- hace 5 meses
Beatriz conoce a Rafa y entre ambos surge algo más que una amistad. La pandilla, ante ese incipiente amor, siente un cierto malestar, especialmente Javi, también enamorado de Beatriz. Al final todos admiten que Beatriz ha dejado la infancia para pasar a la adolescencia.
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00:03:35What's wrong with you?
00:03:49Nothing, nothing, come on, Cedis.
00:03:51If it's Bea's turn.
00:03:53Ah, yes.
00:03:57This one asked me who this package is for.
00:04:00And he answered me that it was for the almond trees.
00:04:05This one asked me which trees I like the most and this one answered...
00:04:11Bea, look.
00:04:21I'm not playing anymore. You're starting to get rude like the other day.
00:04:24Yes, that's true. I don't play either.
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00:08:17There. What is this? It's a portable fog. We have it at my house too. Let's see what
00:08:25The guy is carrying it. Careful. Coca-Cola. Yes, and gin to make mixed drinks. This guy wants
00:08:33Get Beatriz drunk. They're going to see us, come on. What could we do, Javi? We could
00:08:41deflate the tires. Come on, I would deflate them right away, better to puncture them. What if
00:08:47We run out of gas? How? Well, how could it be, taking it out of the tank, don't you?
00:08:52I say. Yeah, but how? Like a gummy bear, sucking, right, Javi? Of course. Javi. What? Tito
00:08:59and I have thought of one thing. What? We take away the Coca-Cola and the bottles and put them in
00:09:04There are some frogs in the fridge. Some what? Some frogs. The piranha has them stored in a box.
00:09:11at home. We put them in the fridge and when he goes to open it, bang! The frogs jump out and the
00:09:17mess. That's a good idea, come on you, piranha, go for the frogs. Hey. What? That the
00:09:25We don't all watch Coca-Cola, right? Yeah, yeah, man, yeah, yeah. Yeah, yeah. Didn't you talk?
00:09:35a rubber band? Does it have holes? Yes, at both ends. Then it's fine. Tito, untie the rubber band.
00:09:41We're doing it. Okay. Okay, now what do I do? Do you know how to suck? Suck, suck, suck, and what?
00:09:55No, you don't know. I'll do that. You have to cover me well. Tito, put yourself in my place.
00:09:59It's coming, guys.
00:10:28Come on, hurry up, man. There's the piranha.
00:10:37Wow! If the Arabs see this, he'll be wasting his time. Keep quiet about those barriers.
00:10:42You know what? A frog escaped from my shop and got into a store and organized a
00:10:49A mess. How many times? Six. Okay, not a drop left. Ah, the frog. Tito, help the piranha.
00:10:55We are a little further to the left.
00:11:04Be careful, I think they're going to come out.
00:11:08Yes, you are paying here.
00:11:09Tito, run to the cafeteria and entertain them.
00:11:11And what do I tell him?
00:11:13Let them invite you, beatify your sister. Whatever you want, go for it.
00:11:15Hello. What are you here for? To spy?
00:11:22Or to annoy.
00:11:24Who is this?
00:11:24My brother.
00:11:25Would you like to buy me a lemon?
00:11:27No.
00:11:28Well, since you won't buy me a lemon, I'm going to tell mom that you're going to go on the motorcycle.
00:11:32with this.
00:11:33Your sister is grown up now and can do whatever she wants.
00:11:35Yes, yes, they let me.
00:11:36Yes, yes.
00:11:37Will you shut up?
00:11:40Come on, kid, have a lemon.
00:11:41Paco, a lemon for the child.
00:11:47I'm not a kid, you know? And besides, your father's going to drink the lemon.
00:11:56Welcome.
00:11:57We played together.
00:11:58Let's go for it.
00:11:58See you later, Bea, have a good time.
00:12:24See you later.
00:12:25Bye bye.
00:12:26Bye bye.
00:12:28See you later, Bea, have a good time.
00:12:52See you later.
00:12:53Bye bye.
00:12:58I know, it's the carburetor that's failing.
00:13:17See you later, Bea, have a good time.
00:13:19See you later.
