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TVTranscript
00:00You
00:22After dinner sweetheart
00:30Dad?
00:40Must be the season of the witch
00:44Must be the season of the witch
00:48Yeah
00:49Must be the season of the witch
00:52Not too much, Libby. Trust me, it looks good.
00:55Perfect for passion.
00:57Safe.
01:01Done.
01:20Is this my smell?
01:22You wear this.
01:24Are you sure?
01:25It's my your car.
01:27Judas, you girls stick together tonight.
01:30We will, Mum.
01:31Be home by 11.
01:33No worries, Mrs. Donnelly.
01:35Sit me up.
01:37Sit me up.
01:38Don't forget the smokes.
01:46See you, Squirt.
01:48Must be the season of the witch
01:52Must be the season of the witch
01:57Must be the season of the witch
02:31This is for you.
03:30I thought you were up in the city staying with your sister.
03:33Oh, I had to come back.
03:35The police are at our house.
03:36The police?
03:37Yes.
03:38They've got a search warrant and they won't let Alan leave.
03:42What are they searching for?
03:43Well, I...
03:43I...
03:44We don't know what's happening.
03:47Can you please come?
03:48Close, close.
04:02It's never there, son.
04:04Yeah.
04:06I'll be right back.
04:08I'll be right back.
04:10I'll be right back.
04:12I'll be right back.
04:13I'll be right back.
04:14I'll be right back.
04:14I'll be right back.
04:16Nichols?
04:18Detective.
04:19Impeccable timing.
04:21Victims' laptop.
04:22Don't make me say it.
04:25You don't always enjoy being right.
04:26Deep breaths, Beth, and don't say a word.
04:39Thanks.
04:56Alan?
05:18Oh, Brett.
05:21Thanks for coming.
05:23Yeah.
05:23What a fucking nightmare.
05:26They're taking everything.
05:29They're saying I've killed that writer.
05:32Look, they're not arresting you yet.
05:34Have you answered any questions?
05:37Oh, only about last Tuesday.
05:40Tuesday?
05:41Yeah, well, she came here, and then she made a scene,
05:44and then she reported him to the police.
05:46They're making a huge mistake.
05:48Look, from now on, you zip it,
05:49and the answer to any question is no comment.
05:52Is that clear?
05:53Mr. Chaplin.
05:55Do you agree this item was on your shelf in the workshop?
06:00No comment.
06:04Do you agree it's the mirror of a car belonging to Amanda Taylor?
06:10No comment.
06:12Evans, got something.
06:17My name is Amanda Taylor, and I am the daughter of the killer.
06:28My father, Warren Little, was tried and convicted in the 1980s of the rape and murders of three women in 1970 and 1973.
06:42He died in jail seven years ago.
06:46I never knew my father, but I know that he did sadistic things to women, and I've been ashamed of that my whole life.
06:56When my mother died, I found these newspaper clippings among her things of the unsolved Cape Rock murders of Judith Donnelly and Susan Mead.
07:14I believe that she thinks that my father murdered these girls, too.
07:22My book, My Father is the Cape Rock Killer, will expose the truth.
07:27The video is a pitch.
07:35She sent it to a book publisher three years ago.
07:38I don't know why she stopped thinking her father was the killer and started imagining it was me.
07:49Yeah, we're looking into those details, but her new manuscript was stolen from the crime scene and her laptop was immersed in deep water.
07:59Consequently, nobody knows what she was writing about or who, which in many ways works in your favour.
08:06And they can't find out?
08:07Well, she didn't have backups, she gave no one details, she was, well, she was paranoid, and she made a plagiarism complaint against another writer, who was a possible alternative suspect.
08:20Look, Al, the police have already briefed one of the state's top prosecutors, Gabe Nichols, and they are going to charge you with this.
08:37Oh, my God.
08:38Oh, my God.
08:39Oh, my God.
08:44I don't understand.
08:47They have motive.
08:49They have sawdust and hair from the scene.
08:51I don't know how that got there.
