- 5 months ago
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00:00This house will come from now and you will be here until we open your heart and don't do it.
00:20She died. She's cut off the ship of the ship.
00:23I'm telling you something else. I can't do anything on Nassara.
00:28Irfan is so good and I pray that you and Irfan will be in the real world.
00:33Amen.
00:37I'm here.
00:38Come on, come on.
00:39Let's drink. It's hot, hot.
00:42If Irfan comes, then I'll eat it again.
00:49What did I say?
00:51What did I say? What a poor man is saying.
00:54How much he is in the mood?
00:56Irfan will come.
00:57I don't want to eat it.
00:59I'll eat it again in the camera.
01:02I'll eat it again.
01:03I'll eat it again.
01:04The milk is very good.
01:06Huh?
01:07I'll take it first.
01:09What a poor man.
01:13You've already understood the situation.
01:15The story is very fast and good.
01:18You have to focus on Nassar and Mirab's mistakes.
01:23And you, when it's happening,
01:25you just want to put it there.
01:27This means extreme action.
01:29What made my character?
01:35My character was like,
01:37I've come to the house of my sister's daughter.
01:40Okay?
01:41I've come to a poor brother with a fruit fruit.
01:43So, actually, I need to get rid of the gate on my own.
01:47I've got to get rid of my daughter's daughter.
01:49Where did she get rid of her daughter?
01:51Now, you can just go with her daughter's daughter's daughter.
01:55Oh my god!
01:56My daughter's daughter's daughter's daughter's daughter's daughter.
01:59She's a girl's daughter's daughter's daughter's daughter's daughter's daughter's daughter.
02:05So, my daughter's daughter's daughter's daughter.
02:07What are you saying?
02:09These people have made these people who have made their fate and had a chance to leave the mayor's daughter's daughter's daughter's daughter.
02:14This show is not for them.
02:16They are not a target audience.
02:18You are just with your daughter's daughter.
02:20You are just with my daughter's daughter.
02:22Until you are in the meantime.
02:25But,
02:27I have to keep my daughter's daughter's daughter.
02:30This is a side track.
02:32The real world story is what I've discussed in my house.
02:38It's a very chaotic.
02:40The girls are scared,
02:41the girls are running out,
02:43the girls are running out,
02:44the girls are coming to credit.
02:45The girls are just beautiful,
02:46the girls are just beautiful,
02:47the girls are just beautiful,
02:48and the girls are just stick.
02:49It's true, sir.
02:50It's true.
02:51It's true.
02:52I've made a sketch of all of my characters.
02:55Can you tell me?
02:56Yes.
02:57Yes,
02:59share it.
03:00Tell me.
03:01It's a good character.
03:04I've written it.
03:06I've written it.
03:07I'll take it.
03:12You have a great house.
03:16Gushra.
03:17Hmm?
03:18What do you know?
03:19Why do we both say,
03:20why do we come here to come here?
03:22Why do we stop here?
03:24Why do we stop here?
03:25Because we want to act here.
03:27Because we want to act.
03:29We are acting two.
03:31One is in this show,
03:33and one is in front of us.
03:35Why?
03:36I'm telling you,
03:37because you have to stay in this field.
03:39I'll tell you more.
03:40These artists,
03:42are very sensitive and a little.
03:45But because they have a relationship between the colors and the light of the world,
03:48they are all black and white people.
03:51They come from their backs.
03:53They are as a bad-tomish child,
03:55and they are dragging their hands,
03:56and they are putting the pressure on their hands.
03:58Papa.
03:59Please.
04:00Don't worry or confuse them.
04:03They come from these people.
04:06They come from their backs,
04:07and they are laying on their hands.
04:09Papa.
04:10How many heroes, actors, and actors were killed,
04:17but people have closed doors.
04:20Yes, this is happening with you.
04:22Sherry has been looking at you as a girl.
04:25Sherry has not come to my money, I have gone to her.
04:29That's what happens.
04:31We are going to go to the money for them,
04:33and we can give them two money,
04:35but we can understand our own rights,
04:37which Sherry has been understanding you.
04:39Where did Abba come from?
04:42They know that every artist knows that they can save you from the same time.
04:48That's why we want to do acting on them.
