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Ek Jhooti Kahani EP 12 [CC] - 04 Oct 25 - Sponsored by Lifebuoy Shampoo & Leather Galleria - HUM TV

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#EkJhootiKahani — a lighthearted tale where one lie leads to unexpected twists, tangled emotions, and a not-so-ordinary bond, featuring Zara Noor Abbas & Mohib Mirza

Writer: Amna Mufti
Director: Shehrazade Sheikh
Producer: Momina Duraid Productions

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Transcript
00:00The stage is set for the Dola Next presents
00:05Kashmir 10th Hum Awards
00:07Powered by Leather Galleria
00:10Luxury Leather Furniture
00:12Saturday 11th October 2025
00:15At the NRG Arena, Houston, Texas
00:18Be there for your favourite stars
00:21Mahira Khan
00:23Adnan Siddiqui
00:26Bushran Sari
00:30Tajal Ali
00:32Faisal Qureshi
00:35Thania Amir
00:37Bilal Abbas Khan
00:40Sara Khan
00:42Imran Ashraf
00:45Sonia Hussain
00:47Ahaz Razameer
00:50Sanam Saeed
00:52And Mohit Mirza
00:54Maavra Hussain
00:56And many more
00:58One Stage
01:00One Night
01:01And Spectacular Celebration
01:04To get the group discount
01:06Book your tickets now
01:08Log on to www.hum.tv or www.ticketmaster.com
01:15For sponsorships contact
01:17Mr. Naveed Adam
01:18Hum Network Limited
01:20Mr. Naveed Adam
01:22Characred
01:50You can meet with someone with a partner.
01:51How do you trust a weird girl to your sister?
01:56I feel like you're going to go away from the situation of the house.
02:01It's like a girl with a bushel.
02:07They are really honest.
02:09If you guys have asked them, then they are now.
02:11Before they thought that the difference between our families,
02:16if they are going to come home, they will understand them.
02:19They don't understand them now.
02:21What a shame they gave us?
02:22They gave us our old girl.
02:24She will build a house. I'm a business.
02:27I'll see you in business.
02:28If you build a house, you don't have to sit down.
02:32We all have to make a dance.
02:34She is also a girl. She is also a gift.
02:37She is listening to the house.
02:39What are we? We are not a gift.
02:40We are not a gift.
02:42We are just a gift.
02:44Don't be afraid of it.
02:49Okay, brother.
02:56His family is coming.
02:58He has to do something for him.
03:01I can understand that.
03:05Yes, he has to do his dedication.
03:09Yes, he can do his dedication.
03:12Yes, he has to do his dedication.
03:15Yes, he has to do his dedication.
03:18Okay.
03:19Okay.
03:20Khabib Sahib said to him,
03:21I'll give you a good coffee.
03:22I'll do it.
03:48Bye.
03:49Bye.
03:51Let's get started.
04:21I hope you enjoyed it.
04:51Why are you sorry?
04:55Bante?
04:57Hmm?
04:58Trap?
05:00I was looking at Bante.
05:03Really, someone has sent Bante in my way.
05:07Really?
05:08But Mirab and Huria are sleeping, so who can be?
05:12I'm sorry, my clothes were here.
05:15I said, I don't want to leave here, because you...
05:17Obviously, your camera is your own.
05:19No, it's not.
05:21But you're not here, right?
05:30Music?
05:31Music collection?
05:33I saw you last night.
05:35Okay?
05:37How did it feel?
05:39It's not like that.
05:41How did you get this shot?
05:44When I was young,
05:46I was very young,
05:48so when I was young,
05:49I used to play a song with my hands.
05:51I didn't have any sense of the sound,
05:53but I was very little,
05:54I loved it.
05:56How do you get my story?
05:58How do you get my story?
05:59How?
06:00When I was young,
06:02I was very young,
06:03my dad was in the theatre.
06:05My mom would sit on me and sit on me,
06:08and watch the theatre.
06:09It was very fun.
06:11My dad left the theatre,
06:12but my dad left the theatre in my heart.
06:18It's like that.
06:23It's like that.
06:24I hope you guys are doing it.
06:26I'll tell you tomorrow.
06:28That the chicken is not the thing.
06:31The chicken's bad.
06:33The chicken's bad.
06:35The chicken's bad.
06:36The chicken's bad.
