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00:00It had been a month since the Miss Universe pageant, and Julia and I had settled into
00:13our life together.
00:14For the first time ever, I felt real balance.
00:18This may sound odd, but life was like a dance.
00:22The hotel was on its way back to number one, and Julia's business was booming after her
00:27evening gown had won the crown for Miss Colombia.
00:31The life we created together felt lasting.
00:35I didn't feel like I wanted more.
00:38So how do I get back to that?
00:41You want me to answer that?
00:43That's a lot of pressure to put on a 14-year-old.
00:4614?
00:47Really?
00:48Hmm.
00:49I'm going to need to see your passport.
00:51Look, Tio, I'm sure things aren't as bad with Julia as you say they are.
00:55Trust me, Hugo.
00:57Julia wants nothing to do with me.
00:59It's like she wants to cut me out of her life forever.
01:03It's my great honor to announce that the brand new Las Colinas is open for...
01:10That was bad.
01:16What did you do?
01:22It's more like what didn't I do.
01:25But for you to really understand, there's another story that I need to tell you.
01:30I mean, since the mural unveiling isn't for a little while, I guess we got time for that.
01:36Admit it.
01:37You missed my stories.
01:38Yeah.
01:39It started like a normal day.
01:43I headed into work, finally proud to sit in my chair.
01:47There's a whole thing with my chair that you missed.
01:49Only to find, it was already occupied.
01:51Oh, Senor Vera, did we have a meeting scheduled for...
01:54You're not Senor Vera.
01:59I mean, you're not THE Senor Vera.
02:02That came out wrong.
02:04He's not more important than you.
02:05You're actually the ORIGINAL Vera.
02:08Vera Clásico.
02:10Tanto tiempo sin verte, Máximo.
02:12In case you forgot, Ricardo Vera was Alejandro Vera's younger brother and co-owner of the hotel.
02:17Mr. Vera, welcome to Las Colinas.
02:21Me encanta todo lo que has hecho aquí.
02:24Por eso vengo.
02:25Te tengo una propuesta.
02:27Voy a expandir mi línea de hoteles al extranjero.
02:30Y no se me ocurre un mejor head of operations para mi nuevo resort emblema.
02:35As los hermanos Vera lashed out at each other, their hair remaining impossibly perfect,
03:00the whole scene felt like it was something out of a telenovela.
03:03No puedo creer que quieras sacar a tu propio hermano del negocio.
03:08¡Nuestro negocio!
03:10Tú y yo sabemos que llevo años arrastrándote de Juan Alejandro.
03:14¿Y encima te quieres robar a mí, Máximo?
03:18No es tan malo como cuando te quisiste robar a mi esposa.
03:24Alguien tenía que enseñar a Alicia en Guadalupe lo que es el amor.
03:34¿El día del funeral de nuestra abuela?
03:41¡Auxilio!
03:55¡Se les metió el demonio!
03:57¿Dulce as a nun?
04:00Come on, tío.
04:02We both know that never happened.
04:03Get to the real story.
04:05All right, all right.
04:07But minus the nun and the shirts, it was just as dramatic.
04:12Me traicionaste, Ricardo.
04:13Solo espero que Máximo sepa lo que es mejor para él,
04:16que es quedarse en las colinas, obviamente.
04:18Máximo puede tomar sus propias decisiones, ¿verdad?
04:21¿Qué dice eso, Máximo?
04:23Solo te voy a hacer esta oferta una vez.
04:28Los verás nunca negociamos.
04:35Since Hector's first novel had been flying off the shelves at the hotel,
04:39and Diane stole the show at Miss Universe,
04:41they had a lot to celebrate.
04:43To your next chapter, Milena.
04:45First up, my grand return to the daytime Emmys as host.
04:50And I really think this is Susan Lucci's year.
04:52I think everyone is going to be looking at you.
04:56So what's the plan for Hector's Day off?
05:00For all three of us?
05:01I'm thinking banana boat ride,
05:03then maybe a little bingo action by the pool,
05:05before we slip into our PJs and watch Porky's.
05:08Oh!
05:08Chad, are you feeling okay?
05:10You just seem a little bit frenetic.
05:12What?
05:13No, I'm great.
05:14I've never been better.
