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Step into the spotlight with us as we celebrate those unforgettable moments where a performance transcended the screen and captured the ultimate prize. Join us as we shine a light on the exact scenes that secured an actor their coveted Emmy award, showcasing powerhouse acting that left critics and audiences stunned. From raw emotional breakdowns to masterful comedic timing, these clips are pure gold. Which scene left the biggest impression on you?

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00:00You don't understand, Mom, it's not my showcase.
00:05It's not mine.
00:06Welcome to Ms. Mojo.
00:08And today, we're counting down our picks for the scenes that locked in their respective performers' Emmy wins.
00:14You okay, son?
00:15Uh, yeah, I pre-agree. Not your son.
00:19Number 10. Live-streaming The Incident.
00:22Catherine O'Hara, Schitt's Creek.
00:24Oh, Giorno, boys. Say hello to all my new hashtag Frans.
00:30It's a little word I assembled to consecrate my fans, who are also my friends.
00:35Okay, Frans doesn't sound nice.
00:37To all of you asking, what is this little mercantile establishment with the almost gallery-like austerity?
00:45In Schitt's Creek's The Incident, Catherine O'Hara shows exactly why she won her Emmy,
00:50turning Moira Rose's eccentricity into comedic gold.
00:53The episode's crown jewel is the disastrous livestream in which Moira accidentally broadcasts
00:58a heartwarming conversation with Patrick, revealing every ounce of her theatrical flair and obliviousness.
01:04O'Hara layers Moira's overblown dramatics with perfect timing,
01:08leaning into her character's self-importance while letting genuine warmth peek through the chaos.
01:13Friends, please keep checking your phones for more crow-related intel by me, Moira Rose.
01:20Especially you, wine and cat-gal 74. I do hope you stop crying soon.
01:25Caw-caw!
01:26For now.
01:28Didn't realize you were on social media.
01:30Only fleetingly, and only because the network requested it.
01:34It's a perfect example of her gift for physical comedy.
01:37Grand gestures, clipped diction, and wide-eyed horror, balanced with emotional depth.
01:43Rather than hinging on a single punchline, O'Hara elevates every beat,
01:47proving that Moira's absurdity is always rooted in humanity.
01:51David's nocturnal aneurysis used to only happen when he went to bed all juiced up
01:55with excited anticipation about something.
01:58Christmas, birthdays, the Ides of March.
02:01And now it seems your impending nuptials has opened the floodgates.
02:05Oh, am I oddly flattered?
02:08I can't imagine.
02:10Number 9. The Breakup.
02:12Groundbreaking.
02:13Julia Louis-Dreyfus, Veep.
02:15I mean, I can't, I can't, um, go to Hong Kong with you anymore.
02:19No, the Chinese are expecting us. The Brazil plan is set.
02:22No, I just, you know, I've been rethinking things.
02:26And there are some new options for me, okay?
02:30Veep's season 6 finale, Groundbreaking,
02:32finds Julia Louis-Dreyfus delivering an Emmy-winning tearjerker,
02:35ruthlessly dumping Jafar to avoid political, quote,
02:38baggage, and burning every bridge to stage her comeback.
02:42Afterwards, Selena finally cracks.
02:44Tears streak her face as she descends alone,
02:47the cost of her ambition laid bare.
02:48Louis-Dreyfus plays the scene with devastating subtlety,
02:52her trademark Venom giving way to raw vulnerability.
02:55Jafar, you are so sophisticated.
02:59And your grasp of geopolitics is just...
03:03Selena, what are you...
03:04And those are assets anywhere in the world,
03:07except in the United States.
03:09Yeah, and most of Europe.
03:11Except Germany.
03:13You know, because I overcorrect.
03:14It's a rare glimpse beneath Selena's armor,
03:16proof that the show's biting satire could also devastate emotionally.
03:21This moment, paired with Louis-Dreyfus's razor-sharp wit throughout the episode,
03:25cemented her historic sixth consecutive Emmy win,
03:28and the last she'd win for Veep,
03:30capturing the hollow triumph at the heart of one of television's most ruthless characters.
03:34Oh my god, Madam President.
03:49Number 8.
03:50The Master Plan, The Abyss of Life.
03:53Hiroyuki Sanada, Shogun.
