The Graham Norton Show Season 32 Episode 11

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Transcript

00:00Oh, oh, you lovely people.

00:25Oh, thank you very much.

00:28Hello.

00:30Good evening, everyone.

00:34Oh, you are so welcome to the show.

00:38It's Friday night, and like a bare bottom on a photocopy

00:42at a Christmas party, I'm back.

00:44And we have a great line-up for you.

00:46Over on our music stage, singing for us later,

00:48it's Flo, everybody.

00:51Yeah.

00:53They're going to be singing Access All Areas,

00:55but who's got access to my sofa tonight?

00:58Well, he's best known for his outstanding performance

01:00as Roman Roy in the hit HBO series Succession,

01:04which after four seasons culminated in his first Emmy

01:07and Golden Globe wins.

01:08Now he's taking to the big screen in the Comedy Road movie

01:11A Real Pain, it's Kieran Culkin.

01:17Here he is.

01:18Just a minute.

01:20I'm here to see you.

01:21Yes, I am.

01:24That's who that is, yeah.

01:26As an actor, he was Oscar nominated for his portrayal

01:29of Facebook founder Mark Zuckerberg and The Social Network.

01:31And as a writer and director,

01:34he brings us the very personal family comedy,

01:36A Real Pain, in which he co-stars with Kieran,

01:39it's Jesse Eisenberg!

01:41Yeah!

01:43Yeah!

01:44Hello, everyone.

01:46Hello.

01:46Nice to see you.

01:47Nice to see you.

01:48Nice to see you.

01:49Nice to see you.

01:50Nice to see you.

01:50This Galway girl made her name as Claire

01:54in the smash hit Derry Girls

01:56before going all high society's Penelope in Bridgerton

01:59and even fulfilling her childhood dream

02:02of being a Barbie girl.

02:03Now she's traveling through time and space

02:05for Christmas with Doctor Who.

02:07It's Nicola Coughlin!

02:10Oh!

02:11Oh!

02:12A golden suit!

02:14A golden suit!

02:15Hello, hello.

02:16Hello, hello.

02:18Nicola Coughlin, everybody.

02:20And this British star has played an intrepid journalist

02:25in Girl with the Dragon Tattoo,

02:27the super sleuth Benoit Blanc in Knives Out

02:30and even briefly dabbled in the world of spies.

02:33Now he's exploring love, loss and loneliness

02:37in the acclaimed new drama Queer.

02:39It's Mr. Daniel Craig!

02:47Hello, it's a boy.

02:48I'm really well.

02:49Have a seat, dude.

02:50Hello, hello, hello, hello, hello.

02:52Very nice.

02:53We have met, I know, but we have met, I know that.

02:55Oh, yeah, perfect.

02:56Have a seat, dude.

02:59Lovely to see you all.

03:00Hello, hello.

03:01Last time I was here was Covid.

03:02You weren't that close.

03:04Yeah.

03:05Now they're breathing all over you.

03:07You can feel their breath.

03:09Lovely.

03:10And a first-time welcome to Jessie and Kieran.

03:12Thank you very much.

03:13I've actually been on your show before.

03:14I've actually been on your show before.

03:16I've actually been on your show before.

03:17Nice memory.

03:18Good.

03:19I'm glad that you couldn't see me.

03:20No, you haven't.

03:21We did the radio together.

03:22No, we did that.

03:23That was a couple of years ago, but around 2002, 2003.

03:25As a matter of fact, I think we have pictures of it.

03:27Really?

03:28Really?

03:29I think so.

03:30Oh, my God!

03:31No, no, no.

03:32One of you don't remember.

03:33That was me?

03:34Jesus.

03:35Put that...

03:36Get that away.

03:37From you.

03:38There we go.

03:39Oh, my God.

03:40What are you doing?

03:41Was this...

03:42Was this 50 years ago?

03:43Yes.

03:4445, 50.

03:45Yeah.

03:46One of us has aged slightly worse than the other, I would say.

03:50Now, if Nicola looks a little windswept, it's because you rushed here from...

03:55Was it the side of Bridgerton?

03:56Yes.

03:57Yeah, yeah, yeah.

03:58So...

03:59So, literally the plan was, I was like, I was picked up at like 4 in the morning and then

04:05I got in and I was like, I've got to get the wig off.

04:07I've got to get on the bike.

04:08I'd never been in a motorbike before.

04:09And I felt really excited until I got on it.

04:11And then I wanted to die.

04:12It was so funny.

04:13Oh, we've got a picture of you on the bike.

04:15Oh, there she is!

04:17Oh, ho, ho, ho!

04:19Look!

04:20Is that right?

04:21You're that wrong?

04:22Yeah.

04:23That's what I was...

04:24That's what I was...

04:25That's what I was getting on.

04:26If you zoom in, you can really see the fear in my eyes.

04:29Um...

04:30And look, I know you think you're cool because you're James Bond, but I think we all know

04:35it was the coolest looking person on his couch.

04:37Yeah!

04:38But it's...

04:39Yeah, it was an experience.

04:40What were you doing with the microphone?

04:41What were you talking about there?

04:42We were having chats.

04:43Okay.

04:44Me and my driver, he's from Glasgow.

04:45We were talking about drinking Guinness and...

04:47Oh, really?

04:48We had a lovely time, but I wasn't thinking about dying.

04:49That's not distracting as he's driving you?

04:51Yeah.

04:52Well, he did make a joke.

04:53I was like, I've never done this before.

04:54Ha-ha-ha-ha!

04:55Yeah, he was great.

04:56It's a good joke.

04:57I'm alive!

04:58So...

04:59And two huge television shows represented on the show tonight, Bridgerton and Succession.

05:07Daniel, which of those do you prefer?

05:09You haven't seen either, have you?

05:12You know he hasn't.

05:13Nailed it.

05:14Do you watch any telly?

05:15No.

05:16Oh, Daniel!

05:17Not even married at first sight.

05:18It's really good.

05:19Is it?

05:20Jessie, you seem also psyched.

05:21Do you watch any television?

05:22No.

05:23No.

05:24No.

05:25You don't have a TV.

05:26No.

05:27Oh, that's a real hindrance.

05:28My wife grew up without a TV.

05:29On my wife's 12th birthday, her mom, as a gift her, rented a TV for two hours to watch the Babysitter's Club.

05:35Oh!

05:36So, I married into, like, a Luddite family, and so I never had a TV.

05:40He told me he watches movies on his phone on his knee.

05:43Yeah.

05:44And this is a filmmaker, by the way.

05:45Yeah.

05:46He likes to watch movies.

05:47That's a great knee.

05:48Yeah.

05:49Presumably it would drive you mad if someone was watching your movie on a phone on your knee.

05:52Oh, I don't care.

05:53I really, you know, don't.

05:54I think about it all the time.

05:55I'm like, you know, people are saying, like, I want this movie to play this movie.

05:58I don't care.

05:59I don't care.

06:00I really don't.

06:01I think about it all the time.

06:02I'm like, you know, people are saying, like, I want this movie to play this movie.

06:04I always just think, like, I'm so happy to be here on the set.

06:07This is the coolest thing in the world.

06:08I don't care what happens afterwards.

06:09But I thought you were the same way.

06:11I mean, but I like to watch a movie in the theatre.

06:13Oh, yeah.

06:14Not on a phone.