04:52While they are hiding from the anger.
04:56Oh!
04:58That's what it is.
04:59Yes.
05:01They are scared because they know that they can't be full of guns.
05:06And they don't want us to do it.
05:07That's why they want to do acting.
05:11So that's what it is.
05:13It's better that you try to make your character long enough so that we can sit with you.
05:23Hmm.
05:24Okay.
05:26Hmm.
05:28How did you make your character long enough?
05:38You made it and made it.
05:41Hmm.
05:42When did you make it?
05:44Who did you make it?
05:46In the morning morning,
05:47annda, paratha, malai,
05:49makhan, shahed and omelette,
05:51sati halwa.
05:53They ate everything from Phahra and Bashir Samosa.
05:57What?
05:58Yes.
05:59There was a guest room in the room.
06:00And Irfan also did it.
06:02My brother, he also did it.
06:04My brother, he also did it.
06:06And he did it with a shock.
06:08He went to two times,
06:10and the halwa, halwa,
06:12all the way up.
06:14It's not going to happen.
06:16It's going to happen.
06:18It's going to happen.
06:19And it's going to be very bad.
06:25Your brother in the guest room?
06:26Yes.
06:27Yes.
06:28And his voice is coming up.
06:30MashaAllah.
06:31When I went to tea,
06:33all of them are sitting in a happy family.
06:35There are two brothers and sisters.
06:38No.
06:39There are two brothers and sisters.
06:41There are two brothers and sisters.
06:42There are two brothers and sisters.
06:43They are sitting in a perfect happy family.
06:45And it's like that.
06:47There are two brothers and brothers and sisters.
06:48They are sitting there and they are sitting there.
06:49They are living and they are eligible.
06:51And they are living and brothers.
06:52They are getting ready.
06:56And especially for this dream,
06:57there are two brothers and sisters.
06:59Yes.
07:00Yes.
07:01Ah yes.
07:02No one goes to a house and then goes to a whole house.
07:07That's right.
07:09Which one was the one that we saw with Mirabh?
07:12In which one was the one who ate a house,
07:15and then they gave it to the whole house.
07:18They gave it to the whole house and they gave it to the whole house.
07:21They gave it to the whole house and they ate it.
07:23They ate it and ate it.
07:32Let's take a look at our brothers and sisters.
07:57Come on, sir.
07:58Locker on the floor.
08:00Now we can make some more of our own food.
08:04Do you think that it is a good thing?
08:07That it is a good thing?
08:09If you sit down and sit down, I'm going to go to a lot of water.
08:13That's not how it is.
08:15It's not that it's not that we can go to a lot of water.
08:18Listen to me, Habib Sahib.
08:20I understand that I have this house.
08:22I can't do anything.
08:24But there are no other things.
08:26The old boys, the old boys, the old boys, the old boys, all the boys, all the boys are good.
08:31So what will I do? I'm going to put oil on my way.
08:34I'm sorry.
08:46Samia.
08:47Samia is a young man who was a young man who was very shocked to eat food.
08:55She wanted to be a chef.
08:56She wanted to open a restaurant too.
08:59This is the kitchen garden below?
09:00That's her.
09:02She wanted to have all kinds of vegetables and herbs.
09:06Then what happened?
09:08She was a bad-missage,
09:10a bad-missage,
09:11a good, bad-missage,
09:12and why did she become a girl in her small-missage?
09:16Why did she leave us all?
09:21Why did she leave us all?
09:23You will know this, right?
09:25Because this is the last season's story.
09:28We can see all of these in the flashback.
09:32No, we don't see anything in the flashback.
09:35I'll tell you some details.
09:36Yes.
09:37She's a very sweet girl.
09:40She's a handsome girl.
09:41Why did she leave us all alone?
09:44I'll tell you.
09:45We'll talk about other actors.
09:46Let's talk about Pindiya.
09:49Pindiya,
09:5120-year-old girl.
09:54She loves her political science.
09:56But in B.A.C.
09:58She left her studies in the second year.
10:01Why?
10:02She's a bad girl.
10:03She's a bad girl.
10:05She's a bad girl.
10:05She's a bad girl.
10:06She's a bad girl.
