, quick.
04:41Frank.
04:42Shh.
04:43Shh.
04:44Shh.
04:48I know it sounds extraordinary, but I'm convinced someone's literally trying to scare him to death.
04:53Wow.
04:54And do all these visions have, like, references to his films?
04:57And there were no other witnesses apart from Reynard?
05:00Yes.
05:01But it's not dementia.
05:04He's sharp as a pin.
05:06And when did he have his first, um, encounter?
05:10About three weeks ago.
05:11Could it be someone with a grudge?
05:13Well, there'd be no shortage of candidates.
05:15Father made a lot of enemies back in the day.
05:17He had a reputation for bullying actors.
05:22Crew.
05:23Uh, Portia Frost.
05:24Oh, she's on at the RSC now.
05:27It's his ex-wife.
05:28She wrote a memoir.
05:29Uh, wasn't very nice.
05:31You read a book?
05:33No, it was in the tabloids.
05:35She made her name in Reynard's non-sploitation movies back in the 80s.
05:39I read it.
05:40She was traumatised by working with him, especially on that last film they did together.
05:44Oh, the death veil.
05:46Well, apparently the horror scenes were highly disturbing to film.
05:50But you know what actors are like.
05:53She was probably just being dramatic.
05:55Well, I'm sure he was no angel.
05:56But other directors have been accused of far worse.
06:00Sorry, is Portia your step-mum?
06:01Never even met her.
06:03She was father's second wife and my mother was number three.
06:06So why do you think this has all started now after all these years?
06:09I wonder if it's because of the convention.
06:12Father's coming out of retirement for a retrospective of his work starting today.
06:16Yeah, I know.
06:17Yeah, sold out.
06:20Well, anyway, listen, we can put some spy cameras up at your house.
06:23Yeah, and where do you think your dad will be right now?
06:25Because we need to speak to him.
06:26He's at the convention.
06:28Would you like to meet him there or back at your house?
06:29Oh, at the convention, definitely.
06:30Yeah, the convention.
06:31Because it's for research purposes, obviously.
06:35OK, well, I'll see you there.
06:37OK.
06:38Oh, thank you.
06:40Take care.
06:42Thanks.
06:43Did you see that?
06:47For research purposes.
06:49What?
06:50You are such a geek.
06:53I am not a geek.
06:57Reynard Lennox's movies are cult classics.
07:01Oh, hey, Regan.
07:02Sorry.
07:03We're just about to dash out, but, um...
07:05We'd like to offer you a week's trial.
07:07Yes.
07:07Under my expert tutelage.
07:09How does that sound?
07:10That'd be amazing.
07:12Great.
07:12Lesson one, telephonic diction.
07:15Have you ever been to a horror convention?
07:18Um, let me think.
07:19No.
07:19Why would I?
07:20Oh, you're going to love it.
07:22Mwahahahaha.
07:24Ow, ow, ow.
07:26Ooh, ooh, ooh, ooh, ooh, ooh.
07:29What was that?
07:30It's...
07:32It's...
07:32It...
07:33Mwah.
07:33It's...
07:34It's...
07:35It's...
07:36It's...
07:37It's...
07:38It's...
07:39It's...
07:40It's...
07:41It's...
07:42It's...
07:43It's...
07:44It's...
07:45It's...
07:46It's...
07:47It's...
07:48It's...
07:49It's...
07:50It's...
07:51It's...
07:52It's...
07:53It's...
07:54It's...
07:55It's...
07:56It's...
07:57It's...
07:58It's...
07:59It's...
08:00It's...
08:01It's...
08:02It's...
08:03It's...
08:04It's...
08:05It's...
08:06It's...
08:07It's...
08:08It's...
08:09It's...
08:10It's...
08:11It's...
08:12It's...
08:13It's...
08:14It's...
08:15It's...
08:16It's...
08:17It's...
08:18It's...
08:19It's...
08:20It's...
