Project Runway Season 7 Episode 12

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Transcript

00:01Previously on Project Runway.

00:03Designers, for this challenge,

00:05you'll be designing a red carpet look for a celebrity.

00:09It's Heidi.

00:11Welcome to the work room, Heidi.

00:13Maya has something very important to share with you.

00:16So I've decided to leave the competition.

00:19Oh, my God.

00:21Maya's place will need to be filled.

00:23Here she is, boys!

00:26I have a second chance at greatness.

00:30We have two winners.

00:33Emilio, I really can't wait to wear it on the red carpet.

00:36Anthony, I would actually like to wear your dress.

00:40Jonathan, this was another effort that fell short of your talent.

00:45You're out.

00:46Jay?

00:47I'm going to choose Brittany.

00:49I'm sorry, Carrie, that means you're out.

00:51Are you sure there's time now?

00:53This is Project Runway.

00:56The winner of Project Runway will receive a fashion spread

00:59in Marie Claire magazine.

01:00An opportunity to sell their line on bluefly.com.

01:03The $50,000 technology suite to create, design, and run their business

01:07from HP and Intel.

01:09And $100,000 from L'Oreal Paris to launch their line.

01:12Get up, sleepyhead.

01:13Good morning.

01:14Good morning.

01:15Good morning.

01:16Good morning.

01:17To you.

01:19Being one of the winners of the last challenge obviously feels wonderful.

01:31Pinch me right here.

01:33I have to maintain the same thought process that allowed me to design the last gown, but

01:40pump up the volume.

01:42Emilio.

01:43Yes.

01:44Welcome to a morning at home with Anthony.

01:49Hi.

01:50This is the final challenge.

01:52This is what we've all been working for.

01:55Bryant Park is going to be my defining moment.

01:58I'm still kind of reeling at the mere fact that I am in the last five and that this is the

02:04last challenge.

02:05The stakes are higher than ever right now and there's definitely a lot of pressure, but

02:11I'm just trying to visualize that I am the finalist on Project Runway showing your collection

02:15of Bryant Park.

02:16Put your face on.

02:17Here's your purses.

02:18And let's go.

02:19Ooh.

02:20Parsons, here we come.

02:23Hello.

02:24Hi.

02:25And then there were five.

02:38This challenge will decide who goes to Fashion Week.

02:41How do you feel about that?

02:42Wow.

02:43Scary as hell.

02:44Excited.

02:45You all deserve to be here.

02:48For your next challenge, I'm going to send you to a tent.

02:52It may not be Bryant Park tent, but hopefully it will help you get there.

02:57Tim will meet you there to fill you in on all of the details.

03:00Good luck.

03:01And I'll see you on the runway.

03:03Bye.

03:04Bye.

03:05Bye.

03:06Lord Jesus, something rugged is going to happen.

03:08I'm like, I don't have rugged clothes.

03:10You do not wear Gucci drivers to the mountains.

03:13We arrive at the Ringling Brothers Barnum and Bailey Circus.

03:27Oh, my God.

03:30Lord help me.

03:34Oh, Lord.

03:47Who's on the runway now?

03:52Welcome to Ringling Brothers Barnum and Bailey Circus.

03:56The greatest show on earth is putting on a special show just for you.

04:04Your challenge is to create a high-end runway look inspired by the circus.

04:10Awesome.

04:11Your inspiration can come from anything or everything that you see here today.

04:15So take it all in.

04:17This is so amazing.

04:18I was hoping it would be circus because the circus is just full of inspiration.

04:22So enjoy the show.

04:24Ladies and gentlemen, designers of all ages, welcome to Ringling Brothers and Barnum and

04:33Bailey, the greatest show on earth.

04:52And she's going to vomit.

05:01I think there's about eight topless guys.

05:04And all I could do is like stare at every single one of them because they had such amazing

05:10bodies.

05:15This is like a whirlwind of explosion.

05:17I mean, it's crazy.

05:18There's clowns.

05:19There's some funny ass clowns.

05:21There's motorcycles going all around this cage every direction.

05:26I don't need to know what to expect next.

05:28It's just overwhelming.

05:31I'm a kid all over again.

05:33Designers, I'm going to give you 30 minutes to sketch.

05:40Okay.

05:41But it's relatively easy to create a circus costume.

05:44It's a lot harder to create fashion inspired by the circus.

05:53So you need to think fashion.

