- 7 weeks ago
Ek Jhooti Kahani Episode 15 - 21st Oct 25 - Sponsored by Lifebuoy Shampoo _ Leather Galleria - HUM TV
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00:00The stage is set for the Dola Next presents
00:05Kashmir 10th Hum Awards
00:07Powered by Leather Galleria
00:10Luxury Leather Furniture
00:12And Tap Tap Send
00:14Saturday 11th October 2025
00:17At the NRG Arena, Houston, Texas
00:20Be there for your favourite stars
00:23Mahira Khan
00:25Adnan Siddiqui
00:28Bushran Sari
00:30Tajl Ali
00:33Faisal Qureshi
00:35Hania Amir
00:38Bilal Abbas Khan
00:40Sara Khan
00:43Imran Ashraf
00:46Sonia Hussain
00:48Ahaz Raza Meir
00:51Tanam Saib
00:53And Mohit Mirza
00:55Mavera Hussain
00:57And Many More
00:59One Stage
01:01One Night
01:02And Spectacular Celebration
01:05To Get The Group Discount
01:07Book Your Tickets Now
01:09Log On To www.hum.tv
01:13Or www.ticketmaster.com
01:16For Sponsorships
01:18Contact
01:18Mr. Naveed Aadam
01:20Hum Network Limited
01:21To Get The Group Discounted
01:26The Group Discounted
01:26For Sponsorships
01:27To Get The Group Discounted
01:31To Get The Group Discounted
01:32This is the first time I was thinking about it.
01:39This is the first time I was thinking about it.
01:44When we come, we don't leave the room at the same time.
01:47And if we leave the room, we keep the room together.
01:50Today, our family is coming.
01:52We didn't think that we should enter the drama in the same day.
01:56I have to ask a question.
01:58I have to ask a question.
01:59I have to ask a question first.
02:01My sister and my sister are my sister.
02:07So, what personality?
02:10There are many different images,
02:12but there is no such a instincts in this,
02:14which are on the stage.
02:15Where do they happen?
02:17Our family, when your daughter,
02:20the first time being married,
02:23the first time she is married,
02:26she drawing a painting over the years and the whole time she is getting blank.
02:30I mean, pranks?
02:33Yes, pranks.
02:35And very dangerous pranks.
02:37They need to ban something from them.
02:39And what do they do with their daughters?
02:43Oh, they're very bad.
02:46So, this house is a house from eight to eight.
02:49And you will stay here until we open your heart.
02:53No, this is my wife's house.
02:56I can't take so much time here.
02:58Why do you take tension?
02:59I will.
03:01We will stop you.
03:03Okay.
03:07Can you tell me about that?
03:09I'm talking to my brother.
03:11Yes, I'll tell you.
03:13Okay, we need a lot of things in the house.
03:17My brother.
03:19I'm a man.
03:20I'm a man.
03:21I'm a man.
03:21I'm a man.
03:22And I'm just going to help you.
03:23I'm a man.
03:24I'm a man.
03:25I'm a man.
03:26The thing is, my brother Irfan.
03:32You can say I'm a son.
03:34You can listen to me a son from someone's mouth.
03:36Oh, my son is also Rizwan.
03:42He's a son.
03:45I'm excited to make a son.
03:47I mean, I'm excited to make a son.
03:51I feel like I've got a son.
03:54Yeah, I feel like I'm saying this is my best friend.
04:03My heart is my heart.
04:06We're very sad.
04:10When I've got a son, I don't want to make a son.
04:14And my decision is totally true.
04:17That we're not in front of you.
04:20My son, this is the flower of the flower.
04:25And the way you're the flower,
04:28there's no connection between them.
04:31And that way,
04:34our and your own, there's no connection between them.
04:43How are you talking about, Mr. Bashir?
04:45How do you feel so happy, calm,
04:50and understand everything?
04:53My son, son, son, son!
04:55What's going on?
04:57Hey, son, let's keep them here.
04:59Please, please, please, please.
05:01Wait a second, what happened? Tell me first.
05:06Yes.
