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Ek Jhooti Kahani Episode 13 [CC] 18_Oct_25_-_SPON_by_Lifebuoy_Shampoo__Leather_Galleria_-_HUM_TV(18)ek jhooti kahani drama, ek jhooti kahani drama ost, new drama ek jhooti kahani, ek jhooti kahani drama all cast, ek jhooti kahani drama cast salary, ek jhooti kahani drama actors real life, ek jhooti kahani drama new actress name, ek jhooti kahani drama actress mothers, ek jhooti kahani drama cast real life partners, new drama aik jhooti kahani, ek jhooti kahani, ek jhooti kahani 11, ek jhooti kahani ost, ek jhooti kahani ep 11, ek jhooti kahani promo, ek jhooti kahani teaser, ek jhooti kahani today ep
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00:00รถk
00:05ร o
00:12เฅ
00:14เคเค เคธเฅ เคฏเฅ เคเคฐ เคญเคพเค เคเคพเคจ เคเคพ เคธเฅเคธเฅเคฐเคพเคฒ เคนเฅ
00:16เคเคฐ เคเคช เคคเคฌ เคคเค เคเคนเคพเค เคฐเคนเฅเคเคเฅ เคเคฌ เคคเค เคนเคฎ เคฆเคฟเคฒ เคเฅเคฒ เคเฅ เคฐเคธเคฎเคฟเคจเคพ เคเคฐ เคฒเคฟเค
00:21เคญเคพเคน เคเคฏเฅ เคถเฅเคฐเฅ เคเฅ เคเคฟเคฌ เคเค เคเค
00:23เคฎเฅเคเคเฅ เคเคคเคฟเคนเคธ เคเฅเค เคเคฐ เคเคนเคพ เคฐเคนเฅ เคนเฅ
00:25เคฎเฅเค เค
เคฌ เคนเฅ เคจเคพเคธเคฐเคพ เคชเคฐ เคฌเคฟเคฒเฅเคเฅเคฒ เคเคนเคพ เคจเคนเฅเค เคเคฐ เคธเคเคคเฅ
00:27Irfan is so good and I pray that you and Irfan will be in the real world.
00:33Amen.
00:37I'm here.
00:38Come on, baby.
00:39Do it warm.
00:42If Irfan comes, then I'll eat it again.
00:49What did I say?
00:51What did I say?
00:52What are you talking about?
00:54How much is he feeling?
00:56Irfan will come.
00:57I don't want to eat it.
00:59He'll have a camera.
01:02I'll eat it again.
01:03I'll eat it again.
01:04It's very good.
01:06Huh?
01:07I'll take it first.
01:09What the hell?
01:13You've already understood the situation.
01:15The story is very fast and good.
01:18You have to focus on Nassar and Mirab's mistakes.
01:23And Pachra Apa, when everything is happening, you just have to throw it away.
01:27That means extreme action.
01:29I'll be right back to you.
01:31You're right.
01:32You're right.
01:33What do I do?
01:34I'll be right back to you.
01:35You're right.
01:36You're right.
01:37I'll be right back.
01:38I came to the house of Amir's daughter, a poor brother took fruit and took fruit from the gate.
01:44It was supposed to be my fault in the gate.
01:48I had to change the character. Where did they change the character?
01:52You just go with the same answer.
01:55Oh my god, my character is very strange.
01:59It's a great deal.
02:01My husband's house is a husband's house.
02:03My husband's house is a brother's house.
02:05My husband's house is a husband's house.
02:07Oh, what are you saying?
02:09These people have made these people who were afraid that you had to leave the law of the government.
02:14This show is not for them.
02:16They are not a target audience.
02:18You are only with your work, brother.
02:20Until you get the power.
02:25But...
02:27I have to remember one thing, Madam Bushra.
02:30These are all side tracks.
02:32The original story of the world that I have discussed is that it's a house that is very chaotic.
02:40The girls are bigger, they run away.
