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00:00MUSIC
00:04MUSIC
00:08MUSIC
00:10MUSIC
00:12Remind me again why it's my job to paint the windowsills.
00:15We've got a business to run.
00:16Because you've got to paint the rent somehow?
00:18Oh, don't worry. It's time for it to run out.
00:20Oh, mother, please.
00:21It's bad enough watching you two mooning over your cornflakes.
00:23No, no, no, Harvey, you can't just slap it on willingly.
00:25You've got to wash the paintwork down first with soapy water.
00:27Yeah, I've done this before, Ian.
00:29You could have fooled me.
00:31Oh.
00:32Yeah, look, I know I can't just talk to him.
00:34All right, yes, I know it's a detention centre.
00:37I just want you to get a message to him, that's all.
00:40Just tell him that I'm sorting out a place for when he gets out and...
00:44and that I love him.
00:46All right?
00:47That's in a bad way.
00:49Not as bad as Vicky looks after what his son did to her.
00:52What exactly?
00:53He was told to attack Vicky, not Ross.
00:56He was just, you know, protecting his son.
00:58Well, he failed, didn't he, Harvey?
01:00Because if he had it done, Vicky wouldn't have had seven bells beaten out of her.
01:03It's never that sin, obviously.
01:04Hasn't it?
01:05Well, it looks pretty simple to me.
01:07Oh.
01:08Oh.
01:09Hey.
01:10How's that?
01:11It's a shame we can't get no ventilation in here.
01:12Oh.
01:13Oh.
01:14Well, hey.
01:15How's that?
01:16It's a shame we can't get no ventilation in here.
01:17Oh.
01:19Oh.
01:28I meant treating you well.
01:32You have a man?
01:33Oh, yeah.
01:35ventilation in here oh I meant treating you well yeah man well you forgotten
01:45already I was like yeah you're going to your brain and make you weak
01:48Ravi's gone hmm I'm in charge yeah you're a junk Gina don't seem to think
01:57so yeah she's been out all night texting me
02:03meet you at the Vic at one she loves putting him heart and mortars as well
02:08don't you away from her oh the strong survive and the weak waste the way to
02:17something like that natural selection though in it anyways got a sprint don't
02:28want to keep her waiting oh no you don't worry about Gina yeah you leave her to
02:36me
02:41me
02:43me
02:45me
02:48me
02:51me
02:55me
03:02me
03:11no no it needs to be in Wolfe I need to be near my boy yeah yeah thanks for nothing I
03:18me
03:19me
03:20me
03:21me
03:22me
03:23me
03:24me
03:25me
03:26me
03:27me
03:28me
03:29me
03:30me
03:31a
03:34me
03:35me
03:37me
03:53And then, he was gone, and I try to remember the exact moment I lost him, play it over
04:07and over in my head, and what I do, it makes me so angry, so hateful, anyway, mate, you
04:21uh, you must be exhausted, you don't know what way's up right now, but, you know, once
04:28the dust has settled, and you've found your feet, there's a fat chance of that, there's
04:36no flux going, and right now, me bed's a bench in the sympathy yard, well then come and stay
04:46with us, at least for a few days, Kathy's not going to want me anywhere near me, yeah, she's
04:54angry, but she's not unreasonable, I will swear it, I don't know what to say, yeah, get your
05:07stuff, come on, oh, hiya, oh, hi, how is everything, yeah, he's having a good day today, thanks
05:23for yesterday, um, can I make it up to you, oh, it's no need, yeah, I'd like to, can I meet
05:29you down the vic, later, yeah, okay, lovely, great, text you, okay, you're a very lucky
05:41boy, just spoke to Lauren, she said she can get nine grand for the Morris, you're kidding,
05:47well, she said eight, but, I know we can get her up, result, eh, oh, what, you're joking,
05:54what's happened now, the end of my career, that is what has happened, so, yesterday in
05:58the Albert, I wrote a draft business proposal, telling my clients that I was going to leave
06:03the firm and to come in on my own setup, well, when was all this, when we were three sheets
06:08to the wind, well, it was just a draft day, right, I must have pressed send in to the safe,
06:12it went to all my contacts, including my boss, he wants me in the office, and I'm already
06:17on my fire warning, I was thinking of asking Jazz on a proper day, maybe, send him a
06:24call, what, top ten rom-coms of all time, which do you think she liked the most, hello,
06:33who, maestro, I'm sorry, I was just, um, thinking about the old car, you know, freedom, open
06:43road, won't have that ever again, mm-mm, but, they haven't taken your licence away yet, have
06:52you reckon, one last spin, oh, look, Ross wouldn't dare show his face round here, and if he
07:01does, he'll get my stiletto on his bribe, there you go, thanks, girl, how'd you get on, all arranged, what's arranged?
