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S05 E08 >>> https://dai.ly/x9ryouu
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00:01You?
00:04You?
00:30I am so, so, so sorry. Something came up with the station.
00:43I'm sure you would have called if you could.
00:46Where's Otty?
00:51Your mum picked her up an hour ago.
00:54My mum?
00:56Tamara, remind Jo to buy me a card.
01:01Jo has 19 unread reminders.
01:06I didn't forget. I...
01:11I'll make it up to you.
01:12Are you here now? Let's just enjoy our anniversary.
01:14I love you.
01:15I love you.
01:16Right, croissants are in the oven. Almond alright?
01:19Erm, yeah. Sounds perfect.
01:22Come on, not that cross. I know you like your chocolate ones.
01:25Don't worry, I'll put the dreaded wedding album away.
01:29No, no, it was the greatest day of my life.
01:32I just wish the erm...
01:34I know.
01:36Good morning, detective sergeant.
01:37Who is this?
01:38Listen carefully and do exactly as I say. Unless you want your wife to find out who you really are.
01:48Who is this?
01:49Who is this?
01:50Listen carefully and do exactly as I say. Unless you want your wife to find out who you really are.
02:01Who is this man.
02:02Do you really all.
02:06What are you doing?
02:08I'll see you next time.
02:38I knew I shouldn't have come here.
02:39Oh, no.
02:40Sit down, please.
02:41We're listening.
02:42Start again.
02:47I made a mistake.
02:49Big one.
02:51I went out for a drink last night after work.
02:53Next thing I know, it's 10am
02:55and I'm stumbling out of a cab in my driveway.
03:00Then I get that.
03:02OK, wow.
03:04So, um, just a wild stab in the dark.
03:06I'm guessing this is not your wife.
03:08I don't even recognise her.
03:09Or the room.
03:10How drunk was I?
03:11How drunk was she, Marley?
03:12Probably an escort.
03:13Most of their clients are married creeps.
03:15Believe me, nobody's more disgusted about this than I am.
03:19I'm being blackmailed.
03:20And I don't know why.
03:22He calls himself Dr Eccles.
03:24Said he's a wanted man who needs help fleeing the country.
03:26That was clearly a fake name.
03:28What's he wanted for?
03:29I don't know.
03:30But he warned me not to get my colleagues involved.
03:32Said he'd know if I did.
03:33But he didn't mention anything about PIs.
03:35Look, I wouldn't be here if I had any other choice.
03:38Diseases desperate grown by desperate appliance are relieved or not at all.
03:44Not helpful.
03:45How does this Dr Eccles expect you to help him?
03:47Money?
03:48Nah.
03:48First task was to buy provisions, then get to Henley Street in 13 minutes.
03:55I can play along for now, but I need your help to cash this scumbag.
03:58I'm sorry.
03:59We don't do extramaritals.
04:00Why don't you just fess up to Emma?
04:02It's not an option, because it's our 10-year wedding anniversary.
04:06So I can't...
04:07I can't lose my wife.
04:11So please.
04:15Okay, we'll help.
04:16Sebastian and I will try and find out who this woman is.
04:19You can go with Keela.
04:22Right, Hathaway, 12 minutes.
04:24Let's go.
04:25Why do I have to get punished?
04:26But it's a dirty affair.
04:28Oh!
04:28Hey, you!
04:29Hathaway!
04:33We need to talk this through.
04:36Do you know anybody who might have it in for you?
04:38I'm a copper, Frank.
04:39Who doesn't?
04:40Right, I got what you asked for.
04:46Now you tell me something.
04:48Why me?
04:49There's a camping superstore outside town.
04:52I'm sending you a list.
04:54Purchase every item.
04:55You have one hour.
04:57Yeah, but why me?
05:00Forget why you.
05:01Why those items?
05:02I can't get all this in an hour.
05:04I mean, it'd take at least half an hour to get there.
05:06I mean...
05:07Oh!
05:13Taxi!
05:14Taxi!
05:15Arden Outdoors Depot, please.
05:17No, as far as I can tell, she's not a local escort, a known criminal, or an out-of-work
05:31thespian.
05:31Well, that rules out half of Stratford, doesn't it?
05:35Er, Luella Shakespeare.
05:37What?
05:37I'm just doing my job.
05:39Anyway, I've already looked.
05:40You can't actually see anything.
05:41But check out this whiskey glass.
05:44There's something embossed on it.
05:45What is that?
05:45Corporate branding.
05:46I'm thinking hotel logo.
05:48Oh, you're good.
05:58I got a cab.
05:59Sorry.
06:00Did you want a lift?
06:0138 minutes.
06:03No time for banter.
06:05Large gloves.