05:54Okay.

05:55And your 30 minutes starts now.

05:57What I took from the circus is the use of stripes and polka dots.

06:10Black, white, cranberry, and playing with scale.

06:12I have experience with circus clothing, being in the theater.

06:13So that's what's going to set me apart from my other contestants.

06:27I am most mesmerized by the ringleader himself.

06:31Not just because of his amazing tail coat, but because of his larger than life presence.

06:36So I decided to go with a coat, a blouse, and a pair of pants.

06:40The acrobat came out in this kind of grayish blue swirl print.

06:46She was just throwing herself everywhere.

06:48I was like, work!

06:49And I knew in that moment, this is my inspiration.

06:54I fell in love with the clowns.

06:56I just like the idea of how exaggerated they look.

06:59So I'm creating big pleats, big waistbands, and pair it back to a really beautiful jacket.

07:06You could go any direction.

07:08This is so over the top.

07:10You need to extract elements from this, colors from this,

07:14and bring it down to a fashion level.

07:17Designers, sketching time is up.

07:20Let's head off to Mood.

07:25Designers, you have $300 and 30 minutes to shop.

07:29The success of this challenge begins and ends here at Mood.

07:33Your 30 minutes begins now.

07:39This is our last challenge.

07:41There's five of us left.

07:43I'm that close to Bryant Park.

07:47I'm looking for a menswear-inspired texture.

07:51I need leather.

07:52I need black leather.

07:53And this gold trim that I'm going to use for the tabs that I'm going to create for the jacket.

07:57Lady with a gold fabric.

08:00I know I'm looking for stripes, so I want to see every stripe they have.

08:04I like this.

08:05And then I found one piece, and then everything just fell into place.

08:08That's the silhouette that I'm going for.

08:10Anthony, this is the final.

08:11You need to turn up the volume.

08:13This is my last opportunity to wow the judges.

08:18Right now, I think that my destiny is in Bryant Park, because if it wasn't, I wouldn't be here right now.

08:25It's time.

08:26No more shopping.

08:27Mila, just cutting only.

08:33I'm excited about this.

08:34I've been knocking them out.

08:35Bam, bam, bam, bam.

08:36That's why you're still here?

08:37Yeah.

08:38Alright.

08:41Thank you for everything.

08:47Alright designers.

08:48Your last challenge in this work room.

08:51You have two days.

08:52Yes!

08:53Woo!

08:54Woo!

08:55Make it work everybody.

08:57I'm so glad that we have two days on this, because I feel like, you know, I can be more ambitious with what I'm doing.

09:09And then that's red leather, and then she has the boots.

09:12I love what I sketch, and so I'm going to translate that to life without changing it or compromising too much.

09:19Everybody has black, white, some form of stripes, red, gold, yellow, and I am the only person with like this really different color palette.

09:29I pray that my look gets me to Bryant Park.

09:32Okay fabric, talk to me.

09:34Talk to daddy.

09:35I think this is the one challenge that everyone needs to put it all out there.

09:40Can't get too cost to me, that's the thing.

09:42Come hard or go home.

09:44There's no second chances.

09:46You gotta come hard.

09:47I know I came with one purpose, and that was to win it all.

09:51I'm not trying to be shy about it.

09:55Oh, you're not shy about it.

09:57What?

09:58What are you trying to say?

09:59You mention it frequently.

10:01Emilio is quite confident, you know, because he's won so many challenges.

10:07I'm doing a showstopper.

10:09When she comes out of that runway, I want people to pee on themselves.

10:13But he also, because of his frequent wins, it's like every time he wins, I go, oh my God, his ego is getting bigger and bigger.

10:20Now it's like a choo-choo train.

10:22Choo-choo!

10:23I'm rolling.

10:24I mean, enough is enough.

10:26I mean, we all want it, but you don't have to gloat constantly.

10:30I'm trying to be nice to Mila, so when I win at Bryant Park, she won't feel so bad.

10:35Choo-choo!

10:36Choo-choo!

10:37Choo-choo!

10:38Choo-choo!

10:39Choo-choo!

10:40Choo-choo!

10:41Choo-choo!

10:43Choo-choo!

10:44Choo-choo!

10:45Okay.

10:46You got to have like a yardstick.

10:48I might as well stick my ass on my fabric and measures.

10:51What a douche!

10:52Choo-choo!

10:53Choo-choo!

10:54Choo-choo!

