- 3 months ago
Today's contestants are Colin & Maureen Bee from Buckinghamshire, John Armstrong & Cathy Jarvis from Staffordshire, Connie Fosten & Paul Lamb from Yorkshire, and Pat Parrott & Lee Holly from Cornwall. The last couple's name gives cause to mirth from host Bruce Forsyth, though assistant Rosemary Ford is more than chuffed to get another team in from Yorkshire. And she has some fun taking the mickey out of Brucie being at a celebrity party, leading to Bruce to threaten to kick the spokes out of her bike (in fun, I hasten to add). Among the games are "A Bit on the Slide" (aerobics), "Marzipan Moulding", "Hair Art" (involving animal designs on their models) and "Price It" (with Eric Knowles guessing the estimates on antique goods). The finale sees a "Fighting 40's" musical number, involving guest Anita Harris and Brucie as you've never likely seen him before. Once seen, never forgotten! Enjoy.
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FunTranscript
00:00Life is the name of the game, and I want to play the game with you.
00:08Life can be terribly pain, if you don't play the game with two.
00:15And I want to play the game with you.
00:30Oh, what a welcome. I thank you so much.
00:36Hey, hold on there.
00:38Ladies and gentlemen, children, welcome to Generation Game.
00:42Nice to see you, to see you.
00:45And if you're watching at home, we're delighted to have your company.
00:50We're rather proud that this is a genuine family show.
00:54We're happy in the knowledge that you can let your children watch me every week,
00:58knowing that in about five minutes, they'll say,
01:00can we go to bed now?
01:04But I know that Dad stays in his seat for the next hour
01:07just to see the gorgeous, the lovely Miss Rosemary Ford.
01:18Nice job.
01:19You're wonderful.
01:20You're wonderful.
01:21You're wonderful.
01:22Aw.
01:23Yeah.
01:24Welcome.
01:24You're lovely.
01:25Aw, are you all right?
01:26Yeah, I'm fine.
01:27Oh, listen, I must just say, I had such a wonderful time
01:29at that charity board the other night.
01:31Oh, Mum, and everybody was there, wasn't there?
01:34Everybody.
01:35And I arrived after you, and the girls went wild.
01:38They went berserk.
01:40They came straight for me and pushed my rolls over.
01:43They actually pushed your rolls over?
01:44My sausage rolls.
01:45I had two dozen...
01:46I'm not the place.
01:47Oh, you didn't get that.
01:48I love my sausage rolls.
01:51All right, Gladys.
01:52But they didn't get their hands on you, did they?
01:55No, but if they could, I'll tell you what, if they could have got their hands on me, goodness
01:59knows what they would have done.
02:01Really.
02:01If you don't believe me, you asked George Michael.
02:04He was standing right next to me.
02:06Oh, lovely.
02:07And, oh, tell me.
02:09Yes.
02:09I mean, did they throw things at you like they do to, you know, Tom Jones?
02:12Oh, yes, the lot.
02:13Support tights.
02:17Surgical stockings.
02:19Corsets.
02:19Valium.
02:20I got the lot.
02:21But, you know, I do have to say, I mean, I was deeply impressed when both Tom Cruise and
02:27Richard Gere came up to you at the end, shook you by the hand, and said, what a fantastic
02:32job you'd done looking after the car park.
02:38Did you have to mention that?
02:40Introduce the teams.
02:41Okay.
02:42Our first team's from Buckinghamshire.
02:44Their mother-in-law and son are...
02:45When you collect your bicycle after the show, don't be surprised if your spokes aren't all
02:52kicked in.
02:55Right.
02:56I've...
02:57On your wobbly bike.
03:03She didn't know I was going to say that.
03:05I did.
03:08Right.
03:09Shall I introduce...
03:10Yes, you can introduce the team.
03:11There's nothing else to do, is there?
03:12Let's face it.
03:14I mean, what do we normally do?
03:16Right.
03:16Our first team's from Buckinghamshire.
03:18Their father-in-law and daughter-in-law, Colin and Maureen B.
03:22Right.
03:22Now, you are Maureen B.
03:35Yes, Maureen B what?
03:36B-double-E.
03:37B-double-E.
03:38Yeah.
03:38Good, good.
03:39Now, you're married to Adam.
03:40Tell us about the honeymoon.
03:41Yes, well, it was at Christmas, Bruce.
03:43The hotel we were in, there was a thunderstorm that night.
03:45Oh, dear.
03:46And it cut all the electricity and the phones off.
03:48Oh.
03:48Well, this is what you call reaction.
03:54I'm reacting to your story, you see.
03:56As though I don't know what you're going to say.
03:58Is that all right?
04:02Right, um, you could have breakfast in bed, right?
04:04So we couldn't phone down.
04:05So Adam got out to bed, he got dressed, run downstairs, ordered a breakfast, ran back up,
04:10got undressed, jumped back up to bed, come up and make the breakfast in bed.
04:13He was a busy bee, and he couldn't wait to get back to his honey.
04:19Oh, well, right.
04:21What was that?
04:21Right.
04:23Now, uh, who's your favourite person?
04:25Jean-Claude Van Damme.
04:26Oh, Jean-Claude Van Damme.
04:28Oh, the hunky Hollywood film star.
04:31Oh, my God.
04:31Yes.
04:32Well, he's interrupted filming to be with us here tonight.
04:36Oh, thank you.
04:43I said Van Damme, not a damn van.
04:50I have to do everything here, come here.
04:52Sorry about that.
04:54I mean, they promised he'd be here.
04:56There you are.
04:57Anyway, over now to your father-in-law, Colin B.
05:00Another B, yes.
05:01You're married to Pamela.
05:02Tell us about the proposal.
05:04We were in the back seat of my Austin A-30.
05:07What's the matter with you, dear?
05:09Oh, you're fidgeting.
05:11Oh, fine.
05:11I hope he's not catching.
05:14Right.
05:14I'm back asleep at the Austin A-30, Bruce.
05:16Yeah.
05:17In Lover's Lane.
05:18Yeah.
05:19And, uh, we were interrupted by this car rally.
05:23A car rally?
05:23There's lights every two minutes.
05:25All going by.
05:26Oh, so you had to be as quick as a flash.
05:28Yeah.
05:31Any irritating habits, have you?
05:34Well, Bruce, I like to walk around while I'm on the telephone.
05:37So what I've done is I've bought a cordless phone.
05:39Look, would you like to finish off the interview like that?
05:41Rosie?
05:42Right.
05:42Okay, and take this fidget, will you, will you?
05:45Strap her into something.
05:46Oh, please.
05:47That's fine.
05:47Okay, now walk anywhere you like.
05:49That's fine, fine.
05:50Okay.
05:50Are you there?
05:51Yeah.
05:51Right.
05:52Now tell me, who would you like to meet the most?
05:54Joanna Lumley, Bruce.
05:55Lovely lady.
05:56But are we talking about the normal Joanna Lumley, or are we talking about you, Patsy, that slut?
06:03Bruce, I don't mind how she comes.
06:05Oh, really?
06:05I mean, she always looks half drunk and always got that skirt up to her armpits.
06:09Oh, Bruce.
06:10Oh.
06:12I see what you mean.
06:13Yeah.
06:14She's still a bit tasty, you see.
06:16Yeah.
06:16You're right.
06:17You're right.
06:17Come here.
06:17I really enjoyed that.
06:19Yeah, that's very nice.
06:19Is it?
06:20It's good to walk.
06:21No.
