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The Graham Norton Show Season 32 Episode 19
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00:00MUSIC
00:04MUSIC
00:08MUSIC
00:12Oh!
00:14Oh!
00:16Oh!
00:18Oh!
00:20Oh!
00:22Oh, you lovely people!
00:24Well, isn't that nice?
00:26Thank you very much!
00:28Thank you!
00:30Hello!
00:32Good evening, everyone!
00:34You're so welcome to the show!
00:36Hey, the weather's warming up!
00:38Woo!
00:40Oh, and like a rinkly old tortoise coming out of a hibernation,
00:42I'm back!
00:44And we have a great line-up for you tonight.
00:46Yes, singing for us later. Look over there!
00:48It's self-esteem!
00:50She'll be performing her single
00:52Focus is Power!
00:54But first, let's focus on my sofa tonight.
00:56This actor and comedian played a tech support guy in the IT crowd,
01:00an imaginary friend in Moonboy,
01:02and a charming cop in Bridesmaids.
01:04His latest creation is the hilarious small town big story.
01:08It's Chris O'Dowd!
01:10CHEERING
01:12There he is!
01:14Oh!
01:15The tour!
01:16It's exactly the tour!
01:17There you go!
01:18Look at that!
01:19Oh, yeah!
01:22She's the Oscar-nominated star of Moonlight,
01:25who survived the zombie apocalypse in 28 days later
01:28and kept James Bond in check as Moneypenny.
01:30Now she's starring in Steven Soderbergh's spy thriller Black Bag.
01:35It's Nemi Harris!
01:37CHEERING
01:39Oh!
01:40Whoo!
01:41That's gorgeous!
01:43Yeah, you look fabulous!
01:44Thank God!
01:45There you go!
01:46Nemi Harris!
01:47Yeah!
01:48She's the Oscar-nominated star of Almost Famous
01:52and the rom-com queen who showed us
01:54how to lose a guy in 10 days.
01:56Now she's turned singer-songwriter
01:58with her debut album glorious,
02:00it's Kate Hudson!
02:02CHEERING
02:04Oh!
02:05She's so great!
02:07Yeah!
02:08So great!
02:09Mwah!
02:10The right loves it!
02:11Oh, yeah!
02:12OK!
02:15This Golden Globe and Emmy-winning star shots of fame
02:18as Renton in Trainspotting
02:20before singing up a storm in Moulin Rouge
02:23and feeling the force in Star Wars as Obi-Wan Kenobi.
02:27Now he's returning to the stage
02:29in My Master Builder.
02:30It's a warm welcome back
02:32to Ewan McGregor!
02:34CHEERING
02:35You are so keen!
02:36So keen!
02:37You're so keen!
02:38You're really good!
02:39Happy to see you!
02:40Hooray!
02:41Hey!
02:46What a lovely sofa!
02:48And I think it's a welcome back to everybody.
02:50Oh, lovely!
02:51Yeah, yeah!
02:52We weren't here together before.
02:53Yes, we've done...
02:54We've lightsabered in the background.
02:56That's right!
02:57Here I remember, yeah.
02:58Yeah, good time.
02:59We memed it right up.
03:00Yeah, we did!
03:01Yeah!
03:02The fire up!
03:03It was great!
03:04Totally!
03:05To welcome back to everyone.
03:06Kate Hudson, of course, though, first time as a singer.
03:09Yes!
03:10Yeah!
03:11I did it!
03:12I finally, like, you know, took the leap and made a record.
03:15Well done, you!
03:16And you're in London!
03:17Telling people about it!
03:18Amazing!
03:19And please tell us you like being in London.
03:24Is it nice?
03:25Me?
03:26I love being in London.
03:27I lived in London for a while.
03:28Did you?
03:29Yeah, and I'm always thinking about coming back.
03:30Oh, well, feel free.
03:31My son is English.
03:32My son's half, you know, he's a citizen.
03:34So we're here all the time.
03:35Oh, so we could work.
03:36That's handy.
03:37Yeah.
03:38Get him over here.
03:39Yeah.
03:40Exactly.
03:41Keep Mama in dressing.
03:43And also back to Britain, Chris O'Dowd.
03:46Because you were in America for a long time.
03:48In America for a long time.
03:49But I married an English woman and she found it very hard to be away from Greg's Steak Bakes.
03:54Of course.
03:55Well, were you not tempted?
03:57Was it ever a discussion that you'd go back to Ireland rather than here?
04:00Still discussing.
04:01Oh, yes.
04:02If she's watching, I hope she watches.
04:05Really, it would be very disappointing if she didn't.
04:07The discussion is still open.
04:09OK.
04:10And, now, Naomi, you obviously know Ewan because you were in a film together.
04:16Yeah, we were.
04:17Yeah, we can't remember how long ago it was.
04:19No.
04:20It was a while back.
04:21It was 2016, I'll tell you with interest.
04:23Oh!
04:242016!
04:25It was as long as that!
04:26That is true!
04:27Jeez!
04:28Wow, you're both so old!
04:29I know!
04:30There we are!
04:31Look at that!
04:32Looking younger!
04:33You haven't aged a day, either of you.
04:34Wow!
04:35It was such a fun job to make, wasn't it?
04:36Only that was true.
04:37But what was the thing, so you had a friend who loved you?
04:40Yes.
04:41I had a friend who absolutely adored you.
04:44And you were so blind.
04:45No, no, no, still adored you.
04:47She has.
04:48Still adored you.
04:49The love is still there.
04:50And do you remember you turned up and they didn't know that you were coming and I'd organised
04:55this surprise birthday party for them.
04:57Yeah.
04:58And it was the best birthday they ever had.
05:00That's nice.
05:01Because of you arriving.
05:02Well, that's nice.
05:03Oh!
05:04I remember it very well, yeah.
05:05I remember it.
05:06It was nice.
05:07Up in Hampstead.
05:08Yeah.
05:09I don't think I knew that I was a surprise.
05:11No, you didn't.
05:12I didn't tell you that.
05:13The birthday bird is crying.
05:18Yeah.
05:19Oh, she's very excited this morning.
05:21Now, it's an exciting time to be Ewan McGregor.
05:24Nearly 30 years since Trainspotting.
05:26Yeah.
05:27But you've just received an honour in the east end of Glasgow.
05:30I don't know if you've seen your mural.
05:32Here it is.
05:33Oh, my God!
05:34Oh, my God!
05:36What?
05:37That's amazing.
05:39Yeah.
05:40I hadn't seen it.
05:41I thought I had seen it.
05:42But now I realise I hadn't.
05:44Because it says that.
05:45Shite being Scottish.
05:46That is an image that's really ripe for corruption.