10:07Why?
10:08She's a bad girl.
10:11She's a bad girl.
10:13She's a bad girl.
10:14She's a bad girl.
10:15She's a bad girl.
10:17She's a bad girl.
10:18She's a bad girl.
10:19She's a bad girl.
10:19Huh?
10:20She's a bad girl.
10:21She's a bad girl.
10:22She's a bad girl.
10:24Now what are you telling me?
10:28At that time you didn't want to do so many things, right?
10:31That we will throw a girl like 17 attacks like that.
10:35We will do this and that.
10:37Now she's coming.
10:38And because of you, she's sleeping.
10:41Now what do we know that you've got to kill them?
10:44And now you've got to make a fool of us.
10:46Why do you believe this?
10:49Their concerns are all right.
10:52When you were sleeping, why are you sleeping?
10:57Not just sleeping, but in the guest room,
11:00I got the news of the guest room.
11:04That's why I was sleeping,
11:06because I was sleeping in my bed.
11:08I didn't know what I was saying,
11:10but that's why I opened my eyes.
11:12Pindya, go check it out.
11:14Are you sleeping or not?
11:16It's a bad condition.
11:19No, there's no condition.
11:21Go check it out.
11:23Hmm.
11:24If you do this,
11:27then what do you understand the little things?
11:29There's no little things.
11:30And you will tell us about the plan.
11:32That's why you were sleeping with me.
11:35Now you're putting this little thing on me.
11:38If you can tell us both,
11:40then you can tell us both.
11:43Then you can tell us both.
11:47Now tell us what the medicine is.
11:49Every medicine.
11:50You have to be sleeping.
11:51You're you know the medicine.
11:52You have to be eating.
11:53You have to be eating.
11:54You've been eating.
11:55It's not a good thing.
11:57It's a good thing.
12:03Is it more comedy?
12:07That's my health, Bhai Bashir Urf,
12:10Mr. Saliah.
12:12You're saying that the health that you're going to go
12:16Bhai Bashir will be affected.
12:18I'm very tired of 4% of people.
12:19I'm getting to come and go and go and get very tired.
12:23Tell me about the health.
12:25Do you want to be a picture of this?
12:28Do you want to make a picture first?
12:30The woman who's dancing, she'll have to take a picture of this?
12:33What will it happen to you?
12:34They'll have to take a job. They'll take a picture of this.
12:38Oh, this is it.
12:40This house has been a good person.
12:43Mirob was fine.
12:44No, we'll just change it.
12:47We'll have to make a picture of the hotel and then we'll have to take a long bill.
12:51What will it happen to you?
12:52The bill will go out of the jayb from the house.
12:55Yes, that's it.
12:57My mother was so fast and fast. She also used to do this.
13:04Your mother was so good?
13:07Yes, you are listening to me.
13:10I was just trying to get out of my way,
13:12and I was just trying to understand this house.
13:22You can listen to us your story.
13:27I am doing the same thing you are saying.
13:29You know, both of us have been lost.
13:32Samia, you were so lucky.
13:35And now, Nassar, you are so lucky.
13:37Look, you don't need any friends.
13:40Just leave them alone.
13:43But, Farid, what will happen with this?
13:45Our marriage.
13:47You just say marriage.
13:52With this marriage and all of this,
13:55I have a dream of marriage.
13:57Why? It wasn't before?
13:59It wasn't, but it wasn't.
14:01Listen to me.
14:03Yesterday, you were very loving.
14:06Just do it.
14:07You were watching me.
14:09You were watching me.
14:11I will tell you all.
14:13Now, I will send you.
14:15Okay, I will send you.
14:18I will send you.
14:20Okay.
14:22I am afraid of them.
14:24You mean, the wand wouldn't happen?
14:25I am, I am, I am.
14:27What have I done with this?
14:28I am.
14:29My wand is.
14:31It's my my wand.
14:32I like it, I will.
14:34I love it.
14:35He is calling it.
14:37But, why is this wand there?
14:39Why is this wand there?
14:41It was required to give me my love.
14:43Why?
14:45This is an industry, the workers are working.
14:49Tugdugi, Bandar, Bakra and Madari.
14:52You guys are so funny.
