- 3 months ago
Category
🎵
MusicTranscript
00:00Hey, everybody. Welcome. Here it is, the podcast version of Matt Connerton Unleashed. And it is
00:07November 11th, 2025. I'm used to doing this on Saturday morning, but we do occasionally do the
00:12podcast version when we have something special. And of course, if you are streaming the show live
00:17also, I should say happy Veterans Day. My father is a veteran, so I don't want to forget that. And
00:22of course, thank you to everyone who has served our country and Veterans Day, very, very important.
00:26And we have joining us today right now, it is a little bit before 6 p.m. in the Eastern Time
00:32Zone. And Eddie Singh is with us live on the podcast. Hello, Eddie.
00:37Hi, how are you doing, Matt?
00:39Very well. I'm excited to talk to you. As you know, we talked the other day and I was dying to have you
00:45on the show because, well, I guess we should start with what you're doing currently, right? And maybe
00:51we can kind of work our way backwards a little bit, but you've got this great new release. And
00:56let me get this. This picture is so cool, too, this album artwork. Of course, it's American Split,
01:03but it's actually American Split AI is officially the name of the album, right?
01:08Correct. Correct. Because the original, I had an original album two years ago that was released on
01:13January 6, 2023 with intention for the date, you know, symbolic intention. And yeah, I've remade the
01:24album using AI tools and I'm really pleased with the results. And it's really helped my vision come
01:33alive for all the songs. So part of what is so interesting about this, well, there's many things
01:38that are interesting to me about it. And the album is great. So the original album is great and you
01:44can hear it on the website, excuse me, but the AI version is even better. And to me, it was kind of
01:53interesting to sort of compare and contrast the two because I actually heard the new version first
01:59because you had sent me the entire album, the AI version. And then I went back to the website and
02:04it was, for me, hearing the AI version first, it was almost like the original version. It's almost
02:11like hearing the demos of what the final product is. So the original versions obviously are a bit
02:19more raw in that sense, but I like them both. But one of the things that we discuss a lot on the
02:24program is AI and its impact on AI in all sorts of creative arts, but especially in music, it's really
02:32interesting to me and to our audience and a lot of our audience is people in the industry too. So
02:38it's something that directly affects everyone. But the things that you can do and what you've done,
02:44and we should be very clear about this for our audience too. It's not like, you know, you didn't
02:49just put a bunch of prompts in to Suno or something and create these songs. You made the songs first,
02:56but then you used AI to kind of change and enhance them. And I'm curious to know more about that
03:01process. It was the highlight of my life taking, making Americans split AI, but taking so many of
03:10my old songs that were just me and a guitar or me and a piano that I literally recorded on my phone
03:17and then use the tools. I did use Suno. So I'd feed it in, I'd feed in the lyrics. So, and then
03:25they have adjusters so you can make it sound more like you or less like you. Yeah. Mostly you have
03:31to type in precisely what you want. So whenever I write a song, I always hear the full version in my
03:40head. Yeah. This was just really just luxury that I now can, you know, have the ability to say,
03:49all right, I want a little extra percussion here. I want a walking baseline here. I want a female
03:54singer to do harmony on a specific section. And that's what I did with America's split AI.
04:01I fed the original album in, went song by song and spent hours and hours. I mean, it wasn't like,
04:07you know, I just pressed a button. Yeah. You can do that with Suno and it's, it's a great tool for that.
04:13But I really think with their, they now have a production studio where you can manipulate all
04:19the stems and, you know, really get to work at it. So I use that as well. And I was just really
04:28pleased with, and I recognize that, you know, AI is like, you know, it's kind of like the boogeyman
04:34for, for musicians and for performers now. And with good reason, I'm very into AI. I'm getting a phone
04:41call. Very into AI in general. And the whole, Eddie Singh grew out of an AI concept. He grew out of
04:54this game called Scaped Infronted, where Eddie Singh comes back from the future, as you can see from
05:01the picture, to save humanity from the Raybot spiders, who are an AI platform that is rewriting
05:10the internet. And this was, again, I mean, the album was a long time in the making. It came out
05:14in 2003, but I've been working on it for years. And so to actually see, like have the AI catch up
05:22to the storyline, it just seems like the perfect time to utilize those tools. The Raybot spiders are
05:29basically changing the internet and giving machines and bots credit for where,
05:36where humans used to have it. Like that's the storyline.