08:53You don't have an alibi for the time of death.
08:55I was here.
08:56Beth was here.
08:58She has already told police that she was watching television, she couldn't hear or see you.
09:02And the police confirm that with the streaming platform, so the prosecution is likely to call her as a witness against you.
09:09But the biggest obstacle we have is Amanda's police report accusing you of assault just two days before.
09:17I didn't assault her!
09:20She lied!
09:26Good. Well, ultimately, we should be able to prove that.
09:35Beth, I know it's disturbing.
09:38And I have to say this, look, it would be infinitely better if someone else represents Alan.
09:43Well, I still want you to do it.
09:48However it turns out.
09:50I'm more likely to lose our friendship if you don't.
10:02Thanks, Beth.
10:04Beth.
10:08Please.
10:13Okay, Beth, I'll do it.
10:17But I do so with extreme reluctance and only because you're my friend.
10:24Brett, this case is not, it's not just about that woman, Amanda.
10:31Those girls in 68.
10:34Alan and I were there that night.
10:37Alan.
10:39Are you staying for the potty?
10:41What, what do you reckon?
10:43Funny how they invite all the local girls and hardly any other boys.
10:46Yeah.
10:48Does your dad know you're selling sly booze?
10:51You're kidding, right?
10:53He would skin me alive!
10:55I won't tell.
10:57It's our beach, not theirs.
10:59Stay.
11:01Beth!
11:03Righto.
11:17That is for you.
11:19Now rack off, yeah?
11:29Stay.
11:33How honest does anyone think that I could be married to a man for nearly 50 years who could, who could do something like that?
11:41Do something like that.
11:55In today's top story, the murder trial of Alan Chaplin is officially underway in Perth.
12:00Chaplin, who stands accused of killing 41-year-old English teacher, Amanda Taylor, has accused of killing 41-year-old English teacher, Amanda Taylor, has accused of killing 41-year-old English teacher, Amanda Taylor.
12:09And I don't know why I came here tonight.
12:20I got the feeling that something ain't right.
12:24I'm so scared in case I fall off my chair.
12:28And I'm wondering how I'll get down the stairs.
12:31Clowns to the left of me, jokers to the right.
12:36Here I am, stuck in the middle with you.
12:40Yes, I'm stuck in the middle with you.
12:43Hi!
12:44Hi!
12:45Hey, Amanda.
12:46Hi.
12:51Hey, Amanda.
12:52Hi.
12:53Cheers, Amanda.
12:55Clowns to the left of me, jokers to the right, and here I am, stuck in the middle with you.
13:04I have a titanium plate in my right leg.
13:07Okay?
13:08I emailed you guys about this.
13:09Surely we will not have to go through the secretive lava every day.
13:13Please, after you.
13:20Ah, Nichols.
13:23You wanted to speak to me?
13:25Well, good morning to you two.
13:26Yes, it's about the defendant's wife.
13:29Oh, our witness.
13:30Yes, I'm aware of that, but there is a mercy discussion to be had here.
13:35Did I hear right that you're friends with the defendant?
13:37Isn't that against Colby's law?
13:39No, we're more acquaintances, really, but his wife is a friend, and she has retained me.
13:45Therefore, I need access, so the sooner you call her, the better for both of us.
13:51Oh, okay.
13:52All right.
13:53Well, we'll adjust.
13:55But you owe me.
13:57Well, what about a bottle of my superb Shiraz?
14:00Oh.
14:01Before the trial ends, please.
14:03Wouldn't want it to be sour grapes.
14:05Lunch will be at 1pm every day, and we'll generally finish around 4pm.
14:15It's expected that we arrive at least one hour before court begins.
14:18Anybody who's struggling with feelings or difficulties about the trial can call me or text me on this number.
14:27As jury foreperson, I'm happy to be on call, but I suggest you keep your own surnames and your contact details to yourselves.
14:34Dang.
14:35No fraternising, fam.
14:46Human relations is my profession, so take my advice.
14:49The less we know about each other, the less complicated it's going to get.