10:55Choo-choo!

10:56Thank you, Emilio So!

10:58This last challenge determines who will show at Bryant Park.

11:03There's definitely a lot of pressure, and it would be so disappointing to not make it

11:09and be this close to Bryant Park.

11:12We actually made it.

11:13We're the final five.

11:14You know, so we're all feeling like, you know, everybody wants to bring on their best game.

11:18You want to see from this side?

11:20Choo-choo!

11:21Choo-choo!

11:22Choo-choo!

11:23Choo-choo!

11:24Choo-choo!

11:25Choo-choo!

11:26Choo-choo!

11:27Choo-choo!

11:28Choo-choo!

11:29Choo-choo!

11:30Choo-choo!

11:31Choo-choo!

11:32Choo-choo!

11:33Choo-choo!

11:34Choo-choo!

11:35Choo-choo!

11:36Choo-choo!

11:37Choo-choo!

11:38Choo-choo!

11:39Choo-choo!

11:40Choo-choo!

11:41Choo-choo!

11:42Choo-choo!

11:43Choo-choo!

11:44Choo-choo!

11:45Choo-choo!

11:46Choo-choo!

11:47Choo-choo!

11:48Choo-choo!

11:49Choo-choo!

11:50Choo-choo!

11:51Choo-choo!

11:52Choo-choo!

11:53Choo-choo!

11:54Choo-choo!

11:55Choo-choo!

11:56Choo-choo!

11:57Choo-choo!

11:58I'm going to do a long coat, and I'm axing it with boning so it gets waves.

12:02It's all going to flare out.

12:04Okay.

12:05Really extravagant.

12:06And in the front, I do want to do a tie, and I'm making a top hat.

12:12All right.

12:15Well, let me ask you this question.

12:17How do you imagine styling this for the runway with the coat?

12:20Is the coat the powerful statement?

12:22The coat is my key piece.

12:23I start with my key piece.

12:24So, can I just ask you to think about this?

12:27No costume.

12:28Oh, no, no, no costume.

12:29It's you.

12:30No question about that.

12:32All right.

12:33Thank you, Seth Aaron.

12:35Go, go, go.

12:36Have a great day.

12:37Hi, Tim.

12:38This fabric is staggering.

12:39Why don't you see the front?

12:42I'm engineering it so I'm losing all the white in the bodice up to the high hip, and then

12:49it's going to explode into a Watto back.

12:52Is this the only way that you're using this cranberry color?

12:55No, that's going to be the bone bodice and then the lining of the skirt on the inside.

13:00Basically, this is a black and white look.

13:02It went to the circus.

13:03Where is the color?

13:04What I got out of the circus was, of course, the stripe and the polka dots.

13:10I didn't want to do the color.

13:11I wanted to extract the color.

13:13But Emilio, this is your opportunity to use color.

13:16We want to see you embrace more color.

13:17But I've done color all along.

13:18I've never done black and white.

13:20I've always done color.

13:21I've never done something black and white, Tim.

13:23All right, but the last win, somber.

13:26Somber?

13:27Somber.

13:28Double that somber.

13:30All right, Emilio.

13:31I'm confident that this is going to be a showstopper.

13:35I'm delighted to hear that.

13:37Great.

13:38Okay.

13:39Thanks, Emilio.

13:40Trust me, I got this.

13:42Hi, Tim.

13:44I felt a little left out when I got back to the workroom.

13:46I realized everybody kind of went into black and white and red and yellow.

13:49Don't feel left out.

13:51You'll stand out.

13:52Well, yeah, but my concern is pumping up the volume.

13:57I am not exactly sure about my sketch because it wasn't too long ago that you said pump up the volume.

14:03But I know before I can build the dress, I got to have a good foundation.

14:06You do.

14:07So I'm just prepping everything and then I'll start working, putting the pieces all together.

14:13Let your visceral rule.

14:15If it doesn't feel right, it's not right.

14:18Well, Tim, I'm ready.

14:19If you feel like you're forcing things, then they're probably contrivances and they're not right.

14:24All right.

14:25Tim, I thought all I needed were my design books to prepare for this show.

14:29But I'm going to go get me a dictionary just as sure as I get back to Georgia.

14:34Thank you for everything, Tim.

14:35Thank you, Anthony.

14:37Hi.

14:38Hi.

14:39How are you, Milo?

14:40Good.

