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00:00We've lost our two sisters, Amy and Kitten.
00:06I'm really sad to see them go because I feel like they were both the heart of this competition.
00:11Jesus, love you all.
00:12Amy.
00:13Amy, we really brought the drama this season.
00:17I cannot wait to see you again.
00:19And from Kitten Kabuto, love you all, my horrible little monsters.
00:24Bye, Amy.
00:26Bye, Jesus.
00:27Bye, KK.
00:28We love you, girls.
00:29We love you, girls, and...
00:30Top six!
00:31Top six!
00:33Top six!
00:35Top six!
00:37The magic that YouTube did at the finale.
00:40Oh, my God.
00:41That is iconic.
00:42I think I did shoot myself up to be a really big contender in this competition.
00:46Unless it's a design challenge, then I'm fucked.
00:49Denny, you got the final golden beaver.
00:52Yes, it was.
00:53Let's start thinking of how you can still have my back.
00:56I mean, there's probably another design challenge.
00:58Perfect.
01:00And Alberta, back to back.
01:02Yes!
01:03Five of us have a win.
01:09Someone had to say it.
01:11It's coming.
01:12I think it's time that we should get out of drag and celebrate.
01:14Let's do it!
01:15Everyone around me right now has secured a win, so I'm feeling the pressure.
01:21I'm really going to have to fight and put my everything into these challenges.
01:25I'm ready to fucking win.
01:26I'm going to snatch that crown, and I'm going to walk out of here with $100,000.
01:30I'm getting stimulated.
01:39It's been a while.
01:40It is a new day in the workroom, but it is an old day in this body.
01:46I am fucking sore, girl.
01:49Damn.
01:49I am withering away.
01:53Can we just talk about how sore our bodies are?
01:56We were throwing our bodies in every single direction.
02:00Need a knee replacement.
02:01Y'all, this competition, the twists and turns from the beginning.
02:04Now we're back to the regular judging.
02:06There's no more relying on that beaver, honey.
02:08It's stop relying on that beaver.
02:14All in Canada.
02:16She had already been here at her.
02:19My busy beaver.
02:20If losing is the new winning, then there's still time to flop your way to the top.
02:27Now, if you take a fall, get back up.
02:29That's right.
02:30She's not going to eat.
02:30But if you don't believe me, just ask Brooklyn.
02:34But don't tell her I said that.
02:35Shady.
02:38Shady, bitch.
02:39Hello.
02:40Hi.
02:42I'm in need of some smooth operators to work my switchboard.
02:46Any takers?
02:47Because in today's mini challenge, brought to you by our friends at Trojan,
02:51you will host a late night call-in show called Just a Tip.
02:58After getting into TV host quick drag,
03:00you will go on air and take caller questions about sex and relationships.
03:04This is going to be fun.
03:06Be informative, approachable, and entertaining.
03:09Painting.
03:09Are you ready to have fun and bear it all?
03:11Oh, yeah.
03:12Ready, sex, go!
03:17Oh, my gosh.
03:1820 minutes, y'all.
03:19Girl, with this quick drag makeup, it's going to look like I just came back from the hookup.
03:24Look, y'all.
03:25If I can douche in five minutes, I can do anything.
03:30Hi, handsome lady.
03:32Hello, Belinda.
03:33Are you excited?
03:34This is my jam.
03:35Have you ever worked with a teleprompter?
03:37No.
03:38So this will be a first.
03:40So as you know, this is a sex and relationship call-in show.
03:43We're here to be informative and helpful.
03:45This is your camera number one.
03:47Okay.
03:47This is your camera number two.
03:49You're going to have to switch back between the two of them.
03:51Okay, here we go.
03:52In three.
03:52Good evening.
03:56Welcome to Just a Tip, the call-in show where I answer all of your questions about sex and relationships.
04:03I'm Nia Renov, and I am your host of Just the Tip.
04:08What is this?
04:09Sorry.
04:10And the lines are now open.
04:14What?
04:15What?
04:16The calling lines.
04:17Okay.
04:18Do I pick up a phone?
04:19And here is our first caller.
04:22Sometimes I get too excited in the bedroom, and things finish a little early.
04:28How do I stop my rocket from launching too quickly?
04:30We want to slow our roll.
04:33This is all about a slow burn.
04:34This is not a lip sync for your life, honey, okay?
04:36Think of your grandfather.
04:38Naked.
04:39You want to walk on that edge.
04:41And right before that rocket is about to launch, just pull back.
04:45Say, I need a minute.
04:47Take a sip of water.
04:47Maybe, like, suck on each other's toes or something.
04:51Like, when in doubt, rub one out.
04:53What does that mean?
04:54Master bae before you go on your date.
04:57Thanks, Teddy.
04:59Looks like our next caller is on the line.
05:06And it looks like our next caller is on the line.
05:09Hi, Saeban.
05:10How you doing, Saeban?
05:12Soyban.
05:13What can I help you with?
05:14Hey, I'm about to leave on a trip down south, and I plan on having a lot of sex.
05:18What can I do to protect myself from STI?
05:21Oh.
05:21Well, you know what?
05:23Protecting yourself is always number one priority.
05:26Condoms are our friends.
05:29Spread love, but not STD, honey.
05:32Thank you, Saeban.
05:33That reminds me of the sex advice my grandmother gave me.
05:37She said that to have good sex, you just gotta smile through it.
05:42Just do it.
05:44Just give her.
05:46Thanks, Grandma Cunt.
05:47You're the best.
05:49So let's turn up the heat.
05:51Apparently, our next caller has a spicy question.
05:54I'll have some spicy.
05:56I might have some water before this spicy question.
05:59Oh, I thought it was coffee's water.
06:02Hi, I'm wondering if it's safe for my sugar daddy to put hot sauce in my pussy.
06:09If that's your tea, fucking drink it.