05:15I mean, since me and Gloria broke up,
05:17and I'm going to be single for eternity,
05:19I'm going full carpel diem.
05:22Well, I'm so glad you've bounced back.
05:24I can't.
05:25Why don't you go inquire about that banana boat?
05:28Good idea.
05:34We have a Chad problem.
05:35I know.
05:35We never have a moment alone together anymore.
05:38A sunset walk on the beach with three adults holding hands is just weird.
05:41I tried to drop his hand, but he would not take a hint.
05:45I'm worried about him, my love.
05:48I have this big adventure ahead of me.
05:53How do I do that when my son is drowning?
05:55There has to be a way for Chad and Gloria to mend fences.
05:59Yes, but how?
06:00Gloria refuses to see Chad.
06:02And he has sent her many, many, many, many sad voice messages.
06:05I was there for 12 of them.
06:07One of them was just him whimpering.
06:08Oh, yes, he does that.
06:09Why?
06:12Well, if they won't agree to meet,
06:16then we have to covertly bring them together.
06:20Ah, that sounds a lot like the hit film Operacion Cupido.
06:24Or the American film about the twins with the horrible wigs.
06:28I have no idea what that is.
06:36Aside from everything I worked so hard to build at Las Colinas,
06:41I had a big decision to make.
06:43Memo, do you have a moment to talk?
06:46Maximo, hi.
06:49I'm sorry.
06:50I know these swans look more like pigeons.
06:52It's just the baby kept Loren and me up all night.
06:55But you know what?
06:58I can step it up.
06:59Because sleep is for the weak.
07:04Okay, now you're just falling in the air.
07:07But it's fine.
07:08I just need help with a very big decision.
07:15I'm going to propose to Julia.
07:18Oh my God.
07:19Oh my God, are you serious?
07:21I've never been more sure of anything in my life.
07:24And I need you to help me pull it off.
07:26You got it!
07:27Whoa, whoa, whoa, whoa, whoa, whoa.
07:28Hold on.
07:29You didn't tell Memo about Ricardo Vera's offer?
07:32I thought that was the big decision you needed help with.
07:35You know I love a good twist, Hugo.
07:37But the job offer only confirmed that I was right where I wanted to be.
07:42I turned Ricardo down.
07:47It was time to stop chasing the next big thing and commit to my life in Acapulco with Julia.
07:52But while I was staying put, my family was getting ready to say goodbye to Sara.
07:59What if you want to see?
08:00What if you want to see?
08:02What is that?
08:03What if you want, what's the thing?
08:04What is theEST?
08:05What if I want to see you?
08:06What do you think is that machine like space?
08:10It's a Nordic Track, my love, of course.
08:13Well, my wife, she bought a new model
08:16and like her gardener is a little bit,
08:18she gave me this. How's it?
08:20Well, I thought you wanted to leave the room of Sarah,
08:23as always.
08:24I mean, to be able to sit in the bed
08:26and cry in the bed when you love her.
08:28Well, she was the plan,
08:29but she was the one who told us
08:30to do something different.
08:32I'll turn this into a gymnasium for the two.
08:34Yes, everything is fine.
08:36I always feel very weird
08:37that the parents don't change anything
08:38from the house of their children.
08:39I mean, like, what?
08:41Someone would want to have
08:42memories of their most uncomfortable times.
08:44Also, Esteban,
08:46I can sleep in the room
08:47when I come to visit them.
08:48And,
08:49it's not that bad,
08:51but Rosita will not live forever.
08:53She tried, though.
08:55Rosita lived to be 106.
08:57My love, the doctor said
08:58you had to do exercise
08:59by taking into account
09:00what makes your mom eat.
09:01I think it's time
09:03to try something new.
09:04Those chicharrones
09:05are pure protein
09:06and they help me
09:07to cut my fingers.
09:08Oh, nothing.
09:09What you just said is healthy, my love.
09:11Come on, come on.
09:12That's what the doctor said.
09:13At least try it.
09:14No, I'm not going to go up to that thing.
09:16Better take it out of here.
09:17Oh, it's fun.
09:18Come on.
09:19No, Nora, Nora,
09:20please, stop pressing me.
09:23What did I say?
09:25The next day,
09:28as the staff and I
09:29were getting ready
09:30for the big proposal,
09:31Diane was trying to help
09:32another couple.