03:54Tension peaks in the world of Shogun when Torunaga calmly reveals
04:11that Hiromatsu's seppuku was a calculated act of deception rather than despair.
04:16The scene reframed Torunaga's apparent surrender as a masterstroke of strategy,
04:20with grief weaponized to buy time and lull his enemies into complacency.
04:25Sonata's performance is a study in restraint.
04:50Every measured pause and sombered glance conveys both the enormity of the plan
04:55and the personal toll of sacrificing those closest to him.
04:59It's a moment that strips away the character's stoicism to reveal the crushing weight of leadership,
05:20confirming Torunaga's status as a brilliant yet haunted icon of the small screen.
05:24Sanada's understated power here turns political intrigue into heart-wrenching drama,
05:29making it a clear Emmy highlight.
05:31Number 7.
05:55Marble Game, Gun Bu, Lee Jung Jae, Squid Game.
05:58Here, Lee delivers the scene that sealed his historic Emmy win.
06:24Gi-hun's emotional confrontation with Oh Il-nam during the Marble Game,
06:27forced to outwit his elderly friend to survive.
06:31Gi-hun oscillates between desperation, guilt, and heartbreak
06:34as he betrays the only person who's shown him genuine kindness.
06:37Lee's restrained performance, haunted eyes, trembling voice, and quiet devastation,
07:06turns a brutal game into a deeply human tragedy.
07:10It's a moment of moral collapse, laying bare Gi-hun's inner turmoil while exposing the show's bleak commentary on survival.
07:17Lee doesn't simply play the hero, he embodies the shame and sorrow of winning at an unbearable cost.
07:23I think my name is Ill-nam, oh Ill-nam.
07:33Number 6.
07:35An Awkward Dinner, Episode 1, Phoebe Waller-Bridge, Fleabag.
07:39Oh, but f***ing fake, stop it!
07:44Are you okay?
07:49Yeah, I'm, uh...
07:51Uh...
07:52Is, um...
07:54Is it...
07:54No, I'm sorry, I just...
07:56Here we go.
07:57In Fleabag's Unforgettable Season 2 opener, Phoebe Waller-Bridge shines brightest in the tense moment where she covers for her sister Claire's miscarriage.
08:05Fleabag scrambles to protect her sister with quick wit and reckless bravery, spinning a lie that's both absurd and deeply touching.
08:13Waller-Bridge nails the balance between chaotic humor and raw compassion, showing a character who's equal parts disaster and savior.
08:20She doesn't want to go.
08:21Why?
08:22Because I'm stubborn and for some inexplicable reason I'd rather stay here and have a passive-aggressive party.
08:25So...
08:26How far gone were you?
08:27Oh, it was very early stages.
08:28You knew.
08:29I really think she should see a doctor.
08:30Yes, so do I.
08:31I thought you hadn't spoken.
08:32She's fine, she's absolutely fine.
08:35Drink.
08:36If it's gone, it's gone.
08:38Claire.
08:39What if it's not gone?
08:40Her performance captures Fleabag's contradictions.
08:43Messy, yet fiercely loyal, flippant, yet emotionally astute.
08:46This moment distills everything that made the series iconic.
08:50Blending razor-sharp writing with a performance that deftly weaves in comedy and tragedy.
08:55It's further proof as to why Waller-Bridge didn't just star in Fleabag.
08:58She redefined what television could be.
09:01I'll pay you back.
09:02Do you need someone to go with you?
09:03I think I'll just deal with this in my own insane, irrational, anal way, if that's okay.
09:07That's probably for the best.
09:09What'd you say?
09:10Ignore him, he's been drinking.
09:11What?
09:12Just, you know, it's like a goldfish out the bowl sort of thing.
09:15If it didn't want to be in there, it didn't want to be in there.
09:17Something wasn't right.
09:18Number 5, Cancel Culture, Yes And, Gene Smart, Hacks.
09:23I can't believe this is happening now!
09:25I know, it's really bad timing.
09:28I finally get an ounce of relevance.
09:30I'm this close.
09:32They just want to take it away from me again.
09:34Debra Vance's twisty comedic journey in Hacks' Yes And is crystallized in a devastating bedroom showdown with her protege, Ava.
09:52In the wake of a scandal over controversial resurfaced jokes, Debra vents her fury over the backlash threatening her career, firing off biting quips like,
10:01I can't be woke, I can't be woke, I'm exhausted!