06:37The chicken's bad.
06:38Yes.
06:39But what's this going on here?
06:41The chicken's bad.
06:43It's a bad thing.
06:45What do you call it?
06:47What do you call it?
06:48The chicken's bad?
06:49The chicken's bad.
06:50Good!
06:52How do you remember the name of the film?
06:57So, you're not going to become a ghost bed.
07:02So, when we come here,
07:05we will do the same thing with our brother,
07:07that he will take his daughter and leave his daughter.
07:11Exactly.
07:12Like once, a big country,
07:15a small country, leave his daughter.
07:17If you don't run from college,
07:19you're not going to be BS in political science.
07:23Hmm.
07:24If you don't run there,
07:25you're going to be a restaurant.
07:28I'm not going to be a restaurant.
07:30Yes, yes, yes, yes, yes.
07:32What are you doing?
07:34What are you doing?
07:36I don't want to fight.
07:37I don't want to fight the samosas.
07:41I don't want to fight the samosas.
07:43Like,
07:44give me some political example.
07:46I'm a big fan.
07:47I know world politics.
07:49I don't want to fight the samosas.
07:51I want to fight the samosas.
07:53Listen to me one thing.
07:54Take advantage of the young people.
07:56They've been talking all over.
08:00I'll see them.
08:03Now,
08:04you know,
08:20you know,
08:21you know,
08:22you know,
08:22you know,
08:24you know,
08:25you know,
08:27Oh, yea.
08:31Oh, ho.
08:41Phakra? Phakra, sister.
08:48How are you?
08:49See, I'm a forgetful artist...
08:51...but now I'm an emeer...
08:53...and you're a chef, you're a chef?
08:56We need to be a leader, but he doesn't have to be a boss.
09:01We need to be a boss with a boss and a boss with a boss.
09:07Okay, son, if I become a boss with a boss with a boss and a boss with a boss with a boss,
09:18then I'm ready to be ready, son.
09:20Yes, that's okay, but in this case, you're going to be a boss with a boss with a boss with a boss.
09:26Don't do that, son.
09:30What happened? I'm an artist, I'm a poor guy, but I'm a boss.
09:34Are you ready?
09:37Yes, everything.
09:39But, son, the next step is the most difficult.
09:42You don't have to get rid of steroids, Sherry.
09:46You have to get rid of it.
09:48If you have to get rid of it, then you'll have to get rid of it.
09:56We've told you that we're going to be a boss with a boss.
09:59You don't remember, Sherry says,
10:01then I'll go with a boss with a boss and I'll go with a boss with a boss.
10:05Okay, so we're doing a job.
10:09We spend a little bit of money,
10:10and we're going to book the door to the door.
10:13I don't know how to get rid of it.
10:15And we'll get rid of it.
10:16I'll buy a boss with a boss.
10:17I'll buy a boss with a boss.
10:18I'll buy a boss with a boss.
10:20And we'll get rid of it.
10:21You can't get rid of it.
10:22I'll buy a boss with a boss.
10:23I'll buy a boss.
10:24And I'll buy you.
10:25Oh my God.
10:26You're right.
10:27What would you do to eat a boss?
10:29I mean, how are you going to do this job?
10:31My son.
10:32Many of these girls,
10:34do not have to do this job.
10:36And these people,
10:38do not have to make money.
10:42Let's go?
10:43No, first of all.
10:45Oh, oh.
10:46I've been working hard.
10:56I'm wrong.
10:59I didn't say that, boss.
11:02I was at home.
11:04I've heard so many stories.
11:08You were scared, but you didn't see it.
11:10But you were talking about it.
11:12You understand that you're going to be more important than a hero or a villain.
11:16It's your fault.
11:18You don't remember your name.
11:20When you remember it, you remember it,
11:22you say it's the girl who was with the sherry.
11:26Puff!
11:28Boss.
11:29The girl is also a name.
11:31It's your own thinking.
11:34Oh, shut up!
11:35This is such a big drama drama.
11:37You're talking about philosophy.
11:39You're talking about it.
11:41You're talking about it.
11:42You're talking about it.
11:43You're talking about it.
11:44You're talking about it.
11:45You're talking about it.
11:47Go!
11:58Mr. Sheree, you're right on the car.
11:59Mr. Sheree, you're sitting on the car.