05:41That's interesting. Kind of changing history in a sense.
05:44Right.
05:45I'm fascinated too, by, you know, and I think I'd said this to you on the phone too. It's prophetic,
05:50right? You, you, because you, this originally 2003 is when you came up with this concept, right?
05:55Yeah. Oh, it was, it was back in the day. The truth is Eddie Singh is the mastermind. My,
06:01my real name is Brian Mannix and I used to be a teacher and I developed this game called
06:06Skabed Infrempted, which means create your future in Danish. And it was an alternate reality game for
06:13education. And it was played in like over 140 countries around the world. And I got, you know,
06:19some awards for some of the stuff I did with that. And it was really attached to like social studies
06:26and having the students go and check primary sources. So I like altered a bunch of sites and
06:32put up some fake stuff. And then we have clues. And hopefully in a couple of weeks, this is all
06:38going to be digital because the first album had the cover of it was, was the board game. And that
06:45led you into the ARG. And now it's just going to be like shazamming the songs and getting clues
06:52and challenges and stuff. Well, that's really cool. So this is whole sort of this sort of Eddie
06:57Singh universe. It's like, it's, it's pretty amazing. It has because I wrote, I made a video
07:03called the story of Eddie Singh probably about 10 years ago. And I, it is, it feels like most of the
07:12weird thing, you know, my brother said, my God, it's so, it's so odd. You know, he didn't understand
07:17it all. And now I feel like with the internet being half AI now, like it came true almost.
07:24Yeah. Yeah. And tell us about Eddie Singh. Tell us about the character of Eddie Singh,
07:29because as you mentioned, you know, you did reveal your, your true identity. But, but, but who,
07:35who is Eddie Singh? Eddie Singh is the character that I was able to create and step into. Eddie Singh is a
07:42lefty. I learned to play pool lefty, which was helpful and a little bit of hustling once in a
07:49while. But I, I really adopted this personality and, and stepped into it somewhat to take away my
07:57nerves and to just be like a Ziggy Stardust kind of character. Yeah. You know, I mean, Bono's done it,
08:03Lady Gaga's done it. And I wanted to create this persona who's the leader of the, you know,
08:10the resistance against the corruption is what we called it in the game by the Raybot Spiders.
08:16And the, the, the whole idea is that I leave and with the, with the game on the album, it's fun
08:22stuff. I mean, it's a lot of it's serious stuff, but a lot of it is just fun stuff where you get
08:28to share, you know, with someone that you love a video on Tik TOK, or you, you need to tell,
08:34tell someone that you had an argument that you're sorry or whatever it may be. There's literally
08:39like, I think it's like 600 different, uh, options within the album. Once, once the scanner
08:45thing is up and running. Oh, wow. Uh, we should mention too, uh, you've, you just got a really
08:51great, uh, article, uh, review and, uh, indie boulevard.com, uh, titled the groundbreaking AI
08:57remake of the debut album, American split by Eddie sing in the 31 days changes the game's rules.