06:06Large gloves.
06:08The thing is, I...
06:09Look, this is now I saw my day going either.
06:11But whatever witty remark you have cannot be more important than me saving my marriage.
06:16I was just going to say you're being followed.
06:20You focus on the shopping list.
06:22I'll sniff them out.
06:23I'll sniff them out.
06:23I'll sniff them out.
06:24I'll sniff them out.
06:36Can I do a little bit?
06:39Yeah.
06:39Yeah.
06:40Oh.
06:41That's it.
06:42That's the spot.
06:44Ah.
06:45Nicely done.
06:46Thank you. Must remember to wipe a meeting and entering to my resume.
06:51Right. Well, looks like the same room, but...
06:53Sounds paramour, sounds evidence, sounds everything.
06:56Cleaners beat us to it.
06:58Isn't that always the way?
06:59They always come at the worst time, like when you've just stepped out of the shower.
07:04Or when you're singing along to the radio so you can't hear them knocking
07:07while you're stark naked slathering yourself in aftersand.
07:16I will never understand.
07:46I'm camping. A small fortune on this joke, just a cash pneumonia in a field.
07:56Time's up, Sergeant. I hope you've found everything. For your sake.
08:00Hold your weight. I've found exactly what I'm looking for.
08:02I love you, too, though.
08:04Billy?
08:05Right, Frank. What are you looking at?
08:09This is where he would bring her. His secretary.
08:13Yeah, well, they're not here now, so...
08:16We will take him for all he's worth, Mrs Keeler. I'm her solicitor. I'll just fetch her a tissue.
08:22Yes, please!
08:23What the hell is wrong with me, Warwick? Why doesn't he want me?
08:30No, you're, um... I mean, I would. Husband's idiot.
08:35Oh, you're so sweet. Tell me, cos I can... I can take it. Did you see them here last night?
08:48I couldn't say. I see a lot of people.
08:51Look, go on. Take a look.
08:53I don't get involved in Copper's business.
08:58Um, sorry, how did you know he was a police officer?
09:02Um, well...
09:04Well, he looks like one, doesn't he?
09:07Plus, the room's booked under a DS Keeler.
09:10Oh, please, Warwick!
09:11I told you, I don't know anything.
09:13So get lost or I'm calling security.
09:15Oh, it's...
09:34Just had to be your delinquent pal, didn't it?
09:36I told you, I've gone straight.
09:38But all I did was follow him.
09:40It was one of them surveillance jobs, you know.
09:41Oh, so Billy the Brick's a PI now.
09:43Spent enough time with you, you're kind of picking up.
09:45We caught you on the phone.
09:47Yeah, to my girlfriend.
09:49You take me for a complete idiot.
09:50Don't answer that.
09:51Yeah, I can't.
09:52No.
09:52Stop, stop, stop, stop.
09:56All right, Billy, we will humour you.
09:59Who hired you for this surveillance job?
10:01Well, I've never actually met him.
10:03I got this phone in the post this morning.
10:05From a Dr. Eccles.
10:07You've got to be kidding me.
10:08I'm just supposed to report where he goes.
10:10That's all, Frank, I swear.
10:11Word of advice, some jobs are not worth the money.
10:15He's lying.
10:16It was him on the phone.
10:21Hello?
10:21Hang up on me again and you'll regret it.
10:24But I thought-
10:24Survival gear will only get me so far.
10:27There's a bank on Leonardo Street.
10:29I need 10,000 pounds cash.
10:32You have 14 minutes.
10:34Right, the taxi's waiting outside.
10:35You are coming with us.
10:36I'm not going anywhere with him.
10:37This is not up for debate.
10:39We need to figure out who's behind this and fast.
10:43Fine.
10:44Genuinely, one more word out of your mouth.
10:46You can't stop me from talking.
10:51This is Stagdew.
10:52He's tying the knot tomorrow.
10:55Hello?
10:56Hello.
10:57So, no sign of the woman, but we do think that the hotel porter knows Keela.
11:02His name's Warwick.
11:03Does the name Warwick ring any bells?
11:05Warwick Sams, former shoplifter, drug dealer, pain in my neck.
11:09He's acquainted.
11:10He hasn't made any moody phone calls, has he?
11:13Not in the last half hour, no.
11:15It's not Dr. Eccles then.
11:17It's a business card.
11:19Gratiano management.
11:21Oh.
11:22OK.
11:23We've got a lead.
11:24So, we'll see you back at the office.
11:25See you there.
11:26See you where?
11:27If I'm not at the bank in 32 minutes, I'm done for.
11:30Listen.
11:31We'll make it, all right?
11:32Don't worry.
11:33Drive.
11:34Fascist.
