Aquí no hay quien viva - 3x19 - Erase un disco-pub videoclub - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Carlos, debido a la baja rentabilidad del videoclub, decide convertirlo en un espacio multifuncional y monta un bar de copas nocturno.Por otra parte, Belén consigue una nueva compañera de piso, una recién divorciada dispuesta a disfrutar de la vida. Belén y Lucía a su lado se sienten viejas y deciden apuntarse con ella a ligar yogurines. Por último, a Concha le toca un bingo especial pero lo oculta. Debe ya cinco meses a la comunidad y están todos sin calefacción por su culpa, así que entre todos intentarán quitarle el dinero del premio.

Transcript

00:00:00Here, here, here, no one lives! Not here! Not here!

00:00:24Not here!

00:00:54Who's going to want to rent it to you?

00:00:56But that's illegal. The security forces or politicians will have to do something.

00:01:00Yes, yes, yes. Everyone is very concerned about what's happening to you.

00:01:03Tomorrow there will be a crisis cabinet meeting at the Moncloa Palace, in the heated pool.

00:01:07Hey, why don't you ride something else?

00:01:10What are you doing here?

00:01:12What's up? I'm home alone and bored.

00:01:15Is it essential to have a penis to be here or what?

00:01:17Glenn, watch your language a little, there's a child in front of you.

00:01:19That's true, Roberto. Cover your ears, man.

00:01:21He put it here and no, right? Then he was spilling our most intimate secrets.

00:01:26Yes, I'm going to sell it to Lola.

00:01:28No, no, no, but Belén is right. We have to turn this into a multifunctional space.

00:01:32Let's see, ideas for new businesses.

00:01:34I used to set up slot machines. You'd blow the grandparents' pensions.

00:01:37A beauty center with jets and mud. And we all exfoliate.

00:01:40Tattoos, piercings, key cutting. The machinery is the same.

00:01:44No, a sex shop, there isn't one around here.

00:01:47How long does it take you to get to that bar where you got the super-busty Tiffany?

00:01:51No, I don't go to those places.

00:01:53What do you mean no?

00:01:53You see? A woman here makes us feel self-conscious. We can't talk about our own affairs.

00:01:57Hey, why don't you open a cocktail bar, that's the easiest thing to do?

00:02:00You set low prices and all the kids who are drinking in the square come to you.

00:02:04And during the day, you open the video store.

00:02:06Here, Belén. Go on. Go to the newsstand and buy yourself a celebrity magazine.

00:02:09And let him bother me here.

00:02:11You're such idiots. That's how it goes for you.

00:02:14Misogynists.

00:02:15Who called us?

00:02:17Misogynist. That's a Greek island.

00:02:19I can't find the relationship.

00:02:20Hey, the bar thing is good, right?

00:02:22Sure, the idea is very good. That's why I told him to leave.

00:02:24If not, we have her here all day.

00:02:26Well, come on, a decided bar.

00:02:28Now we just have to find a powerful name for it.

00:02:34Come on, I'm going to find Belén.

00:02:36Here, here, here there is no one who lives.

00:02:38Not here, not here.

00:02:40Every day is like this.

00:02:43I couldn't imagine it when I came here.

00:02:45I was just looking for some peace.

00:02:47I wake up every day in the middle of a hurricane.

00:02:50Here, here, here there is no one who lives.

00:02:52Not here, not here.

00:02:54Here, here, here there is no one who lives.

00:02:57Not here, not here.

00:02:58No no.

00:02:59The house above me is collapsing.

00:03:01I can't find the goalkeeper.

00:03:02The neighbors visit me and listen to me.

00:03:06I can't stand this place.

00:03:08It's Chinese, not all my neighbors here have it.

00:03:09If not, come to my apartment.

00:03:11Come here, barbarian, cousin, I love you and I'll teach you.

00:03:13Where the thieving clowns cry, they steal from us.

00:03:15And the stones are defeated in something to tell.

00:03:18Put in a cocktail shaker.

00:03:22You in an earthquake and a volcano.

00:03:25Yeah.

00:03:27Shout, you will get off these stairs.

00:03:30Here, here, here, here there is no one who lives.

00:03:33Not here, not here.

00:03:35Here, here, here there is no one who lives.

00:03:38Days are like that.

00:03:40I couldn't imagine it when I came here.

00:03:42I was just looking for some peace.

00:03:44And I wake up his cheek in the chop.

00:03:47Here, here, here there is no one who lives.

00:03:49Here, here, here there is no one who lives.

00:03:52Here, here, here there is no one who lives.

00:03:54Please pay attention, Mr. President wants to tell us something we all already know.

00:04:00We've run out of heating oil.

00:04:02Don't bother.

00:04:03When my son-in-law and daughter were presidents, these things didn't happen.

00:04:07Oh, more family, how awful.

00:04:09This is the one who has thrown out the weeds in the house.

00:04:12Candidate for gliding around the yard.

00:04:14You two, what do you say?

00:04:15Nothing, madam, the canapés were very delicious.

00:04:17Mr. President, solutions, we will have to buy diesel.

00:04:19Well, I don't know with what money, because I don't put in a penny more.

00:04:22What if we rob gas stations?

00:04:23We filled the cans and headed out in a hurry.

00:04:26Well, before you commit a crime,

00:04:28One of the debtors is encouraged to fulfill his obligations as a neighbor

00:04:31and pay the fees you owe.

00:04:32I remind you that Lucía has already caught up.

00:04:35Oh yeah?

00:04:35The president is paying the posh girl.

00:04:38What are you doing to him, pretty girl?

00:04:39I have nothing.

00:04:40I'm about to.

00:04:42About to pay.

00:04:44Tomorrow I have an interview for head of studies

00:04:45in a private center with more than a thousand students.

00:04:47But you pay or you don't pay, deadbeat.

00:04:49Be careful, I remember that Concha owes five installments.

00:04:52That's why she suddenly became ill.

00:04:53Let's see, my numbers don't add up.

00:04:55Vicenta, Nieves and I continue paying.

00:04:57That's not enough to buy diesel.

00:04:59I would, but then we wouldn't be able to pay Emilio's salary.

00:05:02That's it, solved.

00:05:03Next item of business.

00:05:04But what about the next point of the day?

00:05:05A little bit of Christian charity,

00:05:07that I am supporting a family and a father with mental injuries.

00:05:09What injuries? What do you say?

00:05:11Yes, he worked at the fair as a mechanical bull tester.

00:05:14From there they started putting the brackets on.

00:05:16Well, don't worry, I've already thought of a solution.

00:05:19Come on, Emilio, hand out these invitations.

00:05:22And tonight you're all invited to the opening of my new Disco Pub Video Club.

00:05:25How about Disco Pub Videoclub?

00:05:27Two for one. Domestic and imported.

00:05:29Free entry for women under 70 years old.

00:05:31Stop, stop, stop.

00:05:32Are you going to set up a disco downstairs?

00:05:34I protest.

00:05:35That is a hotbed of alcohol consumption, which is a very dangerous drug.

00:05:38Especially for our young people.

00:05:39And the one that causes the most social and health problems.

00:05:42Yes, but it is legal and sold in stores.

00:05:44And why can the State make a fortune and I can't?

00:05:45No, I completely agree, but I live right above the video store and I have

00:05:48a little boy.

00:05:49Don't worry, they'll ask for your ID and won't let you in.

00:05:52I did it for the noise, Marisa.

00:05:54If the child cries or is annoying, turn up the music.

00:05:57We already complain about everything, right?

00:05:59Vicenta, darling, be careful when you clean your ears with the cotton swab.

00:06:02When you feel resistance, stop.

00:06:04A bar cannot be built downstairs, as it would devalue the apartments.

00:06:07And I still have to collect my share of this.

00:06:10The judge said so.

00:06:11The judge has not said anything about that.

00:06:12Ah, he'll say it.

00:06:13Written to the king and Leticia.

00:06:15Let's see, if you don't get too heavy with this, I promise to donate 5% of the income from the

00:06:20discopub to the community.

00:06:21So, no matter how well things go, it will be around 3,000 euros a month.

00:06:25See if you can pay for heating with that.

00:06:27It's a nice initiative.

00:06:29We support the yes vote, all with Europe.

00:06:31Votes in favor?

00:06:31Man, the kids are going to be more collected, better than on the street.

00:06:35Say yes, what we need here are entrepreneurs.

00:06:38Lucia, you too.

00:06:40And it's very cold, Mauri.

00:06:41Well, approved by an overwhelming majority.

00:06:43I challenge this board.

00:06:45Our community cannot allow this hotbed of drug addiction and bad habits.

00:06:50A meeting!

00:06:52I'll be back later.

00:06:53Wait, wait.

00:06:54Emilio, get Axa up, I don't want to miss anything.

00:06:56Yes, yes, don't worry, I'm burning it to DVD for you.

00:06:58And you know what?

00:06:59I just came to pick up some things I need.

00:07:03I didn't want to bother you.

00:07:04You're not bothering us here.

00:07:05This is your home.

00:07:06Yes, my house, yours, your in-laws' house.

00:07:09They won't be gone, of course.

00:07:10No, but they are about to.

00:07:12It's just that it's very complicated.

00:07:14It's like asking Americans to leave Iraq.

00:07:16I'm at the boarding house, Loli.

00:07:18When they leave, I'll come back.

00:07:19Honey, isn't this the best time for you to spend money foolishly after the beating you got in court?

00:07:25No, the lawyer has given me some advice.

00:07:27I have to pay half of the salary to the children and Andrés.

00:07:30But if I don't have a payroll, then I have nothing to pay.

00:07:34Now all I have to do is get him to kick me out, okay?

00:07:36But that's pretty easy for a nurse.

00:07:38Don't worry, I have a job interview tomorrow.

00:07:42Next summer you and I are getting married in style.

00:07:45Why don't we get married in Las Vegas?

00:07:48You from Elvis and I from Pocahontas.

00:07:50So we can fool around a bit without anyone seeing us.

00:07:52Whatever you want, darling.

00:07:56Come on, please don't push, we can all fit.

00:08:01Requests and questions.

00:08:02Well, the truth is that Belén and I have fit in very well.

00:08:11We get along great.

00:08:13Yes, sleeping with someone on the first night gives you a lot of confidence.

00:08:18Lucia, that was an accident.

00:08:19I'm referring to coexistence.

00:08:21We are dividing up the household chores perfectly.

00:08:24It's nice to see how one can understand a woman just as a friend.

00:08:28But what have you done, Roberto?

00:08:30That white clothes do not mix with colored clothes.

00:08:32You have dyed a t-shirt.

00:08:34Which one? I don't have any roses.

00:08:36The red one!

00:08:37And now I have to buy your new work.

00:08:39And the sales are over.

00:08:40But what difference does it make to you if you wear the dyed ones?

00:08:42If no one is going to see them.

00:08:43Come on, get out, get out.

00:08:46Well, I'm going to take a bath.

00:08:47No, no, no, no, don't do anything, okay?

00:08:49Do nothing.

00:08:50Leave that there.

00:08:51Go get some bread, go on.

00:08:52Go away.

00:08:56How are you?

00:08:57Strawberry shortcake, you look delighted.

00:08:59Lucia, how have you lasted four years?

00:09:02Take it away, please, I beg you, take it away.

00:09:04Besides, Roberto says he's delighted, that you're like Epiblas.

00:09:07What's up? What? You want me to beg you, don't you?

00:09:09Are you already doing it?

00:09:11A girl who is perfect has answered my ad.

00:09:1338 years old, divorced, with a job.

00:09:16She's just the roommate I need.

00:09:18Already.

00:09:18Well no, no, I don't feel like it, but we're in a good mood, okay?

00:09:22We are such good friends.

00:09:23What's up? Did that slut steal your boyfriend?

00:09:26Lady.

00:09:26No, I haven't taken anything away from you. Ma'am, turn on the TV.

00:09:28He did the same thing to my sister Manolo, but I don't want to bring it up because it seems to bother him.

00:09:33It's okay, man, if there's trust.

00:09:36Lucia, what did I say to this girl who had a room?

00:09:39I apologize for what happened with Roberto, but he doesn't even have an orgasm.

00:09:43Lie.

00:09:44Well, okay, I had one, but this was nowhere near as good as it was.

00:09:48If he didn't even notice, can you screw him over with that?

00:09:51Look, if you have space problems, you can send him to the couch or put him back in bed, whatever is most comfortable for you.

00:09:57Natalia, I don't understand why you have to live with Aunt Nieves, if your house is right across the street.

00:10:06She lets me sleep with Pablo in the same room.

00:10:08Don't give me details.

00:10:09Dad, don't worry, as soon as you give me the 10 million for the apartment, I'll figure things out.

00:10:12And come on, what an obsession with becoming independent.

00:10:14Natalia, if you hold a grudge against me for anything or if I caused you any trauma in your childhood, I ask for your forgiveness.

00:10:20Barbie's car was very expensive.

00:10:22Dad, don't dig up the past, it hurts.

00:10:24Natalia, you love me.

00:10:25I say this because since you started taking hormones I don't remember a single display of affection, not one.

00:10:30I don't know, a kiss, an aftershave for Father's Day, something.

00:10:34Come on, don't be angry, I love you so much.

00:10:36Yeah?

00:10:38Yes, but I need the money, Dad.

00:10:41Natalia, who is feeling cold, stops talking to her neighbor.

00:10:44Pablo, darling, I'll serve it to you, rare, just the way you like it.

00:10:49So, kids, how's your relationship going? Is it working out or not?

00:10:53Well, well, we're getting to know each other.

00:10:55Yes, let's go, but there's no need to talk about it here.

00:10:57Andrés and I are very modern. There are no taboos in this house, right?

00:11:03Excuse me, where is my place?

00:11:04Oh, I haven't prepared anything for you and I thought you were eating at the university today.

00:11:08Yes, it's Saturday.

00:11:09Dad, I feel like I'm being discriminated against in this house.

00:11:12Alex, don't be paranoid.

00:11:14How about in the kitchen? Don't be a crybaby?

00:11:15No, they are small details.

00:11:17Sleeping on the couch, not having a copy of the new house key, having my mailbox crossed out,

00:11:21T-shirts that turn into kitchen rags.