05:49Someone needs a stepladder and some paint.
05:53Yes.
05:58You've got tough times ahead, my friend.
05:59It won't take long.
06:00It won't be long.
06:01At least it looks like you're really enjoying it.
06:05Begging for it.
06:06Really ready.
06:07Really ready for it.
06:08Oh, mercy.
06:09I've showed that sequence to my kids, you know.
06:12Oh, my God.
06:13This is the toilet sequence in Trainspotting.
06:15Yeah.
06:16Some of my kids are older now, so they've seen Trainspotting,
06:18younger one sudden.
06:19And showing...
06:20I said, you've got to just watch this.
06:21Oh, I'm younger.
06:22So I just showed them the toilet.
06:23I think it was my...
06:24Anouk was about ten.
06:25Oh.
06:26I said, look, watch this.
06:27And I showed her the scene where I'm at the worst...
06:30Right when it starts, the worst toilet in Scotland, you know.
06:33Yeah.
06:34And I thought it would be quite funny.
06:35And as I'm showing it to her, I'm realising, like,
06:37what am I doing?
06:38Like...
06:39I'm shitting my brains out and my door's going,
06:43who is my father?
06:44What the fuck is this?
06:47But anyway, then it goes all serene when I do the swimming.
06:50And then I had to explain why I was down there.
06:52It wasn't...
06:53Oh, it was a nightmare.
06:54Anyway.
06:55Yes.
06:56Scarring your children.
06:57There we are.
06:58But you had another honour because, congratulations,
07:00you've received your star on the Hollywood Walk of Fame.
07:03I did.
07:04There you go.
07:05Thank you very much.
07:07Well, that is a big deal.
07:09That was nice.
07:10What's really nice about it is just...
07:12I'm just...
07:13Over the back is Carrie Fishers.
07:15And I...
07:16You're a friend of Carrie's.
07:17You're is.
07:18And I was a friend of Carrie's.
07:19And I didn't realise they'd done that.
07:20But they put me really next to her, which is really lovely.
07:22Yeah, and that's the reason why I'm here doing this play,
07:25because Michael Grandage, who I worked with on the stage here
07:30on Othello in 2008 and we did Guys and Dolls in 2005 here,
07:35and I've loved...
07:36I always loved working with him so much, sent an email to me.
07:40I hadn't heard from him for a while.
07:41And he sent an email saying,
07:42congrats on your star.
07:43And I'd just been in Scotland and Mary, my wife,
07:47gave me a bunch of plays to read for my birthday or Christmas.
07:49And as I was leaving Scotland, I just plucked a play
07:52off the bookshelf there to read on the play on the way back.
07:54I thought I hadn't read a play in a long time.
07:56And it was The Master Builder by Ibsen.
07:58And I'd seen a lot of Ibsen plays, but never read one.
08:01And I loved it.
08:02So when he congratulated me on my star, I wrote back saying,
08:06it's lovely to hear from you.
08:08Thank you very much, first of all.
08:10Yes. Get that out of the way.
08:11And then I said, I just read Ibsen's The Master Builder.
08:13I must be wanting to go back on stage, dot, dot, dot, dot.
08:16Hoping he would pick up it.
08:18And he wrote me back saying, you're fucking kidding me.
08:21I've got a reworking of The Master Builder on my desk
08:25that's just arrived.
08:27I said, well, send it to me.
08:28It's just like the universe, you know.
08:30So this is my Master Builder.
08:32Yes.
08:33It's got to be at the Wyndham's Theatre from 17th of April
08:35to the 12th of July.
08:37Yeah.
08:38So what is its connection to Master Builder?
08:40Is it like...
08:41It's hard to...
08:42It's a new play.
08:43It's not like an adaptation of The Master Builder.
08:46It borrows some of the characters and themes, I suppose.
08:49But it is a brand new play.
08:50It's what I'd always wanted to do.
08:52I've never been in a new play before.
08:53And when Grandage and I were talking about plays in the past,
08:56I always said I'd love to do a new play.
08:58Because I love when you read...
08:59When you open a play up to read,
09:01it always has the original cast.
09:03And I thought it would be fucking cool to have your name in a script.
09:07That's why you want to be in a new play.
09:09I want to do a new play to get my name in a script for years to come.
09:13Someone goes, oh, yeah, who's that?
09:14I literally did the same thing recently.
09:16That's why I'm doing the play I made.
09:18I had opened up an old copy of Translations
09:20and little young Liam Neeson was in it.
09:23Oh, wow.
09:24As a 20-odd-something, I'm like, oh, I've never been in it.
09:27Like, what would you call it?
09:28Originated a role.
09:29Yeah.
09:30And I thought, I'll do that so.
09:32You're about to do that, are you?
09:35Yeah.
09:36Yeah, sure, why not?
09:37Yeah, so you are appearing at the Old Vic.
09:39This is The Brightening Air.
09:41The Brightening Air, gorgeous new Conor McPherson play
09:43from the 10th of April through June 14th, I think.
09:47Gorgeous piece.
09:48Set in the Midlands, kind of north-west,
09:50but a slightly dysfunctional family.
09:53Fabulous.
09:54And this man, you have not been on the West End stage for,
09:56is it 17 years?
09:57Yes.
09:58I did a play in New York 10 years or 11 years ago.
10:00Wow.
10:01But since I did Othello in 2008, I haven't done a play here.
10:05What's that first show like?
10:06Do you get, is it just terrifying or is it great?
10:08I remember Othello.
10:09I remember we all went, you know, we did our,
10:11whatever we did in the morning, the last-minute adjustments,
10:14whatever, and then we all went.
10:15The afternoon off, we sat in this restaurant.
10:17I remember sitting there, looking, thinking, why did I, what am I,
10:21why did I do this?
10:23It was just, like, terror.
10:24Like, you've never known such fear that you can't get away from,
10:27you know?
10:28Yeah.
10:29It's horrible.
10:30Yeah, because Naomi, you have done theatre, but you didn't like it.
10:32Yeah.
10:33I did not like it.
10:34I had exactly that experience.
10:36It was like, every night, I felt like I was going to throw up.
10:39Yeah.
10:40And I had this question in my head again, why am I doing this to myself?
10:43Like, I am choosing to do this.
10:45Yeah.
10:46There's no one holding a gun to my head.
10:47But I'm doing this to myself, so I've chosen never to do it again.
10:50But also, you had a weird thing in your play where it wasn't just stage fright,
10:53but then you had two, this was Frankenstein, and you had,
10:56uh, Johnny Lee Miller and, um, Benedict Cumberbatch.
11:00Yeah.
11:01The alternators.
11:02Uh-huh.
11:03And then you would die every night.