08:21where the death veil was filmed, of course.
08:24As it might be again soon.
08:30Oh, did I say that?
08:31No, I couldn't possibly comment.
08:34Although, if you're all still here on the final day,
08:38you may very well hear a very interesting piece of news.
08:44But as I was saying, it's in the blood.
08:46And even neurobiologists believe that psychopathy can be hereditary.
08:53Passed down from father to son.
08:57That's why I had a daughter.
09:01I strangled the boys.
09:05I'm not joking.
09:07It's a bit dark, isn't it?
09:08Yes, well, unfortunately, we have run over our allotted time.
09:14For now.
09:15But Reynard will return tomorrow for the screening.
09:24And prior to that, we have an exciting monster making demo from James Colvey.
09:32James.
09:35Would you care to give us a preview?
09:37Thank you, man, dear.
09:39First, I'd like to say what a massive honour it is to be on the same stage as Reynard Lennox.
09:43And what can you tell us about the demo?
09:48Well, we will be looking at the evolution of effects all the way from back in the 80s
09:53to what we can achieve now in just a fraction of the time.
09:56And that's tomorrow at 12pm.
10:00Perhaps we can even entice Reynard to join.
10:03In the meantime, our thanks to the master.
10:09My pleasure.
10:12My pleasure.
10:19Long time?
10:20Yes, not long enough.
10:24Still using my name to peddle your other lesser-known artists, I see.
10:30This whole event is about you.
10:32My God, you haven't changed at all, have you?
10:34And I won't be appearing on any panels with him.
10:36Father.
10:37The feeling is mutual.
10:39What's going on?
10:40Yeah.
10:40These are the people we discussed.
10:43Mr. Hathaway and Miss Shakespeare.
10:47I need a drink.
10:50Shall we go?
10:51It's a great pleasure to meet you.
10:52I'm a massive fan.
10:53No, he really is.
10:54He's not exaggerating.
10:55Yes, I love all your films.
10:57Loves your work.
10:58Imogen's been telling us about these visits here.
11:28Any idea who's behind them?
11:32If they're even real...
11:34You didn't imagine, though.
11:35No, he was genuinely terrified.
11:38I could put together a list of potential suspects, if that would help.
11:41Yeah, that would be great.
11:43I want to have a word with you.
11:46What was that smug remark about the death film?
11:50We're in discussions regarding a remake.
11:53Who's directing?
11:54Father.
11:55Why wasn't I informed?
11:56Just like old times.
12:00Same quarrels.
12:02Bitching.
12:03Must have to make an entrance.
12:05Poor sir.
12:07Darling.
12:08You look ravishing.
12:11You don't.
12:13Ah.
12:14You've shriveled.
12:16Oh.
12:17It must be the guilt withering you.
12:19Man dear, why did you change tomorrow's schedule?
12:24My Q&A has been moved to accommodate the screening of his ghastly film.
12:28You didn't say that when you saw the grossies.
12:32I didn't make a penny from that godforsaken movie.
12:35Er, it's a classic.
12:37Well?
12:38Well, he's the bigger ticket.
12:41Whatever.
12:42Anyway, I'm at the RSC now, so I don't need these tawdry pantomimes any more.
12:49Portia, wait.
12:53Perhaps we can work something out, please?
12:56This is what it was like every day on set.
12:59Ignore them.
13:00This event is about you, not them.
13:02Hear, hear.
13:06Can I go now, please?
13:09Er, OK.
13:10Er, well, so, shall we see you at the house?
13:12Yeah.
13:12We, er, need to get Sebastian to look into Mandir.
13:19Mmm.
13:21Portia's a diva, isn't she?
13:23Isn't she just?
13:25I should be more like that.
13:28No, please don't.
13:34Nice and evenly there, Ricky.
13:35So, Frank was in the police before setting up the agency, right?
13:38Mm, detective inspector.
13:40Well, he was a liver cop as well.
13:41Ha, a hairdresser.