11:35Do you even know what a fascist is?
11:40Yeah.
11:41I'm looking at one.
11:42Why don't we wait in reception?
11:44Oh.
11:45It's a modelling agency.
11:47There she is.
11:49I slept with a model.
11:52Would you want a high five for that?
11:54Well, that photograph is not on my phone.
11:57So, I must have taken it with hers.
11:59So, she must have sent it to Dr. Eccles.
12:02Let's bring her in.
12:03Yeah, good idea.
12:04Let's just get a warrant card, shall we?
12:06Well, I'm sure we'll find a way somehow.
12:08PHONE RINGS
12:10Hiya, ma'am.
12:12Tin you on?
12:14Beh?
12:15What photograph?
12:16It's not what it looks like.
12:18PHONE RINGS
12:19Just burn it.
12:20Don't tell Emma.
12:22PHONE RINGS
12:23You sent it to my mother.
12:24Disobey me again, and it'll be your wife.
12:28I'm on the way to the bank.
12:30With or without, Mr Hathaway.
12:32That's right.
12:33You're being watched.
12:35In my defence, you didn't mention PIs.
12:38Then let me clarify.
12:40All loopholes are now closed.
12:43Ditch the help.
12:44Wait.
12:45Look, if you need to get out of town, I can make arrangements.
12:49I can send you a car.
12:51Just tell us your location.
12:53Nice try, Detective Sergeant.
12:54You have 18 minutes remaining.
12:56Get the money, then head back to Henley Street.
12:59Alone.
13:01We need to get moving.
13:03We'll try and find this model, see what she knows.
13:06Did you not hear what Dr Eggle said?
13:08We're all you've got.
13:09You better just hope that Billy was his only spy.
13:27Practically emptied the joint account.
13:29As if Emma's not furious enough already.
13:31Look, don't worry.
13:32You're not actually going to pay up.
13:34I promised her this year will be different.
13:38Not good at anniversaries, eh?
13:40Wasn't even a great groom.
13:42Too much vino on the wedding night.
13:44I arrested someone at the reception.
13:46That'll do it.
13:55But there's one thing I live by.
13:57I've always been faithful.
14:01We don't know for certain what happened last night.
14:03What?
14:11I said, sounds like your wife's better off without you.
14:14Read that room, Billy.
14:15Better get to Henley Street and see where Dr Eccles is sending me next.
14:25Somewhere in East Warwickshire by the looks of it.
14:27Eccles just messaged Billy.
14:29He doesn't know we've got him.
14:31Go to cottage.
14:32Keeler arriving in one hour.
14:34I thought you'd be good for something.
14:36All right, come on.
14:38Time to get ahead of this guy.
14:41Drive.
14:46Oh, quick.
14:47Sebastian, she's coming.
14:48I mean, er, Luigi.
14:50I heard.
14:52Luigi Verifino is as rude as he is pretentious.
14:56Okay.
14:57Look, just don't underestimate her.
14:59Because these model types, they can be ice cold.
15:01And, of course, this one also might turn out to be a ruthless blackmail.
15:04So good.
15:05Hello.
15:06Sorry I'm late.
15:07I'm Molly.
15:08Luigi Verifino.
15:09Yeah.
15:10I love the look.
15:12Very Balenciaga.
15:15That's exactly what I was going for.
15:18And those cheekbones.
15:20Who's your agent?
15:23Oh!
15:24Me?
15:25No!
15:26No!
15:27I'm not, um...
15:28I'm just the stylist.
15:29Yeah, I'm Gabrielle, actually.
15:31Yeah.
15:32Did you really think I could be a...
15:34Oh.
15:36So, what am I modelling?
15:39Oh, yes.
15:40Excellent question.
15:41Mm-hmm.
15:42You're modelling a gorgeous designer scarf.
15:47I hate to be a diva, but do you mind if I nips Lou first?
15:51Burst in?
15:52It's fine.
15:53It's...
15:54Through the door.
15:56I think I love her.
15:58Yes.
16:01Beautiful.
16:02Yes, yes, yes.
16:03Molly.
16:04I love it.
16:05Now, give me...
16:06Yes.
16:07Brr.
16:08Brr.
16:09Brr.
16:10Brr.
16:11Brr.
16:12Brr.
16:13Just a little adjustment there.
16:14I just...
16:15So, did you do anything fun last night?
16:17My boyfriend cooked my favourite meal.
16:19What were your boyfriend?
16:20Beans on toast.
16:21With cheese.
16:22Oh, lovely.
16:23I thought you might be out partying, you know, clubs and restaurants, hotels.
16:28It's not really me.
16:30Gorgeous.
16:31Now, show me, uh, Tara.