14:56Okay.
14:57So, I'm proposing a little exercise to properly break the ice.
15:02So, if everybody could stand up.
15:06Stand up, please.
15:07Sorry.
15:09We're going to throw this apple to each other.
15:16When you catch it, say your first name and your occupation, and then throw to the next person.
15:25I'm Andrew.
15:27I'm a composer.
15:29Sorry, man.
15:31Sorry.
15:33Just gently.
15:35I'm Balsam.
15:37I'm a history teacher.
15:41David, orthodontist.
15:44Hey.
15:46My name is Blake, personal trainer.
15:48If anyone wants some tips.
15:52Okay.
15:53Guys, might be nice to throw it to some women as well.
15:56Yeah, we can catch.
16:02I'm Jasmine.
16:04And, um...
16:06I'm so sorry.
16:07I really need to pee.
16:13Okay.
16:14That's a health and safety issue now, so...
16:18And we really need everyone present, so maybe let's just talk amongst ourselves.
16:35Hey, um...
16:39Do you mind if I take a drink?
16:43Don't tell Sharon from HR.
16:48I think you mean Karen from HR.
16:52Okay.
16:53Preach.
16:54Hey, did you see the ex-boyfriend outside?
16:59Who's ex-boyfriend?
17:01Amanda's.
17:03The victim's.
17:05He's not in court though, which is weird.
17:07I mean, he might just be a witness.
17:09They can't watch the trial until after they've done their thing, so...
17:12I reckon he's a witness.
17:13I reckon he did it.
17:21Have you seen a photo of it?
17:23Huh?
17:24Oh my god.
17:25He's...
17:26So fucking hot.
17:29But like, in a kind of creepy way.
17:33I mean, he's doing all that boohoo to camera, but he's getting his face blasted everywhere.
17:36Are we allowed to be looking at things like that? Doesn't it like, I don't know, mess up the trial or something?
17:41Oh, come on.
17:43How are we supposed to make up our minds without all the tea?
17:48Plus, isn't it always the boyfriend?
17:50If I ever end up dead, you should definitely arrest my boyfriend.
17:56Who's your boyfriend?
17:58Rowan.
18:00He owns Sink.
18:02Sink?
18:04The club?
18:07Cool.
18:08Sounds convenient.
18:13I'm going tonight, if you want to come.
18:22Yeah, yeah, I, um...
18:24I'd love to.
18:26Okay.
18:28Alright.
18:29Fuck yes to you being on this jury.
18:32Honestly, you are my favourite thing about this trial.
18:35Stop.
18:37Really, Your Honour?
18:38Objection.
18:39Supposition.
18:40Your Honour, is it my learned colleague's intent to keep disrupting my examination with spurious objections?
18:48Objection overruled.
18:50And, Mr. Colby, can you shed any light on your intentions?
18:55Your Honour, going forward, I will attempt to limit my interjections to those that have a remote chance of being upheld.
19:07Continue, please, Madam Prosecutor.
19:09Thank you, Your Honour.
19:13Detective Amanda Taylor called police to her holiday lodging on April 4th.
19:19Why did she do that?
19:21To make a formal complaint against the accused, Ellen Chaplin.
19:23If the witness could be given Exhibit 5, it's a statement the victim made to police on that day.
19:33Detective Evans, can you please read out the highlighted section?
19:37Mr. Chaplin became very aggressive.
19:41He verbally and physically threatened me.
19:44You did it!
19:46I know you fucking did it!
19:48Mr. Chaplin chased my car out of the driveway, ripping off my side mirror with his hands in a rage.
19:55What's this complaint followed up?
19:58The officers visited Mr. Chaplin that day, but he denied it.
20:03Two days later, Miss Taylor was found dead.
20:07Did Amanda Taylor tell police what sparked the assault by the accused?
20:13She told the officers that she'd asked Mr. Chaplin for a DNA sample.
20:16Hmm. For what purpose?
20:20Miss Taylor was working on a book about the unsolved Cape Rock murders in 1968.