02:43They have a grocery store on the credit,
02:45so a girl comes with a beautiful, beautiful and loves everything.
02:49Absolutely sir, it will be like this.
02:52I have made a character sketch of everyone.
02:55Can you show it?
02:57Yes, let's share it.
03:00Tell me.
03:02It's a good character.
03:05I have written it.
03:07I'll take it.
03:12You have a great house.
03:16Gushra, do you know why we both say,
03:20why don't we come here and why don't we stop here?
03:26Because we want to act.
03:29God, we are doing two acting.
03:31One is in this show and one is in front of us.
03:35Why?
03:36I'm telling you.
03:37Because you have to live in this field.
03:39I'll tell you more.
03:41These artists are very sensitive and sensitive people.
03:44They are very sensitive.
03:45But because they have a relationship between colors and the shadow from the world,
03:48They are laughing and smiling.
03:49They are laughing.
03:53They are laughing.
03:55They are laughing and throwing a little baby.
03:57and throw it to her.
03:58Papa!
03:59Please, don't bore or confuse.
04:02That's the same way.
04:04These powerful people come back to us.
04:06They walk around and throw it to us.
04:09Yes!
04:10How many heroines and characters,
04:14how many actors have killed them.
04:17But people have stopped them at home.
04:19Yes, then.
04:20This is also happening with you.
04:22Sherry has got behind you.
04:25Sherry didn't have money for me.
04:27I went to her.
04:29That's what happens.
04:31We go back to them for money
04:33and give them two money.
04:35But we don't have to understand our rights
04:37that Sherry understands you.
04:39Where did Abba come from?
04:42We know that every artist's father
04:44knows that Sherry can't save you.
04:48That's why they want to do acting.
04:52And that's why they're hiding here.
04:55Oh!
04:57That's what it is.
04:59Yes.
05:00They're scared.
05:01Because they know that they can't do it.
05:05And they don't want to stop us.
05:07That's why they want to do acting.
05:11That's what it is.
05:13It's better that you try to do it
05:16that my Abba's character
05:18will be long enough
05:19so that we'll sit with you in the house.
05:21Hmm.
05:23Hmm.
05:24Hmm.
05:25Hmm.
05:26Hmm.
05:27Hmm.
05:28Hmm.
05:29Hmm.
05:30Hmm.
05:31Hmm.
05:32Hmm.
05:33Hmm.
05:34Hmm.
05:35Hmm.
05:36Hmm.
05:37Hmm.
05:38Hmm.
05:39Hmm.
05:40Hmm.
05:41Hmm.
05:42Hmm?
05:43Hmm.
05:44Hi.
05:45Hmm.
05:46Huh?
05:47What did he teach you?
05:48Might say something.
05:48Yep.
05:50Yeah.
05:51It should be ederim.
05:52ะธััั paybacked.
05:54It's in the Pagra and Bashir Samousa.
05:57What?
05:58Yes, there was a guest room in the guest room.
06:00And Irfan also did it.
06:03My brother, he also did it.
06:06And in this shock,
06:08Habib has gone twice a few times
06:11and a half a half a half.
06:14It's not going to happen.
06:17It's going to happen.
06:19And it's going to be very bad.
06:24Are you in the guest room?
06:27Yes, yes.
06:28And the speakers are still coming.
06:30MashaAllah.
06:32When I went to tea,
06:33all of them are sitting in a happy family.
06:36There are two brothers and sisters.
06:39No.
06:40There are two brothers and sisters.
06:43They are sitting in a perfect happy family.
06:46And that's how it is.
06:48It's like that.
06:50And I'm going to the guest room.
06:51And then the brother gets back to my husband.
06:54And he gets back to my husband.
06:55And the brother gets back to my husband.
06:56And in a special way,
06:57it's like the children of the people of the world.
06:59They are the other people of the family.
07:00Yes, yes, yes.
07:01Yes, yes.
07:02Also, no man goes back to the house.
07:04And then it's full of her.