09:03And, um, when I put this up on, uh, on YouTube after I'll drop a link, uh, to this, uh, to
09:08this article in there in the description, but really, really good. And, um, I mean, how do
09:14you feel, like, do you feel like a trailblazer? Do you feel like you're like, like, like, like,
09:19or the word groundbreaking, that's a lot to live up to. Right. But, but you are the first person
09:23I've encountered in the industry who has really done something this, this interesting and this
09:30sort of complex. Well, I appreciate that. Uh, I don't know if I'm the first, but, uh, you
09:36know, I've, I, I do think outside of the box, uh, I've always been a creative thinker and someone
09:42that, that isn't, uh, good with structures imposed on me as a teacher. I literally abolished
09:49grades, uh, at the school I was at after like a three-year process of doing the research and
09:54everything. And, uh, I wrote narratives for the students and focused on their skills and
09:59really, you know, I had like a one page thing that I would give to all the students
10:04getting so that they'd get to know, you know, the parents would get to know exactly what it
10:10meant to get like a 77, you know? And so we, we abolished it, but with Eddie saying, yeah,
10:16I do, I feel like it is a little cutting edge. I mean, the Indie Boulevard article was overwhelming,
10:22to be honest, Reed. Uh, they, there were so many quotes in there where I was like, wow, uh,
10:28this is, you know, I was humbled and, uh, I'm excited. Yeah. I think, I think it is a new
10:34frontier. I think AI is a tool. Um, and it depends how you use it. Uh, just like, you know, anything
10:40else, just like any DAW system, any vocal effects, any, you know, click track timer. I mean, these
10:47are automated things that gradually one by one were not accepted by the industry. I think Boston
10:53made their album without a click track cause they were so opposed to it. Um, I'm pretty sure that's
10:59the case. And, uh, and I think, you know, little by little it does get accepted. I mean, this to me
11:06is it just another huge Suno and other, other apps like it. It's just a huge, uh, creative well that
11:14people can, can gather and use to, to really make whatever they hear in their head, which I think
11:20is a great service to, to musicians. I agree. Do you think that, um, kind of looking at it from
11:27the other side, do you think there's any danger in it? Like, do you, do you think as a creative
11:31person, do you, do you feel threatened in any way like that you can? So for example, you know,
11:35because you talked about Suno, I've experienced with Suno also I've, I've just, but not doing
11:40anything like what you've done, but just putting in prompts and telling it, you know, make a song
11:44about this, about these concepts and this style, and then just seeing what it comes up with. And,
11:50and I've been pretty impressed with what it comes up with. I mean, amazing. I mean, I had, I made,
11:58you know, for each song on the album, I probably made 40 songs and, and described it in different
12:05ways until I got this right, but you can make them quickly if you want. And they, they all sound good.
12:11I mean, they really, the AI does a great job. I, I, again, mine was a little different because it
12:18had my audio as a basis. So I haven't really used it for anything but that, but I know even if you
12:24don't have a song, if you're just a poet, uh, you could certainly put, uh, the ad in music, but, um,
12:31yeah, I don't, I think it's something that's here to stay. I don't think it's going to be going away.
12:35No, but I think it is somewhat of a threat. I mean, it depends if it's, it's like anything else,
12:41if it's ethically used, if it's used the right way. Um, I think it could be really productive
12:47tool. Exactly. As you were going through this process, uh, using, uh, Suno to enhance these
12:54songs, um, did, did any of them really like, like how surprised were you? Like, did you know,
13:01going into, going into this, going through this process, were you expecting them to come out as
13:07good as they did or were you kind of shocked? I was amazed. I was amazed. I mean, I was literally,
13:13the first time I did it, I was just like, Oh my God. Um, I just, I couldn't believe the sound.
13:20Yeah. And, and, and, and again, depending on how you set it up, because there are a lot of different,
13:25you know, sliders and different ways to make each song. Um, you, you can really have, you know,
13:32you can change the song entirely if you want, or you can keep it almost exactly the same.
13:37There's a few of the songs. Uh, and again, it's all AI. The, the American split AI is all AI. My,
13:44my, my own mother doesn't believe me. There's a few songs that they sound so much like me.
13:51Yeah. And I get confused. I'm like, is this me singing? You know, it's really,
13:56it really was spot on. And then I was able to use for some of the songs where I wanted a different
14:02type of voice, like stand up being one of them. Uh, I, I've absolutely loved the voice that I created
14:09using Suno. And I just think it has this cool vibe, uh, and it really adds to the song.
