Aquí no hay quien viva - 3x22 - Erase unas puertas blindadas - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Aprovechando una ola de robos por la zona, Juan y Andrés fingen un robo en casa de Nieves para convencer a los vecinos de que pongan puertas blindadas en sus casas. Por supuesto, ellos acuerdan una comisión con el amigo de Andrés que instala las puertas. Pero los vecinos se enteran y al final, todos terminan sin puertas en sus casas. Juan empieza a dar clases a una niña y José Miguel se enamora por primera vez. Entretanto, Lucía monta una guardería en casa para sacar dinero, y Belén cambia de agencia matrimonial y conoce a un hombre maravilloso.

Transcript

00:00:00For you, for you, for you, no one lives, not for you, not for you.

00:00:24What a horrific scene! Two police cars, a mobile unit, two doctors.

00:00:31Yeah, but what happened?

00:00:32I don't know, I'll go and ask.

00:00:35Mr. Juan, they just broke into an almost 80-year-old woman, but she was running inside and everything.

00:00:39Oh my God! Ervinia!

00:00:41Of course! She calls out a special bingo and rubs it in everyone's faces. It's only natural that she gets robbed.

00:00:46Since she's a little deaf and had the TV on very loud, she didn't realize it was being stolen until it was taken away.

00:00:51That's when she had a hysterical attack, but anyway, she hasn't been abused or anything, she's still single and whole.

00:00:56Tomorrow I will send a letter to the mayor expressing my strongest condemnation of this escalation of crime plaguing our streets.

00:01:02Send it to Santa Claus, maybe he'll read it sooner. Now that it's spring, he's less busy.

00:01:07Well, today it's the turn of the 19th, tomorrow it could be us.

00:01:11Thank goodness we have Valentín to defend us.

00:01:14I'm almost looking forward to them coming in, they were going to be hot.

00:01:17Well, I don't care, because I have insurance, an alarm, and closed-circuit television.

00:01:21And did you record us singing the Mocedades song? Did the chorus not come out so well?

00:01:26Yes, but the camera only records when the video store is closed.

00:01:30That's nonsense.

00:01:31Andrés, the food's ready soon. As soon as you hear the pot whistle, come up.

00:01:35Let's go to Herminia's house to see if they've taken the bichon.

00:01:39Mr. Juan, don't worry, thieves are not going to get in here.

00:01:42If they don't take the shampoo samples out of the mailboxes.

00:01:44Juanito, this robbery thing could be very useful for us.

00:01:48I have a friend with a security door company from whom I get a 15% commission.

00:01:54Imagine if we approve a levy so that all the neighbors can change their doors.

00:02:00Do the math.

00:02:00No, no, no, no. That's corruption.

00:02:03But you didn't say you were broke.

00:02:05Besides, you've already seen it. These people don't give a damn about robberies.

00:02:08Because they see it as distant. It's like hunger in Africa.

00:02:11You see it on the news and you say, oh, how sad.

00:02:14And you keep eating the steak.

00:02:16But if the robberies are on the opposite doormat, things change.

00:02:21Well, we faked a robbery and that's it.

00:02:24Mariano, have you read my circular entitled

00:02:26Rules for the correct use of the video intercom?

00:02:29I'm just finishing Don Quixote, which is its centenary.

00:02:32Either you tell me that it's my turn or I'll get screwed.

00:02:34Let's see, let's see, nobody here has talked about doing anything.

00:02:36The best thing is to stage the robbery in my house.

00:02:39Nieves has quite a few gems.

00:02:41How am I going to steal my own sister?

00:02:42If you have insurance, you'll win. You're doing him a favor.

00:02:46And those armored doors, which are also secure, are very nice.

00:02:50Some landings could look like something out of a decoration magazine.

00:02:53The truth is that it would be an aesthetic improvement

00:02:55and considerable community structure.

00:02:57Juanito, I'm glad you're president again.

00:03:00You are a real politician.

00:03:01Corrupt?

00:03:02No, no, be careful, I'm not doing this for money.

00:03:04I do this to preserve the safety of the neighbors,

00:03:06defenseless against the criminal whims of a few misfits.

00:03:09How do they handle the word?

00:03:11Parsley is better than the guiñano.

00:03:13Look, the hair on end.

00:03:15Here, here, here, there is no one living.

00:03:18Not here, not here.

00:03:20Every day is like this.

00:03:22I couldn't imagine it when I came here.

00:03:25I was just looking for some peace.

00:03:27I wake up every day in the middle of a hurricane.

00:03:29Here, here, here, there is no one living.

00:03:32Not here, not here.

00:03:33No, no, no.

00:03:34Here, here, here, there is no one living.

00:03:36Not here, not here.

00:03:37No no.

00:03:38The house is filled with partying.

00:03:40I can't find the goalkeeper.

00:03:42The neighbors watch me and listen to me.

00:03:45I can't stand this place.

00:03:47Not here, not all my neighbors have them here.

00:03:49If not, come to my apartment.

00:03:50Come to the neighborhood, cousin, I love you and I'll teach you.

00:03:52Where the thieving clowns cry, they steal from us

00:03:54and the stones kiss each other in something to tell.

00:03:56Put in a cocktail shaker.

00:04:01You in an earthquake and a mudhole.

00:04:06And you will have this ladder.

00:04:10Here, here, here, there is no one living.

00:04:13Not here, not here.

00:04:15Here, here, here, there is no one living.

00:04:17Every day is like this.

00:04:19I couldn't imagine it when I came here.

00:04:22I was just looking for some peace.

00:04:24And I wake up your cheek in the chop.

00:04:26Here, here, here, there is no one living.

00:04:29Here, here, here, there is no one living.

00:04:31Here, here, here, there is no one living.

00:04:34No.

00:04:34No, I'm not wearing this.

00:04:40Why can't I wear contact lenses?

00:04:41Well, because you're little and your eye is still growing.

00:04:45Also, they are very pretty and give very good results.

00:04:47So what is this guy laughing at?

00:04:48No, I'm looking at housing prices.

00:04:52What is the boy with glasses doing?

00:04:54Why did I take him to the optician and he couldn't even read the third line?

00:04:57I knew it by heart, but the bastard changed the poster.

00:05:00Well, there's no need to make a big deal out of it.

00:05:01Since Harry Potter came out, the image of the bespectacled man has changed a lot.

00:05:05Harry, I hadn't thought of that.

00:05:0760 meters without elevator, 300,000 euros, it's great.

00:05:11Let's see, I'll explain it to you.

00:05:12I have an image.

00:05:13If you put this on me, you'll hurt me.

00:05:15Yeah, but you're going to end up hit by a car, but you look better.

00:05:18Don't you think this is a bit of a silly death?

00:05:20There you go, I have an idea.

00:05:21Tonight we're all going to the movies so you can see them for the first time.

00:05:24You'll see what a difference.

00:05:25Okay, I'm going to make a list of nursing homes to plan my revenge.

00:05:28Calm down, dad.

00:05:29I keep an eye on them to see if they put them on.

00:05:31Harry, show me that owl.

00:05:33What do you ask for?

00:05:35If I don't understand, they are some really cute designer glasses.

00:05:38Isabel, how much did they cost you?

00:05:40Hey?

00:05:40They are made of titanium, with anti-reflective lenses.

00:05:43Isabel, how much?

00:05:44Oh, John.

00:05:46Oh, relax.

00:05:47Don't worry about money anymore.

00:05:49I found you a job.

00:05:50Have the Piarists called?

00:05:52Yes, you were right, José Miguel.

00:05:54The resume needs a bit of embellishment.

00:05:55Well, no.

00:05:56She is the daughter of a surgeon at my hospital who has struggled with her compulsory secondary education.

00:05:59You know, girls these days, when the Three Wise Men bring them karaoke, they already think they're going to win the Junior Euro.

00:06:05Me as a private tutor?

00:06:07No, no, no, no.

00:06:08But if you've always said you like small groups, then smaller than one.

00:06:12So, while you're writing on the board, if something falls on you.

00:06:15You don't have to say who you were.

00:06:18I don't know, Isabel, that's like going down a category.

00:06:21I have always been a teaching galactic.

00:06:23Look, Juan, I just want you to earn your money the normal way.

00:06:26Not risking your life in a laboratory.

00:06:28Or spending eight hundred euros on olives.

00:06:31Or taught to prostitutes.

00:06:32There has already been an Andrés Guerra in my life.

00:06:35I don't want another one.

00:06:36You're going to try for me.

00:06:37Do you promise me?

00:06:39Okay, okay, okay.

00:06:40Tell that girl to come.

00:06:41No, yes, I've already told you.

00:06:42I have a lot of confidence in myself.

00:06:45You'll see, from now on we'll be a normal couple.

00:06:48I'm going to make a hookah.

00:06:52I prepare it for two.

00:06:56This time it's true, Belén.

00:06:58This is the business of the 21st century.

00:07:00What have you done now?

00:07:01You're going to love it.

00:07:04Child organ trafficking?

00:07:06No, it's a daycare.

00:07:08But, Julia, darling, no, no, you can't eat the marker.

00:07:11What's happening?

00:07:12They've closed down Michael Jackson's mansion and brought them all here?

00:07:15Belén, this is the future.

00:07:16There are hundreds of working, single mothers who cannot take care of their children and to

00:07:20that's what we are.

00:07:21No, no, no, that's what you're here for.

00:07:22I don't like children.

00:07:23What do you mean no?

00:07:23Aren't you going to have children?

00:07:24What I needed was to bring more unemployed people into the world.

00:07:27Hello.

00:07:28Hello.

00:07:29Damn, Lucia, how long has it been since we saw each other?

00:07:31Belén, you have to help me.

00:07:32I can't handle nine children alone.

00:07:34Does it move?

00:07:35Yeah.

00:07:35But what if there are eight?

00:07:36What do you mean eight?

00:07:37Three, four.

00:07:37Oh my God!

00:07:38Here's Jennifer again eating the shower gel.

00:07:41Jenny!

00:07:41How affectionate, right?

00:07:42Go ahead and help her if you have an idea for when it's your turn.

00:07:45Yeah, shit.

00:07:46I have nothing else to do but take care of these gremlins.

00:07:49I end up putting their fingers in the socket.

00:07:51Hello, I'm Yolanda.

00:07:53I had to pick up Nico, but I wanted to see if you could keep him for a few more hours.

00:07:57Who is your son?

00:07:58Well, that one.

00:07:59Oh, oh, oh, oh, oh, oh, but how delicious it is, huh?

00:08:01It's an advertisement.

00:08:02But you work here?

00:08:03Yes, yes, yes, yes, yes.

00:08:05I am Roberto, a childcare educator.

00:08:06I change diapers like Fernando Alonso's mechanics change tires.

00:08:09Quite a spectacle.

00:08:11Very rare.

00:08:11He's so handsome, huh?

00:08:12Nico, hey, I'll leave you here for a few more hours, okay?

00:08:15Yeah.

00:08:15Then come pick you up.

00:08:16Sure, sure, sure.

00:08:17Affection.

00:08:19How I admire you working mothers, huh?

00:08:21All day there...

00:08:22Ah, no, no.

00:08:22I'm going shopping.

00:08:24I'm going to spend my ex's pension.

00:08:25If she's not going to show up, I don't need her, right?

00:08:27Clear.

00:08:28Well, nothing.

00:08:29See you later.

00:08:30Come, Nico, come, Nico.

00:08:32Nico, let's go over there.

00:08:35Roberto.

00:08:35Holy shit, single mother, fucking awesome.

00:08:37You can't be more pathetic.

00:08:40Yeah, yeah, yeah, yeah.

00:08:41Hey, sorry, I'm helping a friend, not like you.

00:08:43Jenny, honey, don't bring me down, okay?

00:08:45This cream doesn't solve your face, huh?

00:08:47It's life insurance against my aging.

00:08:49Hey, Lucia, if you need help, I'm in.

00:08:52Hey, but you don't like children.

00:08:54Well, that was another Roberto.

00:08:56Since I saw three singles and a bottle, my paternal instinct has been unleashed.

00:08:59Of course, since we don't live together now, you don't see me evolving.

00:09:02What have you matured into, Belén?

00:09:04Well, here we go.

00:09:06Let's put on the bibs so they can eat.

00:09:08Let's eat.

00:09:09Well, couple, I'll leave you there with the litter, okay?

00:09:12I've changed marriage agencies, let's see what they tell me.

00:09:14Well, what are they going to tell you?

00:09:16That they will do what they can.

00:09:18Translation.

00:09:19Good luck, Belén.

00:09:20What a picture, man.

00:09:22I am seeing the future of this community of ours.

00:09:24Let's see you, let's see you.

00:09:26Let's see you.

00:09:27Come on, Vicenta, come here.

00:09:29That Winter pays for everything.

00:09:31He was a manager at the Bundesbank.

00:09:33And it is believed to be in Cuba.