07:07Yes, yes.
07:08Yes, yes.
07:09Which one of us did we had a meal with,
07:11which is this one of our friends?
07:12We would eat a meal first.
07:14The food food is covered.
07:15And then they would give us some food.
07:17That's the food.
07:18It gives you a gift to all the people who come to the house.
07:21You can eat a lot of food, eat a lot of food, eat a lot of food, eat a lot of food.
07:48I'll be able to help you with your own brothers.
07:53Please let me know what you would like to do with your brothers.
07:58Let me know, there are some yellows on the side of the camera.
08:01We will make some cheese cheese cheese.
08:04Do you think that this is the case?
08:07Is there anything that cheese cheese cheese cheese cheese?
08:09If you sit on your own, I'm going to put more on the side of the side of the side.
08:14We need to run away from the house.
08:16We need to run away from the house.
08:18Listen to me, Habib.
08:20I have understood the situation in this house.
08:22I don't want to do anything in this house.
08:24But the bad guys, the bad guys, the poor guys, the bad guys,
08:28all these good guys are good.
08:30So, what will I do?
08:32I'm going to put oil in the way.
08:34Yes!
08:44Samiyah.
08:46Samiyah, 21-year-old girl,
08:50who was very shocked to make food and food.
08:54She wanted to be a chef.
08:56She wanted to open a restaurant.
08:58The kitchen garden below,
09:00she was the one.
09:02She wanted to have all kinds of vegetables and herbs.
09:06Then, what happened?
09:08She was a bad mishaj,
09:10and the bad guys,
09:12and why did she become a young girl?
09:16Why did she leave her very deep?
09:19Why did she leave her?
09:21Why did she leave her?
09:23You will know this,
09:25because this is the last season's story.
09:27We can see all these in flashbacks.
09:30No, we don't see anything in flashbacks.
09:33I'll tell you some details.
09:35Yes.
09:37She is a very sweet girl.
09:39Why did she leave her at home?
09:41Why did she leave her at home?
09:43I'll tell you.
09:44We'll talk about other people.
09:45Yes.
09:46Let's talk about another story.
09:48Bindiya.
09:49Bindiya.
09:5020 years old,
09:52a beautiful girl.
09:53She loves political science.
09:55But in B.A.C.
09:57she left her at home.
10:00Why?
10:02Now, sitting at home,
10:03she's gone away.
10:04She's ordered her at home.
10:06Why?
10:08Why?
10:09Why?
10:10Why?
10:11Why?
10:12Why?
10:13Why?
10:14Why?
10:15Why?
10:16Why?
10:17Why?
10:18Why?
10:19Why?
10:20Why?
10:21Why?
10:22Why?
10:23Why?
10:24Why?
10:25Why?
10:26Why?
10:27Why?
10:28Why?
10:29Why?
10:30Why?
10:31Why?
10:32Why?
10:33Why?
10:34Why?
10:35Why?
10:36Why?
10:37Why?
10:38Why?
10:39Why?
10:40Why?
10:41Why?
10:43Why?
10:44Why?
10:45Why?
10:46Why?
10:47Why?
10:48Why?
10:49Why?
10:50Why?
10:51Why?
10:52Why?
10:53Why?
10:54Why?
10:56Why?
10:57Why?
10:58Why?
10:59Why?
11:00Why?
11:01Why?
11:02Why?
11:03Why?
11:04Why?
11:05Why?
11:06Why?
11:07Why?
11:08Why?
11:09Why?
11:10Why?
11:11Why?
11:12Why?
11:13Why?
11:14Why?
11:15Why?
11:16Why?
11:17Why?
11:18Why?
11:19Why?
11:20Why?
11:21Why?
11:22Why?
11:23Why?
11:24Why?
11:25Why?
11:26Why?
11:27Why?
11:28Why?
11:29Why?
11:30Why?
11:31Why?
11:32Why?
11:33Why?
11:34Why?
11:35Why?