05:08Do you want to get rid of your son
05:10that your brother, Bashir and Bashir
05:12will keep them here?
05:14We have to do it.
05:15Yes.
05:16Yes.
05:17Yes.
05:22No, okay. We'll stop.
05:24No, no.
05:26We'll have to work.
05:28What will we do?
05:29No, no.
05:30No, no.
05:31No, no.
05:32Brother Bashir means that
05:34with your happiness,
05:36what will we do?
05:37We'll stop.
05:39Yay!
05:41Well done.
05:42Thank you very much.
05:43Jeje.
05:44All thank you.
05:46Good to meet you.
05:47Say, Lord.
05:48As soon as we look,
05:49in fact,
05:50you know,
05:51the fact that you know,
05:54you know,
05:55They came from a way to a very good thing.
06:01First, the first thing happened.
06:04So I want to see him in the front of the Lord.
06:08Then the second thing happened.
06:12Then the third thing happened.
06:15So I want to see him in the front of the Lord.
06:20It was the fourth time that Irfan Sahib loved our daughter Bushra.
06:27It was the fourth time that there were four stages.
06:32Yes, I was scared before. I thought that I was going to do what I was doing.
06:37But I realized that my daughter didn't get married,
06:41and my daughter didn't get married,
06:44and if she didn't get married,
06:47I was so proud of you.
06:52You have been so proud of me.
06:56But I believe,
06:58today,
07:00I'm all happy to see you all.
07:05I'm so happy to see you today.
07:17I think I've been feeling the same.
07:32I believe that this is true.
07:36I feel like I'm feeling the joy of my wife.
07:40But you can't believe that the love you have accepted me to accept my wife and the girl has stopped me
07:51until I will say that I will stay here.
08:02It feels so good today.
08:04My friends, my friends, and my friends are very happy today.
08:10In fact, Irfan-sahab, my and your story is like a story.
08:16You have married in love with your children.
08:20And I couldn't do this.
08:23Who does this?
08:26A brother-in-law is like a big man.
08:40A brother-in-law is like a brother-in-law.
08:47I'm going to go.
08:50What will happen to me that my two brothers are gone?
08:56Habib-sahab, leave them in the guest room.
08:59And Saman, would you have to ask Saman?
09:02No, we had to take Saman.
09:05Where your car is standing, leave them.
09:12Brother-in-law, what do you think about it?
09:15Yes.
09:16In fact, Brother-in-law is a business man.
09:22Planning, Plan B.
09:25If you came here, they would have to keep their needs.
09:29It would be a roadblock or a roadblock.
09:33So, that's why they would keep their needs.
09:36So, they would have to go anywhere.
09:43Come here.
09:45Let me show you the guest room.
09:46This?
09:47This?
09:48This?
09:49This.
09:54What do you start in Nira?
09:56Nira is a child.
09:57The child is a child.
09:59The child is a child.
10:00The child is a child.
10:02Yes.
10:03It seems that we will behave in the truth.
10:05No, no.
10:06Don't understand it.
10:08It will be in another place.
10:09If there will be something else in this place,
10:11then we will have to be delayed.
10:13So, what will I do?
10:15When we try to run and run and run,
10:18we will eat our kids.
10:20We will eat our children.
10:21I also have to listen to the food in the restaurant.
10:24I was also a lot of crazy.
10:26Why?
10:27When we listen to the food in the restaurant,
10:28we would sit back and sit back with the food in the restaurant.
10:33So, we would have to sit back with the food in the restaurant.
10:34So, I'd be put a food in the restaurant in the restaurant.
10:36He had put me in a chair and put me in a chair.
10:39Okay, so this happened.
10:40No.
10:41It happened that
10:43I saw my face,
10:44and I thought that I would take care of my face.
10:46They called the police.
10:48Karawaki?
10:49What kind of way?
10:51We have lost a house to Nassar Appa.
10:53Think about it.
10:54Nassar Appa has not heard such a stupid story.
10:57Mirab is listening to Asas's house.
10:59That's why I don't tell you.
11:01I think Mirab is a lot like Mirab.