13:42That's random.
13:44They make a surprisingly effective team.
13:46Yeah, just watch your lines of symmetry.
13:49Never a dull moment.
13:50Ooh.
13:52There's Lou.
13:53Her ears must be burning.
13:55Look into Mandir Chowdhury Convention Organiser.
13:58This brings us very neatly to our next lesson.
14:01Background checks.
14:02We'll let Biscuit arranging bed in.
14:05Oh, what are they like as bosses, though?
14:08They are fair.
14:10And they reward hard work, as I'm sure you will soon discover.
14:15Frank's funny.
14:16Hmm.
14:17Don't be fooled.
14:18He's a lot sharper than he looks.
14:19Oh, gosh, it must cost you a fortune to run the play.
14:35Oh, most of the rooms are empty.
14:36I live here alone.
14:38Oh, so you don't live here?
14:38I did offer to move in, temporarily.
14:40I don't need babysitting.
14:43I haven't lived at Glewood since I was a toddler.
14:46Packed off to boarding school, and after that, film school.
14:48It's a decent filmmaker in her own right.
14:52Must be all that reflected glory.
14:55And she teaches, oh, my magnum opus.
15:02Filmed here, save us a pretty penny.
15:05But if you'll excuse me, I have a speech to prepare for the screening tomorrow.
15:11Mr Hathaway?
15:12You should be resting, Father.
15:14Hmm.
15:14I better make tracks myself.
15:18Is there anything else you need?
15:20No, just the list.
15:22Yeah.
15:22And, um, thank you.
15:24We both feel so much better having you around.
15:26Aw, really?
15:27Well, we'll be in touch.
15:29Yeah.
15:30Won't we, Frank?
15:31Lovely.
15:32Thanks.
15:36Ah, there we go.
15:41Come on, give us a hand.
15:43Two.
15:43Come on, pull.
15:45Oh, well, I am pulling.
15:48Oh.
15:48Have you finished hitting those cameras yet?
15:53No, just the last one to go.
15:54Okay, well, hurry up, because this place gives me the creeps.
15:57Oh, no, no, no!
15:58Oh!
16:00You're scary.
16:02Stop it.
16:02Ooh.
16:05Ooh.
16:07Ooh.
16:09Ooh.
16:09Why, sir, I'm going to have to get you.
16:26Ooh.
16:31Ooh.
16:32Ooh.
16:32Ooh.
16:32Ooh.
16:32Ooh.
16:32Ooh.
16:33Ooh.
16:33Ooh.
16:33Ooh.
16:33Ooh.
16:34Ooh.
16:34Ooh.
16:34Ooh.
16:35Did you see your face?
16:36I nearly had a heart attack.
16:39Actually, can we get out of here, then?
16:41I've had enough of this haunted auction for one day.
16:43Oh, hey, Regan.
16:52Look at that.
16:53Oh, great.
16:54Oh, how's it going?
16:58Oh, we're working hard, but she's a quick learner.
17:01She's very bright.
17:02Look.
17:03Hello.
17:03Regan, want to talk us through that background check you did on Mandir?
17:08Coming.
17:08Thanks.
17:12No, no, no.
17:13You do the honours.
17:14Oh.
17:15Okay, um, well, he's like the invisible man.
17:17I mean, no socials.
17:18But according to interviews with Portia, he was Raynard's scriptwriter and creative consultant.
17:23But when you go through the actual credits, it's like he's been erased.
17:27Plenty of reason for bad blood, then.
17:29Mm-hmm.
17:30So, I joined a horror fan community, and they pointed me towards this interview that Mandir
17:34gave with a fanzine called Gore Lore.
17:36He absolutely trashes Raynard.
17:38I mean, claims that he stole his work, bullied him, and then recently, Raynard asked him to
17:43catalogue an archive of props from the films.
17:45They've become a goldmine, apparently.
17:47Highly collectible.