00:13:20Bye bye.
00:13:20Bye bye.
00:13:21Bye bye.
00:13:22Have a good time.
00:13:52Have a great time.
00:13:53See you later, Bea.
00:13:55See you later.
00:13:58Have a good time.
00:13:59Come on!
00:14:29Hello, sir. Good afternoon. How much should I give you?
00:14:46Full, please. At 4%.
00:14:48If they were your little friends, they'll pay for it.
00:14:52I'm going to kick my butt. Just look at that.
00:14:54Well, what a day they're giving me.
00:14:59And on top of that, all we hear is frogs everywhere.
00:15:04And what do you do well, Pancho?
00:15:06To me, the dog.
00:15:07Let's see.
00:15:12And you, piranha?
00:15:17The monkey.
00:15:18Let's see.
00:15:22Very good.
00:15:26And you, Quique?
00:15:27The only thing I know how to do is sheep. Look.
00:15:29Bee!
00:15:29Bee!
00:15:30Bee!
00:15:32Oh, man. But a sheep in a tree doesn't belong.
00:15:35Don't you know how to do the bird?
00:15:36I have no idea about birds. Do it yourself, Javi.
00:15:39No, I'm going to play the duck.
00:15:41And Tito?
00:15:42He told me he's going to make the cat.
00:15:46There it is.
00:15:47They're coming! They're coming!
00:15:50Wow, how the guy is hit by the motorcycle.
00:15:52Come on, get into position.
00:15:53You know the order!
00:15:54You know the order!
00:15:54We have arrived!
00:16:13I brought some drinks.
00:16:15They'll be very nice to us in a little while.
00:16:17Do you like rum and coke?
00:16:18I've never had it. They don't let me at home.
00:16:21Also, I don't like anything that has alcohol in it.
00:16:23Well, try it today. You'll see how it goes.
00:16:26Where are we going?
00:16:27This is the grove.
00:16:28Let's go to a place higher up.
00:16:30Don't you know him?
00:16:31No.
00:16:32Well, it is a very beautiful and very quiet place.
00:16:35You'll like it.
00:16:36Lucy liked it a lot.
00:16:37Who is Lucy?
00:16:38She's a friend of mine.
00:16:40We were here the other day.
00:16:42Well, there must be a pond around here, because I hear frogs.
00:16:46They're coming, Javi! They're coming!
00:16:49Tito, you lazy bastard! Duck down!
00:16:52Here it is.
00:16:54Do you like it?
00:16:55Yes, it's very good.
00:16:56But there is no one here.
00:16:57Nobody.
00:16:58This is usually very quiet.
00:17:00When it gets dark, some couples usually come.
00:17:02But it is always very quiet.
00:17:04I am not a soul.
00:17:04That?
00:17:08Come on, sit down.
00:17:17And what are you going to do when you grow up?
00:17:18Don't know.
00:17:20Well, I do.
00:17:21Either a flight attendant or a nurse.
00:17:22Do all girls think the same?
00:17:27Well, you, doctor engineer.
00:17:29Do all you boys think the same?
00:17:31Well no, you're wrong.
00:17:32I as an engineer...
00:17:36How strange is it that there is a monkey around here?
00:17:37Yes, it's a monkey.
00:17:40Are you listening again?
00:17:41Yeah.
00:17:42Tarzan's cheetah is given.
00:17:45Go on, leave it.
00:17:51Didn't you say this was a very quiet and peaceful place?
00:17:54And it is.
00:17:55But I don't know what's going on.
00:17:57Well, as I was saying, I'm not a medical engineer at all.
00:18:00Mine, journalist.
00:18:01Journalist?
00:18:02Yes, journalist.
00:18:03But from those on the street, not those who are in the reaction and all that, no.
00:18:06As?
00:18:08Listen, a cat.
00:18:09A cat?
00:18:10Yes, I hear it perfectly.
00:18:12A cat.
00:18:16Poor thing, he must be hungry.
00:18:19Leave it.
00:18:20Yes, I know a lot about cats.
00:18:21Those who are hungry.
00:18:22Listen.
00:18:24Meow.