16:33Yes?
16:34The wolf coming?
16:35Oh!
16:36Oh!
16:37Oh!
16:38And then, uh, what about after dinner?
16:41Anything then?
16:42Uh, I went to see my mum.
16:43Oh, no.
16:44She's not around much and family's the most important thing in the world.
16:47And work, obviously.
16:49Mm-hm.
16:50Take five.
16:51The battery's low.
16:52Well done.
16:53That was really good.
16:54Between you and me, Gav.
16:55This might be my last ever gig.
16:56Oh, really?
16:57You, uh, come into some money, have you?
16:58I wish.
16:59Priorities change, you know.
17:00Being a model sounds so glam.
17:01Travelling the world and stuff.
17:02But I'd much rather be home with the people I love.
17:03Mm-hm.
17:04Mm-hm.
17:05Come on.
17:06Just another hour.
17:07Mm-hm.
17:08Take it off yourself.
17:09No sign of anyone.
17:10Front door's unlocked.
17:11But look who's staying here.
17:12Dr. Eckhart?
17:13I don't think I'm going to do glam.
17:14Traveling the world and stuff.
17:15But I'd much rather be home with the people I love.
17:16Mm-hm.
17:17Come on.
17:18Just another hour.
17:19Take it off yourself.
17:34No sign of anyone.
17:36Front door's unlocked.
17:39But look who's staying here.
17:40Dr Eccles.
17:42I was spelling it with a C.
17:43Two Cs? He's not a cake billy.
17:46Don't tell me we've just been abandoned in the middle of nowhere.
17:48And you left the duct tape on the back seat.
17:51All right, forget about that.
17:53If this is Dr Eccles' hideout, he might be nearby.
17:56We need to get inside.
17:58You, bring that gear.
18:04I've got the money. What next?
18:07There's a cottage.
18:08I'm sending you the address.
18:12Come on. Hurry up.
18:19Oh, beautiful.
18:21Now let's try a happy bunny.
18:27What's this scarf magazine called again?
18:30I'll have to get my mum a copy.
18:32Oh, uh, all's wool that blends wool.
18:36Yep, it's a new one.
18:37Um, I could probably put in a word and get you on the front cover.
18:40I thought you were the stylist.
18:42And if this scarf is designer, why does the label say...
18:45Molly, honey, we are nearly done.
18:47We just need that one shot that perfectly captures your truth.
18:50The truth?
18:51The truth?
18:52Uh-huh.
18:53Everyone knows the camera always lies.
18:55And real photographers bring spare batteries.
18:58Tell me what's going on.
19:01Yeah.
19:02What are you?
19:02Some kind of pervert?
19:03I've got pepper spray.
19:04Look, we are not dangerous.
19:06We?
19:06I just...
19:06Well, yeah, we, we, we are just trying to help DS Keela.
19:12Who?
19:15Come on, Molly.
19:16Blackmail's a serious crime.
19:18You're not a serious criminal, are you?
19:20No.
19:20I met him in some bar.
19:26We got drunk and went back to his hotel.
19:28What, a menu?
19:29Nothing.
19:30I mean, he was too hammered anyway, but even if he wasn't, I'd never blackmail someone.
19:37I've got to go.
19:41Fight after I use your bathroom again.
19:43Sorry.
19:44She's too sweet to be a villain.
19:51She's hiding something.
19:54Probably a UTI, judging by the amount she goes to the loo.
20:01She's giving up modelling.
20:03And those ginger tablets, people use those for morning sickness.
20:06She's pregnant.
20:08But she left her boyfriend at home to go on a bender with a random old man.
20:12With Keela.
20:14Oh.
20:29What kind of sickle brings Turkish delight to a stakeout?
20:32I am sorry Jelly Babies weren't on the list.
20:35Blame Dr. Eccles.
20:37You know what I think?
20:38You're Dr. Eccles.
20:40If you're trying to do this to mess with me, mate, it won't work.
20:44That is quite possibly the dumbest thing I've ever heard.
20:47So why has it got your name with the letters jumbled up?
20:50Look, Frank.
20:52It's right.
20:54It's an anagram.
20:55Who's the dummy now?
20:56This is me calling myself then, is it?
21:02Brainiac?
21:05I'm almost there.
21:06I see a cottage up ahead.
21:08Good.
21:09There's a shed in the garden.
21:10Leave everything inside.
21:11Then what?
21:13Go home to your wife.
21:15If you've done what I asked, you'll never hear from me again.
21:18It's too easy.
21:20I mean, and this is personal.
21:22He's using an anagram of your name.
21:24Yeah, agreed.
21:25And he's probably disguising his voice, so I don't recognise it.