17:48Well, Raynard accused him of not returning some of them, so Mandir was livid.
17:52Really?
17:53Enough to want revenge?
17:55I'll try to find out more tomorrow.
17:57I was thinking I could go to the convention.
18:02That's a great idea, yeah.
18:06Well done.
18:08We'll make a detective of you yet.
18:09And now on to the first in our horror double bell, Raynard Lennox's acclaimed The Death Veil.
18:33We're going to get into showery.
18:47Ha ha ha ha ha!
18:48Go!
18:49Ha!
18:49Ha ha ha!
18:50Ha!
18:51Ha!
18:51Ha!
18:51Ha!
18:52Ha!
18:53Ha!
18:54Ha!
18:57Ha!
18:57Ha!
18:58Ha!
18:59Ha!
19:00Oh, no, leave me alone, leave me alone.
19:30Imogen, I'm so sorry.
19:35Is there anything we can do?
19:37Just catch whoever did this.
19:39Well, that's down to the police now.
19:41But you've had a head start.
19:43I want every angle covered.
19:45Just do whatever you can to help them, okay?
19:47Of course.
19:48Of course.
19:49Was it you that found him?
19:51He was a groundsman.
19:52He spotted a break in first thing.
19:54I drove here.
19:56He was in bed.
19:57Stabbed through the heart.
19:59I have to call you back.
20:02What are you two doing here?
20:04This is a crime scene.
20:05You need to get back.
20:06He's our client.
20:07We've got every right to be here.
20:09That's a Baselard dagger.
20:12Like the one in the death veil.
20:14I don't believe this.
20:15But what are you waiting for?
20:17Preserve the scene.
20:21No press.
20:22No cameras.
20:23Back.
20:25Cameras.
20:26They're spy cameras.
20:27We need to check the footage.
20:28I'll get Sebastian to start downloading it.
20:37Shakespeare and Hathaway private investigators.
20:39Hi, Regan.
20:40It's Frank.
20:41Is Seb there?
20:42No, he's just nipped out to get some fangs.
20:44As you do.
20:45Well, you told me about Raynard.
20:47Poor guy.
20:48Yeah, that's why I'm calling.
20:49I've got a very important job for you.
20:51Yeah, I cannot wait to see Keela's face high when we've solved this crime.
21:10I've got ballistic.
21:11Yeah.
21:12Come on, Colonel.
21:13What have you got for us?
21:14I'm sorry.
21:15I don't know what happened.
21:16One minute it was downloading and then the computer crashed.
21:18And I logged back onto the website but the footage wasn't there anymore.
21:21It's not in the cloud.
21:22We need that evidence.
21:23A man's dead.
21:24Right, Frank.
21:25Calm down.
21:26I'm sorry.
21:27I did exactly what you said.
21:28Don't worry.
21:29Honestly, Spyder will fix it.
21:31Frank.
21:32Frank.
21:33Do you want me to go?
21:34No.
21:35I'm not going to get the job now, am I?
21:40Come in.
21:45That was a nice nap but now I feel a little peckish.
21:58Fancy a quick bite?
22:01That's so good.
22:05Excuse me.
22:09Did I miss something?
22:10It's just Frank being Frank.
22:12You look amazing.
22:16Should you be out in the daylight?
22:18Oh, I'm wearing factor 50.
22:20Oh.
22:29You okay?
22:33Yeah.
22:34It's not your fault, you know.
22:35That laptop was ancient.
22:37If anyone can recover the footage, it's Spyder.
22:40Who is this Spider-Man?
22:42Because if it's Tom Holland, I really want to meet him.
22:45Yeah, me too.
22:46I do.
22:47No, he's not quite.
22:49He's our tech whiz.
22:50Lives on the web, hence the name.
22:52Well, I hope he's as good as you say, because I really like working here and now Frank hates me.
22:58No, he doesn't.
22:59He just flies off the handles sometimes.
23:01Oh.