09:33But since Gloria and Chad
09:34had kept their relationship
09:35a secret,
09:36Gloria had no idea
09:37who she was.
09:38I am so excited
09:39that you're considering
09:40a beach event, Mildred.
09:41Oh, darling,
09:42I'm the one who's excited.
09:44Believe me.
09:45My husband and I
09:46are long overdue
09:47for a vow renewal ceremony.
09:49So how long have you two been married?
09:51Twelve years.
09:52We met on a beach.
09:53My husband was using
09:54his metal detector
09:55when my toe ring got stuck in it.
09:57He was looking for treasure
09:58and he found it.
10:00Okay, that's adorable.
10:02So what's his name?
10:04Diane had thought of everything,
10:07except...
10:08Uh, Chad.
10:10Meanwhile, Hector had set up Chad
10:16with a treasure hunt.
10:18Leading him to the same spot
10:20even if it was a little...
10:21It's too easy.
10:22It's like this was designed
10:23for a child.
10:24I'm a grown man.
10:25Ooh, lollipop.
10:31Don't be worried.
10:32You're almost there.
10:33You found the X
10:35when you see her curly hair.
10:37Curly hair in this humidity?
10:39Would you be a little bit
10:40more specific, Hector?
10:44Wait.
10:45Gloria is the X?
10:47Yes.
10:50And that's three types of
10:51cerveche.
10:52Yes.
10:53Absolutely.
10:54And Chad, what are you doing here?
10:56Mom, did you and Hector
10:57Paratrap us?
10:58This was all my idea.
11:00Oh, please don't be mad at him.
11:01I'm his mother, Diane.
11:04What is wrong with your family?
11:07You guys can't think of any other names
11:09like Paul, Dave, Ramon, Andrew.
11:13You are the worst liars.
11:15And cheaters.
11:16I'm surprised you're not off
11:17gallivanting with your new girlfriend.
11:18What are you talking about?
11:19The beauty queen from Miss Universe.
11:21I saw you two hugging.
11:22Oh, that was nothing.
11:23Hector tried to set me up with Turks and Caicos,
11:25and all I did was talk about you the whole time.
11:26Oh, so there were two women.
11:28You two are perfect for each other.
11:31Gloria, I know you're upset.
11:34But the very fact that you came by the hotel
11:36must mean you have some feelings for my son.
11:39I wasn't planning to, but after I heard him sing
11:43Juanga's Querida on my answering machine,
11:45in the worst Spanish I've ever heard,
11:47I don't know.
11:48I just thought I maybe should at least hear him out.
11:51So.
11:55I had executed my highly detailed plan
11:57for the proposal perfectly,
11:59and it was almost time.
12:00I got you the good stuff,
12:01and I should get a bunch to get more pop.
12:03What?
12:04That's not how you...
12:06Never mind.
12:07Perfect.
12:08Thanks.
12:09Hey, you're blocking my shot.
12:11Maximo!
12:12I got the mariachis!
12:13Looking good, Memo!
12:15There comes Julia!
12:16Come on!
12:18I think she could get someone better than you,
12:21but...
12:22Good luck!
12:23Thanks.
12:24She's coming!
12:25Go, go, go, go!
12:37Hey!
12:41Lupa said you were looking for me?
12:42Oh, yeah.
12:43No biggie.
12:44I just wanted to tell you something.
12:46Okay.
12:47Well, if it's no biggie,
12:48can I share my news with you first?
12:50Yeah.
12:51Remember the call I got this morning?
12:53It was from House of Dior.
12:56Why are you saying door weirdly?
12:58Mi amor,
12:59this is the biggest fashion label in Europe.
13:01What am I saying?
13:02The world!
13:03Oh, my God!
13:04That's amazing!
13:05And they offer me an apprentice position.
13:08In Paris!
13:10What?
13:11I know!
13:12Everything's happening so fast.
13:13They're willing to rent me aloft
13:14with a partial view of the Eiffel Tower.
13:16But they're pressuring me to start next week.
13:19What do you think?
13:21What do I think about you moving to Paris?
13:28Our life is here, Julia.
13:30I know, mi amor,
13:31but things like this happen what?
13:32Like, never.
13:34Look, you can come visit me at first,
13:37or you can come find a job at a fancy hotel in Paris.