06:15I've never watched a movie on the phone.

06:16That sucks.

06:17Do you care how people would be watching you?

06:18No, I don't really care if anybody watches the thing, I guess.

06:20Right?

06:21I did it already.

06:22I did the thing.

06:23I'm done.

06:24Thank you for letting me do it.

06:25Yeah.

06:26No, great job selling the film.

06:27And...

06:28Yeah.

06:29It really...

06:30You've really nailed it.

06:31I think...

06:32Yeah, you haven't been on for 20 years.

06:35Yes.

06:36Exactly.

06:37I thought the haircut would have helped, but, yeah.

06:39All right.

06:40And, guys, I should...

06:41A little word of warning before you get going.

06:43Oh.

06:44When you say things in interviews,

06:45sometimes things can be taken out of context,

06:48they can even go viral.

06:49Are you looking at me?

06:50No.

06:51You are?

06:52No, I'm actually looking at Nicola,

06:53because what...

06:54You were doing press.

06:55Was it for Bridget and you were doing press?

06:56Yes.

06:57And what have they actually asked you?

06:58Well, they asked me, they said,

06:59if you weren't an actor, like, what would you do?

07:01And sometimes I say maybe a Montessori teacher,

07:03but when you've done a junket,

07:04and it's the same question a million times,

07:05I was like,

07:06you know when real housewives only make music for gay men?

07:09You may actually...

07:10I'm looking at you as if you'll know.

07:11I was like, Jesse...

07:12You wrote me into your problem.

07:14Jesse's like,

07:15Actual housewives?

07:16Yeah, yeah, yeah.

07:18Yeah, so they sometimes just make songs

07:19that are just listing things.

07:21It's like Private Jets, Louboutins.

07:23And I just said this in an interview,

07:25but then this DJ in America, Alice Mia,

07:27made it into a song.

07:28And he really did.

07:29This is it.

07:30Don't even explain it.

07:31This is it.

07:32Here we have it.

07:33Here we go.

07:34Sometimes you know when the real housewives release

07:35pop songs just exclusively for gay men?

07:37That's like my dream job.

07:38Because they don't even really sing,

07:39they just list things and like...

07:40Shoes.

07:41Caviar.

07:42Caviar.

07:43More shoes.

07:44Shoes.

07:45Caviar.

07:46Caviar.

07:47More shoes.

07:48Shoes.

07:49Caviar.

07:50Caviar.

07:51More shoes.

07:52Shoes.

07:53Caviar.

07:54Caviar.

07:55Oh, we're all so jealous.

07:57That's right.

07:58Very good.

07:59Right, let's get on.

08:00We start with Daniel Craig giving a Golden Globe-nominated performance.

08:05This extraordinary new film.

08:07It's called Queer.

08:08It's out in cinemas today.

08:11And it strikes me, this film, it's sort of queer in every sense of the word.

08:15It's based on a William S Burroughs novel.

08:18What do you want to tell us about it?

08:20Ha-ha.

08:21Um...

08:22It's based on a William S Burroughs novel.

08:24I said that.

08:25I know you did.

08:26Don't cheat.

08:27I gave you that one.

08:30LAUGHTER

08:31He wrote it.

08:32Do I have to?

08:33You're in it.

08:34You're in it.

08:35I'm in it.

08:36You're very good.

08:38It's written in the 1950s.

08:40It wasn't published until 1982, I don't think.

08:43It's about him and his relationship with a guy in Mexico City in the 50s.

08:48And the book is not autobiographical.

08:51It's a story.

08:52It's a novella.

08:53And Luca Guadagnino directed it and it's quite good.

08:58No, it's so good.

08:59How are we doing, Carlos?

09:00No, no, you're doing very good.

09:02LAUGHTER

09:03APPLAUSE

09:05Thank you, guys.

09:06You're so generous.

09:07A director.

09:08A director.

09:09LAUGHTER

09:10Now, listen, to give people just an idea of the film,

09:13here's a little bit from the trailer.

09:15What's you got to lose?

09:22Independence.

09:27I want to talk to you.

09:33Without speaking.

09:34What are you so afraid of?

09:47The door's already open.

09:48Can't close it now.

09:53All he can do is look away.

09:57But why would you?

09:59Oh.

10:00CHEERING AND APPLAUSE

10:03It really is terrific.

10:05And we heard the voice of Sinead O'Connor,

10:08the late Sinead O'Connor there.

10:10So she recorded that the day Kurt Cobain died.

10:13At home.

10:14And it's sort of...

10:16I mean, and then they did bits of it later.

10:18And the Sinead O'Connor estate gave us permission

10:20to take the guitar truck out.

10:22So she's still...

10:23At the beginning of the movie, she sings it a cappella.

10:25And it's, um...

10:26I mean, it's just...

10:27Yeah, no, it really kind of sets the tone.

10:29Yeah, yeah.

10:30And obviously, it's you.

10:31Drew Starkey plays your lover.

10:33And we go into the movie and we have kind of preconceived notions

10:36of what masculinity is and what's gay, what's straight.

10:39But William Burr's...

10:40He really blurred all of those lines.

10:42Yeah, I think probably because homosexuality was illegal

10:46in the United States at the time.

10:48So I think you had to have...

10:50You know, you had to have a kind of male front.

10:53I mean, you had to...

10:54You couldn't give it away.

10:55I mean, there was no sort of freedom of expression in that sense.

10:57And he was a junkie and it was illegal as well,

10:59so one of the reasons he went to.

11:01But I just...

11:02I suppose I'm fascinated by that, the artifice of masculinity.

11:06I think it is.

11:07It's all...

11:08I mean, some of it's beautiful, don't get me wrong.

11:09It's all kind of like...

11:10But he was kind of proper gun-toting.

11:11Oh, he loved his guns, yes.

11:12Yeah.

11:13Yeah.

11:14Which you don't expect.

11:15No, I suppose not.

11:16I mean, he really was a kind of...

11:18I mean, in that sense, a bit of a good old boy.

11:20He was like, he kind of loved the kind of country life

11:22and blowing things up and shooting things.

11:24And I'm not suggesting you did this because, you know,

11:27you've stopped playing Bond,

11:28but there must be a lovely relief in your life where you feel free,

11:31you can do a movie like this.

11:33Yeah, I just...

11:34I don't think I could have done this during Bond.

11:35I mean, not because I wouldn't have wanted to,

11:37but just because it would have felt kind of really self-consciously

11:40and, like, you know,

11:42oh, isn't he a good actor?

11:44You know, it's like...

11:45Look at him pretending.

11:47Yeah, yeah.

11:52Exactly.

11:53So, yeah, I just felt...

11:55And timing is everything.

11:56I mean, Luca didn't get the rights until last year

12:00or the year before,

12:02and he came to see me, like, three months later

12:04and we said, yes, let's do it.

12:05Oh, fantastic.

12:06Yeah.

12:07Because, Nicola Coughlin,

12:08I've heard you talking about that last season of Bridgerton.

12:10Yeah.

12:11Where you felt it was so kind of liberating

12:12and kind of empowering

12:13that you were the romantic lead of the whole thing.

12:15Yeah, it was mental.

12:16I realised I was, I guess, 35 when I was filming the season

12:20and I'd never played an adult.

12:22I was like...

12:23Why did I say what I said?

12:24I was like, how do I do this?