10:05But when Ava calls her cancelled, Smart pivots from acidic humor to heartbreak, delivering a monologue that bears her character's soul.
10:12I'm sorry, people are too easily offended now.
10:15If you don't like a joke, don't laugh!
10:18But they're not.
10:19This is insane!
10:20Me!
10:21I am being taken down by a liberal mob!
10:23Me, who's the first person to be fined by the FCC for saying the word abortion on TV!
10:28Her voice cracks, recalling past traumas and revealing the fear driving her ambition.
10:33It's a masterclass in tonal control.
10:36Funny, furious, and excruciating all at once.
10:40And a reminder that Smart can turn even the unlikeliest of settings into a stage for Emmy-worthy brilliance.
10:45I was cancelled before there was even a name for it.
10:48You only gave it a name after it started happening to powerful men.
10:52Problem is, I don't have the time to go to Europe and wait it out.
10:56I don't have any time!
10:59I certainly don't have the time to stand here debating it with you!
11:02I'm a Barolo decanting downstairs.
11:05Number 4.
11:07Hollywood Apology.
11:08The Pediatric Oncologist.
11:10Seth Rogen.
11:11The Studio.
11:12Um, I'd like to apologize to all of you, okay?
11:15I'm really, genuinely sorry I outbid you in the auction.
11:19And I would like to offer you the golf trip for free, okay?
11:22That is very kind.
11:24Really?
11:24And all I would ask for in exchange is for us all to agree that what I do is as important as what you all do.
11:33In The Pediatric Oncologist, Matt Remick tags along to his girlfriend's black tie hospital gala, only to humiliate himself spectacularly.
11:42After outbidding her colleagues at a charity auction, Matt attempts an olive branch and lights himself on fire instead.
11:48Why does one have to be more important than the other?
11:51That's all I'm saying.
11:52Why can't they be equally as important as each other?
11:54Because they're not!
11:55I'm sorry, but if a parent has a child with cancer, they bring them to Cedars.
11:59They don't take them to the Cinerama Dome.
12:01Okay, okay, okay, okay, but once they get to Cedars, what is on the wall of every single room?
12:09Heart monitor.
12:10His apology spirals into a fiery monologue about the value of art versus medicine, culminating in a hilariously bitter rant about a Gigli plaque.
12:19Rogan nails every beat, blending slapstick, razor-sharp insults, and raw insecurity to make Matt's meltdown as tragic as it is hilarious.
12:28Hey, I will not be told to back off by a man dressed like Jiminy f***ing Cricket, okay?
12:32Oh, you're a real piece of s***.
12:33Oh, I'm a piece of s***.
12:34Okay, well, let me tell you one thing.
12:36Of all the medical gals that have graced the halls of the Wilshire Abel Theater, what is the one plaque on the fountain about?
12:42The movie that had been shot here!
12:44Gigli's on that mother f***er! Gigli!
12:47While Matt crashes and burns, Rogan soars.
12:50This scene sealed his 2025 Emmy, proving the studio can mix cringe comedy with genuine depth and pathos
12:56like few shows on television.
12:58I don't have a deal.
12:59I am just, you know, realizing that perhaps you don't have any respect for what I do,
13:03and maybe I don't have any respect for what you do,
13:05and we have one of those relationships where there's a healthy mutual disrespect for what one another does.
13:09Well, you don't respect curing cancer.
13:11Oh, you cured cancer?
13:12I didn't read the headline.
13:14Great, I'm gonna get a pack of cigarettes, right?
13:15Number 3.
13:17Rue's Meltdown.
13:18Stand Still Like the Hummingbird.
13:20Zendaya, Euphoria.
13:22That's a shame, Mom.
13:25My dad's dead.
13:26Kind of keeps you from admitting what s*** f***ing mother you are.
13:33Oh, poor Leslie.
13:35Her daughter's an addict, but, you know, her dad did die.
13:38After winning her first Emmy for the Euphoria Season 1 finale,
13:42Zendaya turned Stand Still Like the Hummingbird into a masterclass in emotional volatility.
13:47As Rue lashes out at her mother and sister during, what they think is, a brutal intervention,
13:52Zendaya captures the raw terror and fury of substance use disorder with staggering realism.
13:57The scene oscillates between explosive rage and gutting vulnerability,
14:02with Rue's pain pouring out in every scream, sob, and trembling movement.