13:40Uh-la-la.
13:41No, no.
13:42Uh-la-la.
13:43We had a plan.
13:44And this plan is here,
13:45in Acapulco.
13:46Yes, my love,
13:47but sometimes the plans change.
13:49You're not the one who told me
13:51to dream big.
13:52Everything that I've worked here
13:54is here.
13:55Do you want to take me to another country
13:56where I have to start again?
13:59I should have to say no.
14:01Máximo,
14:02but this is a big opportunity for me.
14:04I can't believe that you're even considering it.
14:07And I can't believe that you're being so selfish.
14:09What?
14:10They offered me a job,
14:11but I rejected it.
14:13I have a vision for our future, Julia.
14:15A plan.
14:17And you, of course,
14:18you want to throw everything out of the garbage.
14:19I don't want to throw anything out of the garbage.
14:22My love, really,
14:23we can't believe that it works.
14:25It works for you,
14:27but not for me.
14:31Máximo,
14:32I can't believe that you're talking like that.
14:41This is not the man I thought you were.
14:47You're the man I want to be.
14:49No.
14:50You're looking for a guy called Francois
14:52who is eating carrots with Champs-Élysées.
14:55Champs-Élysées is a street, Máximo.
14:57You know what?
15:03Thank you for putting it so easy.
15:08I don't see the time going to Paris.
15:10I keep replaying that moment in my head.
15:16I had everything I wanted right in front of me.
15:19I could picture our future together.
15:20A dream wedding.
15:21A house in Las Brisas overlooking the cliffs.
15:22And three kids.
15:23Eleonora,
15:24Martha,
15:25and Diego.
15:26The plan was so perf-
15:29Oh, my God.
15:30That's it!
15:31What's it?
15:32Can you know the way I want to go over where I want to go?
15:34Ah.
15:35Right?
15:36Oh, man,
15:37I can't believe it.
15:39I can't believe it.
15:40Oh, man.
15:41I can't believe it.
15:44Oh, man.
15:45Oh, man.
15:46He always goes to the cab.
15:48Oh, man.
15:49I can't believe it.
15:50I can't believe it.
15:51I can't believe it.
15:52I can't believe it.
15:53Can you tell me this?
15:54Frankie, what's it?
15:55Can you not be cryptic for once?
15:57I don't have a lot of time here.
15:58I have to be back at school on Monday.
16:00I'll explain later.
16:01Just go find Julia and tell her to meet me at our spot.
16:04Not the dumpsters, the other spot.
16:06Or you could just get her yourself.
16:08You got this, Hugo.
16:09I believe in you.
16:13Juanita Scoops.
16:14Muchísimas gracias por apoyarnos en inauguración.
16:17Tu papá le trajo tanta felicidad a este hotel.
16:21A ver, ¿qué quiero yo?
16:22Chocochip con chispitas, pues.
16:27Dale de volada.
16:28Eso.
16:52Julia, do you have a second?
16:58Looks like I might, yeah.
17:00Do you think that you could meet my tío at your spot?
17:04At the dumpsters?
17:05The other one.
17:06Seriously?
17:07Right now?
17:08Why does he want to meet up there?
17:10Honestly, Iím not sure.
17:12He was in the middle of telling me a story about how you guys had a fight up there.
17:15Back in 86?
17:16Yeah.
17:17That day.
17:18I could never get over how inflexible your uncle was.
17:21Well, I think he was just caught off guard since he was about to propose.
17:25Wait, what?
17:26Oh, you didnít know?
17:29Oh, you didnít know?
17:31He was going to propose?
17:35Okay, look.
17:36I know my tío isnít perfect with him, but he spent a lot of time telling me about you.
17:44I, I, Iíve seen it, Julia.
17:47The love he has for you, it, itís real.
17:51Just think about it, okay?
17:53Heíll be at your spot.
17:56Aquí está su helado.
17:59Ay, se me olvidaron las chispitas.
18:03Sí.
18:05Chispitas.
18:05Tío, why did you never tell Julia about the proposal?
18:18You told her?
18:19I never wanted her to know.
18:22Especially after how poorly I handled things that day.
18:28Do you think sheís coming?
18:29Juanita Escoops was making her an ice cream, so it could be another hour or two.
