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00:00The stage is set for the Dola Next presents
00:05Kashmir 10th Hum Awards
00:07Powered by Leather Galleria
00:10Luxury Leather Furniture
00:12Saturday 11th October 2025
00:15At the NRG Arena, Houston, Texas
00:18Be there for your favourite stars
00:21Mahira Khan
00:23Adnan Siddiqui
00:26Bushran Sari
00:30Tajal Ali
00:32Faisal Qureshi
00:35Thania Amir
00:37Bilal Abbas Khan
00:40Sara Khan
00:42Imran Ashraf
00:45Sonia Hussain
00:47Ahaz Razameer
00:50Sanam Saeed
00:52And Mohit Mirza
00:54Maavra Hussain
00:56And many more
00:58One Stage
01:00One Night
01:01And Spectacular Celebration
01:04To get the group discount
01:06Book your tickets now
01:08Log on to www.hum.tv or www.ticketmaster.com
01:15For sponsorships contact
01:17Mr. Naveed Adam
01:18Hum Network Limited
01:20Did
01:21The
01:22The
01:27The
01:28The
01:38The
01:43This love is very deep.
01:45I've heard his words.
01:47It's very difficult to escape.
01:49We want to marry too,
01:51but it's not like you.
01:52It's not like you.
01:53It's not like you.
01:54It's not like you.
01:55Your brother has brought me like you.
01:57I don't want to forgive people.
01:59I'm really sorry.
02:00Forgive me.
02:05This is the macaroni.
02:07It's warm, warm.
02:08Now it will be fun.
02:11I'll sit and eat it.
02:15I'll take my plates.
02:31You guys are exactly right.
02:33But now it's part of this house.
02:35We have to give space,
02:38so that we can get our people.
02:40She's always trying to do it.
02:44She's always trying to do it.
02:46She's trying to do it.
02:47Look, there's a war.
02:48Hold on.
02:49Let me tell you.
02:50What was the girl telling her about her?
02:54What was it?
02:56Any mother-in-law,
02:57any family,
02:58any brother-in-law,
03:00someone's old man,
03:02someone's old man,
03:03someone's old man,
03:04someone's old man,
03:05someone's old man,
03:06someone's old man,
03:07the girl is like a Terminator.
03:09Just a moment.
03:10And you can read your data
03:11and take your house.
03:12Put your hands up,
03:13you too.
03:14Give us a talk.
03:16That's why you're a little girl.
03:21Okay, brother, I was telling you to meet with someone.
03:25How do you trust a weird girl?
03:28And we've also told you.
03:30We've been doing so well.
03:32You're a cockroach.
03:34He also gave all his hair.
03:36He's a lawyer.
03:38He's a lawyer.
03:40He's a lawyer.
03:42Mamou, Popiya, Taya,
03:45Mamou.
03:47There's no one.
03:49No one?
03:50No one.
03:51She's the one.
03:52She's the one.
03:53She's the one.
03:54She's the one.
03:55She's the one.
03:56She's the one.
03:57She's the one.
03:58She's the one.
03:59So, these people,
04:00would have given you one day
04:02for your girl?
04:04No, no, no.
04:06It was a big event.
04:08It was a proper function.
04:10Everyone was so surprised
04:12that she was alone.
04:15Baba Jihan,
04:17you've done such a big function.
04:19We didn't want to call your wedding.
04:21It's very unfair.
04:23It's very unfair.
04:24You didn't call us on your wedding?
04:28I'm so sorry.
04:30I'm so sorry.
04:32Look, look, look.
04:34My beloved daughter,
04:35you're saying totally fine.
04:37I'm so sorry.
04:38I'm so sorry.
04:39I'm so sorry.
04:40I'm so sorry.
04:42I'm so sorry.
04:43I'm so sorry.
04:44I'm so sorry.
04:45I'm so sorry.
04:46You're right.
04:47Now the wedding is over.
04:48You're saying that you have a wedding
04:50at the morning.
04:51I'm so sorry.
04:52I'm so sorry.
04:53You're saying that you have a wedding
04:54at the morning of Pushtra's family.
04:56I'm so sorry.