00:11:23Nothing, nonsense.

00:11:24Alex, maybe what's happening to you is that you want to fly the nest and you don't know how to say it.

00:11:30No, what I want is...

00:11:32A fucking plate on the table!

00:11:34Andrés, I no longer ask you to see me as a mother, but I don't allow you to raise your voice at me either.

00:11:40For a mistake I have, and look at what he does to me.

00:11:44I'm going to make you a fried egg.

00:11:47Alex, you too, man, have gone too far.

00:11:50You are selfish.

00:11:51This? This is awesome.

00:11:55Oops, my yolk has broken!

00:11:58Hug me!

00:12:00Grandpa, you're going the wrong way.

00:12:02You're going to crash into oncoming cars.

00:12:04I thought that was the game.

00:12:06Ah, well, maybe that has its point. Let's see.

00:12:09Come on, let's leave that alone, the snack's ready.

00:12:12Grandma, I'm still growing.

00:12:14I have eaten boiled chard and a grapefruit.

00:12:16I'm hungry!

00:12:17You'll get used to it.

00:12:18Look at your grandfather, who follows the same diet and has a little skewer there.

00:12:21I can't take it anymore. I'm going to get my chocolate cereal.

00:12:24Well, go if you want.

00:12:25But I threw them at you.

00:12:27I saved the sticker that was inside for you.

00:12:30If you eat this, I'll give it to you.

00:12:32Look, look, look, José Miguel.

00:12:34Look at the car burning.

00:12:35Arsenio, turn that off now, it's not good for the child.

00:12:39Where is the Ibertren we gave you for your communion?

00:12:42Mom returned it to buy a microwave.

00:12:47Dude, I can't stand that house anymore.

00:12:49Why don't you talk to your father so he can make some time for me?

00:12:50If we were already a family.

00:12:51Man, now is not a good time.

00:12:53The sooner you're inside, my grandma puts you on a diet.

00:12:55Me? But I'm not fat.

00:12:56Neither do I, it's my metabolism, but tell that to her.

00:12:59Well, but they'll go back to the village, right?

00:13:01This one, but she is very happy.

00:13:03He's finished off my grandfather and now he's coming for us.

00:13:05Hey, if I help you kick your grandparents out, will you help me get back into this house?

00:13:09And I'll let you win on the console, which I'm sure you'll be excited about.

00:13:12José Miguel, put on your coat, we're going to the endocrinologist.

00:13:14If I'm not going anywhere.

00:13:16Come on, come on.

00:13:17And we go down the stairs, so we can get some exercise.

00:13:20And close your mouth, you're getting cold.

00:13:22Okay, but take it easy, okay?

00:13:23I can't believe it.

00:13:28A special bingo.

00:13:30I thought I was going to die without singing one.

00:13:32He screamed so loudly that I crossed out seven numbers in fright.

00:13:371,900 euros, what a shame, what a shame.

00:13:39Comrade, that will be for sharing, right?

00:13:41Because?

00:13:42If it happened to me.

00:13:43Marisa, don't be greedy.

00:13:45Concha doesn't need to catch up with the community.

00:13:48So that?

00:13:49Come on, man.

00:13:51When others pay, I pay.

00:13:54But you are the one who owes the most.

00:13:56Man, here comes the supernera of work.

00:13:58How are things at the office?

00:13:59Did I love anything?

00:14:00Son, as always, not a line.

00:14:05Of course, but that's what is used for pensions.

00:14:08Let's see if they save me some for when they're older.

00:14:11You see?

00:14:12This seems very wrong to me.

00:14:14Well, we snitched on the advantage.

00:14:16The advantage of what?

00:14:17I don't know.

00:14:18Madam, here we either gossip privately or we say it out loud.

00:14:22Concha has won a bingo of 1,900 euros.

00:14:26Yes, pot.

00:14:27And why are you deceiving me?

00:14:28What do you think, Lince?

00:14:29How was the walk?

00:14:36Good.

00:14:40Oh my goodness, but how is it possible that it's colder in here than outside?

00:14:43No problem.

00:14:44Neither the terrible cold, nor the neighbors, nor this computer that crashes whenever it damn well wants,

00:14:49can spoil this moment.

00:14:51Diego and Abel have not shown any signs of life for three days.

00:14:54Those who are in crisis.

00:14:55Otherwise, they'd be here rubbing their happiness in my face.

00:14:57I already knew it.

00:14:58Are they so different?

00:14:59They have gone to Santo Domingo.

00:15:01That?

00:15:02They left a message on the answering machine saying they were going to the beach for a week.

00:15:05So they can't be bad, bad.

00:15:08Oh yes.

00:15:09And they cling to one last romantic trip as a desperate measure.

00:15:12to try to save a sick relationship that is dying without remedy.

00:15:15Also?

00:15:16No problem.

00:15:19No problem.

00:15:20Relax.

00:15:21I just need something to help me stay distracted during the weekend.

00:15:25Concha has won a bingo of two thousand euros.

00:15:28AND?

00:15:28That he has kept quiet about it so as not to pay the community.

00:15:31We have formed a committee of solvents and victims to see what we do.

00:15:35I am the victim.

00:15:36Because of this lady, I might end up without a salary.

00:15:38Hey, why don't you get some of your wine to kick things off?

00:15:41Of course, right now.

00:15:42So I'm here freezing to death because there's no heating.

00:15:45And this lady has two thousand euros in her pocket, owing five installments.

00:15:48Not in the pocket.

00:15:49I keep them under the mattress.

00:15:51And they only deposit money into the bank when they give something away.

00:15:53Hey, we could take them away.

00:15:55There, there.

00:15:56I'm with the chunga.

00:15:57And you too, right?

00:15:58That you are a concubine.

00:15:59I do, but Concha is going to get pissed off.

00:16:01Because?

00:16:02If she says she didn't get any bingo, what's she going to claim?

00:16:04Hey, wait a minute, wait a minute.

00:16:06Are you going to steal Concha's money?

00:16:07No stealing, pretty girl.

00:16:09We're going to raise it for the community.

00:16:11You see?

00:16:12I already have a distraction for tonight.

00:16:14You take her out of the house with any excuse and leave us a key.

00:16:18Great, now we have an alibi.

00:16:20Hey, open it for me, there's no way.

00:16:23No, man, not this one.

00:16:25It's okay, you try.

00:16:29No?

00:16:30I have paid you for a month and I have the right to my room.

00:16:32How am I going to sleep on the couch?

00:16:34Don't fuck with me.

00:16:35Besides, why do you bring another one in here?

00:16:36Well, because she's 38 years old, divorced, and has a steady job.

00:16:40If I want this one to stay for life.

00:16:41And you're going to end up making peace with Lucía and leaving me hanging.

00:16:44I make peace with Lucia?

00:16:46Yes, yes, because I've been talking to her and she's desperate to reconcile with you.

00:16:51Oh yeah?

00:16:52Yeah.

00:16:52What did he tell you?

00:16:55Hey...

00:16:55Nothing, nothing.

00:16:57But this is noticeable among women.

00:17:00Since you don't menstruate, you don't see it.

00:17:02Sure, sure.

00:17:03Since you and I slept together, now he's afraid of losing me.

00:17:06There, there, there.

00:17:07Yeah, yeah, yeah.

00:17:08You pick a shovel with Lucía, huh?

00:17:10And in the meantime, you sleep on the couch.

00:17:11If it's going to be three days.

00:17:12No, no, no.

00:17:13There's Lola.

00:17:16Hey, anyway, it seems a little strange to me that he wants to forgive me so soon.

00:17:20Oh yes, thinking that he loves you so much.

00:17:23Ah, you're just passing through, huh?

00:17:29Hello.

00:17:30Look, this is the girl who rents the room.

00:17:32How are you?

00:17:32Hi how are things?

00:17:33I'm Lola.

00:17:34Happens.

00:17:34He's in the wrong apartment, and I've already told myself.

00:17:37Well, I'll see how the three of them fit together.

00:17:39How about the three of them?

00:17:40Didn't you live alone?

00:17:42Ah, yes, yes, no, but this is Roberto, who is a classmate of mine from school, who is

00:17:48that the city council has started to do work on the subway right under their house and

00:17:51They have evacuated everyone because it was falling apart.

00:17:53But come on, they quickly shore it up and it goes away.

00:17:57Uh, yeah, there we are with the compensations.

00:18:00Come, I'll show you the room, so you can cool off a little.

00:18:02So, so I'm leaving all this behind.

00:18:05This is it.

00:18:07A friend from school, huh?

00:18:08It's just that I'm not going to be here for long.

00:18:10And where are you going?

00:18:12I don't know, we'll see.

00:18:14How nice, huh?

00:18:15And she seems calm.

00:18:17And how long did you say she had been married?

00:18:1912 years old.

00:18:20She must be exhausted.

00:18:22Remember how you were when you left him with this.

00:18:24Bad, very bad.

00:18:25Okay, but why do we have to talk about this now?

00:18:27I'm going to help in any way I can.

00:18:28I'm not going to let him get depressed.

00:18:32Damn, it's so late.

00:18:33I'm leaving because I'm meeting some friends.

00:18:35Oh, beautiful.

00:18:37Are you coming for a drink?

00:18:38Come on.

00:18:39No, not you, no, not them.

00:18:41Boys never leave home.

00:18:43I'm going to watch a movie I rented, otherwise they'll charge me a fee tomorrow.

00:18:46And I'm keeping them, yes, it gives me...

00:18:49What a stain you have, huh?

00:18:51Can you give me the keys, I might be late?

00:18:53Yes, yes, yes.

00:18:55Hey, you look so lively, don't you?

00:18:57I thought you were going to be more down with this thing about your...

00:19:00What's the point of being down, huh?

00:19:02I have to make up for lost time.

00:19:04Oh, condoms.

00:19:05A pharmacy on call?

00:19:07Well, whatever.

00:19:08The bathroom machine.

00:19:09See you later.

00:19:10See you later.

00:19:13Well, if you wanted a quiet roommate, you've got it.

00:19:16Yes, she looks quite depressed.

00:19:18No, but this is a defense mechanism.

00:19:20The procession goes on inside.

00:19:23No?

00:19:24Oh, but why do we have to go to the theater?

00:19:27They are giving something away.

00:19:29Hey, but it's very pretty.

00:19:30Actors come out, they say things, you'll see.

00:19:33There is a curtain that goes up and down.

00:19:35How nice it is to be at home watching TV.

00:19:38You can't insult there.

00:19:39Come on, don't complain, we'll also give you the ticket for free.

00:19:43They're already taking her away.

00:19:44Come on, let's go.

00:19:45This is like an adventure.

00:19:46The wicked witch has already left and the treasure must be found.

00:19:48I'm just saying that when we started the raids...

00:20:00They've done it to me more than once.

00:20:02And without a just cause involved.

00:20:04Don't break anything, they'll charge us for it.

00:20:06And why are you looking at me?

00:20:07Oh, my reading glasses.

00:20:12Wait for me here.

00:20:13Why do they need reading glasses to go to the theater?

00:20:15Man, I'll have to read the program, right?

00:20:18I'll read it to you.

00:20:19Let's go, we're not going to make it.

00:20:20Oh, my coffee candies!

00:20:22Fuck!

00:20:23If not, my throat dries out and I start coughing.

00:20:27Concha, if the show starts they won't let us in.

00:20:30But daughter, it's just a moment.

00:20:32Oh, what anguish!

00:20:36Look, here are the reserved funds.

00:20:38Well, come on, let's go.

00:20:40Wait, we'll have to make the bed again.

00:20:41If it's okay, we do a little like this and that's it.

00:20:43She's not a whore, look how she is down there.

00:20:47Woman, it's not that I'm annoying,

00:20:49But we could have bought the candy there too.

00:20:53But those candies aren't sold just anywhere.

00:20:56Don't you see they are sugar free?

00:20:59Oh no!

00:21:00But I have them in the little piece of furniture.

00:21:03I'm getting more and more out of my head.

00:21:06What are these people doing here?

00:21:11What people?

00:21:12Well, well, these people who are here.

00:21:15I don't see anyone.

00:21:17Concha, are you okay?

00:21:19Let's see.

00:21:21I went into my bedroom for a moment.

00:21:23to get my coffee candies.

00:21:26And I said to myself,

00:21:27Oh no!

00:21:28Yes, I have them in the little piece of furniture.

00:21:30And then when I went back out into the living room...

00:21:32Where are they?

00:21:34Who?

00:21:35Girl, let's see if you're going to be mixing pills

00:21:37and they don't suit you.

00:21:39But those who were here, if Mauri was there,

00:21:41the bad one...

00:21:43Let's see if it's going to be that since the meeting hasn't been held

00:21:45you've got the urge

00:21:46and that's why you see visions.

00:21:48Oh!

00:21:48I'm going to drink a glass of water.

00:21:51Marisa,

00:21:52Have I seen them too?

00:21:54Clear,

00:21:55if they were here.

00:21:56It's about making him believe

00:21:58to Concha who has freaked out.

00:22:01Ah!

00:22:02Okay,

00:22:03is that I had worried.

00:22:05You calm down,

00:22:07the only one who sees strange things is her.

00:22:10Mauri,

00:22:11How could he not call the police?

00:22:12if he has been caught stealing from you at home?

00:22:14Who doesn't call anyone,

00:22:14but you haven't seen the face he made.

00:22:16That one doesn't know right now

00:22:17if you have seen Doña Nieves

00:22:18or to the Virgin of Fatima.

00:22:20Doña Marisa has a coconut.

00:22:21The chinchón preserves it

00:22:22the neuron without a cup.

00:22:28How are you?

00:22:28What did he say, Concha?

00:22:29Nothing,

00:22:30he has taken some pirines

00:22:30and went to bed.

00:22:31It's white, white,

00:22:32as if I had seen a ghost.

00:22:34Let's see if it has given him an air,

00:22:35a shot that makes you cross your wires.

00:22:37Don't bother.

00:22:38Let's see,

00:22:38committee meeting,

00:22:39There are more than 20,000 euros here.

00:22:41Very good.