18:35Maybe I can distract us with the rest of the 86 story.
18:39It might calm my nerves a bit.
18:41Are you kidding me?
18:42I'm freaking out here, too.
18:44Take me away from here.
18:49I'm so sorry, Gloria.
18:51I, I'm a terrible liar, okay?
18:53That's why I slipped up with the Miss Universe stuff.
18:54I didnít mean to say anything.
18:55You have to believe me.
18:56Well, that may be the case, but you did.
18:58And it hurt me.
18:59Badly.
19:00I just donít know if I can trust you anymore.
19:02I get that.
19:03I, I wouldnít trust me either.
19:05If Iím being honest, the truth is, I donít know what the hell Iím doing.
19:11Shocker.
19:12Iím serious.
19:12When it comes to, you know, dating and, and you, Iím lost.
19:20I mean, growing up without a dad, you know, I had no idea what a, a real relationship looks
19:25like.
19:25I mean, my mom did an amazing job on her own, but when it comes to love, I'm, I feel like
19:32Iím still just a kid trying to figure it all out.
19:38I want to grow up for you, Gloria.
19:39Not too much, though.
19:44What really bums me out is that with all of our sneaking around, we were never able to
19:49have a real first date.
19:50What if we just started over, like, right now?
19:55It would be a shame to let this lovely meal go to waste.
19:59They grow up so fast.
20:04He also has a great role model now.
20:08And you, mi rey.
20:19Hola.
20:21Ay, hicimos compras de último minuto.
20:23No sabes lo que encontramos.
20:25Ve.
20:27Yo me compré un shower cal.
20:31Para su cuarto en la universidad.
20:33Y para nosotros también compré uno para cada quien, para que no confundas tu champú
20:37o con el mío.
20:40Gracias.
20:43Eh, bueno, voy a terminar de empacar.
20:46Gracias.
20:48¿Qué pasó?
20:49¿Eh?
20:50Ah, ya sé que quieres que me deshaga de la NordicTrack, pero, pues, este, yo solamente
20:55estoy ayudando.
20:56Quiero que esté sano.
20:57Ya sé.
20:58Lo que pasa es que me dolió mucho ver el cuarto de Sara así.
21:03Creo que no estoy listo para decirle adiós.
21:05Ay, mi amor.
21:11A mí también me duele.
21:12Yo tampoco estoy lista.
21:14Si convertir su cuarto en un gimnasio fue más que nada para distraerme.
21:19Te entiendo.
21:20Significa tanto para mí que ames a mis niños como si fueran tuyos.
21:30Aunque lo bueno de vivir sin niños en la casa es que vamos a tener más tiempo para
21:35nosotros.
21:36Esos niños sí.
21:38Se pueden callar.
21:41Estoy tratando de ver Alf.
21:43Sí.
21:54Sí.
21:55Sí.
21:56After my fight with Julia, she went home and packed a suitcase.
22:00She was gone before I got there.
22:03She decided to stay at Lorena's before catching a flight to Paris that morning.
22:06The dance was over.
22:12And the irony was, I was about to share another emotional goodbye.
22:17¿Qué pasa, Máximo?
22:24¿Estás enojado porque me robé tu caseta de menudo para el avión?
22:27No, estoy bien.
22:30¿Aguanta qué?
22:32Pensé que te chocaba a menudo.
22:35Bueno, pues...
22:36Solo me recuerda, no, amor, es tú que eres.
22:43Estoy orgulloso de ti, Sarape.
22:45Te va a ir increíble en Nueva York.
22:49Eres más valiente que yo.
22:52¿Por qué?
22:52Por subirme al avión.
22:53Vamos a estar bien.
22:54Dicen que dan cacahuates gratis.
22:57No, por dejar que Sara estudie fuera.
23:00Yo siempre me apegué mucho a mi Esteban.
23:03Pero me da gusto que no cometas el mismo error que yo.
23:08Gracias.
23:10Ahora que lo dices, y pues esto no es precisamente una blasfemia.
23:14Porque los aviones a veces chocan.
23:17Hay que ir al cielo cuando Dios quiera, no cuando se nos pega la gana.
23:23Bueno.
23:24Ya, esta es la última.
23:27Ahora sí todo está listo para NYU.
23:30En el gabacho.