12:01Mr. Sheree, you were driving on the car.
12:03Mr. Sheree, the car would be driving the car?
12:04Mr. Sheree, who is driving the car?
12:05Yes.
12:06Who would drive the car?
12:07Mr. Sheree, the car is being and out here.
12:09Mr. Sheree, get rid of the vehicle.
12:10Mr. Sheree.
12:11Mr. Sheree.
12:12I think we should be wrong.
12:15You are now Bacon.
12:17You are so scared.
12:19Now, if you are scared of them,
12:21then...
12:22Yeah, it's not just Meera.
12:24It's a bit more than that,
12:26and it's a bit lower than yes.
12:27If we knew that we were ignoring this entire game,
12:30then we would have become completely flipped now.
12:32That's it.
12:34But when Bacon is not written,
12:37it's true.
12:38Do you remember my plans?
12:40I thought I'd be crazy, but I'm not crazy.
12:44How can I stop now?
12:46Let me tell you about it.
12:49If you have to put the pressure and the pressure on your house,
12:52then I'll give you my plan.
12:55No.
12:57You don't need to do anything.
13:00That's why they have to keep the small ones
13:03that the small ones have a result.
13:05You don't need to do anything.
13:09You don't need to do anything.
13:12So, what do you do?
13:17Do you work,
13:18and I'll tell you about your story yourself.
13:20So that he will present his plan.
13:23Yeah.
13:24Only this way, they won't be able to do it.
13:27How much complicated are you?
13:33Harit,
13:35I'm telling you to leave me here.
13:37I don't know.
13:39I'm telling you.
13:40I'm telling you.
13:41Look,
13:42I'm telling you.
13:43Everything will happen.
13:44I'm telling you.
13:46I'm telling you.
13:47Harit,
13:48I'm telling you.
13:49Harit,
13:50I'm telling you.
13:51Hey,
13:58Harit,
13:59I'm telling you.
14:01You're looking for a lot of nizam,
14:03you're just wearing good clothes.
14:06You're prepared more than that?
14:08I'll be able to do that, but I'll talk to you now.
14:12Yes, what?
14:14When they come back to Pakhra, when they come back,
14:16I can't sleep in front of them in front of you.
14:19You'll feel bad, right?
14:21Yes, that's right.
14:23So, look at all.
14:25I'm looking at all this.
14:27I'm looking for a problem.
14:29Who's the problem?
14:31I'm looking for a problem.
14:33You don't have to be here.
14:34I'm not coming to you.
14:35I'm not saying you.
14:36I'm just saying that you're ready to be prepared.
14:38You should feel bad.
14:41You know, you're not bad.
14:44There are two days.
14:46We don't leave our bad.
14:48We don't leave our bad.
14:49We don't leave our bad.
14:51We keep together.
14:53You're so angry.
14:55How is it done?
14:56You're in the village of court even?
14:58You can'tSMAST it's a joke in the new tribunal.
15:01You don't harm the kind of joke.
15:04But that's like that.
15:05It's like that.
15:10Look, you married another brother.
15:13You haven't beenacause this time.
15:14You have to understand that it's easy to complete the marriage.
15:18Yeah.
15:19I have to keep them in every place and keep them in the middle of the woods.
15:25No one can't keep a girl.
15:27Mirab, every time these are talking about Tom and Jerry.
15:32She's a girl. She took her to take her out.
15:39She's a family of his family.
15:41No, we don't know.
15:44You know that?
15:47You've been hiding from us?
15:49What's going on?
15:50I told you to meet his family in front of you.
15:54They're just getting their family.
15:56What have you been hiding from us?
15:59Okay, so what have you been saying?
16:01It's just that they...
16:02It's so hard to leave them and leave them.
16:09What?
16:13What are you saying?
16:15What are you saying?
16:17What are you saying?
16:20Is it that they came to us and said,
16:23what are you saying to us?
16:26Okay, we're ready.
16:28Anything else?
16:37What are you saying to us?
16:39I don't know how much we're talking about.
16:41What?
16:42What?
16:43Nusra will remember us too.
16:47How will we change this character?
16:51When?
16:52When?
16:54Revenge is a dish.
16:57Best serve goal.
16:59No!
17:00Where are we going?
17:01How will you do this?
17:02How should we do this?
17:03How should we do this?
17:04How should we do this?
17:06How do you do it?
