- 16 hours ago
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00:01I am not.
00:04Who is he?
00:05He is not.
00:06It's like something from the earth is broken.
00:09Something in my head is broken.
00:11I think it's like someone who is lost in my head.
00:13But I remember that there are some warm views here.
00:17We won't say who is watching,
00:19we will only see them significantly.
00:23And the other one, Anka, we are watching you.
00:28We are watching you.
00:30We are catching you.
00:32You are dead?
00:34A little.
00:36I am not.
00:37I could have been so tired.
00:39I could have been so tired.
00:41I could have been so tired.
00:43I would have been so tired.
00:45I would have been so tired when everyone is dead.
00:47And when the girl starts to get a push,
00:49the other girl is looking for me.
00:52And they are all looking for Anka.
00:55But I am only asking them.
00:57My officers are not prepared.
00:59Is this a black bear?
01:01Does he know?
01:02I know.
01:03It looks like he is missing.
01:04I don't feel like he is lost.
01:06We need to be isolated
01:08and take a look at the initiative.
01:10Everything looks like the spring will fall.
01:13I can't wait.
01:15Although there is a little guarantee.
01:17There is some kind of uncertainty.
01:20There's an anchor on the street when the wind will burn.
01:23If we will, objectively and truly, my Vuko is the most important candidate.
01:29Oh, that won't be!
01:30That's not bad!
01:31Until now, I'd have to stop for someone.
01:33Anka, I'll take you the sack, and I'll buy you from the water.
01:38Vuko!
01:39Who is that there?
01:41Niko, the dolls.
01:42The dolls?
01:43The dolls that tell you.
01:45Aaaaah!
01:47Dijana!
01:48I'll tell you, Nikonja, that there's nothing from Anke.
01:52She'll fall into her, who will come back then, and she'll know it.
01:56She'll lose time.
01:58Dijana!
01:59You don't know, right?
02:01What a shame!
02:02A man will leave your children for confidence, and you?
02:05I think this was the end of the world.
02:09I don't have this idea.
02:12I don't know anything.
02:15You don't know anything.
02:16I don't know anything.
02:18Just Umm...
02:21Aww...
02:25...
02:28I don't know anything.
02:33It was cold, leto, pamti mi sad
02:58The whole city has been cold, it was a while ago, it was a while, it was a while, it was a while
03:1068, 68, a year ago, a year ago, in Banja Luci, ova se priča do godina
03:28U Banja Luci
03:31Vreme je teklo sporije nego sad, tako je to kada si mlad
03:41Da li se dobro sećam ili pak ne, da ne kažu ljudi iz mišlja sve
03:4968, 68, godina tak, godina tak, u Banja Luci, u Banja Luci, ova se priča do godina
04:04U Banja Luci, u Banja Luci, u Banja Luci
04:19izedek
04:36It's still cold, but it's cold.
04:44It's not, but no one doesn't have the courage to jump.
04:47It's just, I don't think so.
04:50I tell you, no one doesn't have the courage.
04:52This is today's parents, no one doesn't have the heart.
04:55If I didn't go to Miko, I wouldn't have laughed.
04:59And it works like that everyone would laugh.
05:02But it's not.
05:04She would laugh.
05:06And what can she do?
05:08She can say that she won't, but we'll be able to do it.
05:11No, no.
05:13You can't do it, you can't do it.
05:15Here are you all of them.
05:20Dragan, after his love on the Jurgs, became another man.
05:24Two days and two nights he didn't come to work,
05:27Chik didn't take her hands,
05:29and until the night he turned into a carrot and threw her.
05:33The head was full of Enise.
05:36And it was, of course, a mistake.
05:39Enise only threw her in the night.
05:42No, just a little.
05:44Well, let's go.
05:45I can't do it.
05:47I can't do it.
05:48And he's still meeting him on the head.
05:50He just looks crazy and laughs.
05:52You tried it.
05:54Hey, that was just a game.
05:56Yes, if you're playing with the child,
05:58and then I'll see you again.
05:59Come on!
06:00Come on!
06:01Come on!
06:02Mali, are you going to do it?
06:04I thought I would go to the house,
06:06but I wouldn't go in the water alone.
06:09You've found me to use it.
06:11Let's go.
06:13Dragan,
06:14come on with us.
06:16Oh, my God.
06:18No!
06:24Thank you. I'll be right back.
06:27Can I take you?
06:28Well, when she doesn't, she wouldn't be me and I.
06:34The brother was not a god knows how he was.
06:37But he was still a brother.
06:39And this harm couldn't go without him.
06:42Why are you looking for me?
06:54What's wrong?
06:59Can I hear someone's ears?
07:01The answer was not except for Anki.
07:04Although it was a good and genuine answer.
07:24Ah!
07:27Ah!
07:31Ah!
07:35Ah, nothing better than a duck.
07:39Ah!
07:43Ah!