11:03She's copying her.
11:05No, brother.
11:06I don't know.
11:07As long as you are running,
11:08you notice one thing.
11:09When we are in a house,
11:10all the people are being naked.
11:14Okay, I'm going to go and see myself.
11:16I'll meet Nassar Appa.
11:18I'll meet Nassar Appa.
11:26Okay.
11:27I don't have to meet you.
11:28Don't tell me anything.
11:30Nassar Appa is very happy.
11:32I don't know.
11:33I'll be dead.
11:34I'll be dead.
11:35I'll be dead.
11:36No, see?
11:37Mirab is a little bit.
11:38He took his face to hide and hide.
11:41And the photographer was looking at pictures.
11:43But you can't think about the lines.
11:47Why are you acting?
11:49You had never opened the whole way.
11:52Yes, but then I knew Adibad.
11:55Yes.
11:56Nassar Appa is sitting in a restaurant in Burka.
12:01Burka?
12:02Yes.
12:03What's that?
12:04Neeraf Appa?
12:05Yes.
12:06And she didn't get the police there.
12:07This is a great movie story.
12:08If you don't meet Nassar Appa,
12:09you'll find Nassar Appa.
12:10If you don't meet Nassar Appa,
12:11you'll find Nassar Appa.
12:12You know what about Nassar Appa?
12:13If you don't see Nassar Appa,
12:15they won't use Nassar Appa.
12:17If you don't see Nassar Appa,
12:18he's playing Nassar Appa.
12:21My name is Nassar Appa.
12:23She's still saying something else.
12:24I can't trust Nassar Appa.
12:31It's terrific.
12:32How do you most perfect?
12:33You are Good mate, Bashir.
12:34It's nice.
12:35But now it's tension.
12:37It's a tension that Mirab Nain
12:39stood out for me a night.
12:40No, it doesn't happen to me.
12:42You know, seeing all of them,
12:44I felt that my decision was completely right.
12:47My wife didn't change.
12:49Yes, and Mirab,
12:50she was so loving,
12:52she was like a child.
12:54She kept her eyes.
12:56And before her,
12:58she was weird and abnormal.
13:00I'm sorry, I have more.
13:03No, it's just like that.
13:05What do you see with her,
13:07what do you see with her?
13:09Before I saw her,
13:11because you can't sleep in the guest room.
13:13Yes.
13:14You will come in the eyes of the girl's eyes.
13:16Oh yes.
13:17Now there will be Nassara.
13:19Pahra,
13:21I go to the guest room a little while,
13:23I'll think about Pahra from her.
13:26Okay.
13:31Koshra,
13:32thank you so much.
13:34You have changed my life.
13:38Today,
13:40I thought that,
13:41my mother had the responsibility for me,
13:43and I had the responsibility for her.
13:45My daughter is completely normal.
13:47My daughter is completely normal.
13:48She has a daughter.
13:50She has a daughter.
13:51She has a daughter.
13:52She has a daughter.
13:53It's a daughter.
13:54Yes.
13:55She is a daughter.
13:56She is all she has,
13:57so she is all she had.
13:58She said,
14:00she knows that commitment
14:01is a good way to achieve the work in career,
14:03so…
14:05...we are she in love with her?
14:06Well,
14:07...we are you all she had.
14:08Before I was saying,
14:09do you want to speak me a letter?
20:51Original
20:56Get out and get out and get out
20:59Sherry don't go
21:01Sherry didn't tear her out on her power
21:05And she was on a car car
21:06And she got out and down
21:08Get out and get out and get out of her
21:12Sherry don't go
21:15Sherry don't go
21:16Sherry is a loser
21:18loser
21:20and
21:22don't stay in the city
21:24don't stay in the city
21:26don't be a good guy
21:30what brother
21:32starja is coming
21:34all the people are coming
21:36oh
21:38oh
21:40oh
21:42oh
21:48Now?
21:50Now what?
21:51We're going to go to the bar?
21:52We'll hear the sound of the bar?
21:54Bushra, bushra.