17:11You can give 1 pound of meat, 1 pound of meat, rather than 1.5 pound of meat.
17:18And put 6 fruiter.
17:20What are you doing?
17:22What's going on?
17:23You don't want to make the state's house of Pakistan,
17:27you're going to make a relationship with your family.
17:31Then what do I do?
17:32Give the fruits of the fruits.
17:34It's got the seeds, I mean they're all the seeds.
17:39Yes, stop.
17:40Please give me some olive oil.
17:42Give me some kiwi fruit.
17:44Give it ananas and give it a big package.
17:48Stop for one minute.
17:49And you can also give it a little.
17:52Give it a big package.
17:54Please give it a good package.
17:56And then we'll quickly have some kubania and some aloe-bukhara.
18:00Let's do this.
18:01I'll tell you that today.
18:03Oh, man, this will be a lot of bad things.
18:05If you live outside of the field, this is also a reason, Abba Ji.
18:10That the time changing, the time coming, you've never used it.
18:14Then, you've never used it by the government, you've never used it.
18:17You've never used it.
18:18You've never used it.
18:20Give it. You've also used it.
18:22But one thing, remember,
18:24there are hundreds of hundreds of thousands of people.
18:27And the ones that are used to be a youth.
18:30Yes, that's a youth.
18:32Bushra is your young daughter. Don't tell her about his daughter.
18:35Why are you taking me a little bit? I don't know the old actor.
18:39And yes, he will ask her to ask her where the hidden camera is located.
18:45Come on, man, come on!
18:47Come on, come on, make a good thing.
18:49Just make a good thing, make a good thing.
18:55I'm coming now.
18:57I don't like anything strange.
19:03She's married to her, she's here and she's here.
19:07And we feel that everything is in our mind.
19:09But I don't know what she understands herself.
19:14She feels that she's standing in front of Bushra.
19:18However, she's doing the same thing that she wants.
19:21I think she's met with her.
19:27How?
19:29That day, when we went to the hospital, what did she say?
19:32That she was sitting in restaurant and bedroom.
19:34Yes, yes, yes.
19:36Now, you really think that she was sitting there.
19:39That she was able to see everyone, but no one didn't see her.
19:42Wow.
19:43That's true.
19:45And the young girl, she first met her son.
19:49And I'm going to tell you,
19:51I think that her meet-up had a proper day.
19:53And she's become crazy.
19:55That's true.
19:57Yes, she's understanding me.
19:58And then we've come home.
20:00So, she first met her son.
20:02Yes.
20:04So, what do you understand?
20:07That it's not our plan to call Bashier.
20:11It's not our plan to call Bashier.
20:13It's our plan to call Bushra.
20:14It's in Shamir Abij.
20:16We've become a man.
20:18Yes.
20:19We've become a man.
20:20Yes.
20:21But...
20:34Who was in the car?
20:35Three.
20:37Three.
20:38What does that mean?
20:39One girl and two girls?
20:41No.
20:42One driver,
20:44one uncle and one uncle.
20:46One uncle.
20:47One uncle.
20:48One uncle.
20:49One uncle.
20:50One uncle.
20:51One uncle.
20:52One uncle.
20:53One uncle.
20:54One uncle.
20:55One uncle.
20:56One uncle.
20:57Well,
20:58And I'm no longer.
20:59One uncle.
21:00One uncle.
21:01The friend cabin.
21:02One uncle.
21:03One uncle.
21:03And most of the people.
21:04One uncle.
21:05A.
21:06One uncle.
21:07What's that agrade?
21:08You will die every day.
21:10Sherry, you had to say that too.
21:12I can say it.
21:14You can't say it.
21:20I'll leave someone alone.
21:22Me?
21:24You don't.
21:26Bushra.
21:28Ticket.
21:30We both are going.
21:32What?
21:34Haza anna safran.
21:36Starja.
21:39Well, Sherry,
21:41if you have a sheriff's office,
21:43you can't wear it.
21:44You can't wear it.
21:46And I told you,
21:48that this is...
21:49Starja and Starja,
21:51they don't meet them.
21:53Don't do that.
21:54And don't open it.
21:55Or open it.
21:56Or open it.
21:57Bus.
21:58Train.
21:59Drone.
22:00Drone.
22:01Drone.
22:02He has two tickets.