06:12I don't know if that's the smartest choice.
06:14I have IBS, so like, even putting hot sauce, like, in my tummy makes my pussy feel not correct.
06:24Caller, I forgot your name, but thank you.
06:27We have another caller on the line.
06:31How can I sexually help you out today?
06:34I've never bottomed before, but I'm very curious about it.
06:37Will it make me any less of a man?
06:39The answer is no.
06:41Bottoming is for everyone.
06:43Man, woman, non-binary, trans, bottomer top.
06:47Why does it matter?
06:48Have fun with it.
06:49Bottoming is not a de-manualizing thing.
06:53I don't even know if that's a word.
06:54Happy bottoming.
06:56You are a man.
06:59Oh, my God.
07:01Bells!
07:02You know what that sound means?
07:03It's time for my activity tip of the day.
07:06And today I'm telling you the number one sex position you've never heard of.
07:11Chicken position.
07:13Spread your wings, spread your legs, everything.
07:15It looks a little something like this.
07:17Huh?
07:18Huh?
07:18Just ride that dick like you're laying eggs.
07:21Back and forth.
07:22Back and forth.
07:24Just ride it.
07:28Thank you so much.
07:30It's time to wrap it up.
07:31No, seriously.
07:32Wrap it up.
07:33And remember, lead with your tits and not your heart.
07:37Camera one.
07:38Oh, good night.
07:40Thank you for joining me.
07:41It's Venus.
07:42With a penis.
07:42Queens, you had those lines ringing off the hook.
07:49But one of you really made me want to pay per minute.
07:53Oh.
07:54The winner of today's mini challenge is...
07:59Venus.
08:00Oh, my God.
08:03It's fitting.
08:04I am the goddess of love after all.
08:06You have won $2,000 and $500 worth of pleasure products from Trojan.
08:12Oh, girl.
08:13I'm going to use that up in a week.
08:16Queens, we are edging closer to that crown.
08:19And I'm sure you all feel inches away from grasping it.
08:23But the sad truth is, five of you will lose.
08:26But I am living proof that a queen can turn a major loss into a major yes!
08:32Yes!
08:32Yes!
08:33And in today's maxi challenge, you will tell my tale.
08:37And Drags to Riches, the unauthorized Brooklyn Heights musical Spectacular.
08:47We're doing a Rusical!
08:49This is my moment to shine.
08:50I am a Rusical theater queen.
08:52You will each play me at a different time in my illustrious life.
08:55Later, you will meet with the incomparable Hollywood Jade to learn your choreo.
09:01Yes!
09:01I will leave it to you to divvy up the numbers as a group.
09:06Racers, start your engines.
09:08And may the best Brooklyn win!
09:11Oh!
09:11Yes!
09:13Yes!
09:15From Drags to Riches.
09:18Let's have a listen to this.
09:19Yes!
09:20So excited!
09:21We are doing the Rusical and it's all about Brooklyn Heights life from a seven-year-old kid to up to now.
09:31Okay, song one.
09:34Young Brooklyn in the style of musical theater.
09:36That is my first choice.
09:38I want the ingenue.
09:39How many want the opening song as your first choice?
09:42It's just like a very campy and whimsical kind of performance.
09:46So it makes sense for me.
09:48Should we have an audition up?
09:49Why not?
09:51So here I am at this point, the oldest queen in this competition, and I'm going for the youngest role.
09:59I don't know what I'll be famous for yet.
10:02Maybe it struck the runway.
10:03I'm not putting a lot of energy into this because, quite frankly, I'm aware that I can do anything.
10:09Melinda is taking this very seriously.
10:15Bitch, this is a fucking audition.
10:17I'm going to give it my all.
10:18This role is mine.
10:20Give it to me.
10:22We have made some decisions.
10:24She was giving the give.
10:26Well, I mean, we're sitting on a couch with headphones in.
10:28But based on what we just delivered now.
10:31I'm going to throw my vote to Melinda.
10:32Same here.
10:33It was giving.
10:34Thanks, ladies.
10:34Thank you so much.
10:35Song number two, The Sugar Bum Fairy Ballet.
10:38Brooklyn is a ballerina with impeccable technique.
10:40Note, this number has challenging choreography.
10:43I think I'd be happy to take that.
10:44Taking on the ballet role is definitely a risk.
10:47It can go really good if I stand out and get the job done.
10:51But it can also go really bad.
10:53First choice would be Madame Butterfaces' Lament for opera.
10:57Or do you want more show cabaret?
10:59Same here.
11:01I'm very drawn to the opera.
11:03It's very dramatic, theatrical, and that's me.
11:06But the cabaret definitely will challenge me to step out of my comfort zone.
11:11Do you want the opera?
11:12I really do.
11:13Okay, I'm just going to go with number three.
11:15Do you want more show cabaret?
11:16I want to show the judges what else I can offer in this competition.
11:21I feel like it would have been safer for her to just say,
11:24no, I'm going to do the opera because that's what I'm good at.
11:27But Venus and Kiki want to switch it up and do something different.
11:31Good luck.
11:33Brooklyn on RuPaul's Drag Race in the style of pop star.
11:36This is also challenging choreography.
11:37I'm absolutely not doing that one.
11:39The one that's called, I'm going to win drag race.
11:41No one wants to do the pop star one.
11:44We're all looking at Neera like, girl, please take this for us.
11:47And if anyone can do it, it is her.
11:49You are like that pop girl and the lip sync assassin of the season.
11:53The group wants me to take the highly difficult choreographed number of the pop star.
11:59So let's fucking do it.
12:01Do you really want to challenge yourself?
12:03Or do you want to do something you know you're going to be good at?
12:07But then where's denim going?
12:08Brooklyn, the judge.
12:09In the style of gospel.
12:11Hallelujah.
12:12I would be more comfortable with song number one.