20:26You refer to the double murder of Judith Donnelly and Susan Meade on Cape Rock Beach, correct?
20:33Objection, Your Honour.
20:35Your Honour, I dispute the relevance of detailing the Donnelly-Meade case in this trial.
20:41Your Honour, it goes to motive.
20:43Mr. Colby, the court has already ruled this evidence to be admissible.
20:47You're still wasting the court's valuable time.
20:53Continue, please, Madam Prosecutor.
21:00Detective, can you please explain to the court the relevance of the Donnelly-Meade murders in your case against the accused?
21:08Hello, Alan.
21:09Oh, hi.
21:13Can I, uh, help you?
21:16Oh, it's Amanda Taylor.
21:18I spoke to you a few years ago about my father.
21:21Warren Little.
21:23Oh, yeah, you were writing the book.
21:26How's it going?
21:28It wasn't my father.
21:30Oh?
21:32No?
21:34Well, that must be some relief.
21:37Eh, well, it won't be a relief until I'm, I know who killed them.
21:42Which is why I'm here, actually.
21:44Well, my wife and I talked to her everything we knew last time.
21:48Well, I, I don't need you to tell me anything. I just, I, I came here for a DNA sample.
21:55What, you, what, why do you want DNA from me?
22:01Well, it won't take long. I just have to swirl it around your cheek and then I'll go.
22:04I, I, I'm taking it from everyone just to eliminate.
22:08Oh, look, sweetheart, come on.
22:10You, you're not the police, you're not the girls' family.
22:13Do you think anyone's just gonna hand over their DNA to you?
22:17Oh.
22:18You got nothing to hide, then.
22:20Yeah, you have no reason to say no.
22:23Um.
22:24Did Miss Taylor tell police that Mr Chaplin agreed to provide it?
22:30She told them he forcibly removed her from his workshop instead.
22:34Did Mr Chaplin subsequently provide you with a DNA sample?
22:39Not voluntarily, but after we arrested and charged him with Miss Taylor's murder,
22:44we were able to compel him to provide a sample.
22:47And did this sample, well, was it also matched with the 1968 semen sample?
22:54Well, unfortunately, due to unorthodox processing, they were destroyed.
22:59So there was no possibility of matching Mr Chaplin to that crime.
23:02Hm, I see.
23:04Was Amanda Taylor aware of these factors?
23:07She was not aware, no.
23:09We only discovered it when attempting to retrieve DNA for this case.
23:12So in asking Mr Chaplin for his DNA, Amanda Taylor still believed there was a possibility of linking him
23:18to the 1968 crime and therefore a possible motive for the murder of Amanda Taylor.
23:26Yes.
23:28She insisted on including this information in her police statement.
23:32She said she wanted a paper trail of her actions in case something happened to her.
23:38Thank you, Detective.
23:40No further questions, Your Honor.
23:42Thank you, Ms Nichols.
23:44Your witness, Mr Colby.
23:50Detective...
23:52Evans.
23:54After Ms Taylor's death,
23:56how many days passed before you arrested my client?
23:58About ten days.
24:01And during those ten days, how many other suspects were investigated?
24:06One.
24:08And at the end?
24:10One.
24:12Just one, yes.
24:14So did you investigate Gia Pandit, for instance,
24:18who was involved in a public dispute with Ms Taylor at the time of her death?
24:23I'm currently pursuing a legal suit against the writer Gia Pandit.
24:30Sure.
24:32Now, you was aware, Gia?
24:33Yeah, well, I'm not going to sit back and let her take credit for my hard work.
24:39She is a liar and a thief.
24:43There was no evidence that individual was in the Cape Rock area on the day of Ms Taylor's murder.
24:49Let me assist.
24:50Please give the witness the police running sheet, Exhibit 6.
24:55And would you please read what's written in the comments next to the writer's name?
25:02Lives in Perth, calls not returned.
25:05Lives in Perth, calls not returned.
25:09Now, based on that, would you say an exhaustive effort was made to eliminate her from the case?