07:44What's going on when you don't want to get in the water?
07:48Is it cold?
07:50Why did I buy this?
07:54Ah!
07:56Ah!
07:58Ah!
08:04Ah!
08:08Milivo je šolaja,
08:10iako su sjemnule varnice
08:12simpatije između njega i kantinjerke
08:14Jernane, još nije
08:16odustajao o čudljiv Janki,
08:18uporan i tvrdobavčor
08:20koji nije priznavao neuspito.
08:24Moj otac Jasminko
08:26bio je jako ljut
08:28i povređen zbog Dijaninog
08:30ljubakanja u bašti
08:32kuće Tonnića.
08:34Nekoliko dana u kući je vladao
08:36muka. Jasminko
08:38nije imao riječ i rješenja
08:40za Dijanane neprivično ponašanje,
08:42a Dijana je bila uvrijeđena,
08:44jer za boga odrasla djevojka
08:46ima pravo da radi što hoće.
08:48Kriza se morala
08:50riješiti porodičnim rječanjem
08:52sa majkom Anđelijom.
09:02Šta ne ješ?
09:04Ne ješu vala, pa da mi je poslednji.
09:06Šta jis ovom čoveču poslednje vreme?
09:08O Džurke si sam nikako nikakav.
09:10Nisam nikakav nego svakakav.
09:12Nisam nikakav nego svakakav.
09:14Hm.
09:16Rastirila te mala, ha?
09:18Ona mene. Ona mene.
09:20Pa ja bi nju samo da je situacija bila malo drugačija na Pereni.
09:24Šta nisam?
09:26Kao prvo čovjek koji drži do sebe nikakav o tobe ne govori.
09:29A kao drugo,
09:30Tehničko-taktičke pripreme su trejale predugo
09:33i onaj incidencaja s Mikom je potpuno poremetio predviđene aktivnosti.
09:37Moj Mikonje, pa nije ti ovo bila taktičko-tehnička vežba, eh?
09:40Kao treće,
09:42Mene srce vank i vuuče, ako će mu iskri.
09:45E?
09:46Tu te razumim.
09:47Imao ona nešto u sebi onako?
09:49Imao sam ja tu prolaz.
09:51Ne zanosi.
09:52Samo da mi se ti nisi umiješao.
09:54E.
09:55Ajne me molite ponovo o tome.
09:57Ja mislim da smo to rešili.
09:58Ovo je izdaje, Dejan.
09:59Ja to shvatam kao izdaje.
10:00Evo ja pokušavam da to sagledam na neki drugi način, ali ne idem.
10:03Eto.
10:04Vidi.
10:05Ni ti je ni ja nemamo nikakve šanse.
10:06To je realna procena situacija.
10:08Ti si nju ocjerao svojim napadnim ponašanjem.
10:10I nije ona samo stekla pograšan utisak o meni tebi,
10:12nego i o svakom pripadniku Jugoslovenske narodne armije.
10:14A to je priznaćeš mišestru kašteta.
10:16I ti zbog toga ne možeš da jedeš.
10:18Maa, sve mi se skupio.
10:20I ti i Janka i ona Gordana koja je moram priznati.
10:24Vrlo zanimljiva drugarica što jesi jesi.
10:26Eto vidiš šta njoj fali.
10:27Ja recimo da sam na tvom mestu.
10:28Ali nisi na moj mjestu.
10:29Nisi.
10:30Mogo ti visoko letiš.
10:32Dobra, to mi je posao.
10:33Ne vidiš ti kako je nama na zemlji.
10:35Eto drug si mi, ali morao sam ovo da ti kažem.
10:37Eto.
10:38Dobre, šta sad ja sam za sve krivo.
10:39Lomim se. Lomim se Dejane.
10:42Ma ne volim kad se lovim.
10:45Vidi.
10:46Idem ja sad letim.
10:48A ti uzmi pojede nešto bolje da si ne bi skroz prelomio.
10:50Evo ti moj kolač.
10:52To je kolonično, to je dobro.
10:54Aj vidimo se.
11:09Evo.
11:10Nekci ona svojim riječima kaže šta je bilo.
11:13Nemojte više da me mučite.
11:15Dosta mi je muke s ovom nogom.
11:17Još upekla ova vrućina pa svrbi ispoda ne mogu da se počešim.
11:20Šta ja ćemo mu?
11:21Kako, Peco?
11:24A pravo sunce, mamino.
11:26Peco, pohvaljujem.
11:29Dijana.
11:30Šta je to bilo?
11:32E vidi, Anđo, nismo htjeli da te uznemiravamo, ali stvar je vrlo ozbiljna.
11:41Tamo na žuru kod Tontićevi.
11:44Sve je bilo kao u najboljoj američkoj ljubavnoj seriji.
11:47Po strog utvrđenom scenariju koji sam ja osmislio.
11:51Neka Bogu hvala.
11:53Znači mol ženti bukoja.