21:57I've seen this thought that I'm going to be a chokidar,
22:00and I'm going to be a chokidar in my hand,
22:02and I'm going to hear the sound of the bar.
22:04You're going to be a chokidar.
22:06And I'm saying that...
22:08keep going, keep going, keep going, keep going,
22:13keep getting a little bit of a pocket.
22:15Huh?
22:16What is this?
22:18He died.
22:19Shari's jail is cut.
22:26As we are going to work,
22:28the enemy is here until our enemy is
22:32that he has saved his own life in the kitchen garden.
22:37The kitchen garden is not there anymore.
22:39I don't know what will happen there.
22:41What will happen?
22:45What happened to you?
22:47I'm from you.
22:49You should say to them.
22:51What happened?
22:53Tell me what was happening.
22:55Why are you mad?
22:57I want to talk to them.
22:59You are the only ones.
23:01I mean, you are the only ones.
23:04Nothing happened.
23:05Nothing happened.
23:07Nothing happened.
23:09You are the only one that did not die
23:11but I think that you are the only ones.
23:13You are the only ones the same one.
23:15They are the only ones the same.
23:17Yes sir, you are the only ones the same.
23:19You are who knows this.
23:21It ain't been a concern.
23:23Don't let go get your insurance,
23:25and you are the only one agent.
23:27What are you saying?
23:29You are the only one of the people.
23:31You are the only person with our friends.
23:33We were with a man and a man with a man and a man with a man.
23:36What a shame!
23:38You came out with those people.
23:40There was a woman and a woman and a woman.
23:42Where were we?
23:44We were with a man and a man with a man.
23:48That's it.
23:50That's the reason.
23:52This is less than a man.
23:55Why did you call the samoso?
23:58Why did you call the samoso?
24:03This was our plan.
24:05This was your and your brother's plan.
24:08You made us like four people.
24:12You don't understand the wrong way.
24:15This is the wrong way.
24:17I'm telling you that I'm with them.
24:20And I've discussed my own plan.
24:23I don't know.
24:25But it's a strange thing.
24:28My brother, we had married first.
24:31And then he got married to the guest room.
24:34And we're just planning.
24:37We're just planning.
24:41Look.
24:42This change will help us.
24:44I believe you.
24:47Are you our leader?
24:48No.
24:49I'm not a leader.
24:50But we're all doing this work.
24:52We're a team.
24:53No, no.
24:54No team.
24:55We're not a team.
24:56You can clear it out for us.
24:58Why don't we have these ideas?
24:59And what you've been doing for them.
25:00CHAPTER CREWS
25:07CHAPTER CREWS
25:14CHAPTER CREWS
25:20But Mereb, she is also in the house of my house.
25:24Who knows?
25:25Who is it?
25:26What do you think?
25:28My meaning is clear.
25:30If you don't know what your big sister has met, I'll be out of it.
25:34I'll give it to you.
25:37And I'll give it to you.
25:39Maybe I'll do the agreement with you.
25:44But the agreement I've done before, is that what?
25:47I'll do it.
25:48I'll give it to you, Ruth.
25:51What do you have to do?
25:53First of all, when you take a loan,
25:56the girls, the girls, the girls, the auntie,
26:02it's like a curse.
26:07It's a joke.
26:08It's not a joke.
26:09It's not a joke.
26:10I'll do it.
26:12Who is it?
26:15With me.
26:18You ask me how you will, it'll go to me.
26:22You get it.
26:23You get it.
26:24Who is it?
26:25How are you talking?
26:26I'm so big.
26:28What?
26:29I'll give it to you.
26:30I will tell you.
26:32I won't talk to you.
26:33What do you know?
26:35How are you thinking?
26:37I get it off.
26:38You get it off.
26:39You know, you give it off.
26:40But you won't be the same.
26:46So what do you mean by the truth?
27:10Ya Allah!
27:12It's great to see you!
27:14Thank you so much!
27:16You have such a good place!
27:18You have so much to see me!
27:20You have so much to see me!
27:22Where am I?
27:24I was living in the jungle.