25:16Not exhaustive, no.
25:17No.
25:18No.
25:19No effort at all, in fact.
25:21Now, what about the sex offender who is still considered a suspect for the 1968 crime?
25:26Who the fuck do you think you are?
25:28I guess a fucking trusty!
25:30I will take that pen and I'll stick it in your fucking eyeball, you bitch!
25:35Peter Wayne Flood was still in custody at the time of Ms Taylor's murder.
25:45He's now over 80 years of age and not in good health.
25:48He wouldn't have had the strength to carry out the crime in any case.
25:50In your opinion, Detective?
25:52In my opinion, yes.
25:54Is it true that Amanda Taylor reported a break-in at her Perth home two months before her argument with my client on February the 14th?
26:03Yes, that's true.
26:04And she also stated at the time that she believed that Flood had arranged to have her manuscript stolen but failed because it was not in the home at the time.
26:13That break-in was investigated and traced back to a spate of break-in enters in the area that night.
26:21There was no correlation to Amanda Taylor's book.
26:24So the victim had a vivid imagination and was inclined to point the finger at people for crimes they had not committed.
26:31Objection!
26:32Mr. Colby is leading the witness.
26:34Upheld.
26:35Mr. Colby, desist, please.
26:37I will rephrase, Your Honour.
26:40Is it true that Amanda Taylor pointed the finger at the wrong person for the break-in on February the 14th?
26:47Yes. In that case, she did.
26:51So, vivid imagination.
26:54Don't you wish this trial was about those girls in 68, though, instead?
26:59Judith and Susan?
27:00Yeah.
27:02It's so fucked up what happened to them.
27:03It would be as if you and I went to some beach rave and then the next day, your mangled body was found in the sand and I'm just bobbing in the water.
27:12That's really, yep, that's fucked up.
27:17It's so cute.
27:19Your homemade lunch.
27:21Oh my god.
27:22It's blood.
27:23Yeah!
27:24My hammies are attached to my ego.
27:26Oh my god, I think he just looked at me.
27:27Did he?
27:28Yeah!
27:29Awkward.
27:30God, hey!
27:31I should put your number into my phone so we can exchange details for tonight.
27:34Oh, um, it's just that Sharon said we're not supposed to share details with each other so...
27:43Is she?
27:44I just want to break the rule of you.
27:45Oh.
27:47Okay.
27:49Well then, how about you put your number in as Susie?
27:51Oh.
27:53Okay...
27:55Oh, um, it's just that Sharon said we're not supposed to share details with each other, so...
27:56Is that she?
27:58I just want to break the rule of you.
27:59Oh.
28:00Okay.
28:01Well, then how about you put your number in as Susie?
28:03And I can put mine in as Judy.
28:05And then she won't know when we're texting each other.
28:10You know, you're really dark.
28:12This is really dark.
28:14No, I think that we're honouring them.
28:15I think that we'd appreciate.
28:25Hi, Susie.
28:26Hi, Judy.
28:29Let's get back to 1968.
28:34Amanda Taylor had been researching her book
28:37on the murders of Judith Donnelly and Susan Mead
28:40for three years before her death, hadn't she?
28:43About that, yes.
28:44Yes.
28:50Sea Squirt.
28:52And she'd spoken to, or tried to speak to,
28:55all surviving attendees of the beach party
28:57from which the girls disappeared at 968.
29:04Hey, stranger.
29:05Hey.
29:06I'll see you at the party later.
29:07Counting on it.
29:10Now he thinks it's a date.
29:11Kind of is.
29:13I told him we'd meet up.
29:19Oi.
29:20Come on.
29:21Good man.
29:23Let's discuss another car.
29:25We couldn't conclude how many people at the party
29:28Amanda spoke to, or who they were.
29:30Why is that?
29:31Because her notes and latest manuscript were missing.
29:36Can Miss Green exhibit seven, please?
29:48Where did you find this photograph of Miss Taylor?
29:50Detective?
29:50Uh, in a print shop.