06:21No.
06:21That's all it isn't, Patsy.
06:27Okay, now take the shoulder there.
06:29Take her to the ground, Mary.
06:30Sit down here and strap her in.
06:33Right, okay, now who have we got now?
06:36Our second team's from Staffordshire.
06:37They're uncle and niece, John Armstrong and Kathy Jarvis.
06:49How are you?
06:49Well done.
06:50Well done.
06:50I hope you haven't missed the kick-off.
06:54I don't know who the hell did he come from.
06:57Right, now then, you are Kathy Jarvis.
07:00Jarvis, yes.
07:01And what do you do, dear?
07:02I'm the secretary for British Rail.
07:04A secretary for British Rail?
07:05Oh, are you the lady who answers the phone and says,
07:07I can't hear you, the leaves are on the line?
07:12That's gone.
07:13Right.
07:14You're married to Neil.
07:15What does Neil do?
07:16Well, Neil's the supervisor for British Rail.
07:18But when I first met him, he was a trained announcer.
07:22A trained announcer?
07:23Yeah, and I heard his voice and I thought, Corey sounds nice.
07:26Really?
07:27Oh, how romantic.
07:29Well, what's funny about that?
07:32Yeah, I think that's lovely.
07:33I bet I know the way he proposed.
07:35Still right?
07:36The man now standing, or Benini, wants to take you on a journey to paradise,
07:45stopping at all the interesting places on the way.
07:51Right.
07:53You...
07:53All right, very funny.
07:57Now, dealing with the public, you must have a few funny customers.
08:00Oh, we do have some funny ones.
08:02Yes, yeah, yeah.
08:02Yeah, well, we had these...
08:04This couple came in one day when I was working in the travel centre,
08:07and they wanted to take their double bed on the train.
08:10A double bed?
08:11Yeah, but it worried me, because they only wanted to go one stop.
08:14Oh, well, maybe they didn't want to go all the way.
08:15Wow!
08:16Yeah.
08:19Sorry.
08:21Yes.
08:21Right, now, over to the rugby player.
08:24What do you do, John?
08:24I'm a taxi driver, Bruce.
08:26A taxi driver?
08:27Oh, now, are you one of those taxi drivers who love to talk?
08:30Yeah.
08:31All right, I thought so.
08:32Okay, Rosie, we'll do it, because I've did this once before,
08:35and it's the only way to talk to you people,
08:37because you get...
08:38Sit down there.
08:41Now, you're married to Janet.
08:43Tell us about the honeymoon.
08:44Oh, yes, er...
08:46Keep your eyes on the room.
08:47The next morning, the maid knocks on the door,
08:52and instead of waiting, she walks straight in.
08:54They never do, do they?
08:56They knock, and they're in.
08:57I know what you mean.
08:57Keep looking at the room.
09:00Yes, what happens?
09:00Well, we have to, you know, pull the sheet up quick.
09:04Yeah, to why?
09:05Well, to cover the embarrassment, you know.
09:06Yes, and you could have probably been doing anything.
09:10Well, it probably was.
09:10And you probably were.
09:13There you go, you nearly hit that bust.
09:15Right, now then, what's all this about wearing women's long johns at a party?
09:21Halfway through the night, we'd all had a few bevvies, you see,
09:24and I was getting all merry, so a couple of us decided to dress up, you see.
09:28So we popped out and back up to the house and sorted through a few things,
09:31and my favourite comedian of the time was Max Wall,
09:34so I thought I'd do a Max Wall, you see.
09:36Yeah, yeah.
09:37So I looked round for a pair of tights,
09:39and all I could find was a pair of long johns.
09:42So I put them on, you see, and a black jacket,
09:44back to the party, a few more bevvies.
09:47Yeah.
09:48And eventually I fell off the chair, you see,
09:50and a couple of me mates grabbed a leg each
09:53and decided to pull me round the dance floor, you see.
09:56What, just like that?
09:57And everybody's falling about laughing, you see.
10:00Well, what I didn't know, Bruce, was
10:01it had got a flap, you know, those women's.
10:06Yeah!
10:07Yeah!
10:08Yeah!
10:08I exposed everything for all to see.
10:15Oh, well, it's the first time I've ever heard of anybody
10:17getting into a flap by coming out of one.
10:21It was a lovely trip.
10:22I enjoyed yourself.
10:23How much do I owe you?
10:24Well, back in the five.
10:26Get your kid off!
10:28You start with me, you know.
10:29But thank you, John, and thank you, Cathy.
10:32Lovely people.
10:33I love it.
10:34Good.
10:36Oh.
10:37Good.
10:38Right.
10:39Now then,
10:40before our first game,
10:42I'd just like to remind you that our contestants
10:44have no idea what we have planned for them.
10:46They do not rehearse.
10:48This is your rehearsal.
10:49Now, our first game is called
10:52A Bit on the Slide.
10:54Please...
10:55That's what it is.
10:59Please welcome,
11:00from the body workshop,
11:02Linda Rayner.
11:47It's the river of my life, life.
12:04Yeah!
12:06There you are.
12:08That's all, Daisy.
12:10All right.
12:11But thank you, Alistair Reitz and Rooty Block.
12:15Thank you very much indeed, Daisy.
12:17Could you have the first couple on, please?
12:19Put the second couple round the back so they can't see what's going on.
12:22Now, everything Linda does, you follow soon.
12:25OK.
12:26We're ready now for sliding about, take two.
12:37And thrust, get the thrust.
12:39That's it.
12:40Get the thrust going.
12:43All right, my darling, that's it.
12:47That's it.
12:50That's it, the speed skating.
12:51Try and get with her.
12:52That's it, slide.
12:54That's it, good.
12:55Get with her.
12:55Move the arms.
12:56That's it.
12:56Now bend the knees, bend the knees.
12:58Knees, that's it, good.
13:02Bend the knees again.
13:04Lovely.
13:05Try and get with her.
13:06Up with the leg.
13:08Up with the other leg.
13:09That's it, good.
13:12That's wonderful.
13:13Wonderful.
13:14Very good.
13:16That's it.
13:17Flamenco.
13:17Flamenco.
13:18Get the arms right.
13:19The flamenco.
13:22Good.
13:24And speed skating.
13:26That's it.
13:26Get the arms going.
13:28Get the arms going.
13:29That's it.
13:30Well done.
13:33Yeah, well done.
13:33And the pose, the pose.
13:36Lovely, lovely, lovely.
13:38Come over here if you want.
13:40Very good.
13:40Very, very good thing to do just like that.
13:43Now, here we are, Cassie.
13:44Get here, my darling.
13:45Johnny, good.
13:46We are now ready for sliding about.
13:49Take three.
13:50Take three.
13:55Good.
13:57That's it.
13:57Just use a slide.
14:00Get the thrust going.
14:02Get the thrust.
14:04Bend your thrust.
14:07All right.
14:08Move your arms.
14:12That's it.
14:14That's it.
14:15Now, do bend your knees.
14:16Bend your knees.
14:17Now, bend your knees.
14:18That's it.
14:18Good.
14:19Fine.
14:22That's the idea.
14:26Look at that John there.
14:27He's flying, that John.
14:29You nearly came off there.
14:30Watch it.
14:31That's it.
14:32Lift the leg up.
14:33The leg up.
14:34Fine.
14:34Now, the flamenco.
14:36The flamenco style.
14:37Get that flamenco.
14:38That's it.
14:39Good.
14:40That's lovely.
