- 1 week ago
Florence + The Machine have released 'Everybody Scream,' and the party continues as Florence Welch takes us inside the making of the band's sixth studio album sharing the stories behind the songs during 'Florence + The Machine: On The Record.'
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00:01Welcome to On The Record. We are your hosts, Klein Alley Show from K-Rock in Los Angeles.
00:06But enough about us. The reason we're here is because Florence and the Machine is here.
00:10Hi.
00:11How are you?
00:12I'm good. Yes, thanks for having me back.
00:14Of course. A new album. This is the sixth album you've brought to us in almost a two-decade career.
00:21And I don't want to play favorites, and you can do that later.
00:24But we're going to talk today about Everybody's Scream.
00:26It's officially out now. Came out on Halloween.
00:29I mean, why Halloween? Why was that the release date for this album?
00:33So Halloween, it's interesting.
00:37It was a very good incentive to get this album done because I really wanted to put it out on Halloween.
00:46I was like, okay, we have to make this date.
00:47Because I guess I was thinking about more to the original traditions of Halloween when it was a festival about the veil between the living and the dead being kind of at its thinnest.
00:59And there was a lot of themes of life and death on this record.
01:02And I also looked to a lot of folk horror and horror movies and kind of magic and mysticism.
01:11You know, that's all over this record.
01:12So it just kind of seemed like the perfect time.
01:13And we're going to sit here for the next hour, listen to some of the songs on the album.
01:18If people are listening along with a drink, what drink do you think pairs perfectly with the album Everybody's Scream?
01:24Oh, my God.
01:25Okay.
01:26Um, I don't, I actually like, I think kind of, I was like mixing lots of like herbs and making kind of tonics.
01:35Like some of the, um, some, like the record was finished in Hudson Valley.
01:41Uh, and there was like a lot of places you could get like tinctures or herbal remedies.
01:46So, yeah, I would like just, just bring yourself up a tincture with some herbs and, you know, enjoy.
01:52And get witchy.
01:53Yeah.
01:54You heard it from Chef Florence herself.
01:56Go to the spice cabinet, pour it all in a cup, boil it off.
01:58That's not what you're thinking.
01:59I meant, well, you think it's spicy.
02:02That's what I think.
02:03You think you just get an Italian medley and put it into water?
02:06That's right.
02:06Get some Parmesan and voila.
02:08Get ready for the album.
02:10Everybody Scream on the record, Florence and the Machine here in Los Angeles in the K-Rock studios.
02:15We are your host, Klein Alley, for this one.
02:17But more importantly, Florence, the song that we just heard everybody scream, how can you not be emotional while listening to it?
02:23Everyone feels like they are pent up with all sorts of feelings now and sometimes just to scream to get it all out.
02:29What do you want people to feel while they're listening to that?
02:33Yeah, I guess it was like, if anyone's like walking around like screaming internally,
02:37I wanted them to be able to feel like they could scream externally, you know?
02:42And I do think that's kind of like, even when people come to music shows and they're screaming in joy,
02:48like it's still like a socially acceptable place to scream, you know, a concert.
02:52So I kind of wanted to create a song when people came to the live show,
02:55they could really feel like they could scream, but in kind of a different way, you know?
03:01So, yeah, it was about, very much about live performance and like why I keep going back to this place,
03:08even though it, you know, takes a little more from me every time.
03:12Chipping away.
03:13Yeah, and I'm like, but I'm going to do it again.
03:16Well, we're about to listen to music by men, which we've had a chance to listen to.
03:21Oh, wow, that's the one you're going to next.
03:22Yeah, anything you want to say about this track before we listen to it?
03:25I was like, oh, okay, you're going there.
03:27Right, cool, cool, cool.
03:29I won't take it personally.
03:30Say what you want to say.
03:31I know.
03:33Pretend he's not here.
03:34Yeah, pretend I'm not here.
03:35No, it actually, like, I think it is about trying to have functional relationships as an artist, basically.
03:43And this thing that like, you have so much create, you can't like creatively direct your life,
03:50you know, like it's like, and having a sense that like, in art, you can make everything kind of a fantasy
04:00and like, you know, you can make your own imagination real, but actually like, trying to have something real
04:06and trying to like, you know, have a real life and real love, like, I was like, oh my god, this is so hard.
04:13Like, nobody told me how hard this was.