14:54You say you are talented.
14:56I hope you all get my daughters and my family.
15:06I mean, we are doing the drama in the actual minute.
15:10The skin of the character has been so much in the skin,
15:13and it seems that this is the character and the character is the same.
15:16Okay.
15:17So, how do you think about these all the workers?
15:23These workers are not bad, black and white.
15:27They are grey.
15:29They are good and bad.
15:30We have to find good and good for them.
15:33Hmm.
15:34I mean, you can tell the rest of the workers
15:36so that you can go back and think again.
15:38This is Nassar.
15:40Nassar is so smart and so happy that she doesn't understand me.
15:45She has just read it so that she can have a baby.
15:48When she goes straight, she feels like she is running away.
15:50Or maybe she is dying.
15:52The whole thing is that they want to die.
15:54They want to die and die.
15:56But they don't have to hurt themselves.
15:59The B.A.S. has a good feeling.
16:02This is black.
16:04Hmm?
16:04How is it?
16:05I am going to explain it.
16:07Do you know the rest of the two children?
16:08Do you know the rest of the two children?
16:09The rest of the two children?
16:11Mirab and Huria.
16:12Mirab is a very kind of tomboy and legendary child.
16:16And Huria is exactly the same behind her.
16:19She doesn't have a personality of her.
16:21After the loss of her mother,
16:24Mirab has become more upset and more legendary child.
16:27She has become very difficult to control her.
16:29Now, the two children,
16:31one month before school,
16:32are left alone and left their home.
16:35Huh?
16:42Oh my God.
16:44My mother came home
16:45and the son was cut off the car.
16:47The son was cut off the car.
16:48She was killed all day.
16:50She was killed in the committee.
16:51She was told to take care of her.
16:53I was going to take care of her.
16:54I was going to take care of her.
16:56I was going to take care of her.
16:58So you decided to change your father?
17:01What do you want to change, baby?
17:03She married her son. She had a gift.
17:06She got her husband and she had a gift.
17:08She was a little girl and a little girl.
17:10She was the one who she did.
17:13My fault was wrong.
17:15What kind of fault?
17:17This is wrong.
17:18She didn't need to use her hands.
17:21I thought I'd want to go for this fault.
17:24Did you make this decision and you didn't feel bad from the world?
17:30I'm sorry, baby.
17:33The world wasn't wearing clothes and clothes.
17:36I'm pretty fit.
17:40But the whole life of my life was bored.
17:44Now, what kind of love is the world to anyone?
17:47Have you ever seen a married married woman
17:53You're alone, you're alone, you're alone.
17:55No.
17:56Just...
17:57I thought, I thought, I'll give you a second marriage.
18:01And then, I'm going to go to Habib.
18:03But when I'm going to go here, I'm going to run away.
18:07But it was something that was something that I thought was wrong.
18:11You've decided to have a good choice.
18:13Habib was a good choice.
18:16Yes, it was wrong.
18:19But it was my own decision.
18:22And now I have one more decision.
18:24What?
18:26I will get out of you with your friends and your friends.
18:34What are all of you?
18:36I will do it for you.
18:40But I will give you one thing.
18:42We are all the people who are here.
18:44We are all the people who love our own people.
18:46We are all the same.
18:48It's true.
18:50It's true.
18:52It's true.
18:53It's true that you are all the people who love our own people.
18:56But what will you help us?
18:58Your tongue is broken.
19:04A little bit of a chair.
19:06That's what Habib said.
19:08You're trapped in a wheelchair.
19:10Wow.
19:11That means everyone is here.
19:13Yes.
19:15Done.
19:17You're trapped here.
19:19You're trapped here.
19:21Turned, Commander.
19:23You're the only one in your mind.
19:26That's right.
19:27Otherwise, what are you doing here?
19:29You don't fight at home.
19:31I have to fight.
19:32I'll fight a big fight.
19:34Huh...
19:44Huh...
19:45dramaturgal...
19:46They got her phone.
19:47Is this true?
19:49Who is serious?
19:50From who after you he'd come and you buy yourself.
19:52Be patient, look alone.
19:53Somewhere along your my brothers-iper.
19:55Be patient, camera, like with their father.
19:57How did he get out of the house?