11:04Yeah, they would kill me every night.
11:05They would break my neck.
11:07Wow.
11:08Um, on stage, and then sometimes I'd be left in the most awkward position.
11:12where I was, like, trying to pretend I'm dead,
11:15but also trying to, like, keep my neck from breaking.
11:18Well, of course you never want to do it again.
11:19It was really not the best experience, I have to say.
11:21Break a neck.
11:23Just gasping back to life for a second.
11:25Ooh!
11:28Have you done theatre, Kate?
11:30I'm not professionally, but, but, but singing live is my new,
11:34is, is new for me.
11:36Yeah.
11:37And it's similarly terrifying.
11:38And then something happens when I sing and I just kind of, like,
11:41black out and I just love it.
11:43Mm, yeah.
11:44And, but it was, it was something I had to really get over
11:46because I love singing so much.
11:47I had to kind of get the courage to be able to do it.
11:49And then today I did my first, like, like, live, live, live.
11:53On Radio 2.
11:54Singing on Piano Room.
11:55Yeah.
11:56And, and I was like, oh my, I can't believe this is just going out
11:58into the world right now.
12:00Yeah.
12:01Which I had never done and that was pretty terrifying.
12:02Go on, do a bit now.
12:03Oh, no.
12:04We did it.
12:05We did it.
12:06We did it.
12:07We did it.
12:08We did it.
12:09We did it.
12:10We're joking.
12:11We got it.
12:12Don't worry.
12:13Don't listen to that man.
12:14And you do one of your speeches.
12:15It's like your old uncle.
12:16Go on.
12:17Now, here's the thing.
12:18Ewan, since you were last on.
12:19Yeah.
12:20You have returned to the Star Wars world with your own Obi-Wan Kenobi spin-off series.
12:32I did, yeah, yeah.
12:33Yeah.
12:34I did it.
12:35Now, you know, I've seen all the Star Wars.
12:40Yeah.
12:41I don't know them that well.
12:42So I didn't realise that you're Obi-Wan Kenobi.
12:45You'd never met a stormtrooper before this.
12:47No.
12:48No, I'd never had, or Darth Vader, because I'm sort of responsible for Darth Vader,
12:54in a way, really, because I left him in the lava there.
12:57And then he comes back, but I'd never acted with him.
13:01But the first bit of the stormtroopers was exciting.
13:04Like, it just made me seven years old again.
13:07You know, the excitement of seeing one and acting with one.
13:10Oh, there you are.
13:11Oh, oh.
13:12Yeah.
13:13High on life.
13:14I was trying to look tough like them, that's all.
13:17The stormtroopers are in Paris?
13:19No, London.
13:20Do you think my trousers are a bit short?
13:22Well, no, just the socks are very white.
13:24The socks are very white.
13:25I was going for that look, though, that sort of...
13:26You know, it's great.
13:27No, it's good.
13:28But then, with Darth Vader, the first thing we had to do with Darth Vader was a fight in episode three.
13:35I remember it was episode three.
13:36I don't know why.
13:37And we'd rehearsed it, and we were rehearsing it, and then we'd go and get ready.
13:41You know, they're like, OK, we're ready.
13:42First take, we'll get ready.
13:43So I'm getting ready, touching up my make-up and whatever.
13:47And then I just start with my back to him, and he runs up behind me, and I draw my sword and turn around.
13:52And when I turned around and I saw Darth Vader, I was like, fuck!
13:56Like...
13:58I properly...
13:59I properly got right.
14:01Like...
14:04Because it's like I'm seven again.
14:06It's like the face of terror.
14:07You're younger selves.
14:08It's just like, oh, my God.
14:10We had to do it again, because I totally came out of character.
14:13Yeah, yeah.
14:14Naomi's been very quiet.
14:15I'm sensing...
14:18Have you ever seen a Star Wars film?
14:19I haven't.
14:22I'm trying to get away with that.
14:23I'm sorry.
14:24I'm so sorry.
14:25I didn't think your face was going like...
14:31Darth what?
14:32Darth Vader.
14:34Listen, just a quick reminder that Ewan McGregor will be back on stage in My Master Builder
14:39from the 17th of April at the Wyndham's Theatre.
14:42But now...
14:43Yes!
14:47You have to come and see my play, but you also have to see Chris's play.
14:52You can't...
14:53You have to see them both.
14:54It's only fair.
14:55It's only fair.
14:56Yeah, it's only fair.
14:57It's only fair.
14:58Yeah.
14:59It's only fair.
15:00Now, Kate Hudson, actor extraordinaire, has turned singer-songwriter.
15:03Her debut album, Glorious, the deluxe edition, is out now.
15:08So, we were talking backstage.
15:09So this has been a long time coming, but kind of Covid really gifted this to you.
15:14Yeah, Covid was...
15:15It was like that moment right in lockdown when everyone was like, are we going to die?
15:20Is this actually happening?
15:21And I was just thinking about my creative output and if I was okay with it.
15:27Like if I was going to pass away, do I feel good about the things I put out?
15:33And it was just like, I got to do music.
15:36If I don't do it, I'll regret it.
15:37And so it started the process of me being like, I got to figure out what that looks like.
15:43And I have to do it.
15:45No matter what.
15:46No matter what.
15:47But didn't it all start with a Zoom?
15:48Was it a Zoom concert?
15:49I saw that.
15:50I've seen this.
15:51Oh.
15:52Oh.
15:53Isn't it?
15:54Like a Covid...
15:55Oh yeah, it was a Covid Zoom.
15:56Like amazing.
15:57You saw that Zoom?
15:58Yeah.
15:59Oh my God, that's so exciting.
16:00Because it was such a...
16:01It was a revelation to me.
16:02It was like, holy shit.
16:03You can really sing.
16:04I can't believe you saw that.
16:05Yeah, yeah.
16:06I...
16:07Yeah, well, I had been actually singing in our parent band at the school, which turns out to
16:12have like five Grammy award-winning artists in it.
16:15And it was like a little obnoxious and very serious.
16:19I got there and they were like, no, this is how the song goes.
16:22But they, a lot of the producers were like, why aren't you making a record?
16:27And then Tor from Stargate, who wrote Firework, asked me to sing a sort of pared down version
16:34of Firework for this charity.
16:37And then Linda Perry heard it and cold called me and asked me to come in the studio and sing a song.
16:41And I was just in that yes mode of like, I just need to be working with people.
16:45And then she asked if I wrote music.
16:47And I was like, since I was 19.
16:48And she goes, okay, let's write.
16:50And that started the process of writing Glorious.
16:53And then we took two weeks and wrote 26 songs in two weeks.
16:57Wow.
16:58It was like, it was just very prolific.