23:31Bueno, creo que es la hora de decir adiós.
23:35Esteban, no es un adiós.
23:37Tienes razón.
23:38Hay quien piensa que los adiós es algo finito,
23:40pero eso no tiene ninguna lógica,
23:42porque el final de algo siempre es el inicio de otra cosa.
23:44Y hay culturas que utilizan la misma palabra para decir hola
23:47como para decir adiós.
23:48Y además no sabemos nada de lo que hay después de la muerte.
23:51Así que es absurdo estarnos despidiendo
23:52porque ni siquiera sabemos...
23:53No me estaría subiendo este avión si no fuera por ti.
24:06Gracias, Estebanitos.
24:07¿Qué pasó?
24:24¿Todo bien?
24:25I didn't want to tell my mom about Julia
24:27before her big trip.
24:28Sí.
24:30Solo me pone triste que se vayan.
24:35No sé por lo que estés pasando, mi amor,
24:37pero sea lo que sea,
24:39confío en ti.
24:41Tú siempre encuentras el modo de resolverlo todo.
24:46Que no se te olvide.
24:48Te amo, mi hijo.
24:48Inicia el abordaje del vuelo 410 con destino a París.
25:11Todo por ti lo he perdido yo.
25:15Otro camino a ti te llamo.
25:17Que te vayas, me rompe el alma.
25:22Me va a la calma.
25:24Pues si te quieres ir, cuídate.
25:28Que esa ropa nueva te quede fiel.
25:31Que el tiempo cruel no la eche a perder.
25:37Even though I had always gone after everything I ever wanted,
25:41in that moment,
25:42I couldn't stop Julia from going after everything she wanted.
25:47que te salvará.
25:52Oh, nena, el mundo es tan raro.
25:55Y yo siempre te veré como una chiquilla.
26:05Oh, nena, el mundo es tan raro.
26:08No, no, no, no, no, no, no, no, no.
26:10Hey guys.
26:11Hey guys.
26:12Great work.
26:13But could you sing something a little less sad?
26:16Oh, maybe All that I Love by air supply.
26:19Or separate ways by journey.
26:21Uh, keep brainstorming.
26:23No, I...
26:25Mr Vera, stay here.
26:27Máximo, sit down.
26:31Really? We don't have to deal with it.
26:33But I'm going to be a exception.
26:36Would you like to leave the hills
26:38for an increase in your salary of...
26:41...30%?
26:51Would you consider it for that?
26:55And for an action participation
26:57of 20% in the new hotel.
27:01You're crazy.
27:033%.
27:055%.
27:08And let me take my own team.
27:16Don't worry, boss.
27:17If he goes, I'll be your new head of operations.
27:22Oh, yes.
27:24You're certainly welcome to submit an application.
27:29That's the day everything changed, Hugo.
27:32And a whole new chapter began.
27:37Thanks for sharing your story, Teo.
27:38I'm sorry about Julia, but maybe we should...
27:41Here she is.
27:42Beat it.
27:43Beat it.
27:44Beat it.
27:45Beat it, beat it, beat it, beat it.
27:46I'm fine, jeez.
27:47Don't worry.
27:53Come on.
27:54Come on.
27:55Come on.
27:57Come on.
27:58Of course.
28:01Betty, what's going on?
28:02You never told me.
28:04Because everything was bad that day, Julia.
28:08There are so many things I'd like to say
28:11and do.
28:14But, I don't know, at that time
28:17I was so stuck in the idea of our happy ending
28:21that...
28:22I made plans for both, without you.
28:28And as always.
28:30Julia,
28:32listen,
28:34you had your own dreams
28:37and...
28:38and of course, as they didn't fit with my plan,
28:41with the plan that I had so much tried to create,
28:48that day I was the egoist.
28:51Not you.
28:53And I'm sorry.
28:54No.
29:01I removed you from me, Julia.
29:02Mm.
29:04And you were right to have gone.
29:07I just want to know that...
29:11All my heart is yours.
29:15It belongs to you.
29:17And with you, it will remain.
29:20Where fate to exile the rest of me
29:24from your present forever.
29:29Jane Eyre.
29:38I can't believe you still remember that date.
29:41Well, almost.
29:42You remember.
29:45It's not present.
29:46It's presents.