14:41I'm going with a coat and this is the beginning of it with this interesting fabric.

14:47And I like that it's shiny.

14:48I do, too.

14:49I like the coating.

14:50Because I think it's going to make a presence.

14:51It makes it modern, too.

14:52Exactly.

14:53It kind of makes it more me, I think.

14:54I'm going to do these ivory panels down the front.

14:58You should ditch this ivory.

15:00This, for me, just isn't cutting it.

15:03I'm being blunt because it's our last challenge.

15:06I know.

15:07Well, no, I appreciate it.

15:08The other part is that I'm using the large stripe in the back.

15:12I'm thinking chevron and pleated.

15:14I think if you're doing that, use it in the front as well in some manner.

15:18Oh, yeah.

15:19That could be kind of fun.

15:20It could be.

15:21Okay.

15:22Okay, Tim.

15:24Mr. J, talk to me.

15:26I wanted to combine the ringleader with the clowns.

15:29I like how exaggerated they look.

15:31This is kind of like the oversized pant that I'm working on.

15:34It's tweed, and then I'm using, like, leather trims to trim them.

15:40So what's with the jacket?

15:42It's really detailed.

15:44It has a strong color point of view, which is the red, the gold, and the black.

15:50It's like, I want this to look badass.

15:52Okay.

15:53Yeah.

15:54Badass.

15:55Good.

15:56Bad bitch.

15:57Is there a good bitch?

15:58I'm a good bitch.

16:01On that note, thank you, Jay.

16:03Thank you, Tim.

16:04Designers, it looks like we're going to have five big wow moments on that runway.

16:09And what's more exciting than that?

16:11Yes.

16:12All right, so work hard.

16:13You have until midnight tonight, and I will see you tomorrow.

16:15Okay?

16:16Thank you, Tim.

16:17Have a good night.

16:18You too.

16:19See you tomorrow.

16:20Here we go, yo.

16:22I still have a lot to do.

16:23This is my last chance to wow the judges, so it's got to be pretty special.

16:29This is the last one they see.

16:31You better bring the heat.

16:33They made my whole dress gonna take a different shake.

16:35Are you changing midstream?

16:37The foundation is staying the same.

16:39Okay.

16:40It's just so weird, like any direction I go in, I'm wrong.

16:43It's not that I can't crank this dress out.

16:45It's just that I'm just like a prisoner in my mind almost.

16:49I'm scared I might be setting myself up for failure.

16:52Get your skirt to where you want it, and then the bodice will come to you.

16:55Just when you think you have enough time.

17:11Let's sew!

17:12Woo!

17:13First thing I do is alter my body.

17:17I went to sleep thinking about my design, and I woke up thinking about my design.

17:22And the only thing I think in my mind is how to make it better.

17:25This garment means so much to me that words cannot express.

17:29The fact that I'm still sitting here working on a garment is just like, oh, oh.

17:35Not only do we get to present our last pieces, but we get to see our families!

17:40Yes.

17:41Soon!

17:42I know.

17:44A lot of people believe in me.

17:46My friends, family, and for some reason, I've never really pushed myself.

17:52Now that I'm realizing what I can do, I want it to be dramatic.

17:56I want it to look like it's going to go on a high-end runway show.

18:04I'm so excited I'm going to finish this jacket tonight for you.

18:09It looks really cool in the back.

18:11I'm so happy it's standing up straight.

18:13Nila's outfit, I like it, but I'm on the fence.

18:18I'm not so crazy about the shiny, shiny.

18:21The jacket, shiny, the pants are shiny.

18:23That's like putting a whole lot of bling and bam!

18:25All in one thing.

18:27Once I had the dress on Lorena, we realized that it did need a little extra pop of color.

18:33Fortunately, I had this stripe that was perfect for it.

18:37Oh, I think it's beautiful.

18:39I see a lot of costumes in the room.

18:41I don't think that I have a costume.

18:42I think that I have a beautiful gown that is functional and that is editorial from different angles.

18:47I'm seeing that some brand fun.

18:49I love it.

18:50Okay, I'm happy.

18:51Tomorrow's the last one.

18:53Thank you, guys.

18:54Bye.

18:55Bye.

18:56See you, too.

18:57Later.

18:58Well, that's that.

18:59Oh, there you have it.

19:01Oh, you're making a Michael Jackson coat.

19:04I was a little bit scared when I heard that comment.

