- hace 2 días
La comunidad se prepara para dar la bienvenida al nuevo año. Por diversas circunstancias, varios vecinos se ven privados de las uvas de la suerte, lo que aprovechará el padre de Emilio para especular con tan codiciado fruto. La que peor lo lleva es Paloma pues piensa que entrar en el nuevo año sin tomarse las uvas puede traerle consecuencias desastrosas y mucha mala suerte. Mientras tanto, Paco y Emilio aprovechan la ausencia de Concha para alquilar su piso para un rodaje de cine. Lo que ignoran es que trata de una película X. Emilio participa en el rodaje pero las cosas no son como el pensaba. Por su parte, Fernando y Mauri, organizan una fiesta en su casa para celebrar el fin de año. Parece ser una buena idea, pero ambos se dan cuenta de que no lo es tanto. Sobre todo, desde que decidieron salir del armario. La convivencia con sus vecinos se ha convertido en algo surrealista.
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TVTranscripción
00:00Thank you!
00:30How nervous! Let's give it to him now!
00:34Yes, I have it at the hairdresser's now.
00:36Emilio, come out for a moment!
00:39What's happening?
00:40Haven't you been complaining every Christmas that no one gives you anything?
00:43Well, here's a gift from the entire community.
00:46Oh, but this is for me!
00:47Wow, how great!
00:48What is this? A stereo system for the goal?
00:50But open it!
00:52Oh, how exciting! He shouldn't have bothered.
00:54Be careful with the paper, it could be useful later for the Three Kings.
01:00What is this? A vacuum cleaner?
01:01No, Emilio, the steamer. What you've always wanted.
01:05You can try it out tomorrow. Let's see how it goes.
01:07With this you can access the most difficult corners of the building.
01:10and clean them with ease.
01:12Of course, Mike!
01:13Wow, you're not going to have any fun cleaning with your steam cleaner!
01:17No, no, no. Thank you very much. A great gift, huh?
01:19Well, I'm speechless, because I can't say what comes to me.
01:22Oh, Juan, he got excited!
01:24You'll lend it to me someday, okay?
01:26And they'll have the ticket, right? It's in case I like the other color better.
01:29Come on, go home, you'll be dying to break it in!
01:31Yes, yes. Well, Merry Christmas, everyone, huh?
01:34Yes, yes. And be careful tonight that you don't choke on the grapes.
01:36Let's have a disagreement.
01:38Come on, go on, go from the beach.
01:40Here, here, here, here, no one lives. Not here, not here.
01:45Every day is like this. I couldn't have imagined it when I came here.
01:49I was just looking for some peace.
01:52I wake up every day in the middle of a hurricane.
01:54Here, here, here, no one lives. Not here, not here.
01:59Here, here, here, no one lives. Not here, not here.
02:02The house is collapsing around me. I can't find the caretaker.
02:08The neighbors are watching and listening to me. I can't stand being here.
02:13They give me a copalera.
02:17A train, an earthquake and a botan.
02:20Here, here, here, no one lives. Not here, not here.
02:31Here, here, here, no one lives. Not here, not here.
02:35Here, here, here there is no one who lives.
02:43Paquito, damn, congratulations. I heard you're finally working in a film.
02:47No, no, assistant director, okay? It's the first step toward directing.
02:50Hey, are there any famous actresses in the movie?
02:52No, no, it's independent cinema. The important thing there is the story you tell.
02:56I don't know why we have to go spend New Year's Eve at your wife's house.
03:00With the disgust I have for him.
03:03Because that's how the children see us together.
03:05The school psychologist recommended it to us.
03:08You're going to have a great time. His mother will be there too.
03:10Oh, I'm staying.
03:12Mother.
03:14Emilio, we're going to eat the grapes at my wife's house.
03:17Ah, how lovely. A united family, who puts up with us.
03:19Here, take care of the house for me.
03:21And water my plants, because I know you.
03:23Yes, I'll water it for you with the steamer.
03:25Hey?
03:26No, happy new year.
03:27And let the land pass to all men of good will.
03:30Long and prosperous life.
03:31Come on, mom.
03:33How have I missed your father during these holidays?
03:35Hey, these two are going to be out.
03:40The producer is desperately looking for a house to film some scenes for the movie.
03:44We could rent you the shell one.
03:45But how are we going to rent a house that isn't ours, Paquito?
03:47For one day they pay 600 euros.
03:49Damn, call Lea, you're waiting.
03:50Yeah.
03:51Wait, I'm not going to believe they've already found her.
03:53Let's see.
03:55Hello, José Luis.
03:56Hi, I'm Paco, from management.
03:58Hey, look, I found a house to shoot the remaining scenes.
04:01Beautiful exterior.
04:02Physical and automatic doorman.
04:03Yes, yes.
04:04No, no more.
04:05Free now, now.
04:06Well, where is the video store?
04:08Okay.
04:08Okay, come on.
04:09Come on, so far.
04:10They're coming here now.
04:11And do you work on New Year's Eve?
04:12Yeah, dude, this is show business.
04:13There are no parties here, no schedules, no nothing.
04:15Hey, but people are at the movies, they must be serious, right?
04:17Well, don't worry, I'm in control.
04:19Also, there are some aunts.
04:20Yes, then they better not be serious.
04:22But hey, you're not in love with Belén.
04:24Ah, yes, that's true.
04:25Thank goodness you reminded me.
04:31Lucia, I'm sorry, but I can't see myself doing this.
04:33Yes, darling, you look very handsome.
04:35But why do we have to dress like an idiot when New Year's Eve comes?
04:38I just don't understand.
04:40Gordi, how am I doing with this one?
04:45Look, in your case I do understand.
04:47You look great.
04:48Yes, sure.
04:49I don't know, it's just that I don't have any red shoes.
04:52But why do we have to dress up to go to a friend's house?
04:54Well, because he bought an apartment in Puerta del Sol.
04:56and he told me that he has a surprise prepared for us and that we have to dress elegantly.
04:59At the Puerta del Sol?
05:00Yeah.
05:01But do you know the mess that's going to happen there?
05:03Lucia, why don't we just stay home quietly?
05:06Okay.
05:08Yes, grandpa, huh?
05:09Now we sit here on the couch, take out the blanket and watch TV.
05:13No, no, it seems that it is mandatory to start the year
05:15wearing a little hat and blowing a noisemaker.
05:17No, Roberto, it's nice to start the year with a party.
05:19No, no, the year starts with a hangover.
05:22Oh!
05:23Oh!