12:25Because I don't know if you've seen the first two series,

12:28I looked a lot like SpongeBob SquarePants.

12:30Like, very, very curly, ginger, yellow dresses,

12:33sort of a tent situation going on.

12:35It's a great show.

12:36You should watch it.

12:37You'll love it.

12:38Yeah, but it was weird having to then play the romantic lead

12:45and then knowing it was all...

12:47Because it's a sexy show.

12:48Yeah.

12:49A lot of sexy things happen in it.

12:50And then I realised I was going to have to do the sexy things.

12:52And I was like, right.

12:53And what was really funny is the other night watching Queer,

12:56there is a scene in it which I will talk around

12:58because I can't say it was happening.

12:59It's an intimate scene and there's an action happening in the scene

13:03that I joked, we couldn't do that in Bridgerton

13:05because you can't make that beautiful,

13:06but Queer made it really beautiful.

13:08Mm-hm.

13:09And it's just...

13:10It's...

13:11It's like...

13:12I feel you've talked around it too much, Nicola.

13:15OK.

13:17We can...

13:18We can stop it there.

13:19But it was beautiful.

13:20It was really beautiful, yeah.

13:21Jesse watched it on a phone,

13:22he doesn't know what you're talking about.

13:23Yeah.

13:24I might make exceptions for certain scenes

13:26that have actions in them.

13:28Pull down a screen at the house.

13:30Just in case there's action in the scene.

13:32Let's get a wider view.

13:33Yeah, exactly.

13:34We can go back to the phone for the talking.

13:37LAUGHTER

13:38Talking of sexy scenes,

13:40Jesse Osberg, you in Fleischman is in trouble...

13:43Oh, yeah.

13:44You were supposed to do a nude scene,

13:46but you were unsure.

13:47No, I did the nude...

13:48I wasn't sure, yeah.

13:49I mean, I'm never sure.

13:50I take a shower every day and it convinces me otherwise.

13:52LAUGHTER

13:53What?

13:54It's like to not do a nude scene.

13:55Got it.

13:56OK.

13:57Confirmed once again.

13:59LAUGHTER

14:00And now get dressed and leave the house.

14:02LAUGHTER

14:03I called my wife, I had like a sex scene,

14:05I called my wife and I was like,

14:07they asked me to be naked too.

14:09And my wife was like, is the woman naked?

14:11And I'm like, yeah, yeah.

14:12And she goes, then so are you.

14:13And she's like, oh, OK.

14:15I called my wife and I thought she'd be like,

14:17are you kidding?

14:18You're not coming back into this house.

14:19You're naked.

14:20But my wife is like an activist before she's a wife.

14:22And so she was like, if the woman is naked, you are too.

14:25Oh, that's a...

14:26Oh, yeah.

14:27APPLAUSE

14:28And...

14:29And...

14:30I'm trying to get through it, have you done

14:33sort of those sorts of scenes, the love intimate scenes?

14:36Yeah.

14:37Are you allowed to ask these questions?

14:38Hmm?

14:39Are you allowed to ask these questions?

14:40Yes, I'm qualified.

14:41LAUGHTER

14:42As a host.

14:43She is.

14:44Um, yes, I've done a couple of sex scenes,

14:46but for some reason I'm always asked to do

14:48the really unsuccessful sex scenes.

14:50No!

14:51Yes, the one where, you know, it's over really quickly

14:53or where the...

14:55I asked the person to pretend to be a corpse

14:57because I otherwise don't know how to get it up.

14:59I've seen that.

15:00Those kinds of things, yeah.

15:01We only film...

15:02I've never had a good sex scene.

15:03We only film Bridgerton down the road,

15:04so we'll get you on a bike and get you in

15:06and we'll make you look real quick.

15:07Really?

15:08Yeah.

15:09Really, I don't think that that's my speed.

15:10I don't have the power to do that.

15:11I've had more masturbating scenes than I've had sex scenes.

15:13And, uh...

15:14My mom stopped watching the show

15:16when I jerked off on a window.

15:17She watched the show.

15:18It's like season one.

15:21It's a great show.

15:22But I've seen that.

15:23That's the one I've seen.

15:24That's the one you've seen?

15:25That's the one you tuned in for.

15:26That's the image I have of you.

15:27So that you've got to see the show.

15:32Now, talking of beautiful images...

15:34Now!

15:35Off sex!

15:36So, queer all set in Mexico, but filmed initially.

15:39Gorgeous locations.

15:40Or not.

15:41Well, some of them are lovely.

15:42Like, the beach is lovely.

15:43Oh, the beach.

15:44The beach is lovely.

15:45There you are on the beach.

15:46Where is that?

15:47Sicily.

15:48Beautiful.

15:49But it was less beautiful in the doing.

15:51Oh, yes.

15:52There were just, like, these three-inch thorns all over the beach.

15:55And we had to run with abandon across the beach.

15:58And you're like,

16:00Fucking hell!

16:01And I'm like,

16:03Fuck, fuck, fuck!

16:05It is really hard to act in sand.

16:07And people don't talk about this enough.

16:08They don't.

16:09I was like...

16:10Let's now.

16:11What the hell is that next?

16:12You're all denying it.

16:13Now it's like...

16:14No, but I was once asked to film something where I walk down a sand dune

16:16looking really cool and you can't.

16:18Maybe you can, actually.

16:19But I can't.

16:20You can't get the purchase in the sand.

16:21No, because you're just sort of slipping and it's hard.

16:23Actually, this is close to sand.

16:25Because, Daniel, you did a weird thing.

16:26So, what was it?

16:27There was gravel and you thought we don't want to use the gravel.

16:30Right.

16:31There's a sequence where we do a dance.

16:34I won't give the game away, but there's a dance in the movie.

16:37And we were doing outside on the back lot.

16:41And they...

16:42It was just ground.

16:43It was gravel.

16:44And we had to sort of roll around for, like, two nights.

16:46I was like,

16:47We're going to get cut to pieces.

16:48We're naked in the scene.

16:50And...

16:51Woo!

16:52Just one whoop.

16:54I'll take it.

16:55Still got it.

16:56Um...

16:57And someone very kindly said,

17:02That's not going to work.

17:03You're going to be...

17:04We're going to be bleeding.

17:05It's not going to be very good for the scene.

17:06So, we got back the following night and someone had put, like,

17:0850 pounds of coffee grounds down the ground to look like dirt.

17:11Dirt, yeah.

17:12Like dirt, which is great.

17:13Soft and lovely.

17:14But you can absorb it through your skin.

17:15So, by 6 o'clock in the morning, which was a night shoot, you're like,

17:16Yeah, I'm going to get a night shoot.

17:17I was like...

17:18Good reaction, boys.

17:19Is that true?

17:20Yeah.

17:21That's true.

17:22It's true.

17:23It's true.

17:24That's unbelievable.

17:25No, it is true, yeah.

17:26That's crazy.

17:27Yeah.

17:28So, if you just rub the coffee on yourself?

17:29Well, I mean, if you roll around in it for 12 hours...

17:30OK.

17:31OK.

17:32We did...

17:33I'm not sure if you just rub coffee and you're going to...

17:34It's not the same as having an espresso.

17:35No, no, no.

17:36I have such a sensitivity to caffeine, maybe I should just...

17:37Me too.

17:38Maybe I should just take a little walk in it.