17:00And she kind of was like, I think we should stop now.
17:03And then it was actually hard to figure out what the album was going to look like.
17:10And these two songs on the deluxe were songs that didn't really fit into the album for me creatively,
17:17but I just had to put out, so.
17:20Well, here is one of the extra tracks on the deluxe edition.
17:23It's a little clip from Right On Time.
17:25Right On Time.
17:26She's a left-hand beauty with big blue eyes.
17:30Crooked smile, half a beat of time.
17:33She never planned her path in life.
17:36But she was writing all the time.
17:40She wore an A-line dress with a hyped-up skirt.
17:44Missed kissing her daddy on the way to work.
17:48She was ready for the big world in front of her.
17:51She was right on time.
17:55And the world fell in love, took a real new grace.
17:59And she never looked back on love or grace.
18:02And she's a shooting star, never stays in one place.
18:06She was right on time.
18:09Oh, she was right on time.
18:13Right on time.
18:15Wow.
18:16That's good.
18:21You sound great.
18:24Thanks.
18:25That's great.
18:28I think in an audience there's always a slight nervousness
18:31about, oh, actors going to sing now.
18:34It's really good.
18:36Yeah, and this song is, you know, it's about my mom.
18:38It was one of those things that I didn't set out to write,
18:42but it just, as I was writing it, it just was like,
18:45it became about my mom.
18:47And then I was thinking about, you know,
18:49do I put this song out?
18:50Do I wait?
18:51Do I...?
18:52And I just had to put it...
18:53I just had to put it out, you know?
18:54Yeah, it's gorgeous.
18:55Absolutely gorgeous.
18:56Thanks.
18:57What did your mom say what she heard is?
18:58She was confused at first.
19:00She was like, is this about me?
19:03And then I was like, yes, it's your childhood.
19:05And then it kind of hit her and she listened to it again.
19:08And, yeah, it was very emotional.
19:10I think, I feel like, you know, as you get older,
19:13it's like you do become the keeper of your parents' stories
19:16and we're such a close family
19:20and you sort of want to share those stories with your children
19:23but, like, the fact that I actually get to share it
19:26even more outwardly feels very good.
19:29It really feels good to honour my mom.
19:31Of course, you have sung in movies.
19:33You're So Vain with Matthew McConaughey.
19:35Oh, yeah.
19:36I mean, Matthew's a guy in ten days.
19:39Oh, my God.
19:41But why did you talk to Carly Simon about it?
19:44Because we were trying to get the song.
19:46Oh, so we could get the rights.
19:47And so we got her on the phone
19:49and she's like, sing me the song.
19:51I'm like, no.
19:52She didn't.
19:53I was like, no.
19:54And she goes, and I remember Carly saying something amazing
19:58and it's so true, which is, she goes, I don't know what it is,
20:01but I write myself songs that are hard to sing.
20:04So, like, she writes these songs and then she's always like,
20:07and then I got to go sing them.
20:08And I'm like, oh, this song is so hard to sing.
20:10And then when I was writing and I was, there's a couple songs
20:14where I'm always like, why did I write this song?
20:16It's just so hard to sing.
20:18But she was amazing.
20:20I said, Carly, we're going to butcher this song.
20:23We're going to butcher it.
20:24And she's like, great, go, have fun.
20:26And then everybody asked me to do it all the time.
20:30And I'm like, I want to do it with her.
20:32Like, I would love to do, redo that song with her.
20:37I think that would be it.
20:38Do it, yeah.
20:39I know, wouldn't that be fun?
20:40Talking about musical superstars, Chris, how did you meet Beyonce?
20:47Well, she asked nicely.
20:49We had been in an animated movie together, you know,
20:58and she was the lead and I was literally a slug.
21:01But she had brought her kid, this is probably a decade ago now,
21:06but she had brought her kid, Blue Ivy, I guess, at the time,
21:09to see it.
21:10And so I met her outside the screening just after she had watched it.
21:14And she came over to me and she said, what you want Beyonce to say
21:17to say to you when she meets you, she said, you have the best voice.
21:22And I said, you have a great voice too, Beyonce.
21:26And then I talked to her kid for a minute about it and then they kind of scroodled off.
21:38That was about it, Jeff.
21:40That was about it.
21:41But we stayed in touch never, so that was nice.
21:43Oh, that's...
21:45That's nice.
21:46Very quickly, Kate, we must mention you haven't given up acting because you've got a new TV show on Netflix,
21:52Running Point.
21:53Yes.
21:54It starts on the 27th of February.
21:55And this is a sports comedy.
21:57Oh, yeah.
21:58It's loosely based on Jeannie Buss, who is the president of the Los Angeles Lakers.
22:03And she came to Mindy Kaling, who wrote The American Office, and said, I really think this would make a great comedy.
22:10And we did it.
22:12And it's really funny and a blast and everyone's so great in it.
22:17And I'm really excited about it.
22:18Well, that's from the 27th of February.
22:20And Kate's album, Glorious the Deluxe Edition, is out now.
22:24Yes.
22:25APPLAUSE
22:26Meanwhile, Naomi Harris brings us Stephen Sutterberg's latest work.
22:33It's called Black Bag.
22:35It opens in cinemas on the 14th of March.
22:39And it's great.
22:40It's a big...
22:41Well, you know this.
22:42It's a big ensemble, set in the world of espionage.
22:46Really twisty-turdy.
22:48What could you tell us about it?
22:49Who are you in Black Bag?
22:51I play a clinical psychologist who is rather unorthodox in her methods with her patients.
22:59And that's all I can say, basically.
23:02Because it's a kind of like, who do you trust in this movie?
23:05And...
23:06Because it starts with a list of names.
23:08Yeah, exactly.
23:09Of suspects who might be the mole who are releasing information to people that they're not supposed to.
23:15And my name is on that list as well.
23:17And so it's kind of unravelling who is the real suspect at the end of the movie.
23:22And that's what Michael Fassbender does.
23:23Isn't it so fun when you're doing a movie where you're like, I can't talk about it?
23:27Yeah, I know.
23:28It's really, really difficult.
23:29I might...
23:30How do I describe this movie?
23:31There's nothing I can say.
23:32But it was...
23:33Yeah.
23:34So Michael Fassbender gets the list.
23:35He invites all the suspects to dinner.
23:37And that's our clip.
23:39These are the rogue agents gathered round the dinner table.
23:43Syria 2012.
23:45That was you.
23:47That was us.
23:48I don't know.
23:49I don't work on that side of the house.
23:50That op was tight.
23:51I read that string.
23:52It's a very sexy piece of code.
23:54It was all fine until little Eddie Snowden decided to call everybody out.