00:22:42Now seriously,

00:22:43that those will be your savings,

00:22:44you have to give them back.

00:22:45No way,

00:22:46for the community fund.

00:22:47We have 10 years

00:22:49of this lady's non-payments.

00:22:51Ah, yes,

00:22:51Well then, let's see if you can give me a head start.

00:22:52100 or 200 euros

00:22:54what do I have to buy for him?

00:22:54a little gift for my girlfriend.

00:22:55Yeah,

00:22:55clear,

00:22:56help yourself.

00:22:57Mauri,

00:22:58I'm going home,

00:22:58I don't want to know anything about this.

00:23:00Well,

00:23:00don't get angry either,

00:23:01How was I supposed to know?

00:23:01that there was so much money?

00:23:03Bye bye,

00:23:03my child.

00:23:04How big it is!

00:23:06Well,

00:23:07we must come to an agreement

00:23:08who does he keep this with.

00:23:10I?

00:23:10Who's going to save it?

00:23:12That's what I say,

00:23:13that she keeps.

00:23:14Hey,

00:23:14but are they safe?

00:23:15that Concha is okay?

00:23:16Of course,

00:23:17Pussy,

00:23:17tonight

00:23:17dreamed of Manolo Escobar

00:23:18and it passes.

00:23:19Oh?

00:23:19But this is going well,

00:23:28Paquito.

00:23:29Tomorrow we put

00:23:29the 5 euro drinks.

00:23:30Long live Europe!

00:23:31and rounding!

00:23:34But what are you doing?

00:23:36Hey!

00:23:36Well, giving a show,

00:23:37male,

00:23:38that I have seen 5 times.

00:23:39To the frame,

00:23:39I have made you

00:23:40like Tom Cruise

00:23:41in cost!

00:23:42But you're stupid.

00:23:44But don't aim at the water,

00:23:45why do you sink us?

00:23:46Sorry,

00:23:46sorry,

00:23:47sorry.

00:23:48A little bit of ice.

00:23:51Let's see,

00:23:51you pass,

00:23:52you don't.

00:23:53Hey,

00:23:53but I'm coming with her.

00:23:54Well, he didn't care much.

00:23:56Come on,

00:23:56in line,

00:23:57I'll send you a little message.

00:23:59Sandwiches,

00:23:59fleas,

00:24:00various sweets.

00:24:02Come on,

00:24:02kid,

00:24:03you of sanchichón,

00:24:04that your mother then tells you

00:24:05that you breathe on him.

00:24:06Son,

00:24:06I feel sorry for you

00:24:07how far you have fallen.

00:24:08Don't bother me

00:24:09that you were also a salesman.

00:24:10I sold culture,

00:24:11you are going to compare yourself

00:24:12to Shefi with the chistorra.

00:24:14Dad,

00:24:14I need to get money

00:24:15from wherever.

00:24:16Well, be careful.

00:24:17the competition is coming.

00:24:18Attention.

00:24:20Ah,

00:24:20No,

00:24:21No,

00:24:22No,

00:24:22Hey.

00:24:22Not you here.

00:24:23The snacks here

00:24:24I sell them.

00:24:25Sandwiches two euros.

00:24:26No,

00:24:26no,

00:24:27that I don't want,

00:24:27if I already have mine.

00:24:28They will make three delights.

00:24:29That neither,

00:24:30that cannot be sold here,

00:24:31which is prohibited

00:24:32by the European Union.

00:24:34Come on,

00:24:34and what is this?

00:24:35Tiedema with light

00:24:35for your girlfriend.

00:24:37Three euros.

00:24:38Yeah,

00:24:38Well, she's pretty.

00:24:39I'll keep it,

00:24:40but the position

00:24:40You lift it up now,

00:24:41Hey,

00:24:42I'm calling the police.

00:24:43The latest of this

00:24:43to have it.

00:24:48The whole house.

00:24:49Here when it is not a thing

00:24:50is another.

00:24:50Come down and have a drink,

00:24:51I'll slip you in.

00:24:52I don't want to take anything,

00:24:53I just want to sleep.

00:24:54That's more complicated.

00:24:56You can hear an egg,

00:24:57Hey.

00:24:58I have tried counting sheep,

00:25:00but as soon as they have come together

00:25:01ten,

00:25:01they have put together a music video.

00:25:03But you hadn't voted

00:25:04let it be at the bar.

00:25:04And what does that have to do with it?

00:25:06Let's see if that's just why

00:25:07we won't be able to complain.

00:25:08Man,

00:25:08please!

00:25:10I warned him

00:25:10and yet I'm still going to show my face

00:25:12for you,

00:25:13because I am a responsible opposition.

00:25:16Mariano,

00:25:17I want to talk to Carlos

00:25:17right now.

00:25:18In the queue,

00:25:19no favoritism here.

00:25:21Let's see,

00:25:22the two blondes in the background,

00:25:23you may come in.

00:25:23I don't want to go in,

00:25:24I want Carlos to come out

00:25:25and Psefacto.

00:25:26I have pills for twelve bucks,

00:25:27cool,

00:25:28cool,

00:25:28freshly brought from until the few.

00:25:29Hey, hey, hey,

00:25:30what do you have there?

00:25:32But you who play the character

00:25:33bring this to win.

00:25:33Do you know what you are selling,

00:25:34kid?

00:25:35This is ecstasy,

00:25:36designer drugs.

00:25:37Don't fuck with me,

00:25:37Hey?

00:25:38By design?

00:25:38The dressmaker

00:25:39and they do everything,

00:25:40cologne,

00:25:41drugs.

00:25:42This can cause arrhythmias,

00:25:43seizures,

00:25:43hemorrhages,

00:25:44cerebral infarcts.

00:25:45Okay, then you relax,

00:25:46I'll sell it next time

00:25:46with prospectus,

00:25:47but give it to me.

00:25:48Emilio,

00:25:48destroy this choice immediately.

00:25:49No, no, kid,

00:25:50This makes more money

00:25:51than with the mocatas.

00:25:52Emilio,

00:25:54you go home,

00:25:54come on,

00:25:55before I call your parents.

00:25:57He's selling in a big mess,

00:25:58monster.

00:25:58May I know?

00:25:59what's going on?

00:26:00Drugs are being sold here.

00:26:01Or you close right now

00:26:02that place,

00:26:03or I'll call the police.

00:26:03Look, Juan,

00:26:04what happens on the street

00:26:05it's not my responsibility.

00:26:06That's the typical hypocritical attitude.

00:26:08of nightclub entrepreneurs

00:26:09unscrupulous

00:26:09that much damage

00:26:10is doing to the youth.

00:26:13Hello good.

00:26:14Have you taken it away?

00:26:15the pills to my boy?

00:26:17Hey...

00:26:18Now it was him?

00:26:20Well, I want them now.

00:26:21Yes of course,

00:26:22of course.

00:26:22Emilio,

00:26:24give this gentleman back

00:26:25their pills.

00:26:26I've thrown them at bat.

00:26:27Today the rats

00:26:27They have a party in the sewer.

00:26:29Look, clown,

00:26:31or give me my 200 pills now

00:26:32or I'll poke you right here.

00:26:34Hey,

00:26:34if you are going to fight,

00:26:36that it be from the portal inward,

00:26:37Hey?

00:26:37And so you don't scare me

00:26:38to the clientele.

00:26:39If you don't mind.

00:26:40And I'll burn your place down.

00:26:41Is that clear?

00:26:42Okay, come on.

00:26:43Hey, hey, dude,

00:26:43just a little thing, huh?

00:26:44In that bag

00:26:45there weren't even 100 pills.

00:26:46What's happening?

00:26:47What are you going to tell me?

00:26:48How many were there, huh?

00:26:50Or maybe there were 200

00:26:51of those on a calculator, right?

00:26:52But a disaster.

00:26:53Don't worry,

00:26:53that has been misunderstood.

00:26:55Tomorrow you have them here

00:26:56without fail.

00:26:56Of course,

00:26:57no problem.

00:26:58What brand were the pills?

00:26:59That?

00:27:00At the same time they put you in

00:27:01and tomorrow

00:27:01Yes, that's what it comes to

00:27:02and if you kill them.

00:27:03I know where you live, huh?

00:27:04Upstairs we have a gym

00:27:05in case you want to lift weights.

00:27:08But you?

00:27:08what mess have you gotten me into?

00:27:09What are we going to do now?

00:27:10Man,

00:27:11in these cases

00:27:11it is the will

00:27:12because if not

00:27:13he keeps the entire State.

00:27:14Emelio,

00:27:15Do you know where?

00:27:15can be purchased

00:27:16pills like that?

00:27:17I shouldn't be in trouble.

00:27:18I can't leave

00:27:18my business

00:27:19that I have competition.

00:27:20Hey you!

00:27:21Yes, Chan.

00:27:21This client is mine.

00:27:23Man,

00:27:23I do want

00:27:23I can take it to you

00:27:24somewhere.

00:27:27I mean,

00:27:28that of the hernia

00:27:28It's unbearable, isn't it?

00:27:30It's just that it's costing me

00:27:32find patients

00:27:33that I dislike them.

00:27:34Hey,

00:27:34it is not better

00:27:34that you resign directly.

00:27:36No,

00:27:36that the judge gets angry.

00:27:38They have to throw me out.

00:27:40Permission.

00:27:48Let's see,

00:27:49champion,

00:27:50dinner is ready.

00:27:51But how about dinner?

00:27:53If there are already more

00:27:54from twelve thirty

00:27:55of the night.

00:27:56Oh,

00:27:56Yes, son,

00:27:57but I have thrown myself away

00:27:57a little dream.

00:27:58The guards are very tough.

00:27:59Come on,

00:28:00that we must eat.

00:28:01Careful.

00:28:02The hernia.

00:28:03Yeah.

00:28:05I don't want dinner.

00:28:07I'm not hungry anymore.

00:28:08Come on,

00:28:08yes,

00:28:08silly.

00:28:09It's for the surgeon.

00:28:10But what does it do?

00:28:11Listen,

00:28:12I'm going to complain to you.

00:28:13Yeah,

00:28:14please,

00:28:15reflect it here.

00:28:16To the attention

00:28:17of the general manager.

00:28:18Get started,

00:28:19I complain about Isabel Ruiz

00:28:20and then,

00:28:21So add whatever you like.

00:28:22I don't feel like it now

00:28:23to write.

00:28:24Listen,

00:28:24well,

00:28:25I give him an enema.

00:28:27You will see

00:28:27how you want to spend the night.

00:28:28Nurse,

00:28:29What time does it happen tomorrow?

00:28:30to see the doctor?

00:28:31What do I know?

00:28:32Please go to sleep.

00:28:34or I call the anesthesiologist.

00:28:38Isa,

00:28:38that you go up.

00:28:39The director wants to see you.

00:28:40Oh,

00:28:41Yeah.

00:28:41bring,

00:28:42I'll take it myself.

00:28:51Isabel,

00:28:52Isabel,

00:28:54Isabel,

00:28:56you have broken records.

00:28:58In less than 24 hours

00:28:59we have received

00:29:00nine patient complaints.

00:29:02Ten,

00:29:03I don't know what's wrong with me.

00:29:05I'm not doing what I should be doing.

00:29:07I understand perfectly.

00:29:07that you want to fire me.

00:29:08Really.

00:29:09Quite the opposite.

00:29:10From this moment on

00:29:11I name you

00:29:12head nurse.

00:29:14That?

00:29:14Six of the patients

00:29:15have requested discharge

00:29:17and have left their beds free.

00:29:18This is what we need.

00:29:20Bad lasts, damn!

00:29:21That people believe

00:29:21that this is a hotel.

00:29:22Yeah, but...

00:29:23And of course

00:29:24you're going to get paid a fortune.

00:29:26That?

00:29:26Hey?

00:29:27Are you happy?

00:29:28Well yes.

00:29:29A lot.

00:29:30Good evening, ma'am.

00:29:32I'm calling you from the hospital.

00:29:32I am Dr. Vilches.

00:29:34I have bad news.

00:29:35His sister María Ángeles

00:29:36is very serious.

00:29:37Don't tell me.

00:29:38What happened to him?

00:29:40Hey...

00:29:40There was a cardiovascular episode.

00:29:43Arsenio,

00:29:44that to María Ángeles

00:29:45he has had an episode.

00:29:46Okay.

00:29:48He has to come back

00:29:48urgently to the people.

00:29:50To his sister

00:29:50you may have hours left.

00:29:51But if you have hours left

00:29:52we're not arriving anymore

00:29:53with how long the bus takes.

00:29:54Well,

00:29:55who says hours

00:29:55says days.

00:29:56His condition is very serious.

00:29:57but stable

00:29:57within its gravity.

00:29:59It gives you time

00:29:59to happen

00:30:00to say goodbye.

00:30:01It was her

00:30:02who stopped talking to me.

00:30:03If you want to make peace

00:30:04let her call me.

00:30:05I have nothing

00:30:06what to tell him.

00:30:07Hey,

00:30:08who don't speak to each other.

00:30:08I knew.

00:30:10Lady,

00:30:11that has arrived here

00:30:12a firefighter.

00:30:12It's burning

00:30:13the house too, huh?

00:30:13Oh well,

00:30:14Arsenio,

00:30:15that if it is not burning

00:30:16the house.

00:30:17Come on.

00:30:18Listen,

00:30:19And the fire has passed?

00:30:21to the neighbor upstairs?

00:30:22Yes, yes,

00:30:23all,

00:30:23the entire building

00:30:24is burning.

00:30:24Ah,

00:30:25because I live

00:30:25in a chalet

00:30:26funny.

00:30:27You're going to laugh

00:30:28of your dead.

00:30:29Who are you?

00:30:31But man,

00:30:31why do you invent?

00:30:32What does a firefighter do?

00:30:33in a hospital?

00:30:33What do I know?

00:30:35It has burned.

00:30:36We didn't even throw her out.

00:30:37no way from here.

00:30:38Hey,

00:30:39your grandmother

00:30:40the bug theme

00:30:40how are you doing?

00:30:41Not even when he resigns

00:30:46to his love

00:30:47due to illness

00:30:48that has

00:30:48and leaves her alone.