05:24I already know which one I'm going to wear.
05:27Nothing, no case.
05:29Lucia, I feel ignored.
05:30You never count on me for anything.
05:31Honey, come here and see what you think of this sheer dress.
05:37Go.
05:3960 euros for a New Year's Eve party?
05:41What's going on, are the three tenors going to liven up the evening or something?
05:44Look, Dad, we have two options.
05:45Arguing and you either end up giving me the money or giving it to me directly.
05:48Natalia, either you tell me this ahead of time or it's impossible to make a proper family budget.
05:53There are 20 euros for the taxi.
05:55Ah, no, no, no more money, no.
05:57Ah, well, I'll get someone to bring me a motorcycle.
06:01I am at a disadvantage in these negotiations.
06:04Thank you very much, Dad.
06:06Emotional manipulation, that's what it's called.
06:08But how could you possibly think of eating the grapes, since we needed them for tonight?
06:12Let's see, you always tell me, you have to eat fruit.
06:15And when I eat it, they give me a hard time.
06:16And what's happening, that in this house there are no peaches, or apples, or pears or what?
06:20That's something you have to peel off.
06:22What's happening?
06:22What's happening?
06:23We're out of grapes, Juan.
06:25It's New Year's Eve and we're out of grapes because your son ate them.
06:28But it's not that serious either.
06:29We just take them and that's it.
06:30No, Juan, it brings bad luck.
06:32Or do I have to remind you what happened to us the year we didn't take them?
06:35Sorry, just an idea.
06:37Have you considered the possibility of buying more grapes?
06:40Yes of course.
06:40At this time and on the 31st.
06:42Well, it's okay.
06:43Then we asked Emilio.
06:45Maybe he has it down there.
06:46It's not a good idea, Dad.
06:47Emilio's refrigerator is an ecosystem in itself.
06:49It has endemic species.
06:51I think they were going to use it as a set for someone's fifth part.
06:54Well, you shut up and we'll talk about your diet later, okay?
06:56Well, calm down, okay?
06:58Let's all relax, it's New Year's Eve.
07:02But how come they are gay?
07:04Yes, it's annoying, it's official, they've said it out loud to all the neighbors.
07:09Who was right?
07:10I.
07:10Who was wrong?
07:12You.
07:12Let's see.
07:13Mauri is gay, okay.
07:14But, Fernando, does he have to be bisexual?
07:16Yes, I can tell.
07:17Have you seen how he looks at me?
07:18Man, maybe he sees you as a little masculine.
07:22Well, what a piece of news to end the year with.
07:23I think after everything you've done to them you should go down and apologize.
07:28You've been on the verge of breaking up a couple.
07:29Right?
07:31Well, that's a good excuse to go down.
07:33Alicia, what are you going to do since I know you?
07:36I'm going to ask for your forgiveness.
07:37But why do you always have to think badly of me?
07:39Because you are one of those who think that scruples is a Greek island.
07:42Hello.
07:44Look, speaking of asking for forgiveness.
07:53Hello, Carlos.
07:54How are you?
07:56Do you want something to drink?
07:58No.
07:59What I want is an explanation of what happened in the hospital with Emilio.
08:02You've been avoiding me.
08:03No, no, no.
08:05Maybe you have that feeling because I haven't picked up the phone, but I've lost it.
08:10Yes, a week ago.
08:12How are you?
08:21What's here?
08:23How strong.
08:24And it still has battery.
08:26What a great boyfriend you gave me.
08:28I'm sure I have a lot of missed calls from you.
08:31Belén, can you explain to me what the hell is going on?
08:33Carlos, I understand that you are a little upset.
08:35Do I understand?
08:35Annoying?
08:36No, not annoying.
08:38It's just that I don't like my girlfriend sleeping with other men.
08:40It's a little quirk I have.
08:42I'm just in a mess.
08:44I need some time to reflect, to think, to...
08:47Are you leaving me?
08:47No no.
08:48It sounds like you're leaving me.
08:49No, no...
08:49How strong.
08:50You cheat on me and leave me.
08:51No, it's a little while.
08:53But that's an understatement.
08:54A what?
08:55Look, Belén.
08:57This has never happened to me before.
08:59They had never left me.
09:00Never.
09:02Well, apart from Lucia.
09:04And a girl from high school, but that one doesn't count because I had braces.
09:08Did you wear braces?
09:08Yes, I was wearing it.
09:09Me too.
09:10Yeah?
09:10Yeah?
09:10I wore one of those with the metal braces.
09:12Yes, yes.
09:13That when they broke, they all left you with sores.
09:16But hey, we're not talking about that.
09:19We are talking about our relationship.
09:22My psychoanalyst told me that what happened could be very good for my personality.
09:29I fired him, but he's still right.
09:31So I'm willing to give you another chance.
09:33Is...
09:35It's very pretty.
09:36I know.
09:37I promise you I'll think about it.
09:41I just don't want to take another false step.
09:43Yes, because you've already given enough.
09:47I look forward to your call.
09:48Fernando, this is the best Christmas of my life.
09:58We're finally out of the closet.
10:00Now we'll be able to be ourselves without lies, without pretenses, without bullshit, okay?
10:04Don't you feel better?
10:05As if a weight had been lifted off your shoulders.
10:07Yes, I am gay.
10:11I feel exactly the same as before.
10:13But look closely, they've all taken it.
10:14We can now integrate with the other neighbors.
10:16By the way, I'm planning a little party for this afternoon before everyone goes home for dinner.
10:20But, but here, with the neighbors.
10:22Yes, I'm preparing all my specialties.
10:24Look, watercress salad, buffalo mozzarella with sundried tomato, piquillo peppers.
10:32Hello.
10:32Hello.
10:33Can I come in for a moment?
10:34Yes of course.
10:35I've already found out you're gay.
10:39It's not a joke, is it?
10:40Already.
10:41Well, I also wanted to tell you something.
10:44Belén, are you lesbians?
10:45No, no, no.
10:46Hey, it could be.
10:47Yes, but no.
10:48No, I wanted to apologize.
10:50I just feel a little bad because at some point it may have seemed like I wanted to break up your relationship.
10:55It seemed so, it seemed so.
10:56But my boyfriend is very hot.
10:57It's normal.
10:58How nice to be able to say it out loud.
11:00Well, now I'm leaving feeling more at ease.
11:02Hey, I'm preparing a snack for this afternoon.
11:03You can't miss it, right?
11:05Come on.
11:07Alice.
11:08Yeah.
11:10It's just that I also wanted to apologize.
