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00:00The stage is set for the Dola Next presents
00:05Kashmir 10th Hum Awards
00:07Powered by Leather Galleria
00:10Luxury Leather Furniture
00:12And Tap Tap Send
00:14Saturday 11th October 2025
00:17At the NRG Arena, Houston, Texas
00:20Be there for your favourite stars
00:23Mahira Khan
00:25Adnan Siddiqui
00:28Bushran Sari
00:30Tajl Ali
00:33Faisal Qureshi
00:35Hania Amir
00:38Bilal Abbas Khan
00:40Sara Khan
00:43Imran Ashraf
00:46Sonia Hussain
00:48Ahaz Raza Meir
00:51Tanam Saib
00:53And Mohit Mirza
00:55Mavera Hussain
00:57And Many More
00:59One Stage
01:01One Night
01:02And Spectacular Celebration
01:05To Get The Group Discount
01:07Book Your Tickets Now
01:09Log On To www.hum.tv
01:13Or www.ticketmaster.com
01:16For Sponsorships
01:18Contact
01:18Mr. Naveed Aadam
01:20Hum Network Limited
01:21No
01:36Our
01:51My family is coming.
01:52I didn't think that I had to enter the drama in this way.
01:56I would like to ask one question.
01:58Then I would like to ask one question.
01:59I would like to ask one question first.
02:00I would like to ask one question first.
02:01Fakra and Buchra are my son.
02:08So Fakra, who are those figures?
02:10They are all figures.
02:12But there are no figures that are on stage.
02:15Where are they?
02:17In our family, after the marriage,
02:20the first time the sister is married,
02:23they are all figures.
02:26They are all figures.
02:27They are all figures.
02:28They are all figures.
02:30I mean, pranks?
02:33Yes.
02:34Pranks.
02:35And very dangerous.
02:36They should be banned from them.
02:39And what do they do with the sisters?
02:42Oh, they are also very bad.
02:45So, this house is my son's house.
02:48And you will stay here until we open your heart.
02:52Yes.
02:53No.
02:54This is my son's house.
02:55I can't wait for so long.
02:57Why do you have tension?
02:59I am.
03:00We will stop you.
03:02Okay.
03:03Yes.
03:04Yes.
03:05Yes.
03:06Yes.
03:07Yes.
03:08Yes.
03:09Yes.
03:10Yes.
03:11Yes.
03:12Yes.
03:13Yes.
03:14Yes, I can go to the door.
03:15Yes, we will see the door.
03:16Yes.
03:17Yes, I can go.
03:18You can tell me a son, but listen to someone's face to a son.
03:36My son is also a son, Rizwan.
03:42She's a girl. She's a girl. She's a girl.
03:47She's a girl. She's a girl.
03:51I feel like she's a girl.
03:54Yes.
03:55I wanted to say that she's my oldest daughter.
04:03She's my heart.
04:06We are very poor.
04:10When you have your heart, I can't do this.
04:15My decision was absolutely true.
04:17We are not in front of you.
04:22This is a flower.
04:26This is a flower.
04:30It doesn't have a relationship.
04:33It doesn't have a relationship.
04:40Overacting.
04:43What are you talking about, Bhaishwira?
04:45This is your big issue.
04:46You have so much love, calm,
04:50and you are going to understand everything.
04:52And you are going to be a good girl.
04:53Bhaishan! Bhaishan! Bhaishan!
04:56What? What?
04:57You are going to break down.
04:58Bhaishan, let them all stop you tonight.
05:00Please! Please! Please!
05:01What happened?
05:02Bhaishan, let them all stop you, Bhaishan, Bhaishan and Bhaishan.
05:14We have to do it.
05:16Bhaishan, Bhaishan, Bhaishan, Bhaishan.
05:21I am going to break down.
05:23Okay. We will stop.
05:25We will do it.
05:27We will do it.
05:28What will we do?
05:30What will we do?
05:31No, it will not be done.
05:33Bhaishan, Bhaishan means that
05:34with more happiness,
05:36we will do it again.
05:38We will stop.
05:40Yay!