22:04He has two tickets.
22:05He has two tickets here.
22:07We are going to Starja.
22:19Why did you call me?
22:21We have to stop everything.
22:23Okay.
22:24And what will we stop?
22:26We will stop everything.
22:28And we will keep our work.
22:30We are doing this.
22:32If you are going to throw up vegetables from the trees,
22:35or the marbles,
22:36then they are going to send them to the branches.
22:39These are the trees and the trees.
22:41And they are going to throw up vegetables.
22:43I am saying,
22:44are you the same?
22:45Now, how are you guys doing?
22:47You already told yourself.
22:50What?
22:51Look.
22:52A horrible person.
22:54You have a bad people.
22:55You have a bad people.
22:57And that's what it is.
22:59And what is it?
23:01It's pride.
23:03People have maintained a standard for them,
23:05which is for them,
23:07and for them,
23:09and for them.
23:11I understand.
23:13You mean,
23:15you have to pay for your brother?
23:17No.
23:19We have to show you,
23:21that they are not in love.
23:27For your friends,
23:29please stay enjoying,
23:31and if you don't like any other Wish,
23:33you don't want to talk about a lot,
23:35you ask that a long time.
23:37The message says that
23:39it's hard to make your life,
23:41and it is hard to make your life.
23:43You can't tell them what the dream has been,
23:45but that's what you have to make.
23:47It's hard to make your life.
23:49To make your life run.
23:51The truth is that
23:53I just want to make your life.
23:55It's beautiful. It looks very nice.
24:09Irfan, you're flirting.
24:13I'm sorry.
24:15I don't say flirting to anyone.
24:21You look very handsome today.
24:27I'll take it. Thank you.
24:30I'm nervous.
24:32I didn't think he had to enter the drama in such a long time.
24:37You're a aspiring actor. He has no thoughts.
24:40I don't think I'm afraid.
24:42No, no. You're out of practice.
24:46Everything will be fine.
24:49God bless you.
24:51You have to pray that you have to stay with us.
24:55It will stay.
24:57And...
24:58Nassarah will be finished.
25:00And this is going to be going to happen with a normal house.
25:02That means...
25:03That means...
25:04That means...
25:05My family.
25:06She's calling her to be here so that you can't stop your daughters.
25:11And your daughter needs to be a baby-sitter.
25:14I'm sorry.
25:18I'm sorry.
25:22Irfan.
25:24I don't know.
25:26Let's go.
25:30I will tell you, Nassarah is a big game.
25:32Look, it's a big game.
25:33He's standing with a car now.
25:37Where?
25:38I said I'm going to go.
25:39I'm going to be going.
25:40I'm going to go.
25:41Where are you?
25:42I'm going to go.
25:43I'm going to go.
25:44I'm going to go.
25:45I'm going to go.
25:46So, you're going to go to the car now?
25:47Dovari bhai kisam dhiz liye kari?
25:49Haa naa, yeh saf, yeh saf milye meh anndar se.
25:52Minhi chhati has kaya rahi thi, kuchh purha honne wala hai, hoong gaya.
25:56Bokot badi kar par chal rai ki.
25:58Bokot badi kichrin pa kari hiya is kari.
26:00Haa ki, Vivo Kufi ki bati roka alak planning meh berdaas kar lihti ho,
26:03lakir kalak zubhan nahi.
26:05Kichri zyada hoti hai.
26:07Bokot badi kichri kya ho ki hai?
26:08Is kari meh jo kuchh ho raha hai, woi aise hi hai.
26:10Bushra joh hume nazara raha raha nao, woi aise hi hai nahi.
26:12Haa, Bushra pichl pae rai hiya,
26:14unta raak ko ka pichl nikal ke dhrahtu pichl jati.
26:16Oho yeh naa.
26:17Oho baat kuchh samjha karo.
26:19Haa.
26:20Or tam bhi ghar bade hai.
26:21Yeh hamari team nahi hiya,
26:23is ki kuih apne hii team hai,
26:24joh yaha pahunshnay wali hai.
26:27Lohk pahunsh gai.
26:28Haa.
26:40Maashallah, maashallah.
26:44Salamat rahe hai,
26:45mire piaare bhai ar bhaabi.
26:47Chaan suraj ki jodhi.