11:12Because, come on, I've played along with you before and I was in such a mess.
11:17No, yes, you're gay, you're gay.
11:24Because you're still gay, right?
11:27Yes, yes, yes.
11:28Yeah.
11:29Well, see you later.
11:30I'm going to tell you something.
11:37Alicia is nice.
11:39I was wrong.
11:39She seems like a good girl.
11:40Yes, but you think the little party is a good idea.
11:43Yeah, ugh.
11:44You'll see how much fun we had.
11:51Emilio, I got a small role in the movie.
11:53You act as a driver and say a sentence.
11:55Ma'am, your car is ready.
11:56Ah, how nice.
11:58Let's see if I have time to study it.
12:02Well, what?
12:03Where do we change?
12:04In the background on the left.
12:05Come on, hurry up, girls, we'll start right away.
12:07You see?
12:07We're already laughing.
12:09Man, this is better than working at the video store.
12:11Estuary, come, come, come, please.
12:13Hey, we're really short on time, huh?
12:14I was looking for you.
12:15Paco, Paco.
12:16That?
12:16But what movie is this?
12:17Or one about the life of Ángel Cristo?
12:19Well, look, I didn't want to tell you before so as not to worry you.
12:21But it's an X-rated movie.
12:22One for no?
12:23Women on the verge of an orgasm attack.
12:25But, Paquito, for God's sake, you have to be warned.
12:27But you know the mess we can get into.
12:28Games, and no one has to find out, Emilio.
12:30Besides, it's only three scenes.
12:31It's not just a little while.
12:33I don't know, but this is pretty strong, huh?
12:34And these three girls who have been here are going to work here live.
12:39Well, then maybe I can stay and watch for a while.
12:41But to learn about cinema and all that.
12:43Of course, I've seen it.
12:44Ah, perfect.
12:46Paco, perfect.
12:47Yes, yes, I like it.
12:49That table has a lot of possibilities.
12:51Look, Andreu, meet Emilio.
12:52He is the owner of the apartment, he will be the chauffeur.
12:54Delighted.
12:56You'll see the orgy that's going to happen at your house.
12:58You're going to miss us, kid.
13:01Hey, is being in a movie like this going to be good for my career?
13:03But what a race!
13:05Also, if this room starts like this.
13:06Okay, but I don't have to get naked, right?
13:07No, don't worry, I'm not going to let you make a fool of yourself.
13:09Besides, you know how difficult it is to be a porn actor.
13:11Man, there's no need to study much script.
13:15Look, this is the star.
13:17What's happening?
13:18That?
13:18Hey, how are you, Paco?
13:20That?
13:20Hey, where's my dressing room?
13:22In the background on the left.
13:24Look, meet Emilio.
13:25He is the owner of the apartment.
13:26Rafa Castillejo, porn star.
13:28And then I'll sign your autograph.
13:30Hey, please bring me a coffee, I'm a little low today, okay?
13:34And this is a porn star.
13:36But what does this one have that I don't?
13:37Yes, you'll see.
13:45Host!
13:47Emilio?
13:48Emilio!
13:50Isn't it?
13:51Do you want me to leave him a message?
13:53Yes, yes, you see.
13:54It's that due to a small family problem we have been left without the traditional grapes
13:58of luck.
13:59And of course, today is the 31st and you have to take them.
14:02Phew, that's a curious mess.
14:03I wouldn't want to be in his place.
14:05We had thought that Emilio might have plenty of grapes.
14:08Emilio no, but I do.
14:10I went shopping yesterday and I have a lot.
14:13Ah, great.
14:14And could you give us a few to drink tonight?
14:16Yes, of course, of course.
14:20How many servings are we talking about?
14:23Well, there are four of us.
14:26Twelve times four, forty-eight.
14:29Correct.
14:32It's forty-eight euros.
14:35AND?
14:35As?
14:36One euro per grape.
14:37That's how it is, luck has to be paid for.
14:39But hey, what do you want to charge us for the grapes?
14:43Let's go, Juan, I'll find them somewhere else.
14:45Of course, we leave things to the end and then what happens, happens.
14:48My feet are destroyed.
14:50I'm not looking any further.
14:51Paloma, do you have any extra grapes?
14:53Because we come from the market and there are none left.
14:54No, but this man does have it.
14:56But he charges one euro per grape.
14:58Well, but you won't give us away for free, will you?
15:02But Mariano, I'm your girlfriend.
15:05Marisa, don't mix love with business.
15:07Man, if only you could give us a little discount for large families.
15:11Impossible.
15:12No, Juan, no.
15:12Look, we went up to the posh girl's house, she always has everything.
15:15Come on.
15:15Normal, with the refrigerator it has.
15:19Well, if you need me you know where I am.
15:24No, sorry, we just don't eat grapes.
15:27We are against these stale, absurd traditions
15:30which only promote superstition and the cultural underdevelopment of a country.
15:36Well, nothing.
15:38No, Mr. Cuesta, it was a joke, we do have grapes.
15:41And Roberto bought a lot of them yesterday.
15:43Because you bought the grapes yesterday.
15:45Damn, the grapes.
15:47That's what I forgot.
15:48But I wrote it down on the list for you.
15:49Yeah, but I left the list at home.
15:51Damn, Lucia, this is the first year I've lived alone.
15:53My mother took care of these things.
15:54This girl always looks so cute.
15:56But hey, nobody in this house is going to have grapes.
15:58Why don't we have the lucky tangerines?
16:00I'm sure that in 50 years everyone will be doing the same thing.
16:03Sure, very comfortable.
16:04But it brings bad luck not to eat the grapes.
16:07The year we didn't take them, I got pregnant with José Miguel.
16:10Juan got an ulcer and his sister bought the chalet.
16:13Everything went wrong for us.
16:14You have asked Fernando and Mauri.
16:16They certainly have.
16:17Well, come on, let's go down.
16:18We have to get grapes no matter what, let's go.
16:19Honey, I want you to negotiate with the father...
16:21No, Juan, don't be a pain.
16:23What a silly pilgrimage for some grapes.
16:27But are you leaving too?
16:28I didn't know he was superstitious.
16:30Man, no.
16:30I didn't take them at the end of the year and look at all the things that have happened to us.
16:33Oh, that's true.
16:34Wait, Roberto, wait, I'm going with you.
16:36So what is this porn thing for you?
16:44Vocational, family tradition or how does it work?
16:46Because you have to make money here, right?
16:48Emilio, leave her, if you don't understand, Russian.