05:41Bhaishan, Bhaishan!
06:13And then the third thing happened that Irfan Sahib had been on our trial and then the fourth thing happened that Irfan Sahib has loved our daughter.
06:28This is a four-year-old. It was a four-year-old.
06:32Yes, my father was very scared. I thought that I was going to do what I was going to do.
06:37But then I realized that my daughter's daughter's daughter, my daughter's daughter's daughter, if she didn't have a daughter's daughter,
06:47I don't know.
06:48I was going to do what I was going to do.
06:55But I can't believe that today,
06:59you all have to be happy with me today,
07:05you all have to be happy with me today,
07:07you all have to be happy with me today.
07:12You all have to be happy with me today,
07:14you all have to be happy with me today.
07:19You all have to be happy with me today.
07:29I think that it's a real truth.
07:32I believe that it's true.
07:34I feel that there is no doubt.
07:39But I feel that I am not thinking about my love.
07:45But what I believe is that when you have to accept my daughter,
07:48and you have to keep your daughter,
07:50until you say that I will be here?
07:59It feels so good.
08:04Today, my friends are very happy in my house today.
08:13In fact, Irfan Sahib, my and your story is just like that.
08:16You married in love with your daughters.
08:20And I can't do this.
08:23Who do you married from Musa?
08:29It's like a big man.
08:47I'm going to go.
08:51What will you be happy about my two brothers?
08:54I'm going to go.
08:56Habib Sahib, leave them in the guest room.
08:59And Saman, would you like Saman?
09:02No.
09:03We took Saman.
09:05We have to leave the car outside.
09:08I'm going to go.
09:10I'm going to go.
09:11I'm going to go.
09:12I'm going to go.
09:13What do you think of Bhaibashi?
09:15Yes.
09:16In fact, Bhaibashi is a business man inside.
09:22When they came here, they have their own things and they make sure that they are going to be home.
09:30There is a roadblock or a roadblock, so that's why they put their own things together so that they can't go anywhere at night.
09:44Come here.
09:45Let me show you the guest room.
09:47This?
09:48This?
09:49This.
09:54What do you start in Europe?
09:56Europe is a child.
09:58Children keep playing.
10:00This is what Nassara used to explain to you.
10:03Yes.
10:04I thought that I'm going to behave in the truth.
10:06No, don't understand.
10:08It will be in another place.
10:10If there is something else in this place,
10:12then we will be delayed.
10:14What will I do?
10:16When Nassara tries to make a lot of money,
10:19we have to make a lot of money.
10:21After that, she was sitting in the restaurant,
10:24she was sitting in the restaurant.
10:25She was very busy.
10:27made a book?
10:28Yes.
10:29We sat in the restaurant in the restaurant.
10:33We were worried about them.
10:34and the last,
10:35at the beach restaurant,
10:36I was making a book for me.
10:39That was true.
10:40No.
10:41It happened.
10:42It was true that,
10:43I thought they were like,
10:44I had to give you a picture of me.
10:46They called me to police.
10:48What?
10:49What do you think?
10:50What do you think about Nassar Appa's house?
10:53Think about it.
10:54Nassar Appa didn't listen to such a crazy story.
10:57Mirip listened to his house as well.
10:59That's why I didn't tell you.
11:01They're like Mirip.
11:03They're copying their actions.
11:05No, I don't know.
11:07I don't know.
11:09Once we're in a house,
11:11the whole heart is Nassar Appa.
11:14I'm going to go and see myself.
11:17I'm going to meet Nassar Appa's house.
11:26Okay, I got to meet you.
11:28Don't tell me anything.
11:30Nassar Appa's house is very proud.
11:32He's not going to get the head of Baibashir's house.
11:35I've seen Mirip's house.
11:38He took the firework in his face.
11:41And the photographer was looking at pictures.
11:44But I don't know if you're thinking about the same lines.
11:47Why are you acting acting?
11:49You didn't have to open all the streets.
11:52Yes, but then I knew Adibad, right?
11:55Adibad?
11:57Yes.
11:58Nassar Appa was sitting in a restaurant with burka.