19:59I believe he's getting out of the house.
20:01Shari, let's do something. We will get back to Bhushra.
20:04Let's go and get out of our city.
20:06We will take a card and block the card.
20:08Now he will get out of the house.
20:10I think he's in this city.
20:12This city is in a city.
20:14He and I are...
20:16In the sky.
20:18Shari, don't do this.
20:20Do this first.
20:22How can he get out of the house?
20:24we are not going to be here
20:26we are still staying
20:28we are going to be here
20:30if you sit here
20:32you will be there
20:34we will be there
20:36if God has paid
20:38they will be there
20:40okay here
20:42you are going to be here
20:44there are no phone
20:46you will also see
20:48how will you?
20:54What are you looking at?
20:55You will keep the bottle of the bottle.
20:58That's a bus stop and this is a dirt.
21:01You sit here, I'll come here.
21:06A dirt?
21:07A dirt?
21:20Did you guys have a drink?
21:22You need to come to the first dish from my mother's house, right?
21:28Yes, go to the park.
21:29Where?
21:30The first dish is brought to the dish.
21:33Yes.
21:38What dish is the dish?
21:41It's a dish.
21:43It's a dish.
21:45It's a dish.
21:46It's a dish.
21:47Actually, we didn't have a marriage, so we don't know which dish is.
21:55Come on.
21:58I'll go with you.
22:00No.
22:02You're your wife, right?
22:03So, these are all the same.
22:06So, the car?
22:07What?
22:08These are the people of your family.
22:11When are you going to the car in the car?
22:13They're going to the same way.
22:17You're going to Meerab too?
22:22So, Meerab is your daughter, right?
22:24You're going to the same way as your daughter goes.
22:32Yes, I'll go.
22:33How are you going?
22:34We'll go to the right book.
22:39You're going to the right book?
22:41Well, let's go.
22:42I?
22:43Yes.
22:44You're going to be a girl?
22:46You're going to make a special dish with a girl, right?
22:50We'll have to make a dish, right?
23:08How long has it been?
23:10I don't know.
23:13So, Baji Nassara, the food that is eating,
23:16it's an art, a jadugari.
23:20If you make a dish,
23:24the food is also the same way.
23:29Yes, yes.
23:31How do you make a dish?
23:33Do you know?
23:34Yes, I know very well.
23:37I know very well.
23:39Actually, when I used to make a dish,
23:41I used to make a dish dish,
23:44I used to make a dish dish.
23:46I used to make a dish dish.
23:48Where are the dishes?
23:50Is iteling?
23:52Yes, I used Paji Nassara,
23:54I used to eat it with a food Wegitle.
23:56So, it would happen with food and noodles.
23:59Seems to be an subsidiary.
24:00Though, grapes or veggies...
24:12Emerald! Emerald!
24:15Don't talk to me! Don't talk to me!
24:17Come on, brother Vashir!
24:19And then I bought a piece from there.
24:22A piece of piece of pie.
24:23A piece of pie.
24:24Magenta pig.
24:25It's a joke.
24:27It's a philosophy of life.
24:30I mean, let's open and cry.
24:33Let's open and cry.
24:35At the end, there's nothing in my hands.
24:38And then, you had to go to the house?
24:41Yeah, yes.
24:42Then, I loved the olive oil.
24:44Then, I got my pie.
24:49I got my pie.
24:50Then, I got my pie.
24:53And then, I got my pie.
24:55Oh, my God.
24:56That's my pie.
24:58Can you get my pie?
24:59Let's open and try my pie.
25:03If you go.
25:07Oh, God!
25:09God!
25:11You've got a lot to eat, Bashir.
25:15It's a simple thing, and doctors are so much deep fried.
25:20No, no, look, don't let us do this kind of samosa.
25:24Samosa is a very accurate thing, a history thing.
25:28I'll tell you.
25:30When in China and in India,
25:33we started the reshom.
25:35It started the reshom.
25:37It started the reshom.
25:39From China, the dumpling.
25:41You know what?
25:43We've got our masala,
25:45and potatoes,
25:47and potatoes.
25:49It's made a samosa.
25:51This is a surprise.
25:53It's the history of samosa.