16:50I was already saying that he was listening to me for a long time.
16:52Come on, let's record, please.
16:54Let Rafa know to see if he's ready.
16:56Come on, let's get out of the way a bit.
17:00My God, Hail Mary, when will they be mine?
17:02Well, let's finish soon because I want to eat the grapes with my wife, okay?
17:08But he's going to eat it, because with this ghost he doesn't even have enough to start with.
17:12Well, I'm fine with it, whenever you want.
17:15Mother of beautiful love and Christ of great power.
17:18What was I telling you?
17:19But if this isn't normal, it's silicone, extensions, or something.
17:23Natural as life itself.
17:25But this is ideal, if with this you don't even have to move.
17:29Now when I go to the beach, this is my swimsuit, it doesn't fit.
17:31Yes, don't worry, it's a bit shocking at first, but you get used to it later.
17:35But if she's going to think you're that far, I can't stop looking at her.
17:38Of course we have grapes for tonight.
17:40Could you give us a few?
17:41It's just that due to a series of twists of fate we're a little short.
17:44Oh, but what we have are two individual jars,
17:47of those who come to you with the twelve grapes peeled and without seeds.
17:49Are those the ones they advertise on TV now?
17:51Yeah.
17:51You'll see, bad luck for everyone this year.
17:53Oh, Paloma, don't exaggerate.
17:54And if not, in time.
17:55Well, I've prepared a little party for the neighbors before dinner.
17:59Damn, finally some good news!
18:02Long live gays!
18:03Do you have wine?
18:04Marisa, remember what the doctor told you, about the drink.
18:07Come on, let's have a drink.
18:09Mauri, do you like this New Year's Eve dress?
18:11I bet you don't!
18:12No, no, it's not me either.
18:13And on top of that, Roberto doesn't tell me anything.
18:15Damn, man.
18:16But he hasn't opened his mouth.
18:18Come on, give me a drink.
18:18Go.
18:19You see? This is the beauty of it.
18:21May we neighbors fraternize in peace and harmony.
18:23No, Juan, you go and tell Emilio that either his father gives us the grapes or we'll kick him out of the gate.
18:27You'll see that he'll talk to him soon.
18:30Oh, you're not coming with me?
18:32Juan, we are invited.
18:33I need to see the bathroom to get ideas for when we change ours, honey.
18:37Oh, so we're going to change the bathroom?
18:38For God's sake, get some grapes for Juan.
18:40What does it look like when it's time?
18:42On New Year's Eve, you can relax, right?
18:43Come on, go on.
18:44Oh, you're always complaining.
18:45Well, nibbling at the table, eh?
18:48And drink, and drink.
18:49Me already, dove.
18:50Well, a rum and coke.
18:52A rum and coke enough for a dove.
18:54Let's see, we're all in position now.
18:57Guys, be enthusiastic, this is to brighten people's lives.
19:01Quiet down here, please.
19:03Look, Paquito, I'm the masked fornicator.
19:06Do you want to leave that?
19:07Five and action.
19:09Hello my love.
19:10How are things at the office?
19:11I'm exhausted from so much work.
19:13Well now I expect fine work from you.
19:15Girls, you don't know how much I've missed you.
19:19Well, about 25 centimeters, more or less.
19:21Cut!
19:22Mamilio, please!
19:23Come on, that man, get out of there, I'm going to lose focus, damn it.
19:25Come on, we're working, man.
19:27Yes, yes, yes, sorry, I'm leaving now.
19:28I'm getting the urge to go see Bethlehem.
19:30Come on, may the force be with you!
19:36Emilio.
19:36We need to talk for a moment.
19:37Mr. Juan, how are you?
19:38What's going on in there? How much are they fucking?
19:41Ah, Doña Concha, since she has gone away,
19:43rented the house for the filming of a movie.
19:45You know how this lady is with money.
19:46Oh, a movie?
19:47Yeah.
19:47How interesting!
19:49And is there any famous actor?
19:50No, no, no, there is independent cinema like that.
19:52There's nothing to see there.
19:53That's ok.
19:54This community has always had a strong commitment to culture.
19:56Yes, it is culture.
19:57It's an intimate drama, which is why you can't go inside.
19:59Because actors lose focus and inspiration.
20:02Sure, sure, sure.
20:04Emilio, we have a problem with your father, huh?
20:05We need grapes for tonight and he has plenty.
20:08And he wants to sell them to us at an exorbitant price.
20:10Does it seem normal to you?
20:11But yes, I'm used to it, Mr. Juan.
20:13When I was little, he used to take me to school in his car and wanted to charge me for the fare.
20:16It is the profession that she carries inside.
20:17The thing is, salesmanship is something that really appeals to him, it's in his blood.
20:20Well, it can't be.
20:20Either he comes to his senses and brings us the grapes nicely, or we'll have to kick him out of the gate.
20:25Ah, well, let's see if they get lucky, because I've been trying for two weeks and it's not working.
20:28Well, I'm going to see Belén, who has a problem with a plug, okay?
20:32Well, I'll buy them and that's it.
20:34After all, what's one more hug worth?
20:36Yes, it's Christmas anyway.
20:40Hello, Emilio.
20:41Hello darling.
20:42I thought we could celebrate the year early.
20:44No, Emilio.
20:45Emilio!
20:46Same old thing again, huh?
20:48We need to sit down and talk about our relationship.
20:51Yeah, but that's nice, but let's go to the bedroom and let him talk about our hearts.
20:54Emilio!
20:55But you want to listen to me.
20:57I've been talking to Carlos.
20:58Oh, and I've already told him we're together, so he can go fuck himself.
21:01No, I told him the same thing I'm going to tell you now.
21:04I need time.
21:05But time for what?
21:06Well, time to clarify myself.
21:08It's that you both have good things.
21:09But I thought we were together again.
21:11Well, you just made that up.
21:13Look, Belén, I'm having a terrible time, okay?
21:15You're using me for brains.
21:17That I am...
21:18Come on, man, please.
21:20But well, then what happens?
21:21Are we together or are we not together?
21:22What's going on here?
21:23Because I'm getting confused.
21:24There, Emilio!
21:24Don't pressure me.
21:25Look, Belén, I'm like a taxi, huh?
21:27If I haven't caught you, I'll put the green light on and whoever wants to get on, let them get on.
21:30Come on, lovebirds.
21:32Are we going to the party?
21:33Yes, come on, let's go.
21:34Oh, so you're going to a party on top of that.
21:35We're going to Fernando and Mauri's house.
