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From Oscar-winning dramas to groundbreaking performances, we're celebrating the finest acting showcases from each year this millennium! Join us as we highlight the most compelling portrayals that defined their respective years and left an indelible mark on cinema history.
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00:00Do you want to know how I got these scars?
00:04Welcome to Ms. Mojo, and today we're counting down our picks for the top 25 performances of each year, 2000 to 2024.
00:12I wish I could shield you from the knowledge that you did what you did, but your sister is dead!
00:19For this list, we're looking at cinema's finest performances from each year of the 21st century thus far.
00:25What's your favorite performance of the past 25 years? Let us know in the comments.
00:302000 was a year of transformative performances.
00:37Tom Hanks gained 50 pounds only to lose the weight as Chuck Noland in Castaway.
00:47However, Christian Bale perhaps went through the most startling evolution.
00:52Sure, Bale is a good-looking guy like Patrick Bateman is.
00:55Just as Bateman has his unnerving body care ritual, though, Bale fully committed to getting the Bateman look down, even having his teeth capped.
01:03Physical appearance aside, Bale seemed an unlikely candidate to play an axe-murdering psychopath at the time, being best known for his childhood roles in movies like Newsies.
01:12Bale changed our perception of him here, balancing dark humor, terror, and extreme narcissism in a riveting performance.
01:21Author Brett Easton Ellis thought his book was unfilmable.
01:24It might have been without Bale.
01:26But they should, because it's not just about the pleasures of conformity and the importance of friends.
01:31It's also a personal statement about the band itself.
01:35Hey, Paul!
01:36AHHHHH!
01:382001.
01:39Halle Berry.
01:40Monsters Ball.
01:41Only two years after portraying the first African-American to be nominated for the Best Actress Oscar, Dorothy Dandridge,
01:48Halle Berry became the first woman of color to win in this category.
01:51Ironically, there was a point where Berry feared Monsters Ball would end her career due in part to the risque subject matter.
01:59It's a very passionate, but very kind of explicit scene.
02:01Very explicit, and I thought, if people don't get it, you know, this would be bad.
02:06Yet Berry felt she had to take the role.
02:09Her risks paid off with one of the most devastating and resilient performances we've ever seen.
02:14Every time it looks like Berry's Letitia has been through the worst, another catastrophic storm awaits.
02:19Hey, go.
02:21You gonna take her home, ain't you?
02:29While by no means an easy film to watch, Berry's bravery sees us through the rollercoaster of grief.
02:35She may break your heart, but Letitia's will to survive subsequently mends it.
02:412002.
02:42Andy Serkis.
02:43The Lord of the Rings.
02:44The Two Towers.
02:45We've seen performers escape behind makeup, i.e. Nicole Kidman's Oscar-winning work in The Hours.
02:52With his game-changing performance as Gollum, though, Andy Serkis highlighted the advantages of digital makeup.
02:57While he had help from a team of special effects wizards, Gollum wouldn't have been nearly as believable without Serkis on set, providing the character's expressions, movements, and raspy voice.
03:08Just as the character possesses a split personality, the audience goes back and forth on how to feel about Gollum slash Smeagol.
03:20Master's my friend.
03:23You don't have any friends.
03:26Nobody likes you.
03:29Not listening.
03:31Ranging from humorous to sympathetic to intimidating, Serkis runs a gamut of emotions in the role, while also taking on an assortment of physical obstacles.
03:39The work that goes into motion capture remains underappreciated, with Serkis being the poster child for the challenges it entails.
03:48What did they steal?
03:52My precious.
03:55Unrecognizable is a word that gets tossed around a lot when it comes to biopic performances, almost to the point that it's become a clichƩ.
04:19In the case of Charlize Theron as Eileen Wuornos, though, few other words do it justice.
04:25There's so much more to Theron's transformation than the uncanny prosthetics and 30 pounds she gained.
04:30She gets inside Wuornos' head, unearthing what made her a monster.
04:35In doing so, Theron also finds Wuornos' humanity, although not to the point where we're willing to forgive the atrocities she committed.
04:42Theron got into character by traveling through Wuornos' old stomping grounds of Daytona, Florida with director Patty Jenkins,
04:49who knew there was only one person who could tackle this demanding part.
05:022004, Jamie Foxx, Ray.