07:11we're taking him away for a few days, mm-hmm, mm-hmm, mm-hmm,
07:19late district, you could have asked me, look, being in the house where it happened, it's, it's not going to help you heal, darling, yeah, few days away, a bit of fresh air, do us all the world a good,
07:34I wonder where he slept last night.
07:39It's not your problem, darling.
07:42I can't just switch off my feelings.
07:44Vicky, you have been dealing with this for months.
07:48By the time you started looking after number one.
07:50You need this, Vicky.
07:51By the time we get back,
07:53Ross and that son of his will be long gone.
07:55What do you say?
07:58Come here.
08:01Here, Nan.
08:03Cheers.
08:04Yes, Tommy.
08:05It's going to take time, isn't it?
08:07It's bad to be talk of the square.
08:09He told me that jail was assaulting women,
08:11filming it and posting it.
08:14Sick.
08:14Yeah, it is sick.
08:16It's a shame it took a woman getting beaten to a pulp
08:18for Tommy to speak up.
08:19Put 50p in your slot.
08:21That Ross knew exactly what his son was doing
08:23and he did nothing about it.
08:26My Tommy's no saint,
08:27but he ain't to blame for what that jail did.
08:29Sure.
08:29If he was to blame,
08:30the old bill would have arrested him.
08:32So before you open your gob again,
08:34make sure you get your facts right.
08:39Oh, where's your action, man?
08:40You're usually joined at the Ips.
08:42Oh, well, he's got an AWOMO, hasn't he?
08:43Not that he's missed.
08:45Takes after his granddad.
08:47Stevie had his wicked way with me
08:48and then run to the hills.
08:50Well, that's not my problem anymore.
08:52Cheers, though.
08:53I was married to a Mitchell and taken from me.
08:55You could do better.
08:56Thanks.
08:58Oh, man, you look amazing.
09:02Thanks.
09:04Right, I'll have your finest bottle of shampoos
09:07and a lemonade.
09:09Oh, big spender.
09:10I like your style.
09:11Yeah, I'll just have a bottle of beer, though.
09:12Thanks, Kat.
09:13All right, now.
09:14Okay, I'll have your finest beer in a minute.
09:16All right.
09:18I'm going to grab us a table.
09:19I'll come over, yeah?
09:24Now, this silt is made of stone.
09:26This silt is made of wood.
09:28Yeah, I'm not blinding it.
09:29And because it is made of wood,
09:30right, you need to sand out any imperfections, okay?
09:32Then you apply the primer,
09:34and then you apply two coats of paint.
09:37In the time it's taken to you explain it,
09:38I could have done it.
09:41Look, Ian,
09:42I, um,
09:43I had a chat with Ross earlier.
09:45Yeah, I'm surprised he's still around.
09:47Yeah, well, he's vulnerable.
09:49You know, he needs support.
09:51Support?
09:52What's in Vicky's face?
09:55Joel's not the first kid to go off the rails.
09:57Are you?
09:58Ooh, still hard at it.
10:00Oh, I thought he was, uh, out for the day.
10:02No, change of plan.
10:03We're taking Vicky to the lakes for a few days,
10:06you know,
10:06for a breather.
10:09Sharon's agging bits.
10:10Right, well,
10:11can't you get bits of the lakes?
10:13I mean,
10:14we'll get a move on that.
10:15Slow down, Harvey.
10:16What, you trying to get rid of us?
10:21What the hell are you doing here?
10:25What are you doing?
10:31Oh, no, no, no.
10:32Say you didn't.
10:33Well, I just thought,
10:34I mean, especially as he's going to be away for a few days.
10:36Well, you thought wrong, okay?
10:38I don't want you anywhere near my family,
10:40all right?
10:40So, look, just,
10:41just take your rubbish
10:43and get lost, all right?