12:15But I can make it work.
12:18So do we have our cast?
12:20Yes!
12:21Yes!
12:21Yes!
12:22Yes!
12:22Yes!
12:22Yes!
12:23Yes!
12:23Yes!
12:24Yes!
12:24Yes!
12:25Yes!
12:25Yes!
12:26Yes!
12:26Yes!
12:27Yes!
12:27Yes!
12:28Yes!
12:28Yes!
12:29Yes!
12:30Yes!
12:31Yes!
12:32Yes!
12:33Yes!
12:34Yes!
12:35Yes!
12:36Yes!
12:37Yes!
12:37Yes!
12:38Yes!
12:38Yes!
12:38Yes!
12:38makeup. I can relate to this. Everybody can relate. All of us went through this thing.
12:43We all got to start somewhere. I borrow skirt and bra for my friend and I bought a $20
12:47heels and call it a day. That was the first time I did drag. It's just a lot of pressure
12:52because I'm like playing Brook now. Brooklyn is literally like drag perfection. So trying
13:00to reenact that is kind of a huge risk. The entire season I've been like campy in my performance
13:06and like this could be a moment to just be like glam and like a superstar. Yeah. I think
13:12you're going to kill it. Salud showstoppers. Is everyone excited to play me? Yeah. The role
13:19of a lifetime. Oh, choreography has started already. Hello, Miss Brooklyn. Hi. Hi. Who
13:27are we playing? So I have, I don't know what I'll be famous for yet, which is the musical
13:32theater style. I didn't think you would choose that role. You never cease to surprise me. What
13:37do you think you will bring to this role? Of course there will be the high energy. I also intend to
13:41bring a little bit more of the dance technique that I actually have. And how about you Aurora? I am
13:46professional ballet dancer, the sugar bum fairy, Brooklyn. Now I know you have a musical theater
13:51background. Do you have any ballet training? I've never actually taken a dance class before. I learned
13:56dancing through just taking choreography, whatever people throw at me. Dance, especially ballet, is all
14:01about the line. Like you never want to have a flexed foot. Just being long and lyrical,
14:07being sensual, while being stupid. I'm going to take those notes and I'm going to practice my
14:11padded ass off. Chassé away. Hello, hello. What roles did you get? I got the cabaret. I want to
14:18show, you know, having fun and camp. Now I know you're very mother and you're very, oh, the house of
14:25co. But this is an opportunity for you to show us young, fresh excitement. There's definitely
14:30pressure for me this week. I already been in the bottom three times. But hey, I'm a fighter
14:35and I work good under pressure. I got the pop star. Okay. Obviously, I feel like a little
14:41typecasted for this because of last week and what I was able to do. So how did it land on this?
14:46Others wanted other things. So there were some disagreements. A good challenge for you is because
14:51you lip synced so much last week successfully. Yes. Is to figure out how to switch it up a little bit.
14:55You want to see different sides of everybody. I think that's what keeps this competition really,
14:58really interesting. I am going to shine and I am going to... I don't know what I'm going to do,
15:06but I'm going to fucking do it. Hello. Hi. What roles are we doing? I chose the self-proclaimed
15:13queen of the north. Oh. So you're bringing it home for us. I guess so. You're the finale.
15:20That's a lot of pressure. I honestly think it'll be an opportunity to kind of like show a different
15:24side of myself. I think it's all about confidence and power. My gospel is just fun and big and over
15:29the top and joyful. You want to try to be getting us on our feet and clapping along and just bring
15:33every little ounce of energy that tiny body has in it. One of the biggest things that I haven't
15:39shown the judges enough of is confidence. Like, I just want to step on stage and have it exude out
15:46of me. And how about you, Venus? I am giving you up. Oh, the drop. You're very emotive with your face.
15:52You definitely went to the Kendall gender school of facial lip-syncing choreography.
15:58But I want to caution you with that. Like, you have to watch because sometimes I can get a lot.
16:01You can still emote without being like, like you're going to swallow the microphone. Learn when to tone
16:05it back a little bit. And again, it's all about levels. So this could be risky. A park and bar
16:09can go very good or very bad. There's a little bit of pressure, but I like that feeling.
16:16Can't wait to become you. Yes. It gives me more drive to really knock this out of the park.
16:22Racers, listen up. Tomorrow on the runway, category is always a bridesmaid.
16:30And make sure to countess your blessings because joining us on the judging panel is Real Housewives
16:38Icon, Luanne de la Sep.
16:40Oh my God. Oh my God. Y'all. This woman is the top. I'm like a Real Housewives super fan.
16:50Like, I am shocked at it. Good luck and don't fuck it up. I'll see you tomorrow.
16:59Oh, here. Hello. I'm going to recognize you and I.
17:04Y'all thought she was going to be the only one with inches this season.
17:07We're already gay. Well, cuckoo, bonsoir. I'm Hollywood Jade.
17:10This is Jessie, my assistant. Hi, Jessie. Hi.
17:12Hi, Jessie. She's in her ballet shoot and she's ready.
17:14Got my point. I am starting with you.
17:16Brooklyn is a trained ballerina.
17:18If I don't give clean ballet dance moves, I could be in the bottom.
17:22This is about Brooklyn. Rumor has it that she was a little loosey-goosey when she was a ballerina.
17:27So we're going to bring in some accoutrements. Gentlemen.
17:34You're welcome.
17:35I'm down for this. Oh my God.
17:37I haven't been around a man in weeks.
17:42How are you with being lifted?
17:43Please do.
17:44Down. Up.
17:46And then straddle Eduardo.
17:47This is my moment to stand out.
17:49And if it takes taking harder choreo, I'm going to do it because I'm gunning for that win.
17:53Lean forward.
17:54Three.
17:57Two.
17:58One.
18:00Woo!
18:01Yes!
18:02I'm flying, Jack!