23:58So it was a fuck up.
23:59It shut Assad's ass right down, didn't it?
24:02How many civilians died as a result?
24:04Crazy good.
24:05Yeah, I don't find amorality attractive.
24:08Then give up either your profession or your sex life.
24:11I give it two weeks.
24:12Pfft.
24:13Optimistic.
24:14Did you get hell from my oversight?
24:16Nothing I couldn't handle.
24:17Oh, please.
24:18But they've been fucked with Catherine exactly once.
24:20Half of them lost their assignments.
24:21Because that's what bad bitches do.
24:23Ooh.
24:24Yeah, yeah.
24:26That's great.
24:29And that's just...
24:30That's just some of the past.
24:31Yeah.
24:32And I have to say also that clip doesn't show what's great.
24:34about this is it's a classic spy thriller but also with a lot of humour.
24:39Soderbergh has an amazing sense of humour and I think that's the wonderful thing
24:43in all of his films that it has such humour.
24:46Ewan would know because you worked with him.
24:48Yeah, yeah, yeah.
24:49He's amazing.
24:50Yeah.
24:51Black Bag.
24:52What is Black Bag?
24:53What is Black Bag?
24:54Yes.
24:55It's something that you put things in that you carry around and...
25:03No, it's the things that you don't tell.
25:06Oh.
25:07It's the secret things.
25:08Oh.
25:09Yeah.
25:10It's where you put all those...
25:11Yeah, your secrets.
25:12Yeah, yeah.
25:13Do you have one of those?
25:14What?
25:15I call it a bin.
25:16LAUGHTER
25:17In my house.
25:18Stephen Soderbergh rejected that title.
25:19LAUGHTER
25:20Been in my house.
25:21I still have a bin in my house.
25:22I still have a bin in my house.
25:23I still have a bin in my house.
25:24I still have a bin in my house.
25:25I still have a bin in my house.
25:26I still have a bin in my house.
25:27Everyone looks so beautiful in that clip.
25:28Yeah, I know.
25:29It was like such a beautiful cast.
25:30Yeah.
25:31Well, I mean, it's Cape LJ, Michael Fassbender, it's you but Pierce Brosnan's in it.
25:32Yeah.
25:33Reggie Jean-Page.
25:34Yeah.
25:35Tom Burke.
25:36Yeah.
25:37It goes on and on.
25:38It really does go on.
25:39As you're watching the film, you go, oh, they're in it.
25:40Oh, they're in it.
25:41It is terrific.
25:42And Steven Soderbergh, you hear that name a lot.
25:43He's made all these amazing movies.
25:44Is he a very intimidating presence on set?
25:46What's he like as a director?
25:47He's not intimidating at all.
25:48He's just so kind, so generous.
25:50He just makes you feel so comfortable.
25:52But he's a very intimidating presence on set.
25:54What's he like as a director?
25:55He's not intimidating at all.
25:57He's just so kind, so generous.
25:59He just makes you feel so comfortable.
26:01But it's the most unusual directing experience I've ever had in my life
26:06because he literally trusts you.
26:08He's just kind of like, I've cast well.
26:10You've got the role.
26:11You know exactly what you're doing.
26:13So he never, ever says, like, I want it like this.
26:16I want it like that.
26:17He just leaves you to your own devices, which I thought was amazing.
26:20I mean, terrifying in the beginning.
26:22Yeah.
26:23But then, ultimately, it's such a gift.
26:25Because Ewan, you've worked with amazing directors over here,
26:27but even something like George Lucas.
26:29There's a story about he was working with a young actor,
26:32a co-star on Star Wars, and he couldn't get what he wanted
26:35from the young actor.
26:36Yes.
26:37Do you know the story I'm talking about?
26:38I do, I do, I do, I do.
26:39Yeah.
26:40Yeah.
26:41I can't remember the young actor's name, though.
26:43Daniel Logan.
26:44Thank God you're here.
26:48Can I just say, I'm amazed that was written down.
26:51Because I was thinking, oh, fuck, I don't know it either.
26:56It was a scene where it's, no, here we are with Star Wars facts,
27:00like, who was Daniel Logan playing?
27:02He was the son of...
27:03LAUGHTER
27:05Is he...
27:06I think he becomes Boba Fett, I think.
27:08Yes, he does.
27:09Oh, thank God.
27:10Yes, he does.
27:11It's in episode two.
27:12OK, so there's a moment, he comes to my...
27:14I've got to go to their apartment.
27:16His dad...
27:17I'm chasing his dad.
27:18I can't remember why.
27:19And his dad's got one of those hel...
27:21He's like one of those...
27:22Oh, yes.
27:23Helmety people, you know.
27:24LAUGHTER
27:25And so anyway, George was asking him to...
27:27Basically, he wanted him to be suspicious of me.
27:29The door opens and I'm standing there,
27:31and he had to be, like, suspicious of me a bit.
27:33And George wasn't...
27:35He wasn't making himself clear.
27:37And the poor Daniel, who was only a kid at the time,
27:39just was...
27:40He was just trying all the wrong things and it was...
27:42So I just took him aside and I said, look, when the door opens,
27:45just imagine that you smell like I've done a terrible fart.
27:49LAUGHTER
27:50And he looked at me and he went, what?
27:52And I said, just try it.
27:53So I opened the door and he went...
27:55LAUGHTER
27:57And that's the thing, that's the scene in there!
27:59LAUGHTER
28:00There you go, have you got it?
28:01There you go.
28:02There you go.
28:03There you go.
28:04LAUGHTER
28:06LAUGHTER
28:08It worked, it worked, it worked.
28:10I was like, I've always been directed by the kids.
28:13LAUGHTER
28:15Like, I had one kid that I was working with one time
28:17that was like, are you going to do it like that?
28:19And I was like, oh, I think so?
28:22Should I not?
28:23I'm like, well, maybe you should, you know, not be so serious.
28:26I was like, oh, OK.
28:27LAUGHTER
28:28There are no filters, no.
28:29Because, Chris, you do directing now
28:31and I heard you talk about how you love giving notes
28:35to the background artists.
28:37Oh, yeah.
28:38Like the people in the crowd scenes and things.
28:39You know, particularly when you're trying to drum up
28:41some kind of an atmosphere.
28:42There was actually a moment in the latest thing where Paddy Considine
28:45reveals this piece of information about himself
28:47and it kind of changes how his reputation is observed
28:51by all of these locals.
28:53And so I was saying, like, all right, guys, when he does,
28:55when he tells you all this stuff, you know, I need you to kind of,
28:57you're not going to love him as much anymore.
28:59You know, it's kind of like, as he's kind of walking away,
29:01she's like, ooh, you know, you know.