04:15Like, why do I find this so hard, you know?
04:18So it was sort of about that.
04:19Yeah, well, we're not famous, and it's really hard for us.
04:22Yeah, but I think it's hard for everyone.
04:23You know, and that's when you realize you get older, and you're like, oh, wait, the real work is like,
04:29not breaking up every time you have a fight.
04:31You just got to like, get through it and move through into something different.
04:35And I just didn't know that, you know, I thought like, it'll be better over there.
04:40You know, like, it'll be and then you kind of like, if you do break up, then you meet someone else.
04:43And you're like, oh, no, wait, there are problems here, too.
04:45Maybe I'm the problem, you know?
04:46So like, there's like, things that you have to work through in yourself.
04:50And I guess the stage, again, there's so much of this album is about the kind of, is about my, you know, my relationship to like, performing.
05:02And sometimes you say something in a song that is like, such a call out to yourself, and you didn't even think it, it just comes out of your mouth.
05:09And it was like, let it be us, let it be home, running, let it, let it be us, let it be home, let it not be a spotlight standing alone, running back to the only love I could ever control.
05:22I was like, oh, fuck's sake.
05:26You didn't get to say that to me, but it's me saying it to me.
05:32So before you send that passive-aggressive text to your boyfriend or girlfriend, listen to music by men as we go on the record with Florence and the Machine off the brand new album, Everybody Scream.
05:42More with Florence after this.
05:44That was free therapy and some music as we go on the record with Florence and the Machine.
05:49It's Everybody Scream.
05:50We're a Klein Alley show from K-Rock in Los Angeles.
05:52Florence is with us to talk about the album, which came out on Halloween.
05:55And we're listening to some of our favorite songs from the album that will be your favorite songs as well.
05:59And I would imagine every time you release new music, you think back about all of the stuff you've done and you probably not play favorites because everyone says you can't play favorites with kids.
06:09But as we talk about this album, is there a song or are there songs that stand out to you as these are the ones that keep playing in my head as I try to go to sleep at night?
06:20Sympathy Magic makes me really emotional, I think.
06:23Like, weird, that song does something to me, even though I wrote it and even though I've listened to it like a thousand times, I still listen to it.
06:30I'm like, oh my God, like, it really gets me.
06:35Are there any songs that even, you know, on this album or otherwise that you can't listen to anymore or that have been, have become difficult over the years?
06:43Oh, interesting.
06:44That's very interesting.
06:45Sometimes they'll be about, like, a person and I'll listen back and be like, they weren't worth that song.
06:54Do you know what I mean?
06:55And then I'll just be really embarrassed.
06:57I'll just be like, fuck, they got such a good song and it wasn't, you know.
07:02But, like, the actual, the best ones, the really good, like, the really good people actually get the best songs.
07:09But sometimes you listen back to some, like, an album track and you're like, why was I writing about that person?
07:15They haven't reached out for royalties?
07:17And then you'll be embarrassed.
07:19But actually, then what it, you know, every song that you think you're writing about someone else, you're always writing about yourself.
07:24You know, it's like, and I find that it's a little bit toxic to try and dig for, like, who specific songs are about because it shrinks a song, I think.
07:34Like, and it, I think songs are supposed to be these, like, expansive things and I feel like it makes them kind of small.
07:41But I do listen back and I'm like, you idiot.
07:44We continue to take a deep dive into Everybody Scream in a moment.
07:48Stick around.
07:48More On The Record with Florence of Florence and the Machine.
07:51Next.
07:52It's On The Record.
07:53It's Klein Alley Show from K-Rock.
07:55We're sitting here with Florence from Florence and the Machine talking about the new album Everybody Scream, listening to some of our favorite songs.
08:01And as someone who's seen you perform, Florence, you have one of the most solid witch dances I've ever seen.
08:08We're about to listen to witch dance.
08:11What is the key to having a solid witch dance?
08:15You've got to have, like, a, it comes from, like, we were trying to do, like, a hag breath, like, crone breath.
08:20And that's the rhythm of, like, that's the rhythm of the track, which is, like.
08:25So it comes, actually, from, like, choreographed breath.
08:32That's the kind of, like, witch dance, really.
08:34You want to try that, Klein?
08:35It's a tough song if you are asthmatic.
08:37It'll be difficult to get through, for sure.
08:39But.