00:30:50That's nice.

00:30:51Not even when they surround him

00:30:52to kill him

00:30:53and she gets in the middle

00:30:54endangering

00:30:55his life.

00:30:56There I could no longer love.

00:30:59Fuck,

00:30:59how strong.

00:31:00He's there crying

00:31:01with the incredible Hulk.

00:31:02Hey,

00:31:02Are you going to tell me?

00:31:03again whole?

00:31:04Let's put the extras

00:31:06let's see if there is an ending

00:31:07alternative

00:31:07and they end up getting married.

00:31:08Okay.

00:31:09Yeah,

00:31:10she in white

00:31:10and the green one.

00:31:12I'm going to the room.

00:31:13I'm sure this aunt

00:31:13does not return

00:31:14until eight in the morning.

00:31:22Didi,

00:31:23tell them something?

00:31:24No no,

00:31:25be quiet.

00:31:25Hello.

00:31:28Hello.

00:31:28We are here

00:31:29that maybe you hadn't seen us.

00:31:30Yes, forgive me,

00:31:31but now

00:31:32I can't speak.

00:31:34See you tomorrow.

00:31:36See you later,

00:31:36guys.

00:31:38Hey,

00:31:42but how many years

00:31:43does that kid have?

00:31:45Well, I don't know,

00:31:46but when she was in COU,

00:31:48he was an egg cell.

00:31:49Poor thing,

00:31:50At his age he already has to throw

00:31:51of whatever.

00:31:52Women when you pass by

00:31:52of the thirties

00:31:53you see it's going downhill.

00:31:54Instead,

00:31:54we men endure

00:31:55well until fifty

00:31:56or more.

00:31:57Look at the father

00:31:58by Julio Iglesias.

00:31:59And what about Narosa Quintana?

00:32:00No,

00:32:01that is a separate case.

00:32:02There have been cells there

00:32:03mother in between or something.

00:32:06You have nothing set up

00:32:07from the psst.

00:32:08Well no,

00:32:10but I have foam

00:32:11to clean the oven

00:32:12if it's worth it to you.

00:32:13Condensed milk.

00:32:14Hey,

00:32:15how many years

00:32:15does your friend have?

00:32:16Twenty years,

00:32:17perfect.

00:32:18These have the ass

00:32:19in its place,

00:32:20they don't give you any problems

00:32:20and they always want to fuck.

00:32:22Well, that's also true.

00:32:23Well, I'm already thirty.

00:32:24and I don't think about anything else.

00:32:25It's almost worse,

00:32:26I'm scared.

00:32:26You see?

00:32:27Too old for me.

00:32:28Thirty and still single.

00:32:29You must have some defect.

00:32:30I'll tell you everything.

00:32:31Besides,

00:32:31It's not the age,

00:32:32It's something else,

00:32:33is...

00:32:34I don't know how to explain it.

00:32:35Well,

00:32:36Yes I know,

00:32:36but I don't want to explain it to you

00:32:37because I don't want to dislike you yet.

00:32:39I'll buy you one tomorrow.

00:32:42But this aunt

00:32:43what is it about?

00:32:44Man,

00:32:44he said it anyway

00:32:44for your tickets.

00:32:46What tickets?

00:32:46If I don't have tickets.

00:32:47Man,

00:32:48a bit,

00:32:48Roberto.

00:32:49The thing is,

00:32:49clear,

00:32:50if you comb your hair like Carlos Lozano

00:32:51covering the cardboard,

00:32:52Well, it doesn't show,

00:32:53but come on,

00:32:53that with age

00:32:53It's normal

00:32:54to lose a little bit of hair.

00:32:56Am I going bald?

00:32:57A bit.

00:32:58Host,

00:32:59I'm going to the pharmacy.

00:32:59Let's see what you recommend.

00:33:01But,

00:33:01Roberto,

00:33:01the pharmacies on duty

00:33:02They are for emergencies.

00:33:03And what is this?

00:33:04Fuck.

00:33:07Wow!

00:33:08Well, now it's entertaining.

00:33:10Lucia,

00:33:11put something on

00:33:11that we are going out.

00:33:12Oh,

00:33:12what are you saying?

00:33:13Where to?

00:33:13Yeah,

00:33:14that Lola is right,

00:33:15that you have to enjoy life,

00:33:16who is eight years older than us

00:33:18and we look like their grandmothers,

00:33:19here like idiots,

00:33:19waiting for Prince Charming of the eggs.

00:33:21Come on,

00:33:22you have to get rid of it,

00:33:23enjoy sex.

00:33:24No,

00:33:24me neither,

00:33:24We are the Discalced Carmelites.

00:33:26Yeah.

00:33:27Let's see,

00:33:27since you broke up with Roberto,

00:33:29How many men have you slept with?

00:33:32With...

00:33:32Oh,

00:33:33with none,

00:33:33It's depressing.

00:33:34Do you see it?

00:33:35And me too,

00:33:35since I broke up with Emilio

00:33:36I've only slept with...

00:33:38Roberto.

00:33:38See how depressing it is?

00:33:39Yeah.

00:33:40Come on,

00:33:40get dressed.

00:33:40Come on.

00:33:41Let's go.

00:33:41But,

00:33:42but,

00:33:42where are we going to go?

00:33:43Well,

00:33:43wherever,

00:33:44I want a yogurt like those

00:33:45with a good ass.

00:33:47Okay.

00:33:59I just don't understand it,

00:34:03These kids go through being in a dark place,

00:34:05with a decibel threshold clearly higher than permitted,

00:34:09without ventilation,

00:34:09at full speed.

00:34:10It's just that he's not going to go holding on anymore,

00:34:11Nowadays, the trend is rub-rub.

00:34:14There are all of them in droves.

00:34:15That's what it looks like,

00:34:16but then they don't even let you touch it.

00:34:18Mariano,

00:34:18where is a trafficker?

00:34:20Ah,

00:34:20I don't know,

00:34:20but there's a girl there watching us.

00:34:23Oh,

00:34:23Yeah?

00:34:23Which?

00:34:24Pretty,

00:34:24there,

00:34:25which the fuck?

00:34:27But,

00:34:28let's see,

00:34:28Mariano,

00:34:29You didn't say that you knew people who sold drugs.

00:34:31In these places everyone goes through everything.

00:34:34Hey,

00:34:34kids,

00:34:35Do you have drugs?

00:34:36Do you see it?

00:34:38Let's see,

00:34:39please,

00:34:39we could end up in jail.

00:34:41Look,

00:34:41I'm going home,

00:34:42And if the drug dealer wants to burn down my place,

00:34:44I collect the insurance and do the renovations.

00:34:45Don't worry,

00:34:46that the guy at the bar will know something.

00:34:48Dino,

00:34:48What do I do to you?

00:34:49Hello,

00:34:50good night.

00:34:51You sell drugs here,

00:34:51No?

00:34:52We would need a good bag of pills.

00:34:55We can get by with 200.

00:34:57Pills,

00:34:57No?

00:34:58Yeah.

00:35:04Hey,

00:35:04Do not touch me!

00:35:05Hey, hey, hey!

00:35:06The entrance came with a tasting!

00:35:07What a mess!

00:35:09And now what do we do?

00:35:10Look,

00:35:10It's all your fault,

00:35:11because you go through life as a teacher saving youth from dangers,

00:35:14and look what a mess we've made.

00:35:15The only problem is that you are not a good president.

00:35:17You've built a business that has brought nothing but drugs and crime to a decent, hard-working community.

00:35:22Well,

00:35:22work,

00:35:23work,

00:35:23I didn't even work,

00:35:24things as they are.

00:35:25Hey, hey!

00:35:26Do you want to take some pills?

00:35:30Look,

00:35:31I have earplugs,

00:35:32smileys,

00:35:33strawberries,

00:35:34mice,

00:35:34twinturros...

00:35:35Okay, okay,

00:35:35Well, give us 200,

00:35:36varied,

00:35:37an assortment.

00:35:38But without bullshit,

00:35:39Hey?

00:35:39That I'm sick of being here.

00:35:41You're going to blow my mind.

00:35:41They are very good,

00:35:42they hit you so hard.

00:35:44Who is premiering it?

00:35:44Sorry?

00:35:47I who have been marching for three days,

00:35:48I'm at my limit.

00:35:50I'm better off at home,

00:35:51more my thing.

00:35:51Six fucking cops?

00:35:52Are you trying to screw me or what?

00:35:53No, no, no, no.

00:35:54What's up?

00:35:55We are a mafia,

00:35:57a new mafia,

00:35:58from Albacete.

00:35:59Yeah,

00:36:00we fight against foreign intrusion.

00:36:02National crime,

00:36:03Pussy.

00:36:04Let my colleague try it,

00:36:05who is the one who understands the most.

00:36:06Hey...

00:36:06Yes, yes,

00:36:07give me one,

00:36:07I'm in the mood to party, man.

00:36:11Take,

00:36:11your 1,200.

00:36:14Hey,

00:36:14You don't issue an invoice, do you?

00:36:15Yeah,

00:36:15I'll take it to my secretary now,

00:36:17to your house.

00:36:18Come on,

00:36:18out,

00:36:18come down,

00:36:18come down.

00:36:26All today's box in this,

00:36:28all the cash flow to shit.

00:36:30Juan,

00:36:30you've got balls, huh?

00:36:31Come on,

00:36:32sculpts the tablet.

00:36:33No,

00:36:33I just swallowed it.

00:36:37Fuck.

00:36:38No,

00:36:38but only one,

00:36:39nothing happens, right?

00:36:40I don't know,

00:36:40that has to be seen.

00:36:46How awful,

00:36:47we look like Isabel Sartorius

00:36:48and Marta Chavarri

00:36:49in a step forward.

00:36:50Much worse,

00:36:50We are the English and Math class

00:36:52taking care of the recess.

00:36:53But move a little,

00:36:54that you are there, leveraged.

00:36:58Paco,

00:37:00give me a beer,

00:37:01come on.

00:37:01What are you up to?

00:37:02Look out for life.

00:37:03What's up?

00:37:04I put on my cap

00:37:04so that it doesn't show

00:37:05that I'm going bald.

00:37:06Wow!

00:37:07Yeah,

00:37:08yes,

00:37:08yes.

00:37:08Look what entrance it is,

00:37:09uncle.

00:37:11I bought some ampoules.

00:37:16Hello.

00:37:20You see?

00:37:21I look older.

00:37:22Well,

00:37:23I don't know,

00:37:23take one of those ampoules,

00:37:24let's see what happens.

00:37:25Come on,

00:37:25Nativity scene,

00:37:26let's go,

00:37:26that no one enters us here.

00:37:27Well, if no one comes in,

00:37:29we entered.

00:37:29What the fuck?

00:37:30Hey,

00:37:30no,

00:37:31I've never done that in my life.

00:37:32Yes,

00:37:32man,

00:37:32yes.

00:37:33Tell them something,

00:37:33that you enter better through sight.

00:37:35Hello,

00:37:35how are you?

00:37:37I am Lucia

00:37:37and she is a friend,

00:37:38Nativity scene.

00:37:39How are you?

00:37:40And we are crazy

00:37:40for having sex.

00:37:41Well,

00:37:42but before that too

00:37:42we can have a drink,

00:37:43Hey?

00:37:44Or not?

00:37:48Meet Anastasia.

00:37:50How scary,

00:37:51Hey?

00:37:51It's from a friend,

00:37:52he bought it to throw away

00:37:52to his girlfriend from home.

00:37:53Hey,

00:37:54uncle,

00:37:54Let's see if my grandmother stays with us,

00:37:55who can't even see them.

00:37:56You're right,

00:37:57take her to her bedroom

00:37:58that you are a minor.

00:38:00I'm terrible.

00:38:02I love you all very much,

00:38:03Hey?

00:38:03But I'm in terrible shape.

00:38:05No,

00:38:05I just can't stop.

00:38:07You lie down,

00:38:08lie down and

00:38:09close your eyes.

00:38:11So.

00:38:11Can't!

00:38:12I see things.

00:38:14Urgent meeting,

00:38:15first item of business.

00:38:16But dad,

00:38:16what have you taken?

00:38:17My son,

00:38:18give me a kiss,

00:38:19that we say very little to each other

00:38:19that we stayed.

00:38:21Alex,

00:38:21you too.

00:38:23It is that it has been taken

00:38:23an unintentional ecstasy.

00:38:25So you can see

00:38:25how bad drugs are.

00:38:27Clear,

00:38:27and they didn't come loose,

00:38:28No?

00:38:29No,

00:38:29This is from a camel

00:38:30bastard who wants to kill me.

00:38:31But he won't be able to defeat me,

00:38:32because I am Juan Cuesta,

00:38:34president of the community.

00:38:35But what's going on here?

00:38:37No,

00:38:37nothing,

00:38:37go back to bed.

00:38:38Small high mountains,

00:38:40get down from there

00:38:40that you're going to hurt yourself.

00:38:41What a show,

00:38:43arriving drunk

00:38:44at seven in the morning.

00:38:45Aren't you ashamed?

00:38:46the example

00:38:47what are you giving him

00:38:47to your son,

00:38:48unfortunate?

00:38:49Are you laughing?

00:38:52I'll take you out

00:38:53the eye sockets.

00:38:54With your permission,

00:38:55I'm going to the kitchen

00:38:56to have a bite,

00:38:57that I am hungry.

00:38:58No,

00:38:58Mariano,

00:38:58No.

00:38:59But John,

00:39:00for the love of God,

00:39:01how did you come up with it?

00:39:03Drugs

00:39:03is the last thing?

00:39:05It's that Isabel,

00:39:06there is a camel

00:39:06that has threatened us

00:39:07of death,

00:39:08but I don't care,

00:39:09because I love you.

00:39:10I love you.

00:39:11Very good,

00:39:11If I love you too,

00:39:12but this,

00:39:12do me the favor of leaving it

00:39:13because they are not jelly beans.

00:39:15Hosts,

00:39:15there is a snake

00:39:16in the kitchen.

00:39:17Look at it,

00:39:18if they all come high.

00:39:19Get out of here,

00:39:20man, now!

