- hace 6 meses
Chanquete, el viejo pescador, cae enfermo, pero se niega a ir al hospital; pese a su resistencia inicial cede a los razonamientos de Julia ingresando en una residencia sanitaria. La Pandilla va a visitarle.
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00:00Thank you!
00:30Thank you!
01:00Thank you!
01:30Thank you!
02:00Thank you!
02:02Thank you!
02:04Thank you!
02:06So there are no direct relatives?
02:10No, no. You know I don't.
02:12Sit down.
02:14Please sit down.
02:20I can't do anything else anymore.
02:22From now on, everything will depend on you.
02:24Because of course, if you were going to go into the hospital,
02:28I do not assume any responsibility.
02:30I'm not asking you for any responsibility.
02:34But understand.
02:36Sometimes you behave like a child.
02:38Why stay in the hospital for a few days?
02:42so that you can have an examination and some tests done
02:44It's not going to jail for life.
02:48I say. Forgive me.
02:50I can't leave the sea bream alone.
02:52Nor the other things.
02:54Excuses and nonsense.
02:56Yeah.
02:58Nonsense.
03:00The only thing that happens is that you are very stubborn.
03:04And of course, you've already said no.
03:06And it has to be no.
03:08But...
03:10I can't fool you.
03:12And the path we're on isn't going to lead us anywhere.
03:16It is absolutely necessary that you have a thorough examination.
03:22and some definitive analyses that will tell us what is happening.
03:28But for this it is necessary, absolutely necessary, to admit you to the hospital.
03:34Now, you don't want to.
03:36What am I going to do?
03:38I can't force you.
03:40Also, your heart...
03:44he is very sick.
03:48No. It's natural.
03:50He has lived a lot.
03:52Many joys, many sorrows...
03:54and many emotions.
03:58Alright.
04:00Well, look, for now we're going to follow this treatment.
04:02and by the way you're going to take this.
04:04That's all that can be done at the moment.
04:06What I do want is for you to promise me one thing.
04:10You're going to keep thinking about all this.
04:12and at the same time you're going to start forgetting about...
04:16of your boat and the sea and all of this.
04:20The most important thing is you, Chanquete.
04:24No?
04:26Sure, man.
04:28Come on, let's go.
04:36Come on, I suck.
04:38Numbo,wurf,
05:00And that's it.
05:30And that's it.
06:00And that's it.
06:30We thought he wasn't there.
06:32We've been looking for you at the port and where the bottle is.
06:35That I had to do a few things.
06:38And?
06:39How about here?
06:41If the mountain doesn't come to me, it's not seen much lately.
06:46It seems like he's running away from us.
06:47No no.
06:49Well, as I told you, I had to tidy this up a bit.
06:53It's a real mess.
06:55If you want us to help you, one day I'll help my mother hang wallpaper.
06:58And I'll throw the tail.
07:00Yeah?
07:00Yes, on the ground.
07:02But there's something on paper, honey.
07:05I know a new tactic for wallpapering walls.
07:09I invented it.
07:10I'm going to paper the boat.
07:12Well, I appreciate the intention, but for now I don't plan on wallpapering the gilthead.
07:18Hey, Chanquete, Javi wanted to ask you something.
07:20Oh yeah?
07:21Yeah.
07:21It's about fishing.
07:22They don't believe what I tell them.
07:24Ah, well, Pancho knows about this, huh?
07:26I assure you.
07:26Look, it's Chanquete and a very hot lady.
07:31Bring that thing you...
07:47I'm sorry.
07:48Well, another day I'll show you all about that old bow.
07:55Another day.
07:58Well, guys, why don't you go and play a little, eh?
08:01Come on, come on.
08:08The last gilín!
08:13Okay, but don't run away all of a sudden, okay?
08:16Well, no.
08:18The days begin to get shorter.
08:43You've never seen me before, right?
08:44Frankly, no.
08:52But we don't have to talk about it if you don't want to.
09:00Have you painted the third golden one yet?
09:05No, not yet.
09:05I've been used to the boy being into my things.
09:14For a moment I forgot that he was a child and that his curiosity was beyond any offense.
09:22I'm becoming an old gronan.
09:30You'll forget the boy, won't you?
09:33Of course.