10:44Oh, Ian, there's no need for that.
10:45I don't want to leave you or your son
10:46anywhere near Walker.
10:48You want to watch your mouth.
10:49Me?
10:50You only make it worse.
10:52This has got nothing to do with you.
10:53please.
11:02Don't even think about it.
11:03How many of you are dads?
11:16Our parents.
11:20And how many of your sons
11:22have got a mobile
11:23or a laptop?
11:29Do you know what they're watching right now?
11:32Do you?
11:32Yeah.
11:32I mean, one minute
11:38you're teaching them how to ride a bike
11:40and that's scary enough,
11:42but, you know,
11:42you can't wrap them in cotton wool forever,
11:43can you?
11:46And then the next thing,
11:48you've got this twisted freak
11:49in their ear
11:51filling their head with all this crap
11:53about what it takes to be a real man.
11:54and then my boy did some terrible things
12:01and I want to get my hands around his neck
12:04and I want to throttle him
12:05and I want to ask him
12:07how could you have been so stupid?
12:12I turned him in.
12:16I shot my own son to the police.
12:20I handed him his laptop
12:22with all that vile stuff on it.
12:24But apparently that ain't enough for you lot.
12:30Yeah, you can
12:31light him off,
12:33turn your back on him.
12:35I can't blame you for that.
12:42But what would you do?
12:44Eh?
12:47What would you do if this was happening
12:48to your family?
12:54I did everything I could.
13:00I can't give up on Joe.
13:06Yeah, yeah.
13:07You all right, Ross?
13:08You did everything you could.
13:11For him.
13:11Oh, Kathy.
13:12No, no.
13:13I knew that you did nothing
13:15to protect the women he abused.
13:18And you knew what your son was up to
13:19for months.
13:22You knew it
13:23and you kept it to yourself.
13:26And now,
13:27all those women,
13:28they have to live with what your son did to them.
13:31So whatever you did, Ross,
13:35it weren't enough.
13:36Come on, Kath.
13:37That's enough now.
13:38Let's go.
13:38Let's go.
13:38Let's go.
13:41You're not setting one foot
13:46inside my house.
13:48Just...
13:48Just leave.
13:50What's the point?
13:53It's always right.
13:56I am, my fellow.
13:57Jasmine.
14:12Okay, hear me out.
14:14I was thinking we could do a date,
14:16like,
14:16old school.
14:17I'm listening.
14:18They have a season of old classic rom-coms
14:20at the picture house.
14:21I was thinking pretty woman.
14:23Richard Gere.
14:25God broke the mold when he made that, man.
14:26What, the one about the sex worker
14:28and the millionaire?
14:29Yeah, it's romantic.
14:30I can watch it on repeat.
14:31Okay, you're ruining it.
14:33Well, it looks like you've, uh,
14:35got yourself a date.
14:37I see you.
14:39No, I grew up in Marbella.
14:41My mum and dad ran a bar,
14:42so we helped out.
14:43It's been a while, didn't it?
14:45We've got tattoos to prove it.
14:47Hi, yeah.
14:47Where?
14:50Oh, come on.
14:50You've got to show me now.
14:51No, no.
14:52This is a family-friendly bar, thank you.
14:54All right.
14:55No, yeah, I get that vibe.
14:56Yeah.
14:57Hey, listen, next day I'm taking you out west.
15:00What, the next day?
15:01Mm-hmm.
15:02Dinner, rooftop bar, members club,
15:05you know, the finest.
15:07All right, well, I've shown you mine,
15:09so now you've got to show me yours.
15:10You ain't shown me nothing yet.
15:12I met my family.
15:17Ain't nothing to sell.
15:20No, Mum.
15:23Dad, brothers, sisters.
15:24Okay, so this is just a one-way thing, is it?
15:29Where I'm kind of, I'm kind of done with the silent, moody type, so.
15:33Mom says he was never any good, but when I did meet him, that guy demanded respect, you know?
15:51He showed me off to everyone, spoiling me as well, but me trainers, clothes, you know?
16:00Treat me like a king.
16:01He died when I was 14.
16:09Word on road is he got stabbed with his own knife in some petty scuffle.
16:15And after that, Mum just, erm...
16:19She just snapped.