19:08I'm not sure if they're being sarcastic or they're just being funny, but, you know, I question myself.

19:13They'll have buttons.

19:14It's looking a little bit Michael Jackson.

19:17It's not Michael Jackson.

19:19I'm just not a big fan of Jay's style.

19:21Mmm.

19:32This morning, I feel a little nostalgic and emotional about that this is the last runway show.

19:39I'm nervous as hell, but I'm also relieved.

19:43I feel like I'm going to be okay.

19:46I feel like I'm going to go to Fashion Week.

19:50Time to go, right?

19:53I know I have a lot to do, but I'm focused.

19:56I have my list in my head of what has to happen and at what time.

20:01And I need to just get in there and get to work.

20:05Leave it spore and return and spore.

20:18This is the only day in this competition that I have butterflies.

20:24I feel nervous.

20:25This is the point, the make it or break it point.

20:27And to go all the way through, never have a bad critique from Tim,

20:30to get to the last one and then just bomb out, just shoot me.

20:39When I'm done with this dress, I want the judges to say,

20:43wow, this is the dress of the season.

20:46I want them to see the craftsmanship, the artistry, the whimsy, the sexiness.

20:53I'm putting everything that I am about into this one dress.

21:00Good morning, Tim.

21:02Good morning, everyone.

21:04Good morning.

21:05This is a very big day for all of us and especially for you.

21:09Your models are here.

21:10All right.

21:11I'm going to be sending them in.

21:12You know the drill.

21:13You have an hour to send them to the Garnier Hair Salon

21:15in the L'Oreal Paris Makeup Room.

21:17Use the bluefly.com wall very thoughtfully, very strategically.

21:21It's the whole look, okay?

21:23Okay.

21:24So I will see you a little later.

21:27I'm going to send in your models.

21:28Okay, Tim.

21:29Everyone make it work.

21:37Putting the dress on Monique prior to going to makeup has proven to be an oh my God moment.

21:43The wave is extremely too big.

21:47So I'm having to completely alter that aspect of the dress.

21:51I don't know.

21:52Once again, it's just another make it work moment.

21:55That's okay.

21:56I can get it done.

21:57Okay.

21:58I really feel at this point it should be Anthony and Jay that do not move forward.

22:03And I say that because Anthony has been very inconsistent.

22:08And Jay, there's kind of a lot of fashion knowledge and textile knowledge that he doesn't know.

22:15I don't really know that he's ready to have a collection.

22:18Mila, I've seen her work and I'm not sure if she's going to be able to show at Bryant Park with an amazing collection.

22:26This should be about the guys.

22:28We all know how to put a dramatic show.

22:30And I think I'm saying this because I dislike her as a person, but I don't think she has that.

22:36Okay.

22:37Awesome.

22:38Let's whip him off and we'll go down there.

22:39Your hair should be a lot softer, modern, edgier.

22:43I want to bring a rock and roll edge to it.

22:46I want her hair longer.

22:48How long do you want it to be?

22:50Nice.

22:51I'm hoping that her eyes will be powerful.

22:56Really dark.

22:57No colors.

22:58Come here.

22:59She's smoldering.

23:01Lovely.

23:02Wow.

23:03You like?

23:04This is it.

23:05This is what we've all been working for.

23:09Everyone is excited.

23:10We all know it's the last one and everyone wants to go to Bryant Park.

23:16So the energy is palpable.

23:18You can just feel it.

23:19It's amazing.

23:22Designers, in 10 minutes, you and your models and I are going down to the runway.

23:26Okay?

23:27Yes.

23:28Yay.

23:29I'll be back in 10 minutes.

23:31Woo-hoo.

23:32I got to tell you, I'm flipping out inside.

23:34I'm expecting like the grand poobah of runway shows.

23:39So let's get it on.

23:40Let's bring the show on.

23:41I want so badly to be able to create a collection that doesn't involve a challenge.

23:48You know, it doesn't involve parameters.

23:50It doesn't involve restrictions.

23:52Of course I'm going to feel disappointed if I don't make it through to Fashion Week.

23:57Always cheat to the judges.

23:59Designers and models.

24:00Let's do it.

24:01Come on.

24:02Follow me.

24:03When I came into the competition, I didn't come to beat Seth Aaron or to beat Mila or to

24:09beat Jay or to beat Anthony.

24:11I came to win for myself.

24:13I just want to be number one.