21:37Ah, well I'm filming a movie at Concha's house, huh?
21:40And I warn you that there is a very liberal atmosphere.
21:42Are they filming a movie downstairs?
21:43And why don't you tell me?
21:45No, because it's not your style.
21:47Sorry, but for a good actress there is always a role.
21:49If it's not a role, it's a big role.
21:50I don't care, I want to meet the director.
21:52Well, if you want to go down or down, you might like the argument.
21:55Well, do what you want.
21:56I'm leaving.
21:57Be careful and don't drink, or you might end up being another brat's convertible.
22:01Moron!
22:02This girl worries me, huh?
22:03I see her lost.
22:05Poor thing, she's a mess.
22:06It's the first time two men have gone after her.
22:10It's great.
22:11I don't eat dinner anymore.
22:12A little more wine, okay?
22:13Come on.
22:14Hey, they're good looking and they cook well.
22:16It's also a bad thing that they're gay.
22:18For God's sake.
22:20Hey, you copied my idea of the sink like this, in an old-fashioned way, huh?
22:25I was going to put the same thing.
22:26Yeah.
22:26The thing is that I find that it is missing a little detail in gold.
22:29Yeah, look, that slipped through the net, huh?
22:31You see?
22:31Hey, aren't you drinking too much?
22:33What's up?
22:34If it's only the third.
22:36It's just that tonight I have to go to a friend of Lucía's house and I don't feel like it at all.
22:39On top of that I have to wear a suit.
22:41And why don't you tell him?
22:42How do you know you're gay and don't have to deal with women?
22:46You two have really put it together.
22:48I'm sure you don't even have problems with sex.
22:50As guys, we always have desire.
22:56I'm going to get a couple of ice cubes now.
22:58You see?
22:59This is the typical comment that we weren't told before.
23:01Yes, but this guy is in a bad mood.
23:02You have to listen to him.
23:03The others are being very correct.
23:06Guys, we are delighted.
23:08You are the first gay friends we have.
23:10It is an honor.
23:10Hey, my sister and I have a question.
23:14Which of you two is the one who irons?
23:17Well, whoever wants it the most, right?
23:19Clear.
23:19How did you realize you were gay?
23:22Phew.
23:23Well, I'm seeing gray.
23:25Yes, yes.
23:25I realize that I was more attracted to John Travolta than Olivia Newton-John.
23:28The same thing happened to me with Knight Rider.
23:30When I saw David Hasselhoff in those jeans.
23:33And I said, wow.
23:34That's what I say.
23:36And they learn a lot by watching TV.
23:37Hey, why don't you put on some gay music so we can have a little dance?
23:41Right now.
23:42Yeah.
23:43I'm starting to get a little nervous because soon they're going to ask us for some gay cheese and we don't have any.
23:48No.
23:50Will you dance with me?
23:51Well, look, almost not, eh?
23:53Well, I dance alone because I have a march.
23:56Let's see if I've taken a gay pill.
23:57The grapes, the lucky grapes that I'm running out of, listen.
24:02Wow, what prices!
24:03Madam, it's Christmas.
24:04You leave the crying for January.
24:07Well, look, we're not going to argue about this grape nonsense anymore.
24:10Give me four servings.
24:11Of course.
24:12Today is a special day.
24:14It's 96 euros.
24:15How 96?
24:16But it would take 48.
24:18Of course, the bells are approaching.
24:20The price goes up.
24:21This is obvious.
24:22Look, look.
24:23Try it.
24:23Look at that quality.
24:24No, no, I don't prove anything.
24:25This is a scam.
24:26Aren't you ashamed of going around slapping people like that?
24:28I worked 10 years in a bank.
24:30There I lost all shame.
24:31Don't I pay 100 euros for some filthy grapes?
24:33No way, let's go.
24:34Sorry, but it's love on sale.
24:36For every four servings we give you a free shell metamorphosis.
24:39with a prologue by Letizia Sabater.
24:42A classic for collectors.
24:44I'm not interested.
24:44Thank you so much.
24:45This is a case for the police, come on.
24:48How much do you value your family's fate?
24:50Hey, hey, hey.
24:50Don't brainwash me.
24:51Please, I beg you.
24:52Right now you and I are going to come to a reasonable agreement.
24:55in the price of those grapes.
24:56Well, man, if you have to negotiate, you negotiate.
25:02Hello, excuse me.
25:04Milio, if you can find out where you were, we'll record your scene.
25:06Go on, go change.
25:08That's the director, right?
25:09Yes, but wait, Alice.
25:10Hello.
25:11Hello.
25:12I am Alicia Sanz, actress.
25:13I would love to be in the movie, whatever it is, huh?
25:15I do anything.
25:17Man, if you're really excited, we can think of something for you.
25:22You can be a friend of the wife who is in crisis with her husband.
25:25because he loves both.
25:26It's a very dramatic role.
25:28How do you think I should approach it?
25:29No, no, no, we've already focused.
25:32You go to the dressing room and improvise with Rafa,
25:34that you have never worked with him.
25:36And so you get to know each other.
25:38Thank you so much, really.
25:40It's the opportunity I was looking for.
25:43Sorry.
25:44You see, Paco?
25:45There are still people with enthusiasm in this business.
25:50Emilio was right.
25:51This is a disgrace.
25:52Emilio is now ready.
25:53Let's record.
25:54Girls, no more albordoces.
25:55Come on.
25:55Your car is ready, ma'am.
25:57Your car is ready, ma'am.
26:00That's it, Andreu.
26:02Trevenidos.
26:02Come on, girls.
26:03The three of you do it, right?
26:05Five and action.
26:08Your car is ready, it...
26:10Fuck.
26:11Emilio, you have to say your line and you're leaving.
26:13No, no, no, no.
26:14It's perfect that he just stands there watching.
26:16He has a vicious face.
26:17Do you see it?
26:18You speak to the director, he is the one who knows,
26:20that you are learning.
26:21No, I already have it.
26:22The driver sees them and rides them.
26:26What do you mean he's having sex with them?
26:28With all three?
26:29What do you think, kid?
26:31Do you see yourself capable or not?
26:32Man, I'm single and uncommitted.
26:34and it's been my dream since I was little.
26:35Come on, tiger, take off your clothes.
26:39Hey, if later I look very poorly endowed,
26:41You can fix it with some special effects, right?
26:43Yes, then we sent this to George Lucas.
26:47Oh well!
26:48What does this guy think he is?
26:50But what happens now?
26:51This degenerate took off his clothes when we were going to rehearse.