00:09:34Marisa, you're too old for these things.

00:09:38I might get married.

00:09:39What are you saying?

00:09:40I've asked him before, but he didn't notice.

00:09:42This is paradise.

00:09:44Here you can even get a shell.

00:09:46She puts on a pretty sarong and voila!

00:09:49Marisa, I won't tell you again.

00:09:50Either you come back immediately or I'll cut you out of my will.

00:09:53Well, kisses.

00:09:55Auf Wiedersehen.

00:09:58Boy, this is so weak.

00:10:00It's just your orange mode.

00:10:01That's why I'm telling you, add a splash of vodka because otherwise the vitamins will disappear.

00:10:06Oh, and we have to turn Gunther around.

00:10:08Aquairovic's class has already started.

00:10:10Ah, very good.

00:10:11Let them start stretching, I'll be right there.

00:10:14Gunter!

00:10:15To class!

00:10:17Gunter!

00:10:18To class, damn it!

00:10:20My sister has senile dementia or is losing potassium or something.

00:10:24Five!

00:10:25One, two, three, four and five.

00:10:27I put the fourth at home and win.

00:10:30You have to give each other another kiss.

00:10:32Okay, but the last one, huh?

00:10:36I still don't see this as normal.

00:10:37Well, we're leaving.

00:10:39Yeah.

00:10:39Don't we play another one?

00:10:40I made torrijas.

00:10:42Yeah, another better day.

00:10:43Yes, that.

00:10:44Tomorrow, at half past four.

00:10:45A five-a-side marathon.

00:10:48Bye bye.

00:10:52Hey, cyanide is sold in pharmacies, hardware stores...

00:10:55It's just that you don't get the hang of Parcheesi because you're colorblind...

00:10:58Well yes, it's a very bad time.

00:11:00How long are we going to have to come here to visit?

00:11:02Until we get married.

00:11:03Because if not, Vicenta will tell Mauri.

00:11:05Well, I'd rather tell him myself.

00:11:06What are you doing?

00:11:07Because?

00:11:08Are you crazy or what?

00:11:11Man, huh?

00:11:12The Alvarez family?

00:11:13Or whose?

00:11:14How are you doing?

00:11:15Do you draw lots?

00:11:16Mauri, we lied to you.

00:11:17We are not married yet.

00:11:19Those afternoons of Parcheesi get long, huh?

00:11:21Did you know?

00:11:22Since you left, Vicenta told me.

00:11:24Radiopatio, all news.

00:11:25Two weeks coming.

00:11:27Tell me if it's not to turn on the gas.

00:11:28No, not that, because the dog is trained to do that with his paw.

00:11:31I've seen it on you.

00:11:32Okay, we'll tell you.

00:11:34Wait, wait.

00:11:34Look, come.

00:11:35Then he asks me to tell him and it's very boring.

00:11:38Thank you.

00:11:39I feel very integrated.

00:11:40Well yes.

00:11:41We're getting married next week.

00:11:43And you're invited.

00:11:44Well, you're both invited.

00:11:45As long as you promise us you won't put on any ridiculous act.

00:11:48Please, what do you think?

00:11:50Am I a jealous psychopath, unable to control myself?

00:11:52Am I going to take the sword to cut the afternoon and start decapitating guests?

00:11:56A little bit, yes, no?

00:11:57Well, in any case there will be no sword.

00:11:58Guys, time heals everything.

00:12:00I will be at your wedding with a smile, a good gift,

00:12:03so that you can fight over him when you get divorced.

00:12:04Which will happen because you don't...

00:12:06It's a joke.

00:12:07Do you see how tense you are?

00:12:09Normal.

00:12:10I would be nervous about the wedding too.

00:12:12Let me.

00:12:13Two peepholes are needed here.

00:12:16Come on, let's go.

00:12:17Well, we don't have a DVD recorder.

00:12:19I wasn't planning on spending that much, but I saw a lovely coffee maker.

00:12:24Mauri, I think you shouldn't go.

00:12:25Hey, what do you think if I go with Rosa and we videotape it for you?

00:12:28Don't worry, this is over.

00:12:29I'm going to introduce myself to an awesome boyfriend.

00:12:31and I'm going to spoil the ceremony for them, but without any bad vibes.

00:12:33Yeah, where are you going to get it from?

00:12:35Well, that's all I'm missing.

00:12:37The difficult thing is to have the idea.

00:12:40Hey, you always think negatively.

00:12:43Damn, how bad we are if this ver das revistas.

00:12:45Go on, Mariano.

00:12:48Just a moment.

00:12:49I'll see if I can get the Cuesta account number.

00:12:51I'm going to subscribe to Playboy or something so I don't get cultured.

00:12:54Listen.

00:12:55Tonight we're going all out.

00:12:57Nieves leaves at nine for her singing class.

00:12:59The house remains empty for an hour.

00:13:01Why does Nieves sing?

00:13:02He won't know any of Beyoncé, because that would be it.

00:13:05You know how to force doors.

00:13:07Man, doubt offends.

00:13:09Okay.

00:13:09Well, I'm going to tell Juan.

00:13:16Dad, he's already stealing from mailboxes, so they'll think it's me.

00:13:19Son, I can't go to the bathroom without a magazine.

00:13:21And why would I give you a kiwi for breakfast?

00:13:23That's what I get in the morning, I'm a clubber and a shot at the warehouse.

00:13:27Dad, well, we're the ones who eat, right?

00:13:28The day you get a bad feeling and stay there, I'll take you with the nuns.

00:13:32Emilio, I have an appointment.

00:13:34The gynecologist doesn't count, right?

00:13:35As soon as you have an orgasm, sexual intercourse is not valid.

00:13:37Imbecile, he signed me up with a new level agency.

00:13:40I'm going out with a businessman.

00:13:41Oh, what a shame.

00:13:42Having to flirt from a catalog, as if you were buying a sofa.

00:13:44Of course, since you are so happy with your teacher.

00:13:47But don't get upset.

00:13:48I'm hoping you'll find someone so you can forget about me and stop suffering.

00:13:51That you're going to go bald from so much stress.

00:13:53That I suffer for you?

00:13:54Emilio, you no longer exist for me.

00:13:56He has left my life.

00:13:57Oh, sure, sure, sure.

00:13:58Come on, come on, run.

00:13:59Get dressed up, you won't have time.

00:14:00I don't even know why I'm telling you anything anymore.

00:14:03Poor thing.

00:14:04This isn't like I missed the train.

00:14:07What do you want, Carlos? I'm really busy.

00:14:19Of course, as you had told me that you needed time to think about ours, well, anyway,

00:14:23and since a month and a half has passed, well, the same.

00:14:25Carlos, that was a silly little kiss, huh?

00:14:28Yeah, but if you need more time, give me another time and I'll hold on for another month and a half.

00:14:33It's like a reminder of tetanus.

00:14:34Carlos, we talked about it another time, right? Look how we're doing.

00:14:37But, Roberto, how do you let them paint on the cupboards?

00:14:40This guy has turned out to be an artist, don't hold him back.

00:14:41Yeah, but what are the sheets of paper for, huh? And the little notebooks.

00:14:44It's not the same.

00:14:45It's as if the people from the Altamira vats had painted on sheets of paper.

00:14:48Right now we wouldn't have any of that.

00:14:50And what is this one doing here?

00:14:51I'm helping Lucía with daycare. What's up?

00:14:53Ah, that's a friend, huh?

00:14:55Yes, and the truth is that he is much more skilled with children than I expected.

00:14:58Hey, I love kids too.

00:15:00No.

00:15:01Don't you?

00:15:02Of course. In fact, do you want me to stay and help?

00:15:05Well, if you both stay, it's perfect for me, because it lets me relax a little.

00:15:10Of course, if you go, you'll have to take a look around, Tito Carlos is already here.

00:15:14Hey, Lucía, there's really no need, I can manage this way.

00:15:16Yes, we need a mature person with a tri-band phone in case something happens.

00:15:20Well, nothing. Just give me a call if you need anything, okay? See you later.

00:15:23What the hell are you doing here? Are you already being a sissy?

00:15:28Look, Roberto, don't talk to me like that in front of the kids, okay?

00:15:32What do you think, that I'm stupid?

00:15:34You're using the typical cool dad thing to hook up with Lucía, the old thirty-something-year-old trick.

00:15:39But asshole, I'm not here for Lucía. I like a hot mom.

00:15:43This one. No, this one. No, where is it?

00:15:48Nicholas!

00:15:49I don't believe it, you're going to be a mother.

00:15:51Is Nicholas here?

00:15:52Hello.

00:15:54And Aranda, what are you doing here for Nico?

00:15:57Ah, well, there you have it. Here it is.

00:16:01Oh no. Not that one, it reminds me of my husband. If you don't mind, I'll take a cuter one.

00:16:06Oh ok.

00:16:07Roberto, just kidding.

00:16:09Oh, well. Well, excuse me, but Roberto, what's up? I'm Carlos, a psychopedagogue.

00:16:15And I also design toys in my spare time. I just invented a kick-a-ball game with an airbag.

00:16:19Yes, he's trying it on his grandmother, since she has no teeth.

00:16:23Hey, well, you've seen what an artist he is, haven't you? The way he painted our walls.

00:16:27Will you let us paint the walls?

00:16:28It's good for them to express themselves freely. In Scandinavian schools, they recommend that when a child...

00:16:32Well, it's like Michelangelo with the Sistine Chapel, isn't it? He was there waiting to confess, and, hey presto, he was packed.

00:16:37And then when the Pope caught him, he said, well, then, leave him.

00:16:41Sure, sure. Well, that's it. Nico, we're off, okay?

00:16:45Well.

00:16:46Did you have a good time?

00:16:47Hey?

00:16:47Yeah?

00:16:48See you later, champ.

00:16:49Hala! And goodbye.

00:16:51Precious God.

00:16:52Bye bye.

00:16:54Bye bye.

00:16:56Hey, that's not the one you were talking about, is it?

00:16:59But why do you always like the ones I like? You're sick, you want to be like me.

00:17:04Sorry?

00:17:05I mean, I remind you that I was with Lucía before you, that I was with Belén before you, and that I'm going to be with mommy before you.

00:17:11You're going to be a piece of shit. Oh, and the Sistine Chapel thing was mine, you stole it.

00:17:15Please, Roberto, you're talking about Altamira and I'm talking about St. Peter's Basilica.

00:17:18You are in prehistory and I am a Renaissance man.

00:17:21Guys, what are we going to do?

00:17:23Hey, hey, hey, where are you going?

00:17:24It's story time.

00:17:26You have to play Gretel.

00:17:28I can't be Hansel.

00:17:30José Miguel, put on your glasses, I won't tell you again.

00:17:32Well, leave him, he's coming out on every curve.

00:17:34I'm putting three seconds per lap on him.

00:17:36You're going to shit yourself.

00:17:39Come in, come in.

00:17:40Juan, look, this is Adriana.

00:17:43Adriana, this is the teacher who will make you love math.

00:17:46In principle, passing is enough for me.

00:17:49Well yes, you're right.

00:17:51I'll leave you, I'm going to yoga.

00:17:54Well, Adriana, what?

00:17:56Are you nervous?

00:17:57Because?

00:17:58I don't know.

00:18:00Sit there, we'll be more comfortable.

00:18:01Ah, these are my sons, Alex and José Miguel.

00:18:04How are you?

00:18:05Hello.

00:18:05To your room.

00:18:07That Adriana and I have to work.

00:18:09Well, today we're basically going to dedicate it to getting to know each other a little better.

00:18:13Let's see, what's your favorite subject?

00:18:16None.

00:18:17I'm going to be a top model.

00:18:18My height progression is five feet seven inches.

00:18:21Also, my father is a cosmetic surgeon.

00:18:23When I grow up, he can correct my imperfections.

00:18:25Ah, that's very good.

00:18:27I'll study art history, but to fight the stereotype that supermodels are stupid.

00:18:33Well, well, let's get to work.

00:18:35José Miguel, do you want to sign up for the class?

00:18:38No, I was... well, I'm leaving, okay?

00:18:41It's good, huh?

00:18:42What do you say, kid?

00:18:44Let's get this out of the way, which we accidentally...

00:18:46Well, the view and...

00:18:50Well, it's good to be a businesswoman.

00:18:54People working for you, creating jobs.

00:18:57Of course, as God commands.

00:18:59But do you pay them anything?

00:19:01Well no, why?

00:19:02If they are both behind me.

00:19:03God!

00:19:04God!

00:19:05What are you doing?

00:19:06Don't you have hairs growing in your nose?

00:19:11Well no, no, the truth is no.

00:19:14Hey, is that dress mine?

00:19:16Oh yeah, I took it from the clothesline, it was already dry.

00:19:19Ah.

00:19:19Hey, I've ironed it for you, huh?

00:19:21Where are you going?

00:19:23Have you met up with Emilia?