18:05So you will be our musical theatre queen.
18:07Yes.
18:08There's a ballet element in this as well, being the only boy in ballet class.
18:14Out.
18:15In.
18:16Out.
18:17In.
18:18Out.
18:19In.
18:20So you really want to find the grace in this.
18:21Here we go.
18:22One.
18:23Two.
18:24Three.
18:25Four.
18:26Five.
18:27Six.
18:28Seven.
18:29Eight.
18:30I'm not getting the fucking counts.
18:31One.
18:32Two.
18:33Three.
18:34Four.
18:35Five.
18:36Six.
18:37Seven.
18:38Eight.
18:39Find the beat, girl.
18:40Find your rhythm.
18:41One.
18:42Two.
18:43Three.
18:44Uh-uh.
18:45Sorry, sorry.
18:46Front first.
18:47This is the K-era.
18:48Part of the energy of this track is it's very Fosse inspired.
18:50So we want to make sure that we're creating these lines and these pictures with our body.
18:54Okay.
18:55So you get props, honey.
18:56Props?
18:57You want to keep these canes way tight.
18:58Okay.
18:59Okay.
19:00One.
19:01Aha.
19:02Two.
19:03Aha.
19:04Turn.
19:05And then the cane is going to go to the ground.
19:06That's why this leg is popped and this leg is stretched.
19:07Okay.
19:08This is the picture.
19:09Kick.
19:10One.
19:11Two.
19:12Three.
19:13Four.
19:14Five.
19:15Six.
19:16Seven.
19:17Eight.
19:18Straight out the gate.
19:19She's in trouble.
19:20This one is really about hitting that ca-cah.
19:21You know, this is cabaret.
19:22You need to make it look effortless.
19:23Remember, Fosse.
19:24Jazz.
19:25Jazz.
19:26I just need to practice, practice, practice until I get it perfect.
19:30The version of Brooklyn that you're playing is Drag Race Brooklyn and had one of the most
19:37iconic runway moments and that lip sync was nasty.
19:41One.
19:42Two.
19:43Three.
19:44Four.
19:45Five.
19:46Three.
19:47Four.
19:48Four.
19:49Four.
19:50Four.
19:51Four.
19:52Four.
19:53Four.
19:54Four.
19:55Four.
19:56Four.
19:57Four.
19:58Four.
19:59Four.
20:00Four.
20:01Four.
20:02Four.
20:03Four.
20:04Four.
20:05Four.
20:06Four.
20:07Four.
20:08Four.
20:09Four.
20:10Four.
20:11Four.
20:12Four.
20:13Four.
20:14Four.
20:15Four.
20:16we are going to transition into our operatic moment this number is less about five six seven
20:25eight and it's really about performance the big thing for me here is really working on my face
20:30and not doing too much not being like immediately i saw you feel like the need to move opera is
20:37really supposed to be about the voice they can't be doing too much right so really focusing on
20:42internalizing the lyrics so that a lot of it is is here my dreams have sashayed away
20:51and last but certainly not least do you dance i have dance training but like slow on learning
20:59choreo i know i'm taking a big risk because who would ever picture denim doing a gospel number
21:05but i really need a win so i'm hoping it pays off and one two and three try it bye
21:12it's okay and one two and three four five hit first
21:16denim is struggling with the choreography a little bit last week i saved denim maybe i saved them so
21:24they can take themselves out in in white wall change take one step over for me own center honey
21:30thank you there we go this is your moment to shine
21:34i am trana festing that i pick up this choreo right now the spotlight will be on me and i really
21:41have to bring that energy i need you guys to deliver this we cannot let this be bad for brooklyn
21:48who will be sitting there judging you yeah okay good luck
21:50it's elimination day and we are here to serve a big production a rusical
21:59okay but did we have fun during that mini challenge girls yeah i felt myself let loose
22:13she's loose she's loose well the thing is like in my like everyday life i'm not very like sexually
22:20active i definitely feel a lot of pressure as a drag performer because like aurora is very hyper
22:25feminine and hypersexual out of drag i feel like i'm a little more reserved i don't come off as you
22:31know super sexual hookups in general it's not something i do normally i am very sexually active
22:37me and my husband have sex at least once a day i love that and it just strengthened your
22:43relationship for me anyway when you have that comfort that you're skin to skin with a partner
22:48that you love you know it's very cheesy to say but it's i would call it very magical i'm very sex
22:54positive there's two types of people in the world sluts and not sluts and i am a slut i've really tasted
23:01the rainbow i'm like i don't know how i can just have one sexual partner like i find that really
23:09hard to wrap my head around this notion of monogamy is a construct like why restrict yourself to just
23:14one partner when you can express yourself emotionally mentally and physically with other people y'all
23:19have seen my fiance why would i want to share that you know i mean girl jealous personally i've like
23:25found my person and like i'm living my monogamous life well confession denim i used to have a crush on
23:31you oh my god like like two years ago so honestly kind of a full circle moment that we're here i love
23:40that for us dearly beloved we are gathered here on the main stage of canada's drag race
23:48he's my something old it's bradley goreski what's your something new brooke your face no my virginity
23:56and she's my sister wife tracy melchor tracy do you vow that we'll be together forever and always
24:06brooke in sickening and in hell and it's miss chic c'est la vie herself the countess louanne
24:13delicep c'est bon c'est bon brooke oh i got a couple say bones here for you daddy
24:18this week we challenge our queens to bring their broadway north best
24:23in a musical memoir about yours truly racers start your engines and may the best drag queen
24:30win and now the world premiere of from drags to riches the year is 1997 and baby gaby brooke ho
24:44is different from the other boys how well you'll see what will i be whatever it is you can bet
24:54i'll be famous for it i'm just not sure what that is yet
25:00maybe you see me up on a movie screen or a broadway stage eight times a week we're hitting high notes on my
25:12clarinet i don't know what i'll be famous for yet maybe i'll strike the runways in paris france
25:18marry a royal the next large the prince traveling explosively on private jets i don't know what i'll be famous for yet
25:27oh how high will i fly how many guys on your chips will i get forget triple i'm a credible vet
25:35and i'm just not sure what i'll be famous by yet
25:39the adults say i have too much sass and i'm the only boy in ballet class
25:47who cares what the other kids say when i'm a star i'll be free to be
25:54gay
25:55did you go in my closet again no mom i did
26:00all those plies paid off twinkle toes landed a job as a professional dancer
26:09as she toured the world she spread her talent
26:12and much much more
26:14oh
26:26oh
26:29oh my god
26:43oh my god
26:57oh
26:59oh
27:00oh
27:13oh
27:14As well!