04:57I'm so sorry.
04:58I'm so sorry.
04:59I'm so sorry.
05:00I'm so sorry.
05:01I'm so sorry.
05:02I'm so sorry.
05:03How do you think that's so sorry?
05:04How do you think that's so sorry?
05:05Why?
05:06I don't get married with your daughter.
05:08And guys,
05:10how can you forget that Balima?
05:12You will do it, right?
05:13You will do it.
05:14You will do it.
05:21You can eat it.
05:22You will eat it.
05:33How do you think that's a bad thing?
05:37When they both met.
05:39I just felt like it.
05:41Oh,
05:42you were so sorry to see each other.
05:45You are the one who was so sorry.
05:47I didn't know anything.
05:49I'm so sorry.
05:51But you,
05:53that you wanted to be a bad thing.
05:54That's it.
05:55It's not bad.
05:56It's a bad thing.
05:57It's some new year.
05:58We can see which is happening.
05:59And what happens to me?
06:00That I need help.
06:01I'm scared.
06:04Don't take about it.
06:05It's not any kind of warning.
06:07No.
06:08I have to buy it.
06:09I took it?
06:10No.
06:11I need to buy it.
06:12I just have to buy it.
06:13I have to buy it.
06:14I have to buy it.
06:15Only one by one.
06:16There's a drama in my house.
06:21Let's eat it.
06:29How much milk?
06:32No milk.
06:34I ate it myself and I ate it at the time.
06:36But you're saying a little bit.
06:38Take it.
06:46How much milk?
06:48How much?
06:50How much milk is in this house?
06:52Let's eat it from this dish.
06:55This will be fine.
06:56Let's take it.
06:58One minute, one minute, one minute.
07:07Cockroach.
07:20It's not spicy.
07:22It's not spicy.
07:24Wow.
07:26It's a party for everyone.
07:30Wow.
07:32Wow.
07:33Cricket match is running.
07:34Micronies are running.
07:35It's a party here.
07:40Have you eaten food?
07:41Yes.
07:42About.
07:43About.
07:44About.
07:45About.
07:46About.
07:47About.
07:48About.
07:49About.
07:50About.
07:51About.
07:52Beach night.
07:53You are eating food!
07:54I'm going to sleep.
07:55So even if yourwiris and I think you remember what it means to me.
07:57Yeah.
07:58And...
08:03Well...
08:04Whatever.
08:06It's good to watch today, we'll talk in inf hay.
08:08един.
08:09Shubba khair.
08:10Shubba khair.
08:12Shubba lekhte hain.
08:15Raat bachinge to Sahar dekhinge na.
08:23Tanqza wala hain hain hain hain.
08:40Jho huwa, voh bada unexpected tha and I'm really sorry.
08:45It's okay.
08:47Meri lihe bhi pehla tajurba hai.
08:49Voisse Nasr aapne emotions ko baat high pitch pe lhe jati hai.
08:58Sorry.
08:59Aap kye sorry kehra hai.
09:03Voisse, darasal mujhe unka level samaj ke bolna padeega aur acting karni padeegi.
09:09Menei pichhe raha jati ho, haliti meri hi hai.
09:11Mujja andaza nahi tha ki ye log itni hi agressive ho jain gi.
09:15Chalye kuch nai hoda.
09:17Ab toh situation ko samaj ke hi aagir chalna padeega.
09:21Bos Mereb ki komedi ar pranks bhoat hi zyadha khofnaak hai.
09:25Agar Nasr a ka show na hota,
09:28Toh Mereb ne mikroni mein namak bhoat zyadha Úˆal diya.
09:31Or dousre mein kokroach.
09:39Kokroach.
09:41Ye toho humari chhoti ka signature style hai.
09:46Hoa kokroach se nhi derti bhalke akstar logoon ko dhera dieti hai.
09:50Bah.
09:52Bade equality hai.
09:54Logo ko kehti suna hai ke humara baccha bhoat aagya hai sports mein.
09:58Badhaai mein bhoat tez hai.
09:59Pahali dhafah sunri ho ke koji keha raha hai ke humara baccha kokroach pakar lieta hai.