05:05There have been so many music biopics over the past couple of decades that they're starting to blend into each other.
05:11Yet Jamie Foxx's turn as Ray Charles still rises above all others as the gold standard.
05:17I'm singing about my feelings for you, but how I love you.
05:24What could be more natural than that?
05:26Although Foxx was dubbed for the film's singing portions, everything behind the piano is all him.
05:32This is even more impressive considering that Foxx glued his eyes closed, making him blind for much of the shoot.
05:38Foxx only got to meet the real Charles once, playing the blues on separate pianos.
05:43Charles gave Foxx his seal of approval, saying, quote,
05:47Charles died shortly before the film's release, with Foxx's best actor winning performance serving as the perfect tribute to the legend and the man.
05:56Baby, when I walk out that door, I walk out alone in the dark.
05:59I'm trying to do something that ain't nobody ever done in music and business.
06:02But I can't do it if I'm alone everywhere I go.
06:062005, Philip Seymour Hoffman, Capote.
06:09For years, Philip Seymour Hoffman was often listed among character actors who might not be household names, despite always turning in reliable performances.
06:19That all changed with Capote, which propelled Hoffman to A-lister status.
06:23This is my work, Perry.
06:26I'm working.
06:28And when you want to tell me what I need to hear, you let me know.
06:32Truman Capote was such an over-the-top persona that it would be easy for any portrayal to feel like a caricature.
06:39While Hoffman gets Capote's mannerisms and accent down, his goal wasn't to deliver a spot-on impression.
06:45The true challenge was expressing the author's, quote,
06:48vitality and the nuances.
06:50The result is a more layered portrait than some might have anticipated.
06:54Hoffman's Capote is confident, but lonely, insecure and regretful underneath, sacrificing part of his soul for his art.
07:01After you've seen the film, you will never look at Hoffman or Capote the same way again.
07:07I did everything I could.
07:10Okay.
07:112006, Kate Winslet, Little Children.
07:15Jennifer Hudson made a show-stopping acting debut in Dreamgirls, but Kate Winslet topped herself in Little Children.
07:21Sarah Pierce is trapped in a loveless marriage and boring suburban life.
07:25Something inside Sarah is awakened when she meets a hunky fellow parent named Brad.
07:30Sarah and Brad's relationship seems destined to end in heartbreak,
07:33but they delude themselves and the audience into thinking that it will somehow work out.
07:38How long are we going to sneak around together?
07:40How long can that last?
07:41I can't do this anymore.
07:41No, no, don't say that.
07:44As long as I know that we're going to have this.
07:47Have what?
07:47What is this?
07:50Some might call Sarah a feminist.
07:52Others might call her reckless.
07:54Either way, we empathize with Sarah's desire for something more out of life.
07:58In the end, the most Sarah can do is be a dedicated mother,
08:02hoping that her daughter's life will be more fulfilled.
08:05Winslet has arguably never been more compelling to watch on screen.
08:082007, Daniel Day-Lewis, There Will Be Blood
08:17Few actors have taken more chances throughout their careers than Daniel Day-Lewis.
08:32There Will Be Blood might have been his biggest swing,
08:34resulting in a performance that hits the audience like a tidal wave of oil.
08:39Paul Thomas Anderson had Day-Lewis in mind while writing the character of Daniel Plainview,
08:44an oil baron whose greed snowballs into insanity.
08:48Day-Lewis drew some inspiration from the treasure of the Sierra Madre director John Huston
08:52and old recordings from the film's era.
08:54Yet it's hard to compare Plainview's voice, delivery, or presence to anything we've seen before or since.
09:01Day-Lewis created a towering, unpredictable figure
09:04who stands on his own.
09:06This performance could have backfired in so many ways,
09:09but everything about it is iconic.
09:12Say it louder!
09:13I've abandoned my child!
09:16I've abandoned my child!
09:18I've abandoned my boy!
09:202008, Heath Ledger, The Dark Knight
09:23Whenever an actor steps into an established role,
09:26they run the risk of repeating their predecessors.
09:29With Heath Ledger as the Joker,
09:31it was as if we were meeting this character for the first time.
09:41Ledger originally auditioned to play The Dark Knight in Batman Begins.