25:55Are you going to make a samosa?
25:58Yes, absolutely.
26:00Okay, then I'm going to take a paper,
26:01and we'll take the ingredients.
26:02Take it.
26:03Let's do it.
26:04Let's do it.
26:05When it comes to the samosa,
26:06I'll write them all.
26:08What happened?
26:09Samosa is 30 rupees.
26:11You don't eat it.
26:12Don't do it.
26:13Why?
26:14Why do you do it?
26:15Because it's a samosa.
26:17Who did you say that samosa is a samosa?
26:19Oh, God!
26:21Oh, God!
26:22Now, you're going to make a samosa.
26:24You're going to make a samosa.
26:26What?
26:27What?
26:28I mean,
26:29when we'll be there,
26:30then we'll be there.
26:33Okay,
26:34you can also add annaar dana.
26:36How are you?
26:38Why don't you have a samosa?
26:39You're going to make a samosa.
26:41You're going to make a samosa.
26:42This is definitely a few times.
26:43What a surprise!
26:44Tusk is there a ming fu.
26:46That's all.
26:47What a ryeaari is.
26:49You're going to have a samosa.
26:50What a ryeaari.
26:51This is the only thing that I've ever seen.
26:52What the hell is this?
27:03Where did you get to the sherry from?
27:07I thought that the alpha male sherry is eating this way.
27:16One is the other one.
27:19This is the golden color.
27:21I'm going to buy a painting from the shop.
27:23Now we'll ask, brother, what do we do?
27:26We're going to lose money from this.
27:29Golden Paint Fist.
27:32What will people give you?
27:34Oh, Sheriff.
27:36It's the time of marketing.
27:38The one who sees, the one who sees.
27:40Tell me.
27:41Why didn't we get so much money?
27:44Because they're worried that we're going to lose.
27:47Yes, so we're going to lose money from that.
27:50I'll give you a buck.
27:51I mean, we have to spend some time here.
27:52But I'm going to lose so long.
27:55MashaAllah, this is such a beautiful body.
27:58We'll paint on this body.
28:00I'll also paint on this body.
28:02And then we'll be standing there.
28:04People will give us and give us money.
28:07What's your idea?
28:09You've got to buy two places.
28:11Sheriff, this is an idea.
28:12I'll take a painting.
28:14You have to reach the house.
28:15I've got the number of paint.
28:17If you reach the house, we'll send it to him.
28:19So, you're so faithful.
28:21What's your idea?
28:22These guys are a special one.
28:24What do you think?
28:25These guys are a special one.
28:27So, what do you feel?
28:28I'm a special one.
28:29What do you think?
28:30I'm a special one.
28:32And then who's all?
28:33What are you doing?
28:34Why am I going to be taking a whole thing with wheelchair?
28:37And I'll just throw a shri for a joint.
28:39Look, these women just leave their house with a few people.
28:44We'll talk about that for them.
28:46Yes, do we do.
28:47I want to do this.
28:48People leave here.
28:50Honestly, I've got these little guys,
28:52little balls in the balls.
28:54I got these little balls.
28:55I got these big balls.
28:56I got them for a $1 table.
28:58I got them for a full time.
29:00All the bad balls.
29:04You've also got these balls.
29:06Yes, so I got married from this house.
29:09He's watching the dream of becoming the owner of the house.
29:11It's your fault.
29:12What do you want to do?
29:14I'm so scared.
29:17Hello, sir.
29:20You've learned a lot about it.
29:23I haven't told you about it.
29:27When you understand someone, it's a need for love.
29:31I just felt for their employees.
29:35What do you understand?
29:38I think.
29:40I've seen them standing up and seen
29:43that the young people who are 25 to 18 years old
29:47are not the parents.
29:49They are without them.
29:51They don't want to meet anyone.
29:52They don't want to come.
29:53Why do they do that?
29:55They're afraid of children, Irfan.
29:57You've understood it right.
29:59I was scared of you in the restaurant.
30:03But if you're an expert, you're an expert, right?
30:06That's why Sherry gave me a hug.
30:08But I was convinced.
30:10Sherry?
30:11Who is Sherry?
30:14I'm a Sherry.
30:17It's like my mouth.