09:35He's probably already forgotten.
09:39And you too, right?
09:40The sea won't be out today either.
09:49Who told you not to go out?
09:50Ah.
09:54Well, and...
09:55I've already told you.
09:57I had to sort some things out here.
10:01Order?
10:02So that?
10:02She is a woman.
10:06You should understand that.
10:09I don't want guests to think that sea bream is a pigsty.
10:24Is something wrong, Chanquete?
10:29Nothing.
10:32Only this damn pipe has paid off again.
11:02Coverall!
11:14Coverall!
11:15Oh, hello.
11:16Good morning, Miss Julia.
11:17Hello.
11:18What's happening?
11:18There is no work today.
11:20I had to go see Don José.
11:21Whom?
11:22To the doctor.
11:23Ah, yes.
11:24The kidney.
11:26The fact that?
11:27I have kidney stones.
11:29Oh.
11:29But what I don't like at all is Chanquete.
11:34Whitebait?
11:35Which one of Chanquete?
11:37When you start like this, it's bad.
11:39After one thing, comes another.
11:41Look at me, Miss Julia.
11:42And if he doesn't go to the hospital, it's worse.
11:45But what are you talking about, Diver?
11:47About health.
11:48To put it better, from poor health.
11:50I'm already so used to it, look at the kidney now.
11:57What a burden.
11:58Full of stones like the wolf in Red Riding Hood.
12:00Yes, yes, but I was referring to Chanquete and...
12:04And what's this story about the hospital?
12:06Don José just told me, to see if I could encourage him.
12:10I've already told you.
12:11Honestly, I'm not the best person to encourage you, don't you think?
12:15Yes, I know that.
12:16But Don José, what did he say about Chanquete?
12:18Well, that's it, he has to go to the hospital for some tests and analysis.
12:25A biopsy, surely.
12:27They don't say anything.
12:29Also, it seems that the heart...
12:33Well, what does the doctor say?
12:35Don José says it's just an examination to get a better look at him.
12:39They always say the same thing.
12:41You are still so cheerful.
12:43And what else did the doctor say?
12:45That Chanquete did not want to go to the hospital, that he refused.
12:49I, the truth is, I am at home in the hospital,
12:53There have already been so many times, and there will be so many more.
12:57Because these stones, I don't think they are any good.
13:01If only they were precious stones...
13:04The third golden one.
13:24Hello, Julia, good morning.
13:27Yes, the third golden one.
13:30Didn't you tell me you were planning to make a profit out of it?
13:33That I was going to rent it.
13:36But now I want it for myself, to walk around in.
13:39Ah, to walk.
13:41Very good.
13:42And don't you think that's a contradiction?
13:45Because?
13:47The third golden one represents for you all your love for life, doesn't it?
13:51To this sea, to nature.
13:54Isn't it true?
13:56Well, now there's no turning back.
13:59It would be cowardly.
14:01A betrayal of everything this boat means to you.
14:04I don't understand what you mean.
14:07Yes, you understand me, yes.
14:08He understands me very well.
14:11I've been to Don José's office.
14:13He told me everything.
14:16He had no right.
14:18Of course he had the right.
14:19He really appreciates you.
14:20And just try to make you a little reasonable.
14:24You'll only have to be there for a few days.
14:26Enough for them to run some tests and get a definitive diagnosis.
14:33Come on, man.
14:35If it will only be a few days.
14:37They will take good care of me.
14:40And soon he will be back here again, with all of us.
14:44And then yes.
14:46Then you can go for a ride in your golden third.
14:50And people will say,
14:51Hey, look!
14:52There goes Chanquete in his newly painted boat.
14:56That one, that one he really knew how to do.
14:59That's what they'll say with envy.
15:01If I go, I'll never come back.
15:07That's absurd, Chanquete.
15:09They just want to recognize him a little better.
15:11Four, five days, a week, at most.
15:14That's just the beginning.
15:17Then you will want to know more and more.
15:19They will never leave me alone again.
15:21I see.
15:22It's very easy to tell others that they have to be brave sometimes.
15:26But of course, when it comes to something that affects you directly, that's a different story, isn't it?
15:31Besides, who cares what a lonely old man does or doesn't do?
15:35No, you were right, Don José.