12:01Burka?
12:03Yes.
12:05What love?
12:06Nerev's eyes.
12:08Yes.
12:09And the police were not coming there.
12:11I'm telling you.
12:12This is a great movie, you know.
12:14If there's no work,
12:15we leave Nassar Appa.
12:16Nassar Appa is playing the game.
12:18The Nassar Appa is playing the top-keeper.
12:21My husband is saying something else.
12:24I can't trust you now on Nassar Appa.
12:27Siddhi.
12:28Hahaha.
12:29Hahaha.
12:30Hahaha.
12:31It's amazing.
12:32Everything is so perfect.
12:33My brother, Bashir.
12:34It's amazing.
12:35Yes.
12:36But now, the tension is that Mirab has stopped at night.
12:39There's no door open.
12:40I don't know anything.
12:42I know, seeing all of them, I felt that my decision was right.
12:47My wife didn't change my life.
12:49Yes.
12:50And Mirab, she was so loving.
12:52She was like a child.
12:53She was like a girl.
12:54She was like a girl.
12:56And then, the rest of her life is strange and abnormal.
12:59Sorry, I have a lot.
13:03No, it's like that.
13:04Just to see what you see with Fakhrar Abha.
13:08Before I see, I can't sleep in the room.
13:11Because you can't sleep in the guest room.
13:13You'll come to the girls.
13:15Oh, yes.
13:17You'll be there.
13:19Fakhrar Abha, I'm going to the guest room for a while.
13:23I'm going to the guest room for a while.
13:24I'm going to the guest room for a while.
13:26I'm going to the guest room for a while.
13:27Okay.
13:31Koshra, thank you so much.
13:33You're out.
13:34I'm sorry.
13:35I'm happy not.
13:36You're out of your house.
13:37I didn't come to the guest room.
13:38I didn't want to.
13:39I didn't care for you though.
13:40I don't want to.
13:41I'll be at home.
13:43I'll be at home.
13:44I'll leave you alone.
13:45I'll change my husband.
13:46My husband is normal.
13:48That's my husband.
13:49I'll be with a husband.
13:50Anyway, I'll be with a husband.
13:52Yes, you've done commitment. You'll need to learn more.
13:59They say that commitment is a good way to learn a good job in a career.
14:05So, we're all ready.
14:07Before that, I said that you can listen to me.
14:22You've done commitment is a good way to learn a good way to learn a good way.
14:43She's a good way to learn a good way to learn a good way.
14:58Oh, Mr. President.
15:00I'll get your clothes and I'll sit in the morning.
15:04Yes, Mr. President.
15:06I didn't have a job.
15:08We're all alone.
15:10If you don't have any clothes, you'll have to do it.
15:14No, I don't have to worry about it.
15:16I've also put water in this table.
15:18I've also put water in the dispensers.
15:20So I've also changed it.
15:22Actually, the guest room doesn't have to use it.
15:24It's just a little bit.
15:26But in the bathroom,
15:28it seems that someone has used it for a few hours.
15:32And the clothes are too tight.
15:34Is there anyone staying here?
15:36It's possible that someone is scared.
15:39Okay.
15:40I want to tell you something.
15:43Chacha, thank you.
15:49This is such a big house.
15:51What are you doing?
15:53It's going to be a good house.
15:55I don't know what to do in this house.
15:57What are you doing?
15:58What are you doing?
15:59How much as you're doing!
16:00What a nice house!
16:01What?
16:02What's your attitude like?
16:03What?
16:04You've crossed the line.
16:05Oh, how can you act?
16:06Oh, I've done acting.
16:07You've said so much.
16:08What?
16:09You are so talented.
16:12Have you seen your father?
16:15What have you done acting?
16:18Overacting, father?
16:20Why did you speak so many dialogues?
16:22Why were you talking about the story?
16:24And tell me one thing.
16:26Why did you say that you were my 133?
16:30I am a little autofractice.
16:33And if I don't say that,
16:35then it's a big deal in the story.
16:37Now listen.
16:38Listen.