11:36You're putting a small amount of money.
11:38If you can tell us both,
11:43then we can tell you both.
11:47Now tell us what the treatment of her.
11:49Every month.
11:51The blood, the blood, the blood, the blood, the blood, the blood, the blood, the blood.
12:02Is it going to be more comedy?
12:06My health is really important.
12:11I'm talking about the treatment of her.
12:13The treatment of her.
12:15The treatment of her.
12:17I'm looking for the treatment of her.
12:19I'm very tired.
12:22If it is a treatment of her.
12:25The treatment of her.
12:27The treatment of her.
12:29She gets to know what the treatment of her.
12:31What would that treatment of her?
12:33They get to know what her.
12:35Yeah, that's right.
13:05Yes, you are listening to me.
13:09When I came here, I was just trying to get out of my way.
13:12And I was just trying to understand this house.
13:22You listen to us your story.
13:26I am doing what you are saying.
13:29You know, both of us have been lost.
13:32Samia, you were so lucky and you were so lucky and you were so lucky to see you.
13:37Look, you don't need anyone from anyone. Just leave them alone.
13:42But Farid, what will happen to you?
13:45Our marriage.
13:47You say that marriage is like this.
13:51The marriage of Irfan's marriage and all of this, my heart has been born in my heart.
13:57Why? It wasn't before?
13:59It was, but it wasn't.
14:01Okay, listen.
14:03Yesterday, you seemed very good.
14:05Just do it. You didn't have to see me.
14:08Oh, I was watching you.
14:10How many pictures are you doing now?
14:12I'll send you.
14:14Okay, send me. I'll send you.
14:18I'll send you.
14:20Okay.
14:26What are you doing?
14:27What are you doing?
14:29What are you doing?
14:30My tree is my tree.
14:31I love it.
14:33I love it.
14:34I love it.
14:35He's calling me.
14:36Oh.
14:37But why is this tree here?
14:39Why is this tree here?
14:40You have to ask for my love.
14:42Why?
14:43Why?
14:44This is a industry.
14:45It's a business.
14:46It's a business.
14:47It's a business.
14:48It's a business.
14:49It's a business.
14:50It's a business.
14:51You're so funny.
14:52You're so talented.
14:53You're so talented.
14:54I hope you'll get all my friends and my family.
14:58Oh.
14:59You're so talented.
15:00You're so talented.
15:01You're such a young boy.
15:02You're so talented.
15:03You're so talented.
15:04Well, you're a strong man,
15:05You're so talented.
15:06You're so talented.
15:07Your little man,
15:08this movie,
15:09your old boy or a child,
15:10doesn't like to be happy.
15:11I think he's the only character and the only character he's the only character.
15:16Okay, so now we can think about how to get them to the end of all the artists?
15:22This artist is not bad, black and white. They are grey.
15:28There's something good and bad. We have to find them good and just make them good.
15:33Hmm.
15:34I'm afraid you can tell the rest of the artists as soon as you go back and think about it.
15:38This is the story of Nassar.
15:40Nassar is so understanding and so happy that she has no idea.
15:44She has just read it.
15:46She has just read it.
15:48When she goes through it, she feels like she is running out.
15:50She has no idea.
15:52The whole issue is that she wants to die.
15:54She wants to die and die.
15:56But she doesn't have a bad feeling.
15:59She has a good feeling.
16:01This is black.
16:03How are you?
16:05That's what I have to say.
16:07Can you tell them about the rest of the two children?
16:09The rest of the two children are Mirab and Huria.
16:12Mirab is a very kind of tomboy and legendary child.
16:16And Huria is just behind her and behind her.
16:19She doesn't have a personality of herself.
16:21After the birth of her father,
16:24Mirab has become more upset and more legendary.
16:27She has to be very difficult to control her.
16:29Now, the two of them,
16:31from one month before school,
16:33they have to leave their home.
16:35Oh my God.
16:36Oh my God.
16:40Oh my God.