00:19:24What's up?

00:19:24Are they still hooking up with Rottenmeyer?

00:19:26Well, I'm happy with the new, much more luxurious marriage agency.

00:19:31They ask for your photo, resume, even blood tests.

00:19:34Of course, they only want beautiful people.

00:19:37Tonight I'm having dinner with a businessman.

00:19:40These "I'm already rich, I'm bored, do you want a family?"

00:19:44Of course, she'll be tired of dating presenters, models...

00:19:48And he must have said, now I want a real woman.

00:19:50A mother to my children.

00:19:51Someone to manage my hundreds of thousands of euros.

00:19:54I mean, me.

00:19:55Belén, don't get your hopes up, because later...

00:19:58Sorry, darling, but this week I have some big changes in my love life.

00:20:02Have you read your horoscope again?

00:20:03Yes, but only my sign.

00:20:06Well, and Emilio's, to see if he's doing worse than me.

00:20:08Oh, and you have low mental energy and emotional problems that you need to resolve.

00:20:12Okay, well, thank you very much, okay?

00:20:14Hey, I'm calling you from his yacht.

00:20:19Well yes, the truth is that I have very low mental energy.

00:20:23But well, what can you do?

00:20:25What I'm saying is that a country where the football coach earns 10 times more than the prime minister can't function well.

00:20:33Man, don't compare the responsibility of the coach with that of the president.

00:20:37The coach knows he's going to make a fool of himself.

00:20:39That has to be paid for.

00:20:41But anyway, you're chatting again.

00:20:43Hey, watch out, eh?

00:20:44We are in our right.

00:20:45We bought panchitos.

00:20:46Paco, in what language should I tell you that you're only allowed to neglect your professional obligations in cases of extreme gravity?

00:20:52Hey, Josemi has fallen in love.

00:20:55Do you want to see it?

00:20:55You see? For example.

00:20:56Hey, Adriana.

00:21:04That?

00:21:04Hey, how was class?

00:21:06Well, your father is very nice.

00:21:08Yes, that's what it's like. You're coming tomorrow, aren't you?

00:21:10Yes, when I go swimming. I have to broaden my back a little to be in proportion.

00:21:14Oh, okay, okay. Bye.

00:21:16Bye bye.

00:21:23What's happening?

00:21:24Nothing, nothing.

00:21:27You're coming tomorrow, aren't you?

00:21:29Yes, when I get out of swimming.

00:21:31I was saying goodbye, okay? It takes a little politeness.

00:21:35Come on, Josemi, you're hooked.

00:21:38I like it, what are you up to?

00:21:39Look how strong, how red it gets.

00:21:41Yes, yes, yes.

00:21:41The ball, the ball, the ball.

00:21:42Okay, fine, it's good. So what?

00:21:44Josemi, don't be so hard on her, she's a minor, okay? That's pedophilia of that kind.

00:21:48Yes, I am also a minor.

00:21:49Well, it's worse. That's an aggravating factor, along with childish malice and deceit.

00:21:54How old is that girl?

00:21:55Thirteen.

00:21:56It's out of your reach, man.

00:21:57He's one year older than you.

00:21:58At your age, that's an insurmountable wall.

00:22:00Of course. It's like Paco wanted to hook up with a supermodel.

00:22:03Well, hooking up with someone, in general.

00:22:06But what's going on? Why can't he notice me?

00:22:08I bet I'll hook up with you big mouths, you big mouths.

00:22:10Oh!

00:22:12Well, he is not lacking in morals.

00:22:14How beautiful pubescent love is. It brings back memories.

00:22:17Hey, what if we put a love letter in Josemi's mailbox as if he had written it to the girl?

00:22:21Come on, come on, the bastard is always making fun of his member.

00:22:24Okay, I'll put in my fine prose.

00:22:26No, no, no, no, no.

00:22:28Look, I think it's cruel. At this age, these things have a big impact.

00:22:32When I was little, in class I always...

00:22:34Let's do it.

00:22:35Come on, let's see who has the most little girl handwriting.

00:22:37Carlos.

00:22:45No, is it a girl's?

00:22:53What are you doing, you bastard? What are they going to throw at us?

00:22:55Emilio, what is our business?

00:22:56Man, but if you leave the keys to Vicenme, my father is the last resort.

00:23:00There is no way.

00:23:01Leave me a credit card.

00:23:02We're faking a robbery at my house.

00:23:05Doubt this not a word.

00:23:06But what's the point of a robbery? Is Doña Nieves going to catch him?

00:23:08No, he's in his singing class.

00:23:10What is he singing about?

00:23:12Wow!

00:23:13Damn, my laughter. What am I living off of it?

00:23:15I don't understand.

00:23:16J. Bond always opens doors with a card.

00:23:18Of course, Dad, because he sleeps in hotels.

00:23:20Well, it's okay.

00:23:21If you spend less than the cards, the devil loads them.

00:23:24Andrés, the key, please, there are enough signs of violence and here we are.

00:23:28I'm going to get the jewelry and the DVD.

00:23:39You guys, grab those ugly little frames and take whatever you can.

00:23:43If they don't catch you, I'll go with the president.

00:23:45I have diplomatic immunity.

00:23:47This is about mixing everything up.

00:23:48But what does it do?

00:23:57Damn, looking for the safe.

00:23:59Damn, and it's not easy for me to take down the picture?

00:24:01It is the criminal's modus operandi.

00:24:03If you're going to start arguing with me about everything, I'll back out.

00:24:06I'd steal that, huh?

00:24:08It is a guide for cooking in a Chinese style, low in calories.

00:24:10Emilio, only valuables.

00:24:12Sure, 89.90 on the teleshopping channel.

00:24:14Oh, aunt.

00:24:15Leave this, it's mine.

00:24:16We're going to leave this at your house.

00:24:19In my house, huh?

00:24:20You're crazy.

00:24:20It's only two days.

00:24:22Keep it under the bed.

00:24:23Isabel doesn't clean.

00:24:24I see it as an unnecessary risk, right?

00:24:26We didn't put on gloves, did we?

00:24:27There are more fingerprints here than on the buttons of a slot machine.

00:24:30He won't even say this, man.

00:24:32Damn, that swimsuit was so hot.

00:24:34Dad, leave this, it's a private thing, damn it.

00:24:36Come on, let's go.

00:24:36Well, my father had a cider press and I started selling cider online.

00:24:44Well, who would have told me that the Japanese would like it so much?

00:24:47Then I also started selling them cabrales, chorizo, and orujo.

00:24:51It's a sight to see them eating fabada with chopsticks.

00:24:55You can't even imagine it.

00:24:58So, foolishly and stupidly, I found myself at 27 years old and weighing a thousand kilos.

00:25:03I understand you.

00:25:04I mean, understand me, I put myself in your situation.

00:25:08Hey, where do you put all that money?

00:25:11In a pension fund or one of those colorful accounts that exist now?

00:25:14More champagne?

00:25:15No no.

00:25:16Well, come on.

00:25:18Know?

00:25:18When I saw your photo at the agency, I imagined you would be different.

00:25:21But I was still surprised, huh?

00:25:22Thank you.

00:25:24But for better or for worse?

00:25:26For the better, woman, for the better.

00:25:28You know, I feel relaxed with you.

00:25:30It's not like the others, where you know what they're going for.

00:25:31Clear.

00:25:32That's what I always say.

00:25:33You have to be, well, natural.

00:25:35You have to have a little bit of...

00:25:37Are we going to bed?

00:25:38Yeah.

00:25:42I don't know if I'll be able to sleep with my sister's jewelry under my bed anymore.

00:25:45Me for a sejondo plurla in goal.

00:25:48No, Dad, we'll be the prime suspects.

00:25:50We are like the mariodomo in Cluedo.

00:25:52Now everyone go home, as if nothing had happened.

00:25:55Nieves must be arriving soon.

00:26:00Look, it's here.

00:26:01You can tell from the singing lessons, huh?

00:26:03That's a mezzo soprano E flat.

00:26:07My jewels, Juan.

00:26:09Great-grandmother's cameo has stolen our past.

00:26:12And my lapis lazuli pendant, which brought me good luck.

00:26:15How have I done the primitive now?

00:26:17Oh, and he also took a photo of me from when we spent the summer in Vigo.

00:26:21Ah, the photo too.

00:26:23These people don't respect anything.

00:26:24They'll probably put it on the internet.

00:26:26Well, that's it.

00:26:27As soon as we find what was stolen, we'll call you.

00:26:29And do they usually find it?

00:26:30Uh, no.

00:26:33Good night.

00:26:36Just a moment.

00:26:37Have you noticed that the lock is forced, but it closes and opens perfectly?

00:26:40Yes, yes, very good, very good.

00:26:42Vicenta, please don't bother these gentlemen, okay?

00:26:45I think they had a key and they must have made a copy.

00:26:48And you know what I find really weird too?

00:26:50Ma'am, I've stopped thinking that I smell like something's burning.

00:26:52They loot us and you do nothing.

00:26:55Sausage!

00:26:56What do you mean no?

00:26:57Emilio calls the neighbors to an urgent meeting.

00:26:59But better tomorrow, right? They're not going to rob us today.

00:27:01The murderer is the only one who returns to the scene of the crime.

00:27:03The thief is smarter and runs away.

00:27:04Emilio, now.

00:27:06Well, well, well, but that's overtime, huh?

00:27:08I'm writing them down.

00:27:09You aim.

00:27:12What did he throw at you?

00:27:14Let's see, a little silence in the crisis cabinet.

00:27:17That the president is going to explain to us his shock plan against crime.

00:27:20Neighbors, crime has hit this community of ours.

00:27:24It's his and his father's fault, they don't keep a watchful eye.

00:27:26What are we paying you for?

00:27:28Emilio couldn't do anything.

00:27:29He was at...

00:27:31Where were you?

00:27:33Hey, I was just tricking the electricity bills that are coming tomorrow.

00:27:36They were professional, they had our schedules under control.

00:27:40They are commercial mail carriers, many of whom are mafia scouts.

00:27:44Well, this doesn't make me happy at all, since I have a small child at home.

00:27:46Not anymore.

00:27:47You see, he was taken with the lawyer.

00:27:49What was his name?

00:27:50Pink.

00:27:51She is the father.

00:27:52Please let us not stray.

00:27:53First it was Nieves, but the next one could be any of us.

00:27:56This is like a lottery.

00:27:58Ah, then let's not worry.

00:27:59I'm sure it will never happen to us.

00:28:01Juan, and those of us who have a reinforced door and alarm can we leave?

00:28:04I say this because I have a dream.

00:28:05Hey, now you're middle class, lower-middle class.

00:28:08Don't rub your money in our faces.

00:28:09Hey, we could all put in armored doors.

00:28:14Juan, you hadn't found out about prices.

00:28:16Yes, I had it planned in my spring-summer sales catalogue.

00:28:20But given the circumstances...

00:28:21I want one, okay?

00:28:22I vote yes.

00:28:23And what are they going to give me?

00:28:24A bulletproof curtain?

00:28:25Well, I don't give anything to sluts, okay?

00:28:28If it gets stolen, it's their problem.

00:28:29Madam, with a reinforced door, your apartment will be valued higher.

00:28:33Ah, yes, it is to speculate.

00:28:35Yeah.

00:28:35Sign me up for one.

00:28:36I can't live in fear.

00:28:37Doors are not enough.

00:28:39I would put a metal detector in the entrance.

00:28:42So he's always going to whistle at Doña Concha.

00:28:44They have more platinum records than Bilbal.

00:28:46The assessment has been approved.

00:28:47Tomorrow we lift the Iron Curtain.

00:28:49Not even God enters here anymore.

00:28:52What am I doing?

00:28:53I have a reinforced door.

00:28:55Yes, but I was thinking of going for some rustic fronts.

00:28:58And of course, you would have to adapt.

00:29:00What is called aesthetic solidarity.

00:29:02Okay.

00:29:03Okay, so nothing.

00:29:04I'll call my decorator and have him get in touch with you, okay?

00:29:12Emilio can say what he wants, but these mailboxes are crooked.

00:29:15Dad, now that I think about it, I could really use some private lessons with you.

00:29:18Soda and such.

00:29:20Of course, son.

00:29:21As soon as I'm done with Adriana, you and I will do it.

00:29:23Or with her, if you know what the good thing about being super gifted is,

00:29:26that I can level up whenever I want.

00:29:27Look, you have a letter.

00:29:29I?

00:29:30Who wrote to you?

00:29:31Let's see.

00:29:34A colleague from Gandía, yes.

00:29:38It's nice to see a kid your age giving up the new technologies of email.

00:29:42and giving in to the pleasure of writing letters by hand.

00:29:45Yeah, it's pretty cool.

00:29:47I keep the ones your mother wrote to me when I was young.

00:29:49They wouldn't let her use the phone, so she would even text me to tell me she'd gotten her nails done.