24:16Welcome to the runway.

24:22We started this competition with 16 designers and now it's down to just you.

24:30As you know in fashion one day you're in and the next day you're out.

24:36There are five of you here but only three of you will go to Fashion Week.

24:42That means two of you will be out.

24:45For this final challenge we asked you to create a high-end runway look inspired by the circus.

24:51I look forward to seeing what you've done.

24:54Okay, let's meet the judges.

24:56First we have top American designer Michael Kors.

24:59Hey guys.

25:00How are you?

25:01Fashion director for Marie Claire magazine Nina Garcia.

25:03Hi everyone.

25:04And fashion designer Cynthia Raleigh.

25:10We will score your designs as they come down the runway.

25:13Let's start the show.

25:18This garment, it shows Jay Nicolassario as a fashion designer.

25:22It's tight but at the same time there's volume and texture and color.

25:27It's dramatic and I believe that this look will take me to Fashion Week.

25:33It's totally Mila and I think that it fulfilled the challenge really well.

25:40I totally see the circus vibe in it but I also think that this is an amazing runway look.

25:47It's dynamic, it's got movement.

25:49I felt like it was imperative that my point of view be very strong in this final look.

25:54I love the dress on Monique.

25:58I just love how beautiful she looks today.

26:00I love the movement of the gown and I think that she is one of the few people on the runway who still looks like a lady.

26:08This dress explores the fantasy aspect of who I am as a designer.

26:13The dress says everything that I hope to represent as a designer.

26:22It's dramatic without being costuming.

26:25It's impeccably made.

26:27It fits like a glove.

26:29Lorena looks beautiful and confident.

26:32I don't think anyone even came close to touching this dress.

26:41It fully expressed my point of view.

26:44At this point, I can't change anything.

26:47You know, there's no excuses.

26:49This is what I came up with.

26:51I don't want to bore anybody.

26:53I want to make a statement.

26:58We have scored your designs.

27:00Three of you will go to Fashion Week and two of you will be out.

27:05Let's bring out your models.

27:10Seth Aaron, tell us about your look.

27:15I designed truly off of motion with this.

27:18I was so overwhelmed and so happy with the circus.

27:21I mean, it's me.

27:22It's what I thought.

27:23I didn't think too hard.

27:24I just went with it.

27:26I liked it.

27:28I like the sense of drama and I like the sense of fantasy about this, but I do think it's a bit costume-like.

27:38I like all the way that you use wire or whatever is in there to sort of defy gravity, which is what the circus is all about.

27:47I think it's interesting, definitely interesting.

27:50I think the pants, we have crazy crotch.

27:53I think they might fit you better.

27:56Perhaps a gentleman might have something to fill the trouser out, but I think the jacket's very strong and I appreciate that.

28:03Anthony, tell us about your look.

28:05I didn't want to do anything that looked too costuming.

28:08However, I did want to push the envelope in some areas.

28:11I was a little disappointed that my ruffle detailing inside of the blue up under the arm, you couldn't see it on the runway.

28:18I don't mind it from the waist up, but I do think from the waist down, it is a complete snooze.

28:26And I just think it's poorly made.

28:28What on earth really is that fabric?

28:30That's the first thing you have to start with when you're designing anything is know your fabrics and know what's going to work and what isn't going to work.

28:39Let me see that.

28:40It's crepe de chine.

28:42Oh, it's poly.

28:44No.

28:45Hello.

28:46Is it polyester?

28:47It is.

28:48It's poly crepe de chine.

28:49You have to know what the fabrics are like.

28:51Well, I mean, through the whole competition, I've only used silks, but this is just, you know.

28:55It's $300 worth of polyester?

28:57She's like a big blue condom.

28:59You know, you have to know what you're working with.

29:01It's just a lesson learned.

29:03Damn, lesson learned.

29:05Jay, tell us about your look.

29:06I've created a jacket, military inspired, really tight fitting, and then paired it back to a pair of really exaggerated pants.

29:14And just kind of like created this bold, strong, you know, look that I've always liked to do.

29:21Does the jacket come off?

29:22Yes.

29:23Can we just have it off for a second?

29:24Because if you just look at it like that, she would walk down the street, you would not think twice about it.

29:29It's really just the jacket, because the pants like this, or that top.

29:34No, they're nice pieces.

29:35They're very nice.

29:36It is very beautifully made.

29:38And those pants are fantastic, too.