16:43She's my husband.
16:44I gave her home and I did not.
16:45I went to the house and I gave her home.
16:46She didn't take a loan.
16:48She would have been doing work.
16:49She didn't do this for a long time.
16:51She was making fun of a day.
16:52She had told me.
16:53I gave her home.
16:54I gave her home.
16:55I gave her home.
16:56I gave her home.
16:57I gave her home.
16:58And I gave her home.
16:59I gave her home.
17:00What do you want to do, Nassar baby?
17:03He married his son. He was married to his house.
17:06I met him in the house.
17:08He was married to me.
17:10He was married to me.
17:12The wrong thing was my own.
17:15How is this wrong?
17:17This wrong thing is that his hands don't need to be used.
17:20I thought I should marry him for this wrong thing.
17:24Did you decide this?
17:28And you didn't feel bad from the world?
17:31No, baby.
17:33The world was not wearing clothes and clothes.
17:37I'm pretty fit.
17:40But I was bored.
17:43What do you want to do with the world?
17:46Have you ever seen a married married woman
17:52that he was living alone?
17:55No.
17:56Just that,
17:57I thought I could marry another married woman.
18:01And that's why I got married.
18:03But when I thought I'd run away from here,
18:05I thought I'd run away from here.
18:07But I thought it was something else.
18:10You made a very strange decision.
18:13You were able to be a bad man.
18:15You were able to be a bad man.
18:17What's wrong with that?
18:19But it was my own decision.
18:21Why would you try and get in your life?
18:23What's wrong with that?
18:24Why would you decide?
18:26What's wrong with that?
18:28Yes.
18:29But no way.
18:30If you are living with your family,
18:31I'd give you the same person.
18:33Let's ask you for that.
18:34What's your choice?
18:35What's the outcome of your life?
18:36What do you do?
18:38I'm going to work for you.
18:39But tell us one thing about you.
18:41We have a problem from the people who are living in our own way.
18:43We are living in our own ways.
18:45We are living in our own ways.
18:47It's true.
18:49You are the truth.
18:51Most of them.
18:53These are the samosas and his sister's bones.
18:56But what will you help us?
18:58Your tongue is broken.
19:04You're a little shy.
19:06Habib said that you're trapped in a trap in a wheelchair.
19:09Wow, wow.
19:11That's why every person is here.
19:14Yes.
19:16It's done.
19:17You'll be here with us.
19:19You'll be here with us.
19:21Turned, Commander.
19:23You're the only one in your mind.
19:26That's right.
19:27Or what do you do here?
19:29Don't fight at home.
19:31I think I have to fight.
19:33Let's fight a big fight.
19:35Don't you have to fight?
19:36Oh, my God.
19:37Oh, my God.
19:38I'm not to take care of anything.
19:39In a narrow way.
19:40Oh, my God.
19:41Oh
19:45Oh, my phone is also taken away.
19:47This is a bad city. We are not taking seriously.
19:49What do you say?
19:51You're going to take a step away and take a step away.
19:53And you're going to take a step away from me.
19:55My brother, I think it's a complaint from him.
19:57Like his father's money.
19:59Let's do something. We'll take a step back.
20:01First of all, we'll reach our city.
20:03We'll take a step back and block the card.
20:05We'll lose it.
20:07I think it's in this city.
20:09I feel like she is in this city, in this city, in this city.
20:13She and me are taking the same way in the sea.
20:18Don't do this! Don't do this!
20:21Don't do this before!
20:23How do you do it?
20:25There's nothing to hear about it.
20:27There's a lot of people out there.
20:30You sit here.
20:31I'll take a look.
20:33I'll take a look.
20:35Otherwise, if you want to take a look,
20:37I'll take a look.
20:39Okay, I'll take a look here.
20:41If you don't have a phone,
20:43there's no phone.
20:45I'll take a look at it.
20:47Let's take a look at it.
20:49How do you see it?
20:54You're looking at it?