10:03Chakir nahi, aisa hi hai.
10:11Jabhi toh aapko lelekar aaya ho.
10:13Berenna yaa koji or nini tikti.
10:20Aapne kuch khaya?
10:22Nahi.
10:23Yehii bata rahi thi maapko ki Mereb ne ek dish mein namak zyadha Úˆal diya tha.
10:27Or dousre mein kokroach.
10:28Pata nini kab.
10:30Yisari khana nini khaya meinne.
10:33Oh.
10:38Toh pher aisa hai ke...
10:42Chalte hai baar chalte hai.
10:44Abhi toh baar se hoker aaya hai hap.
10:47Ho toh unke saath gya tha na.
10:48Aba aap kisah chalte hai.
10:50Go.
11:03Ham yaa khaa aaga hai.
11:04Hami toh khana khana tha.
11:07Sara din...
11:08Gher mein bäthi rahe hai.
11:10Ishii wale kummere mein.
11:11Toh dhra dhil chaara tha.
11:12Khi khuli fiza mein jaa ke sans lene, bäthi hai.
11:14Toh bos islihi haa aaga.
11:15Khaana khayenge, baad mein kha lene.
11:16Yaha bade mazhi ke puttie milta hai.
11:18Wo khilaan hoa toh ba.
11:18Chalte hai baar chalte hai.
11:21Maisei saach bata hoa toh.
11:22Subha ki chak chak seh.
11:24Mera dil bhi kara tha tha.
11:25Khi kahi baar chalte.
11:26Ho accha kiya.
11:28Aao, chalte.
11:37Shari ko sirf bhewakoof hi nahi.
11:39Bahaat bhewakoof binaaya jaa raha hai.
11:41Banjo raha hai.
11:43Aisa kabhi sulhe?
11:44Ke shadhi se pahle
11:44LÚ‘ki ko kahe dure bhej diya jayen.
11:47Shari bhai.
11:48Bura mat maanna, boss.
11:50Lekin aap jaysse kudok murgi ki tarah
11:51Bushra ko annda samaj ke
11:52Iske ghar ke irgir.
11:56Ghoom raha tha na.
11:57Toh eisa hi hona tha.
11:58Eisa hi hona tha.
11:59Abya bhai.
12:00Ghandri anndir.
12:01Tu hai kiski taraf.
12:02Meri taraf ya un loong ki taraf.
12:04Shari bhai, aapki taraf.
12:05Lekin aap baat ya si hajeeb si kar rahe hai.
12:08Asya chal, thik ha.
12:09Chala gai ghoom ki aate hai.
12:11Chalo.
12:13Ye baat toh maanna padhegi.
12:15Ki joh situation ko samaj kar
12:17Dailog bolneng ki shalaiyat hai na.
12:20Pohran.
12:20Keh bhoot zabudas khubi hai.
12:22He loo.
12:40Kahan ko ghoi?
12:44Naya agli situation souch rahi thi.
12:47Aray, agay ki situation toh bohat mazay ki hai.
12:49Haan?
12:50Haan, lekin uske liye na tummei aapnei theater se
12:52Ek-dio adakar mazidh hair karne hoon gaye.
12:55Go kiyo?
12:56Asya chal,
12:56Asya chal,
12:57Tho mei nathe huon,
12:59Menei ye toh socha hi nahi ki
13:00Tumhare ghar wale bhi tuh honne chahiye.
13:03Naga matlab?
13:04Abobo bhi mucjhe raan hai hoonge.
13:07Ah, dhekho,
13:07Menei toh kisi adakar ko jantta nai hong.
13:10Toh adakar toho tumnei arrenge karna hooga na?
13:13Pah kiyo hong?
13:16Asya chal, nasara ne demand kiye
13:17Kek tumhare ghar wale sa binhna hai.
13:20Aap usko koji kehani bina ki baat ko tal dhe?
13:24Bushra,
13:25Menei keha diya usse ke
13:28Tumhara khandaan bhout lemba chora hai.
13:30Irfan,
13:31Aap mutfya tuk
13:33Kahaan se laungi ab mei lo?