00:29:54It comes, it comes, it comes, it comes, it comes, it comes.

00:29:57I know you're not listening to me.

00:29:59In fact, you're gone.

00:30:01So technically I'm talking to myself.

00:30:04With which I remain silent.

00:30:06But it was nice.

00:30:08Great music for a chat!

00:30:11Hey, losers.

00:30:12Adriana's Letter.

00:30:13The aunt wants to talk to me.

00:30:14What are you saying?

00:30:15Come on, come on, don't be a ghost.

00:30:16You wrote it yourself.

00:30:17It's in my handwriting, man, ready.

00:30:19Well, what does it tell you?

00:30:20Read it to us, won't you?

00:30:20They put very intimate things here.

00:30:22This cannot be told.

00:30:24Come on, a short passage, if only.

00:30:25Okay, but don't get used to it, okay?

00:30:27I don't like to talk about my private life.

00:30:30José Miguel, I'm Adriana.

00:30:32I'm writing this letter because I'm too embarrassed to talk to you or your father in front of you.

00:30:36Normal.

00:30:38You are a very handsome boy.

00:30:39You're a little chubby, but I don't mind.

00:30:41You have very beautiful eyes.

00:30:43They are like two suns.

00:30:44The aunt is a bit of a jerk.

00:30:47Sorry, but it's not agursi.

00:30:48It's a beautiful metaphor.

00:30:49Let him continue.

00:30:51Man, please.

00:30:52I like you a lot, but I'm very shy.

00:30:54Why don't you write to me?

00:30:55I'll put my address below.

00:30:57Send it to me urgently.

00:30:58A kiss, Adriana.

00:30:59Ah, he looks very handsome with the glasses.

00:31:01I don't know why you take them off.

00:31:03And here he has given me a kiss with his lips.

00:31:05Okay, man.

00:31:06Well, that's love.

00:31:08And who said I had nothing to do, huh?

00:31:10Dude, your thing was to come and kiss him like a saint.

00:31:13That's a gift, kid.

00:31:14You are the Fernando Alonso of love.

00:31:16Well, forgive me for not being able to stay with you,

00:31:18but Adriana came to see me.

00:31:19Oh, right.

00:31:20Be careful, don't scare her, she's very shy.

00:31:24How did he swallow it?

00:31:26Let's write another one, because today I feel romantic.

00:31:28Okay, but today it's someone else's turn to put on lipstick.

00:31:30No, no, no.

00:31:31We don't write anything that sings a lot.

00:31:32Now we better wait for him to answer.

00:31:35How nervous, huh.

00:31:38Well, let's see, what does he write?

00:31:40You, keep an eye out for the email we've sent to your home address.

00:31:42Look, how unromantic you are.

00:31:44That's how it goes for you.

00:31:44Belén, you were amazing last night.

00:32:03You are a wonderful woman.

00:32:06I'll leave yours on the nightstand.

00:32:09I'll leave you yours.

00:32:10What is this?

00:32:18I just don't understand anything.

00:32:19So, he invites me to dinner.

00:32:20We had an amazing night.

00:32:22He comes home, we go to bed.

00:32:24Belén, if you called me to make me jealous,

00:32:25you're wasting your time, huh?

00:32:26Because I am delighted with Carmen.

00:32:28Who has a university degree, B1 license,

00:32:30two bra sizes larger.

00:32:31No, no, idiot, that's not it.

00:32:33The strange thing is that this morning, when I got up,

00:32:35He left and left me an envelope

00:32:37with two thousand euros.

00:32:40What are you saying?

00:32:41But you threatened him, you told him that you wanted to marry him.

00:32:43No, no, no.

00:32:44Belén, have you checked to see if you're missing a kidney?

00:32:46Turn around, run, see if he has the scar.

00:32:48Or maybe he left you the money for the taxi.

00:32:49But I'm at home.

00:32:50You're right, this doesn't add up.

00:32:52Let me think.

00:32:53It's true.

00:32:54Let's see, Belén, what kind of marriage agency have you gotten yourself into?

00:32:56Well, in one here in the newspaper, look.

00:32:59There.

00:32:59Let's see, this one.

00:33:00Let's see, high-end agency,

00:33:02solvent and executive gentlemen,

00:33:04only high-class ladies.

00:33:06Belén, this is not a marriage agency.

00:33:08What do you mean no?

00:33:09High level?

00:33:10No, this is a escort agency...

00:33:14Faces, whores, idiots and whores.

00:33:16Sorry, but it was a lovely date with...

00:33:18You're right, I'm a whore.

00:33:23Yeah.

00:33:23Belén, if you change jobs so much that they no longer know what you do, damn it, focus.

00:33:27Settle down.

00:33:28Well, well, let's see, let's see.

00:33:29You, you, you haven't noticed anything, huh?

00:33:31And maybe he, well, he left the money on the nightstand and that's it.

00:33:35Well, that's another gap in the story, because...

00:33:37How are you going to give him two thousand euros to sleep with her?

00:33:39Sorry, but I'm worth that and much more, right?

00:33:41He was a sick guy, a cellulite addict or something.

00:33:43Well, let's see, you call him now, huh?

00:33:44You tell him you want his money back and you're calm.

00:33:47It's two thousand euros.

00:33:48Belén, please.

00:33:49Yes, yes, I'll call him, I'll call him.

00:33:50I'd keep it, okay?

00:33:51Because that's like an indecent proposition, only he's already done it.

00:33:53But in the movie they offered her a million dollars.

00:33:56Yes, but she was Demi Moore and this is Belén López Vázquez.

00:33:58It's just starting, it's an introductory offer.

00:34:00Okay, I'll call you back and get back to you.

00:34:03But I'm left with...

00:34:04One hundred euros for the little upset, right?

00:34:06I'm going to spend more time at schools.

00:34:07Hey, really, stay still.

00:34:09How strong, Belén, thank goodness you didn't fall in love.

00:34:11No.

00:34:13It was perfect.

00:34:14Oh, the pretty woman.

00:34:18What a pity.

00:34:22José Miguel, you're not going out today.

00:34:24Are you okay?

00:34:24Yes, I'm reading this.

00:34:26Ah, Wuthering Heights.

00:34:29Masterpiece of 19th century romantic literature.

00:34:33I didn't know you liked this kind of reading.

00:34:35Well, you see.

00:34:37Plus I see you with your glasses on.

00:34:39Yes, Dad, I've realized that they are necessary.

00:34:41Aesthetics cannot be above health.

00:34:44José Miguel, you make me feel like a good father.

00:34:46Okay, but don't get too excited, okay?

00:34:49Where are you going with that?

00:34:51Let's clean up a bit.

00:34:52You always do it and that can't be.

00:34:54I'm also at a point where I feel like doing new things.

00:34:58Harry Poppin had a lot of fun cleaning.

00:35:01Okay, but don't start with the bedroom.

00:35:03Honey, you can start here.

00:35:05I know a lot.

00:35:06And what does it matter?

00:35:07If the order of the aspirations does not alter what is aspired to.

00:35:10Yes, yes.

00:35:11No, but the girl is about to come.

00:35:12and the living room is more urgent.

00:35:14In addition, the vacuum cleaner is always used in a pyramidal order.

00:35:18That is, from large space to small space.

00:35:20All the manuals say so, darling.

00:35:26It was coming.

00:35:27It was coming.

00:35:31Juan, hey.

00:35:36I clean under the sofa.

00:35:38That's for when we move, right?

00:35:40No, no, the sofa is important.

00:35:41This is where the highest concentration of phytophagous mites is.

00:35:44What is this?

00:35:45That?

00:35:46Ah, it's the...

00:35:49Juan, it's beautiful.

00:35:52Thank you so much.

00:35:53The lapis lazuli is my favorite stone.

00:35:55Who told you?

00:35:57Well, I don't have my sources.

00:35:58Oh, I love the girl.

00:36:01This is how it is with a pular.

00:36:03What was I?

00:36:07He has taken it.

00:36:11Hello.

00:36:12Hello.

00:36:16Where is the little cow?

00:36:17Susana, really, don't pull Pedro Alonso's hair.

00:36:21Your father told you, I won't tell you any more.

00:36:23Hey, Lucia, what is that girl doing with the bleach?

00:36:25That he's going to poison himself.

00:36:26Please, Roberto, help me cordon to the kitchen, cordon to the kitchen.

00:36:34Watch out, watch out!

00:36:35Where are my children?

00:36:40Don't cry, I'm a good clown.

00:36:43No, it's just that...

00:36:44Carlos, take this off, you look like you're going to rob a bank.

00:36:46I should have gone into army mode, which is more our style.

00:36:48You've gotten pretty good at babysitting, haven't you?

00:36:52And you, what?

00:36:53Since when have you been using hair gel?

00:36:54It's not hair gel, it's foam, wet effect, like Figo's.

00:36:57Well, that's it.

00:36:58What do you think, that I'm stupid?

00:37:00Seriously, stop fighting already.

00:37:01I don't want you to lose your friendship because of me.

00:37:03What friendship?

00:37:04You're here for me, aren't you?

00:37:06Well, you better leave because I'm not going to get involved with either of you.

00:37:08So I'll find someone to help me.

00:37:10Come here, darling.

00:37:12Well, for you and the children.

00:37:14Yes, yes, yes.

00:37:15You just catch them, honey.

00:37:16Well, they fill the void you left us.

00:37:19So you're going to behave like adults now?

00:37:22Yeah.

00:37:23So can I go window shopping for a bit?

00:37:25Yes, yes, yes.

00:37:25And I despise myself a little.

00:37:26Yes, yes, yes.

00:37:26And I'm coming back to you.

00:37:27Open, open the door!

00:37:31Hi guys.

00:37:36Hello.

00:37:37What's wrong with you?

00:37:39Children who exhaust.

00:37:41It's that we had a horse race.

00:37:44I won.

00:37:45Well, honey.

00:37:46Behave yourself, okay?

00:37:47Don't be too much of a pest.

00:37:48Hello.

00:37:49Oops!

00:37:49There it goes.

00:37:50Come on, goodbye.

00:37:52Come on, little horses.

00:37:52Hey, Yolanda, why don't we meet up tonight and talk about Nicolás's progress?

00:37:57That even when colouring it almost doesn't come out.

00:37:59Okay, so we're meeting.

00:38:01So I know you both a little better.

00:38:03No, no, no, but I meant you and I going...

00:38:05No, no, no, of course.

00:38:07The three of us remain.

00:38:09Yeah, the thing is, Roberto won't be able to come because his mother is having open-heart surgery this afternoon.

00:38:15No, it has been delayed.

00:38:16The valve has been ordered from Germany but has not arrived.

00:38:18Ah.

00:38:19Sure, but the one who I think can't come is you, right?

00:38:21Didn't you have a day of flogging with your sect today?

00:38:24No, no, no, no, I got out.

00:38:26Now I've become a member of Atleti, which is another act of faith.

00:38:30Oh, okay, okay.

00:38:31Pee!

00:38:33Well, there, there, in the background on the right.

00:38:34But Roberto, please accompany him, eh?

00:38:37Well, I'm leaving, you're all very busy.

00:38:39Shall we meet at my house at ten?

00:38:40Yes, yes, yes, yes, yes, yes.

00:38:42Come on, nothing.

00:38:43Goodbye, my life.

00:38:44Bye bye.

00:38:45Bye bye.

00:38:46You've seen who looked last, haven't you?

00:38:48Out of pity.

00:38:49It is a consolation prize like the diplomas at the Olympic Games.

00:38:52I think she likes me, Roberto, please.

00:38:54Pay attention to body language there.

00:38:55But what body language?

00:38:56Sulnormal?

00:38:57If all their pheromone were coming towards me.

00:38:59That's for me, sentimental short-sighted.

00:39:00Hey, but you're stupid.

00:39:01If she likes me, man, she likes me.

00:39:03Okay, guys, calm down, really.

00:39:04Which is not in the Curonian either.

00:39:06Oh, how difficult it is to be a woman.

00:39:12Nico.

00:39:14That mom and I have stayed.

00:39:16Viva!

00:39:18Roberto!

00:39:20What the fuck has he given?

00:39:22You didn't know.

00:39:30You can boast of having the most secure doors on the market.

00:39:34These armored doors have been mounted for such illustrious figures as

00:39:37Esther Koplovich, Ronaldo or Pocholo himself.

00:39:41Below I will explain what its characteristics are.

00:39:43It is an armored model with a solid and highly stable interior structure made of

00:39:47by a chipboard enclosed around its perimeter with resistant electrogalvanized steel

00:39:50Fireproof, iron and aluminum lock with 16 anchor points, four at the top, four at the bottom

00:39:53bottom and eight on the sides, adjustable hinges, opening limiter, anti-traction staples,

00:39:567mm titrated plague and symmetrical key.

00:39:58Not even the gates of heaven are so safe.

00:40:00Yes, that sounds great.