20:55You're looking at it.
20:57You're looking at it.
20:59It's a bus stop.
21:01You're looking at it.
21:03I'll take a look.
21:05Just a bus stop.
21:07You're looking at it.
21:09You're going to take a look at it.
21:11You're looking at it.
21:12You have to walk home to your sister.
21:13You have to walk to the bathroom.
21:15Where are you?
21:17When are you doing it?
21:18You'll walk out the bathroom, right?
21:19Do you walk out the bathroom?
21:20Yes.
21:21How did you do it?
21:23For the first dish, the first dish should come to your house, right?
21:28Yes, go to the park.
21:30Where?
21:31The first dish is for the dish.
21:33Yes.
21:38What dish is the dish?
21:42It's a dish, brother. It's a dish.
21:46It's a dish.
21:48We didn't get married, so we don't know which dish is.
21:55Come on.
21:57I'm going with you.
21:59No.
22:01You're your wife, right?
22:03So, these are the same.
22:05So, the car?
22:07What are the cars?
22:08These are the people of your family.
22:11When are they going to the cars?
22:13They will go the same way.
22:18So, Meerab is going too.
22:21So, Meerab is going to this moment.
22:24You're your wife, right?
22:25You're the same as your wife.
22:27Yes, I'm going to go.
22:33How are we going?
22:35We're going to write books.
22:40Write books?
22:41What's the other thing you have?
22:42Come on.
22:43Or..
22:44Go.
22:45I am?
22:46Yes, you.
22:48You're the kids.
22:49We'll make a special dish for kids.
22:51We'll make them a special dish.
22:53How long did you take this time?
23:10How long did you take this time?
23:14Shadi Nassara, the food is an art. It's a jadugari.
23:19Like Sunaar is making a zebra,
23:24so the food is also making food.
23:30Yes, yes.
23:31How do you make it to make it to make it?
23:33Do you know it?
23:34Yes, I know it very well.
23:37I know it very well.
23:39When I started the story of the aloo and the hara masala, I used to go to the aloo and the aloo.
23:46So, the story of the aloo started the story.
23:48The story of the aloo?
23:50Yes, I used to go to the aloo and the aloo.
23:57It was like a green tree.
24:00Then the aloo and the aloo.
24:02What a beautiful thing is that?
24:04And after that, it's a miracle, like in the mouth of Zamarud.
24:09What do you mean in the mouth of Zamarud?
24:12Emerald, Emerald.
24:15Don't say it, don't say it. Don't say it.
24:18Come on, my brother.
24:19And then I bought it from there.
24:22It was a gullab. It was a magenta pig.
24:25It was a joke.
24:27It was a philosophy of life.
24:30So, you go open and cry.
24:35You don't have anything in the hands.
24:38And then you had a vegetable for your house.
24:41Yes.
24:42Then I had a olive oil and a pepper.
24:47And then I had a pepper.
24:49And then I had a pepper.
24:51And then I had a pepper.
24:54Oh, oh, oh.
24:56It's a pepper.
24:58And no matter what you think about this whole life,
25:01this whole thing,
25:02if you think Democrat,
25:05if you're drawing links in your arm Violence,
25:07you'll start a sweet pill...
25:09No!
25:10Now, Shํจu
25:24เคธเคฎเฅเคธเคพ เคเค เคฌเคนเฅเคค เคจเคพเคฆเคฟเคฐ เคเฅเคเคผ เคนเฅ, เคคเคพเคฐเฅเคเฅ เคเฅเคเคผ เคนเฅ
25:28เคฎเฅเค เคเคชเคเฅ เคฌเคคเคพเคคเคพ เคนเฅเค, เคฆเฅเคเฅ
25:31เคเคฌ เคเฅเคจ เคเคฐ เคนเคฟเคเคฆเฅเคธเฅเคคเคพเคจ เคฎเฅเค เคฐเฅเคถเคฎ เคเคพ เคเคพเคฐเฅเคฌเคพเคฐ เคถเฅเคฐเฅ เคนเฅเค
25:35เคฐเฅเคถเคฎ เคเฅ เคคเฅเคเคพเคฐเคค เคถเฅเคฐเฅ เคนเฅเค
25:37เคคเฅ เคเฅเคจ เคธเฅ เคเคฏเคพ เคกเคเคชเคฒเคฟเคเค, เคกเคเคชเคฒเคฟเคเค เคคเฅ เคเคพเคจเคคเฅ เคนเฅเค เคเคช เคฒเฅเค
25:41That means that we have our potatoes and potatoes with potatoes and potatoes.