00:18:25Meow.
00:18:28Why don't we go find him?
00:18:29It must be a pup or a cub.
00:18:32Go on, leave it.
00:18:32Anyone would start looking for a cat around here.
00:18:35We could be there for three hours.
00:18:36Well, I really like cats.
00:18:38Especially when they are small and it makes me feel so sorry.
00:18:42Well, I'm not doing any more coirranas.
00:18:45It's like an obsession.
00:18:47Well, as I was saying, I'm a journalist.
00:18:50But from the street.
00:18:51One of those who travel, who go around the world responsibly.
00:18:54Like the strings to the cedo and so on.
00:18:55Oh, aunt.
00:19:03This looks like the safari park.
00:19:05Yes, it's a sheep.
00:19:07But it sounds weird.
00:19:08As if in the branches.
00:19:10How about in the branches?
00:19:11Yes, don't you hear it?
00:19:13It sounds valid as if it were high, up.
00:19:17Well, it is strange.
00:19:18It's the first time I've heard a goldfinch speak.
00:19:20Well yes.
00:19:22Well, do you want something to drink?
00:19:24Well.
00:19:26The cocas are fresh.
00:19:28They are very well preserved here.
00:19:54What are you doing here?
00:19:56What are you doing here?
00:20:10But where is the monkey?
00:20:15Oh, guys! This looked like Noah's Ark!
00:20:29Beatriz went this afternoon with a boy on a motorcycle.
00:20:35Is that true?
00:20:39And who is that boy?
00:20:41A friend.
00:20:42From the gang?
00:20:43Not from the gang.
00:20:44I never know, Tito. Your sister has a mouth.
00:20:48So how do you know him?
00:20:50I have been introduced to her.
00:20:51He rides skateboards and motorcycles.
00:20:53Shut up, Tito!
00:20:55And if he rides a motorcycle, he's an older boy, right?
00:20:59Seventeen years old.
00:21:01Tito?
00:21:02Okay, I'm going to sleep.
00:21:04Go to your room and put on your pajamas.
00:21:06Wow, I want to see the movie!
00:21:08The movie has two rhombuses. Go on, go to bed.
00:21:12I don't want to.
00:21:12Well, let's go.
00:21:14Come.
00:21:20And why did you think we should go camping?
00:21:22We've been doing it since we were little.
00:21:25Well, go with this mica.
00:21:27Just turned fourteen and riding off on a motorcycle with a stranger.
00:21:31Shut up, Carmen. Please leave it to me.
00:21:34Don't be nervous.
00:21:37Oh no?
00:21:39Look, daughter.
00:21:41I think you're too young to be dating seventeen-year-olds.
00:21:45You have your gang, your friends.
00:21:47You have fun with them and that's it.
00:21:49But going out alone with...
00:21:51with unknown boys.
00:21:53He's not a stranger. His name is Rafa.
00:21:55But do we know him?
00:21:58To him, to his family.
00:21:59Do we know him?
00:22:00Say.
00:22:01He came to spend a few days with his uncles.
00:22:03He's from Madrid.
00:22:04As if you want to be from Tegucigalpa.
00:22:07But what kind of brain does it take to go off with a guy on a motorcycle?
00:22:10And where to?
00:22:11Where to?
00:22:12Go for a walk. I don't think that's a bad thing.
00:22:15If it's not a question of whether it's good or bad,
00:22:17Beatriz, it's simply reckless.
00:22:19Think that it is not normal for you to go for a ride on a motorcycle
00:22:23with a boy much older than you and about whom we know nothing.
00:22:27Well, I do know. You want to be a journalist.
00:22:29And they are afraid of the frog.
00:22:31Shut up, you idiot.
00:22:33Mom, I can't find my pajamas.
00:22:35Take a clean one from the closet.
00:22:37Hey, Dad. Look who's there.
00:22:39I see it now.
00:22:40You're not going to stop.
00:22:41Look, this is over.
00:22:51You'll never go out alone with that guy again.
00:22:53Is that clear?
00:22:55Well, now you know.
00:22:56Because?
00:22:56Because I say so.