29:03And they were like, yeah, gotcha, boss, gotcha.
29:05And so then we start, OK, and rolling.
29:08Wanker!
29:10LAUGHTER
29:12Ooh!
29:13Like, no, no, let's bring it down.
29:15We'll go back down to water.
29:17LAUGHTER
29:20Talking of background artists, Naomi, you must know this.
29:24That still that went everywhere from Skyfall,
29:27do you know the one I'm meaning? Yes.
29:29You are giving your all.
29:31And there's a background artist who walked by...
29:33But this is in the film, so...
29:35I know.
29:36OK, this lady is just...
29:38She...
29:39LAUGHTER
29:41People just love this woman.
29:44LAUGHTER
29:46I don't know whether to go back to her life,
29:48but people love her so much they start putting her in other films.
29:52No way!
29:53So there's one from Star Wars,
29:55where she's just hanging out in Star Wars.
29:57LAUGHTER
29:58But there's a very good one for...
30:01I almost didn't see her in the Avengers one.
30:04LAUGHTER
30:05She really blends in.
30:07She really blends in.
30:09LAUGHTER
30:10But this one's my favourite.
30:12In Back in the Future.
30:13LAUGHTER
30:15APPLAUSE
30:16Very good.
30:17So, Naomi's film, Black Bag,
30:21that is in cinemas from the 14th of March.
30:24But now...
30:25Yes!
30:26APPLAUSE
30:27But now...
30:28Chris O'Dowd brings us a very funny new TV series.
30:32It's called Small Town Big Story.
30:35It starts the 27th of February on Sky Atlantic.
30:38And now...
30:39So this is really your baby.
30:40So tell us all about it.
30:42Yeah, it is, I suppose.
30:43I came up with it and then, you know, this...
30:45I direct the first couple of hours of it and write on most of it.
30:48And we've got some other directors and fantastic writers as well.
30:51But it was something that came out of my little head when we were living in Toronto.
30:55I was...
30:57LAUGHTER
30:58Um...
30:59Where are you from?
31:01LAUGHTER
31:04LAUGHTER
31:05So I was doing a film in Toronto and it was during lockdown, like yourself,
31:11you know, and you're like, what am I to be at?
31:13And we had this little red room.
31:14When the kids would go off to Montessori, I'd go off walking for hours looking for something
31:18to do.
31:19It was a stay-at-home order in Toronto.
31:21You couldn't do anything, really.
31:23And so you could only walk outside and I'd walk through a ravine and I was kind of
31:26reminded of being home and then I kind of ended up writing this story.
31:29And marijuana, of course, is legal in Canada and one thing led to another.
31:33LAUGHTER
31:34And when I started watching it, I just thought, oh, Chris isn't in this.
31:38But you are in it.
31:39Yeah, yeah.
31:40Couldn't stop me.
31:41Couldn't bring me down.
31:42LAUGHTER
31:43I come into it later on in the season.
31:45I played this blackguard, just a liar.
31:47I wanted to play somebody that just felt like a 100% bullshitter.
31:52Like, you don't meet them.
31:53You don't meet them in the same way that you used to because people can be found out so
31:57easily now.
31:58But I wanted to play someone who is like, can I believe this guy?
32:01And then, yeah, maybe.
32:03LAUGHTER
32:04The clip we've got is actually your character, Jack, the writer of the book they're filming.
32:08And here you are with Christina Hendricks and Patrick Martins.
32:13What was the name of that programme used to be on?
32:19Where they were all living on a spaceship for some reason?
32:22Star Trek?
32:23No.
32:24Battlestar Galactica?
32:25No.
32:28Are we going to get more clues or are we just guessing now?
32:31Was one of them a cat?
32:32Maybe.
32:33One of the astronauts was a cat?
32:35Yes.
32:36Red Dwarf.
32:37The very one.
32:39Good woman, Wendy.
32:44Are they bringing it back or something, Jack?
32:46I have no idea, Julian.
32:47No, I was trying to recall what it was they called those stars in space that expand far
32:52too quickly and implode violently.
32:57And then diminish into nothing but a lonely rock floating in a vast abyss.
33:04And now I know.
33:05APPLAUSE
33:13The research tells me, but you look the same.
33:16But they're not your teeth.
33:18No.
33:19No.
33:20Ah, no.
33:21I've got my own teeth.
33:22But I had some...
33:23LAUGHTER
33:25Look at those now.
33:26I had teeth made for a movie once where I wanted the guy to have fake teeth and then
33:31they were really expensive to get made and the movie didn't go.
33:35And I thought, I'm going to get used to these fucking teeth.
33:37Oh, right, right.
33:38LAUGHTER
33:40I dusted off the old teeth.
33:42Yeah.
33:43And just stuck them in a new character.
33:44Works grand, you wouldn't know.
33:45LAUGHTER
33:47And is it right that you wanted to go back to film in Ireland since the end of Moonboy?
33:51Yes.
33:52We had done three seasons of Moonboy.
33:53It's in a similar area and I kept meaning to get around to it and just kind of hadn't
33:57and then this opportunity arose.
33:59So it's great.
34:00It feels like it's kind of a grown-up version of Moonboy a bit.
34:05Tonally similar but adult themes.
34:07And actually, Martin Moon is in this.
34:09Yes.
34:10Yes.
34:11Little Martin Moon who...
34:12Oh, look at him there now.
34:1321, 22.
34:14David Rowell is a fantastic actor.
34:16It's so mad.
34:17We had him when he was 10 and he did three years and we thought, you know, fame would ruin him.
34:22But he's absolutely fine.
34:24Gorgeous young fella.
34:26So it's great.
34:27And Moonboy all set in Boyle but this isn't Boyle.
34:30This is a fictitious place.
34:31Why that?
34:32There's physical reasons I couldn't.
34:34I wanted to play around with the shape of and the needs and I wanted there to be this magnet mind that's connected to narrative.
34:41And also I thought, well, I don't want to overimpose.
34:43You know, you don't want to overstay your world.
34:45Boyle's still in it and we filmed there for a few days and essentially it's the town.
34:49There's a competition between Drumbon, our kind of fictitious Ballybeg type place and then Boyle, this beautiful, I don't know if you've been to it, but stunning place in the northwest of Ireland.
35:02Toronto.
35:03Are you from Toronto?
35:04Yeah.
35:05And they kind of battle to find out who's going to film there in the end.
35:10And so Boyle does feature quite heavily.
35:12I don't think I've been to Boyle.
35:13It does sound like quite an extraordinary place.
35:15Is it a festival they have in the summer?
35:17Yeah, big arts festival, which I opened this year.
35:20Brendan Gleeson opened it last year with big art from all around the world.