25:49And it's made a samosa.
25:51This is a good idea, Baji Nasserah.
25:53It's a history of samosa.
25:56You will teach me samosa?
25:58Yes, I will teach you.
26:00Okay, I'm going to take paper and we'll take ingredients.
26:03Let's do it.
26:04When there's a samosa, I'll write them all.
26:08What happened? Samosa is 30 rupees.
26:11You don't eat any food. Why?
26:14Why do you do it?
26:15Because it's a good food.
26:17Who said that the samosa is a good food?
26:20Oh, Baji Ji.
26:22Now, this is the best of your potatoes and potatoes.
26:27What?
26:28I mean, when we'll be there, then.
26:33Okay, we can add some potatoes in it.
26:38You have to make a potato.
26:47You are not going to be.
26:49What?
26:50You are not going to be.
26:52What?
26:53What?
26:54How did you get rid of it, Sherry?
27:06I never thought that the alpha male Sherry will be eating this way.
27:14One is going to buy it.
27:18This is the golden color.
27:22Now we'll ask, brother, what do we do?
27:25We'll lose money from this.
27:28Golden Point Fist, what will people say?
27:33Oh, Sheriff, it's the time of marketing.
27:37Who sees, who sees.
27:39Tell me, why didn't we get so much time?
27:42Because they're afraid that we'll lose.
27:46Yeah, so we'll lose money from that.
27:49We'll lose money from that.
27:51We'll lose money from that.
27:52But I'll lose money from that.
27:54MashaAllah, you have such a beautiful body.
27:57We'll paint on this body.
27:59I'll also paint on this body.
28:01And then we'll be standing there.
28:03People will pay us and give us money.
28:06You've got this idea?
28:08You've got this idea?
28:10Sheriff, this is an idea.
28:12I'm going to paint paint.
28:14I've got the number of paint.
28:16We'll send it to the app to him.
28:18You're so faithful.
28:21You're so faithful.
28:23What do you think?
28:25What do you think?
28:27These guys are your own.
28:30What do you think?
28:31I'm your own.
28:32What are they all?
28:33Who are they?
28:34What are they all?
28:35What do you think of this wheelchair?
28:37What do you think of this?
28:39You're alone?
28:40You're alone.
28:42And he will talk to him about the house.
28:46Well.
28:47I can't do it.
28:48I want to go to this place.
28:49I'm serious, my parents are here.
28:51There are small balls in the balls,
28:55with biscuits, nimko,
28:57and some sabon,
28:59and some cream.
29:01It's just a little bit of salt.
29:05Have you come from such a house?
29:07Yes, so I have married from this house.
29:09They are watching this house.
29:11That's all you have to do.
29:13What do you want to do?
29:15I'm like a girl.
29:17Hello?
29:21I've been very hard to explain
29:23I haven't told you any specific details about it.
29:27When someone understands someone, it's a need for love.
29:31I just felt that I felt that I had a feeling for them.
29:35I just felt that they understood everything.
29:38It feels like it.
29:40I saw that they were sitting there
29:43that the young people of 25-18 years of age
29:46are not the parents.
29:49They are without them.
29:50I don't know if you're going to get to meet someone,
29:52or you don't want to get to know someone,
29:54why are they so?
29:55They're scared of me, Arifan.
29:57You understood me right.