14:17Um, so speaking of the songs, it, so when, when people, when people listen to the entire album,
14:23one thing, well, I mean, you'll, you notice it immediately. You notice it by the second song,
14:28actually, that you've got a lot of different genres, sort of in sub genres covered here,
14:33right? Because the opening track. So when I sat down to listen to it for the first time,
14:38I was surprised because the opening track, some justice opportunity. I, I, you know, I was like,
14:43oh, it's hip hop. I, I didn't expect this. And then, um, but really, really good,
14:49like really good, you know, and then it gets, and then it gets to the second song and, and it's
14:56like, oh, this is a change up. And then I wonder, I wonder if this is a style that the rest of the
15:02album is going to be, you know, and then it gets to the next song and it's, and, and you've got a
15:05variety of, um, of, of genres represented here, but they're, they're all really well done. And,
15:12and the album as a whole, it, it works, you know, it's not because when you do something like that,
15:19you know, it could, there's a risk to that. It could, it could seem disjointed. It could seem
15:24kind of like it's all over the place or it can all work together. And this album,
15:29it all works together maybe because there's, there's kind of a common theme behind it. I'm
15:33not sure, but, uh, but, but it, it, it works. It's really effective. And it's, uh, if you listen
15:40to the whole thing and I encourage people to do that, it, it kind of makes us really makes a
15:44statement and it makes you think too. The lyrics make you think.
15:47I appreciate that. Yeah. Some justice opportunity came about, uh, years ago when Michael Brown was
15:54killed in Ferguson, Missouri. Yeah. I literally, I saw the two news coverages on MSNBC. They were
16:02saying there were protesters in the street and Fox said there was, uh, there was rioters in the street.
16:08Of course. And I had been taking a sabbatical to work on a company, uh, that I created called
16:14babysitting barter. Uh, this was before care.com. And, uh, I immediately said, you know, I was off
16:21and I had, I was expecting to go back to teaching the year after if, if the big same party to work
16:27out. And I just thought I have to go there. This is, this is my America. That's one of the songs is
16:32this our America. Yeah. And I, so I went there and I was there with, when the riots were taking place
16:38and I interviewed all kinds of, all kinds of people. So the first version, um, has, uh, you know, audio
16:45clips of all the different people I interviewed. And then the, the, the speech at the end, which is
16:51on the, the, well, everything's on the, the, the new one, but the speech at the end was with two guys
16:57that I was talking with when we were standing next to the riot police and they were shooting tear gas
17:02with tanks. And I was like, right on the front lines. And it's a lot of it deals with America's
17:09issues, um, with racism and just with our political divide, uh, not dealing and not helping, not being
17:17fair and being somewhat racist and sexist and homophobic. I mean, you know, it's kind of the
17:23trifecta and, uh, I feel like we're at a real, you know, turning point for America right now. And I hope
17:30that this kind of talks about the landscape, uh, is this our America stand up? I wrote the day that
17:37Roe versus Wade was overturned. And, uh, I just couldn't believe that mostly that someone that was
17:44raped or a victim of incest would be forced to have a child. And that's what that song is about,
17:50that we got to stand up against that kind of thing. Uh, and stand up is really like kind of a
17:56rallying cry that I think that I would love to like, move on to just take it or plan parenthood,
18:02uh, to, you know, go ahead and, uh, use the song for the rallies or for the movement.
18:08Maybe there's an opportunity there, but yeah, yeah, it it's, it's all, it's very, very powerful.
18:14Yeah. Stand up. That's another very power, powerful song. Is this our America is great
18:18that of course, you know, the, the, the first, uh, the first single it's going to radio.
18:22So that's very, very excited about that. You had the world premiere on Saturday. It was
18:27great. Absolutely. Absolutely. Um, can we talk to a little bit, uh, just kind of shift gears a
18:34little too, cause I want to know, um, about your radio background when we talked on the phone the
18:39other day, uh, you, you're a radio guy too. Yeah, absolutely. I, I used to work for WLIR and WGRE
18:47and party 105 on, uh, on long Island, uh, back when I was out of college and during my band days,
18:55my first band days when I was about 20 years younger. And, uh, I ended up, I was an account
19:02executive working at the radio station, but then I hosted, I started and hosted tri-state sound,
19:09which was a local show, which was one of the best experiences of my life. I mean, and we spoke about
19:15this, how much fun it is to listen to new music and be able to pitch it to radio stations and stuff.