14:41That's lovely.
14:43Now, come on.
14:44Get the arms going here.
14:45Get the arms going away.
14:47That's it.
14:47Oi.
14:48Oi.
14:49Oi.
14:50That's it.
14:51Fine.
14:52Fine.
14:52Well done.
14:52The pose.
14:53Pose.
14:54Lovely, lovely.
14:56Good.
14:56Come here with me.
14:58John, come over here.
14:59And once again, thank you to Linda Rayner and The Body Workshop.
15:04We thank you all.
15:05Thank you very much.
15:10There we are.
15:12And now, to judge this, we have one of the most popular athletic gold and silver medal winners,
15:18Mr. John Regis.
15:20Woo!
15:20There we are.
15:25Lovely to see you again.
15:28Thank you for being here.
15:31Give me the thing, have you ever tried that at all?
15:33Um, no.
15:34Unfortunately, with track and field, we run straight ahead, so we don't go side to side.
15:38That'd slow you down.
15:39Absolutely.
15:40Right.
15:40So, a few comments over here, this side of our first couple.
15:43Well, I've got Maureen.
15:44She had great swift movements, and I thought that she actually got really well with the beat.
15:48Yeah, but she's a fidget, that's why.
15:49Yeah, this is true.
15:51I wanted her seven points.
15:52Seven points, yes.
15:53Colin, I thought his hips were nice.
15:58Nice legs as well.
15:59Nice legs as well.
16:00Look.
16:00I thought he kept in with the beat tremendously, and I gave him nine points.
16:03Nine points.
16:04Well done, Colin.
16:05Well, how's good?
16:07I was trying to help this one a bit, so what about the other side here?
16:11Well, Cathy, again, her balance was very good.
16:13I think a couple of times she slipped from side to side, but I thought it was excellent.
16:17I can understand it's been very difficult.
16:18She certainly had a game.
16:19She did, and she got seven points.
16:21Yeah.
16:21And I thought John, I thought he was tremendous.
16:23I thought John was moving around.
16:24He was good again.
16:25He was good.
16:25The good rhythm.
16:26The men seemed to get more of an idea.
16:28Exactly.
16:28I gave John eight points.
16:30Eight points.
16:31Very, very good.
16:33Now, John, this year you've had a...
16:37It started off so great for you, and then the injuries started, so it was a shame about
16:41that, because it looked as though it was going to be your best year ever, didn't it?
16:44Well, in one year I had my best year and my worst year.
16:47I won the first time in the world, broke the British record again, and then I got injured
16:50and missed the European Championships.
16:51But what I want to know is, it wasn't anything to do with playing golf with me in Loch Lomond
16:55last year.
16:56Well, I think you should say that.
16:59Thank you, John Regents.
17:01There you are.
17:03Isn't he lovely?
17:04He really took a nice time.
17:07Now then, what's on the board, Miss Ford?
17:11Well, Colin and Maureen have 16.
17:13Cathy and John have 15.
17:15Only one in it.
17:16Jolly good.
17:18Marzipan moulding.
17:19Please welcome, from Waterfield's bakers and confectioners, Wendy Wordsworth.
17:29Thank you for being here.
17:33All that welcome, Waterfield's Wendy Wordsworth.
17:36By the way, I knew your dad very well, William.
17:40We made up a few naughty rhymes together.
17:43But I'll tell you about that afterwards.
17:45Come over here, if you will, Wendy.
17:47And will you all come over and get either side of me?
17:50That's it.
17:51And because we want you to have a good view of this.
17:54Okay, we're not going to tell you what Wendy's going to make, but in your own words, away you go.
17:57Yes.
17:57See if you can guess on the way.
17:59Good.
17:59This is pink marzipan.
18:01I want to make a ball by moulding it.
18:04See that?
18:05In your hand.
18:05Good.
18:06Put the icing bag.
18:07Ah.
18:08Place a bit of icing on the top.
18:10Just enough to get it to stick on.
18:12Is that a lamp shape?
18:13What's that?
18:13Is that the ball for your lamp shape?
18:15No, it's not a lamp shape.
18:16No, no.
18:17Thanks for having a guess.
18:19There you are.
18:20You're fine.
18:21Are you going to go with the nose?
18:22Yes.
18:23The nose there.
18:23Yes.
18:25Right.
18:25Ah, now all goes this, you see?
18:29All this on there.
18:30Is that hair?
18:31Yes, that's hair.
18:32Ooh.
18:34That's an air ball.
18:35Well, that was a bit of conditioner up there.
18:40Is it a witch?
18:41Ah, it's a witch.
18:42Well done.
18:42Oh.
18:43You don't get any points for that.
18:45No, what a shame.
18:46That's a shame.
18:47But there we are.
18:48Now, you see, she's getting a bit of the black.
18:51Black icing.
18:52Get a nice shape to that, you see?
18:54See the way she...
18:55You can all see all right, can you?
18:56Slicing onto the desk.
18:58A little bit of dip there.
19:05There's a hat on the head.
19:07That's it.
19:09Good.
19:10Oh, and are those the black eyes of the Wicked Witch?
19:14The mouth.
19:15And a wart on the nose.
19:17Yeah.
19:18And a wart on the nose.
19:19And then just to finish it up.
19:21Oh, sorry, Jolly.
19:23Isn't that lovely?
19:23I think it's beautiful.
19:25Will you come up to Mr. Margaret?
19:27Thank you, Wendy.
19:28Off you go.
19:29And you get to the far one there.
19:30Get to your tables.
19:33Okay, you've got about one and a half minutes to make your marzipan witch,
19:37starting from now.
19:39Away you go.
19:40Try and remember all that Wendy did,
19:42and the way that she moulded the marzipan,
19:45the way she sort of stuck it on the top there.
19:49We're going to move you along a bit, but...
19:51Okay.
19:52Oh, you are in a hurry.
19:54That's good.
19:55Good.
19:55You are getting on with it.
19:58Fine.
19:59And all the little bits and pieces.
20:02That's it.
20:02Yeah, the hair's going on now, yes.
20:10Lovely, lovely.
20:11As much of that on as you can.
20:14And now the hat you're starting with there.
20:15That's good.
20:16Yeah.
20:17I think the hat will stay on, will it?
20:20Is it you shaking or...
20:21I can see your hands going like that.
20:25I thought it was the turntable.
20:27So finishing touches now.
20:29Don't forget.
20:31Try and remember as much as you can.
20:33Time is coming up now.
20:35Ten seconds left.
20:36Is it?
20:37About ten...
20:38Five seconds left.
20:39So don't forget your broomstick.
20:41You got it in?
20:41Yes?
20:42Yes?
20:43You've all got it in now.
20:45OK, wherever you're up to, stop.
20:47And Wendy, come back and do some marking, please.
20:54That's marvellous.
20:56Yeah.
20:57What do you think of that?
20:59He's got all the pieces on.
21:00He's got all the pieces.
21:01The waltz right at the end of the nose, isn't it?
21:03It's going to drip off, actually.
21:03And the hat looks as though it's a bit more like a puncher's hat.
21:07But what do you think?
21:08I'll give him five for that.
21:10Five?
21:10Well done.
21:11Well done indeed.
21:12OK.
21:13Here, my darling, if I can...
21:15Have a good look at that one.
21:17Yes, it's got all the pieces there.
21:19Yeah, all the pieces there.
21:20And the hat's quite a good one, isn't it?
21:21And she's got everything in, so...
21:23Seven for that.