16:39You are my little girl.
16:40Yes.
16:41Where do you feel from your brother?
16:43But the story has become very good.
16:45That's why we don't forget.
16:47There was also a story that they said
16:49that Europe's father was not his father's father's father's father.
16:56Let's go.
16:57Come on.
16:58Tell me.
16:59How are you?
17:01Shondor.
17:03Wow.
17:04The location is so good.
17:06And I can't tell you the truth.
17:09And I wish you all the truth.
17:11I wish you all.
17:12I wish you all the truth.
17:13You are right.
17:14Amen.
17:15ڈرفان کی بھولی بھولی شکل دیکھ کر
17:18مجھے اپنا رضوان یاد آ گیا
17:20باست
17:22جلدی سے اپنی ماں کو اور
17:23رضوان کو فون لگا
17:25یہ دونوں جدر جاتے نا ادھر کے ہو کے رہ جاتے ہیں
17:28اب جب تک چھٹیا ختم نہیں ہوں گی نا
17:30آئیں گے نی یہ دونوں ماں بیٹے
17:31اببا اببا اببا
17:33ذرا تھوڑی دیر کیلئے رضوان مینیا کنٹرول کریں
17:36ابھی بات یہ ہے
17:37کہ ہم نے فگر آؤٹ کرنا ہے
17:39کہ یہ سٹوری آگے کیسے چلانی گے
17:41You're the main cast, you're the main cast. You're the main cast.
17:45We're the guest appearance.
17:48I think it's a shame.
17:51What?
17:52When we came to the room, I thought I was sleeping or sleeping.
17:57I gave Husserl Khane clothes and gave it to Habib.
18:04Nothing happens. It's Rama.
18:07You'll know him.
18:09In fact, there's no camera here.
18:13Hmm.
18:14Mr. Bhushra, thank you for your own offer.
18:17Otherwise, we were the ones who were saying themselves.
18:19There will be Shari's money to keep in mind.
18:22Yes, I don't know. What's he doing now?
18:25Hmm.
18:27What do you want to do?
18:29You're going to take a look at people's doors.
18:31That's right.
18:33I'm going to say,
18:34Mr. Bhushra, man...
18:36Not Husserl Khane.
18:38Be your the money to keep your money.
18:40Not Husserl Khane.
18:42Not Husserl Khane.
18:44Don't be so happy.
18:46I'm sorry.
18:54What's this? Now you'll wear this?
18:56Listen, it's a top of the top and the top of the top of the top.
19:02Wow, mashallah.
19:04In a few days, you've always been talking to seniors.
19:07So, you're just a senior-couple.
19:09What the hell?
19:11You've got a lot of money in marriage.
19:14I had to go to the kitchen and break my time.
19:16And if you have a new teacher, you will be a senior.
19:19Look, look.
19:20I'm sorry.
19:21I'm sorry.
19:22I'm sorry.
19:23Good.
19:24Tell me.
19:25What is this?
19:26It's a statement.
19:27What kind of thing?
19:28That she's not that she's still being.
19:31Yes, she's a girl.
19:33My God, it's a miracle.
19:37Look, how she's still being a girl.
19:39She's not going to be a girl.
19:41How do you know?
19:42Oh, she's a girl.
19:44This is not the case.
19:45Oh, my God.
19:46Thank you so much.
19:47You were afraid of me.
19:48Okay.
19:49So, what is this?
19:51Bhirpan Sahib was not in her room with her.
19:53It was in the guest room.
19:55There was a bed.
19:56There was a bed.
19:57There was a bed.
19:58There was a bed.
19:59There was a bed.
20:00Okay.
20:01So, the first night, the food came out.
20:03Okay.
20:04God bless you.
20:06Look, I don't want to understand this.
20:08I don't want to understand this.
20:09I don't want to understand this.
20:11What did you do with the one?
20:12What did you do with the other person?
20:13What did you do with the other person?
20:14In every third drama,
20:15he leads the woman with the woman and the woman and the woman.
20:18My heart are just going to give her a heart.
20:21I have no idea.
20:22And the woman takes away the woman.