00:39:21Well, let's go.

00:39:21Juan,

00:39:22let's see,

00:39:23look at me,

00:39:24How are you feeling?

00:39:25It's horrible,

00:39:26I'm waxed,

00:39:27touch.

00:39:28Let's see,

00:39:28They are palpitations,

00:39:29this may...

00:39:30Uh!

00:39:31But it can end

00:39:31in a cardiovascular arrest

00:39:33or respiratory,

00:39:34whatever,

00:39:35we are not going to put

00:39:35at worst.

00:39:36Look,

00:39:36I'm going to give you a tranquilizer

00:39:38so you can sleep.

00:39:39No,

00:39:39I can't sleep

00:39:40because I have an interview

00:39:41of work,

00:39:41but that's done,

00:39:42because I'm the best.

00:39:43I'm going to put on a rope.

00:39:46But,

00:39:46How does it work?

00:39:47A job interview,

00:39:49please.

00:39:50Take this,

00:39:51walk.

00:39:51No,

00:39:51I'm fine,

00:39:52I'm fine.

00:39:52Where was I going?

00:39:53Over there,

00:39:54over there.

00:39:55Juan,

00:39:55Well,

00:39:55take this,

00:39:56I'm going with you.

00:39:57Arsenio,

00:39:58buddy,

00:39:59you do know,

00:40:00bastard.

00:40:01I'm going to make you some broth,

00:40:02that the fat of the chicken

00:40:03absorbs everything.

00:40:04Of course,

00:40:05that's the best.

00:40:05Happens,

00:40:05happens.

00:40:07Ah!

00:40:07Disgusting!

00:40:10But,

00:40:11how did it get in

00:40:11this in the sink?

00:40:12Yeah,

00:40:13is that you have to put the plug in.

00:40:15Do you think she's dead?

00:40:17I already know what I'm going to do.

00:40:18The fact that?

00:40:19He hasn't put me on a diet yet,

00:40:20Well now I'm going to put it

00:40:21some vitamins for breakfast.

00:40:22No.

00:40:23Yes,

00:40:24pirulón complex.

00:40:25Shell,

00:40:33breakfast is ready!

00:40:36Let's see how he gets up.

00:40:37Where is my money?

00:40:39Well, bad.

00:40:41And what do we say to him?

00:40:42Did you catch me?

00:40:46my money?

00:40:48What money?

00:40:48The one below

00:40:49from the bed,

00:40:51my savings

00:40:51and bingo

00:40:52that I sang yesterday,

00:40:54nineteen hundred euros.

00:40:55If we didn't go yesterday

00:40:56to bingo.

00:40:57What do you mean no?

00:40:58Shell,

00:40:59don't worry us.

00:41:01Don't you remember?

00:41:02that we went to the theater?

00:41:04No.

00:41:05We came back for

00:41:06my coffee candies.

00:41:07What candies?

00:41:08If you don't like them.

00:41:10Let's see if you dreamed it,

00:41:11because you

00:41:12you obsess a lot

00:41:13with bingo.

00:41:14Oh my God.

00:41:15I'm probably going crazy.

00:41:17No, woman,

00:41:18that you will have lowered

00:41:18a little sugar.

00:41:20Have a cookie.

00:41:22You have to do

00:41:23more crosswords.

00:41:24But...

00:41:25Mr. Cuesta,

00:41:31you have

00:41:31a good resume,

00:41:32but will understand

00:41:33that we have

00:41:34what to check

00:41:35that really

00:41:36you gather

00:41:37human qualities

00:41:38suitable

00:41:39to be a teacher

00:41:40in this center.

00:41:41Oh, of course,

00:41:42Of course.

00:41:45Right, Juan?

00:41:46Yeah.

00:41:47And I can also

00:41:48monitor the dining room

00:41:49from school.

00:41:53Please note

00:41:54that in this institution

00:41:55have been formed

00:41:56notaries,

00:41:57diplomats,

00:41:58politicians.

00:42:01Go on, go on,

00:42:02if he is listening to you.

00:42:03Mr. Cuesta,

00:42:04what do you think you can

00:42:05contribute to our center?

00:42:08Mr. Cuesta.

00:42:10Hey?

00:42:11What can you contribute?

00:42:12to school, darling?

00:42:13Ah, well...

00:42:15well my 20 years

00:42:16of experience,

00:42:17an iron discipline

00:42:19and a curriculum

00:42:21appropriate

00:42:21tailored to the...

00:42:23of the times

00:42:26that run.

00:42:27Any more questions?

00:42:28Excuse me,

00:42:30Are you taking medication?

00:42:32No,

00:42:33what happens

00:42:33is that I have given it to him

00:42:34a sedative

00:42:34because I was very nervous

00:42:35and it has happened

00:42:36very bad night.

00:42:37Bad, bad,

00:42:38very bad.

00:42:40Listen,

00:42:40but hunting for chops

00:42:41It's great.

00:42:42Good morning.

00:42:49Hello.

00:42:50Hey, hey, hey, hey,

00:42:51what are you doing?

00:42:52What are you doing?

00:42:53Here having a little breakfast.

00:42:53Come on, out, come on.

00:42:55Leave the cupcake.

00:42:56Come on, get out.

00:42:57Hey, but...

00:42:57You're not going to have breakfast, are you?

00:42:59His mother stops eating breakfast.

00:43:01To the strip.

00:43:01There is no muffin.

00:43:02Thank you.

00:43:03Come on.

00:43:03Okay, okay, okay.

00:43:04So,

00:43:05See you tonight, right?

00:43:06Yes of course.

00:43:06What do you do to him?

00:43:07I have nothing else

00:43:08better to do.

00:43:09See you later.

00:43:10See you later and thanks, okay?

00:43:11Bye bye.

00:43:12Look, I'm telling you.

00:43:14That they can't stay.

00:43:16Hey,

00:43:16this uniform

00:43:17is it part of an erotic game or...?

00:43:19No, no,

00:43:20that I am municipal,

00:43:21that I don't have myself like this

00:43:22to buy the handcuffs.

00:43:23Well, how about yesterday?

00:43:24You left at the end, didn't you?

00:43:25Yeah.

00:43:26Yes, yes, yes, yes.

00:43:27And let's say when it's me very well.

00:43:29Mine is 21.

00:43:30And mine 19.

00:43:31And some pimples here and there.

00:43:33More monkeys.

00:43:34There's no color in the bed, is there?

00:43:36Well,

00:43:36is that bed,

00:43:37bed not yet...

00:43:38But come on,

00:43:39look,

00:43:40we exchanged phone numbers.

00:43:41Yeah,

00:43:41I have sent him a message

00:43:42and he answered me.

00:43:43But I don't know what it says.

00:43:44What is this?

00:43:45Here it says that

00:43:46when I leave class

00:43:47I'll call you.

00:43:49All that puts.

00:43:50And now they will be putting

00:43:51in their folders

00:43:52our names

00:43:53so with the heart.

00:43:54They might fail anyway.

00:43:55for thinking of us.

00:43:57Hey,

00:43:58hey,

00:43:58I don't want to offend you,

00:43:59but

00:44:00if these boys fall in love

00:44:02It's from the desk

00:44:02next door.

00:44:03You are 30 years old.

00:44:05What can you offer them?

00:44:06that they do not have

00:44:06girls her age?

00:44:08Sex?

00:44:09Clear,

00:44:09the only thing they are looking for

00:44:10is your sexual experience.

00:44:11Well, we're doing badly.

00:44:11Well,

00:44:12speak for yourself.

00:44:12No,

00:44:12and for you,

00:44:13we are doing badly.

00:44:13No,

00:44:14No,

00:44:14don't get confused.

00:44:15These guys are just

00:44:16for one night.

00:44:16Clear.

00:44:17If it is to me

00:44:18Cinderella

00:44:18he has made me angry.

00:44:19Already,

00:44:19but when the prince

00:44:20they put it like that

00:44:21the little shoe

00:44:21It was very beautiful,

00:44:22TRUE?

00:44:22And the carriage.

00:44:23And when they arrived

00:44:24to the dance.

00:44:25The faces of the stepsisters

00:44:26there fucked up

00:44:27that you shit.

00:44:28Come on,

00:44:29when you click

00:44:29the fingers

00:44:30we stopped having

00:44:30eight years,

00:44:31Okay?

00:44:32What are you going to do?

00:44:33tonight?

00:44:33Bed.

00:44:35Very good.

00:44:35Fuck,

00:44:36what a hangover.

00:44:37Well,

00:44:37see you later,

00:44:38I'm going to head

00:44:38traffic.

00:44:39Hey,

00:44:40same with the beeps

00:44:40of cars

00:44:41you clear your mind.

00:44:42Yeah,

00:44:42that.

00:44:44How strong,

00:44:45what is smurf.

00:44:46How strong.

00:44:47As if to leave her

00:44:48in a school

00:44:48at the pedestrian crossing.

00:44:50Look,

00:44:51other.

00:44:53What is this,

00:44:53Chinese?

00:44:54Let's see.

00:44:55Look,

00:44:56year 91.

00:44:57Look at that amazing hair.

00:44:58And who is that?

00:44:59Wow, he looks good.

00:45:01A cousin of mine.

00:45:02But if not,

00:45:03This photo is being

00:45:04giving the lot.

00:45:05Come on,

00:45:05Okay,

00:45:06It was a summer roll.

00:45:07What a loser,

00:45:08I this photo

00:45:09I'll keep it.

00:45:09Be quiet,

00:45:10Pussy.

00:45:11Don't you realize?

00:45:12My life has changed.

00:45:14I'm just starting out

00:45:14the countdown.

00:45:16I have to find

00:45:17to someone who loves me

00:45:17before I went bald,

00:45:18but,

00:45:19I am lost.

00:45:20Pacho,

00:45:20the more you stress,

00:45:21the faster you fall.

00:45:23I got a blister,

00:45:24but I don't notice anything.

00:45:25Uncle,

00:45:25if that is not a plant,

00:45:26vine.

00:45:26That will take time.

00:45:28Apparently,

00:45:29there is a system

00:45:29that they take it from your neck

00:45:30and they reimplant it

00:45:31hair by hair.

00:45:32Well, you're going to look like Nancy.

00:45:34Give that up for lost.

00:45:35You are a lazy follicle.

00:45:37Well, you're going to be handsome.

00:45:38hairless.

00:45:39Well, you shut up,

00:45:40that it is genetic

00:45:40and your father is bald.

00:45:41So now you know.

00:45:43What do you say, kid?

00:45:44Yes,

00:45:45that baldness is inherited

00:45:46quince.

00:45:46You're going to look like

00:45:47a ball of villar.

00:45:48Let's see if at least

00:45:49gives you time

00:45:49to lose her virginity.

00:45:51Fuck,

00:45:52I'm stealing childhood

00:45:53among all.

00:45:56How are you, Concha?

00:45:57Well, so-so.

00:45:58It takes all morning

00:45:59sitting on the couch

00:46:00with a lost gaze

00:46:01without saying anything.

00:46:01And if we bring Mr. Juan

00:46:02to insult him,

00:46:03the same reaction.

00:46:04It's that you too

00:46:05at these ages

00:46:06cannot be spent

00:46:06those jokes.

00:46:07What jokes?

00:46:08If it was to save his ass.

00:46:09If it worked,

00:46:10it has worked.

00:46:11What happens

00:46:11that she has stayed

00:46:12there.

00:46:13I'm going to talk to her,

00:46:13we have to tell him the truth.

00:46:14Man,

00:46:16if the woman is now

00:46:17calm down,

00:46:17imagine how good

00:46:18for the board.

00:46:19Emilio, please,

00:46:19what are we talking about

00:46:20of a person's health.

00:46:21No, one, no, several.

00:46:22That all the neighbors

00:46:23we would win.

00:46:24Hey, if you're going to tell it,

00:46:25we take advantage

00:46:26what we have to do

00:46:27some arrangements.

00:46:28What procedures?

00:46:28Well, some, damn it,

00:46:29I have it for you

00:46:30to explain everything.

00:46:33If I take it wrong,

00:46:34I say participate

00:46:35forced, huh?

00:46:36Hello, Concha,

00:46:37good morning.

00:46:37How are you?

00:46:38How are you?

00:46:39It's blocked,

00:46:41you have to restart it.

00:46:42Shell.

00:46:44Hello.

00:46:45Now, now, now, now.

00:46:46How are you?

00:46:47Are you okay?

00:46:48Here, my son,

00:46:50talking to my husband.

00:46:52Sorry?

00:46:53My husband,

00:46:54who has come to see me.

00:46:56Damn, that's so bad.

00:46:57He is angry.

00:46:58Shell,

00:46:59Are you telling me?

00:47:00that her husband

00:47:01is right now

00:47:01sitting in that chair?

00:47:03Well, let's go,

00:47:03leave the cable with him

00:47:04that long ago

00:47:05that is not seen.

00:47:05Shell,

00:47:06that you are not here

00:47:06going crazy,

00:47:07than yesterday

00:47:08It was a practical joke by Marisa.

00:47:09You didn't hallucinate,

00:47:10He saw us because we were here.

00:47:12Yeah,

00:47:12because I remember too

00:47:13and it would be too much of a coincidence.

00:47:15So calm down

00:47:15that there is no one there.

00:47:17Yeah,

00:47:18my husband is here.

00:47:22Valentine,

00:47:23leave him alone.

00:47:24Kid,

00:47:26that the dog is making him happy,

00:47:27This isn't normal, huh?

00:47:28No, it's not normal,

00:47:29no no.

00:47:29Well, nothing,

00:47:30shell,

00:47:31I'm very glad

00:47:31that you are well,

00:47:33Hey?

00:47:33How are you, Juan?

00:47:40Are you feeling a little better?

00:47:42I've hit rock bottom, Isabel.

00:47:43fall asleep

00:47:44in my first interview

00:47:45of work.

00:47:46What a shame.

00:47:46But I win,

00:47:47that I'm the one who was awake.

00:47:49Juan,

00:47:50son,

00:47:51come here,

00:47:51give me a kiss,

00:47:52that we are leaving.

00:47:54But,

00:47:54as?