21:28And it's worked.
21:28I haven't got a clue who this is.
21:30No, but you've got what he wants.
21:33We'll text him Billy's report and say you've made the drop,
21:36and then we'll wait for him to come and get it.
21:38Right.
21:39Let's get this stuff in the shed.
21:41I want to catch this man red-handed.
21:42Hey, Frank, it's me.
21:54Obviously.
21:55So, we met Molly, and, Frank, you would love her.
22:00Well, the homewrecker.
22:01Well, that's the thing, you see.
22:02She swears nothing happened with her and Keela,
22:04but we felt like she knew something,
22:06so we followed her, and guess where she went?
22:08Back to the hotel.
22:09What, the hotel with the pod who just happens to hate Keela's guts?
22:14She did mention her boyfriend.
22:15Good work.
22:17Call me when she meets him.
22:18OK.
22:19So I didn't cheat on my wife?
22:21Looks like you're off the hook.
22:28Warwick Sams.
22:29Now, if that half-wit is behind this,
22:31there's going to be evidence everywhere.
22:33Something's not right.
22:34Yeah, this is slave labour.
22:36I should unionise.
22:37Warwick's not a wanted man.
22:40And if he wanted to flee the country,
22:42there's easier ways than blackmailing a copper.
22:45What if the idea was to keep you distracted?
22:48Distracted from what?
22:54Frank?
22:56Frank?
22:56You'd better get over to Keela's house sharpish.
23:06His wife might be in danger.
23:08OK.
23:08Drop me the address.
23:09I'm on my way.
23:12Right, she's going in.
23:13Don't take your eyes off her.
23:14OK.
23:15You be careful.
23:15I don't know.
23:27You're welcome.
23:28Oh, my God.
23:58Oh, oh. Hello. Sorry, um, my car has broken down and I just, uh, my phone has also, yep, that's, needs, uh, some charge and I wondered if you could help.
24:20False alarm. Yes, Emma, coffee be lovely.
24:24She's okay.
24:24Yeah, she's fine. Which is more than I can say for her anniversary, Neil. Do you want me to stay with her?
24:30Ah, just to be safe. Thanks, Lou.
24:33Right, there's a car. Parked round the back. There must be a spare key somewhere, right?
24:36Eh, eh, Emma's okay. She's with Lou.
24:39Well, they look so funny. If anything happened to her, it'd be your fault for being a lying, cheating pig.
24:46This is all your fault for helping that!
24:48Shut your back!
24:48You lost me!
24:49I'm going to get a heart attack!
24:50Well, it serves you right for trying to steal my girlfriend!
24:52What?
24:53What?
24:54What?
24:55It's true, Frank. He's been seeing Molly behind me back.
24:59What is this all about?
25:02I can't tell you.
25:03You know what? This wasn't worth the money.
25:05Don't blame me. I only got involved because I was desperate.
25:07Well, well, well. Misery acquaints a man with strange bedfellows.
25:14That's right. We know everything.
25:17Oh, you might want to explain it to me because I ain't got the foggies.
25:21Oh, really? And how do you two know each other?
25:23What, we don't? I called her snooping around and recognised her from the photo you showed me.
25:27All right. Why don't we just start from the top, hmm?
25:32When I clocked in last night, there was an envelope of cash with a note from a guest.
25:39You know, do not disturb.
25:41You mean hash money?
25:43Well, when someone tips that much, you, uh, you don't question it.
25:48Plus, I saw Keela's name on the booking and I can't stand the guy, but I don't mess with copies.
25:56Hmm.
25:57It wasn't me.
26:00Then who? Your boyfriend?
26:02He's got nothing to do with this.
26:04It would be understandable, in a way, if you were trying to raise some cash.
26:09Babies are expensive.
26:13How did you?
26:18You've got it all wrong.
26:19I haven't even told Billy I'm pregnant yet.
26:23Billy?
26:24Not Billy the Brick.
26:27I met Molly last year at the community roller disco.
26:30She sort of passed all my mistakes.
26:32Made me see that I'm not just a waste of oxygen.
26:35Hey, you're not.
26:38But lately she's been acting strange.
26:41And then her phone arrived in the post this morning.
26:42Well, what did Dr Eccles say to you?
26:45That Molly was leaving me for that pig.
26:49But if I just kept tabs on him for a day, he'd be taken care of.
26:54You weren't being paid?
26:56Molly taught me that there's more important things than money.
26:58I can't live without her, Frank.
27:02Nothing happened between us.
27:05You have my word.
27:08I mean, I'd like to think I've got higher standards than that.
27:11Show some respect for mine!
27:12Yeah, you show some of mine!
27:15Billy!
27:16Your girlfriend is not going to leave you.