20:24And she takes away the woman,
20:25at the hotel room.
20:26And she sees the woman on the sofa,
20:27she sees the woman.
20:28Now, understand what's that?
20:29The people are not capable of telling the woman that
20:31can tell her my mind.
20:34I'll tell you what happens.
20:36Stay, let's see what happens.
20:42Oh, I've died.
20:56Don't stay on the road.
20:59Don't stay on the road.
21:01It's not going to be there.
21:12Don't stay on the road.
21:16Don't stay on the road.
21:21Don't stay in the city. Don't stay in the city. Don't stay in the city. Don't be happy with the pocket mark.
21:30What the hell? The stars are coming. All the visitors are coming. You too.
21:36Oh my God, this is such a dream.
21:39What are you saying?
21:48Now?
21:50What are you?
21:52Where are you going? You will hear the sound of the stars?
21:54No, no, no.
21:57I was just watching this dream.
21:59I'm going to be a chokidar and I'm going to be a chokidar.
22:05I'm going to be a chokidar.
22:07And I'm saying that...
22:09Don't stay in the city. Don't be happy with the pocket mark.
22:15Huh?
22:17What's that?
22:19Oh my god! She fell. She's gone.
22:21I'm going to die.
22:22As long as we are not going to work, the enemy is here to the end of the kitchen garden in front of the end of the kitchen garden.
22:37The kitchen garden is not there anymore. I don't know what will happen there.
22:43What happened to you guys?
22:47I'm a big fan of you. I wanted to say to you guys.
22:52What happened? Tell me what happened.
22:54Why is this a shame? I want to talk to you guys.
22:59You guys are the only reason.
23:02I mean you guys.
23:04Nothing happened.
23:06Nothing happened.
23:08Nothing happened.
23:09Nassar, I'm giving you a shame.
23:11A shame.
23:13I mean you are the only one who made a man.
23:18You know what you are the only one who knows.
23:22You don't want to go there.
23:24Tell me that you are double agent.
23:26What are you saying?
23:28You are the only one who is here.
23:31You are the only one who is here with us.
23:33And you are the only one with the guests and the guests.
23:36What a shame.
23:38What are you saying?
23:40You are the only one who came to us.
23:42You are the only one with the guests.
23:43Where we came in?
23:44Yes, you are the only one with the guests.
23:47What's that?
23:48That's why it was just one.
23:50This is the only one with the guests.
23:52How do you do?
23:53The guests.
23:55And that's why they call the guests.
23:57Why did you call them for the guests' time?
23:59You said before and now you gave it to me.
24:03This was our plan.
24:05This was your and your brother's plan.
24:08You made us like four people.
24:12You don't understand the wrong way.
24:14This is the wrong way.
24:16I'm telling you that I'm with them,
24:19and I've discussed my own plan before you guys.
24:23I don't know.
24:24I don't know, but there's something strange.
24:28My brother, we married first.
24:31And then she got a guest room.
24:35And we're just planning.
24:37We're planning.
24:38We're planning.
24:41Look, this change will help us.
24:44Do you believe me?
24:47Are you our leader?
24:48No, I'm not a leader.
24:50But we're all doing this work.
24:52We're a team.
24:53No, there's no team.
24:56First of all, let's clear our views.
24:58And what were you doing there?
25:00I'm not a leader.
25:03But I'm not a leader.
25:04I'm not a leader.
25:05I am not a leader.
25:06I don't know, but I'm not a leader.
25:07I don't know who you are.
25:08But I'm not a leader.
25:09Oh
25:39Maybe if we have to agree with the agreement, then we will do it.
25:43But the agreement that we have done before, is it what we have done?
25:46It will be done, until we will sorry.
25:50So what do we have done?
25:52First of all, when we take a loan,
25:56the girls, the girls who have the best,
26:00the best auntie is behind us.
26:06It's not a joke, it's not a joke.
26:09No, I will do it.
26:12Who are you?
26:14With me?
26:15With me with me.
26:18You will put me with me, and you will put me with me, right?
26:23You are crazy, who is it?