21:24Seven?
21:24Oh, well done, Wendy.
21:26Now I know why you're laughing at his face.
21:29OK.
21:30Now here is another one with a strange-looking hat.
21:33But the face is very good.
21:35And the nose is good as well, isn't it?
21:37It's only the hat that lets that one down again.
21:39Yes?
21:40Good attempt.
21:41Good attempt.
21:41Six for that.
21:42Six for that one.
21:43All right, the hat's let you down.
21:45The hat's let you down.
21:46Oh, he didn't get a hat on here, or did it just fall off?
21:49It just fell off.
21:49Oh, he just fell off a minute ago.
21:51So it was there.
21:52So we'll give you...
21:53We'll try and balance it on there.
21:55Now the head's coming off as well,
21:57but let me get that out of the way through the season.
22:00It's very well finished.
22:01It is, isn't it?
22:02Give that one eight, that one.
22:03Eight, that one?
22:04Oh, good, yeah, because it's so much fell off at the last minute.
22:07Yeah, very good.
22:08And thanks for that kind of kind of fun.
22:10Well, Wendy, thank you for being with us.
22:12All right, it's been lovely to have your company.
22:14And thank you for being with us.
22:15And good luck to Waterfields.
22:16Bye.
22:16Okay, bye.
22:19There we are.
22:25Good luck for Miss Ford.
22:28Well, Colin and Maureen have 28.
22:3128?
22:31Kathy and John have 29.
22:33Oh, well done, you two.
22:37Well done, we've been done, you two.
22:40That's a shame, hold on.
22:41We're sorry to lose you,
22:49but you will be getting a Generation Game telephone each,
22:53and thank you for being.
22:53Thank you, please.
22:54You've been lovely people,
22:55and we'll see you in our grand final,
22:57which is coming up soon.
22:58Okay, off you go there.
23:00Nice people.
23:02There we are.
23:04Who have we got left?
23:06Right, our third team's from Yorkshire.
23:08Their mother-in-law and son-in-law,
23:10Connie Fosten and Paul Lamb.
23:12Right.
23:20And how are you?
23:21Good, good.
23:23There you are, Connie.
23:24Fosten.
23:25Fosten, I see.
23:26And what do you do?
23:26I'm a florist.
23:27Oh, you're a florist?
23:28Oh, can I call you Mrs. Bouquet?
23:30Yes.
23:32Oh, I've been dying to do that all day.
23:34Keeping up appearances, yes.
23:36Well, I hope you're not going to be a snapdragon,
23:38that's all I know.
23:39But have you had any unusual customers
23:41that you're meeting people all the time?
23:43Yes.
23:43One day I had some flowers to deliver
23:45to this block of flats.
23:46Yes, yes.
23:47Rang the bell,
23:48and this voice shouted,
23:49Come in!
23:50So in I went,
23:51and out stepped this man from the bathroom,
23:53just getting out of the shower,
23:55nothing on.
23:55Oh.
23:56I think he was expecting somebody else.
23:57Yeah, I think he was.
23:59What did you do,
23:59give him a spray?
24:03How many kids have you?
24:04Three.
24:05Oh, three children, I see.
24:06Three children.
24:07So you've been in full bloom three times.
24:09That's it.
24:09And over now to your son-in-law,
24:12son-in-law Paul.
24:13Lamb.
24:14Lamb.
24:14Would you mind raising your left leg
24:16just a little bit?
24:16There we are.
24:17There we are.
24:18Look at that.
24:18Leg of lamb.
24:23Oh, yeah.
24:24Right.
24:25Now, you're married to Karen.
24:27Tell us about the proposal.
24:28I proposed to Karen
24:29in a hotel room in Paris.
24:31In Paris?
24:32Yes.
24:32Petticoe into France
24:33with the way they treat English lamb.
24:37I can't believe you went there.
24:39Let's take a chance.
24:40Tell us about your wedding night.
24:41The wedding night,
24:42we actually stayed in a hotel room
24:44that had been previously occupied
24:45by John McEnroe.
24:46You cannot be serious.
24:49Did you have a referee?
24:51Yes.
24:52Was the service good?
24:55It wasn't love at all.
24:57It was all the time.
24:59All the way.
25:00That's lovely.
25:01Oh, you've got special talents.
25:03What is that?
25:03Well, I like to mimic cartoon characters.
25:05Oh, lovely.
25:06Oh, we haven't had any of that tonight.
25:08We've had everything else.
25:09So what would you like to do?
25:11Well, I'll do Yogi Bear.
25:13Yogi Bear?
25:13All right.
25:13And Top Cat.
25:14What, not both at the same time?
25:15No, same at the same time.
25:16You'll get your tonsils in a terrible state.
25:18Well, away you go.
25:20Hey, TC.
25:21I'm on the Generation Game tonight.
25:23Hey, what are you doing?
25:25Are you a contestant?
25:26No, I'm the cuddly tie.
25:30Good.
25:31Was that Taps?
25:35I didn't know you were going to do them together, you see.
25:40I thought that was going to do...
25:41Oh, that was Yogi Bear and...
25:42And Top Cat.
25:43Top Cat, yes.
25:44Hi.
25:44Yeah, I couldn't tell the difference.
25:45But it was lovely.
25:50Thank you both for being here.
25:52Pop over there.
25:52We'll see who you're going to play against.
25:54Nice people again.
25:55Nice people.
25:58Nervous.
26:00Who's our last team?
26:01Right, they're from Cornwall.
26:03They're mother-in-law and son-in-law, Pat Parrott and Lee Holley.
26:07What?
26:09Very amazing.
26:11Right, and how are you?
26:17Boys, thank you for being here.
26:18Did I hear right?
26:19Pat Parrott?
26:20You did.
26:21P-A-R-R-O-T.
26:22Yeah, two Ts.
26:23Two Ts.
26:24Oh, two Ts.
26:24That makes it different.
26:25I see.
26:26Would you want to stand there?
26:27Would you rather have a perch?
26:27I don't know.
26:32Now, you're married to Bill Parrott.
26:36Parrots don't have bills, they have beaks.
26:39Oh, I told him.
26:40Well, why don't you marry a duck?
26:42Where did you meet him?
26:44Well, I was 17 at the time.
26:45Oh, yes.
26:46And I wanted to go and see Singing in the Rain.
26:48Singing in the Rain?
26:49All my friends had seen it.
26:50Oh, yeah, yeah.
26:50So Bill said, would I go?
26:52I didn't like him, but I went.
26:54You went with him?
26:54Yeah.
26:55And you were in the back row and everything was...
26:56No, no, no.
26:57No, no.
26:57He wouldn't pay out for the back row.
26:59I'm trying to do a joke, dear.
27:06See, I was going to say you were in the back row,
27:08and you'd made out you were in the back row, you see.
27:10Oh, I see.
27:11It doesn't matter now, it's gone.
27:12Oh, I see.
27:13No, I was going to say then,
27:14and it was all doo-doo-doo-doo-doo-doo-doo,
27:17you see, we could have got a good laugh.
27:19Shall we have another cut?
27:19No, we can't.
27:21It's gone now forever.
27:22It's already cut out.
27:23Right.
27:26Yeah, another time you were in the cinema,
27:28and you got the cramp.
27:30What was all that about?
27:31Well, I'd went to the pictures,
27:32and I'd been sitting on my legs,
27:33because being short, you see, I couldn't sit.
27:34Oh, you'd put them underneath you on the seat,
27:37and you'd been sitting...