11:55Možda i bi da Dijana nije uradila to što je uradila.
11:59A ma šta je uradila?
12:01Mama, ja sam bio u salonu i družio sam se.
12:04Tako da ne znam ja šta se zapravo dešavilo.
12:07Samo tata kasnije uletio ko lud, počeo sve da nas prekorijeva.
12:10Ti da šuteću.
12:11I o tom po nas oni bi se mogo svakta reći.
12:14Ko slanca puštevi.
12:16Dijana, ti rec.
12:19Ništa nije bilo.
12:21Baš mi je bilo dosadno na tom žuru.
12:23Svi se jagme oko one Anke, Nisa i ona Gordana se tamo čepe.
12:28Ja stalno sa Draganom i sa Pecom.
12:30Pa ne mogu ni ja s njima non stop biti.
12:32Pa kod kuće smo zajedno stalo.
12:34Dijana, Dijana.
12:36Zaobilaziš istinu.
12:38Možda to stvarno nije bilo za djecu.
12:41Mali su oni još.
12:42Pa nekde ona kaže koliko je mala.
12:45Ama dosta prenemaganja.
12:46Što se dogodilo, dogodilo se.
12:48Oću da čujem.
12:49Molim te, Anđelija, ne uznemiravaća.
12:51Udariću ti na srce.
12:52Molim te, kontroliši se.
12:53Evo se, kontrolišem danima dosta mi je.
12:56Istinu na sunce.
12:57Mama ja ima momka.
12:59Dijana, ti si to negdje pročitala u knjigama.
13:12Pa se uobrazila da se tebi događa.
13:15Ništa, ja nisam uobrazila.
13:17Ja imam momka i mi se volimo.
13:19Mahalac.
13:21Majko Božja.
13:24Pa gdje sad da slomim novu prokleti televizor
13:28što mi slomi kosku.
13:30Ne bilo ga.
13:31Neka, pusti.
13:32Nije televizor, ništa kri.
13:33Nego koje.
13:34Gledaju svakakve stvari na ekranu i imitiraju.
13:37I mene udalje od kuće i porodice.
13:40Pa sve pođe na izvodu.
13:42Mama, nije on nikakav mahalac.
13:44On se zove Aleksa Pantović.
13:47I zovu ga Sičko jer je bio mali kad je bio mali.
13:50Ali sad je porastao i nema ljepšeg i boljeg od njega.
13:54Jel?
13:55Ti znaš.
13:57Ti znaš najbolje.
13:59Ti znaš šta je bolje i gore.
14:01Slušaj.
14:02Ti si cura iz bolje kuće.
14:06Iz najbolje.
14:08Ti moraš da paziš šta i s kim kako radiš.
14:12Misliš lako se udate u Banja Luci.
14:15Sutra kad te taj mahalac iskoristi i ostavi.
14:18Šta š onda?
14:19Prođe vrijeme dok se zaboravi.
14:21Ako se zaboravi.
14:22Oj, mama gdje ti ode?
14:24Nigdje ja ne odam.
14:26Češ da mi budeš ko Anka Tontić?
14:28E ne mala.
14:29Ja imam pravo da volim.
14:31Da čujem šta je tačno bilo.
14:34Vidi, Anđo.
14:36To je bit stvari.
14:37Bolje ti je da ne čuješ viđer.
14:39Kad te ovo ovliko potreslo šta bi bilo da čuješ ostalo?
14:42Tekaj.
14:45Jesi trudna?
14:47Jesi li?
14:48Nisam.
14:49Samo sam se ljubila u Bašti sa Sičkom.
14:51A tata i Vuko je se prenemagali sa onom Ankom pa naletili na nas.
14:55Tata Sičko zgnječe rud.
14:57Neka je.
14:58Kako ljubili, koliko ljubili, gdje ljubili, na travi ležeći.
15:04Je li bilo ležeći?
15:05Mama.
15:06Šta se ovdje događa?
15:07Dobar dan, doktore.
15:09Mi evo navratili da vidimo kako je.
15:12Zašto je žena ovako znemirena?
15:14U Surbiji je ispod gipsa.
15:15Da.
15:16Anđelija šta je bilo?
15:18Doktore, reže ovaj gips i puštaj me kući, raspada mi se familija.
15:23Dolazi obzir šta je vama, vaš oporavak je prioritet.
15:26Šta god da se događa, ne možete pomoći kad ste u akvom stanju.
15:29Jasvinko?
15:30Druže, ja sam mislio da ste vi, jedan pametan, razuman čovjek.
15:34Vi ste smijeli ovako da uznemirite ženu.
15:36Naprotivi.
15:37Ja smiju je.
15:38Vidim, vidim.
15:39Smijesta da se napustili sobu.
15:41Žena mora da odmara, a i drugi pacijenti ne moraju da slušaju vaše porodične probleme.
15:46Doviđenja.