35:24It's also or was certainly the European capital of UFO sightings.
35:30Oh.
35:31Yes, I'm going.
35:32I'm in.
35:33It's great.
35:34I'm into UFOs, Kate.
35:35Have you seen one?
35:37Maybe.
35:38My mom has.
35:39Been on one.
35:40It's, you know, listen.
35:41No, totally.
35:42She may or may not have been abducted by Ian.
35:43In the 60s.
35:44Well I think the sightings in Boyle may have been for the same, not necessarily for the same reason, but there's definitely a kernel of something unusual in the skies over there.
36:00Oh, I love it.
36:01Yeah.
36:02Tell her to come over.
36:03She's more than welcome.
36:04She can teleport any time.
36:05Because, Ewan, of course, this is familiar territory to you because Creaf, not a huge town in Scotland.
36:12Yeah.
36:13So here's the thing.
36:14What age were you when you delighted the viewers of Scottish television with your French horn?
36:26Oh, God.
36:27Oh, 16, I think.
36:2816.
36:29So this is...
36:30Oh, are we going to watch this?
36:31I'm so excited.
36:32Oh, no.
36:33Only a tiny bit.
36:34Okay.
36:35There's a little taste of 16-year-old Ewan McGregor.
36:37So we cross now to Kay Duncan in the Grampian Studios for a touch of music.
36:43It was a real programme.
36:44And from that haunting melody, we move to the music of Mozart and a horn concerto performed by 16-year-old Ewan McGregor from Creaf.
36:52Oh, dear.
37:05The hair.
37:07It's all about the hair.
37:09It's all about the hair.
37:10I mean, you had that hair with a French horn.
37:12I know.
37:13It says something.
37:14But also, yeah.
37:15It's like punk French horn.
37:18French horn.
37:21Why did you play the French horn?
37:23I started playing the French horn, I think, because the school had one.
37:26For the chicks?
37:31I think they just had one.
37:32My brother had played...
37:33My brother played trumpet.
37:35And then the school had a horn, I suppose.
37:37I think that's why.
37:38Yeah.
37:39But it is absolutely right.
37:40I've always done stuff that's awkward and difficult.
37:43And the horns are not greatly...
37:45Other than an orchestra situation.
37:47You've got to bring back the French horn.
37:48You've got to bring it back.
37:49I still have one.
37:50You do?
37:51I do, yeah.
37:52I still blow it now and again.
37:53I'm not very good.
37:54I do.
37:55I like it.
37:56I do like the horn.
37:57Good to know.
37:58Good to know.
37:59Just a reminder that all episodes of Christmas show Small Town Big Story
38:03will be available for the 27th of February on Sky Atlantic.
38:06And now...
38:07Yay!
38:08Yeah!
38:09Yeah!
38:10Pick up yourself.
38:11Right, it's time for music.
38:13Since her debut album in 2019, the singer-songwriter has become one of the most exciting names in British pop music.
38:19Here performing Focus Is Power, it is Self-Esteem!
38:24CHEERING AND APPLAUSE
38:28I never thought I told you anything I long for
38:34While I was in the water
38:37Swimming against tides with torture
38:40Take it and I strike, laugh it off
38:43Take it on the chin just right
38:45Don't be too loud or too quiet
38:48But I got all this fire
38:50And now I see it clear
38:53With every passing of each year
38:56I deserve to be here
39:01And every time I fall
39:04I crawl back like an animal
39:07My focus is powerful
39:14We never had it better
39:17By heading on together
39:19Before the pushing and the pulling
39:22The shapeshifting, undoing
39:25To give them one thing once
39:27Whether it's what I want or know
39:30She wasn't up to me
39:32But now it could be
39:35And now I see it clear
39:38With every passing of each year
39:41I deserve to be here
39:46And every time I fall
39:49I crawl back like an animal
39:52My focus is powerful
39:55And now, I know you're feeling ready for your bow
40:06But the world is in your hands
40:08You took it down
40:12So what are you gonna do with it now?
40:16Keep singing
40:18Keep singing, singing, singing
40:19And now I see it clear
40:23With every passing of each year
40:26I deserve to be here
40:29And every time I fall
40:34I crawl back like an animal
40:37And all my focus is powerful
40:40And now, I know you're feeling ready for your bow
40:49But the world is in your hands
40:53You took it down
40:54You took it down
40:57So what are you gonna do with it now?
41:01Keep singing, singing, singing
41:04And now, I see it clear
41:08With every passing of each year
41:11I deserve to be here
41:16And every time I fall
41:19I crawl back like an animal
41:22My focus is powerful
41:28Whoa!
41:29Oh!
41:31Step 18, everybody!
41:35And a choir and musicians
41:36Come on over, Rebecca!
41:39How beautiful was that?
41:40It was gorgeous
41:41Thank you so, so much
41:43Thank you, thank you
41:44Thank you
41:45Lovely evening to see you
41:46Hello
41:47Hello
41:48This is Chris
41:49Hello
41:50Hello
41:51Hello
41:52Hello
41:53This is my friend Naomi
41:54Hello
41:55This is my friend Naomi
41:56Hello
41:57Hello
41:58This is my colleague
41:59Hello
42:00How are you?
42:01Hello, how are you?
42:02Nice to meet you
42:04Thank you very much for that gorgeous performance
42:06And thank you to the choir
42:08Did you put that choir together?
42:12Hello
42:13It's just one of my mates
42:14OK, your friends
42:15OK, cool
42:16Thank you very much
42:17And you do know some people on the couch
42:18Because you were on with Kate before
42:19Right?
42:20Kate Hudson and I are colleagues
42:21Yeah
42:22Yes
42:23We only do it together
42:24Yeah
42:25To see them again in two years
42:26And then
42:27When you and said hello to
42:28I heard a little
42:29Fucking hell
42:30Sorry
42:31You are genuine
42:32Fan
42:33Oh, yes
42:34Oh
42:35It's stressful
42:36Because
42:37I went to see Moulin Rouge
42:39Six times at the cinema
42:40And you see
42:41In Sheffield
42:42I kept that cinema alive
42:44That kid
42:45LAUGHTER
42:46But yes
42:47But I don't want to
42:48You know, I'm going to play it cool
42:49It's fine
42:50Well, no
42:51Not that cool
42:52Because you did send us a picture
42:53Now what is this a picture of?
42:55Well
42:56I went to Madame Tussauds the other day
42:58LAUGHTER
42:59What day?