29:41Mila, tell us about your look.

29:42The Master of Ceremonies jacket had a lot of this sort of scrolling embroidery on it.

29:48And I wanted to pick that up somehow, so maybe they can see more on the back, actually.

29:54It's like a laminated wool herringbone.

29:57I think that it's dramatic, it's impactful, but it's not a costume.

30:02And it's very Mila.

30:03It's very Mila.

30:04There is something here that is not completely convincing me.

30:10I'm not crazy about this.

30:12Well, I hate that color pink.

30:14I'm just kidding, because I'm wearing it.

30:16Yeah, exactly.

30:17I could do with a little bit less on the collar, and maybe something not being a shine.

30:25But in general, I like it.

30:27Thanks.

30:28Emilio, tell us about your look.

30:30The entire gown is one piece of fabric that's five yards long.

30:35And then I added the polka dots to add a little bit of whimsy.

30:39Great job.

30:40I think it's absolutely stunning.

30:42I love this.

30:44I think it's so genius.

30:47It's my favorite garment of the season.

30:49Oh.

30:51Thank you very much.

30:52You want your outfit to speak to a woman and to be appealing.

30:58And I think this manages to do that.

31:00Thank you very much.

31:01Seth Aaron, why do you deserve to go to Fashion Week?

31:04I'm well-rounded in all areas.

31:06I can tailor, and I can design, and I believe in what I do.

31:10What other two designers deserve to go with you to Fashion Week?

31:13Oh.

31:18Emilio and Jay.

31:23Jay, why do you deserve to go to Fashion Week?

31:25For me to be able to get this far and compete against the best of the best,

31:30that already says something, that I can do this.

31:32I could create an amazing collection for Fashion Week.

31:35Who else do you think should go to Fashion Week with you?

31:39I think Seth Aaron has a strong point of view.

31:41I would love to compete against him.

31:43And I want to share this experience with Anthony.

31:55Mila, why do you deserve to go to Fashion Week?

31:58I feel that I am a strong, thoughtful designer.

32:03It feels like the right time for me.

32:06And what two designers do you think should go with you?

32:10Based on their consistency and their points of view,

32:13I would say Emilio and Seth Aaron.

32:17Emilio, why do you deserve to go to Fashion Week?

32:20Well, I think I've shown in this competition that I have a very strong point of view,

32:25teamed with an amazing set of technical skills,

32:29that I can create not only a functional line,

32:32but something that would inspire women to want to wear my clothing.

32:36If I had to choose two designers that I would go to Fashion Week,

32:41I think I would choose the strongest designers,

32:43because I'd like to compete with the best.

32:45I think Seth Aaron shows an amazing sense of style.

32:50And I think Mila had the very direct point of view that combined the three of us together,

32:59it could be a very powerful show.

33:01Anthony?

33:02I can make beautiful clothes, and I have made beautiful clothes.

33:05I think that in order for me to be my best and represent as I should at Fashion Week,

33:10I need to get to my space and find my center and trust my own viscera.

33:16And if I had to select two individuals who I want to share this experience with,

33:22it would have to be Emilio and Jay.

33:25We've heard what you had to say.

33:27We're going to have a long chat, and then I'm going to call you back.

33:31You can leave the runway.

33:33Let's talk about Emilio.

33:39This was really one of the most beautiful outfits that he has done.

33:46There was nothing that looked like he struggled at all.

33:50And he's sophisticated. He's really very sophisticated.

33:56Seth Aaron's look was not as sophisticated as Emilio's.

33:59No.

34:00Definitely not.

34:01But it shows Seth Aaron, and it shows that he's innovative.

34:07Mm-hmm.

34:08It shows that he thinks bigger instead of safe.

34:14I can only imagine what he would do at Fashion Week.

34:16It would be exciting to see.

34:18Yeah.

34:19Absolutely. I'm curious.

34:20I am curious.

34:21I am curious.

34:24All right, let's talk about Anthony.

34:26To walk into that fabric store where you have the world at your fingertips.

34:32You pick a fabric, and you don't even know what it is and how to handle it.

34:37That's number one.

34:38What's the content? What is this?

34:39Technically, he doesn't have the skills that some of the other designers have.

34:43I think he has some great ideas. I think he's done some beautiful things in the past.

34:46He's got talent.

34:50Let's talk about Mila.