27:17And your Emmett is happily sipping coffee with Lou as we speak.
27:22It's not possible.
27:23We don't keep coffee in the house.
27:25Emma's acutely allergic.
27:27Could be fatal.
27:28What were you sick?
27:37Oh, it's fine.
27:38Take your time.
27:58Oh, hi.
28:18Just seeing if you had any milk.
28:20I'm afraid we seem to be out of coffee.
28:22That's fine.
28:24That's fine.
28:25I might just check if my phone's charged.
28:27I warned him to ditch the PIs.
28:42Such a shame he didn't listen.
28:46The phone's supposed to be switched off.
28:54I can't wait 90 minutes for a cab.
28:56There must be a key somewhere.
28:58It's time to call it in, Joe.
29:00It's too risky.
29:01Send him racing in with blues and twos.
29:02I want to go on, Frank.
29:04I need to see Molly.
29:05I know.
29:05And Joe needs to see his wife.
29:07And I wouldn't mind knowing that Lou's okay and all.
29:11How did Dr Eccles get a photo from your wedding?
29:13No idea.
29:14Clearly obsessed with our marriage.
29:16Or maybe it's something else that happened ten years ago today.
29:19Like you arresting a guest, maybe.
29:22No, she wasn't a guest.
29:24She was the photographer.
29:30You can't look at me for help, people.
29:35I've always hated selfies.
29:37They make my poor nose look enormous.
29:39It's the wide-angle lens.
29:42It always stretches the image.
29:44Oh.
29:45But not this image.
29:48It's like you said.
29:50The camera always lies.
29:52Keela wasn't taking the photograph.
29:54He was reaching for the camera.
29:58It was off his face when I walked in.
30:01I just treated it like a modelling job.
30:03Who was behind the camera?
30:05Molly?
30:06Who is it that you're so desperate to protect?
30:09She showed up on the morning of our wedding day.
30:26Said our photographer was sick.
30:28And she was filling it.
30:29I didn't think anything of her.
30:31You had a lot on your mind.
30:33Later, when we were cutting the cake, I noticed she'd gone AWOL.
30:37I went looking for her.
30:39And I found her.
30:40Behind the catering tent, loading a rifle.
30:42Irene Argo.
30:44Hang on.
30:45Turns out she was a notorious assassin.
30:48She'd evaded the authorities for years.
30:50Irene?
30:51Who's worth assassinating at your wedding?
30:54Arden's chief constable.
30:56Happens to be a very close family friend.
30:57Can I say something?
31:00Sebastian?
31:01Keeler wasn't drunk.
31:02His drink was spiked and he was dragged to the hotel room where Molly posed with him because she was desperate.
31:06Please the photographer, Irene Argo.
31:10I tried to tell you.
31:12Irene's Molly's mum.
31:14She just got out of prison.
31:16I thought you knew her.
31:16She'd been driving us around all day.
31:18She was right in front of me.
31:20You were sat there and you didn't see anything.
31:25I couldn't, could I?
31:25He put tape on me mouth.
31:27I can't believe I let her use me.
31:30I knew she was a total psycho.
31:33She'd probably warn Lou.
31:41She said she'd kill me if I called out to warn you.
31:44OK.
31:47She's got a lovely house.
31:48Beats the inside of a prison cell.
31:50I can't blame Joe for stopping you.
31:52He's a detective.
31:54Please.
31:56He was an oblivious groom who stumbled into the biggest arrest of his career.
32:01A trifling simpleton who has no idea who I am.
32:07Or what I'm capable of!
32:11The kind of detective who doesn't recognise danger when she's sitting right in front of him.
32:16Maybe he's just not that memorable.
32:19No offence.
32:19Like, as in, maybe girl next door.
32:21Trust me.
32:22He's not going to forget what's coming next.
32:27Come on!
32:28If Irene was such a brilliant assassin, she could have got to Emma at any time.
32:32Why make you gather up all that stuff?
32:35To torture me.
32:37No, hang on, right.
32:38If you were investigating yourself, what would you see?
32:43A man acting erratic, emptying his bank account, gathering supplies.
32:48Renting a secluded hideaway with an alias so obvious even Billy could work it out.
32:53Thanks.
32:54And if I found that hideout, I'd find the scratched out photograph.
32:58Along with bin bags, rope, a shovel.
33:00All you the red flags on the shopping list.
33:04She's framing me for Emma's murder.
33:07Is she?
33:09It's green.
33:11Joe.
33:13What?
33:14The light's green.
33:15It was going to be so simple.
33:21A dodgy detective kills his wife.
33:23Police get a tip-off, catch him cleaning up.
33:26Then your partner decided to mess up my narrative.