14:06Meanwhile, the audience knows that the consequences for Rue extend far beyond her own struggles with substance use.
14:12What did you do?
14:17Where were they?
14:18It's a harrowing culmination of the devastation Rue has wrought on her family,
14:23anchored by Zendaya's total command of the screen.
14:25I don't just, I don't want to be here anymore.
14:30I'm sorry, I'm sorry, I didn't mean to scare you.
14:36I just, I don't know what to do.
14:40I'm sorry, I'm sorry, I'm sorry, I'm sorry to you.
14:43Number 2. Roman Attempts a Eulogy, Church and State.
14:46Kieran Culkin, Succession.
14:49Hi, uh...
14:50Uh...
14:51One second.
15:03Um, my...
15:05My father, Logan Roy, uh...
15:10Kieran Culkin cemented his leading man status in Succession's Church and State,
15:14delivering a raw gut punch of a performance at Logan Roy's funeral.
15:18As Roman steps up to speak, his bravado crumbles.
15:21The swaggering youngest Roy collapses into sobs, unable to deliver his eulogy.
15:26Uh, he was a great man in the, um...
15:31In the true sense, sense of the world word.
15:36Culkin masterfully rips off Roman's armor,
15:39turning a sharp-tongued schemer into a heartbroken son in front of the whole world.
15:43I can't do the thing. I actually can't do the thing. I can't.
15:47I tried to think.
15:48It's okay. Just take a breath.
15:51Hey.
15:51It's okay. It's okay. Just take a breath.
15:53Kitty!
15:54Is he in there?
15:59Yeah.
16:00Get him out.
16:02It's a rare moment of vulnerability in a series built on power plays and cruelty,
16:07and Culkin sells every beat with devastating authenticity.
16:11The scene is both uncomfortable and deeply human,
16:14capturing the disorienting shock of grief while dismantling Roman's carefully curated image.
16:19It's no wonder this performance sealed Culkin's first Emmy win.
16:22I'm sorry. I'm sorry.
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16:42Number 1. The Freezer. The Bear.
16:44Jeremy Allen White. The Bear.
16:46Jeffrey, you okay?
16:49Because we're good. We're doing really good.
16:53T, I think I did this to myself.
16:56Do what to yourself?
16:58When did we start ordering Heinz mustard instead of French's?
17:01Last week, what did you do to yourself, honey?
17:04The former Shameless star truly came into his own in the claustrophobic confines of a locked freezer.
17:10As Carmi spirals, trapped and isolated on the restaurant's opening night,
17:14White delivers a gripping monologue of self-loathing and doubt.
17:18His performance is tight and simmering, yet utterly vulnerable.
17:22A chef at the height of his ambition unraveling under the weight of perfectionism and fear.
17:26I'm a f***ing psycho. That's why.
17:29That's why I'm good at what I do. That's how I operate.
17:32White's haunted stare and scorching delivery turn the scene into a pressure cooker,
17:36mirroring the chaos beyond the freezer door while giving viewers a devastating look at the man behind the brilliance.
17:42It's a raw, fearless piece of acting that distills the bear's tension and humanity into one unforgettable Emmy-clinching sequence.
17:49I don't need to provide amusement or enjoyment.
17:56I don't need to receive any amusement or enjoyment.
18:02I'm completely fine with that.
18:08Because no amount of good is worth how terrible this feels.
18:11Which Emmy-winning scene was your favorite?
18:13Are there any we missed?
18:14Be sure to let us know in the comments below.
18:21Just bear with me a second, please.
18:24I'm going to try to just stand in for my brother.
18:31I'm going to try to just stand in for my brother.
18:32I'm going to try to just stand in for my brother.
18:33I'm going to try to just stand in for my brother.
18:34I'm going to try to just stand in for my brother.
18:35I'm going to try to just stand in for my brother.
18:36I'm going to try to just stand in for my brother.
18:37I'm going to try to just stand in for my brother.
18:38I'm going to try to just stand in for my brother.
18:39I'm going to try to just stand in for my brother.
18:40I'm going to try to just stand in for my brother.
18:41I'm going to try to just stand in for my brother.
18:42I'm going to try to just stand in for my brother.
18:43I'm going to try to just stand in for my brother.
18:44I'm going to try to stand in for my brother.
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