15:47Doktore.
15:48Doviđenja, ne mojte da vam zabranim posijete.
15:53Sa doktorom Bulajićem nije bilo rasprave.
15:57Bio je to najbolji ortoped u gradu možda i u cijeloj Bosni i Hercegovini.
16:01Ali strog i pravedan kao partijski rukovodilac, kako se to tada govorilo.
16:07Hvala.
16:13Hajde, djeco.
16:14Da pustimo, mama.
16:16Mama, ništa ti ne brini, ja ću to sve da sredim.
16:19Sam se ti drži radi, a ne sređuj.
16:21You come to me alone.
16:37Again, Igreca?
16:38No, I'm talking to my wife.
16:40And Dragan is on the chat?
16:42When I would have installed the program, I would have been.
16:46Tell him a little bit of a phone.
16:49So cheap, welcome to you.
16:52Tell him to write about him, about us, about 1968.
16:55That's a very important year for him.
16:59Tell him that you don't play with your head.
17:02You can't find your talent.
17:03For example, the land is closed.
17:05They don't know the facts.
17:07What is it?
17:08The professor lives in Melbourne.
17:10What is the facts?
17:12And if you learn something?
17:15Then you'll talk about everything.
17:17I'm going to write a letter to him.
17:19That's your chat.
17:20It's just a waste of time.
17:21He told me that you don't play.
17:23Everything is according to you.
17:24No, I told you that you're constantly playing.
17:26But if you're in question, then...
17:30Hey, let's say that you need a curse.
17:32He asked me to write a letter to them.
17:34Why not?
17:35To come back with them.
17:36Why not?
17:37...to come back to them?
17:38And Dragan says that I would have been able to come back with them,
17:43to discipline.
17:44Tell you a story to them that they turned to them away.
17:47I don't know where they were going.
17:49No, I'm sorry. I can't bring it anymore.
17:52Turn on the program.
18:11I can't cry anymore. I can't cry anymore.
18:15What can't you do?
18:17All the parents give and then they'll be left behind.
18:19If you're with your father,
18:21then my mother is like a cheeseburger.
18:23Why don't you know everything with my mother?
18:25Why do you know everything with my mother?
18:29I don't know. I know everything with my mother.
18:31And with my father?
18:33When I have someone that kind of a surprise,
18:35I'd be like a friend of mine.
18:37And they're yours.
18:39My father is everything on television
18:41when I'm asking how we live in the room.
18:43And we live in the room.
18:45What?
18:47He says to me.
18:49He says to me.
18:51He says to me,
18:53he says to me,
18:55he says to me.
18:57He says to me,
18:59he says to me.
19:01He says to me,
19:03he says to me,
19:05he says to me,
19:06How do I have peace?
19:07How do you do it?
19:08You do it!
19:09I can't talk to you with me.
19:10I can't go out.
19:11I can't go out.
19:12I can't go out.
19:13Let's go on the radio.
19:14We'll be back.
19:15We'll be back later.
19:16I don't care.
19:18Come on.
19:20Do you really want to hear the whole world?
19:26If you don't fall into the whole house,
19:28if you don't fall into 220,
19:30and you don't light a lamp.
19:33Ha, ha, ha.
19:34I mean, I don't want anything.
19:36How is that great when someone knows all the things
19:39like a genius, like a scientist.
19:42What a genius?
19:43He doesn't know how to do it from the first place.
19:45It's important that you know everything from the first place.
19:48Let's go.
19:49I don't care about you both.
19:51I, when I had a brother,
19:52I liked it and I liked it.
19:54How do you do it?
19:56Don't do it!
19:59They hurt the cable,
20:00and they may be able to do it.
20:02Let me show you,
20:04it's really interesting.
20:05You know what,
20:07he loved himself with Eniso,
20:09and then he was upset.
20:11What do you think,
20:12love?
20:13Like that's bad,
20:14even if you know.
20:15That I'm with someone with someone.
20:17What?
20:18You're so beautiful,
20:19I don't know.
20:21Oh,
20:22this is the first time
20:23until now to say something nice.
20:25Let me go.
20:26Let me go.
20:27Let me go.
20:28Let me go.
20:29Let me go.
20:30Let me go.
20:31Let me go.
20:32Let me go.
20:33Can I go?
20:34Can I go?
20:35Can I go?
20:36Can I go?
20:37Well,
20:38I know I will.
20:39I will wait.
20:42Ahhhhhhhhhh.
20:44Oh my God.
20:45Don't lie to you,
20:47it's nothing to them.
20:48That he will not be able to do
20:50until he will run out.
20:51What are you aware of?
20:52I've lost the course of the course.
20:54I'm going to go to the first class.
21:08Oh, how beautiful it was.
21:12That was the best radio contact that my brother Dragan has created until then.
21:18A little bit started to deal with a thread.
21:21In the case of Dragan and Charne, it wasn't a stereotypical metaphor.