00:40:02I'm not done!

00:40:04If you are not happy with the exterior finish, we have other woods available.

00:40:08Mahogany, cherry, American cedar, steamed pot, hiró, comucalis, apellis, surnamerso.

00:40:12With optional elements such as one, two, three, or four central knobs, skylights, stained glass windows

00:40:16rock wool insulation.

00:40:17Me, as long as it has a peephole...

00:40:19Now they have absolutely impregnable doors.

00:40:25Here are your keys.

00:40:27One more thing, the warranty is two years, but there is no doubt that these doors

00:40:31will outlive them all.

00:40:36Good morning.

00:40:38Well, if they invade us, I already have refuge.

00:40:44Our key doesn't open!

00:40:46Hey, sir!

00:40:47They must have been mistaken!

00:40:50What are the king's?

00:40:54Madam, what are you doing?

00:40:55Oh, oh, oh!

00:40:56Sorry, son!

00:40:57Oops, I've lost my way!

00:40:59But what floor is this?

00:41:03What are the slopes?

00:41:06But do you know the mess you've gotten me into?

00:41:08Let's see how I can take it away and know the damn thing, the pislazuli.

00:41:11Yes, because if Mrs. Nieves sees her with the position, soy grass is like a daisy.

00:41:15Well, tell him they made a mistake at the store and buy him something else.

00:41:18If it's more expensive, you'll like it, but that's no mistake.

00:41:20I don't think so.

00:41:21I hadn't seen her so excited since our meetings in the accounting room.

00:41:24Well, don't go into details either.

00:41:26We should have pawned the loot.

00:41:28We had saved a few bucks and eliminated evidence.

00:41:32And why don't you fake a robbery at your house?

00:41:33You take the lapis lazuli and that's it.

00:41:35And on top of that, you get the insurance.

00:41:37No, no, we've already faked Nieves's robbery.

00:41:39I no longer intend to commit any more crimes.

00:41:40And much less in my own house.

00:41:41So it was you.

00:41:44What the hell are you doing here?

00:41:45I'll tell the chunga right now.

00:41:48Shut up, you're going to spoil the surprise for us.

00:41:50But what a surprise?

00:41:51Mr. John, explain it to him.

00:41:53Uh, yeah, it is...

00:41:54It's a gift.

00:41:56We faked a robbery at Nieves's house.

00:41:57So that she can get her insurance paid and use the money to buy whatever she wants.

00:42:00Yes, it's like a gift card to a department store.

00:42:03So I would ask you to keep this a secret.

00:42:05The thing is, Nieves is very difficult to give away, since she already has everything.

00:42:08What a bunch.

00:42:10What a shame!

00:42:17Stop, I'm not having a good day, okay?

00:42:19There's a real bust in the balls that...

00:42:21Hello.

00:42:23What a good dog, huh?

00:42:24What hair.

00:42:25There's Hector.

00:42:26Leave her alone, I'll get even.

00:42:28Thank you.

00:42:28Hello.

00:42:29But what are you doing here?

00:42:30Oh God, this is blackmail.

00:42:32How much do you want?

00:42:32No, no, no.

00:42:33On the contrary, if I came to return the money to you.

00:42:35That?

00:42:36Yes, there has been a confusion, I have nothing...

00:42:38Who is Hector?

00:42:40Is...

00:42:41Nativity scene.

00:42:42She is an employee of the company, yes.

00:42:44Nines, my mother-in-law.

00:42:45Nativity scene.

00:42:46Nines.

00:42:48I came to bring some papers, but she left.

00:42:49Right, Belén?

00:42:50No, no, woman, don't go.

00:42:51Happens.

00:42:52Yes, we have cake for everyone.

00:42:53Come in, come in.

00:42:54What do you mean, cake?

00:42:55Yes, woman, yes.

00:42:56Happy birthday, happy birthday.

00:43:04We all wish you a happy birthday.

00:43:14Bravo.

00:43:15Belén, so you work with my husband.

00:43:17Yeah.

00:43:18Well, he's never told me about you.

00:43:19The thing is...

00:43:21Well, I'm new, because I came from the United States after studying a master's degree there.

00:43:25Ah, very good.

00:43:27And where?

00:43:28At Monica Levinsky University?

00:43:29Yeah.

00:43:30No, no, I mean, no, in Boston, downtown.

00:43:35Well, let's open the presents, shall we?

00:43:38Who have you brought me?

00:43:41Well, a little money so you can buy a doll or a pony.

00:43:45How delicious!

00:43:47Come on, have a piece of cake.

00:43:49My daughter made it, it's very good.

00:43:50No, really, I'm going to have to go.

00:43:52What's happening?

00:43:53You can sleep with my husband, but you can't taste my cake.

00:43:56Hope, please.

00:43:57No, no, I'll eat it, I'll eat it, I'll eat it.

00:44:03Here, here, here there is no one who lives.

00:44:06Here, here, here there is no one who lives.

00:44:09How old are you turning?

00:44:13What a bummer!

00:44:14My jewelry, my savings, and my puny husband's cigar collection.

00:44:22Hey, this was in a minute, while I was taking Valentin down to the street.

00:44:26But where did they get in?

00:44:27Through the patio window.

00:44:30Sorry, but I'm just very nervous.

00:44:33Well, that's it.

00:44:35If the downstairs space ever becomes free, please let us know.

00:44:38This is how we set up the police station here.

00:44:40And we save on travel.

00:44:42So they come in through the courtyard and you two haven't seen anything.

00:44:45These two need to be kicked out, Juan.

00:44:47They are here for decoration.

00:44:48That's true, Emilio.

00:44:49You haven't been paying attention.

00:44:51But, Mr. John, if I...

00:44:52Don't answer me, Emilio.

00:44:53Or I'll open a disciplinary case against you.

00:44:57It's very strange.

00:44:59Concha says that the thief entered by breaking the patio window.

00:45:03But there is no glass on the kitchen floor.

00:45:05He would be a white-collar thief.

00:45:07Of course, and he cleaned them so the dog wouldn't cut himself.

00:45:10Well, there are no remains in the garbage.

00:45:11He will have brought his own vacuum cleaner.

00:45:13This smells really bad to me.

00:45:14But why are we going to spend a lot of money on armored doors?

00:45:16and then they enter through another site?

00:45:18Man, the door is a major deterrent.

00:45:21I'm not paying for mine, let them take it away.

00:45:23Neither do I.

00:45:24What a silly expense.

00:45:25You can't do that if the doors are already installed.

00:45:27and I have the check ready for...

00:45:28Give me back the old one.

00:45:30And with the money I set one of those alarms

00:45:32which is connected to the police and the army and everything.

00:45:38And look what he's done.

00:45:39Oh, but what's going on?

00:45:41I'm giving myself a gift

00:45:43in case I don't make it to my birthday.

00:45:48Roberto, do you want to tell me what's going on?

00:45:50You, above all, don't worry, okay?

00:45:52That seems more than it is.

00:45:53Okay.

00:45:54Goes.

00:45:56God!

00:45:57It's just that it's impressive.

00:45:58But, but, but, what's wrong with this child?

00:46:00Well, we fell off the couch on our head.

00:46:03As, as the bump is here,

00:46:04I think if you comb it a little like this

00:46:05there is no way forward.

00:46:08Honey, are you okay?

00:46:10Does it hurt?

00:46:10What's going to hurt?

00:46:11If at this age they are made of rubber.

00:46:13Can you explain to me what I say to the mother now?

00:46:15Well, he's been headbutting another kid.

00:46:18Yes, it is a normal thing.

00:46:19Haven't you seen documentaries?

00:46:20Of course, they are the two dominant males of the litter.

00:46:23Hey?

00:46:23What do you think they pee for?

00:46:25Well, to mark the territory.

00:46:26What happens is that we put diapers on them

00:46:27and they get frustrated.

00:46:30Hello.

00:46:31Hello.

00:46:32How are you?

00:46:32Come for Nicholas.

00:46:34Yes, yes.

00:46:34That?

00:46:35What have you brought to yourself?

00:46:36Well, like a prince.

00:46:37Because he fell headfirst off the couch

00:46:39and I haven't even given him a wet hand.

00:46:40That?

00:46:43Me, yes, yes.

00:46:44At 18 you don't see a clear vocation,

00:46:46I'm telling you, huh?

00:46:47Paratrooper.

00:46:47But hey, what's the problem?

00:46:49But why didn't you take him to the doctor?

00:46:51I'm really sorry.

00:46:52It's just that I went out for a moment

00:46:53because I was a little stressed and...

00:46:54Mica, if you don't like children,

00:46:56why the fuck do you open a nursery?

00:46:57I'm really sorry.

00:46:59Don't worry, you won't have to take care of anything else.

00:47:01because I plan to report you.

00:47:02Hey.

00:47:03Yeah, come on, yeah.

00:47:04Well, what?

00:47:09You didn't even notice, did you?

00:47:10No, no way.

00:47:11He wants to sue me, Carlos.

00:47:13Don't worry, we'll fix it tonight.

00:47:15We both met with her.

00:47:16That?

00:47:19We were helping you with the children

00:47:21because we like Yolanda.

00:47:22Ah, so you're not both behind me.

00:47:24Uh, well, yeah, yeah, yeah, too.

00:47:26Come on, man, don't be fake.

00:47:27Hey, don't close doors on me.

00:47:28that I originally liked too.

00:47:29So you're going to ruin my business?

00:47:30just for messing around with that mother.

00:47:32She is not a mother, she is a goddess.

00:47:33Get out of here.

00:47:34But it's going to be okay, Lucia.

00:47:36Out.

00:47:37Hey, Lucia, one night of sex with me.

00:47:39and he gets over his anger like that.

00:47:40You know it.

00:47:41Tell him once and for all that I'm better in bed

00:47:43because then he deceives himself.

00:47:44No, you know what there is.

00:47:47Well, nothing.

00:47:49Next time think a little more about it.

00:47:52because this is heavy.

00:47:54When will our old doors be installed?

00:47:56We have already thrown away the old doors.

00:47:59What do you mean they threw them away?

00:48:00This can't stay like this.

00:48:01No, man, the best thing is for them to buy new ones.

00:48:03But how do we go even without doors?

00:48:04Now, are you happy?

00:48:06Community open house.

00:48:07Free bar for criminals.

00:48:09Martial law is imposed.

00:48:11At 10:00, curfew and the gate closes.

00:48:13I don't know where I have the key.

00:48:15No problem.

00:48:16Emilio can stand guard all night.

00:48:18Ah, no, no, no, no, no, no.

00:48:19I've already done quite a bit of military service.

00:48:20Well, I have a trauma like those who returned from Vietnam.

00:48:23I don't trust this one.

00:48:24Let him accompany you to a neighbor.

00:48:26I have very poor distance vision.

00:48:28Oh, I still have no excuse.

00:48:29Well, I'll give it to you later.

00:48:31Well, a draw is made and that's it.

00:48:33That's like when they call you from a polling station.

00:48:35If it touches you, you're screwed.

00:48:36We've already encountered the thieves, what do we do?

00:48:38Shall we read the statutes to you?

00:48:40No problem.

00:48:41I am ready.

00:48:43Zipote.

00:48:44It's for God's sake.

00:48:44Where did you get that from?

00:48:45If it's dad's, don't you remember?

00:48:47I took her to the schoolyard one day.

00:48:49I take the children and go to a hotel.

00:48:51You don't have to do yourself the favor of keeping that.

00:48:53What's happening?

00:48:54It's better to have it and not need it than the opposite.

00:48:57The National Rifle Association says so.

00:49:00And Charlton Heston can't be wrong.

00:49:02What a handsome boy.

00:49:04There has never been a sexier man in cinema.

00:49:07Benur, the Cid, the ten commandments.

00:49:10And the planet of the apes.

00:49:11Even the monkeys followed him.

00:49:13Well, let's take a brief look at the situation.

00:49:18We have run out of commission.

00:49:20We are without doors.

00:49:22Isabel has kept the pendant.

00:49:23And Nieves, in turn, has a gun.

00:49:25Why shouldn't we deceive?

00:49:26The plan has gone a bit awry.

00:49:27How a little?

00:49:28Tragedy is in the air here.

00:49:30Juan, calm down.

00:49:31Take distance.

00:49:32You have to put the situation into perspective.

00:49:34If everything is in our favor.

00:49:36Isabel and the children go to a hotel.

00:49:38You will be alone, sleeping peacefully.

00:49:41The thieves will enter.

00:49:42You will wake up when you hear some noises.

00:49:45They'll beat you, tie you up, steal your lapis lazuli, and run away with impunity.

00:49:49What sons of bitches, but that must be avoided at all costs.

00:49:52Emilio, we are the thieves.

00:49:54No, not me.

00:49:55I'm going to be patrolling the stairs.

00:49:56Exact.

00:49:57How are we going to get in with the gate closed and the neighbors watching?