23:03Yeah, we had a huge blower actually a couple of years ago.
23:07Ended the partnership over it.
23:09Why?
23:10What happened?
23:11He lost some really expensive tech equipment and then he blamed this...
23:20Someone who really didn't deserve it.
23:23And then it turned out he had it all along.
23:25Oh, really?
23:26Yeah.
23:27Everyone can make mistakes, even Frank, who thinks he's perfect.
23:47I think I speak for all my fellow podcasters when I express my sincere condolences.
23:54He was a controversial figure though, wasn't he?
23:57I mean, I read your Gawlor interview.
23:59Why couldn't he have just given you the credit you deserved?
24:04Because things were different then.
24:07I never even had a contract.
24:09I bet he was your friend.
24:11Wasn't he?
24:12So I thought.
24:15I idolised him.
24:16Assumed he'd look after me.
24:18He gets all the acclaim.
24:20All the money.
24:21But still, you went back and worked for him again.
24:25Why?
24:26I thought he was trying to rebuild the relationship.
24:30And then he goes and accuses you of stealing.
24:33A blow upon a bruise.
24:35Yes.
24:36You had a row yesterday, didn't you?
24:38After the panel.
24:40Yes.
24:41He's remaking the film without even consulting me.
24:44Well, no wonder you were furious.
24:46It's like history repeating.
24:50How do you know we'd had an argument?
24:54This isn't about any fun podcasts.
24:57You're a journalist.
24:58No, actually.
24:59You think you can make a fool out of me?
25:01You...
25:02Get out!
25:03Before I be thrown out!
25:04Erm...
25:19Ah, the Wanderer returns.
25:20Did you find Spider?
25:21Yeah, he's working on it.
25:26What?
25:28Listen, it...
25:29It wasn't your fault, Regan.
25:30Er...
25:31I'm sorry.
25:33Any messages?
25:34Er...
25:35We've got the email from Imogen.
25:36Reynard's potential enemies.
25:40What about that fella?
25:41The one that Reynard was rude to on stage?
25:43James...
25:44Colvie.
25:45James Colvie.
25:46He's not in there.
25:47He's not, no.
25:48Do you want to look into him, see what you can find out?
25:49I think he's going to be at the convention.
25:51Thanks.
26:06Ha!
26:07No, darling.
26:08No voucher.
26:09No selfie.
26:10Capish?
26:11Capish.
26:14Oh!
26:15Suits you.
26:16I'm a huge fan, especially of your earlier work.
26:23Oh.
26:24Reynard's death is such a great blow.
26:28How are you holding up?
26:31Words can't adequately express how I feel.
26:36I think you're a trooper, if I may say so, for even showing up today.
26:40Oh, well, being with the general public brings me so much joy.
26:46I can tell.
26:48I wore this as a small personal tribute to him.
26:53Well, wherever he is now, I'm sure he'd be really thrilled.
27:00Next!
27:01No, sorry, sorry.
27:02Oh, wait.
27:03I have a horror podcast and I was wondering whether you might be available to me.
27:08I have a rate card for interviews.
27:12I don't think you could afford me.
27:14No, of course, it's only that this would be just for the fans.
27:19Those of us who have stood by you through all the years, the ups and the downs.
27:23Well, goodness knows, there have been quite a lot of those.
27:30It would only take a minute.
27:33I'm sorry, darling.
27:34Not now.
27:53Well, well.
28:15Hello?
28:16Yes.
28:17Oh, where are you?
28:20Look out.
28:22Aha.
28:23I will swoop down for you.
28:32That was quick.
28:33He flew.
28:35You, uh, bitten anyone nice lately?
28:38No.
28:39But I have caught a cougar.
28:42Or Spycam has.
28:44That's James Colvey.
28:46It looked like they were having a lover's tears.
28:48Really?
28:49Well, Regan found out that he served 18 months for theft.
28:54Where is he now?
28:55Could be anywhere.
28:56Let's split up and find him.