16:25Got missing for days on end.
16:30Left me and my brother to take care of our little sister, Zaya, by ourselves.
16:36For no love.
16:43For no help.
16:48I'm really sorry that happened to you.
16:51Sorry.
16:56Got out, though.
16:58Survived.
17:02The sun's blazing down on me now, though, right?
17:04Yeah, yeah, it is.
17:09Come on.
17:10Come on, please!
17:11Please!
17:34Hey.
17:41How's Vicky?
17:42You care about Vicky now, do you?
17:44Of course I do.
17:46I don't be like that.
17:47Oh, is that why you invite that man into our house?
17:49Look, I can care about Vicky and Ross at the same time, can't I?
17:53And did you really have to call him out like that in front of everyone?
17:56Do you know what?
17:57I think it's a good job I'm going away.
17:59Before me and you fall out.
18:00You're staying in my house, aren't you?
18:05Don't forget that.
18:06Oh, wind it in, will you?
18:07Ross ain't the one that's banged up, is he?
18:09Well, Joe ought to get it from somewhere.
18:11I mean, it's bad gene pool if you ask me.
18:13I mean, Vicky is well shot.
18:14Didn't you protect Bobby?
18:16I mean, despite everything he'd done, you hid the truth from everyone.
18:19Right, because deep down inside you knew there was good in him.
18:22I've done the same with Aaron, but here we are and we get to argue about painting a window,
18:28so we get to have a pint with our community while Ross is in the gutter.
18:32Aren't we lucky?
18:34Yeah, I'm going to the Vic.
18:35You can do the last coat.
18:36Oh, I've got your text.
18:42You ready?
18:43Uh, ready for what?
18:45We were going to...
18:46Oh, mate.
18:48You been turned over?
18:50No.
18:51I'm looking for something.
18:52Looking for what?
18:55Could it be the car keys?
18:57One last spin, remember?
18:58Car keys.
18:59Yes.
19:00Yeah.
19:01Oh, look at this mess.
19:04It's okay?
19:04No, it's not O, is it?
19:06What's Julie going to think?
19:08Okay, well, you, uh...
19:12Sit there.
19:20Julie always wanted to go to India.
19:23See the Taj Mahal.
19:25We've been saving for years, but then...
19:28Nigel, you told me this yesterday, remember?
19:31Right.
19:31I'm back!
19:36Oh, God.
19:37I'm exhausted.
19:39I got you those brandy snaps at your lap.
19:45Oh, my...
19:46It's okay.
19:47Nigel was looking for something and got a bit carried away.
19:50Car keys.
19:51I was going to take the car for one last spin.
19:53No.
19:53No.
19:54He was just going to show me the engine.
19:55Nigel.
19:57Nigel.
19:58You can't drive.
19:59You know that.
20:04I keep hold of them.
20:07See?
20:07I've told you that.
20:08Yeah, I'm sorry.
20:12Right.
20:14Never mind.
20:14Let's get this place tied it up, then, shall we?
20:18No.
20:19We'll sort it.
20:20Right, Nigel?
20:21Yeah.
20:22You sit...
20:23I'm supposed to be meeting Jean.
20:30So, go.
20:31Go.
20:31Okay.
20:46What was I supposed to do?
20:48I've been raising him on my own.
20:51No, I know exactly what you meant.
20:53Yeah, cheers for this, Paul.
20:54Means a lot.
20:55Are you okay?
20:57Oh, well, you're concerned now, are you?
20:58Yeah, I saw you gulping earlier.
21:02Enjoy the shows, yeah?
21:04Of course not.
21:05I'm just concerned.
21:06Oh, just do one, mate.
21:08Sorry.
21:08That hurt your feelings.
21:13So, where are you now?
21:16Oh, do you know what?
21:17I'm actually, I'm kind of beat.
21:20No, well, like I said, Harry's a fool.
21:24If I had a girl like you, I'd never let her go.
21:28Johnny, you heard anything?
21:35Oh, he's heard all right.
21:36Yep, sacked.
21:37With immediate effect, gross misconduct, and zero chance of a reference.
21:42They're choking.
21:43I am so sorry.
21:44Yeah, all those years of graft down the drain.
21:46Don't worry, darling.
21:46Some people turn up.
21:47And in the meantime, you can help with the boutique hotel.