27:30So fun!
27:35After growing too old to dance professionally,
27:37our heroine traded her dancing shoes for hand-me-down heels.
27:41Armed only with a dream and a strong case of delusion,
27:45Brooklyn Heights was born.
27:49Sorry I'm late.
27:50Queens stole my wheels.
27:53They see you slip just parouette.
27:56Who wants to buy me a drink?
27:58The newest queen in the House of Heights.
28:02My clothes might be frumpy.
28:05Don't touch my hip pads.
28:07They're lumpy.
28:08My mother's dress might shake and go.
28:12All right, I'm done.
28:13Or, do you want more show?
28:16Spotlight on me.
28:19I accept bills or toonies or loonies.
28:22I can do campy or vampy or trampy or even family friendly.
28:26Book me for your next holiday party.
28:28Do you want more show?
28:29Woo, they are eating this off.
28:34Yeah, wait till they get a load of this.
28:38Do you want more show?
28:40You're gonna see my name in lights.
28:43There's not too much light until I fix this mug.
28:45I'm a star on Brooklyn Heights.
28:49Do you, do you, maybe not you, sir.
28:52Want more show?
28:54Oh, fine, I'll do it.
28:59Or not.
29:04And fix her mug she did.
29:06Our Canadian queen was soaring to new heights.
29:10She was off to Hollywood to compete on RuPaul's Drag Race.
29:15Finally, fame was within reach.
29:18Pageant queen on the scene, columnist Continental.
29:21Can up on Drag Race, ain't this monumental.
29:24Had some moments in the showmas, but it ain't sentimental.
29:27I came for one thing, one thing.
29:30Reading pictures in the library.
29:33Showing stitches, having a fall.
29:36Back in maxi challenge with count on one, two, three.
29:39Sorry, I'm not sorry at all.
29:41I'm gonna win Drag Race, Drag Race.
29:45I'm starting down the road where we start.
29:47I'm gonna win Drag Race, Drag Race.
29:51A hundred thousand reasons to smile.
29:53I can feel the tension, nobody has to mention, my sweetie, Dionne.
29:59Hello, how are you?
30:00So I can feel where I feel, gotta make a roost.
30:03Devil's will take, I ain't going home.
30:05Gonna win Drag Race.
30:08It's time for the grand finale.
30:11Gonna win Drag Race, Drag Race.
30:14Who else could it possibly be?
30:18The winner of RuPaul's Drag Race is...
30:21Evie Hauntley!
30:34Gutted, scorned, and embarrassed, Brooklyn mourned the loss of the crown.
30:39Everything she felt entitled to had been taken from her.
30:43What was left of our fallen star?
30:46Gutted, I just lost drag race.
30:54O there, who said, ran her up.
31:01I was on the edge of glory.
31:09Gutted, I was on the edge of the crown.
31:10But now, my dreams have sashayed away.
31:20Was I too beautiful, or too stunning?
31:26I bid you goodbye, cash prize.
31:34I bid you goodbye, sister.
31:39Gutted, I bid you goodbye, sister.
31:52Hello?
31:53Ru?
31:54Is this about all-stars?
31:56I'm not sure if my face will heal before then.
31:59Oh.
32:00Oh!
32:01Say no more, Ru.
32:03I'm going back to Canada.
32:04We all know the saying, if you can't crown yourself, how the hell are you going to crown somebody else?
32:14And thus, Brooke proclaimed herself the Queen of the North.
32:19Long may she reign.
32:23What will I be?
32:25Brooklyn, here you are.
32:28Famous, finally, a bona fide TV star.
32:34From drags to riches, the self-proclaimed Queen of the North.
32:40Bitches, no more thread and needles, no more cats and jeans.
32:43That's what the designers are for.
32:46Now everyone's screaming my name.
32:49Make room for my big hands on the walk of fame.
32:53Your glory is a moth and I'm a flame.
32:55What more can a queen ask for?
32:58Oh, what a blessing in disguise.
33:01My star is on the rise.
33:04One day I'll bump into Celine and finally I apologize.
33:09That's all I am.
33:10Feeling blessed from head to potted hips.
33:13Didn't need all stars to get these all-star lips.
33:17The first two-girls judge.
33:18Hey, may you see this?
33:20Keep them proud.
33:20I've got a new show.
33:23Bitch, I'm on point.
33:24Like it literally.
33:25I'm a lip sync assassin with a legacy.
33:28I've got a choice to my resume.
33:32Now I'll never pay my own piece again.
33:35Cause the queen of the north bitches is Brooklyn Heights.
33:40Yeah, the queen of the north bitches.
33:43I have to stand up for that.
34:12Commence, shake, down.
34:17Category is Always a Bridesmaid.
34:21First up, Melinda Verga.
34:24This is Laurel.
34:25She has best friends with the bride.
34:28Oh, that's where all our rose buds went.
34:30Laurel is here and she is messy.
34:33She's put on some extra blush for you to know that she is a hot-blooded woman.
34:37Lock your husbands up.
34:39Your brothers, your sons, your uncles, your granddaddies.