27:26And here?
27:28Greenery, pool,
27:30and flowers!
27:32Allah, thank you so much!
27:40Oh, oh, oh!
27:48I had to say something about you.
27:50If I come to the kitchen,
27:52you will be very sad.
27:54So,
27:56you will take me to the guest room.
27:58Abba Ji?
28:00Brother Bashir!
28:02Brother Bashir!
28:04Brother Bashir!
28:06They look good at her.
28:08With bread,
28:10they don't seem to have anything.
28:11And for me,
28:12you will have
28:13annda,
28:14lassi,
28:15shahed,
28:16halwa puri,
28:17and...
28:18chai.
28:19Take it!
28:20And Irfan,
28:21you know,
28:22what they eat.
28:23They will eat this omelette
28:25to eat.
28:27Hmm?
28:28Besides these two people,
28:30you also have a partner.
28:32Yes!
28:34Rizwan!
28:35There are three daughters
28:36and the mother,
28:37who can she forget?
28:39Why?
28:40Nothing.
28:41I was asked for the information
28:43for the details.
28:45Oh!
28:46Good!
28:47That's right!
28:48That's right!
28:49That's right!
28:50That's right!
28:51She will give her
28:52to her brother Bashir.
28:53If she is late,
28:54she will get the mood
28:55bigger than her.
28:56I'm very scared.
28:58I'm very scared.
28:59I'm very scared.
29:00I'm very scared.
29:01I'm very scared.
29:02I'm very scared.
29:03I'm very scared.
29:04That's right!
29:05That's right!
29:06That's right!
29:07That's right!
29:08That's right!
29:09My son managed to run,
29:10somewhere in the middle of a garden.
29:11Come on,
29:12she's all over.
29:13We are here!
29:14What does that mean?
29:15You're going to see yourижilar
29:16and see your jgarbuse,
29:17your höhuzer's red.
29:18What's your vision?
29:20That's right!
29:21You're going to see your jgarbuse
29:22and I'm doing this.
29:24This is the fijar bar
29:25I've given the liquid and mule.
29:26You're going to find it.
29:27That's right!
29:28That's right!
29:29That's right!
29:30When he came to his house, he was with his cock-roo-john.
29:36Listen, you're going to leave us here.
29:38First, we'll get to know each other.
29:39Then we'll have five people.
29:41Please, please, please, you're going to leave us.
29:43The charge is closed.
29:44You were saying totally fine.
29:47Bushra was never our team.
29:50Bushra was our team, who was here.
29:55Come on, come on.
29:58The morning is all sleeping.
29:59Come on in the guest room and talk to Abba.
30:02I'll take the shower.
30:03The shower will take the shower, and then we'll never talk.
30:06Come on.
30:10Sorry.
30:14Come on.
30:25What did you do outside?
30:28You're talking outside, you're talking about the pool and the pool.
30:33What was the need for him to talk to you?
30:35Abba, you can't do it.
30:37My sister, my heart wants to talk to you.
30:40I'm not really alone.
30:41I'm not talking about the pool here today.
30:46You can put yourself so much in the pool.
30:49We don't want to talk about this.
30:50You've forgotten about the pool.
30:51What do you want to do?
30:51I do not want to talk with you.
30:52I'm a very old actor.
30:54I don't need acting to be a very old actor.
30:58He's called the economy of character.
31:03If you say that you're a baby,
31:04then you're a baby.
31:06If you're a baby, then you're a baby.
31:09If you're a baby, then you're a baby.
31:11So how does the character make it?
31:13How?
31:13Very bad.
31:15For a 60-year-old,
31:17the children of the children,
31:19it feels bad.
31:20Now the character changes.
31:22For a 60-year-old,
31:24a chronic bachelor.
31:26Is that right?
31:28I'm saying that you're right.
31:30It's a great experience.
31:33This is exactly what you're doing.
31:34Shari?
31:36hmm
31:51Naspi
31:53Naspi
31:55Oh
31:57Oh
31:59I
32:06Oh my God, you are so good.
32:09I am so proud of you.