17:39Yeah, walk in it.

17:40Oh, it's very nice.

17:41It's very soft.

17:42Barefoot, just stroll back and forth in it.

17:43Yeah.

17:44It's very soft.

17:45It's very soft.

17:46Barefoot, just stroll back and forth in it.

17:47Yeah.

17:48I have such a sensitivity to caffeine.

17:49Me too.

17:50Maybe I should just take a little walk in it.

17:51Yeah, walk in it.

17:52Yeah.

17:53Oh, it's very nice.

17:54It's very soft.

17:55Barefoot, just stroll back and forth every morning.

17:56Yeah, because I can't do a full cup, but maybe I could take a little stroll.

18:01I'll pour cream on it too, just to make it...

18:04I'd like to walk on some coffee and sugar this morning.

18:07Well, just a reminder, you can see Queer in Cinemas right now.

18:12Very good.

18:13CHEERING AND APPLAUSE

18:17You might have noticed that Christmas is coming.

18:21And guess who's starring in the Doctor Who Christmas special?

18:24Uh-huh, it's only Nicola Coughlin.

18:27CHEERING AND APPLAUSE

18:30It's on Christmas Day, BBC One, and then globally on Disney+.

18:36The episode is called Joy to the World.

18:39Nicola plays Joy, and here she is checking into her Christmas hotel.

18:43Oh!

18:48Hello.

18:50Very Christmas.

18:52I'm Joy.

18:54Welcome to my room.

18:56And I thought I was going to be lonely.

19:08What?

19:10The starseed will bloom and the flesh will rise.

19:16What?

19:18What is going on?

19:20Almond cheese toastie and a pumpkin latte.

19:27Oh!

19:28CHEERING AND APPLAUSE

19:31I was about to clap myself.

19:32I was like, aww.

19:33That was great.

19:34So, should he go up to his face there?

19:37So, does the Doctor know Joy?

19:39No, he doesn't.

19:40He's just being friendly.

19:41He's looking for a friend.

19:42Yeah, it was a really fun experience filming that.

19:44Because you know the way...

19:45Russell T Davies called me and was like, would you come to Cardiff?

19:48Russell Davies is the nicest man in celebration.

19:50He's amazing.

19:51And I was like, yeah, I'll come.

19:52And I said, but to be honest, I don't know anything about Doctor Who.

19:54I didn't watch it growing up in Ireland.

19:56We didn't have the channels.

19:57You will understand what that means.

19:58I so do.

19:59OK, so in Ireland, he didn't have BBC growing up, so I didn't really know it.

20:03So I said this to Russell and he was like, it's fine, just come.

20:05And I thought, well, you know, I'll do a little research.

20:07I'll maybe just start with the Wikipedia page.

20:09That's fine.

20:10Yeah.

20:11That's like me saying, I'm just going to pop off for five minutes

20:13and read War and Peace.

20:14It's so confusing and there's time travel and aliens and, like,

20:18I don't know how many doctors and...

20:20But I went and had a lovely time.

20:21I was very akin to, like, being there and not knowing what's going on.

20:23You know that at every wedding there's, like, one really old woman

20:26and she's, like, not a grand...

20:28She's, like, someone's grand aunt and she sat there,

20:30but she's just having the best time.

20:32That was sort of me on set.

20:33I didn't know what was going on, but I was loving it.

20:35You know?

20:36Were people trying to explain to you as it went along?

20:39Oh, yeah, massively.

20:40And also, like, everything films out of sequence anyway.

20:43But then you add time travel to the mix, you're like, well...

20:45So I'd be like, and would that be an alien now?

20:49And they were like, you're working with the Silurians.

20:52I was like, I know.

20:53LAUGHTER

20:55Yeah.

20:56So, that is a hotel.

20:58That's a hotel.

20:59There's a door in your room.

21:00Got one of those adjoining doors and she's checked in on her own

21:02on Christmas Eve and you kind of go, why?

21:04And then an alien comes in, as they tend to do.

21:08Yeah.

21:09And then the doctor comes in, Shuti, who's amazing.

21:11And, yeah, he's amazing.

21:13He smells amazing.

21:15It's weird, because often do you get this?

21:17Do people say, like, when you work with actors,

21:19like, what do they smell like?

21:20No.

21:21No.

21:22LAUGHTER

21:23That's a bad sign.

21:24Me neither.

21:25I never...

21:26No-one asked me what you smell like before tonight,

21:28not even one person.

21:30LAUGHTER

21:31LAUGHTER

21:36APPLAUSE

21:37I mean, Shuti Godwell, very good.

21:39Jesse Eisenberg would make a good Doctor Who, though, wouldn't he?

21:41Oh, God, yeah.

21:42Do you have to be British?

21:43No.

21:44No.

21:45Really, I could use my accent and talk like myself?

21:46Yes.

21:47Yeah, yeah, do it.

21:48Can I wear my clothes?

21:49Yes.

21:50OK, great.

21:51Probably.

21:52There's no nude scenes in Doctor Who.

21:53Worry not.

21:54See if we can get some, then...

21:57Come back.

21:58And actually, Akira, you're married to a British woman, aren't you?

22:00Yes, I am, yeah.

22:01And you've got children.

22:02Is she bringing them up in the grand tradition

22:04of watching Doctor Who?

22:06Not yet.

22:07They're only three and five.

22:08That's a little...

22:09Don't you think?

22:10Really?

22:11I just haven't done that then.

22:12We're lazy.

22:13But I heard you talking about how your wife...

22:16Because you've been together a while now.

22:1813 years, yeah.

22:19OK.

22:20But still, there's newness to her Britishness.

22:22There's...

22:23Oh, yeah, there's always new Englishisms that come up all the time.

22:25I remember, like, the first...

22:26The first one that I heard when we first started dating.

22:28We were, uh...

22:29We were watching wrestling at home.

22:30WWE.

22:31There was this...

22:32Yeah.

22:33First date.

22:34Nobody moved.

22:35First date.

22:36Nobody...

22:37No booming.

22:38There was this wrestler called Big E, who was this really big, muscular guy.

22:40Big biceps, you know, pecs all that.

22:42And he had a singlet on him.

22:43Before he would do his, like, finishing move, he would take off one singlet and the other to signify.

22:47And we were watching TV and she went, that's right, love.

22:49Get your baps out.

22:50LAUGHTER

22:52And he was like, what?

22:55Give me that word.

22:57And I've just been taken.

22:58We were talking today about how chuffed is an amazing word and we don't have anything like it in the States.

23:01No, nothing.

23:02There's nothing quite...

23:03There's no equivalent.

23:04But also, you guys have...

23:05Sorry, it's a whole audience of people that's maybe going to take this the wrong way.

23:07You guys have the most adorable little expressions and words for things.

23:11No, not at all, no.

23:12It's funny.

23:13Really?

23:14You know what I just learned the other day?

23:15He goes, we just had a little chinwag.

23:17What?

23:18It's a chat.

23:19It's a conversation, a chinwag.

23:20Chinwag.

23:21How adorable is that?

23:22Yeah, that's pretty cute.

23:23And if it's a nice day, you've got to bring your sunnies.

23:26That's pretty cute.

23:27But if it's raining, bring your broly.

23:28How cute.

23:29Adorable.

23:30The most adorable thing is that you guys say poo.