33:29Frank's got a talent for getting in the way.
33:31And I have a talent for improvising.
33:36I only planned to follow them.
33:39Who knew you'd climb in the cab?
33:41Your plan's failed, Irene.
33:43Because Frank will be Keela's alibi.
33:45Or was he his accomplice?
33:48One ex-copper helping out the other?
33:51For £10,000 perhaps?
33:54You want to frame them both?
33:56It was cleaner before you turned up uninvited.
34:06Maybe you suspected what they were up to, caught them in the act.
34:12Keela panicked and killed the lot of you.
34:14It's a bit of a stretch, don't you think?
34:17More plausible than some wild tale of blackmail and coercion.
34:22Joe's stopped you before and he'll do it again.
34:24He'll be on his way here now.
34:26That's exactly what I'm counting on.
34:27I knew I should have told Lou to stay in port.
34:31If anything happens to her, this is on me.
34:33It's not too late.
34:34He's right, Frank.
34:35I know it in my heart.
34:36Look, and I actually know it.
34:38I can't be framed for murder if I'm miles away at the time of death.
34:41It's not true.
34:42And Irene's not going to hurt them until you're close at home.
34:44The phones.
34:45She's tracking them.
34:46We need to get there undetected.
34:47I bet you're fed up of hearing about me and Frank.
34:56We're not as bad as your mates are.
34:57I'm sorry, Joe's never mentioned you.
34:59Oh.
35:02Well, he won't talk to me about work.
35:05Barely name his colleagues, let alone invite them for dinner.
35:07He thinks he can outsmart me.
35:10If he's going to put his work before his family,
35:12he could at least help me understand why, couldn't he?
35:16Ah, you get him here.
35:18Or die.
35:21If you're going to kill us anyway, why should she help you?
35:25Okay, fine.
35:26Fine.
35:28Oh.
35:29Tamora, call Joe Keeler.
35:34Calling hubby.
35:36Emma.
35:36Joe, Joe, Joe, Joe.
35:38She's got us tied up in the living room.
35:39Oh, Joe, you need to...
35:40I'll be there in half an hour, I promise.
35:42Try harder, detective.
35:44You were closer than that when you dumped my phones.
35:47Let them go, Irene.
35:49It's me, what?
35:50Yet, it's because of you.
35:51In five minutes, they'll both be dead.
35:56Tick tock.
35:59They're in the living room, in front of the house.
36:09Back door, then.
36:10Watch me.
36:17I've got this.
36:20You just carried that around, old dear.
36:22It's his house, Billy.
36:23He's got a key.
36:24Sorry.
36:25Force of happy.
36:25I know what it's like having a husband with a secret life.
36:32Literally, in my case.
36:34If you think that Keeler cares more about work than you, then you're wrong.
36:41Why does he insist on keeping me in the dark?
36:47Probably just wants to protect you from all the awful things he has to deal with every day.
36:53He doesn't need to do that, does he?
36:55Everyone knows it's not healthy to keep things bottled up.
36:58No, you're right, stupid.
37:01I'm sure you find it really infuriating, but hey, that's love, isn't it?
37:04If he truly loved you, he'd be here to witness your final breath.
37:08Ah, well.
37:09At least you got each other.
37:17We need a distraction.
37:20Tamara, lights out!
37:22Tamara, lights out!
37:29Where's Emma?
37:30Help!
37:33Stay back!
37:34All right, hear me out, yeah?
37:35I heard you at the press conference.
37:37A bungling assassin is no match for Arden's finest.
37:40That sounds worse out of context.
37:42I've taken down oligarchs, CEOs, politicians.
37:45You destroyed my legacy.
37:47Nobody knew who you were.
37:48Exactly.
37:49I was the phantom, but you reduced me to ten years in a cage.
37:56All I did was save a man's life.
37:58Do you want me to apologise for that?
37:59She wants you to tell her she's brilliant,
38:01even though all her clever plans have failed.
38:03Shut up.
38:04I don't need his validation.
38:06I'm doing this for me.
38:07No, no.
38:08You've done it.
38:09You've proven I'm no match for you.
38:10I said stay back!
38:12You win, Irene.
38:14Please.
38:15Let her go.
38:16I'm not finished.
38:17You were supposed to suffer in the same way that I suffered.
38:21It's not going to work, Irene.
38:23We've got you cornered.
38:24I fancy my chances, Missy.
38:26What about your daughter's chances?
38:28Where is she?
38:31She's in the company of our most unhinged associate.
38:36I never cared.
38:42She missed all of my school plays.
38:46I only ever wanted her to love me.
38:49Oh.
38:52Some people just aren't capable of love.
38:55Well played.