29:52She'd printed out a mock dust jacket for her book.
29:55Oh, and did you also find the manuscript
29:58that she was writing at the print shop?
30:01No.
30:02No.
30:03Did you find any evidence at Alan Chaplin's house
30:06that indicated that he had been at the murder scene at all?
30:10Like the manuscript, for instance?
30:15No.
30:16Were there any eyewitnesses?
30:20No.
30:22So, apart from a single strand of hair
30:24and some particles of sawdust,
30:26do you have any other physical evidence
30:29that ties my client to the murder of Miss Taylor?
30:43No.
30:44No more questions, Your Honor.
31:05Like the new hair, suits you.
31:11Do you think that commenting on a woman's appearance
31:13still constitutes charm?
31:14You are sadly out of state, Ray.
31:19I am so sorry.
31:21Honestly, I didn't mean it.
31:23I'd say we had a strong day in court, Alan.
31:41I start sweating whenever I have to stop myself from yelling bullshit.
31:45I know.
31:48In the meantime, good news.
31:50Apparently, Cape Rock wines are going up in value.
31:57You'll be lucky to get a full case out of your mangy hobby vines.
32:01And look, don't dwell on things that you can't control, all right?
32:15I want you off my premises.
32:24I want you off my premises.
32:27Yeah.
32:28Yeah.
32:29So.
32:30Of course.
32:31Good.
32:34Hey!
32:35Give me that.
32:36You're hurting me.
32:44Like some fucking lunatic.
32:45Give me the hat.
32:46You're fucking out of your mind.
32:48Give me that.
32:49Give me the hat.
32:49Give me the hat.
32:50Let me go!
32:50I can't go.
33:02Just go.
33:03You hear me?
33:04Fucking go!
33:05You did it!
33:17I know you fucking did it!
33:35I can't go.
33:44Yeah.
33:45I'm here with Ellen in the cell now.
33:46We're waiting for you.
33:51Oh.
33:52Right.
33:53Okay.
33:54I'll be right there.
33:55Sorry, Al.
33:56Yeah.
34:00Trying to get some sleep.
34:02She stayed back and grabbed me before I left the court.
34:08Luella, nice to see you again.
34:11Nice to see you too, Mr. Colby.
34:13Sorry if I'm wasting your time,
34:14but you did say to tell you if I remembered anything else.
34:17No, thank you. Happy to listen.
34:19That photo of Amanda we used today, Luella was explaining.
34:24Go ahead.
34:25Yeah, it was, uh, strange seeing it up there.
34:29Yeah, okay, so good, um, uh, yep.
34:36What?
34:37I took that photo.
34:38Didn't know she was using it for her dust jacket.
34:41Right.
34:42Uh, after I saw it up there,
34:44I went back to my phone to look at it again.
34:46To, uh, um, to remember, you know?
34:52Um, I took another one just before that
34:55while she was still on a video call,
34:56and I saw it.
34:58There could be something here.
35:03Okay.
35:04Bye.
35:11Jesus, Lue, every time.
35:14Hey.
35:15Uh, uh, uh, are you okay?
35:17What's up?
35:18What's up?
35:19I, what?
35:20I, I think I, I just found out who killed them.
35:25One second.
35:26What?
35:27What?
35:32She wouldn't tell me who.
35:33She was refusing to tell anyone until after she published.
35:36John?
35:37John?
35:38Who the fuck is John?
35:43Wow, looks like his only suspect's a flood in that rioter.
35:45What's her name?
35:46Pandit.
35:47Yeah, neither are strong.
35:49That's all he's got.
35:50We're gonna fucking crucify him.
35:52Said with relish.
35:53Rick Holby's still taking credit for my career.
35:56Coming second to him.
35:57Not an option.
35:58Hussam!
36:00Hussam!
36:01Uh, what school do you teach at?
36:03Sorry, mate?
36:04Which school do you teach at?
36:05Oh, St. Gina's Ladies College.
36:07Half the teeth they are mine.