23:33The cutest sentence I think I've ever heard anyone say is, I done a poo.

23:38But what do children in America do?

23:41They're shit.

23:42I don't know.

23:43I don't know.

23:44I don't know.

23:45I don't know.

23:46I don't know.

23:47I don't know.

23:48I don't know.

23:49They bite their ass.

23:50It's like, you know.

23:51You've got that wrong, Tyran.

23:52I don't know.

23:55OK.

23:56Yeah, yeah, yeah.

23:57Now, Doctor Who, what you have just done, famously shrouded a mystery.

24:01In fact, you have told us more about an episode of Doctor Who than anyone on the show has ever said about an episode of Doctor Who.

24:07Did you see Panic of Minds?

24:08I was like, did I?

24:09There's a man over there for the BBC being like.

24:12No.

24:13No.

24:14No.

24:15Because how, are they very strict on set?

24:17Yeah.

24:18OK.

24:19So, like I said, I didn't really know what was going on.

24:21So you couldn't reveal...

24:22I can't tell you anything.

24:23I don't know.

24:24But it was great.

24:25It was brilliant.

24:26I had the best time.

24:27I left him and I don't know what I did, but I loved it.

24:29Yeah.

24:30But secrecy, you must be using...

24:31Because I didn't realise that on Bridgerton you were the very first person cast.

24:36Yeah.

24:37And then how long did you have to hold on to that secret?

24:39Well, they were like, don't tell anyone.

24:40I was like, OK, Mum.

24:42It's too hard, isn't it?

24:45Because I think you have to keep the secret from the world.

24:48My character in the show, this is a big spoiler, sorry, but I just don't...

24:51I don't know if you're going to watch it at Christmas.

24:52I'm just going to take the chance that you're not and tell you.

24:54So basically my character is a secret gossip writer, voiced by Julie Andrews.

24:58And you find out at the end of the series, it was very exciting.

25:00But then immediately, I found it on the internet.

25:02Right.

25:03So I auditioned, didn't know what it was, Googled it and I was like,

25:05oh my God, that's a brilliant character, that's amazing.

25:07And then immediately I told my friends, I was like,

25:09there's a secret writer and guess who it is?

25:10It's me.

25:11And then my friends and family were all like, well, you ruin everything.

25:15But they will also hound me, I don't know, do your friends and family do this?

25:19Hound you for information and what's...

25:21No.

25:22No, they don't.

25:23No, as a matter of fact, on my show, I kept the big thing

25:26that I'm not going to ruin for you of the last season, Logan Dies.

25:30Yeah.

25:31Oh, you haven't seen it either.

25:36Yeah.

25:37But you knew he died.

25:38Yeah, that's right.

25:39Yeah.

25:40But I kept that a secret from my wife for an entire year.

25:43Oh my God.

25:44Which was really hard.

25:45Yeah.

25:46And then, it was so hard to do.

25:47And then I remember at the end, I sat on the floor while she sat on the couch

25:50because I didn't want to give anything away and I didn't want to see her reaction to the episode.

25:54And then when it ended, I remember looking back at her expecting big things.

25:56She went, I mean, I kind of knew.

25:58She was like, I think she gathered it.

26:01Oh.

26:02Like, there were like things she would catch and I would cover up with a lie and be like,

26:05well, no, because they actually did something on our set where they had Brian,

26:08there was clearly a funeral scene that was being shot, but they had Brian show up to set.

26:12This is Brian Cox.

26:13He got papped, Brian Cox.

26:14Yeah, he got papped.

26:15And Matthew McFadden's not in that scene at all.

26:17Oh my God.

26:18So there was like online speculation, oh, maybe it's his funeral.

26:20Yeah.

26:21And Brian was there in costume.

26:22They had him dressed in costume to sort of, but things still snuck out.

26:25And I had to just lie to my wife for a year and no payoff.

26:29But I remember that you are amazing in that funeral.

26:33That breakdown is just astonishing that you do.

26:35But was the church full of extras who then went out and blabbed and went,

26:39you'll never guess what we've just done.

26:40That's what's crazy is it was full of people that all knew what it was.

26:44Cause I mean, some of the people had the, what are the fucking things called at a funeral?

26:47The things I went to offer and I didn't remember.

26:50Sure. Yeah.

26:51And some of them had a different character on it.

26:52Some of it was like James Cromwell's character, but James Cromwell's actually in the funeral

26:56and he gives a speech.

26:57So it's a little bit weird.

26:58I don't know why they're doing that.

26:59I clearly am talking about my father in there, but that was extraordinary that it didn't leak.

27:04And also the way that we shot it, they filled the church with background actors,

27:09five cameras we shot on film.

27:11So they had to like, you know, constantly reload and there was no rehearsal.

27:15There was nothing.

27:16The director Mark Milad just stood up at the thing with the microphone and just explained,

27:20like, we're just going to run the whole funeral procession from the casket coming out of the car at the front.

27:24And then the guy who ran the funeral actually runs funerals at that church.

27:27And we just ran the entire thing for about an hour.

27:29We just did a funeral service and without a rehearsal, but we'd all read it,

27:32but we never talked about it.

27:33And then it was like, when it was my turn to go up, I'm getting up and in the script,

27:37I'm supposed to be interrupted by somebody else, but we never talked about it.

27:39And I'm seeing it and I'm...

27:40It was just like an amazing way to do something.

27:42We just shot the entire thing all in one and then it took about an hour to reset

27:45and then we ran another funeral service and that was pretty much it.

27:47We did it twice.

27:48A couple of little pictures.

27:49Yeah.

27:50It was cool.

27:51Amazing that it didn't leak.

27:53Amazing that it didn't leak.

27:54Because in terms of secrecy, I mean, presumably, Daniel, on James Bond,

27:58the scripts were under lock and key, no one had to know.

28:01You'd like to think so, but they did leak.

28:03Oh, did they?

28:04Online sometimes, yeah.

28:05So we'd have to change everything.

28:07Oh, so you'd do that?

28:08You would literally change the film?

28:09No, it was early enough that you were going to change it,

28:11but they would get out, yeah.

28:13But apparently it wasn't like that on Queer.

28:15No, no.

28:16Well, Lucas is not that precious about things.

28:18I mean, my...

28:20Drew's driver, this 23-year-old kid,

28:22who I'd been on set for a week,

28:24came up to me and just went,

28:25great script!

28:27LAUGHTER

28:29But Lucas, he just, like, gives it to everybody.

28:32What do you think? What do you think? What do you think?

28:34But don't you think the drivers on sets,

28:35they're the ones who know everything?

28:37This is true.

28:38If you want to know any gossip,

28:39you go to the driver and you're like,

28:40come here, where are we filming next week?

28:42They're like, well, the wedding is here and you're like,

28:44a wedding!

28:45They know everything, yeah.

28:47They're the gossip writer.

28:48They are.

28:49Yeah, they're the real lady whistle-downs, yeah.

28:50And, Nicola, Joy, Doctor Who,

28:53will she return, do you think?

28:55Careful.

28:56Careful.

28:57LAUGHTER

28:58I nearly had her.

29:00Well, look, I had a lovely time in Cardiff,

29:02so I don't know, I don't know how it works,

29:05but I'm sure if they want me back, maybe.

29:07Have you kept...

29:08Time travel.

29:09Time travel, I guess.

29:10You kept on your Airbnb.