26:25Why do you talk to me?
26:27I am a big one.
26:28What? I will tell you, I will tell you.
26:30I will tell you, I will tell you.
26:33You will tell me, how do you put me?
26:36You will tell me, I will tell you.
26:38You will tell me, I will tell you.
26:40But you will not be the case.
26:46What do you mean?
26:48What do you mean?
26:50What do you mean?
26:52What do you mean?
27:11Allah!
27:12It's a big shame.
27:13It's a million, million, million shukr.
27:15Allah!
27:16You have such a good place.
27:18You have to open my eyes.
27:20You have to open my morning.
27:22Where am I?
27:23I was living in the jungle.
27:25And here?
27:26Allah!
27:28Greenery, pool,
27:30flowers!
27:31Allah!
27:32It's a million, million shukr.
27:41It's a million, million shukr.
27:48I wanted to say something about you.
27:50If I come to the kitchen, you will be very sad.
27:55That's why my wife and I will bring you to the guest room.
27:59Abba Ji?
28:01Brother Bashir!
28:03Brother Bashir!
28:05They look good for bread.
28:08They look good for bread.
28:11And for me, you will have
28:13annda,
28:14lassi,
28:15shahed,
28:16halwa puri
28:17and
28:18chai.
28:19I'll take it.
28:20And Irfan knows what they eat.
28:23I'll take this omelette
28:25for a while.
28:27Hmm?
28:28Besides these two people,
28:30you are also a good partner.
28:32Yes.
28:34Rizwan,
28:35there are three daughters.
28:37And who can you?
28:38Who can you?
28:39Why?
28:40I've asked for a question for the details.
28:45Oh.
28:46I've done well.
28:48He'll give you a meal soon.
28:49He'll give you a meal soon.
28:52He'll give you a meal soon.
28:53He'll give you a meal soon.
28:55He'll be a meal soon.
28:57I'll take a meal soon.
28:58I think it's a good thing.
29:03Habib sahab, what is this?
29:06I was running away from one mother and I was running away with you.
29:09There are five girls here, let's go.
29:11But this is the same thing that we have.
29:13What happened to this?
29:15Look at the flowers and the flowers, what happened to this?
29:19This is the flowers.
29:21This is the flowers.
29:23It's been so long.
29:25I've seen a long order, this is Bushra.
29:28That's the Bushra who came to his house,
29:32that's how it was used with his cockroaches.
29:35Listen to me, we'll leave here.
29:38First of all, we'll know each other.
29:40Then we'll have five people.
29:41Please, please, please.
29:43The charge is closed.
29:45You were saying absolutely right.
29:47Bushra was our team.
29:49Bushra was our team,
29:51who was here.
29:55I'm coming, I'm coming.
29:57It's time to sleep at the morning.
29:59You come to the guest room and talk to Abba.
30:01I'll take the shower.
30:03We'll take the shower,
30:04we'll take the shower,
30:05and we'll never talk.
30:06Come.
30:09Sorry.
30:13Come.
30:25What was the case of being outside?
30:27He's talking outside.
30:29He's talking outside.
30:33What was the need for him to talk to him?
30:35Abba, you can't do it.
30:37My son, my heart wants to talk to him.
30:42Today, you have to speak very little less.
30:45You've forgotten the situation.
30:48What was the need for him to talk to him?
30:50What was the need for him to talk to him?
30:54I don't have to teach acting.
30:56I'm a very old actor.
30:58He's called the economy of characters.
31:02If you say the baby,
31:04then the baby is killed.
31:06If you say the baby is killed,
31:07then the baby is killed.
31:09Then the baby is killed.
31:10I'm not a child.
31:11Do you know how a character is made?
31:13How?
31:14Very bad.
31:1560 years old.
31:17How bad it feels like a child.
31:20Now, the character is changed.
31:2260 years old.
31:24Chronic bachelor.
31:26Is it true?
31:27I'm saying that right.
31:29It's true.
31:30It's true.
31:31It's true.
31:32It's true.
31:33It's true.
31:34It's true.
31:35It's true.