30:20You're convinced, right?
30:24You can control your children with love, love, and control this house.
30:32Yes.
30:33Yes, I'm convinced.
30:35But with this, I feel like I need to support the class.
30:40What's that?
30:42Phak Rapa and Bhai Vashir will have to stay at the end of the drama and will not be able to act with me.
30:50I also noticed that their input is very necessary.
30:54And the payment?
30:56Of course.
30:58That will also happen.
31:00Then there's no problem.
31:02Everything will happen.
31:03Everything will happen.
31:14Look, it's now my own heart.
31:18So
31:48If you are the only one who has worked for me
31:59Every day, every day, I'm enjoying my life
32:06Every day, every day, I'm enjoying my life
32:11Today we have been crazy.
32:18Pachra, you've never gone for a marriage.
32:21We've got a little bit of a dangerous look.
32:24I think it's on the fourth one.
32:26But since we are all the years,
32:28I thought about it.
32:29I thought about it.
32:30I thought about it.
32:31We're all the same.
32:32We're all the same.
32:33I thought about it.
32:34We're all the same.
32:35We're all the same.
32:36We're all the same.
32:37We're all the same.
32:38But since we all are all the same,
32:40I thought we'll do the same.
32:42That's not the same.
32:44The same thing about the same things.
32:46But what do you know about the same things?
32:48What do you know about the same things?
32:50We'll do the same things in the same way.
32:53It's a fun thing.
32:56I thought about the same practical jokes.
32:59That's it.
33:00When will you go to the same?
33:02We'll go to the same thing.
33:04We'll go now.
33:05We're all the same.
33:06Let's go.
33:07Let's go.
33:24Vareed.
33:25You're on the video, right?
33:27Hey, now we've talked about it.
33:28What's the problem?
33:30How do you talk about it?
33:32I was in the bathroom.
33:33Okay, wait.
33:34Now we're on the camera.
33:35Let's go.
33:36Don't die.
33:37Don't die.
33:38Don't die.
33:43Don't get angry.
33:45Don't do it.
33:46Don't do it.
33:47Don't do it on camera.
33:48Hmm.
33:49You're in the bathroom.
33:50You're in the bathroom.
33:52Are you really in the washroom?
33:55Yes, I'll tell you something.
33:58Do you call me?
34:00My friend calls me, I don't have a phone.
34:03Is that possible?
34:05It's not possible.
34:07Just say, don't you cry?
34:09No.
34:11Okay, listen, you're coming.
34:13Why? What's today?
34:16It's Imex.
34:17Oh, then you have to come.
34:19I'm ready to come.
34:21Okay.
34:30I'm thinking,
34:32go and tell your husband and husband.
34:38No.
34:40Why?
34:42Because if you asked him,
34:44he'll do your husband and husband and husband.
34:47And then they'll get to know that you'll get to the house.
34:50And then you'll get to the house.
34:52We'll get to the house.
34:54I'm not going to get to the house.
34:55I don't think it's like a situation.
34:57I'm not going to get to the house.
34:58I'm not going to get to the house.
34:59I'm not going to get to the house.
35:01I'm not going to get to the house.
35:03I'm not going to get to the house.
35:04I'm not going to get to the house.
35:05I'm not going to get to the house.
35:06I'm not going to get to the house.
35:07I'm not going to get to the house.
35:08I'm not going to get to the house.
35:09I'm not going to get to the house.
35:10I'm not going to get to the house.
35:11Where are you?
35:12You were on my way.
35:14What were you doing?
35:15Have you got to get to the house?
35:17Who was the house?
35:18I was going to get the house as a man.
35:20Before I got to buy the house.
35:21I have to Ariana on the house with myсы.
35:22Yes.
35:23So you're in your house.
35:24And also on your house.
35:25This is the kitchen.
35:28We're having a cloth.
35:29We're with a cowlサdh.
35:30And I am going to be my husband.
35:33And I am going to get to the house.
35:35Let's leave it.
35:38I'll tell you a special story about me.
35:41But first, I'll tell you that you won't tell anyone else.
35:44What happened to me?
35:46What happened to me about this story?
35:50Yes.
35:52Yes.
36:05What happened to me about this story?
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