09:46At the time, many could imagine Ledger in that role,
09:49but they were more skeptical of him playing the clown prince of crime.
09:52The second Ledger takes off his mask and delivers his first line,
09:56any doubts are swept away by a haunting, transcendent, and darkly humorous performance.
10:01I believe whatever doesn't kill you simply makes you a stranger.
10:10We've seen others come close to capturing what Ledger achieved with the character,
10:14but his portrayal was truly lightning in a bottle,
10:17winning a posthumous Academy Award.
10:19Well, you look nervous.
10:21Is it the scars?
10:24You want to know how I got them?
10:262009, Christoph Waltz, Inglourious Bastards
10:30Inglourious Bastards is one of Quentin Tarantino's best,
10:33but he almost didn't have the courage to make it.
10:36This is due to the character of Hans Landa,
10:39a role he thought might be unplayable.
10:42He nearly pulled the plug on the film,
10:44until he auditioned Christoph Waltz,
10:46who wasn't widely known outside of Europe.
10:49Ooh, that's a bingo!
10:55Is that the way you say it? That's a bingo?
10:57The embodiment of Nazi evil,
10:59the audience is horrified whenever Landa walks onto the screen.
11:03Yet Waltz is such a scene-stealer that we also get excited.
11:07Behind his charm, wit, and unique way of saying bingo,
11:10every fiber of Landa is callous.
11:13Landa relishes in every maniacal action he commits with smiling glee,
11:17seemingly being a step ahead of everyone.
11:20You can't always predict what a bastard will do next, however.
11:23Why are you mad?
11:25What have you done?
11:26I made a deal with you, gentlemen, for that man's life!
11:312010, Natalie Portman, Black Swan.
11:34To watch Black Swan, you need to mentally prepare yourself.
11:38Not just because of the more graphic moments,
11:40but because Natalie Portman's performance is so emotionally draining.
11:44Every second Portman is on screen,
11:51we can sense everything she threw into this role,
11:54from the nearly 20-pound weight loss,
11:56to the six months of ballet training,
11:58to the emotional turmoil that Nina conveys.
12:01To an extent, the role mirrors Portman's career.
12:04Just as Nina must transform from innocent white swan to seductive black swan,
12:09Portman strove to mature out of her child star days with more daring roles.
12:12Nina was the boldest part she could have asked for.
12:16She's a vision of perfection in the role,
12:18which reminds us that such perfection can come at a price.
12:312011, Octavia Spencer, The Help.
12:34In 1997, Octavia Spencer moved to L.A. at the suggestion of Tate Taylor.
12:39About a decade and a half later,
12:41Taylor directed Spencer to an Oscar-winning performance.
12:45By this point, Spencer had already popped up in numerous movies and shows.
12:49With her funny, empathetic, and fearless portrayal of Minnie Jackson, though,
12:53more audiences came to see what a versatile talent Spencer is.
12:56What law's gonna say you got to be nice to your maid?
12:58You don't have to do this now, Minnie.
13:00You damn right I don't.
13:03You two give me heart palpitations.
13:05Minnie has the guts to do to her employers what most people in her shoes would only fantasize about.
13:10However, Minnie still struggles to summon the strength to leave her abusive husband,
13:14finding courage in an unlikely friendship.
13:17Spencer was offered similar parts after The Help,
13:19but she felt she had already played, quote,
13:22the best damn made role written,
13:24inspiring her to pursue new horizons.
13:27We ought to burn the chicken a little.
13:31Minnie don't burn chicken.
13:342012, Joaquin Phoenix, The Master.
13:37There was a period in Joaquin Phoenix's career when he seemed lost and confused.
13:42This was largely because people didn't realize he was shooting a mockumentary called I'm Still Here.
13:46After playing such a warped version of himself,
13:50it's fitting that Phoenix's next part would be Freddie Quell,
13:53a wandering soul desperately seeking guidance.
13:55Tell me why you're not with her if you love her so much.
13:57I told her I'd come back and I never went back and now I just, I gotta get back to her.
14:01Why don't you go back?
14:02I don't know.
14:03Why don't you go back?
14:03I don't know!
14:05Freddie seemingly finds what he's been looking for in a cult helmed by an enigmatic leader.
14:09From the Navy to Lancaster Dodd,
14:11Freddie has spent much of his life following others.