26:54What do you want? Should I take you out to dinner first?
26:55This is a porn movie, man.
26:57How about porn?
26:59And why haven't you told me anything?
27:01Man, we have to see how you have always said
27:02that you didn't mind starting from the bottom.
27:06So, what? Are we recording or what, guys?
27:08Let's see, a little please, okay?
27:09That I need to concentrate.
27:10That I am not a professional.
27:12What a blow he gave me!
27:13But let's see, man of God,
27:14What kind of negotiation is this that now they want to charge me for it?
27:16to you at 120 euros.
27:18He has given you a 10% discount,
27:19but the time I am going to argue has not risen to 30.
27:22I do these numbers.
27:23I declare the negotiations broken off.
27:25You are speculating with a good that is of primary necessity.
27:28And housing.
27:29It is also a basic necessity.
27:30and look at those prices.
27:32I'm going to be forced to call an extraordinary meeting.
27:34to address this issue and take urgent action.
27:36Man, if you bring me more clients,
27:38I'll tell you later.
27:39Go fuck yourself.
27:40Of course,
27:41there is no business culture in this country.
27:44Man,
27:45another little climb.
27:46Well,
27:52this one yes.
27:53I can see myself with this one.
27:55Oh, Carlos!
27:56Fuck!
27:57Oh, you scared me so much!
27:59No, and...
27:59But what are you doing here?
28:01No, since I hadn't congratulated you on the holidays,
28:04well...
28:06Oh!
28:07Oh, how pretty you look!
28:08Yes, thanks.
28:09New Year's Eve and all that.
28:11Clear.
28:13Well, what?
28:13How are you?
28:15Good.
28:16Very good.
28:18Well, very much in love.
28:21I don't know if you know that I'm with Belén.
28:23Yes, yes, yes.
28:23I know.
28:24I'm very glad, huh?
28:26Ah, yes.
28:28Hey...
28:28Hey, Lucia.
28:31You have to understand me.
28:32I have to rebuild my life.
28:34I can't wait for you forever.
28:35No, no, yes, yes.
28:36I understand you, Carlos.
28:37We've talked about it a thousand times, right?
28:39We had to turn the page.
28:41Clear.
28:41Yeah.
28:42In fact,
28:43you have turned the page.
28:44And I've turned the page.
28:47It's another book, come on.
28:49The thing is, there are times when...
28:51That you like a book so much that you read it twice,
28:54while there are other books that when you read them you leave them at chapter 3.
28:57And then there are books that...
28:59That you read them and you don't like them,
29:02but it seems as if they have to be read, as if by force.
29:04And you can't read it by force.
29:06Carlos, I don't understand you.
29:08Give me a kiss.
29:09Oh, give me.
29:10Carlos, give me.
29:10Please give me something.
29:12I am still.
29:13But you are not with Belén.
29:15Yeah.
29:17I'm with...
29:19He left me.
29:22You all leave me.
29:24And I can't understand why.
29:26Because I am handsome.
29:29And I'm rich.
29:31I'm sick.
29:34I'm very sick.
29:37Carlos.
29:39Come on, calm down.
29:40It's already happened.
29:42I'm going to be left alone.
29:44No, man, no.
29:44That you will not be left alone.
29:45You'll see how you'll find someone.
29:49And go for it, Carlos.
29:50Be quiet.
29:53Be quiet.
29:54That's it, that's it, that's it.
29:57When I see that kisses on the neck don't work,
29:59not anymore...
30:00Well, look, I'm leaving.
30:04Merry christmas.
30:08And calm.
30:10That I'm fine.
30:11I'm fine.
30:12I'm very well.
30:17Melén!
30:18Melén, you haven't called me.
30:22Look, I know you're there.
30:24Just so you know, I'm going to stay here until you give me an answer.
30:33I'm in no hurry.
30:41I'm telling you, Emilio is upstairs acting as a porn actor in a movie.
30:45Sure, sure.
30:46If he is a big star.
30:47We've made like 15 or 20 films together.
30:50Well, actually, they gave us the silver vibrator at the Móstoles Festival.
30:53It's up to you, don't believe it.
30:56Alice.
30:57Happy New Year, damn.
30:59A hug, huh?
31:00Just a moment, just a moment, just a moment, just a moment, just a moment.
31:03Go outside and get some fresh air, my carpet isn't to blame.
31:07Hey, how comfortable am I with you?
31:09That?
31:10Let's see if I'm going to be gay too, huh?
31:11Let's hope not.
31:12Come on, sit down on the stairs for a while.
31:14Oh, come with me.
31:16Go.
31:19Yeah!
31:19A hug, President.
31:25You are my hero.
31:26Man, thanks, Roberto.
31:30No, no, no, thank you.
31:33Neither, neither.
31:35You're such a bastard, man.
31:37Well, I don't know, I'm going to ask him.
31:38Mauri, were you also involved with this guy in the photo?
31:41No, mom, that's my brother.
31:42Well, let's stop with the tip, okay?
31:44Well, it's okay.
31:45Everyone knows that gays are very promiscuous.
31:49This is humiliating, huh?
31:53We are like a circus attraction.
31:55All that's missing is for them to throw peanuts at us.
31:57And what do you think I'm doing here?
31:59Fleeing.
32:01Marisa, come, run.
32:03Look at them, together in their love nest.
32:11No, no, no, no.
32:12Truly, from the heart.
32:14It's a miracle how well you get along with that woman of yours.
32:18And what about your daughter?
32:19It is also another miracle.
32:21What about my daughter?
32:22No, what a happy new year.
32:25Come on, let's have a good time, okay, President?
32:28A kiss.
32:28Yeah, man, sure.
32:31Come on, he came down.
32:32Come on, okay?
32:35Roberto, what's wrong with you?
32:36Let's see, look at me.
32:38Hello darling.
32:40Where were you?
32:41You're drunk.
32:42Hey, no, no, no, no, no, this is just a dot, just a dot.
32:45We quickly become dramatic, right?
32:47A little dot?
32:48But look at you, it's half past eleven.
32:50But anyway, what's the deal?
32:51Isn't it New Year's Eve?
32:52No need to have fun, huh?
32:54Yes, but after the bells.
32:56Damn, Lucía, understand, I've had a really bad time.
32:59The neighbors have been harassing me for four months.
33:02And your family.
33:03And your ex.
33:03And my ex.
33:04And not even God is coming to my wedding.
33:09Bastards!
33:09Come on, Roberto.
33:11Bastards!
33:12Shut up already, let's go home.