27:37Yes, fine, yes.
27:38So I came out, got a cramp on my legs,
27:40fell down the stairs.
27:41Oh, dear.
27:42A chap caught me halfway down,
27:44and stood me up, asked me if I was okay,
27:47and said, yeah, I'm fine,
27:48so he let go of me,
27:49and I probably felt it in the rest.
27:52I bet you were as sick as a parrot.
27:57All right, now, any special talents have you got, Pat?
28:00I can still do cartwheels.
28:01You can't?
28:02I can, yeah.
28:02Can you, really?
28:03Yeah, yeah, yeah.
28:03Would you like to do one for us tonight?
28:05I'd love to.
28:05Would the first four rows move back?
28:07Okay, come over here.
28:10Are you a left-handed cartwheel,
28:12or a right-handed?
28:12A left-handed.
28:13Left-handed, so...
28:14Just take your shoes, or I'll kill them.
28:15Oh, I see.
28:17There you go.
28:17Left-handed, like, good.
28:20Very good.
28:24You really are.
28:25Let me...
28:26Absolutely marvellous,
28:27a parrot who could do a cartwheel.
28:29I'll be all right in a minute.
28:38Anyway, thank you for being here, Pat,
28:40and over now to your son-in-law, Lee.
28:42Yeah, Lee Holly.
28:43Lee Holly.
28:44Lee Holly.
28:45I see.
28:45And you're married to Linda.
28:47Has she got a nickname?
28:48Well, before we got married,
28:50she was, uh, Polly Parrot.
28:53Oh, her name was Linda Parrot,
28:55but everybody used to call her Polly.
28:56So what's she now?
28:57Polly Holly.
28:59Polly Holly.
29:03Golly, right.
29:05Have you got any irritating habits at all?
29:07Uh, tip-tap.
29:07I used to play the drums a little bit, you know.
29:10Oh, yeah?
29:10And, uh...
29:11So you do that when you're at home,
29:13or when you're out in a restaurant?
29:15You do it there.
29:16Okay, bring it on, will you, Rosie?
29:17Fine.
29:18That's it.
29:19There we are.
29:19And you have a tap away.
29:20I mean, your wife can't stop.
29:22You have a good tap.
29:23Now, can we have something about, uh,
29:24this tempo, right?
29:25Old man trouble, I don't mind him.
29:36You won't find him round my door.
29:39I've got daydreams in green pastures.
29:44I've got my girl who could ask for anything more.
29:47Who could ask for anything more?
29:51Who could ask for anything more?
29:54Yeah!
29:55Yeah, that's great!
29:57That was great!
29:58Look at that!
29:59Oh, boy.
30:00The big bang is back!
30:03Marvellous!
30:04Okay, now, uh...
30:06Carry that over there, will you, Pat?
30:09That's fine.
30:10Jolly good.
30:11Okay, and you go over there.
30:12Nice people again.
30:13We're going to have a lot of fun with them, I'm sure.
30:16Beautiful.
30:18Now, then, our third game is called Hair Art.
30:22But first of all, feast your eyes on this.
30:26Confused?
30:28Oh!
30:29Now, here's the artist responsible for all that.
30:32From Studio 2000, please welcome Colin Watkins.
30:37Thank you so much for joining us.
31:07Colin's male module.
31:11Andy Nash.
31:12How are you?
31:12All right, then?
31:14No, your brother's sausage.
31:17Now, by the way, this is water-based paint.
31:21Starting off with the features here.
31:22All the features.
31:23That's right, yeah.
31:24That's it.
31:27That's now for the eyes.
31:29But the other one, the owl, was really marvellous.
31:31The eyes were quite fantastic.
31:35But this is quite different.
31:37Somebody's getting out there already.
31:44Stripes.
31:45Because you're, for the benefit of the show, you're rushing this.
31:48You'd normally take about how long?
31:50About three and a half hours.
31:51Three and a half hours?
31:52Yeah.
31:52To do one of your real, real sort of...
31:55Permanent designs here.
31:56Permanent designs, yes.
31:58Right?
31:59Anybody got any idea yet what it is?
32:01Tiger.
32:02Tiger, you're right.
32:03It is a tiger.
32:05Yes.
32:06And a very colourful tiger, as you'll see, with a bit of red in there, you see.
32:11All the different colours go on now.
32:13Okay.
32:14Now for the eyes.
32:15Yeah, yeah.
32:15Well, I suppose you could get technicolour dandruff, wouldn't you?
32:20That's right.
32:22Definitely.
32:24And?
32:25Shade him round the nose.
32:26Shade him round the nose.
32:28Yeah, you're starting to get that wild look now.
32:30You see that?
32:30Isn't it wonderful?
32:31That's okay.
32:33Imagine having that done and sleeping, you know, facing the wall and your wife's next
32:36to you.
32:39Okay.
32:39Okay.
32:40There you are.
32:41That's good, isn't it?
32:42There we are.
32:45Now, will you do me a favour?
32:48I will.
32:49Will you go to the pub across the road, walking backwards, and ask the barman for a saucer
32:57and milk?
32:59Will you do that?
32:59Do that for me.
33:00That's lovely, lovely.
33:01Now, you mentioned earlier on three and a half hours to do a finished exhibition of
33:06this, so have a look at this.
33:09You see, that's when he's really got his craft really going, and I think that is absolutely
33:14wonderful.
33:15Okay, Colin, will you come back and do some marketing?
33:17Sonny will do.
33:18Thank you again there, Andy.
33:19Right.
33:20There we are.
33:20Off you go there.
33:22Now, who's going to do the painting, and who's going to be the model?
33:25No, we wouldn't do that to you.
33:31Now, on with the models, please.
33:34So, stand by the chairs.
33:36There we are.
33:36Stand by the chairs, and let your models sit down.
33:39Okay.
33:40Okay.
33:41You've got about one and a half minutes to paint your tiger, starting from now.
33:46Now, just try and remember what Colin did.
33:52Be as bold as you can.
33:55The features.
33:56Don't forget all those features of a tiger.
33:58Make him an angry tiger.
34:03As angry as you like.
34:12Didn't think you'd be doing this tonight, did you, Pat?
34:15I have sneak suspicion.
34:18Don't forget the colours.
34:21The colours are very important when you start to do the finishing bits.
34:28I think if you concentrate on your colours now, to make sure you've got those on, very important.
34:43Square eyes.
34:46Finishing touches.
34:50Because time's nearly up.
34:52Time is nearly, nearly up.
34:54Stop wherever you're up to.
34:59Stop right there.
35:00And Colin, will you come back and do some marking, please?
35:07There we are.
35:07As you come here, are you going to stand up?
35:10So that we can have a look at this one to start with.
35:12Well, there we are, Colin.
35:13You have a look there first.
35:14And let us show that over there.
35:17A bit of colours, right?
35:18A square-eyed tiger.
35:19Very vicious.
35:21Hardly any colour on at all.
35:22But what do you think?
35:23It's the details.
35:25Not bad.
35:25One eye's higher than the other.
35:26One eye's higher than the other.
35:27Yeah, that's right.
35:28The eyes and the nose are the right colours.
35:29I'll say six for that one.
35:30Six for that.
35:31Not bad at all.
35:32Not bad at all.
35:33And let's have a look here.
35:35If you'll just stand there.
35:39Not quite so good there, really.
35:41No orange markings at all on that one.
35:42No orange markings at all.
35:44Nose is upside down.
35:45Nose is upside down.