14:13We're left to ask if Freddie can ever be his own master.
14:17For that matter, can any of us?
14:19In any case, Phoenix is a master of the screen,
14:22commanding every scene he's in with an unpredictable allure.
14:25And I'm not in it.
14:27I'm not in it.
14:28Window, and I can leave anytime I want.
14:31But I choose not to.
14:33I choose to stay here.
14:342013, Leonardo DiCaprio, The Wolf of Wall Street.
14:38As happy as we were to see Matthew McConaughey win an Oscar for his hard-hitting performance in Dallas Buyers Club,
14:44we'd argue that that year's best actor was Leonardo DiCaprio as Jordan Belfort.
14:49DiCaprio's portrayal of the titular wolf demonstrates that there's really no line between your average Wall Street hotshot and a fraternity brother.
14:57Every waking moment is a crazy party,
15:00making you feel so invincible that consequences appear non-existent.
15:04Look, I know you're not following what I'm saying anyway, right?
15:08That's okay, that doesn't matter.
15:10The real question is this.
15:12Was all this legal?
15:13This makes the fall from the top all the more brutal.
15:16But you never doubt that Jordan would do it all again in a heartbeat.
15:20Belfort requires a performer who can act privileged enough to despise,
15:24yet charismatic to the point that we can't look away.
15:27DiCaprio sells the performance, along with this pen.
15:31Sell me this pen.
15:342014, Jake Gyllenhaal, Nightcrawler.
15:37Not every actor deservingly wins an Oscar like J.K. Simmons for Whiplash.
15:42You never earned anything.
15:43God, you are a self-righteous prick.
15:45Jake Gyllenhaal shockingly wasn't even nominated for his chilling work in Nightcrawler.
15:49Gyllenhaal created a villain for the ages in Lou Bloom,
15:53a con artist who, as far as we're concerned, has no past.
15:56We know nothing about who he was before the film's events.
15:59He's almost like an alien who fell out of the sky.
16:02He may look human and talk like one, albeit in an unnervingly calm manner.
16:07What he lacks is the basic human emotion of empathy,
16:10something that isn't required in the stringer profession.
16:13In place of compassion, Lou compensates with ambition,
16:17not letting anyone or anything stand in his way of getting what he wants.
16:21You filmed him dying.
16:26Hey, that's what I do.
16:27It's my job.
16:28I like to say that if you're seeing me, you're having the worst day of your life.
16:322015, Cate Blanchett, Carol.
16:34Show, don't tell.
16:36It's a fundamental rule of storytelling,
16:39yet one that many filmmakers neglect to follow.
16:41With Cate Blanchett's Carol,
16:43almost everything is on the surface,
16:45requiring the audience and Rooney Maris-Terez to read between the lines.
16:49I mean, I want to ask you things, but I'm not sure that you want that.
16:55Ask me things, please.
16:59When Carol leaves behind her gloves at the store where Therese works,
17:02one could see it as an innocent mistake.
17:05It's truly an invitation to further explore the chemistry between the two.
17:09Given the 1950s period and Carol's marital status,
17:12the subtlest codes have to speak a mile a minute.
17:15When Carol and Therese finally express their love,
17:18it's as satisfying as it is romantic.
17:25Blanchett is mysterious, exquisite, and devastating
17:28as a woman navigating romance, parenting, divorce,
17:32and social status in a trialing time.
17:342016, Mahershala Ali, Moonlight.
17:39Appearances can be deceiving.
17:41Mahershala Ali's Juan is a drug dealer,
17:43so obviously he's a bad guy, right?
17:46Well, he is contributing to the crack epidemic,
17:49not only hurting his customers, but their loved ones as well.
17:52When Juan meets the neglected Chiron, however,
17:54he shows his true colors.
17:56At some point, you gotta decide for yourself who you're gonna be.
18:02Can't let nobody make that decision for you.
18:05He emerges as the father that Chiron never had,
18:08trying to provide stability and send him down the right path.
18:12Had Juan been raised in another environment,
18:14his tender side might have been embraced.
18:16Instead, Juan must play the role he was born into to survive,
18:20even though he'll still likely die young.
18:23Ali brings warmth to the character,
18:25who wishes to do right by Chiron.
18:27But can this compensate for his other actions?
18:30You gotta go right now.