00:50:00Through the window, like an orc.

00:50:02You've seen it, Lord of the Rings.

00:50:04What a lazy week.

00:50:05I'm not going back to Ibiza.

00:50:07Also, we were supposed to be doing the Camino de Santiago.

00:50:09The important thing was to fix our situation, right?

00:50:11We fixed it there.

00:50:11Well, we're still not quite seeing the whole picture.

00:50:14Let's see if another trip comes along.

00:50:15Isn't that going to be a lot of scrounging from your aunt?

00:50:16Yes, she's loaded.

00:50:18Do you know Venice?

00:50:20No.

00:50:21Well, then you ask me to marry you.

00:50:23You just go with my flow.

00:50:23Have you strengthened your relationship?

00:50:37Yes, yes, the relationship has improved a lot.

00:50:39Yes, but we're not entirely sure if it's a clear improvement or just a patch.

00:50:43You're all tanned, aren't you?

00:50:45Yes, well, in the end we did the Jacobean-Balearic route.

00:50:48Balearic?

00:50:48And what route is that?

00:50:49For Ibiza.

00:50:50It's a little-documented stage in Santiago's life, but it's one of the most beautiful routes.

00:50:54That was how pilgrims were.

00:50:56Yes, it has enriched us spiritually.

00:50:57But if we could take a more romantic trip, I don't know, through Venice.

00:51:04Of course!

00:51:06I tell Andrés and the four of us leave.

00:51:08We can do gondola races.

00:51:10No, but it's more of a couple's trip.

00:51:11Well, that's it, two and two, we go down to Rome and see the catacombs.

00:51:16I'm going to call the agency right now.

00:51:19Andrés, we're going to Venice!

00:51:21Oh, if it isn't there!

00:51:24Awesome family vacation.

00:51:26I'll pass, okay?

00:51:27Well, you'll see.

00:51:29Do you know what guys are like in Italy?

00:51:34You see?

00:51:35If we get home, we are already in crisis.

00:51:37Guys, I have a love letter.

00:51:41It's richer, I sent it by messenger.

00:51:42But Varela, damn it!

00:51:44I've already read it.

00:51:45He's more caught.

00:51:46It's a shame, because the relationship is very nice.

00:51:47Let's see, I'm interested, because if you read it, we're in trouble.

00:51:51Sorry, but I have a huge addiction.

00:51:55Adriana, I have read your letter.

00:51:57And I've rubbed it in my colleagues' faces, who are a bunch of losers, who, since they don't get a single thing, think I'm just like them.

00:52:03Well, he has portrayed things well for you as they are.

00:52:06You are the most beautiful girl I have ever met.

00:52:09Well, my neighbor Lucía is also very hot, but she's in the middle of a midlife crisis.

00:52:14He wants to have children and I'm not ready.

00:52:16Look at him.

00:52:17Yes, yes.

00:52:19I'm going, damn it.

00:52:20You are very sweet.

00:52:21I wake up in the morning and all I think about is that you're coming home and I'll be able to see and hear you hiding in the hallway dreaming of stroking your hair.

00:52:29How cute, but how this kid writes.

00:52:31Hang in there, there's not much left.

00:52:33I'm also very shy and in no hurry.

00:52:35I don't want to do anything until you're ready.

00:52:37It's enough for me to get by seeing you.

00:52:40José Miguel.

00:52:41He's a romantic, like me.

00:52:43This relationship is already mature.

00:52:44I think it's time for a kiss.

00:52:47Come on, Adriana, warm things up.

00:52:49And what do I put, I want you to kiss me.

00:52:52Because when he finds out he's going to make a stupid face.

00:52:55So come on.

00:52:56Dude, today's your turn.

00:52:57No, he'll notice they're someone else's lips.

00:53:00It's like fingerprints, everyone has different ones.

00:53:03Paco, what do you care?

00:53:05Fuck.

00:53:06Concha, we leave bingo later and later every day.

00:53:1312 balls I've been with the 28 for bingo.

00:53:17You see that as normal.

00:53:18I'm starting to think you have a gambling problem.

00:53:21Yes, it never happens to me.

00:53:25Password.

00:53:26Go away, Mr. Cuesta, go away.

00:53:28No, no, no, that's the one over there.

00:53:29And it's already past 12.

00:53:30What's today's?

00:53:31Wait a minute, I have to write it down.

00:53:33This girl was always so cute.

00:53:35Correct.

00:53:36Come on, ma'am, it's not time, eh?

00:53:39And there's a curfew.

00:53:40I'm going to have to report it.

00:53:41What we're doing is ridiculous, it only seems that way to me.

00:53:44Mauri, if you're on patrol, then you're on patrol.

00:53:46That's the hard part of democracy.

00:53:48So come on, escort these ladies from the first floor.

00:53:50It's very funny.

00:53:51Tomorrow it's my turn.

00:53:52And what are you doing with the steamer at this time?

00:53:55That makes noise.

00:53:56It is a weapon of defense.

00:53:57I have it loaded with water and bleach.

00:53:59It is neither dairy nor coreta.

00:54:09Mr. Juan, green light for Operation Lazuli Pencil.

00:54:12Clear path.

00:54:19Be careful with the flower pots.

00:54:21Come on, board.

00:54:23I'll stay down here holding the ladder, okay?

00:54:26Don't fall.

00:54:27It's because of people like you that the war was lost.

00:54:30What war?

00:54:31All.

00:54:36Well, above all, don't make any noise, okay?

00:54:38Look, then to tie you up I have two types of ropes.

00:54:41This packing, which scratches and leaves marks.

00:54:44And this other one is the clothesline.

00:54:46Which one do you see yourself with?

00:54:47It is not essential to tie me up either.

00:54:48I may not have woken up.

00:54:50You put yourself in the hands of those who understand.

00:54:57What was that noise?

00:54:58What noise?

00:55:00Ah, that one.

00:55:01That's the staircase that creaks and creaks when it gets cold at night.

00:55:04It is a physical phenomenon.

00:55:05Something's going on, come on.

00:55:06No, wait, wait.

00:55:07The cable for the steam cleaner doesn't reach me.

00:55:08We're going to be defenseless.

00:55:11Mauri!

00:55:13Well, wait, I'll go ahead.

00:55:14You don't sacrifice yourself, you have studied.

00:55:16Hey, hey!

00:55:17I stopped breaking things!

00:55:18You go get Isabel's jewelry box.

00:55:19I'll take care of the living room.

00:55:21Whatever you say.

00:55:22But it's going to be a lot less credible.

00:55:27Mauri, these people are soldiers, they have Russian weapons, they buy them at black markets.

00:55:37Shut up already!

00:55:38Call the police.

00:55:39And what are you going to do?

00:55:43I'm going to teach you how to steal from others.

00:55:46Mauri, you shouldn't be too rude to them, or they'll sue you later.

00:55:49But help me!

00:55:50Oh yes, yes, yes!

00:55:52Take it, you bastard!

00:55:53Take!

00:55:54You're already messed up!

00:55:55What a hard time!

00:55:56Golco, son of a bitch!

00:55:58Family, you're fucking killing me!

00:56:00But what are you doing, such an idiot, stealing from yourself?

00:56:02Let's see if he can explain it to you.

00:56:03Maybe it will leave them with after-effects.

00:56:05No, Mauri, put yourself in my place.

00:56:06I'm unemployed and I have to support a family.

00:56:10And insurance companies have a lot of money.

00:56:12Didn't they lose to the wizard?

00:56:13Are they going to lose with this?

00:56:14So it was a scam on the insurance company to have started there.

00:56:18I am humiliated.

00:56:19Please, I would like you to remain before us.

00:56:21What's going on here?

00:56:22Have you also been infected?

00:56:23They escaped through the window.

00:56:26We just didn't arrive in time.

00:56:27Nieves, how does the gun feel to you?

00:56:29Have you ever thought about being a girl, bol?

00:56:31No, it will be very good for us to go out for a bit.

00:56:35I was already fed up with it as a child.

00:56:37Look, the plan is as follows.

00:56:39When you notice that you're overextended in about ten minutes, you take it and leave.

00:56:43I'll take care of convincing her not to report Lucía.

00:56:45No, sorry.

00:56:47Crianza versus gran reserva.

00:56:50Let's see.

00:56:52Man!

00:56:53Hello.

00:56:54You'll see how happy Nico will be when he sees himself.

00:56:56Here, I brought you some luxury wine.

00:56:58Go on.

00:56:59No, no, no.

00:57:00Thank you.

00:57:01Well, you're just in time to help me.

00:57:03Come on, come in.

00:57:05Of course.

00:57:06We put the champion to bed and the three of us remained calm.

00:57:09How lucky I was to meet you because I'm having some trouble rebuilding my life.

00:57:13And all because I like children.

00:57:16Are they all yours?

00:57:17Yeah.

00:57:18Well, two biological and four adopted.

00:57:20And they are my in-laws who stayed with me when I separated.

00:57:24Two skies.

00:57:25How are you?

00:57:26Hello.

00:57:26Well, you're going to be working overtime today, aren't you?

00:57:29What a beautiful picture, isn't it?

00:57:31Familiar, like...

00:57:32So a bit like a node.

00:57:33Yes, yes.

00:57:36Oh, I have to go.

00:57:38The valve from Germany has arrived.

00:57:39They take my mother into the operating room.

00:57:41That?

00:57:41If that's the case, you stay.

00:57:42No, no, no, no.

00:57:43No, a friend has to be there on these occasions.

00:57:46But you're not going to stay for a while.

00:57:47I had promised you that you were going to tell them a story.

00:57:49Yeah, you put on a DVD and it's more popular.

00:57:52Come on, come on, yeah.

00:57:53There's no way to hook anyone, huh?

00:57:55At least they brought wine.

00:57:58Yeah.

00:58:01Above all, do not touch anything and do not destroy evidence.

00:58:04Well, I'm going to sit down.

00:58:06My knees can't hold me up anymore.

00:58:08Why haven't they entered mine?

00:58:09If not, the coroner was already here.

00:58:11Neighbors, I know the situation is worrying.

00:58:13But from here I want to call for calm.

00:58:16Go back to your homes.

00:58:17Mr. Juan, you remind me of the king of 23F.

00:58:19And how do you leave me alone?

00:58:21Were they able to break in and force me or carry out one of those express kidnappings?

00:58:25Man, I would have thought about it.

00:58:26We're going to call the police.

00:58:27Again, but it's no use.

00:58:30There are three robberies.

00:58:31Maybe they'll send us a commissioner or give us a geo or something.

00:58:35One moment.

00:58:36The thief is supposed to have entered through the terrace.

00:58:38So why isn't the door forced?

00:58:40That? Why?

00:58:41Maybe Juan left it open to air out the house, right?

00:58:45At 12 midnight, if it is still cool and Juan is very cold,

00:58:49Maybe someone opened the door from inside,

00:58:51as Nieves's and my kitchen opened.

00:58:54What happens is that Nieves was forced

00:58:56so that we would believe that they were entering by force.

00:58:58But here, as they know that Emilio and Mauri are on patrol,

00:59:02They didn't dare to make noise or break any glass like they did at my house.

00:59:05Well, considering the door downstairs is closed,

00:59:07everything is very clear.

00:59:09The robberies were committed by a neighbor.

00:59:11But that lady is like Don Quixote, her books should be burned.

00:59:14No, no, no, no. Vicenta is right.

00:59:16The thief must have been one of you.

00:59:19And it couldn't have been you?

00:59:21This lady is already watering us.

00:59:23And what have I done? Have I stolen from myself?

00:59:25Well, it's not that strange either.

00:59:27No, Elu, let us not cover up or bear false witness.

00:59:30I would leave everything in the hands of the police.

00:59:32No way.

00:59:33We are now starting house-to-house searches,

00:59:36starting with those at the top, who are penniless.

00:59:38Hey, wait, is this my case?

00:59:41Your hand in the community is noticeable again, huh?

00:59:42Without doors and all parapets.

00:59:44Come on, cheer up.

00:59:47Mariano, we have to hide everything we've stolen in the goal.

00:59:50You'll see, huh?

00:59:51But I, as I torture myself, speak a little.

00:59:52The dentist knows my whole life.

00:59:54Don't worry, I've already taken care of the merchandise.

00:59:57What has he done?

01:00:00Let's see, if we were sluts, where would we hide a DVD?

01:00:05It has to be close to the TV, otherwise the cable won't reach.

01:00:09But what are they doing here?

01:00:10Commission of inquiry.

01:00:12You have the right to remain silent.

01:00:15There is a sausage in this building.

01:00:17And you are a suspect.

01:00:18But what do they say?

01:00:19I found it!

01:00:20Case closed!

01:00:21Hey, that's not mine.

01:00:22Sure, what do you mean it's mine?

01:00:24What a disappointment, Belén!

01:00:26I thought of you as a daughter.

01:00:28But did someone put this here?