13:35Dekho,
13:36Subha tak toh qiyamat nahin ari.
13:38Lekin,
13:38Subha aajaygi.
13:41Subha tak agar
13:41Please,
13:42Please,
13:43Please,
13:44Please,
13:44Arrenge kar do koi.
13:49Manufacturing
13:50So buena
13:54Bomes
14:09Uai uai uai uai
14:12Uai uai uai
14:15What's this?
14:17What's wrong?
14:19What's wrong?
14:21What was that?
14:23She was a bitch in a car with a girl.
14:25Boss, now the situation is wrong.
14:27I'm saying that now the situation is wrong.
14:31She's a bitch.
14:33She's wrong with a bitch.
14:35She's wrong with a bitch.
14:37Don't be afraid. I'm not a fool.
14:39She was a bitch with a girl with a girl.
14:43She's a bitch. She's a bitch.
14:45She's a bitch.
14:47She's a bitch.
14:49I'm going to go to a bitch.
14:51She's not going to go there.
14:53Look at it.
14:55I'm not going to say that she's a bitch.
14:57She's a bitch.
14:59I'll see her.
15:01Do a job.
15:03You're my side.
15:05I'm saying that, Sherry.
15:07I'm your side.
15:09Do some stupid things.
15:11I'll do it.
15:13I'll do it.
15:15Yes.
15:17Sherry, you're saying that you're going to be a bitch.
15:19You're going to be a bitch.
15:21Then you're going to be a bitch.
15:27One thing is possible.
15:29What?
15:31If you take me to my house,
15:33I'll tell you to take me to my house.
15:35I'll tell you to my father and my father
15:37that he'll become an actor with me.
15:43It'll be great.
15:45It'll be great.
15:47It'll be great.
15:49It'll be very natural.
15:51And I'll tell you,
15:53that I've lost a month,
15:55it'll be great.
15:57You, Bushra,
15:59you're a great artist.
16:01You've given a natural natural drama.
16:03You've done a great job.
16:05You've managed a great job.
16:07And there are actors available.
16:09Economy of actors.
16:11Budget friendly.
16:13You should go to the real film academy.
16:15What do you need to do so talented girls
16:17in the house
16:19to make their talents?
16:21I'm still drinking.
16:23I'm still drinking.
16:25I'm also drinking.
16:27Yes, but you're acting.
16:29You're acting.
16:31And you're not a little girl.
16:33Okay, let's go.
16:35Leave me outside my house.
16:37I'll park my car.
16:39I'll come back to them.
16:41Done.
16:47At this time?
16:49You went to the morning,
16:51we talked about our conversation.
16:53What happened?
16:55What happened?
16:57Yes, okay.
16:59But,
17:00everything is fine.
17:01I mean,
17:03I'm here with the producer.
17:05How do you feel?
17:07Yes, yes.
17:09You're my home.
17:11Okay.
17:13Okay.
17:15You're here.
17:17I'll come back to you.
17:19I'm here.
17:20I'm...
17:21You're here with us.
17:22I'm here.
17:23I'm...
17:24I'm here.
17:25I'm here.
17:26You're here.
17:27...
17:29She said this.
17:30You're here?
17:31You don't think about it. My daughter, Bushra, is a great deal.
17:35Before she came to herself.
17:36And remember, nobody can get out of this cast.
17:41I believe it is too.
17:44She has been so excited about this show.
17:47And I feel like the money...
17:49I mean, the money is going to get out.
17:53She also believes that it will get out.
17:57I feel like I'm afraid of it.
17:59Oh, dear dear, where did you come from from the TV show?
18:03You're okay, brother.
18:05But it's everywhere, right?
18:07And we've written a lot of good things in our children.
18:10Oh!
18:11Don't worry about these films of the new Sultana.
18:13It's good, it's good.
18:15We'll talk about our own entry.
18:20Huh?
18:21Okay, brother.
18:22Yeah.
18:29Oh!
18:31Hey!
18:32You're okay for this.
18:33I've asked you.
18:34I'm going to go.
18:36I'll kill you from the house.
18:37And it won't be there.
18:39Because it was here.
18:41In the car.