21:43Kuc, Kuc.
21:45And a little head from the trade object.
21:48Oh, a little bit, a little bit.
21:51I went to the store and said, I'm not sure if I don't call the chef.
21:55Oh, you're welcome to me.
21:58I'm going to go a little bit.
22:00Yes, I see, I see.
22:02But we're still on you, not on you.
22:05Yes, we're close to the night.
22:08Yes, a little bit.
22:09I'm going to go a little bit.
22:11Where are you at?
22:13What?
22:14In the cold, in the cold.
22:16I'm in the cold.
22:17I'm in the cold.
22:18I'm in the cold.
22:19I'm in the cold.
22:20I'm in the cold.
22:21I'm in the cold.
22:22I'm practicing it.
22:23It's still good.
22:24You're the smartest ones.
22:25The smartest ones are for me.
22:26I thought that a person can't be able to do that.
22:28I thought that a person can't be able to do that.
22:30It's not possible.
22:31It's not possible, except that I'm feeling at this stage.
22:36It's not good to spread the bottles and the virus because of the products.
22:43To bring you a good drink, or a good drink, or a good drink,
22:47or a good drink, or a good drink.
22:49Wait, wait, I have a job here.
22:50My dear, someone has to be careful.
22:53Don't you?
22:58Do you need something?
22:59I'm enjoy, aren't you anywhere before that must служile?
23:03Not enough.
23:04You're half a night.
23:05Without consent.
23:06I don't want to pound your food.
23:07I'm unkind to flavor it.
23:08What?
23:09I'm wondering why I don't want you to eat Rocky Pedro.
23:10You need something, Too?
23:11I?
23:12I want you to spend dinner.
23:13It's not much fun.
23:14You've been playing any more childhood within the пор Ahkeman Price.
23:15I'm with universal great love.
23:16You were not
23:27The job was incredible.
23:30Do you repeat it every day?
23:32I'm waiting for you to explain it.
23:34I've never seen anything stupid in my life.
23:37Those people, those guys, the cream vanja luke.
23:41If it's cream vanja luke, then the tortilla is wrong.
23:45Okay, what do you want? Do you know?
23:48I don't know.
23:49There's no one. I forgot.
23:51I forgot.
23:52And the time is going.
23:53Let's go.
23:55What do you think of the sentence?
23:59Mama doesn't want to be on the walls,
24:02doesn't want to lie after the stroke of the abyss.
24:04Just don't want to live in the room.
24:06He's so a civil man.
24:08He's a slave.
24:09He's a slave.
24:10He's a slave.
24:12Who is it?
24:13He's a slave.
24:15What's that?
24:17What's that?
24:18I asked him.
24:20I asked him.
24:21I asked him.
24:22And the letter is where he is.
24:24The man is a slave.
24:25Our army is a slave.
24:26Yes, yes, a strange woman.
24:28Yes, yes, a strange woman.
24:29Yes, yes, a strange woman.
24:30He wants to sleep with me once again.
24:31Only once again comes to the hospital.
24:34Is it over?
24:35You didn't say that for the second one.
24:39I wanted to be a friend of the meds.
24:41I would have written a book in the woods.
24:43I would have lived in the woods.
24:44I would have lived in the woods.
24:45This is a strange woman.
24:46I'm just talking about your cream.
24:48And the other one is a chavenda.
24:50Are you for me or for yourself?
24:54I'm so sorry.
24:56I'm so sorry.
24:58I'm so sorry.
24:59You know that Nino is a mango pido-konjaka.
25:04He left you after that love.
25:07That's not fair.
25:09I gave your roots to leave.
25:11That's not a different thing.
25:12He has got a job.
25:14I'll have a job.
25:15I'll have it, I'll have to talk about it.
25:16You are the same.
25:17What do you think you think about you?
25:19You are the same.
25:21You are the same for me.
25:23You are the same for me.
25:24I'm going to the same for me.
25:25I'll have to have to write it for you.
25:27That's what I'm doing.
25:28Mama, thank you for your time.
25:30I'll be same.
25:39It was the best that you would like to introduce yourself.
25:42I would rather not have to sit down on you.
25:48Well, why would you like me to get into a relationship?
25:54Well, it would be. It wouldn't be.
25:58But I have to ask you,
26:00how is it that such a person,
26:02a person in every look,
26:05a person,
26:07a person,
26:09a person who has not found anything like that.
26:11I would be honest.
26:13I would not be able to do anything.
26:15I would be honest.
26:17I have everything on my mind,
26:19and on my own.
26:21I have been in the Ushuška for a few years,
26:23and I became so sensitive to this.
26:25I don't understand,
26:27but I have a lot of understanding.
26:29There was a lot of understanding
26:31and understanding,
26:33and most importantly,
26:35that I had to decide
26:37for a few years
26:39at the new house in Zemice.
26:41You're a man,
26:43man,
26:45but I can believe.