01:00:30Dad, how could you possibly think of pinning the robbery on Belén?

01:00:33I was the posh one.

01:00:34And the cock has a door.

01:00:35Belén fits the profile of a scapegoat.

01:00:38Maria, one doesn't consult about those things.

01:00:39My sister is armed.

01:00:41Juan, a politician with a conscience is not going anywhere.

01:00:44And what did you do with the lapis lazuli?

01:00:45Well, put it in there, you big fat ass.

01:00:47You're leaving here first thing tomorrow morning.

01:00:49If not, we will report you.

01:00:50That I'm not leaving, that I haven't stolen anything.

01:00:53Well, we'll pull you out by the hair.

01:00:54Are you threatening me?

01:00:55No, nobody threatens anybody here.

01:00:58But we have a gun.

01:00:59We tell you this as good neighbors.

01:01:01But, Juan, please, what's going on?

01:01:03That I have not stolen anything.

01:01:04I would like to love you, Belén, truly.

01:01:06But I am dismayed.

01:01:07There is no place for crime in our community.

01:01:09The best thing for everyone is that you leave.

01:01:11The law of the ladder is going to fall on you.

01:01:14You could end up buried in the meter room.

01:01:17Juan, tell him where the previous president ended up.

01:01:20Mariano, don't make things up.

01:01:21There's no one down there.

01:01:22Oh no?

01:01:23Well, I've seen will-o'-the-wisps.

01:01:24Emilio, say something.

01:01:25You know me.

01:01:26Do you know that I am incapable of stealing?

01:01:27Yeah, but they pay me.

01:01:29I am an errand boy.

01:01:30Belén, leave before they report you or you'll end up in jail.

01:01:36I feel terrible.

01:01:39This poor girl.

01:01:40Without meaning to offend the owners,

01:01:42this is some son of a bitch.

01:01:44Well, we've saved our asses.

01:01:46What do you want?

01:01:47Juan, when you preside, you have to make difficult decisions.

01:01:50Bus does this every day.

01:01:52Already.

01:01:59Mauri?

01:01:59I'm going, I'm going, I'm going.

01:02:01I'm going, wait.

01:02:01Wait.

01:02:06Hey, this is so convenient, huh?

01:02:08It's a barricade of anti-ladies.

01:02:11Until they put a new one on me.

01:02:12What happened to the old one?

01:02:13Ah, if you lived here you would know.

01:02:15You're going to live with Rosa in a building for normal people,

01:02:17with their dull lives and their doors.

01:02:19And of course, this is missed, you see me?

01:02:22Mauri!

01:02:22Urgent lotting!

01:02:24But wait, you'll see when he has to stay at the door.

01:02:25Oh, what a mess to get in.

01:02:31Hey, does it work with electrified barbed wire in the Gaza Strip?

01:02:34Vicenta, what do you want?

01:02:35We have already discovered the thief.

01:02:37Belén was the one who was stealing from us all.

01:02:39What does it say?

01:02:40Nativity scene.

01:02:40We're going to pull her out by the hair!

01:02:45That?

01:02:46Are you in?

01:02:47But ladies, please don't talk nonsense.

01:02:49What will Bethlehem be like?

01:02:50Yeah.

01:02:50Hey, Mauri, when I leave I'll close the sofa for you or leave it open.

01:02:56Belén, I'm truly sorry about everything that's happening.

01:02:59Yes, I have submitted my resignation, but they have rejected it as essential.

01:03:02Emilio, you are the most despicable, most sycophantic, and most miserable person I have ever seen in my life.

01:03:07Insult me if it makes you feel better.

01:03:08Look, here I am, as a human shield.

01:03:09And on top of that, this doesn't make sense to me now.

01:03:11Hey, where are you going?

01:03:12Well, I know where I'm going to go.

01:03:13The farthest thing from this mentally ill building.

01:03:16Well, you have two thousand euros.

01:03:17What is that, managing it well?

01:03:18Well no, I don't have them anymore, because I gave them back to him.

01:03:21Damn, Belén, if only you sank alone.

01:03:23Look, if you want, I'll make room for you in the goal.

01:03:25Of course, with your father making us an omelet, since that's so broad.

01:03:28Yes, we put a mat in the shower and put our arms like this, Dracula-style, and we rest.

01:03:32Look, Emilio, leave me alone, I'll find my own way.

01:03:35Belén, but then this is a goodbye.

01:03:37No, it's not goodbye.

01:03:38It's a fuck you.

01:03:39Come on, Belén, damn it, don't go away angry.

01:03:41It's not that I thought we were friends.

01:03:43But we are friends.

01:03:44Look, I'm in love with Carmen right now, but if you want, we can have the last one, so you can leave with a smile.

01:03:48Looking on the bright side of life, huh?

01:03:50Of course, I'm not going to stop you from going to the bedside table, I'll put the condom on you and that's it.

01:03:53But do you think I'm going to sleep with you now?

01:03:55But it is to get out of the hole.

01:03:57Happens?

01:03:58If it is open.

01:03:59Hello.

01:04:00Can we talk for a moment?

01:04:01Yes, of course, who are you?

01:04:02No, Emilio, it's for me.

01:04:04What do you want, Hector?

01:04:05I already had a bad enough time yesterday.

01:04:06That my wife and I are getting divorced.

01:04:09Oh, I'm so sorry, I just wanted to pay you back.

01:04:12Ah, damn, but you were the whore.

01:04:13But you have to know a lot of famous people.

01:04:15Emilio, please.

01:04:16No, woman, nothing's wrong.

01:04:17If my marriage was already dead.

01:04:19I love you, Belén.

01:04:20I really want to get you off the street.

01:04:22No, man, no.

01:04:23You don't have to take me out of anywhere.

01:04:24I'm not a prostitute.

01:04:27I have to go to the agency and I thought that was a normal appointment and...

01:04:29Well, much better.

01:04:31Everything is prettier, huh?

01:04:32No, man, no.

01:04:33I'm not going to go out with someone who pays to do that.

01:04:37Please give me another chance.

01:04:38That he's telling you no.

01:04:40Go now while I start distributing.

01:04:41Three thousand euros.

01:04:42I'll give you three thousand euros.

01:04:43Well, let's talk.

01:04:44Emilio Delgado, representative.

01:04:45Get out of here, get out of here.

01:04:46Four thousand, four thousand euros.

01:04:48If we get to six thousand, that's love, right?

01:04:50Hector, I'll tell it on television.

01:04:54Well, that's another possibility.

01:04:56To the Celebrity Club for a fuck.

01:04:57And you out of here, huh?

01:04:58Get out of here.

01:04:59Go crawl to the neighbors.

01:05:01Carrion.

01:05:01That is not a carrion.

01:05:03And I can't slam the door because there is no door.

01:05:11My goodness.

01:05:12There will be Doña Concha's anger.

01:05:15Hello.

01:05:16We have good news and bad news.

01:05:18The bad news is that I haven't hooked up with Yolanda.

01:05:20The good news is that Carlos doesn't either.

01:05:21But come on, if he wants to report you,

01:05:23I have a firm of twenty lawyers who are eating her alive.

01:05:25It doesn't matter.

01:05:26Nursery is over.

01:05:26I have closed it.

01:05:28Almost better.

01:05:29They were going to close it anyway.

01:05:31Yes, but this is not the way.

01:05:32If you had left it.

01:05:34Bring.

01:05:35Bring.

01:05:36But Yolanda is absolutely right.

01:05:39It's depressing.

01:05:40I don't like children.

01:05:42What kind of mother am I going to be?

01:05:43But don't think about that now,

01:05:45if you don't even have a boyfriend.

01:05:47No.

01:05:48I don't have a boyfriend.

01:05:49You're not much of a comforter, aren't you?

01:05:51Give me the ice cream, Carlos.

01:05:53No, no, not ice cream.

01:05:54Give me the ice cream or I'll kill you.

01:05:55Being stressed out by other people's children

01:05:56It doesn't mean that when you have one

01:05:58don't be a good mother.

01:06:00Plus it's all ridiculous.

01:06:02I thought they were both behind me.

01:06:03and you would have been using me

01:06:05to bind us to a mother.

01:06:06What's happening?

01:06:07Am I good now?

01:06:09Yes, yes.

01:06:10What happens is that lately

01:06:11You spend a lot of time with Belén

01:06:12and you drag yourself through a world of shadows.

01:06:15You know what my feelings are,

01:06:17but I can't wait for you forever.

01:06:19Me too, because I have more patience,

01:06:20how I love you more.

01:06:21You are a clown.

01:06:22Roberto, please,

01:06:23don't spoil a nice moment.

01:06:25But what are you up to?

01:06:26Of my children.

01:06:32Who touched my tit?

01:06:35Hey?

01:06:36I think it was me, but I didn't mean to.

01:06:38I was looking for the waist.

01:06:40If you eliminate yourself.

01:06:42José Miguel,

01:06:46I've never kissed a boy.

01:06:47I would like you to be the first.

01:06:49Well, well, well.

01:06:51Uncle, what do you want me to kiss you?

01:06:53José Miguel,

01:06:53You are like a brother to me.

01:06:54I'm going to give you some advice.

01:06:56No,

01:06:57I'd better give you something else.

01:06:58Take.

01:06:59Dude, what are you up to?

01:07:00No, if it's not for you to use it.

01:07:02It's my lucky charm.

01:07:03I've been wearing it since I was 14.

01:07:06It's here.

01:07:07Yeah?

01:07:11Hello, I'm Adriana.

01:07:13Go up, go up.

01:07:15Come on, kid, take the alternative.

01:07:17Hey, hey, and will he want it with tongue or without tongue?

01:07:20If you see him tilt his head a lot, tongue.

01:07:22If it goes straight ahead, little beak.

01:07:23There, take off your glasses, they fog up.

01:07:24and then you don't calculate the distance well.

01:07:26Okay.

01:07:27And when I have my tongue inside,

01:07:28what I do?

01:07:28Do I move it from side to side like an ice cream?

01:07:30or clockwise?

01:07:32Whatever comes out, don't stress.

01:07:34You've never practiced with your arm like this.

01:07:37Dude, you're in bad shape, aren't you?

01:07:38Second floor.

01:07:39Young fashion, cowboy territory.

01:07:41Hey, hey, what do I do with my hands?

01:07:43Can I get something for you?

01:07:43There you go, what she left you.

01:07:47Hello.

01:07:49What have you done with the door?

01:07:51We are protesting the indiscriminate felling of trees.

01:07:54Ah.

01:07:56My father is now coming to file a complaint.

01:07:59It's that we were robbed last night.

01:08:00Normal.

01:08:02Well.

01:08:04How can they not steal from us?

01:08:06We have to put doors, Juan.

01:08:08Houses have doors.

01:08:10Now even the Eskimos put the door on the igloo.

01:08:13Oh yeah?

01:08:14Oh, I was so happy with my pendant.

01:08:17for once you give me something.

01:08:19Well, the important thing is that the police officer who attended to us

01:08:21He assured me that they are working on the house.

01:08:24Juan, the bifidus in yogurt works harder than that man.

01:08:28But how can you be so calm?

01:08:30Well, so you don't lose your temper.

01:08:31But if I have already lost them, you do not hold back.

01:08:36But, boy, what are you doing?

01:08:38José Miguel, for God's sake.

01:08:39I'm going to tell my parents.

01:08:41Ah, Diana, please.

01:08:42José Miguel is a real joker, and as soon as he gets comfortable...

01:08:45He stuck out his tongue!

01:08:46Disgusting!

01:08:47Well, you shouldn't have bowed down.

01:08:49José Miguel, you can start putting up a nice landscape.

01:08:51on the computer screen

01:08:52because you don't step on the street until you turn 18.

01:08:54But how could you think of kissing my student?

01:08:55Juan, the hormones that have him under control.

01:08:58They've staged a coup and are...

01:09:00Dad, calm down.

01:09:01You listen.

01:09:02No, no, you listen to me.

01:09:03Look, I know your body is changing,

01:09:06but you have to control your instincts.

01:09:08But hey, what do you think?

01:09:09It doesn't happen to me?

01:09:10Ah, yes.

01:09:11Isabel, please, I'm talking to the boy.

01:09:13Do you know how some mothers used to come and talk to me at school?

01:09:16With those jeans now, with the low waist,

01:09:18who bent down to put the sweater on the child and, of course,

01:09:22there, the elastic band of the thong.

01:09:24But dad, don't worry, I can explain it to you.

01:09:26And in the unemployment queue?

01:09:28In the unemployment line, everyone seems to be doing what they want.

01:09:31And what do I do?

01:09:32Well, I'll seal my papers, even if I feel watched.

01:09:35That distinguishes us from animals.

01:09:36What? Unemployment?

01:09:37No, sexual self-control.

01:09:39Imagine if people walked down the street without holding back, it would be...

01:09:42It would be strange, but there are rules.

01:09:44Are you finished?