18:44Okay.
18:45Then what will happen?
18:46Then?
18:47Then I'll put the fire.
18:48I'll break all the tubes of the house.
18:50I'll break everything.
18:51I'll break everyone.
18:52I'll break everything.
18:54I'll break everything.
18:57Okay, siri.
18:58You go.
18:59I'll break everything.
19:00You go.
19:01Okay, siri.
19:03Let's go.
19:04Let's go.
19:08Come on, siri.
19:09Come on, siri.
19:20Moshra?
19:21Huh?
19:23You...
19:24Yes.
19:25You'll come back.
19:27Irfan.
19:28Why?
19:29Why not?
19:30I'm just going to explain them.
19:32I'm just going to explain them and going to talk about the future situation.
19:38I don't know.
19:40I felt like that.
19:41I felt like that.
19:42I felt like that.
19:43I felt like that.
19:44I felt like that you...
19:45...
19:46...
19:47...
19:48...
19:49...
19:50...
19:51...
19:52...
19:53...
19:54...
19:55...
19:56...
19:57...
19:58...
19:59...
20:00...
20:01...
20:02...
20:03...
20:04...
20:05...
20:06...
20:07...
20:08...
20:09...
20:10...
20:11...
20:12...
20:13...
20:14...
20:15...
20:16...
20:18...
20:19...
20:20...
20:21...
20:22...
20:23...
20:54...
20:55...
21:26...
21:27...
21:28...
21:29...
21:30...
21:31...
21:32...
21:33...
21:34...
21:35...
21:36...
21:37...
21:38...
21:39...
21:40We had to play a story, and why did we get married at the end?
21:45Now, let's go to my house and give an appearance to my house.
21:50We are also in your house.
21:55We will go.
21:59Hey, look and ask. Why won't we go?
22:04We will go.
22:06Open the door, open the door.
22:10Open the door, open the door. I will not leave you.
22:13I will not leave you.
22:16Open the door, open the door.
22:18Open the door, open the door.
22:26Prashira?
22:27Yes, I.
22:28What are you doing?
22:30You, I.
22:32What I?
22:33I.
22:35What is wrong?
22:36Who?
22:37Who is that?
22:38If it was a river, you would have come?
22:40I...
22:41I...
22:42I would have come.
22:44You are here.
22:45You are here.
22:46Where you are.
22:47You were here.
22:48The first time,
22:49you kept coming.
22:50You were there.
22:51I would have come...
22:53I would have come.
22:55I would have come.
22:56Who is her?
22:57No, no, no, no. Sherry has come.
23:01Come on, come on. You were too late.
23:08Who is this for?
23:09This is for the tubelets.
23:11No, no, sorry, sorry.
23:13This is for killing dogs.
23:15There are many dogs in the corner.
23:17Leave it. Keep it there.
23:19Go inside.
23:21What Sherry?
23:27Oh, my God.
23:29Yes, My God.
23:34Yes, My God.
23:37What did you ask about it?
23:40Yes, My God.
23:44Yes, You are God.
23:47What's your God?
23:49Yes, My God.
23:51Yes, Your God.
23:53Who wants to find out?
23:55Because he had to get married before the wedding, she said goodbye to the meeting.
23:59Tossani feed?
24:00We were trying to get married.
24:02But you had to get married to our homes, four times four times.
24:10You didn't take your heart.
24:11Mad list.
24:12Yes, me.
24:13I was just not able to meet you.
24:16You eat with it last week.
24:18And you come to me today, maybe not.
24:20Come to you or not.
24:21I tried to meet you with Bursha.
24:24What did you know?
24:25That's why you sat in a black car with a girl with a girl.
24:30You're crazy.
24:33This is a buchara.
24:34Look at this buchara.
24:36There's a buchara somewhere.
24:38This buchara is in your mind.
24:41In which buchara is in your mind.
24:43You're crazy, Shari.
24:45In the other words,
24:47we're tied to you with a four.
24:49You're always looking at that buchara.
24:53And she's gone to the city.
24:55And she's gone to the city.
24:57And she's gone to the city.
24:59And you've also got our house.
25:02And now it's like Shari.