34:43Laurel is here and she's ready to partay.
34:46It's a nice day for a red wedding.
34:48Yeah.
34:50Aurora Matrix.
34:51I am giving you corpse bridesmaid realness.
34:55It's giving ooky.
34:56It's giving spooky.
34:57It's giving kooky.
34:58Ramona, is that you?
35:00Oh, damn.
35:02I have a bouquet of flowers and wedding invitations.
35:05She died a bridesmaid and she's forever haunted by a wedding invitations past.
35:11But don't worry.
35:12This ghost is ready to snatch up a ghosty man when she can.
35:16You go, ghoul.
35:18Kiki Co.
35:19I'm giving you an old grandma.
35:23Never been married.
35:24Always been a bridesmaid.
35:25And bitch, she is not mad about it because she always have fun.
35:29She is giving you couture.
35:32This is basically me.
35:33Kiki at 65.
35:35Here we come.
35:36She's ready to get fingered.
35:38What?
35:39What?
35:39Oh.
35:39She is ready to get ring-fingered.
35:43Oh.
35:44It's very different.
35:45She's ready to get fingered.
35:47I'm like, get fingered?
35:49She looks like she's fingered.
35:51I wonder why she's fucking fingered.
35:56And now, near enough.
35:58Always a bridesmaid.
36:01Better call parasol.
36:03That's funny.
36:05This, in the 80s, was high fashion.
36:08Okay?
36:09We have got a hoop skirt.
36:11We have got a hat.
36:13And I am looking like a Georgia fucking peach walking down this runway.
36:17I do declare.
36:19Venus.
36:20I am serving you pedal pusher realness.
36:23You better get your allergy medicine ready because, girl, you're going to be sneezing around this chick.
36:28She's not the flower girl.
36:30She is the flower girl.
36:33She has caught the bouquet so many times that she has become the bouquet.
36:38And the single tear on my face is keeping this garden alive.
36:42She has blossomed.
36:43She has bloomed.
36:44Patti LaPetal.
36:45Patti LaPetal?
36:46Did you just come up with that one?
36:48Yeah.
36:48You better fucking work.
36:49And finally, denim.
36:51She's wearing all the garters that she collected from all of her ex-boyfriends in hopes that the next time would be her special day.
36:58But all of her relationships have failed because she's a bitch with trust issues.
37:04Garter?
37:04I hardly know her.
37:05I'm giving them, like, a femme moment, which is something I haven't really done yet.
37:11I feel like the judges will appreciate it.
37:13Come on.
37:13Come on.
37:14Come on.
37:16Welcome, queens.
37:18It is time for the judges' critiques.
37:21But before we get into that, I just have to say what a fantastic job each and every one of you did in the musical.
37:27You fucking rocked that.
37:28Good job.
37:30First up, Belinda Burger.
37:33The oldest girl in the competition playing the youngest, Brooklyn Heights, which is a risk, and it paid off for you.
37:41Have you ever seen the movie Whatever Happened to Baby Jane?
37:44Yes.
37:44Yeah.
37:44Yeah, you were giving me very Betty Davis.
37:46Yes.
37:47The characterization was there, and that musical theater energy you definitely had.
37:52Part cheese ball, part showstopper.
37:56You just have so much good energy.
37:58I can see why you wanted to open the show, because that's not an easy place to be in, right?
38:02I was like, in.
38:03You got me in.
38:04Your makeup tonight, I love all the color in your face, the blush, because it really warms your face up.
38:09And your look tonight, I think, is right on the money.
38:12This is very stupid 80s bridesmaids, which I love.
38:15But we're getting to the point in the competition where we need to see more.
38:18It's only going to get tougher.
38:19Thank you, Melinda.
38:20Thank you so much.
38:21Next up, Aurora Matrix.
38:23First of all, I had no idea I was such a slut, so thank you for reminding me.
38:27I must say, your choreography was on point.
38:31You took on a role that was definitely a risk.
38:34Dipping your toe, pardon the pun, into ballet is challenging, especially when you're sitting in front of the prima ballerina herself.
38:43Ballet is very unforgiving, and it's not something you can learn in five seconds.
38:47But I thought you did a really great job.
38:49The upper body, the carriage, the lifts and everything, everything was very seamless.
38:53Elegance is learned, my friend.
38:55You really made me laugh.
38:56It was so much fun to watch.
38:58And this look tonight, it's to die for.
39:00Tracy.
39:02Tracy, you silly cat.
39:03Up next, Kiki Coe.
39:05You really gave us that cabaret razzle-dazzle.
39:08Some jazz hats, bossy fingers.
39:10The choreography, you know, you had a few little hiccups.
39:13The hats and, you know, some of the dance moves.
39:15It was rickety, the wheels fell off the track a little bit, but you just kept on going, and I appreciate that.
39:21I can totally, you know, relate to the hat falling off, whatever, but listen, that's nothing.
39:26I had somebody who actually bombed on me at one of my cabaret shows.
39:28We saw the video.
39:30You saw the video, so seriously.
39:32And you know what I did?
39:33I just wiped it off and said, somebody get that lady a napkin and keep it moving.
39:36You brought it, you look gorgeous and glamorous, and half the time, that's all that really matters.
39:42I love this look.
39:43It's so beautiful.
39:44It's the perfect length.
39:46I love the short glove and the long glove and the dappling of beading.
39:50Even you in grandma makeup is still beautiful.
39:54Next up, near enough.
39:56You look beautiful.
39:57Thank you so much.
39:58And because, you know, we match, then it's just like, I'm obsessed.
40:01I think I actually saw myself as a performer the most in you.
40:06You have a magnetic force field around you that just kind of, like, bounces off the walls when you're performing.
40:13The cartwheel is pretty fierce.
40:15You brought the vim and the vinegar.
40:18Very dynamic and sexy and sensual.