19:21I got to listen to the greatest talent. Uh, we had bands like Ryan Starr, the Montgomery Cliffs,
19:28early Edison, uh, people that really went on to fame afterwards. Uh, but they were local,
19:34local acts then. And I had a lot of live performances. I did that for about three years.
19:39Oh, wow. Okay. Um, what, why did you, why did you leave it behind? I mean, I know there's not an,
19:45there's not a lot of money in it at times. It wasn't that I went back to, uh, teaching. I left
19:51the job and I went back to teaching. I went into teaching. Um, I got married, I had a few children
19:58and I thought that, and I love, I love, uh, history. I love social studies. My, my sixth great
20:05grandfather was Richard Henry Lee who proposed the Declaration of Independence. And that's something
20:11that I always kind of like wear around me and feel like, you know, this is my country and I want to
20:16make it good for everyone. And, you know, I'm sure subconsciously that's one of the reasons I flew
20:21to Ferguson. I went to Charleston when the, uh, when the massacre happened and, uh, it was just blown
20:29away by the contrast between how Ferguson handled, uh, the, the, the riots and the killing of Michael
20:36Brown, uh, versus what happened with the Charleston nine, uh, which were two vastly different reactions,
20:43uh, and Charleston, they were holding hands across the bridge, uh, and it was beautiful and Ferguson
20:49not so much. Yeah. Yeah, absolutely. Um, now do you have, uh, do you have plans for,
20:57for more music beyond this? I mean, obviously you're focused on the current project, but, uh,
21:02but I'm always curious because you're, you're a creative guy. So I'm sure you've got more ideas
21:08beyond, or maybe more ideas that are connected to this, because obviously it's not just the music
21:14it's, it's, there's a game, there's, there's everything, right? Yeah, no, I, I definitely want
21:19to continue with it. Um, I've frankly have already redone election day, which was the album that
21:26followed, um, uh, American split the original and I've redone it with AI. Um, but I have another
21:33album called sex and politics, uh, which I think it has nine songs on it right now that I also use
21:41the AI again, using the seeds of my, you know, piano playing or whatever, my poor production. Um,
21:49you know, just basically doing it on the iPhone, uh, on a lot of the tracks, some of them were recorded
21:55in, in legit studios. And I've had a great mentor in Richie Cannata, who has given me more than he
22:02ever should have, I'm sure, in terms of his time and, and his, his guidance. Uh, he was the, he's the
22:08sax player for Billy Joel for like his first five or six albums. And he has a recording studio where
22:15he launched like Mariah Carey, Whitney Houston. And he was, yeah, he was, he was very big influence
22:23in, in the, in the actual finished product of the original American split. He played on two of the
22:29tracks. Oh, wow. Okay. Okay. Very good. Very good. Um, and then do you, do you do, um, anything
22:36musically? Do you do anything outside of Eddie Singh or is it all about, uh, Eddie Singh and the.
22:41It's all about Eddie Singh. Yeah. It's the persona. I think I'll probably at some point go back to
22:47Brian Mannix, probably to make my mom happy. She's really, yeah. It's Dan calling me Eddie and,
22:53you know, it's funny. Yeah. It's kind of a thing, but, uh, yeah, I think eventually, uh, I'll go back
22:59to Brian Mannix. Uh, you know, I previously released the Mannix project and years ago I was in a band,
23:05uh, called 42 wet men, which is the first, well, I was in a band in college too,
23:11but the first like real band outside of college was this band called 42 wet men and we got a radio
23:17play and we, we had my, my partner, uh, one of my good, good friends, a soulmate. Um, uh, he, uh,
23:25he was a piano player on Broadway and he was like the, the orchestrator of the band. And, uh, we,
23:32we were like, it was like, right as we were about to get signed, the band like blew up and we broke up.