21:51Fantastic.
21:52Yeah, I mean, he's a nice guy.
21:57But?
21:59But he said Harry's a fool.
22:01I mean, I know he ain't.
22:03He chased me for months, and...
22:06In Brighton, like, we got really close.
22:08It wasn't just like a flint.
22:11Gina.
22:11I'm sorry, but this is textbook ghosting.
22:16No, no, it ain't.
22:17I know ghosting, and this isn't it.
22:21Something's off.
22:25Okay.
22:26Right.
22:28Ready?
22:32Watch this.
22:34Julie?
22:34Um, by way of apology for earlier, Indian take away.
22:43Well, I've just got a lot of food in here.
22:46Yeah, no.
22:47It's, um, it's a taster for our trip to India.
22:55I'm a what?
22:57You've had to put up with a lot from me.
22:59So, um, I wanted you to have something to look forward to.
23:06Um, because I love you.
23:10And you deserve it.
23:12So I'm selling a car, and it's time to turn our dream into reality.
23:19Delhi, Jaipur, Agra.
23:23The Golden Triangle.
23:25But really?
23:26Really.
23:27And before our real trip to India, I thought I'd give you a taste of India.
23:34Oh, you big softy.
23:39So you're both going to India?
23:41Of course we're both going to India.
23:44Thank you, you're so thoughtful.
23:47It all gets cold.
23:48He can hardly find his way to Stratford on the 108.
23:59How's he going to get to bleed in India?
24:05What, so is that your side hustle, yeah?
24:07Reconnecting pensions.
24:08You don't fool me, Jasmine.
24:09I see you.
24:10I knew you were a sucker for romance, Ria.
24:12I don't have to prove myself much more to get to your home.
24:14Oh, is that right?
24:15Yeah.
24:16Maybe.
24:18Anyway, I guess asking you to see a film about a hooker...
24:22Sex worker.
24:22Sex worker wasn't a great move, but...
24:26How come?
24:27Really?
24:28Yeah, sure.
24:30Pretty women.
24:31But I'm paying.
24:33I'm a modern man.
24:34I don't have absolutely no issues with that.
24:47Boss?
24:49Come on, mate.
24:50No, no, no, I'm all right.
24:53He's wasting me.
24:54It's fine, it's fine.
24:56That cut looks nasty.
24:57Come on, let's have you.
24:58Come on, mate.
24:59Nice and easy.
25:01Come on, mate.
25:01Yeah.
25:02I'm up.
25:02You never told me how funny Gina is.
25:23Oh, man.
25:25Got pretty wild.
25:25Yeah.
25:29She can handle abuse as well.
25:32But, you know...
25:34My favourite bit of the date was...
25:37Was tracing my finger...
25:40Along her tattoo.
25:43Oh, man.
25:44She was, uh...
25:44She was quivering.
25:48I think that's her sweet spot.
25:49Yeah.
25:49I swear...
25:57I swear...
25:58I'm gonna kill you.
26:06Nah.
26:09Nah, I don't think you...
26:10Look at me.
26:16Look at me.
26:21No one's coming for you.
26:23Hmm?
26:25Not your family.
26:27Not Gina.
26:31No one's gonna miss you when you're gone.
26:32Sharon's just dropping Albie at Zach, she won't, you know.
26:51Yeah, he likes looking after Albie.
26:53He's a good bloke.
26:56Listen, I'm sorry about earlier, all right?
26:58But you've got to stop feeling guilty about Ross.
27:00He can look after himself.
27:02Yeah, let's just get going, eh?
27:05In you get.
27:11Er, just give me a minute, all right?
27:19Oh, no, you have got to be joking.
27:23I've done it post-act.
27:24It was covered in all sorts.
27:25Yeah, well, I can see that.
27:27He's taken care of, Kath.
27:29If anything happens to him, what's that going to do at looking?
27:32Oh, nice try, Harvey.
27:33But he ain't staying here, Ian.
27:34Yeah, Mum, he is.
27:36What?
27:37What after everything he's done?
27:38He's hit rock bottom, OK?
27:41Look, I know what that's like.
27:42I've been there.
27:44You both have.
27:49Come on, Kath.
27:51You missed the train.
27:52And you better pray that Sharon and Vicky don't find out.
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