33:13No, no, no, no, I'm going to go out onto the balcony for a moment, I'll get some air and it'll pass.
33:16No, not on the balcony, you'll fall, Roberto.
33:18Yes, let me.
33:19No, Roberto.
33:19What are you leaving me?
33:22Hello.
33:24Damn, girl, you're so clumsy.
33:26That dress looked so good on you.
33:27On top of that, I'm clumsy.
33:28Do you have the nerve?
33:30No, it will work the same, come on.
33:31Come on, Roberto, go upstairs and lie down.
33:33I'm going to the party alone.
33:35No, no, no, there, there, there.
33:36Give me the car keys.
33:37That you cannot drive in these conditions.
33:39Then they take away your license and I have to take you everywhere.
33:41Give it to me.
33:42But how are you going to come with me if you don't even know where you are?
33:44Come on, go on.
33:44Hey, yes, I'll have a coffee right now and it'll pass, okay?
33:49Damn, let's see what I wear now.
33:51Damn, girl, you change your dress more than Madonna at a concert, huh?
33:54How funny.
33:55Come on, come on.
33:56Oh!
33:56Oh!
33:58Have you hurt yourself?
34:00Oh, Juan, well look, I'm so stupid, so stupid.
34:03A little spark, huh?
34:05Paloma, no luck.
34:06What do you mean there has been no luck?
34:07No grapes?
34:09Okay, a little attention, please.
34:11I regret to inform you that negotiations with Emilio's father for the grapes have failed.
34:16An emergency meeting is called at my home to assess the use of force.
34:19What a great idea, a meeting to end the year.
34:22Come on, come on, the party's over.
34:23But what did Emilio say?
34:24I don't care.
34:25He's busy in the shack they've rented for a movie shoot.
34:28A movie?
34:29Hey, Juan, let's take a look.
34:31Well, goodbye.
34:32Bye bye.
34:32Thank God.
34:33Bye bye.
34:34Bye bye.
34:34That?
34:35And when you kiss, don't you poke each other with your beards?
34:39Madam, to the board.
34:40But hey, do we record or not?
34:53What's up with the driver?
34:55What are they going to give us the grapes?
34:56Never better said.
34:57Yes, it's ready soon, they're just touching it up.
34:59Oh, I can't, Paquito, I can't.
35:01I don't know what's wrong with me, I'm blocked, I'm not responding.
35:03But look at those girls, Emilio.
35:05When have you ever had sex with a girl?
35:06Well, no, with one, with three.
35:07But why do you think I'm blocked?
35:09Plus, I'm always thinking about Bethlehem.
35:11Look, don't worry, I'll tell the director that you can't.
35:13No, no, no, no, no, no, no.
35:15Wait, this will only happen once in a lifetime.
35:17Oh, I don't know, there's no Viagra, vitamin C or anything.
35:20Emilio, have a cookie.
35:22A cookie?
35:23Estriqui was going crazy.
35:24Striqui.
35:25Ah, yes, well, that's true.
35:27Oh, John.
35:27A movie here in the building?
35:30Because I had the young girl who, if not, would have been an Almodóvar Girl.
35:34It's an intimate drama and they don't let anyone in.
35:36Also, there is no one famous.
35:38But they say that so there are no gossips.
35:40But we are presidents of the community.
35:42I bet they didn't send you a copy of the script.
35:44Maybe they left it in my mailbox.
35:45I haven't looked.
35:46You don't impose yourself, Juan, huh?
35:48You don't impose yourself.
35:48What happened?
35:49Now, now I'm ready.
35:50Run, record, I don't know how long it will last.
35:52Hit the staff, hit the staff.
35:53Everyone in their places.
35:55Five and action.
35:56Ma'am, your car is ready and so am I.
35:59So if you don't mind, let's get down to business.
36:01Come on, Tiger.
36:02Hello, we are the presidents.
36:04Cut!
36:05Let's see, who are these now?
36:08But, Emilio, what the hell are you doing?
36:11Here, learning a little bit about cinema.
36:13Oops!
36:15No, it's actually an educational documentary for schools.
36:18Emilio, that's a disgrace.
36:20Man, for God's sake.
36:21Those exuberant girls there, just as God brought them into the world.
36:24With those perky breasts and tight asses.
36:27And I, who am the president of the community, don't tell me anything.
36:29Hey, Juan.
36:30To throw them out, Paloma, to throw them out.
36:32Concha needs to be reported for using the apartment for such things.
36:35Of course, it is reported.
36:37And he is asked for a copy of the film as evidence for the trial.
36:40No, Mr. Juan, it was us.
36:41Doña Concha knows nothing.
36:43It's that Paquito confused me, he's very smooth-talking.
36:45Of course, since he went to college.
36:46But you know the mess we'll get into if Concha finds out about this.
36:49We'll be done soon.
36:50All that's left is to record the orgy and then we'll pack up.
36:52Oh, no orgies here, huh, Juan?
36:54No orgies here!
36:55You see?
36:56That's what I was telling you.
36:58Emilio, what are you doing dressed like that?
37:00It's that he does the script, Belén, as if we were no longer together.
37:02No, it's just that now we're not together.
37:04Hey, I was going to do it there with three girls and I was thinking about you.
37:07And that's nice.
37:08This is the least of what comes with having a boyfriend.
37:10What do I tell myself?
37:11That?
37:12Do we have a meeting or not?
37:14Time is running out.
37:15It's almost twelve o'clock.
37:17It's coming, it's coming.
37:18What a stress to end the year.
37:19Oh no, Juan, don't stress out.
37:20That your colon is irritated.
37:22No, Emilio.
37:22We may not be dating, but I'm thinking about it.
37:25And if you love me, you have to respect me.
37:26Oh, and you respect me?
37:27Of course I respect you.
37:31And what is this?
37:32The butane gas cylinder?
37:33Well, I don't know.
37:34I swear I don't know what he's doing there.
37:35Look, you know what I'm telling you?
37:36What happened to you?
37:37I'm going to a party.
37:38Oh yeah?
37:39I don't think they'll let you in anywhere.
37:47We need to talk.
37:49Fuck.
37:50Well, let's get this emergency meeting underway.
37:52What a sad meeting, damn.
37:54Hey, in Congress sometimes there are just a few people and they vote the same, right?
37:57So point in mouth.
37:59The question is, for the sake of this community of ours, do we take away Mariano's grapes?
38:04by force, yes or no?
38:05Yeah.
38:06Very good.
38:06Well then, all in partnership.