23:38And then, yeah, it was like, it was, it was sad. And then, uh, in one of my big moments when I opened
23:45for cake at, uh, the Vanderbilt in, in Long Island and I got offered a record deal back in the day and
23:52I turned it down, like maybe a fool. Um, yeah, because I wanted more control over the, uh, over
23:59the publishing and everything. Yeah. Yeah. Well, you never know too. I mean, uh, a record deal
24:04isn't always, uh, you know, I mean, they might, they might pour a lot of money into the project
24:10once they sign you and, and you might end up being a big star or you might, there's a lot of horror
24:14stories too. You know, you go and record a record and, uh, and then the record company shelves it for
24:20whatever reason. And they, and you don't even own your masters and they keep everything. And, uh,
24:25that was part of the deal. It was kind of like, they were just buying my finished product. Um,
24:30then that album I, I made with Mike Sabone, who I think he's won a Grammy. He produced brand,
24:37brand, uh, brand new. Is that it? Okay. Brand new. Yeah. Yeah. He produced a lot of their stuff.
24:42Oh, okay. Great. He's incredible. Yeah. Yeah. Wow. Um, and are you still in,
24:47so you're in New York? I'm in Brooklyn. I'm in Crown Heights and, uh, I am doing a little bit of AI
24:54educational consulting as well. Really? Interesting. Okay. Okay. So you're really,
24:59you're really invested in AI. That's good. That's good. Yeah. Well, eventually we're all
25:04going to have to be. I mean, I look at it as we have a whole bunch of Einstein's in the room that
25:12we can utilize for just about any project or just, just about anything, any question, any real world,
25:20uh, you know, science thing you want to know, or even interpersonal stuff that, you know, most people
25:26would be like, you're talking, you're telling that to a bot, but you know, when they're that smart,
25:32even though it's just one character at a time, or, you know, it's just a stochastic parrot or
25:38whatever people want to call it. Um, it works for me. It's also been with us too, for longer than
25:45people realize, because, uh, what I tell everyone is if you've ever gone on to a, a, uh, if you've
25:49ever talked to a chat bot on a website for customer service, I mean, you're literally talking to a bot.
25:56That's not a real person on the other end. That's why sometimes it's so hard to get anywhere,
26:00you know, but, but, but that'll improve too. But, but no, I, I, uh, I love AI. There's so much you
26:07can do with it. And, uh, the number one thing that I use it for is coding because I also build websites,
26:12really, but yeah, but I don't code at all anymore. Like ever. I literally, I, I tell,
26:18I tell AI, there's a couple of different ones I use, you know, what I need and it builds it for
26:22me. And then I put it into the, you know, I might have to do, I might have to tweak it,
26:26but I don't, I don't write code anymore. Right. Right. It's amazing. No reason to really amazing.
26:33So, um, is there anything else you want to tell us about, uh, in terms of the game? Because again,
26:40with Eddie saying there's the game and everything like what I want to make sure people know about
26:45that. And then we'll remind people too, about, you know, they're going to be hearing, uh, hearing
26:48the single on the radio soon, but, but any, any other part of this that we didn't touch on that
26:53you want to make sure people know about. Well, in, in hopefully a week's time or less, um, the app
26:59will be up and running on my website or on a separate domain name. It would probably be a web app.
27:06And basically you can listen to the album and, you know, sort of Shazam it, uh, and listen,
27:13whatever part you're on, depending on the song and the minute that you, that you record, um, it'll
27:20give you a choice of options. Uh, it's like, no, I always forget this. It's like no action, uh, share
27:29or alternative. And then within that, once you pick one of those, like, no is like, you know,
27:35trivia questions and stuff like that. Action is asking someone to share something on social
27:40media. Um, what was the other one? Alternative is just kind of, kind of a potpourri of things.