00:22:58Well, life is good now.
00:23:00Or you don't read the newspapers.
00:23:02As if you were going out on motorcycles with unknown guys.
00:23:04Come on, no way.
00:23:05It's out of the question.
00:23:11Tell me, Father, that you are not alone.
00:23:41Sanquette!
00:23:56Well, good morning, mate.
00:23:58Come on, get on board.
00:24:00Today is laundry time.
00:24:11Man, what brings you here, boy?
00:24:16Hey, Chanquete.
00:24:19I wanted to ask you something.
00:24:21Well, speak, I'm listening.
00:24:23Have you had many girlfriends?
00:24:26Girlfriends or women?
00:24:28What is a girlfriend to you?
00:24:31Well, to the bride...
00:24:33you look at her, you follow her, you respect her.
00:24:37You feel it even if you are in other seas.
00:24:43The bride is like something of yours that you neither take nor leave.
00:24:47It's like a shadow that always accompanies you when you embark,
00:24:52when you cast the nets,
00:24:54when the waves lift you up to where you think you can't go down.
00:24:59The bride is then a wife,
00:25:03a faithful companion
00:25:04and a patient wait.
00:25:08Yes, yes, that's it, that's it.
00:25:10How many haven't you had?
00:25:13Well, enough.
00:25:16A.
00:25:18What if it had been taken away from you?
00:25:21Taken?
00:25:22Yeah.
00:25:22What would you have done?
00:25:25Well, then...
00:25:27first...
00:25:29I would be sure
00:25:30that it was mine.
00:25:32the only one,
00:25:35the real one.
00:25:36And then I would seek certainty
00:25:38that it had been stolen from me.
00:25:41Yes, but then they would have taken it away from you.
00:25:48Look.
00:25:49that not even the wind touches it,
00:25:55not even look at her,
00:25:57women,
00:25:57my boathouse,
00:25:59nor sing it,
00:26:02because my voice is bitter,
00:26:04but I sing it.
00:26:06Let not even the wind touch it,
00:26:07because the wind has the death penalty,
00:26:09if you touch her.
00:26:10Ho, Whitebait!
00:26:13What beautiful kisses!
00:26:15Do you like them, mate?
00:26:16Yes a lot.
00:26:17I liked them a lot.
00:26:19Why don't you recite it again?
00:26:21Oh ok.
00:26:21Do you want to learn it?
00:26:22Yeah.
00:26:23Well, let's see.
00:26:24that not even the wind touches it,
00:26:29not even look at her,
00:26:30women,
00:26:31my boathouse.
00:26:32Let not even the wind touch it,
00:26:34not even look at her,
00:26:35women,
00:26:35my boathouse.
00:26:36Not even sing it,
00:26:38because my voice is bitter,
00:26:40but I sing it.
00:26:42Not even sing it,
00:26:43because my voice is bitter,
00:26:44but I sing it.
00:26:45Let not even the wind touch it,
00:26:47because the wind has the death penalty,
00:26:48if you touch her.
00:26:49That is!
00:26:50Whitebait!
00:26:53Whitebait!
00:26:56Do you have company?
00:26:58Wow, Pancho!
00:27:00I don't want him to see me here.
00:27:01Before he gave me
00:27:02and I told him I was going to the port.
00:27:04Stay there.
00:27:08Whitebait!
00:27:09What's wrong with you, man?
00:27:10Can I go up?
00:27:11Come on, get in.
00:27:14Come on, I'm coming.
00:27:15Come this way.
00:27:17Hide.
00:27:18There,
00:27:19On Bridge,
00:27:20down here,
00:27:20right there.
00:27:21Here.
00:27:30You feel the surge,
00:27:31mate, huh?
00:27:33Today all ships
00:27:34they come to tie up
00:27:35to this old port.
00:27:39Let's see,
00:27:40what's the matter?
00:27:40Tell me.
00:27:42Hey,
00:27:42Chancete,
00:27:44What would you do?
00:27:46Don't stop,
00:27:47go on.
00:27:47What would you do?
00:27:49if they had taken you away
00:27:49the bride?