35:46And upside down, nose tiger.
35:48The eyes are good.
35:50The eyes are good.
35:50Scared the life out of me.
35:51I can see them over there in the monitor.
35:53Look at those eyes.
35:54God.
35:55Yeah, I can't see the mouth very well.
35:56No, I don't see the beard mouth, actually.
35:58The mouth is where your neck is.
36:00Could have put a mouth here.
36:02I'll give that four.
36:03Only four.
36:03Only four, Coddy.
36:04That's all that one's worth.
36:06Well done.
36:07I'll give it a go there.
36:08So, how did our cat do?
36:10Can you see?
36:11Well, she's certainly got some colour in there.
36:14God.
36:15Delightly, yes.
36:15It's, um, hmm.
36:17You had orange eyes.
36:18Orange eyes.
36:19Nose upside down again.
36:20Nose upside down, okay.
36:21Smiley face.
36:23More difficult, that one, yeah.
36:24You had a bit of a smile, though.
36:25Yeah, yeah, yeah.
36:26A little smile there, yeah.
36:27I'll save four for that one, I'll tell you.
36:28All right, then.
36:29Four for that one.
36:30It'll not work anymore.
36:31Okay, the last one.
36:34Bloody hell.
36:34Should I just move you there so that we can see what's going on?
36:37Oh, God.
36:42Look at that.
36:43So, what do you think?
36:45It's got the nose in the right way, the eyes are okay.
36:48Plenty of colour in that one.
36:49Yeah, it's plenty of colour.
36:50Smiling face.
36:51I'd say six for that one.
36:52A smiling tiger.
36:53Six.
36:53Six.
36:54All right.
36:54Perfect.
36:55Thank you so much.
36:57Good luck with all you do.
36:58And thank you, I'm loving you.
37:00There they are.
37:01Come back here.
37:02We know you, everyone.
37:03Come on.
37:04Fill us back.
37:05There we are.
37:06That's fine.
37:06This is what you're doing.
37:08There we are.
37:09That is great for your children.
37:11Now, then.
37:12What's on the board, Miss Ford?
37:14Well, Paul and Connie have ten.
37:17Pat and Lee also have ten.
37:18Oh, good.
37:19Oh.
37:20A sight all the way.
37:23Our fourth game is called Price It.
37:25We will show you some antiques.
37:28All we want you to do is write down what price you think each one would fetch at auction.
37:34Okay?
37:35Please welcome a very old friend.
37:37In fact, he's an antique friend.
37:40Mr. Eric Knowles.
37:41Go to your next...
37:42Hello, Eric.
37:47Hello, Bruce.
37:47How are you lovely to see you again?
37:49Thank you very much.
37:49And when is the Roadshow coming back?
37:52Our new series starts the first Sunday in January 1995.
37:56Quite right.
37:56Well, I know we all look forward to that because it's always such an interesting programme.
38:00Now, what have you got for us?
38:01Well, let me introduce you to a French girlfriend of mine.
38:05She's getting on a bit because she dates from around about 1880.
38:08You're looking at a doll by Jumot, a Parisienne maker.
38:12And she's rather special.
38:13She's got all her original clothes.
38:15Lovely little bonnet.
38:17Ostrich feather.
38:18That lovely face.
38:19Look at that for a complexion that's over 100 years old.
38:22That is incredible.
38:22Tiny little earrings.
38:23This lovely velvet gown and those lovely tiny little black boots there.
38:28So she is, for collectors, the Rolls Royce of dolls.
38:32She's very special.
38:32So, what kind of a price?
38:35You got an answer?
38:36I'm ready.
38:37Yep.
38:37And we've got an answer as well.
38:38The nearest to the figure will get two points.
38:41Okay.
38:42Eric, what would it fetch at auction?
38:43£11,000.
38:45£11,000.
38:47What have you got over there?
38:47I've got £10,000.
38:48I could have made that decision on my own.
39:01Two points each.
39:04He thinks I'm an idiot.
39:06Right.
39:07Now then, what is the next item?
39:09The next item is a piece of Russian silver.
39:13Oh, Russian silver.
39:14Now, it's an inkstand and it depicts two men in a boat.
39:18And you've got two little inkwells.
39:20The top of that is modelled with a crayfish and this one with a salmon.
39:24And does these come out?
39:24Yep, this is a little oar which obviously doubles as a paper knife.
39:28Ah, I see.
39:28So...
39:29Very neat.
39:30Possibly by Fabergé.
39:31And date-wise, about 1880, 1890.
39:35I see.
39:36About the same time and Russian silver.
39:38Well, you've got an answer.
39:40You've got an answer.
39:41So, what would it fetch?
39:42£3,500.
39:45£3,500.
39:47What have you got there?
39:48£6,500.
39:49£6,000.
39:50We've got £50,000.
39:51Just a little bit off.
39:55Just a little bit.
39:56So, you get the two points.
39:57You're assigned.
39:58So, Eric, what's next?
40:00Well, literally pretty as a picture, Bruce.
40:02Here's a lovely oil on canvas by Edmund Blair Leighton.
40:07Dated 1919.
40:09Signed with his initials.
40:10A top quality artist.
40:11Now, you'd be forgiven for thinking it was a Victorian painting
40:14because she's got a sort of Victorian dress to her.
40:16But there is a sort of serenity to it.
40:18A very serene picture.
40:20Very peaceful.
40:211919, a year after the Great War.
40:23And maybe there was something of a metaphor in it.
40:26And the detail, I mean up close, believe me,
40:29the detail in this painting is quite beautiful.
40:33Everything.
40:34Okay, what would it fetch, Eric?
40:35£12,000.
40:36£12,000.
40:38What have you got there?
40:38We've got £7,500.
40:41Oh, and we've got £7,000.
40:44So close.
40:46But you get the two points.
40:47Just that £500 made a lot of...
40:49Wasn't that close?
40:50My goodness.
40:51Okay, now this one.
40:52Just a bowler hat.
40:53I mean, what can that be worth?
40:54Just not just a bowler hat, Chris.
40:56If I...
40:57Let me give you a clue.
41:01No.
41:02Not one of my all-time favourites.
41:04Yes.
41:04Really?
41:05This is Stan Laurel's hat.
41:07Oh.
41:08And it's actually signed in here.
41:09It says, thanks, Harry, Stan Laurel.
41:12Now, can we get right in on that?
41:14Thanks, Harry, Stan Laurel.
41:18Now then, what would it fetch?
41:20£2,000.
41:22£2,000.
41:23What are you laughing at over there?
41:25What have you got?
41:25Well, we've got £20,000.
41:27£20,000.
41:28We've got £2,500.
41:31Very good.
41:32Very good.
41:32Two points here.
41:34Well done, indeed.
41:36Right, right?
41:37Now, the last one.
41:38Oh, my...
41:39Now, this is a performance act.
41:41Yes.
41:41Let me tell you, I met this character only a couple of weeks ago.
41:44Did you?
41:44And he belongs to a lady, and she was given it to her by a grandfather.
41:48Yeah.
41:48And he was given it when he was four years old, about 80 years or so ago.
41:52Oh.
41:52Always been in the family.
41:53Only ever played with it at Christmas.
41:55Oh, really?
41:55And he's a bit of a character.
41:58He's a lovable face, isn't he?
41:59Probably made in Germany, Bruce, in around about 18...
42:04Well, I would have thought probably about 1900, 1910.
42:07Oh, oh, come on, boy.
42:08What?