15:37You are stubborn.
15:38And a stubborn one.
15:39And a selfish person.
15:41Who cares?
15:42I care.
15:43The boys care.
15:45Diver cares.
15:45Frasco cares.
15:46This town cares.
15:48And to this sea too.
15:49Alright.
15:50Alright.
15:50I'll go to that hospital.
15:52But not because you tell me to, but because I feel like it.
15:54That?
15:54That?
16:00Be still.
16:23Well, come on.
16:33We can all come in, right?
16:35Just a little while and in order.
16:37Please, okay?
16:38I have assured that you are all very formal.
16:42All.
16:44So let's see if it's true.
16:46OK?
16:47Yeah.
16:47Well, come on, down this corridor to the left.
16:53Come on, go down this corridor to the left!
17:23Here?
17:28Yes, but call first.
17:38What's happening?
17:40The chanquete is strange.
17:41How weird?
17:42What are you saying?
17:43Let's see.
17:50It looks like a mummy.
17:53But what do you do?
17:54Man, let me through.
17:55Let me, let me go.
18:01Hello, chanquete.
18:03Hello.
18:05What a scare he saved us.
18:06We thought you were that.
18:08Take.
18:09We have taken them.
18:11In the field, near the garage.
18:13It's so you don't miss her so much.
18:15We also brought you a fish.
18:17So that the sea reminds you.
18:19Take.
18:19Thank you.
18:23Thanks to all.
18:25The flowers are very pretty.
18:28And the fish too.
18:32Thank you.
18:34I feel better now.
18:36Far better.
18:37And did it hurt a lot?
18:38A lot.
18:39Where did it hurt?
18:41It hurt me to be away from you.
18:44And all of that.
18:47How is everything?
18:49Good.
18:50Waiting for your return.
18:52Haven't you told the doctor when you're going to let me out?
18:56Chanquete, a little patience.
18:58He's only been here for three days.
19:01An eternity.
19:02Who is that?
19:09Don't know.
19:10He can't speak.
19:12An accident, I heard.
19:14Yes, his car crashed into a truck.
19:17It seems there isn't much room in the hospital and for now they've put him here.
19:21But in a few days they will take him to another room.
19:23That's what I've been told.
19:25It doesn't bother me.
19:27On the contrary.
19:28But it will be a bit boring, since he doesn't talk.
19:30Well, sometimes he growls a little.
19:40Do you hear?
19:47Also, when we feel like it, we have a blast.
19:52I speak and he listens.
19:58And where does he eat?
20:00Will they give him serum?
20:03And where...?
20:05Where what?
20:08Where the pee and the other stuff.
20:12No!
20:16I wanted to know, in case it ever happens to me.
20:22When are you coming back?
20:24Well, when they want to release me.
20:27Soon.
20:29Why don't you run away?
20:31Man, he is not a prisoner.
20:34In two or three days he will be strolling in the beloved third.
20:37And will you take us for a ride?
20:39Clear.
20:40And us?
20:42The first ones.
20:42You can't stay still for a moment, not even here.
21:09Excuse me, huh.
21:12It's just that the boys, sorry, won't do it again.
21:16We were just seeing if the nerves in the foot were sending impulses to the brain.
21:20The push I'm going to give you, eh.
21:22Come on.
21:23Plus, he was having a great time, he was laughing.
21:26Yes, we'll talk later.
21:27Go over there.
21:30Can?
21:32Forward.
21:32Gosh, chanquete, you look so ugly.
21:39Where is Tito?
22:05He has gone to the bathroom.
22:07Wait a moment, the dwarf is missing.
22:09That?
22:10Is the patient in better spirits now?
22:12Yeah, wow, it's more lively.
22:14The arrival of the boys has had an effect on him.
22:16Are these the boys?
22:17Yes, except one, who will come now.
22:20And?
22:21You've seen your friend, haven't you?
22:22Yeah.
22:23Yeah.
22:24Hey, doctor.
22:25When do you think the patient will be able to leave?
22:28Well, I don't know.
22:29I couldn't tell you that.
22:31But soon, man.
22:32You will soon have him with you.
22:34Well.
22:36Thank you very much, doctor.
22:37The boys and I are very grateful to him.
22:39Nothing.
22:42What's that?