08:39I know.
08:40I have.
08:40But, yeah.
08:41So I'm very sorry.
08:42But, yeah.
08:42I do.
08:43And I have, like, freakishly large lungs.
08:46So it's, yeah.
08:47It's, like, breath work is something that I'm kind of good at.
08:50Well, if you've ever seen Florence Live, you know that she puts all of herself into the performance to the point where it almost appears that she is being possessed by the music.
08:58And so much so that she's hurt herself on stage multiple times while entertaining you.
09:03But, really, it's because you are being kind of consumed by your songs.
09:07And it's incredible, as we talk about witch dance, which we're going to listen to right now.
09:14This, of course, is on the record, the album Everybody Scream, officially out a few days now.
09:18So check it out as we listen to some of our favorite tracks.
09:21Time for witch dance.
09:22We're going on the record with Florence of Florence and the Machine, a new album out now.
09:27If you're keeping track, it's the sixth.
09:29Maybe the best.
09:30And Florence will tell you that you should listen to this album outdoors.
09:34This album has an outdoor vibe, as we were listening to it, Ali, previewing before this special.
09:40I was sitting inside when I started.
09:42And by the end of the first track, I was already outside.
09:45I was already outside watching people putting up Halloween decorations.
09:49And it felt like it was the perfect score to what was happening in my life at that time.
09:54And the question for you, as we get into our next group of songs now, were you feeling in the vibe of something specific?
10:03Yeah, very much.
10:04Like, there's, it's a seasonal record.
10:06It was always, it sort of has an autumnal feeling.
10:09And there is these, there is this sense of, like, like, the weather is really present in it.
10:19And there is a feeling, like, I don't know, if Dance Fever was, like, this, like, Miss Havisham, like, cobwebbed mansion.
10:31It feels like with this album, you stepped outside into the backyard, you know, and then now you're just in the woods.
10:37So, yeah, and I think I, there is something about, because this album did, was, is about kind of grief and loss.
10:44And there's something, I think, when you experience loss or you're grieving, there's a sense of, like, I don't know, I wanted to be really near the ground.
10:53Like, there was, like, I need to get in the earth.
10:56Like, it was almost like I wanted to be, just, like, cover myself in the earth or something.
11:01So, there was this sort of primal need to be in nature, and I think that sort of being outside while you listen to this record would be a good place to do it.
11:10Well, you've suffered physical and emotional loss over the past couple of years, and I would imagine that songwriting is a way to heal through that.
11:19But do you feel like a person is ever truly healed, even if you are writing about your, and processing your experiences through song?
11:25Yeah, there's a line in Perfume and Milk, which was written in Hudson Valley with Aaron Dessner, and it was, like, the, I was finishing up the album, and spring was kind of emerging, you know, but it was April, so it was, like, this strange period when it gets kind of warm, and you see these green shoots, and suddenly everything's covered in snow, especially in the Hudson Valley.
11:47And I was thinking about that as a kind of metaphor for healing, which is what I found, it was that, like, oh, my God, okay, I'm getting better, like, things feel better, and suddenly you would just be, like, hit by something.
11:57And there's a line that was, like, healing is slow, it comes and it goes, you know, a glimpse of the sun and a flurry of snow.
12:04And I was sort of looking back at the last couple of years and looking back at the album that I'd made and thinking about kind of healing itself.
12:12And, yeah, that it's just not linear.
12:14We are, of course, with Florence and the Machine talking about Everybody Scream.
12:18This is Buckle.
12:20We are on the record, your host, Klein Alley's show from K-Rock in Los Angeles.
12:24As we were listening to the new album, Everybody Scream, you just heard Kraken before that was Buckle.
12:28And we put this order together based on the songs that we really vibed with off the new album.
12:33But in a weird way, as we were listening to that, you said that that was your intention?
12:36Those two songs went together?
12:37Yeah, those two songs were always a pair.
12:39Like, I always thought you should listen to Buckle, then Kraken.
12:42And so it's funny that you just did that naturally.
12:45So I guess it worked.
12:46Wow.
12:47Is Buckle the love song of the album?
12:49Or are there no love songs?
12:51Or is every song a love song in a way?
12:53I think, so what I would say is, like, Buckle is, there's so much on this, this album wrestles with what it is to have almost, like, the hugeness of this gift of performance and of, like, getting kind of everything I ever dreamed of as a child was just to be a singer and a performer and getting to do that.