00:47:55They are leaving.

00:47:55What does it matter, Juan?

00:47:57They leave.

00:47:57Don't insist.

00:47:58Grandma is going to reconcile

00:47:59with his sister,

00:48:00don't they talk to each other?

00:48:01Yeah,

00:48:01and that's not right.

00:48:03I know you can't stand me,

00:48:04but I forgive you.

00:48:05Toñe,

00:48:06please,

00:48:07that is not true.

00:48:07What the fuck is up?

00:48:08I can't stand you either.

00:48:12We can't stand each other,

00:48:13but we're still together.

00:48:15That's family.

00:48:17And you now,

00:48:18one more,

00:48:19pretty,

00:48:19one more.

00:48:20You to the people whenever you want.

00:48:22Oh,

00:48:24what a pulse to paint

00:48:25the eye line

00:48:26This woman has,

00:48:27Hey?

00:48:27Oh,

00:48:28how to combine colors,

00:48:29that with a scarf,

00:48:30that,

00:48:30it's already difficult.

00:48:31And how good it is,

00:48:33what the fuck?

00:48:35Look at him,

00:48:36that's how it was when I met him.

00:48:37And then,

00:48:38to the,

00:48:39to commit suicide.

00:48:40Come on,

00:48:40that you miss the bus.

00:48:42Juan,

00:48:42Don't worry about the floor,

00:48:43No,

00:48:44you sell it calmly

00:48:45and you send me my share.

00:48:47By the way,

00:48:48take out the trash soon

00:48:49because I have killed

00:48:50to a snake

00:48:50and that smells.

00:48:52Bye bye.

00:48:56José Miguel,

00:48:58Have you drugged the grandparents?

00:48:59No,

00:49:00they have passed

00:49:00with medication.

00:49:02Hey?

00:49:02Is the punishment?

00:49:03Dad,

00:49:04on top of that I've done you a favor,

00:49:05Isabel can return home.

00:49:07No,

00:49:07don't involve me.

00:49:08If your father says

00:49:09that you are punished,

00:49:10you are grounded.

00:49:11To your room,

00:49:12You don't play with these things.

00:49:13Look who he went to talk to.

00:49:17Juan,

00:49:17How does it occur to you?

00:49:18leave the pills there?

00:49:19Can this affect you?

00:49:20sew to prison?

00:49:21You're right,

00:49:22but the guard of Charles

00:49:23on the album Puff

00:49:24is the one who got us into this

00:49:25in this mess.

00:49:30José Miguel,

00:49:32See it was a joke,

00:49:33give me a kiss,

00:49:33silly.

00:49:34What a clever boy.

00:49:37No,

00:49:38No,

00:49:38is that either you upload me

00:49:39the salary or I resign,

00:49:40because I've been here for 24 hours now

00:49:41without sleep

00:49:41and this is a beating.

00:49:43Sorry,

00:49:43how is this one?

00:49:44Ah,

00:49:45pride.

00:49:46Careful photography,

00:49:47careful direction,

00:49:48actors in a state of grace.

00:49:49Yeah,

00:49:49Well,

00:49:50the first hour and a half

00:49:51It is somewhat loose,

00:49:52but then they arrive

00:49:53the credit titles

00:49:53and there they are already recovering.

00:49:54Excuse me a moment,

00:49:55Paco,

00:49:56Would you do me a favor?

00:49:57not to contradict me

00:49:58in front of customers?

00:49:59That I'm the boss.

00:50:00Yeah,

00:50:00but I carry the whip.

00:50:03Carlos,

00:50:04you save the pills

00:50:04you until the horse comes.

00:50:06No,

00:50:06It's that I'm fed up,

00:50:07I don't want any more drug problems,

00:50:08because I've had enough

00:50:09I already with...

00:50:10What's happening?

00:50:11That?

00:50:11Juan,

00:50:13Meet Lola,

00:50:14the new partner

00:50:15from Bethlehem's floor.

00:50:16Hello,

00:50:17nice to meet you.

00:50:17Hello.

00:50:18Don't get confused,

00:50:18Hey?

00:50:19They are cough drops.

00:50:20No,

00:50:20Yeah.

00:50:21Generic drugs

00:50:22they come like this.

00:50:22I came to make myself

00:50:23video club member,

00:50:25but since we are here...

00:50:27Hands on the counter.

00:50:28That?

00:50:28Come on.

00:50:28Hey,

00:50:29one moment,

00:50:29This is a regrettable mistake.

00:50:31I am Juan Cuesta,

00:50:32former president of the community.

00:50:33No,

00:50:33you can't do this outside,

00:50:35that gives a bad image.

00:50:36No,

00:50:36Yeah,

00:50:36you are coming too.

00:50:37Come on,

00:50:38against the wall,

00:50:39come on.

00:50:39Which wall?

00:50:40Listen,

00:50:40that I am a worker.

00:50:41Hey,

00:50:41you don't know the bonus

00:50:43of five films

00:50:43and large popcorn.

00:50:45This week it's our turn,

00:50:46crazy police academy.

00:50:48That one is also in the mix.

00:50:49Well, come on,

00:50:49here,

00:50:50please.

00:50:50Fuck,

00:50:51you have not waited

00:50:51in which you are tortured.

00:50:52Look,

00:50:53Let me explain,

00:50:54look,

00:50:54is that tonight

00:50:54we have to do

00:50:55an exchange

00:50:55with a camel

00:50:56who comes here.

00:50:57And so,

00:50:57bareback,

00:50:57without a lawyer,

00:50:58neither...

00:51:00Hey,

00:51:01send me a car,

00:51:02disappointment 21.

00:51:03Is anyone else missing?

00:51:04No,

00:51:05we are all here.

00:51:06One car is enough.

00:51:07And suddenly

00:51:08the dog started barking

00:51:09in that direction

00:51:10and there was nothing there.

00:51:11Yeah,

00:51:12and I felt cold

00:51:12in that house.

00:51:13In that and in all,

00:51:14there is no heating.

00:51:15But let's see,

00:51:17to this lady

00:51:17he must have lost the ball

00:51:19and that's it.

00:51:19Or not,

00:51:20It's all been very strange,

00:51:21has remained like Ida.

00:51:23Maybe because of the shock

00:51:24things are starting to happen.

00:51:25There was something there,

00:51:26I noticed a presence.

00:51:27Hey,

00:51:28and wouldn't it be dad?

00:51:29No,

00:51:29Dad would show up at the bar.

00:51:31No,

00:51:31Concha has said

00:51:32who was her husband

00:51:32and that he was very angry.

00:51:34Clear,

00:51:34and the money we have taken

00:51:35would be his

00:51:35and now comes

00:51:36to take revenge on us.

00:51:37Clear,

00:51:37the phantom collector,

00:51:39a new franchise.

00:51:41Don't laugh

00:51:41that these things happen,

00:51:42Hey?

00:51:43I wrote a report

00:51:44on esotericism

00:51:44and I documented myself.

00:51:45Probably

00:51:46we have opened a door.

00:51:48Which door?

00:51:48Don't fuck with me

00:51:49that I have not opened anything.

00:51:50It was you,

00:51:51Hey?

00:51:51Emilio,

00:51:52calm down

00:51:52that you are hysterical.

00:51:53Man,

00:51:54No,

00:51:54what I was missing.

00:51:55A dead neighbor chasing me

00:51:56as if I didn't already have it

00:51:57enough with the living.

00:51:58Hey,

00:51:58Why don't we leave?

00:51:59where was the money?

00:52:00That?

00:52:00Yeah,

00:52:01man,

00:52:01really,

00:52:02the nonsense

00:52:03that you have to hear.

00:52:03If Concha is there,

00:52:04is over there.

00:52:05The money

00:52:06we keep it for ourselves

00:52:07and we administer it to you.

00:52:09I'm going to do the shopping.

00:52:11Now it's going to turn out

00:52:12that we have a ghost.

00:52:13Don't laugh,

00:52:14that this gentleman lives

00:52:15here on this floor.

00:52:16I slept with him.

00:52:16That's why?

00:52:17No,

00:52:18what's a joke?

00:52:18If I didn't like anything.

00:52:20Snow!

00:52:23But what have you done?

00:52:25He's coming for us,

00:52:26we are all going to die.

00:52:28If nothing happens to me,

00:52:29I don't know why

00:52:30you put this around my neck.

00:52:31But what happened,

00:52:32dear?

00:52:32Have you tripped?

00:52:33That I have not stumbled,

00:52:34I don't know what happened.

00:52:35The presence,

00:52:36that he has gotten angry.

00:52:37This,

00:52:37that will have thrown

00:52:38something strange on the stairs.

00:52:39Come on,

00:52:40come on,

00:52:40let's go to the hospital,

00:52:41I'll follow you in the car.

00:52:42Yeah,

00:52:42and we take advantage

00:52:43to ask about the IUD,

00:52:44I don't want any scares.

00:52:45Well no,

00:52:46nor me.

00:52:49What happened?

00:52:50Have you done it now?

00:52:51We have nothing.

00:52:51He is Concha's husband

00:52:52who has returned from the beyond

00:52:53and he's getting revenge

00:52:54of all of us

00:52:54for taking his money.

00:52:56It is not confirmed,

00:52:57it is a possibility

00:52:57that we are considering.

00:52:59Mauri,

00:53:00you are gay,

00:53:01What do you think?

00:53:03Well, I don't know,

00:53:04but just in case

00:53:04we will give you your money back.

00:53:07Listen,

00:53:08and what does it have to do with

00:53:08that he is gay?

00:53:09I don't know,

00:53:10another point of view.

00:53:10Are you feeling okay?

00:53:20So you bought

00:53:21two hundred pills

00:53:22because a camel

00:53:23he was forced to give it back to him

00:53:24some that previously

00:53:25you have taken away a boy

00:53:26to flush them down the toilet.

00:53:27Correct.

00:53:28Well,

00:53:28Well, tell me, let's see.

00:53:28if by chance

00:53:29any of these

00:53:29It's your famous camel.

00:53:31I'm not a snitch.

00:53:33I warn you

00:53:33that for cover-ups

00:53:34can fall up to four years.

00:53:35Give it a suit,

00:53:36you've had it made.

00:53:37Now they talk about being

00:53:38and be in a lot of trouble.

00:53:40Who do you work for?

00:53:41For no one,

00:53:42for God's sake,

00:53:42I am a primary school teacher.

00:53:43But do you believe?

00:53:44that a trafficker

00:53:45was going to go out dressed like that on the street?

00:53:46This,

00:53:47This is the colleague.

00:53:49Pussy,

00:53:49and to this other one

00:53:50that I know him.

00:53:51Well,

00:53:51let's see,

00:53:51how much will it cost me

00:53:52get out of here?

00:53:52You put the figure.

00:53:53It's your fault

00:53:53for setting up a bar

00:53:54in the community.

00:53:55Mine?

00:53:56Who put on

00:53:56in Starsky style

00:53:57to requisition merchandise

00:53:58at the door?

00:53:59You would have to be

00:53:59teaching

00:54:00in my new school,

00:54:00not detained here.

00:54:01No,

00:54:02I,

00:54:02I am the one who would not have

00:54:03to be here.

00:54:03Indeed,

00:54:04I don't know what you're doing

00:54:04that you are not in the video store.

00:54:05I'm not paying you for this Diego.

00:54:06The suso,

00:54:07my mother,

00:54:08the weather

00:54:09of no rebez.

00:54:10Fuck,

00:54:11how fat he is.

00:54:16What do you think?

00:54:18I had it

00:54:18too messy.

00:54:19Well, they are telling the truth.

00:54:21or they are the biggest liars

00:54:22who have entered that room.

00:54:23The one with the mustache

00:54:24has identified

00:54:24to one of the Dutch gang.

00:54:26Put a microphone on them

00:54:27and go to the exchange.

00:54:28Let's see what we find.

00:54:30Okay,

00:54:30hello,

00:54:36shell,

00:54:36how are you?

00:54:43Vera,

00:54:44I will briefly describe it

00:54:45the situation in the first B.

00:54:46Mauri has taken out the books

00:54:47that he had from his esoteric stage.

00:54:49Vicentano dares

00:54:49to enter here

00:54:50and Emilio has taken out

00:54:51a holy card

00:54:51that had of Saint Anthony

00:54:52and has put a candle for it

00:54:52to protect him.

00:54:54Come on,

00:54:54that floor seems

00:54:55the castle of prodigious minds.

00:54:57Everyone is there

00:54:57commenting on ghosts

00:54:58and wandering husbands

00:54:59and...

00:55:00I have started

00:55:01to worry a little.

00:55:03Are you sure?

00:55:04that he has seen

00:55:04to her late husband?

00:55:05But what's up?

00:55:07If I had seen him.

00:55:08I am the first

00:55:09who runs away.

00:55:10Thank goodness,

00:55:11because, saving the distances

00:55:12I was beginning to feel

00:55:13like Nicole Kidman

00:55:14in the others.

00:55:15These are believed

00:55:16that I suck my thumb.

00:55:17They tried to make fun of me

00:55:19and now they're going to give me back

00:55:20all my money

00:55:21with interest.

00:55:22Well, that seems fine to me.

00:55:24Listen,

00:55:25you play the crazy girl phenomenally

00:55:26things as they are.

00:55:27I'm just having a good time.

00:55:31Hey,

00:55:32Couldn't you give me

00:55:33some interesting facts

00:55:34about Mauri's past?

00:55:36It's for the next visit

00:55:38that makes me.

00:55:39No, not me,

00:55:39but I know where it is kept

00:55:41a diary

00:55:41that he wrote as a child.

00:55:42Well, that would be very useful for me.

00:55:45Made.

00:55:45Hey, man,

00:55:52I have to do it

00:55:52every day.

00:55:53For three months.

00:55:55It is a fortifying treatment

00:55:56with a molecule

00:55:57of I don't know what.

00:55:59Hey,

00:56:00You have to pay me for the ampoule

00:56:01that the little box

00:56:01It cost me 90 euros.

00:56:03That?

00:56:04Astronauts?

00:56:05Ready for takeoff?

00:56:06Five,

00:56:07four,

00:56:08three,

00:56:09have,

00:56:09one.