01:09:45Come on, Dad, I'll explain it to you, okay?

01:09:48Adriana has been writing to me.

01:09:49She had a crush on me and wanted me to kiss her.

01:09:51What are you telling me?

01:09:53No, this letter is not Adriana's.

01:09:55What do you mean no?

01:09:56Let's see, no.

01:09:58This letter is a man's, look.

01:09:59Small, sloping, irregular.

01:10:02And then the dropped T's and the F's.

01:10:03This denotes an unstable and immature personality.

01:10:06And then he does the M's and N's backwards.

01:10:09Serious emotional deficiencies, very severe.

01:10:13Okay, I don't need any more details.

01:10:14I'll be right back.

01:10:15Where are you going, José Miguel?

01:10:16That you are punished.

01:10:17Sure, but you can't lock him in because there's no door.

01:10:21Mr. Juan, Belén is leaving, so I say you'll have to do something, right?

01:10:24Do something of what?

01:10:25No, I'll be right back.

01:10:26Don't worry, darling.

01:10:27But when you tell me not to worry, I worry more.

01:10:30And more, and more, and more.

01:10:35Mom, come get me now.

01:10:38No, I don't want to take any more classes with that man.

01:10:42Adriana, wait a moment.

01:10:43Don't come near me, I'll scream.

01:10:45And I have a spray in my backpack.

01:10:46Yes, that's cologne.

01:10:48Yeah, but it stings the eyes, huh?

01:10:49Look, I wanted you to be there for me because some colleagues have been writing letters as if they were you.

01:10:54What colleagues?

01:10:55Some losers who meet at the video store and now they'll be laughing their heads off.

01:10:59How humiliating, isn't it?

01:11:00Yes, but it was a precious two seconds.

01:11:03Look, if you're not upset, maybe with a different haircut, the thing is that I already have a boyfriend.

01:11:10Okay, okay, yeah.

01:11:12But if you want, we can do something with your friends, but you have to take off your glasses.

01:11:17Okay, if I already have some blue contact lenses.

01:11:20No, no, no.

01:11:21Do you know you're a bunch of assholes?

01:11:23Does that mean we can't laugh anymore?

01:11:26I think so.

01:11:27How beautiful love is, huh?

01:11:29In your case it will be true that you never forget your first kiss.

01:11:32What's up with you?

01:11:32He told you no, but if you write that you disarm.

01:11:35But let's see, your lives are so empty that just to have fun you have to play such a heavy joke on a 12-year-old boy.

01:11:43Yeah.

01:11:44Well, I don't know how to thank you.

01:11:46Hey?

01:11:46Hello, Jose, I've already finished the class.

01:11:50How are you?

01:11:51Now, very well.

01:11:56Are we leaving?

01:11:57Look, these guys with their mouths open are my colleagues.

01:12:00This is Adriana.

01:12:01Hello.

01:12:02Hello.

01:12:02Well, go on with your idiotic work, I have better things to do.

01:12:06How beautiful, I knew it.

01:12:10Come on, don't fuck with me.

01:12:11What a bastard.

01:12:12What a bastard.

01:12:12Does he have an older sister or a mother?

01:12:14Or grandma.

01:12:15Fuck you, love has triumphed.

01:12:17Well, I'll always be good for us, right?

01:12:19When is it playing here?

01:12:20What do I know?

01:12:20Belén, are you okay?

01:12:25I?

01:12:26Enchanted or of life.

01:12:28A gang of neighbors and cronies kick me out of my house, accusing me of being a thief.

01:12:31Come on, I've stopped jumping for joy in case I upset Nieves and she comes up to shoot me.

01:12:36Woman, look on the bright side.

01:12:37It's an opportunity to turn your life around, to see the world.

01:12:40With 60 euros in the account.

01:12:42Well, you can always go back to your parents.

01:12:44That's nice.

01:12:45They don't talk to each other, Mr. Juan.

01:12:46Cinderella lives with her stepmother in luxury compared to her.

01:12:48Look, take it.

01:12:50The Loli pension.

01:12:51Since the last raid it's been a very quiet place.

01:12:53And as a health professional, I ask you, now we eat quite well.

01:12:56On Sunday I went with the children and the rice pudding was superb.

01:13:00Yeah.

01:13:01Pretty, are you coming down now or should we come up and get you?

01:13:04I want to put up a for rent sign.

01:13:07Yes, I'm coming down now.

01:13:09Oh my God!

01:13:12Belén, join the army, you travel there, you drive tanks.

01:13:15Yes, I've already called.

01:13:16The age limit is 30 years.

01:13:17Well, then, let's make a nun cassette with God, that's a real bang.

01:13:20Look, leave me alone now.

01:13:21Thank you very much for your help, but it's too late.

01:13:29Mr. Juan, you know I've never betrayed you, but I'm about to, eh?

01:13:32I have a feeling for Belén, I'm not sure what it is, but it can't be denied.

01:13:36And what you're doing to him is a very uncharacteristic thing for you.

01:13:39You're right, Emilio.

01:13:40Political mistakes must be acknowledged; lying gets you nowhere.

01:13:44I'm going to talk to the neighbors.

01:13:46Now yes, now it's you, Mr. Juan.

01:13:49So come on, get your act together and move forward.

01:13:50And that beard, really high.

01:13:52Wow!

01:13:53I've known this bitch since she rented me the apartment.

01:13:58But you've all gone crazy.

01:14:00How can Belén be a thief?

01:14:01Yes, we got her.

01:14:03You gay guys who act so sensitive really make me sick.

01:14:05I tell you this with love.

01:14:07But if Belén is like any other owner, she has lived here all her life.

01:14:10Three years, right?

01:14:11Only.

01:14:12It seemed like 30 to me.

01:14:13How slowly time passes in this building.

01:14:15Well, it shows in you.

01:14:16You didn't have those wrinkles when you arrived.

01:14:19Your face looks more droopy.

01:14:20I think it's since Fernando left him.

01:14:23No, it's just that children get spoiled a lot.

01:14:25Well, you in common.

01:14:26Well, let's see, here we are talking about Bethlehem.

01:14:28That is, the one who is not there is criticized.

01:14:30Let's see if we respect the rules.

01:14:31Neighbors, I have a very serious conversation with all of you.

01:14:34We are about to commit an irreparable injustice.

01:14:37I have to tell the whole truth.

01:14:38Which?

01:14:39No, leave me.

01:14:40But what's going on?

01:14:43Belén is a kleptomaniac.

01:14:44Oh my God!

01:14:46What's that?

01:14:48From the Greek kleptos, which has the habit of taking away like property.

01:14:52Of course, that's why we kicked her out.

01:14:54Because we caught her klepting us.

01:14:56Come on, shut up a bit.

01:14:57Please, what do you mean Belén is a kleptomaniac?

01:14:59Well, he still doesn't recognize it.

01:15:01It is in phase 1.

01:15:02They are sprouts.

01:15:02We have tried to get her into the Winona Ryder Foundation,

01:15:05but the trip to the United States is very expensive.

01:15:08So we all have to help her with understanding.

01:15:11Wow, another one with heart!

01:15:12No, no, in the end we're going to end up putting a bust of him in the doorway.

01:15:16Oh my God, how exciting!

01:15:17We can put them all.

01:15:19Yes, and we charge admission.

01:15:20The house of terror.

01:15:22Look, here it comes.

01:15:24Nieves, how are you wearing that?

01:15:26I've already told you that for safety reasons it's better to keep it at home.

01:15:30It's just that now I go for the lottery and it brings me luck.

01:15:32Hey, what?

01:15:33I know two park junkies who, for a small tip, will leave this wherever you want.

01:15:37Ah, look how good.

01:15:39A farewell committee.

01:15:40Doña Concha, the bail.

01:15:42But what bail?

01:15:43The 800 euros we paid him when we rented the apartment.

01:15:47No, you've broken a lot of things.

01:15:49Look, don't get me all worked up, okay?

01:15:50Don't get excited, I really want it.

01:15:53Belén, calm down, Belén, calm down!

01:15:54I have some great food for her!

01:15:56Yes, he wants to hit me!

01:15:57Modern, he says!

01:15:58Whore!

01:15:58Belén, but why didn't you tell us you were a kleptomaniac?

01:16:02So what am I?

01:16:03From the Greek kleptos.

01:16:06A picket.

01:16:07And I without an escort.

01:16:09Herbs, come here to participate, because in the community we are all.

01:16:12But what are you doing with my blue pencil?

01:16:14Is this mine?

01:16:15But how can it be yours if Juan gave it to me?

01:16:17She is the thief.

01:16:18What has he scammed me?

01:16:19Hey!

01:16:20Hey!

01:16:21Hey!

01:16:22Hey!

01:16:23Hey!

01:16:23Listen to me everyone!

01:16:24Belán is innocent, I confess.

01:16:26Andrés and I went.

01:16:28We said a robbery in the second B so that you all would put the armored doors and take us

01:16:31a commission.

01:16:32Andrés was the instigator, I was the political victim, and Emilio and Mariano were the executors.

01:16:37Oh, so it was you?

01:16:39Silly, take advantage and go up.

01:16:40But you set up all the robberies?

01:16:42Almost everyone.

01:16:43Concha faked hers.

01:16:44And he was throwing me with all his nerve!

01:16:46Daughter, I'm already losing my mind.

01:16:49Well, you clarify that in a meeting.

01:16:51If you don't mind, give me back the congant.

01:16:53But haven't you heard that it's smooching!

01:16:54But how bad!

01:16:55Beside!

01:16:56Ah!

01:16:56But how bad!

01:16:56Already!

01:16:57Already!

01:16:57Now with the bandana you're throwing all my hair away!

01:16:59No!

01:17:02You see?

01:17:03What have you done?

01:17:04I took it out to disperse it and someone pushed me and I thought it was empty.

01:17:13We have all been reborn.

01:17:14I'm just saying that.

01:17:18This community is starting to get some real history, huh?

01:17:20Look, bullet holes, like in Congress.

01:17:22From now on, we could call this day a community holiday, the day of armored doors.

01:17:27Something bad is going to happen here, huh?

01:17:29And if not, in time.

01:17:30And if the neighbors are armed, I want a bonus and a bulletproof uniform.

01:17:34Calm down, Emilio.

01:17:35Yes, calm, calm, but with calm...

01:17:37Hey, don't even think about where you got a pipe from?

01:17:39My father is a retired colonel.

01:17:41I've already told him to give it back, that he'll clean it and entertain himself at the residence.

01:17:44In any case, I believe that this sad event will undoubtedly mark a turning point in the coexistence of our community.

01:17:52The neighbors have taken my political mistake very well.

01:17:55But how come they're not going to pay me for what they stole from me?

01:17:58Again, ma'am.

01:18:00That you do not have any insurance with us.

01:18:02Of course, because the community pays for it.

01:18:05But how is the community going to pay for burglary insurance for their home?

01:18:07You have to hire that yourself.

01:18:08Of course, I found it strange.

01:18:10Chorizo, you have us misinformed.

01:18:13And me? Why don't they pay me?

01:18:14If I have a policy in force.

01:18:16Yes, what it doesn't have is a door.

01:18:18Furthermore, this woman told me that the thieves were her brother and her boyfriend.

01:18:22What do we charge for? Do we charge for everything or none of it?

01:18:24In any case, if you have any complaints, please send them in writing to the company.

01:18:30Of course I plan to do it, because I have my rights.

01:18:33You see me put on a pretty face when you get angry.

01:18:35And you're doing very well, aren't you? You're doing very well.

01:18:37What a president, and we missed him.

01:18:40This didn't happen with Carlitos.

01:18:43And if it happened, he would pay for it.

01:18:45Well, I promise you that Andrés and I will pay for some new doors.

01:18:48Simple, lacquered, in keeping with the aesthetics of the façade.

01:18:51Mr. Juan, and where are you going to get the money?

01:18:53Well, I'll have to ask Isabel and see what she can do.

01:18:55Let's see, darling, I'd like to talk to you for a moment.

01:18:58But once you give me something, and if you have to steal it from your sister.

01:19:03Wait.

01:19:07Wait a bit, because today is not a good time to ask for credit, eh?

01:19:11He keeps buying things.

01:19:13I haven't hit rock bottom.

01:19:14I'm really looking forward to it, right now...

01:19:15Come on, let's go to karaoke, all our troubles will go away there.

01:19:19I don't feel like singing now.

01:19:20Yes, we scored one for the three of the billís.

01:19:23That's a vocal challenge.

01:19:25The thing is, I'm more of a Joe Cocker person.

01:19:26It goes more with my register.

01:19:28Damn, well, before that it's Emilio Aragón's.

01:19:29Be careful with Paloma, I've been told she's in a coma.

01:19:31It's not funny.

01:19:34Man, a little bit, right?

Aquí no hay quien viva - 3x22 - Erase unas puertas blindadas - HD 1080

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