36:08You know it?
36:09Yeah, grade school, yeah.
36:10Parents rave about it.
36:11Yeah, it's good.
36:12Um, I'm so sorry.
36:13I gotta, I gotta run, but I'll catch you later, tomorrow.
36:17Yeah, okay, alright.
36:18See you soon.
36:19Bye.
36:20How long are you gonna be away from school?
36:22I don't know.
36:23Trial could take up to six weeks.
36:25Maybe, maybe more.
36:30Timing sucks.
36:33Yeah, where's that?
36:34Going to miss my cello exams.
36:38Uh, well, none of the other girls will have their parents there, besides...
36:42Um, it's probably good for you to do things without me, right?
36:48Makes me miss Mom.
36:57Alright.
37:04Do you wanna talk about it?
37:05Uh, I, I better check on that.
37:06Yeah.
37:07Oh, where are you, where are you going?
37:08Not hungry.
37:09I just...
37:10Made you.
37:11Made you dinner.
37:12Made you dinner.
37:13You have one message.
37:15Mr. Aziz, this is Shauna.
37:16I'm ringing on behalf of Principal Thorne.
37:17I'm ringing on behalf of Principal Thorne.
37:18You have one message.
37:22Mr. Aziz, this is Shauna.
37:23I'm ringing on behalf of Principal Thorne.
37:24A sensitive issue has come up and she'd like to meet with you.
37:25I've penciled in 7.30 a.m. tomorrow.
37:26Let me know if you can't attend.
37:29You have one message.
37:30Mr. Aziz, this is Shauna.
37:31I'm ringing on behalf of Principal Thorne.
37:32A sensitive issue has come up and she'd like to meet with you.
37:36I've penciled in 7.30 a.m. tomorrow
37:37I've penciled in 7.30 a.m. tomorrow..
37:38Let me know if you can't attend.
38:00Hi!
38:01Hey.
38:02How was it?
38:02How was it? I was caught.
38:04Oh look, it was amazing.
38:06Sad.
38:08Tiring.
38:10I can imagine.
38:12Did they like get straight into it?
38:14Well, I don't think that I'm allowed to talk to you about that.
38:17Oh, come on. Isn't there like some sort of partner cause?
38:20No, I don't think that's a thing. Is that a legal term?
38:23Yeah, I think it's a thing.
38:25Well, I'll have to look that up and get back to you.
38:32You know, there's this girl on the jury who just...
38:36She reminds me so much of Izzy.
38:42Oh, okay.
38:44Yeah.
38:55In the studio is Carol Donnelly, Judith's sister.
38:58Carol, thank you.
39:00Why don't you start by telling me about Judith?
39:04She was my big sister.
39:06I worshipped her.
39:10You were only six.
39:12But do you have memories of the night that Judith went to a beach party and never came home?
39:18It's impossible to describe that time in words.
39:24But knowing how they died and not knowing who'd done it or why, that was the worst.
39:34My parents ended up separating.
39:40They went to their graves, not knowing, not having answers.
39:44Has the death of Amanda Taylor stirred up this pain for you?
39:50It's just tragedy on tragedy.
39:56And now I'll probably go to my own grave, still not knowing who killed my sister.
40:02Not knowing who killed my sister.
40:10Hey!
40:12I don't think you meant to be watching this.
40:14And episode six has dropped.
40:18I love it how they're doing this week by week.
40:20Yeah.
40:21So excited.
40:22Gretel!
40:24Hey!
40:25Hello there!
40:26Hey!
40:27Hi!
40:28Hi!
40:29She's with me.
40:30Don't go.
40:31Sorry, you look so fucking hot.
40:36Rowan!
40:37Hi!
40:38This is Rowan!
40:40Hi!
40:41Hi!
40:42This is Gretel.
40:43Screaming at Susie.
40:44Wait, is it Gretel or Susie?
40:45Bo.
40:46It's Gretel.
40:47It's Bo.
40:48Okay, come on.
40:49Let's go.
40:50Let's go.