29:11That's my point.

29:12My Airbnb.

29:13Well, do you know when I was there,

29:14I was like, I'll eat really healthy one here,

29:16and then there's Chip Bialy in Cardiff.

29:18It's a famous lane of chip shops.

29:20Oh, wow.

29:21They do curry chips there.

29:23So, you know...

29:24It's so well.

29:25I really took in the culture, you can sense it.

29:27LAUGHTER

29:28She will return.

29:29You can see Nicola in Doctor Who on BBC One on Christmas Day

29:33at ten past five.

29:36Welcome to British Television, boys.

29:38Ten past five.

29:39I know.

29:40APPLAUSE

29:42You remember that.

29:43Yeah.

29:44Not five past.

29:45Ten past five.

29:47Jesse Eisenberg and Kieran Culkin bring us a real pain.

29:52It's in cinemas from the 8th of January.

29:55And, Jesse, I mean, this is your baby.

29:57You wrote it, directed it, you star on it,

29:59and it's certainly based on a very personal,

30:02very personal family story.

30:04Yeah, yeah, exactly.

30:05I mean, like, you know, the movie is, like, semi-autobi...

30:07I was writing fiction, but essentially I was just using

30:09everything that I've heard growing up about my family history.

30:12My family comes from southeastern Poland.

30:14Um, we...

30:15Really?

30:16LAUGHTER

30:17Is that the same person that wooed for him?

30:19LAUGHTER

30:20I think we have a serial whooper.

30:22Yeah, got it, got it.

30:23Exactly.

30:24Um, yeah.

30:25And so we even, you know, there's a scene, you know,

30:27towards the end of the movie where Kieran and I visit, like,

30:29the house that our grandmother supposedly lived in,

30:31and that was the house that my family lived in up until 1939.

30:34Wow.

30:35So we just ended up doing, you know, it was a movie,

30:37but I didn't want to...

30:38I wanted to make everything kind of as authentic as possible

30:40because it cost the same as making it not authentic.

30:42LAUGHTER

30:43And so you play...

30:44You play two cousins.

30:45You play two cousins on this kind of weird tourist trail.

30:50Yeah, exactly.

30:51In fact, this movie was originally set in Mongolia.

30:53I was writing it based on a story I wrote that took place in Mongolia

30:56of these same two characters, but going to Mongolia for another reason.

30:58The next movie.

30:59What's the next one?

31:00Next one.

31:01And it was not going well, the script was not going well

31:03until an ad popped up online that said,

31:05Auschwitz tours with lunch, in parentheses, with lunch.

31:08Oh, good.

31:09I was like, what the hell is that?

31:10So I clicked on this ad banner, and it took me to a site of essentially,

31:14like a kind of, you know, middle-class American tour

31:17of Holocaust sites, you know, but where you, like,

31:20stay in a nice hotel, and then you eat a nice continental

31:22breakfast, and then you visit Auschwitz.

31:23Yeah.

31:24And did you go on one of the tours, or is this your imagining

31:26of what it might be like?

31:27This is my imagining of what they are, yeah.

31:29But I did a lot of research with brochures.

31:31Yeah.

31:32LAUGHTER

31:33So, yeah, it was, you know, but the tone is kind of like

31:36watching these real guys who have an irreverent relationship

31:38go to places that warrant reverence.

31:41Yeah.

31:42Should we see a little clip of the two boys in action?

31:44Uh, this is the two of you on tour.

31:47Uh, it's gone a little awry.

31:49This is the cousins.

31:50All right, I guess everybody's waiting in front for us.

31:53Mm-hmm.

31:54Maybe.

31:55Uh, hey, Duder?

31:56Yeah?

31:57Yeah, we're not at the right station, dude.

31:59Sorry, what?

32:01Yeah.

32:02Oh, shit.

32:05What the fuck is Krosnick?

32:06Yeah, Krosnick.

32:07We're supposed to get off at Lublin.

32:08No, I know.

32:09Yeah, you were out pretty fucking cold, dude.

32:11Sorry, I mean, we passed Lublin already.

32:13Like a while ago.

32:14And you didn't wake me up.

32:15Oh, you were having such a good nap, dude.

32:17Jesus Christ, you were on a twerk group with people.

32:18Yeah, I know.

32:19I just didn't have the heart to wake you up, man.

32:20You have, like, the most fucked up sense of priorities.

32:22Do you know that?

32:23Do you know that?

32:24Dude, don't get mad at me, okay?

32:25How can I not get mad at you?

32:26Because I was, like, staring at you while you were sleeping,

32:28and people were looking at you,

32:29and some people were fucking laughing at you

32:30because you were snoring all weird and loud and shit,

32:32but I was thinking, like, fuck that.

32:34This is my cousin Davey.

32:35I'm not ashamed of him.

32:36This is Davey on the bench in Chinatown.

32:38This is the guy I used to have all of myself.

32:40I just couldn't wake you, man.

32:42Oh.

32:48Having seen the clip,

32:49I now remember I was supposed to warn people

32:51there was a lot of swearing in it.

32:54And were you guys friends?

32:56Always friends?

32:57No.

32:58So you met for this?

32:59Yeah.

33:00Okay, but what's also weird, too,

33:01and I need to just tell the world this,

33:03because you think this is normal and it's just not.

33:06He cast me without auditioning me

33:08or seeing me in anything ever.

33:11What?

33:12And he goes, yeah, but that's fine.

33:13I'm aware of you.

33:15I was like, wait a minute,

33:16he's like, I met you before.

33:17I was like, we met twice in passing.

33:18Yeah.

33:19And you put me in your mood.

33:20He's still like, yeah.

33:21He has an essence.

33:22What's wrong?

33:23Look at his essence.

33:24His essence.

33:25How could you not pass his essence?

33:26Yeah.

33:27It's so true.

33:28It's so true.

33:29Yeah.

33:31You can't get an essence

33:32and give somebody,

33:33is that how you got a part?

33:34Yeah.

33:35That's not how you get a job.

33:37An essence.

33:38It's the greatest acting in the world.

33:40Like, I don't know how to describe it,

33:42except it just felt exactly right.

33:43He's amazing.

33:44Well, you are, you do seem brilliant.

33:45I mean, did you, but you weren't,

33:46in your head when you were writing Benji,

33:48you weren't thinking of...

33:49No, no.

33:50I was going to play that role.

33:51And then I was just waiting.

33:52Took it from him.

33:53Yeah.

33:54Yeah.

33:55And is it true, Karen,

33:56you weren't going to do this film?

33:57You didn't want to do it?

33:58At one point, yes,

33:59I did try to back out of this film.

34:01Whoops.

34:02Yeah.

34:03Two weeks before we shot.

34:04Not at one point.

34:05Oh, yeah, yeah.

34:06Two weeks before we...

34:07Yeah.

34:08He didn't know that.

34:09They kept him in the dark about the me

34:10trying to get out of the movie thing.

34:11Glad I didn't.

34:16You made a good movie.

34:17It is a really good movie.

34:19It is a really...

34:20Yeah.

34:21And you're both...

34:22It baffles my mind that you were going to play Benji.

34:23Same here, yeah.

34:24Yeah.

34:25Because you both seem so perfect in those roles.

34:26Oh, thanks.

34:27But...

34:28Thanks.

34:29Yeah.

34:30But we can.

34:31Do different characters.