32:14I am so proud of you.
32:17How good they are.
32:19They are like my mother.
32:23I want to tell you that she is going to be my daughter.
32:28I am so proud of you.
32:31Oh my God.
32:35What do I want?
32:37If I tell you that she will have to beat me.
32:40If I tell you that she will be so much.
32:42What do I want?
32:44I am so proud of you.
32:46You are so proud of me.
32:51Yes.
32:52I am so proud of you.
32:55That's how I told you.
32:58I have told you.
32:59You are so proud of your family.
33:05I'm sorry, brother, it feels good.
33:31It looks good.
33:34If you do something, you can eat me.
33:36Don't do anything, boss. I'm hungry.
33:39Tell me, how do you get food without food?
33:46Just ask.
33:47Just ask?
33:49Look, there are two ways.
33:51Either we ask direct food and buy that food,
33:54or we go direct to a place and buy that food.
33:58Do you know this thing?
34:01Yeah, Sherry, I'm just saying that
34:03we're good at the gym and training.
34:05First, we're going to be hungry and now we're going to be hungry.
34:08Is that my fault?
34:10No.
34:12That's my fault.
34:14That's my fault.
34:16I'll leave it.
34:18If I get it, I'll take a piece of paper and a piece of paper.
34:20I'll take a piece of paper.
34:22I'll take a piece of paper.
34:24To kill?
34:26To kill?
34:27What do you want?
34:32Sir,
34:33I'm hungry.
34:35I'm hungry.
34:36You eat food.
34:38I don't have to eat food.
34:40I've told you to eat food at night.
34:42Your children.
34:43God will give your mother to your husband.
34:44Sir, just give me a meal.
34:46Sir, you eat food.
34:48Sir, you eat food.
34:50Sir, you eat food.
34:51I'm hungry.
34:52You eat food.
34:53You eat food.
34:54I'm not saying that.
34:55If I eat food.
34:56I don't care who I'm hungry.
34:57I'll order you.
34:58I don't care who I'm hungry.
34:59I don't have to mind.
35:00I don't have to~!
35:01I don't even care who I'm hungry.
35:02You, I don't care who I'm hungry, man.
35:03I don't care who I'm hungry, man.
35:04I'll give you only one.
35:06I'll give you money.
35:07There's no money.
35:14What?
35:14You don't eat all these things.
35:16Mmm.
35:18I don't eat anything.
35:20I've never eaten this from my own money.
35:22Oh, this is a production farm.
35:25And that's the fun that makes it fun.
35:27Come on.
35:28I'm eating a lot of days a long time.
35:32Don't be scared! Don't be scared!
35:34Okay, but you have to wait for them.
35:37Hey, Abadji, stop. It feels bad.
35:39Hey, wait. What does it feel?
35:41What's Abib saying?
35:44That he will have a fight with him,
35:46and we will have a scene and we will have a dance.
35:48I'm a real woman in my real life.
35:51I'm going to call him.
35:52I'm saying the truth.
35:54This is a good feeling of the set.
35:57It's good.
35:59And actors...
36:00Oh, he's a little girl.
36:01It's a good thing.
36:02Oh, what a joke, Nassaraki.
36:04I mean, the people who give the award,
36:08I have a choice.
36:09They always give the award to the hero and hero.
36:12They give the award to the site characters.
36:16They should give the award to the show.
36:19Hey, Abadji.
36:20You say that you're a fish in water.
36:23You're giving the award to the industry.
36:25You're giving the award categories.
36:28Hey, Abadji.
36:30The fact is that they have left us.
36:34Those who are the people who are knowing.
36:36Those who are paying their money.
36:38Those who are paying their money.
36:40Those who are the ones who are paying their award.
36:42Hey, Abadji.
36:43Also, we are a good man.
36:44It is our truth.
36:45It's a good man for us.
36:46We are a good man.
36:48Is that hard?
36:49I've been here.
36:50Hey, come on, Abadji.
36:52Let's do it warm.
36:53It's warm.
36:54If you don't come back,
36:55I'll eat it.
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