31:36It's true.
31:37It's true.
31:38It's true.
31:39It's true.
32:07Don't think we'll survive this happen.
32:09I'm so happy.
32:11I'm so happy.
32:13I'm so happy.
32:17They're so good.
32:19They're so happy.
32:21They're so happy.
32:23They need to tell me
32:25that they're going to take care of me.
32:29I'm so happy.
32:33I'm so happy.
32:35I'm so happy.
32:37If you tell me, you'll kill me.
32:39If you tell me, you'll be so happy.
32:41What do I do?
32:43I'm so happy.
32:45I'm so happy.
32:51I'm so happy.
32:53I'm so happy.
32:55It's morning.
32:57I told you.
32:59I'm so happy.
33:01You're not listening to me.
33:07I'm so happy.
33:09I'm so happy.
33:11I'm so happy.
33:13I'm so happy.
33:15I'm so happy.
33:17I'm so happy.
33:19I'm so happy.
33:21Don't do it, boss.
33:23I'm so happy.
33:25I'm so happy.
33:27I'm so happy.
33:29Oh my God, I'm hungry.
33:34If you do this, I'll eat it.
33:36Don't do it, boss, I'm hungry.
33:39Tell me, how do you get food without money?
33:46I'm asking.
33:47I'm asking.
33:49Look, it's the same way.
33:51Either we ask direct money,
33:53and we go and buy it for that money,
33:55or we go and buy it for some place.
33:59Do you know this?
34:01Yeah, Sherry, I'm just telling you
34:03that it's good to be in the gym and training.
34:05First, we're going to go to the gym,
34:07and now we're going to go to the gym.
34:09Is that my fault?
34:11No.
34:12I'm going to leave it for you.
34:15I'll leave it for you.
34:17I'll leave it for you.
34:19I'll leave it for you.
34:21I'll leave it for you.
34:23I'll leave it for you.
34:25To kill?
34:26To kill?
34:27To kill?
34:28To kill?
34:30To kill?
34:31To kill for you.
34:33To kill?
34:34To kill?
34:35To kill?
34:36To kill?
34:37To kill?
34:38To kill?
34:39To kill?
34:40To kill?
34:41Bet you're gonna live outside,
34:42and give the children life.
34:43God will be healed of your mother and deus.
34:44To kill it.
34:45You'll just give it a hand.
34:48Please give a box and give yourself a look.
34:50The box does not leave.
34:52Please take a bowl of a biscuit from here.
34:54Please give your husband a biscuit.
34:57I don't want to ask for.
34:58I don't want to do anything.
35:00Give the whole package.
35:02You give only around 500 dollars.
35:04I will give you one biscuit.
35:06You don't want to ask for it.
35:14Don't you eat anything?
35:16Hmmm... He did not eat anything. I had it never eaten it.
35:21This is a price of production.
35:24The price of production is fun.
35:27He has so many days.
35:29They eat a lot of money.
35:31Stop! Stop!
35:33But look, if you had to wait for them,
35:36For a while, you'll be evil.
35:38Please let me, why is he evil?
35:41What am I saying?
35:42What is the first experience of my life?
35:44We'll do a scene in the first place, then we'll do a scene and then we'll do a dance.
35:48I'll go back and see if I'm a woman in the real world, I'll call her.
35:52I'm just saying that you're right.
35:54The feeling of this set is very good.
35:57It's very good.
35:58And the actors are like a little girl.
36:02What a matter of fact, Nassaraki.
36:04I mean, these people who give awards, I have a choice.
36:09They always give heroes and heroine awards.
36:12In fact, they should give awards for the show.
36:19You're saying that you're a fish in water.
36:23You're giving awards for the industry.
36:25They're telling you the category of awards.
36:28The fact is that they've given us a lot of people who know them,
36:37who give money, who love them, who give awards.
36:42You're giving awards for the show.
36:44It's our fault.
36:45It's all about giving awards for the show.
36:48It's all about it.
36:49I'm here.
36:50Come on, Nassaraki.
36:52It's hot.
36:54If you come, I'll eat it again.
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