18:33Uh-huh.
18:35Not yet.
18:362017, Francis McDormand.
18:39Three billboards outside Ebbing, Missouri.
18:42We live in frustrating times,
18:44and perhaps no modern character better epitomizes these feelings
18:48than Francis McDormand's Mildred Hayes.
18:51You ain't trying to make me believe in reincarnation or something, are you?
18:55Because you're pretty, but you ain't her.
18:59She got killed.
19:01We'd like to live in a world where the police track down all wrongdoers,
19:05justice is served, and we're left with some sense of closure.
19:08It's not always that simple,
19:10as is the case with the unsolved murder of Mildred's teenage daughter.
19:14Mildred just wants answers,
19:15but she only hits roadblocks around every turn.
19:19With the world against her,
19:20Mildred's rebelling turns into anarchy.
19:23It does little to help her cause,
19:24but McDormand helps us to understand
19:26that Mildred feels as if she has nowhere else to go.
19:29All she has left is the illusion of control,
19:32which she will reach for no matter what the consequences.
19:36At least I had a day of hope,
19:38and that's more than I've had for a while.
19:40Performances in horror movies often go overlooked by the Academy,
19:48hence why Tony Collette infamously was not nominated for Hereditary.
19:52While this Ari Aster film includes supernatural elements
19:55like covens and demonic possession,
19:57it also organically incorporates real-world horrors
20:00like fatal accidents,
20:01sudden loss,
20:02and the realization that your mother might have been happier
20:04if you were never born.
20:06I never wanted to be your mother.
20:09This is where Collette shines the most,
20:12playing a parent overcome with grief,
20:14resentment,
20:15and the walls of sanity crumbling around her.
20:18When Collette does take on a more monstrous form,
20:20her screen presence is as disturbing
20:22as anything we've experienced this century so far.
20:25I love you, Steve.
20:27I love you so, so much.
20:29Collette manages to be the most sympathetic
20:31and scariest character,
20:33a feat we haven't quite seen since Regan in The Exorcist.
20:372019, Renee Zellweger, Judy.
20:41Everybody has their troubles and I've had mine.
20:45I've probably had everybody else's too.
20:48This biopic is about Judy Garland,
20:50but parallels can also be drawn to Renee Zellweger's career.
20:54Like Garland,
20:56Zellweger was one of the industry's biggest stars for years
20:59until suddenly disappearing from the limelight.
21:01Their Hollywood hiatuses might have been backed by different reasons,
21:05but Garland and Zellweger were presented with the same question.
21:08Is there any coming back?
21:10Especially given how this industry treats women of certain ages?
21:22Garland's life ended in tragedy,
21:24leaving us to wonder what could have been.
21:26Zellweger not only came back,
21:29but she returned on the highest note possible
21:31with a performance that explores Garland's demons
21:34while paying tribute to her.
21:36Between Zellweger and Joaquin Phoenix and Joker,
21:38this year's lead acting races were virtually locked up come Oscar time.
21:432020, Carrie Mulligan, Promising Young Woman
21:47In 2020, we lost one of our most promising young actors,
21:52Chadwick Boseman,
21:52who delivered a tour de force with his final film performance
21:56in Ma Rainey's Black Bottom.
22:06Carrie Mulligan played a promising young woman
22:08whose life took a turn after her best friend met a tragic end.
22:12Mulligan's Cassie dedicates her nights
22:14to freaking out quote-unquote nice guys
22:17who don't understand the meaning of consent.
22:20As Cassie tracks down those responsible
22:22for her best friend's demise,
22:24her master plan comes into frustration,
22:26keeping us guessing with every move.
22:28Cassie is intimidating and unforgiving,
22:31but also hilarious and outspoken
22:33to the point that we'd like to hang out with her.
22:35Being Cassie's friend is much better
22:38than the alternative of being in her notebook.
22:40You know, I was affected by it too, okay?
22:42I mean, it's every guy's worst nightmare
22:43getting accused like that.
22:45Can you guess what every woman's worst nightmare is?
22:482021, Daniel Kaluuya, Judas and the Black Messiah.
22:53Fred Hampton is one of the most important names
22:55in African-American activism.
22:58While this biopic depicts Hampton's natural leadership skills,
23:01Daniel Kaluuya's Oscar-winning performance
23:03brings out qualities that people didn't always see at rallies.