00:56:09Okay, please.

00:56:11This is very serious.

00:56:12We are irrigating

00:56:12the capillaries

00:56:13that carry oxygen

00:56:15to the hair follicles.

00:56:16Don't you think so?

00:56:17that you are exaggerating

00:56:18a little bit?

00:56:18Bald men

00:56:19They are also attractive.

00:56:20Man,

00:56:21for you anyone,

00:56:22but we must maintain

00:56:23one level.

00:56:23Well, that's enough,

00:56:24get out of here both of you,

00:56:25that tonight

00:56:25I have a visitor.

00:56:27And don't fill me up

00:56:28the floor of hair.

00:56:30Hey,

00:56:31same as Bethlehem

00:56:31you are right.

00:56:32Maybe bald

00:56:33we're not that bad either.

00:56:35It's true.

00:56:35Let's do a test

00:56:36with the computer.

00:56:37Take a picture.

00:56:41Wait,

00:56:42wait,

00:56:42that I got dizzy.

00:56:43What a loser.

00:56:45Hey,

00:56:47but this thing about staying

00:56:48at eight

00:56:48is very fifteen-year-old,

00:56:49No?

00:56:50It's that if not then

00:56:50it starts to get to me

00:56:51the dream

00:56:51and I have a terrible time.

00:56:52But are we?

00:56:53a pair of she-wolves or not?

00:56:54Yeah.

00:56:55Afternoon wolves,

00:56:55what does it matter?

00:56:56Okay.

00:56:57Look, look, look,

00:56:58here it comes.

00:56:59Come on, you're going to change your mindset.

00:57:00You'll see,

00:57:00this is going to be

00:57:00a shot of self-esteem.

00:57:02Of course, damn it.

00:57:03Hey,

00:57:04Was the child Chus?

00:57:04or Mario?

00:57:05Chus,

00:57:05the boy is Mario.

00:57:07To shout it out

00:57:07in orgasm.

00:57:08It will seem to me

00:57:09that you are allergic.

00:57:11Chus,

00:57:11Chus.

00:57:12Hello.

00:57:15Are you looking very pretty?

00:57:17Well yes,

00:57:18why are we leaving?

00:57:18to deceive?

00:57:19What do you fancy?

00:57:20Are we going to the movies?

00:57:21or to have a drink?

00:57:29And why do I have?

00:57:30what should I bring

00:57:31the microphone?

00:57:31By your direction,

00:57:32which is clearly superior

00:57:33and then the face you have,

00:57:35that inspires confidence.

00:57:36I scare more

00:57:37and it is not convenient.

00:57:38We will be

00:57:39in the car.

00:57:41We will follow the operation

00:57:41from the street next door.

00:57:42Or stay in the goal

00:57:43because a tenth of a second

00:57:44can be vital

00:57:45with a camel

00:57:46of that type.

00:57:46As long as they take the pills

00:57:47is not enough.

00:57:48We need to know

00:57:49who he works for

00:57:49or a man.

00:57:50And what do I tell him?

00:57:51How's the family?

00:57:52Who do you work for?

00:57:53If something goes wrong,

00:57:54you just have to say.

00:57:55I'm going to the bathroom for a moment.

00:57:56and we appear.

00:57:57That's the sign.

00:57:59I'm going to the bathroom for a moment.

00:58:00Good.

00:58:01And where are they stationed?

00:58:01the snipers?

00:58:02No, no, there isn't.

00:58:03We are still alone.

00:58:04Oh well,

00:58:04that's enough.

00:58:05What do you think?

00:58:06This is Hollywood.

00:58:07Or a bulletproof vest

00:58:08just in case.

00:58:09I can tell you

00:58:10that I am a paparacchio

00:58:10that he saw enter

00:58:11to Fran Rivera at the bar.

00:58:12Calm down, calm down.

00:58:13Just a moment,

00:58:13let's see.

00:58:15Say something.

00:58:16Say something.

00:58:16I am Juan Cuesta,

00:58:17president of the community.

00:58:19Dear neighbors,

00:58:20am...

00:58:20Perfect.

00:58:22I'm going to go.

00:58:24Well,

00:58:24let's have a drink

00:58:25while the bad guy comes

00:58:26and so we relax.

00:58:28You're staying with me, aren't you?

00:58:29Man,

00:58:30it is safe from things.

00:58:33Come on.

00:58:33But I'm sure you're okay.

00:58:40Yes, yes, yes, yes, yes.

00:58:41If this had never happened to me,

00:58:42It must have been the tequila shots.

00:58:46Hey,

00:58:46If you don't like it, tell me, okay?

00:58:48Yes, yes, yes.

00:58:49What happens is that I am

00:58:50a little blocked.

00:58:51You impose a lot on me.

00:58:52That I impose on you.

00:58:53Yeah,

00:58:53an aunt your age,

00:58:54with your experience,

00:58:55you must have been to us

00:58:56with many men.

00:58:58Yes, yes, yes.

00:58:59Well,

00:58:59oh well,

00:59:01I am like video games

00:59:03these that you like.

00:59:04Easy level,

00:59:05half,

00:59:06expert,

00:59:06depending on how I see you.

00:59:08The problem is that

00:59:09without command,

00:59:10Well, we can't play.

00:59:11Do you see it?

00:59:12You're upset,

00:59:12I'd better go.

00:59:13No, man, no, no, no, no, no.

00:59:16I'll make you a sanguismisto.

00:59:18I touched you.

00:59:18No, no, no, no, no.

00:59:21Leave it to me.

00:59:22If this is all mental,

00:59:24You're not in a hurry, are you?

00:59:25No.

00:59:27Until menopause

00:59:28I have time.

00:59:32Do you want me?

00:59:34Do you find me sexy?

00:59:36Dear,

00:59:37It seems to me that tomorrow

00:59:38you're not going to make it to class.

00:59:40Wait, wait.

00:59:41First I want to tell you something.

00:59:42Do you have a girlfriend?

00:59:43No problem,

00:59:43no problem.

00:59:44Everything you learn with me

00:59:45then you do it to her.

00:59:46No, it's that I'm a virgin.

00:59:49Come on, now.

00:59:51Yeah?

00:59:53No, no, no, no, no, no, no.

00:59:55Really?

00:59:56I was reserving myself

00:59:57for when I fell in love.

00:59:59And well,

01:00:00I have fallen in love.

01:00:02Sorry?

01:00:03You are the woman of my life.

01:00:04Lucia,

01:00:04it's wonderful

01:00:05that we have met

01:00:06so soon.

01:00:06No, no, no, no, let's see, let's see,

01:00:07let's see, let's see, let's see,

01:00:07let's see, wait.

01:00:08But guys your age

01:00:09Don't you just want sex?

01:00:10No.

01:00:11I like sex without love.

01:00:12I'm not interested.

01:00:13It seems like an empty experience to me.

01:00:14Ah, that's not it.

01:00:15No, you are very wrong.

01:00:16That's not the case, no.

01:00:17I love you.

01:00:18Ah, but no, but no,

01:00:19But how are you going to love me?

01:00:21Yes, I love you.

01:00:22I have written you a poem.

01:00:23Hey, no, no, look,

01:00:24Well no, don't read it to me.

01:00:24because you're getting romantic

01:00:25and you're killing my fun.

01:00:27Okay, okay.

01:00:29I mean, I'm all about the platonic thing.

01:00:31I like it too.

01:00:33That's how I spent two years

01:00:34with Britney Spears.

01:00:36Can I ask you a favor?

01:00:37No, look,

01:00:37I'm not going to sleep with you

01:00:38being a virgin.

01:00:39Understand it,

01:00:39It's a lot of responsibility for me.

01:00:40What else is that?

01:00:41Can we stay?

01:00:43a little while here hugging?

01:00:46Ah.

01:00:48Well.

01:00:50Thank you.

01:00:52So?

01:00:53Yeah.

01:00:55So.

01:01:00Nativity scene.

01:01:02Nativity scene.

01:01:03Nativity scene.

01:01:04Nativity scene.

01:01:05Nativity scene.

01:01:06Oh, yeah.

01:01:07Come on.

01:01:08No, no, no.

01:01:09No, listen, listen.

01:01:11It's just that I've been thinking

01:01:11and I already know what's happening to me.

01:01:13I think I like my friend.

01:01:15Hey?

01:01:15I like Mario.

01:01:16I don't know if I'm gay.

01:01:17or is it the typical teenage friendship.

01:01:19What do you think?

01:01:20What do you think?

01:01:21What do I think?

01:01:22Have you seen my face?

01:01:23from Lorena Verdun or what?

01:01:24Come out of here, man.

01:01:26But it's not something to get angry about either.

01:01:27It's not my fault.

01:01:28I do look like an idiot.

01:01:30Me here being an idiot

01:01:31and it turns out that...

01:01:32Look better.

01:01:33Let's talk to your friend.

01:01:34No, please.

01:01:35No, please,

01:01:36I'm dying from the cut.

01:01:38Well, you should have thought about it before.

01:01:40You don't know

01:01:41that these things at my age

01:01:41Can they cause me irreparable damage?

01:01:44To know you was to love you

01:01:45and loving you

01:01:46made you eternal.

01:01:49Lucia,

01:01:49light and darkness.

01:01:51If you were mine...

01:01:52And there I have stayed.

01:01:54How are you?

01:01:58I wanted to tell you something.

01:02:00But how could they have done it to you?

01:02:02nurse, boss?

01:02:03Well, daughter, I don't know.

01:02:05They must have seen me

01:02:05Hannibal Lecter's talents.

01:02:07What a failure!

01:02:09Well, I don't understand.

01:02:10Because I've been here for years

01:02:11making butcher shops

01:02:12when I put the track in

01:02:13and nobody promotes me.

01:02:15Well, I don't know what to do anymore.

01:02:16so they can throw me out.

01:02:17I am incapable

01:02:18to treat badly

01:02:18to the patients

01:02:19and they seem to me

01:02:20so fragile.

01:02:22I'm going for a walk

01:02:23naked

01:02:23through the operating rooms.

01:02:24Let's see what happens.

01:02:29But look

01:02:30who is here.

01:02:31You don't know

01:02:32how good you are for me.

01:02:33Ah, no, no, herbs.

01:02:34You don't pay attention to me.

01:02:35Let another one come.

01:02:36I'm sorry.

01:02:37I am the head nurse.

01:02:39Girl,

01:02:39with this leave of absence

01:02:40I've lost practice

01:02:41with the injections

01:02:42and I'm leaving

01:02:43some bruises.

01:02:45But where are you going with that?

01:02:46If I am here

01:02:47under observation only.

01:02:48Let's see,

01:02:49I'm going to calculate

01:02:50a milligram

01:02:51for every fucking thing

01:02:52what have you done to me.

01:02:53Let's see,

01:02:54that little ass.

01:02:55Yes, man,

01:02:56that you don't prick me.

01:02:57Hey,

01:02:57come here.

01:02:58No.

01:02:59But what do you do?

01:03:01Andrew,

01:03:01who wants to kill me.

01:03:02But don't be silly.

01:03:03It's so you sleep better.

01:03:05Isabel,

01:03:05stay still

01:03:06that the devil carries them.

01:03:07He is trying

01:03:08that they throw her out

01:03:08not to have

01:03:09to pay you

01:03:10the pension.

01:03:10Look how clever she is.

01:03:12Come here!

01:03:13Peaceful,

01:03:13listen,

01:03:14let's turn the page

01:03:15at once.

01:03:16I resign

01:03:17to that pension.

01:03:18No,

01:03:18you don't give up.

01:03:19That if I resign,

01:03:19Nieves,

01:03:20we can't live like this.

01:03:21With the 20 million

01:03:22from the floor

01:03:23I don't need it.

01:03:24But,

01:03:25do you have it

01:03:25what to say to the judge?

01:03:26Of course.

01:03:28Come on,

01:03:29all so friendly,

01:03:30Hey?

01:03:30Come on,

01:03:30let's go.

01:03:30Hey,

01:03:31but give me

01:03:31for dinner.

01:03:38And you?

01:03:39Do you want something?

01:03:40No,

01:03:41I'm very well.

01:03:43Well, I'm glad.

01:03:46Come on,

01:03:46let's go there.

01:03:47Let no one get nervous,

01:03:49Hey?

01:03:49In case it is true

01:03:50that we do not know,

01:03:52the appearance of a ghost

01:03:53It is usually a sporadic occurrence.

01:03:54It doesn't mean

01:03:55that we are going to meet

01:03:56with nothing strange in there.

01:03:57Stranger than my sister,

01:03:58I don't think so.

01:04:00One moment,

01:04:00one moment.

01:04:01What if Mrs. Poncha

01:04:02starts to think about it

01:04:02in the head

01:04:03like the girl in the exorcist,

01:04:04What do we do?

01:04:05Come on,

01:04:05my God,

01:04:05that we are not

01:04:05for jokes.

01:04:06No,

01:04:06but if it's not a joke,

01:04:07it suits him.

01:04:08Goes.

01:04:08Poncha,

01:04:11can?

01:04:13Look at her,

01:04:13if it is where it was

01:04:14this morning,

01:04:15It's like a geranium.

01:04:17Poncha,

01:04:19nothing,

01:04:19what we bring you

01:04:21the money

01:04:22that we had caught you

01:04:22by accident

01:04:23and we apologize

01:04:25throughout.

01:04:26It's that I confused the bag

01:04:27that I had to give him

01:04:28to Mauri a...

01:04:29TRUE?

01:04:31Yeah,

01:04:31has understood you.

01:04:33How are you?

01:04:35Have you come?

01:04:35and her husband

01:04:35have you had any visitors?

01:04:37No.

01:04:39He has come

01:04:40your grandmother.

01:04:41My grandmother?

01:04:43He told me

01:04:43that he felt a lot

01:04:45not being able to be with you

01:04:46when you turned

01:04:47eight years.

01:04:48Forgive her.

01:04:50My God.

01:04:52He also told me

01:04:53that shouldn't have happened

01:04:54to scold you

01:04:55when you fell

01:04:56of the tricycle.

01:04:58What does it feel like?