13:16But is it at the cost of normal things, you know, to have this huge gift, but then be like, can I have the other stuff too, you know?
13:26Can I have, like, the normal things, like a home and family and, like, connections and, like, what is it about me that keeps choosing fantasy over, like, real things?
13:36And so I guess so much of this record, including Kraken, is, like, I am this huge goddess and, like, I'm full of power.
13:45And Buckle is, like, the empty room after the show, you know?
13:49It takes you to the bare bones reality of after the audience leaves, after you've had this huge moment of power, wanting to get in touch with the one person who can make you feel so small.
14:00So it's, like, I think it's trying to show the, like, dichotomy of those things, really.
14:07It's got to be incredible to think the amount of times you've been in front of hundreds of thousands of people and everyone is singing along and dancing along.
14:15And we all think of it as the people on the other side, you know, in the crowd.
14:19We just get in our car and go home.
14:21You have to witness that.
14:22Get to witness that.
14:23And then you, as you walk to the side of the stage, you have that moment where then it's just you and your thoughts.
14:27Just alone.
14:28And that's got to be such a transition.
14:29Yeah.
14:30And you're, like, I should text that person that makes this worse.
14:36You know what I mean?
14:37I was, like, I should have grown out of this, but how about, you know, and I think it's a song, like, I actually didn't want to put it on the record because I did feel I was, like, I think I have, like, maybe I have moved on from, like, engaging with this.
14:53But I don't know because I haven't been on, you know, like, there is, like, it is, like, a reminder that, like, that part of me is always there.
15:00You know?
15:00And, like, that desperate part of me is always there.
15:03And I have to, like, really choose things that make me feel good.
15:08Right.
15:08You know?
15:09Yeah.
15:10And that image of Florence going back to her hotel room with Mario Lopez on the TV.
15:14Oh, yeah.
15:14After a big show.
15:15Saying what movies she should watch on the wrong night.
15:17I know.
15:17Just any other night.
15:18Just like us at a Ramada.
15:19You're just so desperate for, like, a connection.
15:21Yeah.
15:21You know?
15:21And it's also, there's a lot on this record about fantasy and reality.
15:25And, you know, like, if someone is totally unavailable to you and absent, you can construct anything you want around them.
15:32That relationship can be completely perfect.
15:35I feel like Buckle and Music by Men are kind of the two sides of the coin.
15:38You know?
15:38The real thing is hard, but it's worth it.
15:40And the, like, the fantasy almost is the thing that you're trying to, like, move beyond.
15:46You know?
15:46Yeah.
15:47We're going on the record with Florence and the Machine.
15:49The album, Everybody Scream, is out now.
15:52Tours, of course, happening on the other side of the pond.
15:55But now that we are officially in November, you know that the tour has been announced right here in America.
16:01So we will get ourselves some Florence.
16:04And we are very excited about it.
16:05More songs as we continue to go on the record with Florence and the Machine next.
16:09We're on the record right now.
16:11It is Florence and the Machine's turn to shine.
16:13Everybody Scream is officially out.
16:15Tour dates have been listed.
16:17This is going to be the year of Florence and the Machine.
16:19And we're thrilled that you're spending some time with us.
16:21My name's Klein.
16:22That is Allie.
16:22Hello.
16:23We're usually on the radio in Los Angeles on K-Rock.
16:26But here we are getting an opportunity to chat with Florence about the new album and listening to some songs.
16:30And the next one I'm very excited about.
16:33You Can Have It All is exactly what we've already been talking about that maybe you can and maybe you can't have it all.
16:40Can you have everything you want professionally yet everything you want personally?
16:44And I think everyone, no matter what you do for a job, no matter what type of relationship you're in, you are always asking the question, what am I sacrificing?
16:52Is there a world where I get everything?
16:54Yeah, no.
16:55And I think like there was this.
16:59Yeah, there was this almost like fury at that rage.
17:02Yeah, I feel this is the climax of the record.
17:04It's the kind of penultimate.
17:06This one, I feel visceral sadness.
17:09Like it just feels not not that it makes me that sad, but I can feel your visceral sadness through the song.
17:15Yeah, I think this is kind of essentially I think of And Love as almost like an outro, like this beautiful kind of prayer almost at the end of the record.