29:59Although, I was scared of you in a restaurant conversation,
30:02but you're a good friend, right?
30:05He was a little convinced of Sherry,
30:07because of Sherry.
30:09But who was a little convinced?
30:11Sherry?
30:12Who is Sherry?
30:14I'm Sherry.
30:16It's like my mouth.
30:20Well, you're convinced.
30:23You can control your children with love, love,
30:27and control your family.
30:31Yes, absolutely.
30:33I'm convinced.
30:34But with this,
30:36I think that I need to support the class.
30:39What's that?
30:42Fakhra,
30:44and my brother Vashir,
30:45will stay here at the end of the drama
30:47and will not be able to act with me.
30:50I've also noticed that their input is very necessary.
30:53And payment?
30:55Of course.
30:57That will also happen.
30:59Then there's no problem.
31:01It will be right.
31:03You see?
31:04Let's see.
31:05It's called Fuller.
31:06I've had no problem here.
31:08I've had a later.
31:10I'll see who's in the product.
31:11You might go over here.
31:12Look what I've seen.
31:13I've not seen so much.
31:14I've seen it.
31:15Don't do that.
31:16You may die.
31:17I'll see who's in the house.
31:18I've seen it.
31:19I've seen it.
31:20You've seen it.
31:21You've seen it.
31:22I've seen that.
31:23It's a cake and I've still got no trouble.
31:24The sky is a shadow, I don't want to know the story of my mind
31:45The relationship is yours and mine, but I have worked for you
31:54I was a little girl who was enjoying my life
32:04I was a little girl who was like a young girl
32:10And I was a girl girl
32:12You've been a girl who has been a girl
32:17But I'm a girl who has been a girl
32:19But I'm a girl who has been a girl
32:21Today we have been very crazy.
32:31We've never been married.
32:34We've never known that it's dangerous.
32:36In fact, it's on the fourth stage.
32:38But since we're all young people,
32:40I thought we'll make a meal.
32:42That's why we don't make a meal.
32:44The meal is not in the situation.
32:47What do you know about these meals?
32:50What do you know about these meals?
32:52We'll make a meal.
32:54It'll be fun.
32:57I didn't think about practical jokes.
33:00That's it.
33:01When do you think about it?
33:03We'll take it today.
33:04But now we'll take it.
33:05There's a ride.
33:06Let's go.
33:07Let's go.
33:20Let's go.
33:21Let's go.
33:22Let's go.
33:23Let's go.
33:24Let's go.
33:25Let's go.
33:26Let's go.
33:27Now we've talked about it.
33:29What's the problem?
33:30How do you talk about it?
33:32I was in the bathroom.
33:33Okay, let's go.
33:35Now we're on camera.
33:36Let's go.
33:37We're not going to die for your face.
33:39Let's go.
33:40Let's go.
33:42Let's go.
33:43Let's go.
33:44Let's go.
33:45Let's go.
33:46Hmm.
33:47Hmm.
33:48Hmm.
33:49Hmm.
33:50Hmm.
33:52You're in the bathroom?
33:54You're really in the washroom.
33:56Yes, I'll tell you what I'm talking about.
33:59Do you call me?
34:01My friend will call me, I won't take my phone. Is that possible?
34:05It's not possible.
34:08Just say, don't you cry?
34:10No.
34:12Let's hear, you're coming.
34:14Why? What's today?
34:16It's Imex.
34:18Then you have to come.
34:20I'm ready to come.
34:22Okay.
34:24I'm thinking.
34:26I'm going to tell you about your husband and her husband.
34:36No.
34:38No.
34:40Why?
34:42Because if you asked her husband,
34:44she'll be in agreement with you.
34:47And if you know about her husband and her husband,
34:50she'll take you here.
34:52We'll take you here.
34:54And so I'm gonna take you here.
34:56I'm gonna take you here.
34:58That's how I leave.
35:00And if you have to leave,
35:02you'll find me.
35:04We'll take you here.
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