40:51Let's go.
40:52Let's go.
40:53Let's go.
40:54Let's go.
41:01Who wants shots?
41:02Yeah!
41:03Woo!
41:04Once I had a load with a glass.
41:07Some turned out at us.
41:10It seemed like the roof made only to find.
41:14Won't you miss trust?
41:15Let's go.
41:16Let's go.
41:17In between.
41:18What I find is pleasing and I'm feeling fine.
41:23Love is so confusing, there's no need to run.
41:27If I feel I'm losing you, it's just no good.
41:31You're teasing like you do.
41:33Without Tooth The
41:50dreams are cords and so no good.
41:52Those dreams are played like a story.
41:55But I regret the upbringing.
41:56What are those things about taking care of?
41:57Have I been dying?!
41:59No.
42:00I'm dying.
42:02Good morning.
42:16Morning.
42:17Sleep all right?
42:19Not bad.
42:20Dog woke me up early barking outside.
42:23Yeah, poor Huey.
42:24It's not his fault.
42:25He hates foxes almost as much as I do.
42:28But you're a good boy, aren't you?
42:29You're a good, good boy.
42:31I rescued him, did I tell you that?
42:34You did?
42:35Yep.
42:37Now, there are towels covered in the hall and extra blankets if you need it.
42:43It gets cold here, you know, like New Zealand.
42:45I'll work it out, Dad.
42:45It's all good.
42:47Now, the manager's name is Tom, if you run into him, and Doris will be here mid-morning to do the cleaning.
42:55Right.
42:58What?
42:58Well, Mum always said you live like you need an entourage.
43:04Well, now I have one.
43:09Um, how is Mary?
43:10How is your mother?
43:11She's good.
43:13She says hello.
43:14Good.
43:15Made you some eggs?
43:16Oh, no, no.
43:19It's caught this morning.
43:20And never have breakfast.
43:23What is that?
43:23Some superstition?
43:26No, I don't.
43:27It was habits, nerves, you know.
43:30Impossible to break old habits, eh?
43:34Anyway, I must get going.
43:35Got a bit of a detour on the way.
43:36But, um, those eggs look really cooked.
43:42Oh, shit.
43:49All right.
43:51A tuta lua.
43:52They're expecting you in court.
43:58Danny will bring you in in a couple of hours.
44:00That's ridiculous.
44:01Dad needs us both there.
44:02Honestly, um, I might not even get called today.
44:06Can we just wait until I have to give my testimony?
44:10Hello?
44:11Hi.
44:11Hey.
44:12Hey, our car just pulled up outside.
44:14I think it's the lawyer.
44:17Oh, okay.
44:18Um, I better go.
44:21Yeah, go, go.
44:22We've, um, we've got this.
44:23Bye, Jase.
44:24Don't fuck it up.
44:30Don't fuck it up.
44:34I wasn't expecting a lift.
44:37Does this mean I'm definitely testifying today?
44:39Well, the prosecution have agreed to put you on the stand early on two counts.
44:45First of all, you are paying Alan's bills, so I need access to you.
44:50And the other?
44:52The other one is mercy.
44:53Once you're all done, you can actually sit in the court and the gallery and watch the trial.
44:59So, yeah, I think they'll be calling you soon.
45:02That's your idea of mercy.
45:04Come on.
45:04That aside, I really need to pick your brains about something.
45:14I'll go right ahead.
45:15I don't know that I've got any left to pick, but...
45:17What we need is for you to think very seriously about the spring of 1968 and help us find a man called John.
45:27John.
45:44You've gotta pick up every stage
45:49You've gotta pick up every stage
45:54You've gotta pick up every stage
45:59Oh no
46:02Must be the season of the wretch
46:07Must be the season of the wretch
46:12Must be the season of the wretch
46:20Still must be the season, must be the season
46:25Still must be the season, must be the season
46:30Still must be the season, must be the season
46:34Must be the season of the wretch
46:42Susie!
47:12Susie!
47:42Susie!
48:12Susie!
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