22:45Look, like Chanquete's neighbor.
22:47Neither, nor, nor, nor.
22:54Do you think they're not going to let us in anymore?
22:57I'm afraid not.
23:00All because of this dwarf.
23:02How many meters do you think you wrapped around?
23:05I don't know, it seems like the whole thing to me.
23:07Well, if there were a pressing need...
23:12But it's not fair.
23:13This is what they put together.
23:14Why do we have to pay?
23:16We could explain it to the director, couldn't we?
23:20Besides, I didn't go.
23:21It was that dwarf.
23:22You're always messing things up and one day you're going to win it.
23:25For whom?
23:25For you?
23:26What do you win?
23:27I bet you don't!
23:28Well, that's enough, okay?
23:29Let me work.
23:31Hey, Julia.
23:32How much is a painting worth?
23:34What's happening?
23:35Are you going to buy me one?
23:36No.
23:37I thought maybe we could all give him a whitebait.
23:41Julia has already given him one.
23:42You've got it in the gilthead, haven't you?
23:44Well, that doesn't matter, does it?
23:46It's that the one I had thought was a special one.
23:49Special?
23:50What special?
23:51One on request.
23:53Come on, explain yourself.
23:54How about whitebait?
23:55He misses the sea bream so much.
23:57I thought maybe you could paint it in a picture.
24:01It's true, it's a very good idea.
24:03Of course, how come we didn't think of this before?
24:05How come we didn't think of this before?
24:35Good morning.
24:58Good morning.
24:59Do you know where?
25:23Did he leave?
25:24He said he was leaving and he left.
25:26We couldn't stop him
25:28Not even the director could
25:30That old man is very stubborn.
25:33Thanks, huh?
25:52Thank you
25:54You're all right now, aren't you?
26:10I feel better than ever
26:11Tomorrow I will go out for a walk with my little sister
26:14That she will be washed, combed and in her Sunday best
26:17You are invited, painter
26:19Oh, mother
26:20I accept the invitation
26:22Goodbye!
26:39Come on!
26:40Come on! Come on! Come on! Come on! Come on! Come on! Come on! Come on! Quickly, Julia!
26:45We have to find a moment, I heard someone shouting.
26:52It sounds like Pancho's voice.
26:54Yes, it seems that is him.
27:01Where has he gone?
27:10Chanquete is dead!
27:21Chanquete is dead!
27:26Chanquete is dead!
27:31He's dead, Chanquete.
27:35He's dead, Chanquete.
27:40Thank you.
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31:00And goodbye?
31:01And where does one go when one dies?
31:07Say, Julia?
31:09Well...
31:15Well, I don't know for sure, Tito.
31:21Don't know.
31:22Some say there is a heaven for the good.
31:29and hell for the bad ones
31:33Others claim that when we die
31:38we join other human beings
31:42and we continue living
31:44A few more
31:47They say that we turn into dust
31:52in ash
31:54into food for living beings
31:57and so many more
32:00But you, what do you think?
32:10Chanquete has been a good man
32:12and will have to be
32:15in a place where good men are welcomed
32:18where it is treated fairly
32:22and there is equity for good men
32:24At sea
32:28That is
32:31In the same sea
32:34Deep down, there
32:37With the sailors and fishermen
32:40of all time
32:43But if I can drown
32:45No
32:48Not anymore
32:51And he will have a place of honor
32:55You have seen a very nice movie
33:03what is called
33:04Captains Courageous
33:05Yes, I saw it at the summer cinema.
33:08Well, Chanquete will be there.
33:13at the bottom of the sea
33:14Talking with Spencer Tracy
33:17Thank you
33:19That?
33:33That?
33:34That?
33:35That?
33:35That?
33:36That?
33:36Amen.
34:06Some coffee, miss.
34:28Thanks, cool.
34:36He really loved you and the boys.
34:44Yes I know.
34:46They were his friends.
34:52To be honest, I've sometimes wondered
34:56What could unite an old fisherman with a girl like you and with some brats.
35:02What could they have in common with each other?
35:06It is not easy to understand.
35:12And I haven't explained it to them either.
35:16I don't know, it's like...
35:18as if there were a secret wave in every person, in every human being.