26:47Not me.
26:48But what is there?
26:49But I didn't have anything. It was terrible.
26:52Yes, I'm looking at someone like that.
26:55I was the director of a snub's office. We were working with a tree tree.
27:00It happened to us that the tree, I don't know what he was doing,
27:04went from Drinu and went to Slovakia,
27:07instead of the famous trucking trucking.
27:10What are you doing here?
27:13I don't know.
27:15Well, it hit me that the social government
27:20was privatized and owned by the government.
27:23Oh, that's all.
27:26Well, I'm happy with you.
27:28I'm happy with the ideal relationship,
27:30and the unrighteousness of the idea of the Union,
27:34the Union, the Union, the Union, the Yugoslavia,
27:37and the government on Tito's route.
27:39I'm going to rehabilitate.
27:41And now I'm going to start again.
27:43Oh, my dear, you McCarthy.
27:46Yeah.
27:47You sound fast.
27:48Oh, my dear, I remember the historical point.
27:52Oh, my dear, my dear.
27:53I wouldn't like you to take a fine seriously.
27:56In my name, I'd like you.
27:59Let me out, my dear.
28:00Let me out.
28:01Oh, my dear.
28:02Oh, my dear.
28:03Oh, my dear.
28:04Oh, my dear, my dear,
28:05How you do this?
28:07I'm going to see him.
28:09My dear friend,
28:11don't let him do it.
28:13I'll see you next time.
28:17Let's go.
28:23I'll see you next time.
28:25I'll see you next time.
28:27My dear friend,
28:29my dear friend,
28:31I'm gonna have a great friend and I
28:33I'm going to throw on the radioactivity.
28:37I'm waiting for it.
28:39And my pilot, how does he sing?
28:41I'm not sure how to sing.
28:43I'm not sure how to sing.
28:45He's not sure how to sing.
28:47He didn't know how to sing, but he was not sure how to sing.
28:49But he had a mouse to put his head on.
28:51Yes, thank you.
28:53Just to put his head on.
28:55But not for a long time.
28:57But for the whole life.
28:59What do you say?
29:01You were the most close.
29:03And with that half of Radenović.
29:05He asked me.
29:07What did you say?
29:09Go to Olympia.
29:11Who will learn Slovenian?
29:15Nina!
29:17He is!
29:19He is my friend!
29:21Where did he go?
29:23Where did he go?
29:25Hello Nina!
29:27Where are you, girl?
29:29Where are we from?
29:31We are loose.
29:33You've been...
29:35You've been?
29:37You're both among the children.
29:39You maybe.
29:41C婆 that's a little while you're on the bus.
29:43How did you get out of the bus?
29:45For who?
29:47I just only did not.
29:49And the other sister?
29:51Which child we have?
29:54Anka.
29:56You get out of Anka.
29:57What do you need to know?
29:59Light, your language has always been a bit too long.
30:03I'm Gordona.
30:05Sorry, I knew something like that.
30:08And...
30:09What is with Anko?
30:11Nothing.
30:12Don't wait if you think about it.
30:14I wouldn't wait for James Dean.
30:17Okay.
30:19All right.
30:20Tell me a lot.
30:27Oh, my mother.
30:31I've never been anything.
30:33It's a dirty mess.
30:35Let me tell you, Aki.
30:37Everything will be here.
30:39When Tito said to me...
30:41When Tito said to me...
30:43When Tito said to me...
30:45When Tito said to me...
30:47When Tito said to me...
30:49When Tito said to me...
30:51When Tito said to me...
30:53Let's go.
30:55The pipe called the pipe...
30:57Before the forest...
30:59He died...
31:01a thousand young...
31:02Foi on eight hundred tall...
31:04hier...
31:05And then...
31:06It's been...
31:07Guys, it's said...
31:08Theakyuya who died...
31:09the家s, the new life...
31:11Can create new pipe...
31:12New pipe...
31:13New pipe...
31:14Another pipe...
31:15Ravor?
31:16What word?
31:17Scrubborn gob kafija.
31:19A language in Yugoslav national territory...
31:21Serb- Insurance army...
31:23Seeing you.
31:24I thought it was the same.
31:26It's the same, but it's the same.
31:29And you're saying...
31:31You're going, you're going, you're going, you're going, you're going, you're going, you're going...
31:35I don't know what you're doing, but you don't understand anything.
31:38In your poetry, the revolution comes as a great man,
31:40not as a great man of human kindness.
31:43I understand that.
31:45You understand, my friend.
31:51What are you doing in civil society?
31:53Traktorista, my friend.
31:55What are we going to do now?
31:57If you're a traktorista, you have to know how to recite.
32:00Everyone in communism has to learn how to write and write poetry.
32:05That's the revolutionary Russian song, Ma.
32:09Ma.
32:10Ma.
32:11Ko.
32:12Ma.
32:14Ma.
