00:00The only time I've ever had women leave a set was when I felt like there was a man standing around or in a car outside that she really obviously did not want to be there, and he was there.
00:10And I would pay her and say, take this money, put it in your pocket.
00:13It's your money.
00:15Get out of here.
00:16Yeah.
00:16Go find another way.
00:17Yeah.
00:18Because you shouldn't be here.
00:19You shouldn't be subjecting yourself to whatever's going on.
00:21Yeah.
00:22I had a woman show up one time.
00:23Remember Ed Powers?
00:24Oh, yeah.
00:25Oh, yeah.
00:26Oh, yeah.
00:26And his cameraman fell out, and he called me and said, like, please come shoot for me.
00:31And I was like, okay.
00:32So I show up.
00:33Girl shows up.
00:34Husband's outside.
00:36And she was there, and she told me.
00:37She was so scared and shaking because he always wanted to have girls the first time.
00:43Shaking and scared, and I kept trying to put her at ease and saying, are you okay?
00:48What do you need?
00:49And she said, I'm just here because I don't have money for diapers for my baby.
00:55Oh, God.
00:56And I said, oh, man.
00:58I said, okay, here's what I'm going to suggest.
01:02I'm going to just give you your day rate, and I'm going to tell you to go deal with what
01:05you need to deal with because I'm not going to shoot you.
01:08If that's what's going on, I'm not going to shoot you.
01:10And I went to Ed, and I said, you're going to pay her her day rate that time, like $600
01:15or $700.
01:17And then we're going to let her go.
01:19We're going to call this a day.
01:20He goes, what?
01:21He started arguing with me.
01:23And I said, okay, I'll tell you two things.
01:25I'm walking, so you're not going to have a cameraman.
01:27I'm going to go to AVN and whoever else wants to hear the story and talk about how exploitive
01:32this situation was.
01:33If you want to get into that with me, we can get into it.
01:36But you're going to pay her, and she's going to go buy baby diapers, and you're not going
01:40to say another fucking word to me about it.
01:43Of course, I was this tall, and he was like this tall.
01:46And he goes, okay.
01:47Intolerance to bullshit.
01:48There it is.
01:49The intolerance to bullshit.
01:50There it is.
01:51And he did.
01:51And it was like, nobody's ever been able to come up with a reason that resonated with
01:58me about why there is a problem in this industry.
02:01Some people have a drug addiction, probably not for very long because they won't last.
02:06Their body is their tool.
02:07They have to stay pretty healthy in this industry.
02:10They got to show up on time.
02:12They got to show up sober and do their lines.
02:14So, take that one off the table.
02:17No more than your average party girl in Hollywood.
02:21Are they working out some issue they had when they were 16 and they were, I don't know, had
02:27braces and acne, maybe?
02:28I don't know.
02:29But aren't we all?
02:30The issue about social, this sort of social stigma of it is society's problem, not their
02:41problem.
02:42I went to Israel.
02:44We also had channels in Israel.
02:46And I went to Israel with Leila Sin.
02:48Remember Leila Sin?
02:49Oh, yeah, of course.
02:50Pet of the year?
02:51Yeah.
02:51I shot her pet of the year layout with the tigers.
02:55Yeah.
02:56No, not, no, the one.
02:57With tigers, yes.
02:59You're right.
02:59You shot that.
03:01I did shoot that.
03:01Oh, my goodness.
03:02So, we go to Israel.
03:04Her dad is an ultra-conservative rabbi.
03:07Like, I couldn't even go with her to her neighborhood because I wasn't going to wear a veil and cover
03:12my shoulders.
03:13Right, right, right.
03:14Super devout.
03:15But we're there on a press tour.
03:17It's cool because Tel Aviv is actually quite modern in many, many ways.
03:21Most of the town is very progressive.
03:22So, I was interviewed by their 60 Minutes, let's call it.
03:27Paz was the interviewer's name.
03:28And she kept saying, there's just so many disgusting things.
03:31I mean, you just see so many awful things that women are subjected to and blah, blah, blah.
03:36I mean, you must admit there's really horrible stuff.
03:38I said, pause.
03:39I can't apologize for the world.
03:41I can't apologize for what John Smith does in Kansas City with his girlfriend and posts
03:46it on, you know, Pornhub at that time.
03:50I can only talk about what I do.
03:53But in general, it's just such a degrading business.
03:55It's such horrible stuff.
03:57And she just kept on and on and following.
03:58I said, you know what?
03:59Paz, you're 100% correct.
04:00I said, she said, you've never seen anything that shocked you.
04:03I said, actually, I did.
04:04I just saw something I thought was so shocking.
04:07It was an incestuous scene between a husband, wife, slash brother, sister.
04:13Their son, progeny of the incest, had been murdered and was laying.
04:19It was in a church laying on an altar.
04:22And the woman is so stricken with grief.
04:27The brother husband is so enraged that it winds up with him raping her on the altar
04:37with the dead son lying there.
04:40And she went, see, I told you.
04:43And I said, I know.
04:43And Game of Thrones is pretty shocking to me.
04:46And she went, she looked at me.
04:47I'm sure they cut it out.
04:49She looked at me and went, oh, Kelly.
04:51And I said, oh, Paz.
04:53You know, you want to talk about what horrifies me.
04:56You know, things like CSI Special Victims Unit horrifies me.
05:00Every slasher movie that has some woman that's somehow sexualized,
05:05and then there's some kind of violence.
05:08That stuff horrifies me because it plays into the worst misogyny that you could imagine.
05:15But what happens in adult, just because it's sex, it's ridiculous.
05:24Yeah.
05:25Yeah.
05:25You know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know.
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