17:23And this actually, to me, feels like the kind of final track of the album.
17:28Um, uh, yeah, I was furious.
17:32I was furious, you know, it was about the rituals of, it was about the rituals of grief.
17:38And there was like a ritual, you know, there's some rituals to commemorate like loss or to help you heal.
17:44That was like you bury a flower, you know, to commemorate a loss.
17:47I was like, this doesn't feel like a flower to me.
17:49This feels like a scream.
17:50So it's one of the most raw and sort of, um, intense tracks on the record, but I found it so cathartic to make.
17:58There was also this, I think there's a pressure, especially like, um, on women to be like, you can do everything.
18:07You can do everything, but we're not going to change anything.
18:10You just have to do double.
18:11You know what I mean?
18:12Like, you're just going to have to like work and feel like really guilty and feel like you're failing at both.
18:18But, you know, you can have it all.
18:19So as long as you don't talk about any of the negative stuff, you just keep moving on.
18:24Well, and then, you know, talking about you, we talked about your relationship with the stage and just the, you know, the relationship of, of, you know, having it all.
18:32It's a, it's a, there's a lot of, um, pros and cons, you know, we've talked about, but now we're announcing that you're doing it all over again.
18:40Yes.
18:40You're going back on tour, another U.S. tour.
18:43I'm back with a vengeance.
18:44So obviously the pros outweighs the cons.
18:46Well, that is exactly the thing.
18:48You know, I think, um, I think when things happen to me, like, that are out of my control, um, I always go back to the place where I feel most myself.
19:01And this album really helped kind of piece me back together, honestly.
19:06And yeah, it's like it, you know, the last record and the last tour took something out of me, but it also gave something to me.
19:16It gave me this sort of sense of terrible strength and determination and focus.
19:21Um, and so I'm really sort of like, it's how I process stuff as well.
19:27I was like, something bad happens.
19:28I need to get back on the stage and process it there.
19:30Like, that's just how I process things.
19:32It's just a cycle now.
19:33Yeah.
19:33At this point.
19:34I'm sad, not just because of the conversation we had, but because we're actually reaching our final song as we go on the record.
19:41Which means we're going to start over.
19:42We're going to start all over again, because that's the way the cycle goes.
19:45And there are more songs on the album, the complete record, of course, which you should check out and listen to it.
19:50I don't know if you care if people listen to it in the order.
19:53I don't even know how much time and effort you decide this goes here.
19:57I think in your mind now, you think that that's the closure.
20:00This is the beginning.
20:01You have certain songs you like together.
20:03But once again, I think music is a very individual experience and different songs.
20:06And I'm sure over the years, you've had people come up to you and you've said, that song was my wedding song.
20:10And you said, really?
20:11That song was a tragic song.
20:13That shouldn't be your wedding song.
20:14No, it's totally like, yeah, people, people, people play, people play never let me go at their weddings.
20:21And I'm like, that song is a really sad song.
20:25It's about feeling like you're under so much pressure that you just want to like sink to the bottom of the ocean.
20:32But like, yeah, never let me go.
20:33It was our wedding song.
20:34It's like, okay.
20:36Good for you guys.
20:37That's kind of the pressure of marriage.
20:39It makes sense.
20:40It is true.
20:40But as we get to the final song we're going to listen to today, this is one of the greats.
20:46And I believe, and I think you spoke to this a little bit, at least I've seen in some of the interviews you've done,
20:54that there is a, there is an imbalance.
20:57There is an imbalance in the world, but there is an imbalance, I think, particularly as it pertains to genders.
21:04And one of the things that I will say as a man, because I'm a man, is that-
21:10And we'll listen.
21:11I don't like it.
21:13I forgive you.
21:13But I would like to apologize because Allie will sometimes put me in my place and the two of us will get into it.
21:20And she'll say, you don't even realize, because you're a good guy trying to be a good guy,
21:24that there is this built up imbalance that has been there from the very beginning of time.
21:28And some of the stuff that you don't even realize that you are doing is contributing to it or at least furthering it.
21:34And I am so appreciative when Allie and I have those conversations because it allows me to try.
21:40And I'm a guy surrounded by a wife and daughters and two sisters.
21:44And all my life, it's just estrogen from all sides of me.
21:47So I've tried over the years to figure it out.
21:49But boy, it is difficult.