32:16Ma.
32:17Ma.
32:18Ma.
32:19Ma.
32:20Ma.
32:21Ma.
32:22Ma.
32:23Ma.
32:24Ma.
32:25Ma.
32:26Ma.
32:27Ma.
32:28Ma.
32:29Ma.
32:30Ma.
32:31Ma.
32:32Ma.
32:33Ma.
32:34Ma.
32:35Ma.
32:36Ma.
32:37Ma.
32:38Ma.
32:39Ma.
32:40Ma.
32:41Ma.
32:42Ma.
32:43Ma.
32:44Ma.
32:45Ma.
32:46Ma.
32:47Ma.
32:48Ma.
32:49Ma.
32:50Ma.
32:51Ma.
32:52Ma.
32:53Ma.
32:54Ma.
32:55Ma.
32:56Ma.
32:57Ma.
32:58Ma.
32:59Ma.
33:00Ma.
33:01Ma.
33:02Ma.
33:03Ma.
33:04Ma.
33:05Ma.
33:06Ma.
33:07Ma.
33:08Ma.
33:09Ma.
33:10Wait, wait, wait.
33:12Listen, man, listen.
33:14Let's go.
33:16Three, one, two.
33:18Let's go, little girl,
33:20the sea sea horse
33:24I'll show you the house
33:28where I was born.
33:32If you don't want to help,
33:34don't let me go.
33:36I didn't have the opportunity to go.
33:38Let's go.
33:40Bojan.
33:42Let's go, druge Poručić.
33:44Are you in an alcoholic situation?
33:46No.
33:48On the report, Vojnić.
33:50We're in order.
33:52What's in order?
33:54You don't say it's in order,
33:56but I understand, druge Poručić.
33:58Let's go.
34:00Just a second.
34:02Mikonja, if you allow me.
34:04Let's go.
34:08Go to kafanu
34:10to learn yourself.
34:12In the hallini of Batista,
34:14the right, pristine,
34:16an angelic league
34:18who reads his ears
34:20like a witcher of my books.
34:22If you want,
34:24from the meat,
34:26I'll show you.
34:28If you want, I'll be
34:30not a man,
34:32but a shirt
34:34in pants.
34:36Very good.
34:38Very good.
34:40What's good?
34:42What's good?
34:44No, I'll say this
34:46on the first academy.
34:48You're a fool.
34:50What?
34:52No, no.
34:54You're a fool.
34:56You're a fool.
34:58I'll show you.
35:00You're a fool.
35:02You're a fool.
35:04You're a fool.
35:06You're a fool.
35:08You're a fool.
35:10We're at the end of Beograd.
35:12I'll show you.
35:14You'll lose ten pounds on him.
35:16Let me break the discipline.
35:18He's a great writer.
35:20Maybe he'll be Adam Čeivan,
35:22the first man of Banja Lučkog Pozorišta.
35:24Maybe he'll be Raša Plavić.
35:26And he, first of all, has to be a disciplinarian soldier.
35:30Is that right?
35:32I don't know what to say.
35:34Think about it, but for a couple of days
35:36you don't have a citation.
35:54What's the problem, Bokic?
35:56I don't know what to say, Bokic.
35:58We'll see what we'll do.
36:00We're going to do so.
36:02Well, they tell me the people from Beograd.
36:04From the academy.
36:06It's a little difficult, Paolo.
36:08What do they tell you?
36:15Bojanovi drugovi, Pljaka and Tave,
36:18they told him that on the Beograd University
36:20he eats like a lot of milk
36:22that doesn't matter.
36:24The students of all the faculties
36:28organized tribines and debates,
36:30not in their position,
36:32but in the direction of Yugoslavia.
36:34On the academy, the students
36:38didn't go to the academy.
36:40The night at the academy,
36:42the faculty at the academy,
36:44near the kafane Kolarac.
36:46In Beograd, something was prepared,
36:48but the fight wasn't with them.
36:50the chief of the president of Mikolnik.
36:52This letter was found in the general general
36:56of the general commander, Deanna Borić,
36:58the commander of the military
37:00of the Yugoslavia Army,
37:02many, many years later.
37:04What are you doing?
37:06What are you doing?
37:08What are you doing?
37:10What are you doing?
37:12What are you doing?
37:14What are you doing?
37:16What are you doing?
37:18Hey, Vuko, here is something like a church.
37:20Where is a church?
37:22It feels like a church in the whole state,
37:24and they can find it.
37:26I think they'll be able to get out.
37:28That's my private stuff.
37:30There's nothing to church.
37:32Maybe some wolf, some girl,
37:34what do I know?
37:35What are you doing?
37:36What are you doing?
37:37What are you doing?
37:39What are you doing?
37:41What are you doing?
37:43What are you doing?
37:44The meat from my family's family.
37:47Friends, Vuko, I told you that you can,
37:49even if you want,
37:51you can use my new Obodin Frigider.