27:46And, uh, what was it? No action. Um, I'm forgetting the other one, but then there's subcategories
27:53of what the album is all about. Love and sex, which, you know, please you and come on, come on,
27:59certainly represent that and the love of mini Ola screaming your name in the night. Uh, and then,
28:05um, there's subcategories. So love and sex, racism, sexism, homophobia, and technology. And then you,
28:14you get to share and earn points within that ecosystem, uh, and really be like interacting
28:21with the music in a way that previous to the technology now, you know, it's so advanced. Uh,
28:27and again, I've, I've been kind of waiting for this. I mean, I had this idea a long time ago,
28:31but I wasn't able with my skills then to create a Shazam, but now, like you said, not having to code,
28:39I mean, I can just, I can build it and I was able to build it. It's working perfectly in the
28:44development environment. I just have to push it up live. Fantastic. Well, congratulations on that.
28:49That's exciting. Yeah. Really looking forward to that. And of course, uh, is this our America,
28:54uh, I have the title, right? Right. Is, is this our America? Is this our America? Yeah. It was
28:59called this, my America. Right, right. Yeah. And I changed it because it's really our America. It's
29:05not mine. Yeah. Yeah. Excellent. And, uh, so that's, uh, that's going out, uh, that's well,
29:11starting now, really, it's going out to college radio and, and people will be able to hear that soon.
29:15And, and, uh, and hopefully too, they'll get into the game and, and all of it, but we'll,
29:19we'll make sure people know about it. That's for sure. Absolutely. Great stuff. And I encourage
29:24people to check out the album too. And, um, and of course, if you go to eddiesing.com,
29:28you can find, um, well, the original is there too. The, I don't know if the original is still on.
29:34I think I might've just replaced it with the, with the updated version, but you can, you can
29:39certainly learn everything you wanted to know about me or the band. Yeah. My electronic press
29:45kit is, is, is, you know, a little too long. It's a Prezi where you can go in and see who I am
29:52in my background, my life. And then each of the albums, you can go and see the lyrics and
29:57who produced it and everything. And I got to watch looking at the website too. That reminds me,
30:02I got to watch that. I haven't watched the video yet, but I'm going to the story of Eddie Singh.
30:06I need to check that out. Yeah. That was the, that was years ago. And the first one I made,
30:10and it was, it was, you know, kind of, uh, just, I had this experience where it was, I was typing,
30:18uh, and I was writing, uh, like just a creative writing session. And I wrote about this translucent
30:25girl. And then I went to stop writing and I got Haagen-Dazs out of my fridge or freezer. And they
30:33had a QR code, which I've, I, at that point, I'd probably never scanned a QR code, uh, of someone
30:40else's. And I scanned it and you downloaded an app. It was called the concerto app and outgrew a 3d
30:48image, a hologram like princess Leia and Batman and star Wars playing the violin. And it was like the
30:56most beautiful thing I'd ever seen in my life. And I was like, Whoa. And then I sat back down at the
31:01computer and I was like, I wrote about a translucent girl in the computer before I saw this thing. And
31:08I'm like, what is going on? I'm like, am I seeing the future here? I'm like, well, I'm not predicting
31:13this. It was so, it just, it still haunts me. I don't know what exactly who threw that seed into
31:21my subconscious, you know? And yeah. Yeah. Preview. But that's, that was kind of how that thing
31:26started. And I believe that's in, uh, the Eddie, the story of Eddie Singh. Okay. Okay. Yeah. I got
31:33to watch that tonight. I'm going to watch that tonight. Definitely. Definitely. Very good. Well,
31:37again, uh, everybody check out, uh, eddiesing.com and keep your eyes or keep your ears open. I should
31:43say, uh, for the first single hitting radio, uh, very, very shortly. Um, so, uh, Eddie Singh, this has
31:49been wonderful. Thank you so much. Peace, man. Thanks so much. I appreciate it. Absolutely. Thank you to
31:54everyone who joined us for the live stream. And of course everyone else. I know a lot more people are
31:57going to get this in the podcast feed. Make sure you subscribe to Matt Connerton Unleashed in the
32:01podcast feed of your choice. And you can always find it at my website, mattconnerton.com. And, uh,
32:08that is going to do it for us for now. Eddie Singh again. Thank you so much, my friend.
32:12Thank you. I appreciate it. You got it.
Comments