21:50Yeah, I mean, I think there was a sense of, I did come up, I did come up at a time when it was much more,
22:03especially like the sort of like music critic sphere was like almost entirely male.
22:08Like the, I had this crazy story.
22:12I became friends with someone who kind of like worked at some of those first music magazines.
22:15And he was like, I got to interview you when you had the biggest, your first record was like the biggest record in the UK.
22:23None of the people I worked with who were all dudes wanted or cared to interview you.
22:27Like, that's why I got it because they just, they were like, what's it?
22:30That's not for me.
22:31It's a young woman singing about like young woman stuff.
22:33Like, why would I be interested in that?
22:35And I think that that's the imbalances when there is so much music that's kind of like for men and centered around male taste.
22:41They don't have to put, they don't have to like, like, they have the option to not bother to like try and take themselves out of their own experience, you know?
22:50And I think actually that is changing and like one of the most, but I think this song, like one of the greats kind of came out of sort of realizing that it wasn't about me.
23:01You think like when you're young and people are kind of, especially for young women and I, I only realize now because I've seen it over and over again happening to like generations and generations of like young female artists is this pedestalizing you when you're so young.
23:16You're just like a baby and like you are blasted everywhere.
23:20You're in everyone's faces and then everyone tells you you're terrible and they hate you and you're so young.
23:25And there's a cycle of press.
23:27I think the thing that breaks my heart now is like it, it stopped happening.
23:32The press now just feeds off social media.
23:34Do you know what I mean?
23:35So it's like the cycles have just got faster for artists and I'm like, oh my God, if I had had that, like I just, if I just about survived it, just being the press.
23:45If I had had that as well.
23:48Oh my God.
23:49Like really, like, I don't know how I would have got through that.
23:53So, yeah.
23:54And I think like, but what I just through kind of getting older, I was like, oh, this isn't about me.
24:01Do you know?
24:01And I, so, so I think it was like an outpouring of frustration of just like, you know, I felt like I had to change or to please people or to like, I was like, oh my God, no, that wasn't about me.
24:12It's easy to make it mean something.
24:14Yes.
24:14Right.
24:15Well, and I think Klein, with what you were saying, and I don't know if you relate to this, Florence, for me and my experience just being in a creative field as a woman,
24:23it's so important to have men that don't suck in your corner.
24:28And, you know, Klein has been that.
24:30And I imagine that over the course of your career, you've also had to find men that are supportive.
24:36And also, I just think is, you really find out who those guys are.
24:40People are, because they're the ones that speak up.
24:42And it's because you like, you learn and you learn to spot the signs of someone who's not, I'm like, oh, okay, yeah, that's not good.
24:48You know, just through experience, you're like, yeah, no, no.
24:52You can filter it out.
24:53Yeah, you can kind of like filter it out.
24:55But it's really kind of interesting to me because with that song, One of the Greats, even though it's so combative, men fucking love that song.
25:04They love that song.
25:05They really do.
25:06And weirdly, even though this record is about a certain kind of feminine fury, like, you know, I do think weirdly, I'm like, I think this might be one of my records that like men like the most.
25:21I think they're going to think it's about Tom Brady.
25:23They're going to think the song.
25:24Yeah, he is.
25:25He's the gold.
25:25Yeah, he is.
25:26Flora, she got it right this time.
25:28I was like, oh, my God, no.
25:30I was like, loads of dudes going to be so angry with me about that song.
25:33And they're like, no, dudes are going to love this song.
25:35And they did.
25:36Yeah.
25:36Wow.
25:36What do you know?
25:37It was surprising.
25:38As a dude, I will say it's a great song.
25:40And it's a fitting way to end the chat as we go on the record.
25:43Florence and the Machine, you are one of the greats.
25:46Thank you for allowing us to spend some time with you as we listen to the album.
25:49And this is one of the greats.
25:51Enjoy it.
25:52And thank you once again.
25:53U.S. tour announced.
25:55Album out now.
25:56Everybody scream.
25:58You will see Florence in your town hopefully sooner rather than later.
26:01Go and see her live.
26:03It is an experience that you have never had before.
26:06Then you won't forget it.
26:07You will not forget it.
26:08And, Florence, thank you so much for spending some time with us going on the record.
26:11Thanks so much.
26:12It was so nice to see you.
26:14Bye.
26:14Bye.
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26:18Bye.
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