34:32Yeah.

34:33What did you say?

34:34Don't take it personally.

34:35Yes.

34:36But now, you say you've only met a couple of times,

34:38but at one of those meetings,

34:40it was an audition, wasn't it?

34:41Yeah, exactly.

34:42That's where we first met.

34:43And it was in 2008,

34:44and I had no recollection until Kieran brought it up.

34:45I brought it up like a couple of weeks ago.

34:46I know how you feel.

34:47He didn't...

34:48Yeah.

34:49Yeah, I'm very memorable.

34:50Thanks, guys.

34:52That's not a goddamn dream.

34:53Yeah.

34:56You want to tell the story?

34:57I leave an impression.

34:58No, you tell the damn story.

34:59You tell the story.

35:00I actually never heard it from your perspective.

35:01Because it's less interesting.

35:02You talk.

35:03Really?

35:04Jump in.

35:05Jump in if I get something wrong.

35:06Yeah, we were at an audition for a movie

35:08that I was already acting.

35:09It was called Adventureland,

35:10and I was already in...

35:13That's a lot.

35:14Good.

35:15And so I was like already in...

35:16So he...

35:17And Kieran came in to audition.

35:18The character that Kieran was auditioning for

35:20was supposed to like constantly like hit me

35:22and manhandle me

35:23and like knock me around and stuff.

35:24But none of the actors auditioning would do that

35:26because it's so...

35:27You know, you don't...

35:28You know, we're in a union.

35:29And so...

35:31But then Kieran came in,

35:32and not only did he like punch me in the groin,

35:35which is what the character is scripted to do,

35:36he also grabbed my breasts and twisted them.

35:39And as the director, too quietly said,

35:42cut, please cut, please stop, please stop.

35:44Kieran was grabbing onto my chest,

35:46looking over and saying,

35:47what?

35:48What?

35:49And so I remembered this thing,

35:51I think unconsciously,

35:52which is that like I was kind of in control in this room

35:55and yet somebody came in and like stole the room

35:58and also was brilliant.

35:59And that's what this movie is.

36:00Like I pay for this trip,

36:02I arrange the tour

36:03and yet he comes in and takes over immediately.

36:05Worth noting I didn't get the part.

36:07Oh, OK.

36:11But do you not remember that?

36:13No, I remember that.

36:14He didn't remember it.

36:15Oh, OK.

36:16What was going on in your head

36:17when you decided to do that to him?

36:18What?

36:19Head?

36:20I don't have one.

36:21I don't know.

36:22I wasn't thinking.

36:23Obviously I'm not thinking.

36:24That's not part of the preparation.

36:25It's like, OK, on this line,

36:26I'm going to touch the left nipple.

36:27There's no, no.

36:29But I do remember when he stopped us,

36:30I was still holding your nipples,

36:31taking the note.

36:32I was like, uh-huh.

36:33OK, OK.

36:34So do you want to go back to the beginning?

36:35Oh, sorry, by the way.

36:38But do you do that a lot at auditions?

36:40Do I touch nipples at auditions?

36:41No.

36:42If there's like, let's say,

36:43if there's a kissing scene in a movie

36:44and you're auditioning for it

36:45and back to the scene.

36:46Do I kiss the person that I'm...

36:47Yeah.

36:48What do you think?

36:49I did that once.

36:50Did you?

36:51And never again.

36:52Why would you do that?

36:53Because I was 13.

36:54I had no idea.

36:55You were 13 and you kissed somebody

36:56at an audition with.

36:57Did she punch you?

36:58Yeah.

36:59Or what happened?

37:00I think I...

37:01No, I didn't get punched.

37:02It was worse.

37:03I heard from my agent not to do that again.

37:04Yeah.

37:05That is worse, actually.

37:06Oh, you'd be sick.

37:07Yeah.

37:08You'd be sick.

37:09Nickel and Daniel are just going,

37:10Oh, my God.

37:11Yeah.

37:12I did.

37:13I told you this earlier today.

37:14I did get a job once.

37:15I auditioned for something.

37:16It was the play Suburbia

37:17copyright was the Eric Magosian.

37:18And there's a part where, like,

37:20the character buff has to mime giving a blowjob.

37:23And I got the part that day.

37:25No, don't.

37:26Just stop.

37:27Mime, I said.

37:29But I said...

37:30He goes, you know what it was?

37:31It was the blowjob.

37:32And I said, oh, why?

37:33Did none of the other actors, like,

37:34drop to the knees and do it?

37:35He goes, no.

37:36You were the only one that cut the balls.

37:37Oh, my God.

37:42That's acting.

37:43Put that on your shelf.

37:44Yeah.

37:45You can just get that one...

37:50Always cut the balls.

37:51There's going to be a dance mix.

37:52There's going to be a dance mix.

37:53You've got cut the balls, cut the balls.

37:56Always cut the balls.

37:59Oh, shit.

38:00I can't believe.

38:02Listen, Real Pain opens here on the 8th of January.

38:06Good luck with that.

38:07And good luck to those who have Golden Globe nominations.

38:11Good luck with those.

38:12Again?

38:13Yeah, yeah, yeah.

38:14Yeah.

38:15All right.

38:18It's time for music.

38:20This pop trio made history last year when they became

38:23the first group ever to win the Brit Rising Star Award.

38:27Here performing Access All Areas, it's Flo.

38:55Oh, it's about the feeling of when you push upon me

39:01Fire, yeah

39:04To be told, I keep it closing

39:07What I know for certain

39:10You got me open

39:11Let me expose it

39:13Touch me, I feel love it

39:15Get it right on time

39:18No limits

39:19How you want it

39:21Letting you inside

39:23Come take a tour

39:28Access all over yours

39:32Tonight I say yours

39:35Don't waste no time

39:38Swing at the door

39:40Access all over yours

39:44I'll give you more, more

39:47I'm back in the old city

39:49Pretty, I know you miss me

39:53So let's take it to round two

39:54You're gonna have to see what you want

39:56Dress me, hot and sweaty

39:58Visions in the bedroom

40:00If I give you everything

40:02It better mean everything

40:04Not just anything

40:06You hear my body calling

40:08I hope you don't let it ring

40:10Don't let it ring

40:12Touch it

40:13Say it, say it, say it, just hang it right on time

40:16I know you miss me

40:18I know you miss me

40:19How you want it

40:20How you want it

40:21Letting you inside

40:23Come take a tour

40:27Come take a tour

40:28Access all over yours

40:31Tonight it's yours

40:33Don't waste no time

40:37Waiting at the door

40:39Waiting at the door

40:40Access all over yours

40:43I'll give you more, more

40:46I think it's time for you to touch it

40:48Feel and love it

40:50You know what I like

40:52No limits

40:54Get up on it

40:56Boy, I'm ready to hear you inside

40:58Put it on a private show

41:00Get excited

41:01This is just for you

41:03With nobody else invited

41:04Who'll get up on it

41:08Triple A tonight

41:10Why don't we explode

41:14Come take a tour

41:18Access all over yours

41:21We have you tonight, it's yours

41:24It's always mine

41:26Waiting at the door

41:30Access all over yours

41:33I'll give you more

41:35I'll only give you more

41:36I will give you more

41:38Triple X and the Triple A, baby

41:47What's done in the dark?