42:08He's all right.
42:09He's...
42:10Won't that frighten you at home?
42:17I mean, he really is.
42:21My little boy would love him.
42:24Oh, another jump there.
42:25Right.
42:26You've got a price, yes?
42:28And what would it fetch?
42:29A thousand pounds, Bruce.
42:31A thousand pounds.
42:32A thousand pounds.
42:32What have you got?
42:33We've got five thousand pounds.
42:35And we've got three thousand pounds.
42:38So we win that.
42:39Two points for us.
42:40Eric, thank you so much.
42:42Good luck with the new series of 100.
42:44Thank you for it always.
42:46And now, come on, here we are.
42:48Here we are.
42:50Here we are.
42:52There we are.
42:53What's on the board?
42:55Miss Ford?
42:56Well, Paul and Connie have 16.
42:5816.
42:58Pat and Lee have 16.
43:01Oh, well.
43:03A time later.
43:05Right.
43:06Now, the first one to answer this question
43:08will win if it is correct.
43:10Here comes the question.
43:12Name the Russian president.
43:15Yeltsin.
43:15Yes.
43:16Well done indeed.
43:17That was it.
43:19Just like that.
43:20That was it.
43:22Yeah, we're so happy, Lee, Julie, Pat.
43:24Oh, we are very sorry.
43:26But you will be getting a generation going telephone
43:27with our love.
43:28And thank you for being with us.
43:29You're a lovely character.
43:31You really are.
43:31And you, Lee.
43:32Thank you very much.
43:34Have we got a grand final for you.
43:37All I'll tell you is it's musical
43:38and it's fun.
43:40I mean, you can...
43:41Bruce, Bruce, come on.
43:42Come on.
43:42Can I see you for a minute?
43:44Yeah.
43:45Oh, no.
43:47Oh, well, uh, well, uh, well, I'll have to do it then.
43:50You?
43:51Yeah.
43:52You can't do it.
43:53Look, I've been in the business a bit longer than you.
43:55This is a crisis.
43:56I will have to do it.
43:58Are you sure?
43:59Oh, yeah, don't worry.
44:00The show must go on.
44:02Right.
44:02As I was saying, it's musical, it's frantic, it's fun,
44:05and it's from the fighting 40s.
44:12He was a boogie-boogie-boogie-boogie boy of Company B.
44:32He was a boogie-boogie-boogie boy of Company B.
44:37Oh, a boogie-boogie-boogie boy of Company B.
44:41A root, a tooth, a tootly-hats, tootly-hats,
44:44he goes today to the bar.
44:45A boogie-rhythm, he can't know a note,
44:47that's the basic guitarist way with it.
44:50He makes the company jump when he plays Reveille.
44:53He's the boogie-boogie-boogie-boogie boy of Company B.
44:55Woo!
45:10Start with me, son, any time tonight.
45:13You watch it, darling.
45:14Go, shoutout, go!
45:21The voices leave the boogie every night
45:23and makes them up the same way in the early fright.
45:25They clap their hands and snap their feet
45:27because they know how it plays when someone gives them a beat.
45:30He makes the company jump when he plays Reveille.
45:32He's the boogie-boogie-boogie boy of Company B.
45:35A root, a toot, a tootly-hats, toot, toot, tootly-hats, toot, toot.
45:38He blows it, aces at the bar.
45:39He can't blow a note and let the bass guitar blow in him
45:44Takes a cup of cup when he plays family
45:46He's the Boogie Boogie Boogie Boy
45:48The Boogie Boogie Boogie Boy
45:52The Boogie Boogie Boogie Boy
45:55Company B
46:00The Boogie Boogie Boogie Boy of Company B
46:04Yeah, yeah, yeah, yeah
46:09Thank you
46:15Thank you
46:19Thank you
46:22Thank you, Rosie
46:27You see, I told you it would be all right
46:28And a big thank you to our special guest star tonight
46:31Miss Anita Harris
46:33Thank you
46:35It's lovely to work with you again
46:40And as you know
46:41I had to stand in at the last minute for Bette Midler
46:44She signed a contract and we gave her a bus fare and everything
46:50Right now, Anita, will you come back and...
46:53Oh, by the way, why am I the only one who's wearing suspenders?
46:56Because we don't need them
46:58I must get a joint for the weekend
47:01Anita, will you come back and do some...
47:03We can come back and do some marking
47:07Lovely, thank you, Anita
47:08Now there's the...
47:09Oh, the toss-up
47:10Yes, now we're...
47:12Oh, the toss-up
47:13Excuse me
47:14I put half a nick really or somewhere
47:17Get it out
47:19Can you help me, dear?
47:20I can't...
47:21That's it, I've got it, I've got it
47:23Now, OK
47:24Heads or tails?
47:26Tails
47:26Tails
47:27It is tails
47:28Do you want to go first or second?
47:30I don't think I'll go first
47:31First?
47:32Get it over with
47:33All right
47:34Go over there and get yourselves ready
47:35And put these two in an old air raid shelter
47:39If you can find one
47:40Like that's six feet down
47:41Right
47:42We're ready now for Boogie Woogie Take Two
47:45He was a famous chocolate man from a Chicago train
47:57He had a boogie scrum, a girl for everything
47:59He put the top hat at his crout
48:01But then his number came up and he was gone with the grout
48:04He's in the army now, a-blowing rambling
48:06He's the Boogie Woogie Boogie Boy of Company B
48:09He was a Boogie Woogie Boogie Boy of Company B
48:13Yeah, yeah, yeah, yeah
48:14What's that?
48:15He's the Boogie Woogie Boogie Boy of Company B
48:18A-ching-a-ching-a-ching-a-ching-a-ching-a-ching-sing-a-cha-ching
48:22He came to the bar
48:22In Boogie Rhythm
48:23He can't blow a note
48:24As the bass guitar is playing with him
48:27He makes the company jump
48:28When he plays ravely
48:30He's the Boogie Woogie Boogie Boy of Company B
48:32Yeah
48:33Whoo!
48:34Hey!
48:34What?
48:38Dance, dance
48:39dance
48:40I've put it down
48:40MUSIC PLAYS
49:10MUSIC CONTINUES
49:40MUSIC CONTINUES
49:42CHEERING AND APPLAUSE
49:44MUSIC CONTINUES
49:46MUSIC CONTINUES
49:48MUSIC CONTINUES
49:52MUSIC CONTINUES
49:54MUSIC CONTINUES
49:56MUSIC CONTINUES
49:58MUSIC CONTINUES
50:00MUSIC CONTINUES
50:02MUSIC CONTINUES
50:04MUSIC CONTINUES
50:06MUSIC CONTINUES
50:08MUSIC CONTINUES
50:10MUSIC CONTINUES
50:12MUSIC CONTINUES
50:14MUSIC CONTINUES
50:16MUSIC CONTINUES
50:18Boogie Boogie, take three.
50:29We had a very strong man from out of Chicago way.
50:32He had a boogie style, but no one else could play.
50:34He was on top of the track, but then his number came up,
50:38and he was young with the draft.
50:39He's in the army now, a blowin' ramelly.
50:42He's the Boogie Boogie Boogie boy in Company B.
50:44He was the Boogie Boogie Boogie boy in Company B.
50:48He was always the Boogie Boogie boy in Company B.
50:53To a juicy attitude, he owes an ear to the bar.
50:57In Boogie rhythm, he can't blow it up unless he plays the guitar and play with him.
51:02He makes the company jump when he plays ravely.