43:01Oh, it was Valentine's Day
43:03LAUGHTER
43:05I don't want to discuss my private life
43:07And
43:08But I
43:09Be-lined for the Ewan McGregor
43:11And you took
43:12You took this picture
43:13LAUGHTER
43:14Oh, my God
43:15APPLAUSE
43:17Beautiful
43:19Well, it very nicely went
43:20I'm not sure I'm good on looking there
43:22It's a good day to not put any make-up on at all
43:25LAUGHTER
43:26So, Rebecca, that single
43:28That's from your third album
43:30A Complicated Woman
43:31Which is out April 25th
43:32Which is a fantastic cover
43:33I love that cover
43:34It's great
43:35Oh, that's cool
43:36APPLAUSE
43:38APPLAUSE
43:39APPLAUSE
43:40Is it pure Handmaid's Tale
43:44Or is it referencing something else?
43:45No
43:46Erm
43:47Sort of
43:48I feel like as a woman
43:49Here we go
43:50Erm
43:51LAUGHTER
43:52You know what I mean?
43:53Go on
43:54I'm fed up of talking about it
43:55But erm
43:56Sort of feel like you can't win
43:58Do you know what I mean?
43:59So
44:00The Crucible
44:01And things like that
44:02And the
44:03We're meant to be chained to the sink
44:04Kind of thing
44:05It feels like the world is wanting women to
44:06Shut up
44:07And go back to
44:08What it was like in the olden days
44:10Or what not
44:11So it's also
44:12Er
44:13Er
44:14I don't know
44:15Screaming through
44:16Er
44:17The
44:18Er
44:19I've not talked about it enough
44:20Yeah
44:21The
44:22The patriarchal hold
44:23That
44:24I
44:25Er
44:26Suffer from
44:27You can tell I've not really talked about it much
44:28Can it?
44:29APPLAUSE
44:31Now
44:36You're doing four shows in the West End
44:38To promote the album?
44:39Yes
44:40So I can't talk about it much
44:41OK
44:42But erm
44:43I'm doing a like theatrical gig experience
44:46OK
44:47Erm
44:48Can you say
44:49It's not like a gig?
44:50Well
44:51No, Chris O'Connor
44:52It's not
44:53Erm
44:54It's er
44:55I want you to come out of it feeling like you've
44:57Smelled it
44:58Erm
44:59Jagged it
45:00Like
45:01Argued with it
45:02And then
45:03Kissed it
45:04I mean
45:05Erm
45:06So yeah
45:07So I
45:08Where can you get tickets for this?
45:10Well
45:11It's sold out, Ewan McGregor
45:12I'm sorry
45:13Well
45:14Er
45:15Good luck with it
45:16Good luck with those shows
45:17Good luck with the album
45:18And thank you so much for that performance
45:19Thank you for having me again
45:20It's lovely
45:21Yeah, it's lovely to have you
45:22Self-esteem everybody
45:23And right
45:24That's nearly it where we go
45:25Just time for a quick visit to the big red chair
45:28Who is there?
45:29Hello
45:30Oh hi
45:31Hi
45:32Hi
45:33What's your name?
45:34I'm AJ
45:35AJ
45:36And where are you from AJ?
45:37I'm from London
45:38Lovely
45:39And what do you do in London AJ?
45:40I'm a doctor
45:41An actual doctor?
45:42Yeah
45:43Wow
45:44Anyone else feel old?
45:45You're the doctor?
45:47Off you go with your story AJ
45:48Erm
45:49So I was working in night shift in A&E in quite a nice part of the world
45:51It's like
45:52You're the doctor
45:53You're the doctor
45:54Off you go with your story AJ
45:55Erm
45:56So I was working in night shift in A&E in quite a nice part of the world
45:59And I was asked to see an older female patient with her husband
46:04And they were quite a well to do couple
46:06Quite well dressed
46:07And she was complaining of abdominal pain
46:10So it quickly became apparent in my examination that there was no abdominal pain
46:16Her husband quietly takes me to the side and says
46:20You know look it was our anniversary tonight
46:23And I wanted to get her a gift
46:25And I was waiting for him to say
46:28And um
46:29He'd purchased her some anal beads
46:31Wow
46:32Um
46:33I love that story
46:34I love that I'm in
46:35And they had tried them that night
46:37Yes
46:38And he was worried that maybe a couple were still inside her
46:42Um
46:43So
46:44Wherever we thought this story was going
46:48Yeah
46:49Very good face
46:50Very good face
46:51Very good face
46:52It's a horrifying fabulous story
46:53And I'm in
46:54So
46:55So we think
46:56Can we get back to the fact that he got her something nice
46:59Yes
47:00He got her something
47:01Yes
47:02I see
47:03She probably asked for some beads
47:05Yes
47:06She asked for some beads
47:07Um
47:08So
47:09So the string is broken
47:10There's some stray beads
47:11There's some stray beads
47:12Oh
47:13So um
47:14Myself and my senior
47:15We go in
47:16To retrieve the beads
47:17And um
47:19Whilst my hand is still
47:21You know
47:22Inside
47:23Um
47:24The husband says
47:25So
47:26Doctor
47:27When do you think we could try this again?
47:29Is tonight too soon?
47:32Oh
47:33Is tonight too soon?
47:34So I just gave them copious amounts of lube and said goodnight
47:37You could walk
47:41Best story of the series
47:43I thought he meant
47:44I thought he meant
47:45When can we do this again with her?
47:47Oh I see
47:48That's what I was
47:50When can we do this again with my wife again?
47:52When can we do this again with your
47:54I do admire the commitment
47:56Yeah
47:57You know
47:58And they just needed to get it done
48:00Was that not um
48:01Breaking the old confidentiality though?
48:03From my reader
48:04The contract mother
48:05I don't think they'll come forward to complain
48:12OK
48:13That really is all we've got time for
48:15If you'd like to go and go and show yourself
48:16And tell your story
48:17You can contact the fire website
48:18With this very address
48:19Hey
48:20Please say thank you to all of my guests tonight
48:22Self-esteem
48:25Christopher Dowd
48:26Amy Harris
48:28Kate Hudson
48:32And Ewan McGregor
48:33That's it from me for this series
48:37I'm away next week but I'll be leaving you for the final show in the cable hands of Claudia Wiggleman
48:42Whose guests would include
48:44Singer Rachel Tsunini
48:45Comedian Rob Beckett
48:47Great British actor Toby Jones
48:49Derry Girl Saoirse Monica Jackson
48:51And Hollywood star Chris Pratt
48:53I'll see you next time
48:54Good night everybody
48:55Bye
48:56Bye
49:02One extra salute to the MOBO Awards
49:04Take a trip down memory lane
49:06With back to back music from some of the most legendary winners over the years
49:10Listen on sounds
49:12Here next, performances from the likes of Bashi and the Queen of Dancehall
49:16Spice and highlights of this year's MOBOs
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