00:27:50that not even the wind
00:28:01I touched her,
00:28:03not even look at her,
00:28:05women,
00:28:06my boathouse,
00:28:07nor sing it,
00:28:09because...
00:28:09it becomes bitter in my voice,
00:28:11but I sing it,
00:28:11that not even the wind touches it.
00:28:15Because it has the death penalty,
00:28:17the wind touches it.
00:28:20What are you doing here?
00:28:21The same as you,
00:28:22it seems to me.
00:28:23And those verses?
00:28:24You'll have to learn them too.
00:28:26Oh, what a pair of shameless people!
00:28:32you are made,
00:28:33compounds and no girlfriend!
00:28:43Hello.
00:28:44Hello.
00:28:44Hello, girls.
00:28:46How are you?
00:28:47Good.
00:28:47What's the point?
00:29:01so much mystery?
00:29:02Nothing.
00:29:03Do you want to tell me something?
00:29:09and you don't know how to start?
00:29:10Isn't that so?
00:29:12Can I help you?
00:29:15Is it that simple?
00:29:17like a boy and a motorcycle?
00:29:18How do you know?
00:29:20It makes a lot of noise
00:29:21that motorcycle
00:29:21for such a small town.
00:29:22Well,
00:29:32because my parents
00:29:33They don't let me go out alone
00:29:34with that boy.
00:29:36Because?
00:29:37Because they say he is older
00:29:39for me
00:29:39and because they don't know him
00:29:41you are welcome.
00:29:43And you?
00:29:44How do you know him?
00:29:45You are welcome.
00:29:46We're flirting, aren't we, Esi?
00:29:48No, you got it.
00:29:49Bea liked Rafa
00:29:50and Rafa liked Bea.
00:29:51Look, they looked at each other,
00:29:53they liked each other
00:29:54and nothing,
00:29:55like the movies.
00:29:56Love at first sight, right?
00:29:58And do you like it?
00:29:59really that boy?
00:30:01Well, I don't know.
00:30:02He is very handsome.
00:30:03Wow, very handsome.
00:30:04It's like a train
00:30:05and on top of that with the motorcycle
00:30:06that has,
00:30:07too much.
00:30:08And he also speaks
00:30:09about other things
00:30:09than those in the gang.
00:30:11He knows a lot.
00:30:13To my parents
00:30:14what pissed them off
00:30:14is that we were leaving
00:30:16on the motorcycle for a ride.
00:30:18What happens
00:30:19is that your parents
00:30:19like mine
00:30:20and to everyone's
00:30:21the only thing that matters to them
00:30:22is that we get pregnant.
00:30:25Yeah,
00:30:25that we approve
00:30:26all subjects
00:30:27and that we do not stay
00:30:28pregnant prematurely.
00:30:30That's the only important thing
00:30:31for them.
00:30:32Which is nonsense.
00:30:33because neither Bea nor I
00:30:34we have had our period.
00:30:35I mean...
00:30:37Which they
00:30:38They know perfectly well
00:30:39and logical concerns
00:30:41on the other hand.
00:30:41Do you know what I'm doing?
00:31:03Yeah,
00:31:03preparing a painting.
00:31:05And doesn't it take a short time?
00:31:07Clear,
00:31:08It is very important
00:31:08because if you don't prepare
00:31:10the canvas,
00:31:11if you don't give it texture
00:31:12and firmness,
00:31:13the paint doesn't adhere well.
00:31:15There is no other choice.
00:31:17The fabric must be treated
00:31:18before starting to paint.
00:31:19And you have to treat her well too.
00:31:22Carefully,
00:31:23patiently,
00:31:24with cleanliness,
00:31:24with love.
00:31:26A bit like people
00:31:27when they are your age.
00:31:29Do you realize?
00:31:30And that's what
00:31:31with better or worse fortune
00:31:33your parents do.
00:31:34Prepare the canvas well
00:31:35so that the future painting
00:31:36that you are going to be you
00:31:37sea
00:31:38the most beautiful,
00:31:40the purest,
00:31:41the most wonderful in the world.