23:06His shy side, his vulnerability,
23:08and his love for the family that he was just starting to build
23:11before the betrayal that abruptly ended his life.
23:14That's when I knew I had to protect him.
23:18I mean, looking at that photo,
23:19how can you not feel that way?
23:20As powerful as Hampton appears on stage,
23:23commanding a screaming crowd,
23:24there's an overarching fear
23:26that everything can be taken from him in a flash.
23:29Kaluuya authentically balances these two personas,
23:32providing a complete portrayal of Hampton
23:34that will leave you respecting him even more.
23:37Hampton left us too soon,
23:38but this performance is just one of the ways
23:41that his legacy is still burning strong.
23:43You can murder a revolutionary,
23:44but you can't murder a revolution.
23:46And you can murder a freedom fighter,
23:48but you can't murder freedom.
23:522022, Brendan Fraser, The Whale.
23:56You can rarely predict where a star will be every 10 years.
23:59In 2002, it was hard to imagine a blockbuster actor
24:03like Brendan Fraser struggling to find work.
24:05In 2012, it seemed like Fraser's career
24:08had peaked a long time ago.
24:10In 2022, Fraser delivered the performance
24:13of a lifetime in The Whale.
24:15He had me at, um, I'm making a movie,
24:17so that's why I went.
24:19Some didn't realize that Fraser had it in him.
24:21For his loyal fans,
24:23it was the moment they had been waiting for.
24:25Fraser shatters your heart as Charlie,
24:28a 600-pound man trying to make peace
24:30with the time he has left.
24:31Receiving a six-minute standing ovation
24:34at the Venice Film Festival,
24:35Fraser re-established himself as a star
24:38who deserves to remain in the conversation
24:39come 2032 and beyond.
24:42People are amazing.
24:452023, Lily Gladstone, Killers of the Flower Moon.
24:49You live with your uncle?
24:51Yes, yes.
24:52You know?
24:53Since I can remember.
24:56Scorsese's Killers of the Flower Moon cast is stacked.
24:59Leonardo DiCaprio, Robert De Niro, Brendan Fraser,
25:03several have already earned spots on this list in years past.
25:06But the MVP of the film emerges as Lily Gladstone
25:09for her deeply moving depiction of Molly Burkhart.
25:12She tells the story in a subtle way,
25:14illustrating the building distrust
25:15and frustration within her character.
25:17Just be still.
25:24Even when she's slowed down with poison,
25:26she still manages to pull us in.
25:28A lot of the heavy lifting comes
25:29from the turmoil she's experiencing,
25:31and she captures every emotion with perfect nuance.
25:34Gladstone won a number of awards
25:36for the incredible portrayal,
25:37namely the Golden Globe for Best Actress
25:39in a motion picture drama.
25:40This made her the first Indigenous woman
25:42to hold the award,
25:44a distinction that adds credibility
25:45to just how impactful her performance is.
25:48This is an historic win.
25:49It doesn't belong to just me.
25:51I'm holding it right now.
25:53I'm holding it with all my beautiful sisters.
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26:112024, Mikey Madison, Anora.
26:14Stay jealous, honey.
26:15Jealousy is a disease.
26:17Remember that, diamonds.
26:18Mikey Madison's Oscar-winning performance
26:20in Anora is enthralling
26:22because she effectively becomes the character.
26:24She perfectly subverts the hooker
26:26with a heart of gold trope
26:27established in films like Pretty Woman.
26:29Rather than reveling in her new fortunes,
26:31she maintains a self-sufficient edge
26:33in order to offer a more realistic take
26:35on her character's transformation.
26:36As if the audience is one of her clients,
26:38we're mesmerized by Madison's commitment
26:40to portraying Annie,
26:41Brooklyn accent and all.
26:43No, a word is good.
26:45Yeah, thank you.
26:46The way Annie so coldly slips in
26:48and out of the lifestyle she's always known
26:50feels sincere because Madison provides
26:52a breadth of history to the young woman,
26:54plenty of which was never explicitly told
26:56to the viewer.
26:57Our ability to truly connect with and know Annie
27:00is a testament to Madison's spectacular work.
27:04Yeah, you had fun.
27:07Do you agree with our picks?
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