28:58Oh.
28:59Found him.
29:00Oh.
29:01Well done.
29:05Mr. Colby.
29:11Workshop starts at 12.
29:12Yeah, we know.
29:13We're, um, we're actually private investigators.
29:15We wondered if we could talk to you about the murder of Reynard Lennox.
29:20Really?
29:22I don't think I can bear much help.
29:24Er, is there anything you could tell us about your relationship with Reynard?
29:28I didn't have one.
29:29But your girlfriend did, didn't she?
29:32Portia Frost?
29:34What?
29:36Is that what he was having a go at you yesterday, eh?
29:38Did he find out?
29:39Hmm?
29:40Hmm?
29:41Portia's my mother.
29:45I only said it looked like they were together.
29:47Oh, sorry.
29:50So, does that mean Reynard's your dad?
29:53He's my ex-stepfather.
29:55Haven't seen him for decades until yesterday.
29:59Look, I was sorry to hear what happened, but we've never got on.
30:04Yeah, he also treated my mother very badly.
30:07I read her memoir, and she never mentions a son.
30:12Thanks for reminding me.
30:13Sorry.
30:16Let's just say having an illegitimate child wasn't good for her image back then.
30:22It must have been very difficult for you.
30:24It's also not common knowledge, so I prefer to keep it that way.
30:31Look, I know Portia can be difficult.
30:34But she is my mother.
30:37And I love her.
30:40Now, if you don't mind.
30:41Well, that was unexpected.
30:43Yeah.
30:45Do you think Mandir knew?
30:46Maybe that's why I got James up on stage, just to stir things up.
30:47There's only one way to find out.
30:49Plus, we need to ask him about that dagger, and if he's been stealing props.
30:52I tread carefully.
30:53Mandir has definite anger management issues.
30:54Maybe.
30:55Oh.
30:56Spider.
30:57Wait.
30:58Hello?
30:59Please tell me it's good news.
31:00Please tell me it's good news.
31:01Oh.
31:02Oh.
31:03Oh.
31:04Oh.
31:05Oh.
31:06Spider.
31:07Wait.
31:08Spider.
31:09No.
31:10Hello?
31:11Please tell me it's good news.
31:12And then, on your TV, it's a man's brain.
31:13And, hopefully, Mandir has definite anger management issues.
31:14Earthly?
31:15Bathly?
31:16Oh.
31:17Oh.
31:18co-op .
31:20Oh.
31:21Spider.
31:22Wait.
31:23Spider.
31:24No.
31:25Hello?
31:26You've got to be kidding me.
31:50Jo, I told you to back off.
31:52No, wait, please. You need to see this.
31:56Surveillance footage of Galwood House last night.
32:06That's Portia Frost.
32:08Scramble the team. Meet me at the RSC.
32:10No, she's not there. She's at the Horror-upon-Avon convention.
32:14Send me that footage.
32:17Thanks, guys. No, pleasure. Any time.
32:20No, really, I couldn't do it without you.
32:21The actress Portia Frost has been arrested on suspicion of the murder of her former husband, the film director, Raynard Lennox.
32:30I'm innocent, you can't believe it.
32:32See, she's made the news. Look at these earrings. Love them.
32:35I'll prove it. I'll sue the lot of you.
32:37Still looks great.
32:38Hardly her most convincing performance.
32:40Lurie Keeler.
32:40I'd have taken that down.
32:42Lurie Keeler's like a blood of wood.
32:43Keeler looks chuffed.
32:44Keeler's famous.
32:45Confirming the actress has now been formally charged.
32:48Fortunately, I was able to find new evidence, which led to the arrest.
32:54Portia Frost will be remanded in custody pending a court hearing.
32:59My thoughts and prayers are with the Lennox family.
33:02And that's all for now. Thank you.
33:04Yeah, OK.
33:06Don't thank us for your new evidence, will you?
33:09Poor Imogen, though. Must be hard, isn't it?