40:21My only note would be we got that same energy from last week's lip sync.
40:26I would have loved to have seen you do something else.
40:28I think in the future, just don't be afraid to fight for the things that you want.
40:32Because I know you didn't particularly want this part.
40:34It was just kind of like, well, I guess I got to do it.
40:35But this is a competition, girl.
40:37Up next, Venus.
40:38I love this Dior couture meets, like, Valentino meets, like, Victor and Rolf Moschino.
40:45You are just blooming.
40:46Oh, yeah, that rose bud you gave me.
40:48It's grown.
40:48It's grown.
40:49I put it in my garden.
40:50I love that.
40:51Hi, Venus.
40:54First of all, this runway look is just off the hook.
40:56You're giving me Tinsley Mortimer vibes right now, right?
40:58Right?
40:59She's, like, with the big flowers and, you know, very Palm Beachy.
41:02Yes.
41:03High praise.
41:04You're cool, not, like, all uncool.
41:06Thank you so much.
41:08You had a big role in the fact that you had very little choreography, so you had to depend
41:12a lot on serving face, giving us expression.
41:15I could see you had worked on controlling your facial expressions.
41:18You held back a little bit, but the right amount, but still very intense, and you gave
41:22a really riveting performance.
41:23Thank you, Brooklyn.
41:24Thank you, judges.
41:25It's denim.
41:26I love your drag.
41:28However your mind cooks things up when you get the brief of what is required of you,
41:32you put it through the denim blender and something always wonderful comes out.
41:37The fact that you took the garter, something that is kind of hidden and then thrown up,
41:41you know, much like the bouquet, and you're like, these are all the garters that I collected,
41:45because I'm always a bridesmaid.
41:46It's so clever.
41:47Denim as me doing gospel.
41:49There were times along the way where I thought, ooh, I'm not sure if you're feeling as confident
41:56as you needed to in the moment.
41:57I think where I really lost you was the end when everybody came out.
42:00That's when I really needed you to pop off, because I feel like you got swallowed up a
42:04little bit by everyone else.
42:05I could definitely see some stumbles, and I could see the wheels turning.
42:08That's kind of been a theme for you throughout this competition a little bit, and I'm just
42:12so excited for you to keep building that confidence and just realize that you can do anything
42:16you want.
42:17Sure, we had a faux pas, but, you know, we all have faux pas.
42:20What I love is the happy ending, and I love that you all came together in the end.
42:24That for me was very touching and heartfelt.
42:26What are you laughing at?
42:27We also love happy endings.
42:29Who doesn't love a happy ending, right?
42:32Thank you, queens.
42:33While you untuck in the workroom, the judges will deliberate.
42:37Finally, you may leave the stage.
42:42Pardon me, madam.
42:43Wide loads coming through.
42:46There's no safe queens this week.
42:48It's top or bottom, bitch.
42:50Who do we think tops and bottoms?
42:53How old that's going to land?
42:54I'm definitely in the bottom.
42:56Me too.
42:57Me and Jennifer again at the bottom.
42:59Oh my god.
42:59The judges critiques.
43:00I agree with everything that they said, and I'm aware, I'm self-aware that I screw up
43:06a little bit.
43:07If I have to lip sync till the end, just to get to the finale, I will.
43:11We're so close, and this is not the time to give up.
43:15I know I wasn't fully confident in it.
43:17I'm sad that I let that show through on stage.
43:20I don't necessarily regret the choice that I made to go with that character.
43:25There definitely were roles that would have made me feel more comfortable, but I wanted
43:30to push myself outside of my comfort zone.
43:32The four of you, I don't know who's the other bottom.
43:35Based on all of our performance critiques, we all did such a good job, but then they might
43:38turn to the runway.
43:40They did make a comment about Melinda's outfit, about, you know, we're like almost at the
43:45finish line here, so it could come down to that.
43:48I actually thought that I am very close to the top.
43:52They were blown away by my Broadway performance, and Brooklyn did say, you've been nailing the
43:57challenges, but it's the challenges, my performances that are carrying my runways.
44:02To that note, I heard that, I got that.
44:06When it comes to Neera, there was a little bit of like, we wanted to see something else.
44:10But you did amazing.
44:11But you did amazing.
44:12I don't wish that I fought for a different role, to be completely honest.
44:15It's a competition, so do what you do well.
44:17And I did well.
44:19This close to the crown, now is the time to be taking risks and showing something new
44:23to make yourself stand out among the rest of the queens.
44:25All right, so just between us flower girls, what do we think?
44:31I did not expect this level of talent.
44:33It was really, really amazing.
44:34What did we think about Melinda Verga?
44:35That whole performance was very musical theater.
44:38It was just like silliness, but also very controlled.
44:41She's just fun to watch.
44:43Let me ask you this.
44:43What do you think about her looks?
44:45The fashion is very hit or miss for me.
44:47I kind of loved her outfit, because it just made me think of the good old bridesmaids days.
44:52Is that how your bridesmaids were dressed?
44:53Yes, exactly.
44:53She has that one thing money can't buy, and that's likability.
44:57I thought it was class.
44:58It can't buy you class or likability.
45:00You got that right, bro.
45:01Speaking of class, let's talk about Aurora Matrix.
45:04Yes.
45:04Ballet is not her strong suit, and she fooled me.
45:06She was just the right amount of ballet and naughty.
45:11Yes.
45:11When things together.
45:12If you can keep my attention while there are two very beautiful men oiled up.
45:18My eyes might have drifted once or twice, but for the most part, I was totally focused on her.
45:21For someone who's never done ballet before, she did such a good job.
45:25She had the grace and the elegance.
45:27Aurora is a star.
45:28The runway look was very cool.
45:30I like to see this little glimpse of the darkness.
45:33Kiki Ko.
45:34The way she came down that runway, a totally different energy for Kiki.