39:05Now we both have something that belongs to the other.
39:08I don't belong to anyone.
39:09Emma, please.
39:10Let's make a trade, right?
39:12Everyone walks away alive.
39:13Yes, Frank?
39:14It could be arranged.
39:15I've got a better idea.
39:16Aye, Billy.
39:17Mrs Argo.
39:18Be a good boy and grab her, would you?
39:21No, don't you dare touch me.
39:22Molly would want you to help me.
39:24But you made me think she was leaving me.
39:26No, Billy.
39:27You're her soulmate.
39:29And if you send me back to prison, she'll never forgive you.
39:32Don't listen to her, Billy.
39:32And you'll never get to meet your unborn child.
39:35What?
39:36I'm having a baby.
39:37Sorry, is this man a friend of yours?
39:39Absolutely not.
39:40And if he has one functioning brain cell in that thick head of his,
39:43he'll sit the hell down.
39:43Stop talking about me like that!
39:45You can help yourself, would you?
39:46Nice one, Keela.
39:47Great work.
39:48Look at this.
39:50The wheelie's come full circle.
39:51Think about what you're doing, Billy.
39:53What's there to think about?
39:54I'm not having my kid grow up like I did.
39:56Enough of the chit-chats.
39:57This is what's going to happen.
40:03I'm sorry.
40:06I was thinking about the Birmingham Derby in 97.
40:10What?
40:10Yeah.
40:11That equaliser.
40:13That was a farce, wasn't it, eh?
40:16Ah!
40:18Yes, I know, I remember that goal.
40:21That was, that was a joke.
40:22Yeah, 90th minute.
40:23The villa keeper had the ball in his possession,
40:25and then the striker just, he just knocked the ball straight out of his hand.
40:29Why is this?
40:30Some kind of psychological tactic or something.
40:33Oi!
40:34Sir, you get off me!
40:36Get back!
40:37You're not going to regret this.
40:38Maybe.
40:39Molly wouldn't want me to hurt anyone.
40:41She's a pessimist.
40:42Pacifist.
40:43Looks like you've finally met your match there, Irene.
40:45I love you.
40:48I love you too.
40:50Oh!
40:52We didn't play Birmingham in 97.
40:57Molly!
40:58Billy James!
41:02Is it true?
41:03Am I going to be a daddy?
41:04I was waiting for the right time to tell you.
41:08You're not mad, are you?
41:10Pop!
41:11Molly!
41:13You mustn't blame yourself.
41:14You simply weren't born with your mother's intellect.
41:17At least I was born with a heart.
41:19And I'm done wasting it on selfish people who never change.
41:23Darling, please.
41:25Irene, next year, send me a card.
41:27Hey, Keela.
41:30About these two lovebirds.
41:32Now, technically, they didn't actually break any laws.
41:37Seventeen.
41:38They broke seventeen laws.
41:40Very specific.
41:41But, having said that,
41:44they were clearly manipulated
41:46and they didn't know what they were doing.
41:49So?
41:51So, we're free to go?
41:53Yeah.
41:55Thanks, brother.
41:57Alright, alright, okay.
41:59If this baby's a boy,
42:02we're going to call him, Jim.
42:03My name's Joe.
42:06Go on,
42:07before he changes his mind.
42:12Ah.
42:14You really came through for me, Frank?
42:16I appreciate it.
42:18Nah, I was just doing me job.
42:20No.
42:20It wasn't just me who nearly lost someone today.
42:25I saw how worried you were for Lou.
42:27Well, you know.
42:28Well, nah, I was just worried about getting paid.
42:31Oh, yeah.
42:33The fee.
42:35Can't act like I don't have it on me.
42:37There you go.
42:38Oh, guys.
42:40Keep it.
42:41Happy anniversary.
42:42Oh, thanks, Lou.
42:45Thanks for everything.
42:47Maybe we could stay in touch?
42:48Yeah, yeah, I'd like that.
42:50You're all right with that, aren't you?
42:51Yeah.
42:52One more thing.
42:54Get the hell off my crime scene.
42:57Oh, it's very good, that.
42:58Yeah.
42:59Bye.
43:00Bye.
43:00Did you hear that, Seb?
43:02Frank was worried about me.
43:03Oh, big old softie.
43:05Yeah, because you're dead.
43:06All right, in that terrifying moment when I thought something had happened to you, I realised I couldn't imagine my life without you in it.
43:18Oh.
43:21And then she gave that big old wad of money back to Keela.
43:24Yeah, she did.
43:24Come on.
43:25That really did.
43:25Oh.
43:43Oh.
43:47Oh.
43:47Oh.
43:47Oh.
43:49Oh.
43:53Oh.
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