51:05He's the Boogie Boogie Boogie boy in Company B.
51:07Just watch.
51:07Woo!
51:10There's your partner in a minute.
51:11Hold on.
51:13Hold on.
51:14Okay, now.
51:23Okay, now.
51:26That's it.
51:31It's a line, it's a line.
51:33He was the Boogie Boogie Boogie boy in Company B.
51:36He has a Boogie Boogie Boogie boy in Company B.
51:39He was Boogie Boogie boy!
51:41Oh
52:11Yeah
52:13Yeah
52:15Yeah
52:17Yeah
52:19Yeah
52:21Yeah
52:27Yes
52:29Oh
52:31Oh
52:33Oh
52:35Oh
52:37Oh
52:39Thank you so much
52:41Can we have the others back please
52:43And thanks to our GIs
52:45Mark and Ian
52:47And my original partner Chris
52:49We thank you lads very much indeed
52:51Lovely, lovely
52:53Oh
52:55Now to judge this
52:57Let's welcome back Anita Harris
52:59Here we are, darling
53:01Well done
53:03Well done
53:05Well done
53:07We were having a bit of a laugh there
53:09But weren't they all marvellous?
53:11Fantastic, yes
53:13So a few comments first about our first couple
53:15John, lovely frock love, lovely
53:17Rock around the frock wasn't it really
53:19John, I'd like to say you were just like Ann Miller
53:21But you're a bit like Arthur Miller
53:23Oh dear
53:25But it was lovely, lovely
53:27And Cathy, wonderful jitterbug
53:29She really had a go didn't she?
53:31And the trumpet, great trumpet
53:33You've got to be careful where she puts it
53:35Yes, exactly, yes
53:36Remember the last bit?
53:37I know, I know, yes I know
53:39And I love a bit of trumpet
53:41But that was
53:43Like the best of us, yes
53:44But anyway
53:45What about these couple?
53:46A few comments
53:47Oh, personality plus
53:49Oh yes, great style
53:50Great style, Connie
53:51Yes
53:52Lovely, very jitterbug
53:53She was blowing so hard she fell over
53:55The trumpet was excellent
53:57I think any minute now the Vikings will be here
53:59Well, I think John and Cathy, 18
54:03Yes, 18, John and Cathy and
54:05And er, Connie and Paul, 19
54:07Just there
54:08Oh, just there
54:09Well done you two
54:11Well done, well done you two
54:13Go on over
54:14Just, just, just
54:15Hold on, just, just
54:16Just, just
54:17Just, just
54:18Just, just
54:19Just, just
54:20Just, just
54:21Just, just
54:22Now then
54:23Now then, my darling
54:24What, what have you got
54:25For the next project coming out?
54:26Oh, my darling
54:27Darling, I'm thrilled
54:28Yeah?
54:29I'm going into the studio and recording a new album
54:30A new album?
54:31Yeah
54:32Well, we'll look forward to that
54:33Lots of lovely new songs
54:34And once again, lovely, lots of new songs
54:35And we look forward to, to hearing that
54:37Thank you
54:38And once again, it's been a pleasure to work with you
54:39Thank you
54:40You're a darling lady
54:41And you're a smashing chap
54:42Oh, thank you Anita
54:43Here we are
54:44Girl
54:45Oh, don't go too far
54:46Right, thank you Anita Harris
54:48And we're sorry to leave you
54:50But you are all so lovely
54:52But you will be getting a generation-going telephone
54:55And a pocket-coloured television each
54:57Thank you
54:58And thank you for being here
54:59We'll have a little drink after
55:00It's all right
55:01Off you go now
55:02Thank you
55:03Oh, lovely, why shouldn't I?
55:04Now you two, come on
55:05Round you go, round you go
55:06Come on
55:07Come on
55:08Hunchy, hunchy, hunchy
55:09Yeah
55:10Hunchy
55:11Open the doors, please
55:12Right, lots of articles are going to pass before your eyes
55:15Look out for the tricky ones
55:16They're more valuable than they look
55:17Good luck for this part of the show
55:19Okay, your 40 seconds will start now
55:22On the conveyor belt tonight we have a case of champagne
55:25A carpet cleaner
55:26Two sporting books
55:28A loud hailer
55:30A coffee pot and cover
55:32A Nigel Mansell racing system
55:35A travel iron
55:37A rug and matching cushion
55:39A trumpet
55:41Three matching suitcases
55:44A tool case
55:46An egg boiler
55:48A wine rack
55:50A radio cassette player
55:52A blue glass decanter
55:55A cuddly tie
55:56I thought there wasn't one
55:58An electric drill
55:59Three cat trays
56:01Decidive chinaware
56:03And an electric toaster
56:05Now keep thinking about those things all the time
56:08Okay, now come and sit yourselves down
56:11Sit yourselves down
56:12And you're going to get 40 seconds
56:14You'll get the first 20
56:16When you hear a funny noise
56:18Then you'll take over
56:19Everything you remember
56:20You'll take home with you tonight
56:21Good luck again for this part of the show
56:23Your 40 seconds starts now
56:25Trumpet
56:27Loud hailer
56:28Cuddly toy
56:29Books
56:30Toolkit
56:31Cassette player
56:32Bottles of champagne
56:33Yeah, don't forget that
56:34Coffee
56:35Circulator maker thing
56:36Uh-huh
56:37Uh-huh
56:38Um...
56:39An iron
56:40A blue vase
56:41A blue vase
56:42A blue vase
56:43Nigel Marshall
56:44The racing car thing
56:46Carpet cleaner
56:48Carpet cleaner
56:49That's good
56:50Cushion and rugs
56:51Cushions, yeah
56:52The egg boiler
56:53Egg boiler
56:54Cat trays
56:55The wine rack
56:56The wine rack
56:57Electric drill
56:58Electric drill
56:59Yes
57:00Toolkit
57:01Toolkit
57:02Toolkit
57:03Suitcases
57:04Chinaware
57:05The electric toaster
57:07Oh, didn't they do well?
57:09I think you did very, very
57:10Come on
57:11Here she comes
57:12Here we go
57:13Half out
57:1430 hours
57:19I'm glad you got the, er, the hayler
57:22You see the hayler
57:23Because that is the smallest mobile cell net telephone
57:27Which is this
57:28I mean it really is a beauty
57:30The very latest thing
57:31And of course the trumpet was
57:33A fabulous holiday for four
57:39To Ibiza
57:41Are you happy?
57:42Yes
57:43And your two is one
57:45Your two is one
57:47And for Rosie and myself
57:49And everyone
57:50And I do mean everyone
57:51Thanks for being with us this week
57:53See you next week
57:54See you there
57:55Yes
57:56Yes
57:57You see the name of
57:58Who's been playing
57:59Who's been playing
58:00Who's been playing
58:01Who's been playing
58:02Who's been playing
58:03Who's been playing
58:04And the challenge
58:05Is that
58:06Who's been playing
58:07Who's been playing
58:08Who's been playing
58:09Who's been playing
58:10Who's been playing
58:11Who's been playing
58:12Who's been playing
58:13Who's been playing
58:14Who's been playing
58:15Who's been playing
58:16Who's been playing
58:17Who's been playing
58:18Who's been playing
58:19Who's been playing
58:20Who's been playing
58:21Who's been playing
58:22Who's been playing
58:23Who's been playing
58:24Who's been playing
58:25I want to play the game
58:30It's the even great way
58:32Come on!
58:35Come on!