26:49Ab dhekhe na,
26:50meh bhai jaan ki pahle din se hii semjha raha raha thi,
26:52kiya humari beheni bewaqoof hai,
26:54inko inkei haal pe chholda hai.
26:56Ab,
26:57meri bhi majburi hai,
26:58ki mujhe unke sath shamil hona pardata hai.
27:00Warnah,
27:01meh tu pehle din se hii bhai jaan ki khushin meh behat khush hoon.
27:05Mujhe anndazah hai.
27:07Haa.
27:08Or bhai bashi ko bulaane ki bhi yehi wajah thi,
27:11ki tumhari gharwaal ko bhi toh hizet mile chahiye na.
27:14Ab,
27:15gharib hi sahi,
27:16lekin,
27:17hai toh hizetar loog na.
27:21Bhai jaan,
27:22menei pori kooshish kiye,
27:23ki chhutiyaan koji aisi wisi harqat na kere.
27:26Lekin bhai jaan,
27:27aapka sussraal hai.
27:28Dekh lije ga.
27:31Haa,
27:32ab,
27:33vise bhi,
27:34ya humare ghar ki hizet hai.
27:36Kuchni hota,
27:37akar kuchu chhuti-muti harqat ho bhi gai,
27:39toh bhai bashier samaj jayenge.
27:41Bachiyaan hai na,
27:42aap teke nai kije ga.
27:44Aap,
27:45haa,
27:46saktar aaga hai voh log.
27:48Hmm.
27:49Hmm.
27:50Hmm.
27:51Hmm.
27:52Hmm.
27:53Hmm.
27:54Hmm.
27:55Hmm.
27:56Hmm.
27:57Hmm.
27:58Hmm.
27:59Hmm.
28:00Hmm.
28:01Hmm.
28:02Hmm.
28:03Hmm.
28:04This is the one that I have seen in the world.
28:08Hello.
28:09Hello.
28:10Hello.
28:11Hello.
28:12I'm Ashmakvila.
28:13I'm Ashmakvila.
28:14I'm Habibullah.
28:16And Mrs. Habibullah.
28:17We are the caretaker of this house.
28:19Hello.
28:20Hello.
28:21I'm Farid.
28:22I'm her family friend.
28:23And this is Irfan's daughter.
28:24Come and meet you.
28:26Bindiya.
28:27Samyapi.
28:28Weirab.
28:29Come and meet you.
28:30This is very good.
28:34Please contact us.
28:35Please visit us.
28:36Please visit us and please visit us.
28:37You may please visit us.
28:42I'm Ashmakvila.
28:43My brother.
28:45My brother.
28:47My brother.
28:48My brother.
28:49My brother.
28:51We need to be.
28:53The difference in my brother.
28:55Yes.
28:56I'm sure you say that.
28:57I have seen my husband.
28:59ڈاہ ہمارے ابا جی اورپ جا کے کئی غائب ہو گئے تھے
29:02اممہ جی نے بڑا انتظار کیا
29:05پھر ابا نے ادھر سا اطلاق بھیج دی
29:07پھر اممہ نے دوسری شادی کر لی
29:09تو فاخرہ اور بشرا میری ستیلی بہنیں ہیں
29:13اچھا اچھا اچھا تو آپ کے والد صاحب
29:17یعنی بشرا باجی کے والد صاحب حیات ہے
29:21آرے چاچا جی جب بدنصیبی ایک دفعہ آپ کا گھر دیکھ لینا
29:26تو میرے جاتی کہاں ہیں
29:27It means that when we are born, we are also born again.
29:32We are also born again once again.
29:37It's been very sad.
29:40We will come all over the door.
29:43Come here. I'm sitting here.
29:45You will come here and sit here.
29:48Come here.
29:49This is for you.
29:50It's for me.
29:51It's for me.
29:52It's a beautiful house.
30:22How do you eat a coffee?
30:52It's for me.
30:53I am not too happy.
30:54I am not too happy.
30:55I am not too happy.
30:57It's for me.
30:58But my sister has worked well.
31:04You have paid a paid rent in the set.
31:06What are you doing?
31:07What do you do?
31:08It's a good day.
31:09It was very good.
31:10After this time, you are very happy to see all your family.
31:13It's really good.
31:14It's a good day.
31:15Because a girl is married to a girl.
31:17You're having a good day.
31:18Go!
31:20Come here.
31:21and
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