33:11All over the media.
33:13I hope she's OK.
33:14They're holding a memorial for Raynard at the convention this afternoon.
33:17It was on their socials, but Imogen's saying a few words, apparently.
33:21We should go, shouldn't we?
33:22We could have lunch on the way.
33:25Hmm?
33:26Frank?
33:28Do you hear that? Memorial?
33:29You all right?
33:30Sorry, you're just...
33:32Something doesn't feel right.
33:35Well, you can't argue with your own cameras, can you?
33:38Come on, let's go and get some lunch.
33:39We can celebrate you closing your first case.
33:44So, what's our next case, then?
33:50Um, well, we've got that workplace comp claim.
33:53Ooh.
33:55Your lunch is going to get cold, Frank.
33:57What are you watching?
33:58Uh, surveillance footage.
34:00Still?
34:00I think my eyes were bigger than my belly.
34:04Does anyone else want a bit of quiche?
34:06Oh, no, thank you.
34:09Oh, go on, then.
34:10Cut me a little slice.
34:11Just a little one.
34:13That's it.
34:14Look.
34:15The knife's in the wrong hand.
34:17In the film, Porsche has the knife in the left hand.
34:19Probably because she's left-handed.
34:21Yeah, but in our footage, the killer has the knife in the right hand.
34:29It's not her.
34:39Thanks.
34:40Oh, I wasn't expecting to see you.
34:43We never picked up our cameras.
34:45Of course.
34:47Come in.
34:53Ooh.
34:54Having a bit of a sort out, are we?
34:56Props we lent to the convention.
34:58Anything we don't need for filming can go back in the attic.
35:01Filming?
35:02Yes.
35:03The remake of the death fail that Father mentioned.
35:05It's going ahead.
35:06Oh, I thought you'd already remade that a couple of nights ago.
35:09When you murdered your dad.
35:11What?
35:13Yeah, we met Portia's son, James Colvey.
35:16You ring any bells?
35:19No.
35:20Ah, well, Raynard told us that you were a filmmaker and a teacher,
35:23and then we found out that you actually taught at the prison.
35:26HMP call us?
35:28That's where you met James.
35:30He did his time there.
35:32Did he?
35:34Do you have any idea how many prisoners I've taught?
35:36Let's see if I can jog your memory.
35:38It's amazing what you can find online.
35:41Ah, yeah, there we go.
35:42Your star pupil.
35:47He was a make-up and prosthetics artist.
35:50I found a plaster cast head and some special effects equipment here the other day.
35:53A latex mask for you to wear, so you could look like Portia.
36:07You used us to capture it on film, like the great director.
36:10You made a little mistake, didn't you?
36:37Portia's left-handed, whereas you, if I'm not mistaken, are right-handed.
36:45You terrorised your dad, just so you could bring us here and then frame Portia.
36:51It was no more than he deserved.
36:54He never loved me.
36:56He couldn't wait to send me off back to boarding school.
36:59Get back to the two things he loved.
37:01Making films and chasing women.
37:03What's going on?
37:10They know.
37:13But why kill him?
37:15Why now?
37:16Because he betrayed me.
37:18He lied to me.
37:19I looked after him.
37:22When his health was declining, when he was alone.
37:26I'd almost started to forgive.
37:30And then he...
37:32He promised Imogen she could direct his new film.
37:36Then he changed his mind.
37:38He wasn't even going to tell me.
37:41I found an email to the backers.
37:42He was going to announce it on the last day of the convention.
37:44He promised me that film.
37:48And I deserved it.
37:50It was my birthright.
37:54That's when I knew what had to be done.
37:59And you never loved your mother, did you?
38:01She tried to erase me from her life.
38:05I mean nothing to her.
38:10And then when Imogen and I met, it was like the universe
38:13was showing us the way.
38:17Together, we could punish them both.
38:23And get everything.
38:28We've all played our part in this.
38:34Even you.