29:47Ah.
29:49Presents, claro.
29:51Sigo practicando mi inglés.
29:53Yeah.
29:55Julia.
29:57Julia, por favor, escúchame.
30:01Espera.
30:02Mira.
30:04He estado trabajando en un nuevo plan.
30:05Muy detallado.
30:07Para ti.
30:09Para mí.
30:10Para nuestro futuro.
30:11¿Estás hablando en serio?
30:12Sí.
30:14Muy en serio.
30:17Aquí está.
30:18Sí.
30:19Sí.
30:28Me lo has escrito aquí.
30:29Exactamente.
30:32¿Qué tal?
30:33¿Sabes por qué?
30:35Por?
30:37Porque no hay plan.
30:41Estoy totalmente abierto.
30:43Y si tú también lo estás.
30:45Podemos perseguir nuestros sueños juntos.
30:48O por separado.
30:50O no tener sueños para nada.
30:54Es que nos sentimos tú y yo en un parque
30:58a comer churros.
30:59De aquí hasta que nos hagamos viejitos.
31:05Todo esto es muy lindo.
31:07Pero...
31:09Solo me extraña que no te hayas inventado todo un show para...
31:14No.
31:16Esta vez no monté ningún show.
31:19Ya aprendí mi lección.
31:21Lo único que te puedo ofrecer es...
31:24un auge en blanco.
31:25Para que escribamos una nueva historia.
31:30Juntos.
31:36No.
31:38El mariachi es parte de la reinauguración.
31:41Yo...
31:42¡Muchachos!
31:43¡Córtenle!
31:45Te lo juro que no monté ningún show.
31:47Es...
31:49Eso tampoco.
31:50Te juro que yo no monté ningún show.
31:52Eso no creas que es parte de la...
31:53Es parte...
31:54Yo tengo tentación de un beso
32:00Que se prendan el calor
32:03De nuestro gran amor
32:05Mi amor
32:10Yo quiero ser...
32:12Este es el real party que he estado esperando.
32:15A simple comida con mis amigos y familia.
32:18Being here always brought me so much joy...
32:25And peace.
32:28I'm so proud...
32:30Of what we've done to bring Las Colinas back to life.
32:32So...
32:34Salud.
32:35Salud.
32:37Salud.
32:39Salud.
32:40Salud.
32:41Salud.
32:42Salud.
32:43Salud.
32:44Salud.
32:45Salud.
32:46Salud.
32:48La noche será solamente con las cosas de nosotros.
32:49Mejoreration.
32:50Salud.
32:51Take it easy, Dad.
32:53And that is Doña Paloma to you.
32:55Oh, Doña Paloma.
32:57It has a really nice ring to it.
32:59And I love a powerful woman.
33:01Hey, Maximo, you have such a captive audience.
33:05Tell us a story.
33:07Oh, oh, oh, oh!
33:09Like the time the tennis player got his wig pulled off.
33:12Or the time you hit the dead body.
33:15Or the time where you almost proposed to me
33:18and my dearest friends never told me about it.
33:21He made us promise to take that to the grave.
33:23I didn't even tell Memito or Lupita.
33:25Ay, Papa!
33:29You know, Memo?
33:31I think I'd rather hear someone else's story.
33:35Just for a change.
33:48Little niggaad, we'll see Someわかesus.
33:50I forgot the old people they did that.
33:51Amen.
33:52Okay, that's all my personal grief.
33:53Okay, that's quite Pike.
33:55I'm ready.
33:57Here in three or four,
33:59Rocky Israel in the 출 Premiere
34:03beiten.
34:04I'm ready?
34:05Can I see parts of Manara?
34:06It's gotta be tinium.
34:07I'm ready.
34:08To come back to사此,
34:10I'm ready.
34:11To come back to the reparation room.
34:13So can I see is him.
34:15To be continued...
34:45Vacación, tuve que irme Vacación para disfrutarse a solas
34:54Vacación, lo que siempre quise Vacación, tuve que irme
35:02Vacación para disfrutarse a solas
35:08En mi mente siempre estás tú
35:12En casa no hay nada que hacer
35:18Ahora me marché
35:23Me quise detener
35:27Mañana es un día mío en el que no estás tú
35:33Oh...
35:43Oh...
35:44Oh...
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