25:06We've decided that we can't make this relationship.
25:12Uncle D, this can't be possible.
25:16With buchara's name, Shari's name has been mixed.
25:19Oh.
25:20And now my death can't be done.
25:23What?
25:24Buchara.
25:25Buchara.
25:26What?
25:26Buchara.
25:27Buchara.
25:28Buchara.
25:28Buchara.
25:29Buchara.
25:30Buchara.
25:30Buchara.
25:31Buchara.
25:32Buchara.
25:33Buchara.
25:34Buchara.
25:34Buchara.
25:35Buchara.
25:36Buchara.
25:37Buchara.
25:37I'll give you a good advice to you
25:40that after you, I will give anyone to anyone else.
25:43Yes, in my case.
25:45What do you mean by me?
25:49What is going on? What is happening?
25:51My question is, let me see the mind of your doctor's mind.
25:56We have to say that in this simple sentence,
25:58that it's not possible for a point.
26:00I'll let you know!
26:01I'll break everything over.
26:04You don't know who I am.
26:08You don't know who I am.
26:11I'm going to give you a full sentence.
26:14You have to listen to me.
26:15Hey, son, we can't do this.
26:20Why can't we do this?
26:24Fakrha, why can't we do this?
26:26Why can't we do this?
26:27Because after 30 days, we will start the account again.
26:35Look, we are poor people.
26:38We don't have to do this.
26:39But we will keep our relationship with our family.
26:43Sherry, you are also going to be the family of this family?
26:47You should also be the support of your family.
26:49I don't understand anything.
26:52It's clear to me, now, for one month,
26:56you will be the support of our family for one month.
27:01After that, we will be the support of our family.
27:04And the fact is that we have to know our standards.
27:08We can't finish our standards.
27:10So I'm thinking that I will go with the children.
27:14From the interior.
27:15What?
27:19Sitarja?
27:22I don't believe that the children have to know that we have parents in two minutes.
27:34I saw you,
27:37when you were doing the acting,
27:40I knew it was two days ago.
27:42How did you know that we will go to parents and Abba and Fakrha?
27:47You have to do weird things from home.
27:50I mean that I have understood that you are better for this house.
27:55Let's go,
27:56this will be the best decision that you will get away from tomorrow.
27:59You will meet the house with the house.
28:01Maybe it is possible that you will accept the house in the house.
28:06I have accepted it.
28:08It was so good when I was doing so well.
28:11Well, it's wrong.
28:13I don't want to marry you.
28:15I don't want to marry you.
28:16What kind of marriage?
28:18I mean...
28:20I mean, this is the drama that I've done.
28:24Well, where can I sleep?
28:26Hmm?
28:27Where is my camera?
28:28That's the camera, right? The guest room.
28:32Where is the guest room?
28:33If you go up here, you have the last guest room.
28:38That's the camera.
28:39I'm not sleeping at that camera?
28:41That's the bhootia camera. Habibullah told me about that.
28:45The bhootia is Habibullah.
28:46No, that's the fact that you can sleep in my room.
28:51So?
28:53So, I will sleep in that room or you will stay in my room?
28:59What?
29:01I don't have to sleep in that room.
29:04Alhamdulillah, this house is the most clean room.
29:07I'll check you out.
29:11Sorry.
29:12No, actually, I'm sorry.
29:14I'm sorry.
29:15I'll be trapped in Mirob.
29:17You'll get trapped in this house.
29:25Uhh...
29:26One minute.
29:36It's like this.
29:38It's like this.
29:41Don't see the camera.
29:42Okay, come on.
29:44Uhh...
29:47The other day,
29:49Dad will have increased.
29:51The other day,
29:52I'm okay.
29:53I'll be alone.
29:54I'll start with a good sunset.
29:56The other day,
29:57Then my eyes will have to be soft.
29:58I will have to be soft.
29:59And I will see the camera.
30:01I'll come out of my arms.
30:03So, I'll have to sleep in my arms.
30:04And I will have to sleep in your arms.
30:06I'll be right back.
30:07On your eyes.
30:09Then the next day,
30:10I will have to sleep in my arms.
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