01:04:59very proud

01:05:00of you.

01:05:02Fuck.

01:05:03And my grandmother?

01:05:03has come

01:05:03has he said anything?

01:05:04No.

01:05:06That one is detached.

01:05:07Fuck.

01:05:10Fuck,

01:05:10how strong.

01:05:11Well,

01:05:12Well, nothing,

01:05:12if a relative comes

01:05:13He tells me,

01:05:14so as not to give him the cold shoulder.

01:05:16If it was seen

01:05:16that this lady

01:05:17had powers.

01:05:20Shell,

01:05:20how strong.

01:05:22We have to go

01:05:22on TV

01:05:23or make a congregation

01:05:24or something.

01:05:25For this armchair

01:05:26everyone passes by.

01:05:28This is like a raffle,

01:05:29but in version

01:05:30beyond the grave.

01:05:31What is this?

01:05:31Oh no,

01:05:32My Jesus,

01:05:33brings,

01:05:33brings.

01:05:34A diary of Mauri.

01:05:36How horny,

01:05:37justly,

01:05:37he got everything right.

01:05:39Be quiet,

01:05:40man,

01:05:41you are a pair of traitors.

01:05:43You sold me.

01:05:45He made it all up,

01:05:47the witch.

01:05:47I'm not going back

01:05:49to a bingo

01:05:49with you

01:05:50in my life.

01:05:52Wait,

01:05:52wait,

01:05:53that to this

01:05:53of mental powers

01:05:54you have to get it out

01:05:55a performance.

01:05:57But her husband

01:05:58has been here

01:05:59or has not been here.

01:06:00Yeah,

01:06:00is in your bed

01:06:01waiting for you.

01:06:02You above all

01:06:07look at his face

01:06:08that I notice

01:06:09that you control

01:06:10the situation.

01:06:11I don't understand

01:06:11why do I always have

01:06:12to be involved

01:06:12in fredos.

01:06:13If I am a family man,

01:06:14an average citizen

01:06:15that does not protest

01:06:15when the bank

01:06:16charges you commissions.

01:06:16The only thing I ask of you

01:06:17don't scare me

01:06:18to the accident,

01:06:19that at the beginning

01:06:20word of mouth

01:06:20it is important

01:06:21and if there are victims

01:06:21people comment.

01:06:23Look at him,

01:06:23there it comes.

01:06:25Hello,

01:06:26how are you?

01:06:27What's happening?

01:06:28Would you like a drink?

01:06:29Invite to the house.

01:06:30Do you have my pills?

01:06:31Yeah,

01:06:32Yeah,

01:06:32Yeah.

01:06:33Well, come on.

01:06:34One little thing first.

01:06:35It's that I'm unemployed,

01:06:36You know?

01:06:36And there is no doubt

01:06:37that traffic

01:06:38of narcotics

01:06:38It is a job opportunity.

01:06:40You don't have to wear a tie,

01:06:41that is appreciated.

01:06:42If you told me

01:06:42who you work for,

01:06:44I could send him

01:06:44a resume

01:06:45or arrange an interview.

01:06:47Are you kidding me?

01:06:48or are you stupid?

01:06:49Hey!

01:06:50Let's respect them,

01:06:51Hey?

01:06:51I get nervous.

01:06:53Look,

01:06:53what do you want?

01:06:54What if you burst?

01:06:55Give me my pills!

01:06:57I'm going to the bathroom for a moment.

01:06:58That?

01:06:59What do I say?

01:06:59I'm going to the bathroom for a moment.

01:07:01That's where it is

01:07:03we have the merchandise,

01:07:04shit,

01:07:05the topic.

01:07:06Man,

01:07:06yes that's how it is,

01:07:06come on,

01:07:07but quickly.

01:07:09I'm going to the bathroom for a moment.

01:07:11Yes,

01:07:11that you go to the bathroom.

01:07:12What are you doing?

01:07:14It's the same now

01:07:15there's a queue for the bathroom

01:07:16and is stalling.

01:07:20You have a microphone,

01:07:22bastard.

01:07:22Yes,

01:07:22Yeah,

01:07:23but I have disconnected it

01:07:23so you can see

01:07:24that there is good will.

01:07:25No,

01:07:25take the pills.

01:07:27Take,

01:07:27only two are missing,

01:07:28that they have taken them

01:07:28my parents.

01:07:29Come here!

01:07:31Please,

01:07:31calm down,

01:07:32The police are outside,

01:07:33no problem,

01:07:33papo,

01:07:34give them a shot

01:07:34to all those who stay.

01:07:36It's rolled,

01:07:37hood,

01:07:37you've screwed up,

01:07:38but good.

01:07:38Smile,

01:07:43it's a hidden camera.

01:07:44Yeah,

01:07:45wait,

01:07:46say hello to your new friends

01:07:47from the neighborhood.

01:07:48Bastards,

01:07:49drop the gun,

01:07:52let her go.

01:07:53Help me,

01:07:54Pussy!

01:07:54Let go!

01:07:57Still,

01:07:57still,

01:07:58still,

01:07:58come on,

01:07:58paragraph,

01:07:59come on.

01:08:00But can you know?

01:08:01where the hell were they?

01:08:02You have been disconnected

01:08:03the microphone.

01:08:05If it is the cable

01:08:06it is a delay,

01:08:07now it goes on wifi and everything.

01:08:08Well,

01:08:09How is this going now?

01:08:10They give us the medal

01:08:10to civil merit,

01:08:11They pay tribute to us

01:08:12at the town hall.

01:08:13Yeah,

01:08:13because this guy

01:08:13will rot in jail,

01:08:14No?

01:08:15He is a repeat offender.

01:08:16At this six months

01:08:18no one can take them away.

01:08:19Will they call you to testify?

01:08:21Only six months?

01:08:22I have been left with your face,

01:08:23fuckers!

01:08:24I bet I still give you?

01:08:25And the program?

01:08:26witness protection?

01:08:27If you want, you can request it,

01:08:29but it is exactly six months,

01:08:31so I ate it

01:08:32for what was served.

01:08:33Well,

01:08:34but maybe

01:08:34in prison he is rehabilitated.

01:08:36Man,

01:08:37that was a good one.

01:08:39Fuck,

01:08:40This has been strong,

01:08:42Hey?

01:08:42I understand you 100%.

01:08:43So you play

01:08:44life for nothing.

01:08:45I have to think

01:08:46in reorienting this business.

01:08:47But,

01:08:48but a round

01:08:48for the heroes

01:08:49you invite yourself.

01:08:49Come on,

01:08:52Okay.

01:08:53Well,

01:08:54is that mine

01:08:54It was a machine,

01:08:55we've been there,

01:08:56pim,

01:08:57pam,

01:08:57Well,

01:08:57Well, I don't know how long.

01:08:58And mine too.

01:08:59Well,

01:08:59I grabbed my ass

01:09:00and I let myself go.

01:09:01Like when you're on the passenger side?

01:09:02on the motorcycle?

01:09:03Equal.

01:09:03Note that I heard you.

01:09:04to you through the septum

01:09:05and your room

01:09:06is in the middle.

01:09:07Hey,

01:09:07I have taken your handcuffs,

01:09:08you don't care,

01:09:09No?

01:09:09What does one feel like?

01:09:10super comfortable

01:09:11getting rid of complexes

01:09:12from above

01:09:12and going from Madonna

01:09:13for life.

01:09:14Yeah,

01:09:15Yeah,

01:09:16Yeah,

01:09:16Yeah.

01:09:16Yeah,

01:09:16Yeah.

01:09:16Laiga Verge

01:09:17in total.

01:09:18Look at me yesterday

01:09:19when I met I thought,

01:09:21what a pair of losers,

01:09:23poor thing,

01:09:24but not,

01:09:24No,

01:09:25Hey?

01:09:25When you put,

01:09:26you put on,

01:09:27you see.

01:09:28Yeah,

01:09:28It's that the little flies

01:09:29dead

01:09:29we are the worst.

01:09:30Well,

01:09:31so,

01:09:32that?

01:09:32Are we going out?

01:09:33No?

01:09:33Shall we repeat?

01:09:35It's that I'm going to stay

01:09:36here recovering a little.

01:09:38It's that I have

01:09:38many muscle aches

01:09:39in the area.

01:09:40We're coming to you now

01:09:40to keep up.

01:09:41Well,

01:09:41well then

01:09:42I'll see you later,

01:09:43Hey?

01:09:43Okay.

01:09:45How I like it

01:09:46that you are

01:09:46on the same wavelength.

01:09:48Yeah.

01:09:49Yeah.

01:09:51Oh,

01:09:52Nativity scene,

01:09:53we are pathetic,

01:09:54we are getting

01:09:55medals already

01:09:55like uncles.

01:09:56It's that the fault

01:09:57Lola has it.

01:09:58It's worse than Alice.

01:09:59He has come here

01:09:59to rack our brains.

01:10:01With pleasure

01:10:01that I was

01:10:02at the marriage agency

01:10:03with my forties,

01:10:04bald people...

01:10:05Hey,

01:10:06hey,

01:10:06and how much do you pay for that?

01:10:0860 euros per month.

01:10:10Not bad.

01:10:11Alright.

01:10:12Alright.

01:10:13Very good,

01:10:14cheap.

01:10:16So the relationship

01:10:18by Diego and Abel

01:10:19will it last?

01:10:20Short.

01:10:21Is it going to be short?

01:10:22No,

01:10:22that cuts.

01:10:23Ah.

01:10:29No,

01:10:29it won't last.

01:10:30Oh,

01:10:31and one more thing,

01:10:32Is it doing them harm?

01:10:33in Santo Domingo?

01:10:34Because it makes me very angry

01:10:34go to the Caribbean

01:10:35and it is cloudy.

01:10:36But that is already consulted

01:10:37teletext,

01:10:38which is cheaper.

01:10:38It is also true.

01:10:40Well,

01:10:40Well, thank you very much,

01:10:41Mrs. Concha,

01:10:41Hey?

01:10:42What do I say to him?

01:10:43Oh,

01:10:43No,

01:10:44nothing,

01:10:44son.

01:10:45If it doesn't cost me.

01:10:46No,

01:10:46please,

01:10:47take.

01:10:49Well,

01:10:50and now we are going to talk

01:10:50a little bit about my girlfriend,

01:10:52from Carmen.

01:10:54Give me your hand.

01:10:58What do you want to know?

01:11:02Well,

01:11:02I don't know,

01:11:03if we get married,

01:11:05Are you going to gain a lot of weight?

01:11:06Emilio,

01:11:06I'll ask something more important.

01:11:08More importantly,

01:11:08My mother gained 27 kilos

01:11:10the first year of marriage.

01:11:11Well,

01:11:11Okay,

01:11:12if it runs in the family.

01:11:13No,

01:11:14you are not going to gain weight,

01:11:16but be careful with varicose veins.

01:11:18Well,

01:11:19Yeah,

01:11:20Yeah,

01:11:20Yeah.

01:11:23It's the most depressing image

01:11:25that I have ever seen in my life.

01:11:26I commit suicide,

01:11:27I don't want to continue living

01:11:28under these conditions.

01:11:29Well,

01:11:30Miguel,

01:11:30son,

01:11:30you are 12 years old,

01:11:31you're going to take a long time

01:11:32in losing hair,

01:11:33if you lose it.

01:11:34You shut up,

01:11:34that it's all your fault.

01:11:36What genes.

01:11:36Besides,

01:11:37look at me,

01:11:38I have managed to rebuild my love life

01:11:39with medium hair density.

01:11:42Man,

01:11:43average,

01:11:44low average.

01:11:45Besides,

01:11:46There are more important things in life

01:11:47to have hair on your head.

01:11:51Juan,

01:11:51it's already solved

01:11:52the heating issue.

01:11:53Where did you get the money?

01:11:55From nowhere.

01:11:55It's the old self-service trick,

01:11:57you serve yourself and leave.

01:11:58Self-serve yourself,

01:11:59service,

01:11:59you're leaving,

01:12:00the word itself indicates it.

01:12:01Yeah,

01:12:01They have tried to lower the barrier for us,

01:12:02but Mariano has accelerated.

01:12:04Eye,

01:12:05and 98 gasoline,

01:12:07of the huepa,

01:12:07of the good.

01:12:08Mariano,

01:12:08the boiler needs diesel.

01:12:1198 octane gasoline is no good.

01:12:13Oh yeah?

01:12:14And you are not in what you are.

01:12:15Well,

01:12:16let's try,

01:12:16it still works and heats up more.

01:12:17No,

01:12:18still,

01:12:18that you completely ruin it.

01:12:19Guys,

01:12:20I have already reoriented the business.

01:12:21Do you want to come see it?

01:12:22And what did you put together in the end?

01:12:23The relaxation cabin

01:12:25or the duplicate keys?

01:12:26Or a hair regeneration center.

01:12:28That makes money.

01:12:30Make yourself a simple turn!

01:12:32Oh, how simple!

01:12:33Oh, how simple!

01:12:35The disco pub,

01:12:36video club, karaoke.

01:12:37Nothing teenage,

01:12:38people over 30

01:12:39with musical frustrations.

01:12:40Pussy,

01:12:41a karaoke.

01:12:41Now that's a service!

01:12:42for the community.

01:12:43No, no, no,

01:12:44what we were missing, huh?

01:12:45In addition to noise,

01:12:46bellows.

01:12:47This is not board tested.

01:12:48What do you say?

01:12:49My Joseph,

01:12:50Shall we sing of the moon?

01:12:51of pimpernel?

01:12:52No,

01:12:52I, if not me

01:12:53scared him.

01:12:54Hey,

01:12:54and free of brave child

01:12:55do you have it?

01:12:56I nail it, huh?

01:12:57When I started with Rosendo

01:12:58we used to do it once...

01:12:58Let's see,

01:12:59nothing will be sung here

01:13:00if not consumed before.

01:13:01Hey,

01:13:01of the banonette

01:13:02Do you have any t-shirts?

01:13:04a poster.

01:13:05Clear.

01:13:10There is no one living here.

Aquí no hay quien viva - 3x19 - Erase un disco-pub videoclub - HD 1080

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