35:23And sometimes, in that vein, people apparently different in age end up tuning in,
35:35in formation, in nature, in way of life.
35:39I don't know.
35:45I can only tell you that when people connect on the same wavelength,
35:50feel...
35:52I don't know how to explain it to you.
35:55they feel like a higher power.
35:59As if, suddenly,
36:01acquired...
36:02the feeling of...
36:04of not being alone,
36:07to be heard,
36:08to be loved.
36:10And what you say or what you do
36:12It has meaning for someone other than yourself.
36:15It's so complicated and so simple at the same time.
36:25Sanquete was a good man.
36:28One of the best I've ever met.
36:33You see, Flask.
36:35You are also on the same wavelength.
36:36Really?
36:38Clear.
36:40Well, I'm very glad.
36:50Tell me something, Frasco.
36:53Do you think he knew he was going to die?
36:57He was very reserved about his own things and very long-suffering.
37:03I just know that in the last few days I didn't want to go out to sea anymore.
37:06I didn't even pass by the tavern.
37:10He was seen dragging his feet.
37:13As...
37:13As if he wanted to run away from people.
37:17Yeah.
37:22And he will have suffered.
37:27For a man who loved life like him.
37:31Who loved the sea as he loved it.
37:35The goodbye must have been hard.
37:36Him, goodbye.
37:41That was the song he had been singing under his breath lately.
37:46As?
37:48Yes, those sevillanas are famous.
37:51He liked them very much and hummed them.
37:56Do you know which one I mean?
37:58Yeah.
38:00Yeah.
38:02Yes, I know what you say.
38:06Those that begin...
38:09Something dies in the soul.
38:11That is.
38:13It's the same.
38:14Something dies in the soul.
38:21When a friend leaves.
38:22Holy Mary, Mother of God,
38:26please,
38:27for sinners,
38:28now and now in our death,
38:30in our death...
38:31Now one dies in death!
38:37Now you always want to send!
38:39Music
39:07Something dies in the soul when a friend leaves
39:11When a friend leaves and leaves a mark that cannot be erased
39:32And wading a footprint that cannot be erased
39:36Don't go yet, don't go please, don't go yet
39:44Even my guitar cries when it says goodbye.
39:48Music
40:00At the time of departure
40:12A bath of silence at the time of departure
40:16A bath of silence at the time of departure
40:20At the time of departure
40:24Because there are words that hurt and should not be said
40:28Because there are words that hurt and should not be said
40:32Don't go yet, don't go please, don't go yet
40:40Even my guitar cries when it says goodbye.
40:44One moment please
40:57Don't go yet, don't go yet
44:41The friend who is leaving, is Sebastión who sees, the friend who is leaving, is Sebastión who sees, the friend who is leaving.
44:52A friend who leaves is like a bottomless pit that can never be found again, it's like a bottomless pit that can never be found again.
45:02Don't go yet, don't go please, don't go yet, even my guitar cries when it says goodbye.
45:32My mother told me that Chanquete will now be in heaven.
45:55No, it's in the sea, Julia said.
45:57Why do you think the martyr is blue?
46:05Because the sky is reflected in it.
46:09Then it doesn't matter.
46:27Do you believe in eternal life, Julia?
46:33I think all this has to have a meaning.
46:38And do you believe in God?
46:48Yes of course.
46:52The thing is, I don't always get to talk.
46:56And sometimes I despair at their silence or their apparent contradictions.
47:03My mother also told me that Chanquete will be with God.
47:11Chanquete always carried a piece of God within him.
47:16Because it was good.
47:19Because he was a good man.
47:24Now you will have found the missing piece.
47:27And will he be watching us?
47:28No?
47:28No?
47:28You close your eyes and squeeze them very tightly.
47:43This one, Chanquete!
47:52I see it too!
47:58Me too!
48:03Me too?
48:14Of course, because we think about him.
48:18Yes, we thought about him.
48:22And we can even clearly hear his voice and his laughter.
48:26That's why I told you that no one dies completely.
48:36And Chanquete even less.
48:56I see it too!
48:56I see it too!
48:57I see it too!
49:09No!
49:10No, no, no.
49:40No, no, no.
50:10No, no, no.
50:40No, no, no.
51:10No no.
51:40No no.
52:10No no.
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