37:53You're such a pedantan,
37:55clean man,
37:56and this kind of mess in your body.
37:57Sorry.
37:59Well, it's important
38:01that we found something.
38:03I'm going to eat you and hear you.
38:05I'm going to take this out.
38:07What a shame.
38:09Let me ask you something.
38:11Do you have any new things from Tontić?
38:15I mean, what kind of influence have I left?
38:17What kind of influence have I left?
38:19What kind of influence have I left?
38:21I don't think it's about you,
38:23but it's about Anke.
38:25My friend, Vuko,
38:27I have to tell you that
38:29this Anke,
38:31this Anke,
38:33this is a little strange.
38:35It would be better to
38:36see you a little closer,
38:38to see you a little closer.
38:40Maybe there is someone,
38:41but you don't see it.
38:43Where do I go?
38:45There's no one for me.
38:47Let me take this one.
38:50lämica
38:56Ljube
39:07He said he can't come up,
39:09he has a lot of work.
39:10He's smiling, Vuko.
39:11And what did he want?
39:13He wants me to tell you this book,
39:15to tell you some benefits.
39:17Tell me that there was nothing to do with it.
39:20Okay, bye.
39:25Anka, tell me, a little girl.
39:27What a little girl!
39:29What happened?
39:30She's here, Nino.
39:33You're good, you're good, you're good.
39:35No, no, no, no, no, no, no, no, no, no.
39:38What if she's here? What have we got with you?
39:41She said to me, we're going to welcome Anku.
39:44And you tell me that there's nothing to greet her.
39:48That's what Anka said.
40:14It's a good news.
40:19The days in the hearts of the people I met.
40:26As far away from the sea from the bridge,
40:34the stories of the pukotins in the best of all systems in the world,
40:39even though the stories of a pijani soldier in the Greek poem.
40:44However, it will take a while until the Pjena Talasa does not reach us.
40:49The arrival of Nino was the most important and dangerous news,
40:53and my family has experienced revolutionary changes.
40:58I will send the text to Dragan in Melbourne,
41:11maybe he and Charna will remember something else.
41:28Bilo je toplo leto, pamti mi sad,
41:41čitav je grad, dražio hlad.
41:45Bilo je davno, ko se seća ko ne,
41:49a živelo se drugačije.
41:5368-a, 68-a, godina tak, godina tak.
42:01U Banja Luci, u Banja Luci,
42:05ova se priča do godila.
42:11U Banja Luci.
42:17Vreme je teklo sporije nego sad,
42:20tako je to, kada si mlad,
42:24da li se dobro sećam ili pak ne.
42:28Da ne kažu ljudi, izmišlja sve.
42:3268-a, 68-a, godina tak, godina tak.
42:40U Banja Luci, u Banja Luci,
42:44ova se priča do godila.
42:48U Banja Luci, u Banja Luci, u Banja Luci, u Banja Luci,
43:16u Banja Luci, u Banja Luci, u Banja Luci.
43:20�� curlsnu cilënnih energija,
43:23faem si dom�nu necitiranoNu.
43:25Oni se
43:39I thought I was happy when I thought I would bring a letter to my aunt Vahidi.
43:46No, no.
43:48Yes, but he was talking about Nini.
43:50What about Nini?
43:51He came.
43:53What did you do?
43:54First of all, I doubted you.
43:56Brod, I thought you were going anywhere.
43:59I bought the news to see if there was a brods catastrophe.
44:03I understood that you didn't get the shit out of the way,
44:05but that you went and you didn't get the shit out of the way.
44:07It didn't happen to me.
44:09Anka, it didn't happen to me, I wouldn't have kept everything.
44:11You had a good one to get to know.
44:13You had a good one.
44:14I don't want nothing to do.
44:15I don't want anything to do.
44:16I don't want any fear nor fear I want you.
44:18I'm a man.
44:20A man?
44:21Oh, someone came to take the amortize.
44:23What a car.
44:25What a car.
44:26A walleration.
44:28A big day.
44:29Where do you know who is?
44:31Maybe you can't do it.
44:32Why did you try it?
44:34I saw you before the day when you steal flowers in the house.
44:37What do you think?
44:38And you didn't learn, but you looked at the city.
44:41What are you talking about?
44:42You're hiding from the young people.
44:44What do you want?
44:45Stop.
44:46I'll get you a shame from me if it's all true.
44:48Then, Peca.
44:50Maybe two times.
44:52And there wasn't even a woman of all this year.
44:54There was one.
44:56Well, that's good we hear.
44:58I'll start crying back home.
45:00I need to end here with one person finally getting back home.
45:03It doesn't matter where I was like middle-aged women that I had例えば My life.
45:07After that, who did you do?
45:09A director of the papaya director, of the library si.
45:25Let's go to Jasmina, you need to go. You think you will be waiting for a whole day?
45:32There is no one waiting for you.
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