38:08And that's what he made us go up for?
38:09This guy is an idiot and he's not up to any further.
38:13Well, what's up?
38:14Are we going to eat the grapes here or not?
38:16I'm looking forward to going to the party.
38:17You wait here.
38:19My goodness, how is the baby going to come out?
38:21Well, wait until you see the mother.
38:23Also?
38:24Oops!
38:25Look, maybe you were right in the end.
38:27And coming out of the closet wasn't a good idea.
38:30But you're telling me this now?
38:33I'm unemployed and the whole neighborhood is giving us a hard time.
38:35Fernando, he who has a mouth makes mistakes.
38:38This has to be love, huh?
38:39Because if not, I can't explain it.
38:43Well.
38:43Can I think of an idea?
38:44No.
38:45No, yes, yes, yes.
38:45Look, we moved to another building and we went back into the closet.
38:48But deep inside, behind the blankets.
38:51Hey?
38:51Come on, go get your coats and let's go get something to drink.
38:54It's the end of the year.
38:55And the grapes?
38:55I'll pass.
38:56Last year I took them for the first time and look at everything that's happening to us.
38:59Well, it goes, it goes, it goes.
39:00Yes, it goes, it goes.
39:01Don't wait for me, okay?
39:08So that?
39:11Well, honey, I'm ready now.
39:15Hey, how are you?
39:21Oh, okay.
39:22You are ready too.
39:24Come on, what...
39:26In the end you got what you wanted.
39:29Staying at home sleeping.
39:31You have more nerve.
39:43Happy New Year, my love.
39:51Dad, a little please.
39:53Give him the grapes, we already have enough problems.
39:56150 euros per serving.
39:58It's a quarter to 12 and that's the price.
40:02These grapes are confiscated immediately for the good of the community.
40:05Take them, Juan.
40:05Take them, he's smaller than you.
40:08Quiet, Juan.
40:10You only come close to bursting against the ground.
40:12Back, back.
40:13Calm down, Mariano, calm down.
40:14Dad, I'll take a taste for you.
40:16I want a car at the door with a full tank.
40:19It's a bluff, don't pay attention to him, he's not going to throw them.
40:21Oh no, huh?
40:22My grandfather was French.
40:25I have no problem throwing fruit on the ground.
40:28Mariano, you're ruining our relationship.
40:31I love you, but I've seen a side of you I didn't know I had.
40:35Marisa, that's emotional blackmail.
40:38Come on, give us the grapes and prove that you are the man I fell in love with.
40:44Okay, okay.
40:45I'll give up anything for you.
40:48Here, happy new year to everyone.
40:50Have you been bitten, loser?
40:52Come on, let's go, we already have the grapes.
40:54Come on, you too, with your culture, take a look at women.
40:57Son, I am a slave to love.
40:59Out, out.
41:01I think they are operated on, for sure.
41:02That screams silicone like you wouldn't believe.
41:04José Miguel, you can't be here.
41:06Dude, are you going to deny sex education to a teenager?
41:08Yeah.
41:09Let's see, yes, honey, I'm finishing the orgy and I'm going home.
41:13Well no, I can't reach the grapes anymore, but...
41:15Let's see, let's turn off our cell phones.
41:17A little more light there in the background.
41:19Let's see, please.
41:20But why didn't I finish straight, my God?
41:23Come on, someone plug in that light bulb.
41:25Come on, man, Fernando, we're waiting.
41:28At the locker room level.
41:30Finally, we're going to watch the bells ring in peace.
41:33Oops!
41:34What happened?
41:36The building's fuses have blown.
41:37Juan, the bells are ringing, what time is it?
41:39It's hard for me that we've lost power.
41:40Don't tell me.
41:42Thank goodness I didn't take the elevator.
41:44Happy New Year everyone, huh?
41:45Leave.
41:46And where are you going, so pretty?
41:47To a friend's house who is having a party at Puerta del Sol.
41:50Ah, well we're going with you, because now that we finally have grapes,
41:53we are not going to miss the chimes.
41:54Sorry, that's fine with me, Paloma, but my car only fits two people.
41:59Don't worry, I've got the mini bat parked.
42:01But that's passed the ITV, right?
42:03What's going on here?
42:05And why is there no light?
42:06But you weren't having dinner with your daughter-in-law.
42:08Yes, but we argued and I really wanted to get home to be calm.
42:14Well, come on, this is a good time, our penis is going to fall off, it's better.
42:17Okay, Paloma, I'll go ahead and then I'll get there for you, darling, okay?
42:19But where are you going with the dick?
42:21I'm going too, I'm going too.
42:22But, Emilio, do you know there's only room for two people here?
42:24Well, it's okay, I'll do my duty here with Mr. Juan.
42:26Concha, I think they're making a porn movie at your house.
42:29As?
42:30Yeah.
42:31Mr. Cuesta!
42:33Don't go!
42:34Unfortunately, unfortunately, we haven't made it to the end of the year.
42:36Okay, but fasten your seatbelts, I don't want any fines later.
42:39Paquito, what do you have left, Doña Concha?
42:41Get the hell out of there.
42:42Happy New Year!
42:43Come on, let's all go in this one.
42:45But where are you going?
42:52Damn, it won't start.
42:53And I just took it out of the workshop.
42:55But keep going, they're getting away from us.
42:57And how do I follow him?
42:58It's not like we were stone cutters.
42:59No, in the end we're going to eat the grapes here.
43:01Oh, what a mess, really.
43:02And my Juan over there with his dick.
43:04Well, don't worry, I'll put on the radio.
43:06Does everyone have grapes?
43:07There are twelve, count them carefully.
43:09But don't put that, Mariano.
43:11Ring the bells.
43:12If I haven't bought a second-hand van
43:14and I don't know how to get the tape out.
43:17Well, we'll have to do something.
43:19You do not make efforts,
43:20because you are going to have a child and it is not convenient for you.
43:23I'm going to ring the bell.
43:30Help him, man.
43:33Go on!
43:36Damn, thanks for your help.
43:45The rooms.
43:47Well, not bad.
43:49Let's go!
43:50This is pathetic.
43:52What an end of the year.
43:53Here, here, here there is no one who lives.
43:56Not here, not here.
43:57Every day is like this.
44:00I couldn't imagine it when I came here.
44:03I was just looking for something bad.
44:05It's true, every day I was hit by a hurricane.
44:07Here, here, here there is no one who lives.
44:12What's the big deal?
44:13That?
44:15That?
44:15Thank you!
44:16Thank you.
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