45:37I feel like I got more of a story from her runway look than I did from her performance.
45:41There were good moments, but there were also missed moments.
45:43She got the comedy moment of the spotlight, but then some of the other funny lyrics got
45:48kind of left behind.
45:49But even when the hat came off or the cane got kind of clunky, she could have turned that
45:53into a comedic moment.
45:54Exactly.
45:55That's what cabaret is all about.
45:56Taking possession of the stage and ownership and that kind of thing was kind of missing for
46:00me.
46:01I don't know if she was feeling Giovanni or not.
46:02She was not feeling Giovanni.
46:04I'll tell you this.
46:04She was close, but not near enough.
46:06Speaking of near enough.
46:10Near enough just sizzles.
46:12She nailed it.
46:13The problem is we basically just saw her do all of that last week, and now she took this
46:17part this week, and it just feels like very much more of the same.
46:20I thought the runway was a little bit different than what we've normally seen from Nira.
46:23A little bit more pulled back.
46:25Venus.
46:26Her runway look, it was just genius.
46:28The thing about Venus is she could just be a fashion queen.
46:31You know, turning beautiful looks, walking the runway, but she also takes the opportunities
46:36in the challenges to show us range.
46:39I think Venus is so glamorous.
46:41And she's funny.
46:42I mean, when she turned around, it went, ah, I was like, ah, I was like dying of love.
46:48You could tell there was a control and a restraint, which I think is so important.
46:51Do you remember what that's like?
46:52No.
46:52I lost my control and my restraint a long time ago.
46:54Yeah.
46:55Denim.
46:56Tonight's garter look, it was just really creative.
46:58It was really unique.
46:59You never see the same denim twice.
47:01If I'm being honest, her performance was probably the most forgettable of the Rusical.
47:06There were really nice moments, but the performance was clunky.
47:10I got to really respect the effort she puts in to push herself outside of her comfort zone.
47:14Denim has really let her garter down.
47:17But I think we've made our decision.
47:19Mm-hmm.
47:20Mm-hmm.
47:20Mm-hmm.
47:21Bring back our bridesmaids.
47:24Welcome back, queens.
47:26Based on the judges' critiques, we have made some decisions.
47:28Near enough.
47:32On the runway, you were a peach.
47:34And in the Rusical, your brook had a shook.
47:38Aurora Matrix.
47:39This look really pushed the envelope.
47:42And that ballet performance was on point.
47:45Venus.
47:46You blossomed this week.
47:47And your performance hit a high note.
47:53Aurora Matrix.
47:55Condragulation.
47:56Yay!
47:56Yay!
47:57You are the winner of this week's maxi challenge.
47:59Oh my gosh, thank you.
48:00You have won an all-inclusive trip for two to Curaçao.
48:04Courtesy of the Curaçao Tourist Board.
48:06Ooh.
48:08Time to get a tan.
48:09You may move to the back of the stage.
48:11Near enough.
48:12Venus.
48:12You are both safe.
48:14Great job.
48:15Melinda Verga, you are safe.
48:29Thank you, judges.
48:36Kiki, denim, I'm sorry, but this means you are both up for elimination.
48:40Two queens stand before us.
48:45Prior to tonight, you were asked to prepare a lip-sync performance of Seven Day Fool by Julie Black.
48:52This is your last chance to impress us and save yourselves from elimination.
48:57The time has come for you to lip-sync for your life.
49:08Good luck.
49:10And don't fuck it up.
49:13And on a Monday, I'm gonna love you.
49:23And on a Tuesday, I'm gonna hug you.
49:26And on a Wednesday, Thursday, Friday, Saturday, Sunday, gonna love you.
49:31I work for you, baby, work my hand to the bone.
49:36Care for you, baby, till you come home.
49:39Do for you, baby, for the love that I seek.
49:42Slay for you, baby, every day of the week.
49:45Down on a Monday.
49:47Let's hug your dirty floor.
49:49On a Tuesday.
49:50Do a whole lot more.
49:52On a Wednesday.
49:53I'll wash your dirty clothes.
49:55To have a little love for the weekend goes.
49:57I'll be seven Day Fool.
50:01I'll be seven Day Fool.
50:03I'll be seven Day Fool.
50:07Only because I really love you.
50:13On a Monday.
50:15Yeah, I'm gonna love you.
50:17Tuesday.
50:18Go on.
50:19August.
50:20Wednesday, Thursday, Friday, Friday, Sunday, Sunday.
50:23Yeah, give me a whole little love.
50:26And on the most day, scrub your dirty floor
50:29So far and dirty, do a whole lot more
50:32So far and dirty, wash your dirty clothes
50:35To have a little love before the weekend goes
50:38But I'll be a seven-day fool
50:41Only because I really love you
50:45I'm just a seven-day fool
50:49I really love you
50:52On the Monday, I'm gonna love you
50:57On the Tuesday, I'm gonna hug you
51:00On the Wednesday, Thursday, Friday, Saturday
51:03So I'm gonna love you
51:05Queens, we have made our decision
51:22Denim, Shantae, you stay
51:26Thank you, thank you so much
51:29Miss Coe, you are a drag legend
51:40Thanks for the kiki
51:42This is a dream come true, I love you all
51:44We love you too
51:45Now sashay away
51:47Thank you
51:48We love you, girl
51:49We love you, kiki
51:51Always remember, live your life with no regrets
51:55And keep kiki going
51:59Oh, well, well, well
52:05I am so, so, so, so proud of myself
52:09Because I've grown in here
52:11And that's why I came here to do
52:13Ice cream, you scream, we scream for kiki
52:17Yes!
52:20Congratulations!
52:22You live to slay another day
52:25The world has never needed the magic of drag more
52:28So remember, stay true, north, strong, and whoops!
52:33Yeah!
52:35Yes, now let the music cl-
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