34:52I think her clothes, you know, often to me, they seem flat. They seem one dimensional. I will say that today, the jacket did have some dimension. I did like some of the lines on it.

35:05It just didn't seem relevant in any way.

35:08I don't know how.

35:09But don't you think, honestly, though, the clothes are always made beautifully.

35:16All right, let's talk about Jay.

35:18I do think he makes good clothes, and clothes that feel very modern and very now.

35:24But he's never really 100% right, though.

35:26Jay, I know we're going to get a taste level. I just haven't figured out who he is as a designer.

35:34Today was tough, but did we make our decision?

35:39Yeah, I'm ready.

35:41Okay, let's bring them back out.

35:52We've made our decision, and now we will reveal who will go to Fashion Week.

35:57We've made our decision, and now we will reveal who will go to Fashion Week.

36:14Emilio, your dress was unanimously our favorite.

36:20Thank you very much.

36:21It was in a league of its own. Congratulations.

36:25You're in. You're going to Bryant Park.

36:28You can leave the runway, Emilio.

36:31I'm very pleased and humbled, but the final destination is winning and being victorious.

36:38So, yes, I'm happy that I'm going to Bryant Park, but I'll be even happier when I win Project Runway.

36:44We blew it out the park. Home run. Home freaking run.

36:49Seth Aaron, you've shown us time and time again how creative you are, and your tailoring is consistently fantastic.

36:59Seth Aaron, congratulations. You're in. You're going to Fashion Week.

37:05I'm good.

37:14You can leave the runway.

37:16You know, I don't have to battle anymore.

37:18I have a spot, and it has my name on it.

37:20And give me my money, send me home, and I'm going to come back and blow the socks up New York City.

37:27Woo!

37:28Oh, my God, I hate you.

37:30Freak.

37:31You're such a freak.

37:33Anthony, you won some of the biggest challenges this season, and you've grown tremendously.

37:40Your effort today fell short, and we think you still need to mature as a designer.

37:50Anthony, you're out.

37:55Thank you for everything.

38:10Mila, you've impressed us throughout this competition.

38:14We applaud that you pushed yourself in this challenge, and stepped outside of your comfort zone, while staying true to your point of view.

38:22Your look was made well.

38:24However, it was disappointing.

38:28This fell short of your talent.

38:31Jay, you made clothes beautifully, and today was no exception.

38:38Your pants were impeccable, but overall the look was somewhat expected.

38:44You played it safe on a challenge when you were supposed to do anything but.

38:50You're in.

38:51Oh, my God.

38:52Jay.

38:53You're in.

38:54Oh, my God.

38:55Jay.

38:56You're also in.

38:57We have some concerns about both of you, but we also know both of you have the potential to wow us.

39:11Now, there's the big but.

39:13Both of you are going to design things.

39:15You're in.

39:16Oh, my God.

39:17Jay.

39:18You're also in.

39:19We have some concerns about both of you, but we also know both of you have the potential to wow us.

39:24Now, there's the big but.

39:25Both of you are going to design collections, but only one of you will show at Fashion Week.

39:30It is going to be up to you to take this opportunity and run with it.

39:35Good luck.

39:37You're both going to leave the runway.

39:39Jay and I both have really strong points of view, I think, that come across in what we do.

39:43I just have to make sure mine's better.

39:46Tiebreaker!

39:48That means we both make collections, and it's like a shootout.

39:52Mila and I have two different points of view, and I just want to show my best.

39:56I just want to prove to the whole entire world that I'm worthy enough.

40:00Oh, my God!

40:02I was feeling sad for Anthony, but in fact, this is happy.

40:06Yes!

40:07Yes!

40:08Yeah.

40:09I feel bad for me.

40:10No, you know?

40:11No, no, no.

40:12Cover of Marie Claire, Jessica Alba.

40:14I know.

40:15It's fantastic.

40:16Congratulations.

40:17What?

40:18Really.

40:19But I do have to send you to the work room to clean up your space.

40:24You're used to this.

40:25You know what to do.

40:26I know.

40:27This is nothing new.

40:28There's just more to clean up.

40:29We love you.

40:30Be good.

40:31Y'all be good.

40:32I will see you later.

40:33Don't disappoint me.

40:34That's my line.

40:35My time has come.

40:36My work here is done, and I think that it speaks volumes for what will happen for me in

40:39the future.

40:40I don't think you could ever think that you've seen the last of me, not in a million years.

41:10I love you.

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