42:03Oh

42:04Beautiful love

42:08That is great

42:14Come on over you

42:19It's Estella, Georgia, and Renee

42:22That's so amazing

42:25Really, really gorgeous

42:27Thank you so much

42:28Come up

42:29Come up

42:29There you go

42:30Stella, Georgia, and Renee

42:32Welcome

42:33Here at Jesse, Nicola, Daniel

42:35Gangs are all here

42:38Say hello

42:39Have a seat

42:40Have a drink

42:41Have a drink

42:42You earned it

42:43Oh, thank you

42:44Thank you

42:45Circe, those vocals

42:46Amazing

42:47Thank you

42:47Absolutely gorgeous

42:48Thank you

42:49Thank you

42:50Yes, yeah

42:52Cheers to Flo

42:53Well done

42:54So Stella, Georgia, Renee

42:57Do you know anyone on the couch

42:58By the way

42:59Have you bumped into anyone

42:59At showbiz parties

43:00And things

43:01We haven't met

43:02But from TV

43:03We know you well

43:04Love you

43:04I saw you guys perform

43:06At maybe it was

43:07Glamour Awards

43:08Oh my god

43:09That was Tara Babies

43:10No, I didn't know

43:13They're amazing

43:14We've come a long way

43:15We have pre-pubescent

43:16So hopefully

43:16They're amazing

43:17We've actually met before

43:19You just don't remember

43:20That was from your debut album

43:27Access All Areas

43:29Which is out now

43:30I love that sound

43:36That kind of R&B sound

43:37But it's quite kind of nostalgic

43:38That you seem too young

43:39Did you grow up

43:40Is that the music

43:41You were listening to growing up

43:42Yes

43:42Thank you to our mums

43:43Oh, are the mums here

43:45Hello mums

43:46Thanks a lot

43:48There's some

43:52There's some great music tastes going on

43:55100%

43:56That is beautiful

43:57Now, I assumed

43:59FLOW was an acronym

44:01It stood for something

44:02Or that you'd be like

44:03Florence, Louise, Olive

44:05But that is not the case

44:08We also wish it was an interesting story

44:11Yeah

44:11So do we

44:12Yeah

44:13We're all rooting for you

44:16I mean, it's quite random

44:18But it's cute

44:19It's cute

44:20It's the type of story

44:21That we'd get chucked off the red chair

44:23So where does it come from?

44:26Well, we were brainstorming

44:28Lots of different names

44:29And we used to go to this place

44:31To write music and bond

44:32And a fat, fluffy, white cat

44:36Would like come in

44:37Like, it's not our cat

44:38We don't know it

44:39And we were like

44:39Oh, let's call it Flo

44:40And then for some reason

44:43We were like

44:43That could be a potential name for us

44:45Well, no

44:46We were going through other names

44:48Like

44:48Terrible names

44:49Her story

44:50Minx

44:52I think Minx has been done

44:55It wasn't quite right

44:58But even when we said to people

45:00That we wanted to be called Flo

45:01Everyone was like

45:02Ugh

45:03Yeah

45:03Period app

45:04Menstrual cycle

45:06It's a branding opportunity

45:16Yeah

45:17It's a collab

45:19So Flo is going on tour

45:24Yes

45:25There you go

45:26All over Europe

45:28And then Glasgow

45:31Manchester

45:31And Birmingham

45:33And London

45:33Hopefully that performance

45:35Will have sold lots of tickets

45:36Hopefully

45:36It's a beautiful, beautiful sound

45:38It really is

45:39Thank you very much

45:40For that gorgeous performance

45:41Good luck with the album

45:42And the tour

45:42Flo, everybody

45:43Really lovely

45:46Thank you

45:47Right, nearly it

45:50Before we go

45:51Just time for a quick visit

45:52To a big red chair

45:53Who have we got?

45:54Oh, hello

45:54Hello

45:55Don't look so tense

45:56It'll be fine

45:57I am nervous

45:57What's your name?

45:59Brenda

46:00Where are you from?

46:01The accent's Canadian

46:02But I actually live here in London

46:03Okay

46:04And what do you do here, Brenda?

46:05I'm actually a mum

46:06Okay, lovely

46:07How many kids?

46:12I'm embarrassed to say

46:13One and he's 24

46:15But he's still a kid

46:18Wow

46:19Oh, Brenda

46:21I know, for him

46:22That's a red chair story

46:24Right there

46:24Off you go with your story, Brenda

46:27Right

46:28So my story is about Adele

46:29And I was travelling with my son

46:32Who was

46:33It was about 10 or 12 years ago

46:34And we were in a small regional airport

46:37In the north of Denmark

46:38And we were already boarded

46:40And we were sat in row three

46:41Which was the first row of economy

46:43Sort of right in front of the curtain

46:45And then there was business in front

46:47Two rows

46:47Interesting

46:48Yeah

46:48Empty

46:49Completely empty

46:50And we were all boarded

46:52And there was a bit of a delay

46:53And we just didn't know

46:54There was no one in business class

46:55And then I could hear

46:56What they were saying at the front

46:57The pilot came out

46:58And he said

46:58What's going on

47:01What are we waiting for

47:01And they said

47:02Well, actually

47:03We're waiting for Adele

47:04And my son and I went

47:06Adele

47:06Who doesn't love Adele

47:08We're going to be breathing

47:08The same air as Adele

47:10And so we waited and waited

47:13And we were so excited

47:14It made sense to us

47:15Because she actually had played

47:17At a venue not terribly far

47:18Of course, yes

47:19Yes

47:19Quite

47:20So we were looking out the window

47:22Looking out the window

47:23And we were thinking

47:24When she gets on

47:25And we get to altitude

47:27And the wind

47:28And that curtain snaps shut

47:29We're going to maybe sing

47:30Hello from the other side

47:32And then we were getting

47:35More and more excited

47:36I'm so tempted to flip you

47:37But I want to know what happened

47:39So we

47:41The big car pulls up

47:42And we say

47:43This is it

47:44This is Adele

47:44She's coming

47:45We're going to be best friends

47:46Then the door opens

47:48A guy comes out

47:50And he bounds up the stairs

47:51Carrying something

47:53The pilot had left behind

47:55And it was a laptop computer

47:57And it was

47:57Adele

47:58I mean

48:05It provoked a similar emotion

48:09We kept waiting

48:10And then that arrived

48:15Okay, that really is all

48:18We've got time for

48:18If you'd like to have a go

48:19In the red chair yourself

48:20And tell your story

48:20You can contact us

48:21Via our website

48:21At this third dress

48:23And please say a huge

48:23Thank you to all of my guests

48:24Tonight

48:25I'll see you next week

48:26Bye-bye

48:27Kieran Culkin

48:29Jesse Eisenborough

48:33Nicola Coughlin

48:36And Mr. Daniel Craig

48:39Join me next week

48:43With Grammy winner

48:44Levy

48:45Ruth Jones

48:46And James Corden

48:47Andrew Garfield

48:48Coleman Domingo

48:49And Timothee Chalamet

48:51I'll see you later

48:51Bye-bye

48:52New comedy tomorrow night

48:59Michael McIntyre's

49:0025th year stand-up special

49:02Here on BBC One

49:03At 8.35

49:04And it really is

49:06All I Want For Christmas

49:07Mariah meets Rylan

49:09Watch it now

49:10On iPlayer Press Red

49:11We'll see you next week

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