38:35And now it's such a terrible shame.
38:38But it seems that your time has come too.
38:43Run.
38:45Run.
38:49Let's finish this together.
38:52Coming.
38:53Ready or not.
39:04We should have gone up.
39:08What chance did we have?
39:09I can't find my torch.
39:18OK.
39:30Looked.
39:36What now?
39:37What now?
39:39I've got an idea.
39:40I've got an idea.
39:41I've got an idea.
40:04Please.
40:05You don't have to do this.
40:07We won't tell her.
40:07Please.
40:08Honest.
40:09We'll take these.
40:18Yes.
40:19Thank you very much.
40:25This is all your fault.
40:26Why didn't you tell me your mother was left-handed?
40:28You never asked.
40:29Just joking.
40:31So let me go this straight.
40:33You made a citizen's arrest with a baseball bat and a hammer.
40:37They were trying to kill us.
40:40And now you're telling me it was those two that murdered Lennox?
40:42Yes.
40:43I wouldn't like to be in your facial hair when you have to tell the super you've arrested
40:46the wrong person.
40:47Especially a big celebrity.
40:52Except that was your fault.
40:54Because you two gave me the evidence.
40:55I don't know.
40:59No, I don't think so.
41:00I don't remember you mentioning that on telly.
41:03No.
41:05Pub?
41:06Yeah.
41:07Not you, obviously.
41:08Yeah.
41:17What tripped them up, then?
41:19Ah.
41:20Watch and learn.
41:21Yeah, I scattered them on the floor.
41:26Oh, gross.
41:28Some Cupid kills with arrows, some with traps.
41:31Yes, darlings.
41:33Oh.
41:34Tis I.
41:38Fear not.
41:39The show will go on.
41:41As far as the Arden police go, I shall be suing them for wrongful arrest, defamation of character
41:47and emotional distress.
41:52As for that detective sing...
41:55Keeler.
41:55DS Keeler.
41:57Yeah.
41:57Joe.
41:58Big, duff, tash, tall.
41:59Lives on the Avesham Road.
42:00Keeler?
42:01By the time I finish with him, the only job he'll get is handing out parking tickets.
42:09Champagne for the company.
42:10And it's on me.
42:12What?
42:12I don't think she means us.
42:15Our evidence nearly put her in prison.
42:16Anyway, we've got more important news, haven't we?
42:19Indeed we do.
42:20We would love you to take the job.
42:24That's if Frank hasn't put you off.
42:25Oh, you didn't, and I'd love to accept.
42:28Don't let him boss you around.
42:29Oh, don't worry.
42:30I'll be keeping an eye on him.
42:32Oh, good idea.
42:34No need.
42:36She's been a star pupil.
42:40You're round, Mr. Executive.
42:43Me?
42:43Mm-hmm.
42:45Uneasy lies the head that wears the crown.
42:48Drink up.
42:49Drink up.
42:49Drink up.
42:49Drink up.
42:50Drink up.
42:50Ah!
42:52Gee, has that have been keeping an eye on you?
42:54I told you, never a dull moment.
42:59Say it again.
43:01I'll have the same.
43:02Oh!
43:04You guys!
43:05That's amazing.
43:06Isn't it?
43:06Isn't it cool?
43:08Isn't it cool?
43:09You guys are proud to be good.
43:09That seems good.
43:10It's really real.
43:11Okay?
43:12That looks good.
43:13Make one right.
43:14You're right.
43:15You're right.
43:16And you're right.
43:17Block the target.
43:18I'm right.
43:18You're right.
43:18Not by yourself.
43:19I ain't got about it.
43:20And you're right.
43:20You're right.
43:21And you're left.
43:24It's awesome.
43:25Hopefully, we're in a Ocean County.
43:29You're right.
43:30Oh, the Airco opportunity's key.
43:33Hard to leave.
43:35I gotta get плcent on the edge over the place.
43:37You're right.
43:37Okay.
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