00:31:43That's why when they believe
00:31:44that some material
00:31:44is going to hurt
00:31:45or will it harm
00:31:47the canvas,
00:31:48what they try
00:31:49is to set it aside
00:31:49or put it aside.
00:31:51But that may be unfair
00:31:53because sometimes
00:31:53they may be wrong.
00:31:56They can,
00:31:56of course,
00:31:57but always guides them
00:31:58good faith.
00:31:59Paint a picture
00:32:00it is always an act of love.
00:32:02Oops!
00:32:03Oops!
00:32:04How cheesy I'm getting!
00:32:07Your capacity
00:32:08of endurance is infinite,
00:32:09girls.
00:32:11Well,
00:32:11And what do they say about this?
00:32:12those in the gang?
00:32:13The circuses?
00:32:13Clear.
00:32:14They are pissed off.
00:32:15Pancho and Javi jealous.
00:32:17Normal.
00:32:18Because?
00:32:19I'm not his girlfriend,
00:32:20neither theirs nor anyone else's.
00:32:22Already,
00:32:22but they consider you
00:32:23as something of your own,
00:32:24Beatriz,
00:32:24and they fear losing you.
00:32:26That material
00:32:27It doesn't bother them
00:32:28to my parents.
00:32:29You see?
00:32:29They like it for the painting.
00:32:32Mine
00:32:32yes it is serious,
00:32:33Julia.
00:32:33I don't flirt
00:32:34I don't even eat a donut
00:32:35whatever happens.
00:32:36I don't like it
00:32:37to the uncles.
00:32:39There are works of art
00:32:40that take longer
00:32:41than others to be carried out.
00:32:43But in the end
00:32:44may result
00:32:44most beautiful
00:32:45and attractive
00:32:45that none.
00:32:47It's a matter of patience.
00:32:48Yeah,
00:32:48I eat the cathedral
00:32:49from Bulgarian,
00:32:50which took two centuries.
00:32:52Don't bother yourself.
00:32:53What a panorama.
00:32:56You help me.
00:32:57The picture must be prepared.
00:32:5810 chain stitches
00:33:10for a start,
00:33:11Hey?
00:33:12Yeah,
00:33:12I already know that.
00:33:13And now a lap
00:33:14dwarf stitch.
00:33:15Exact.
00:33:16And when you have
00:33:16three centimeters
00:33:17you start the draft.
00:33:19Okay.
00:33:21Look!
00:33:22What's happening?
00:33:23That must be it.
00:33:24Augustine.
00:33:26That?
00:33:26Look at your daughter
00:33:27and her friend
00:33:28who they are with.
00:33:34That must be it
00:33:34the one on the motorcycle.
00:33:36Well, it doesn't have
00:33:36satyr's pint.
00:33:43Look!
00:33:44The one on the motorcycle!
00:33:48He told me
00:33:49that when they catch us
00:33:50it's going to piss us off.
00:33:51That guy to me
00:33:52I'm not afraid.
00:33:52Titus,
00:33:53go see what he says.
00:33:54Yeah,
00:33:54so that they can line my pockets
00:33:55me first.
00:33:56No,
00:33:56No way.
00:33:59So,
00:34:00at a quarter to eight
00:34:00at the door of the cinema?
00:34:01No,
00:34:02at the door of the cinema
00:34:03No,
00:34:03better inside.
00:34:05Look,
00:34:05look,
00:34:05look,
00:34:06satyr is not given,
00:34:07but it can serve us
00:34:08for a circus.
00:34:09At the bar,
00:34:09For example?
00:34:10Okay,
00:34:10at the bar.
00:34:12Well,
00:34:13well,
00:34:13see you later.
00:34:14Bye.
00:34:22My parents
00:34:22they did nothing more
00:34:23what to look at,
00:34:24was black.
00:34:27Those who are black
00:34:28those are them.
00:34:29Look at them how they suffer.
00:34:31What are you going to do?
00:34:33Since they don't let me
00:34:34be alone with him,
00:34:35if you don't come
00:34:35I'll take Tito.
00:34:37What a rifle,
00:34:38aunt,
00:34:39he's going to tell on everyone.
00:34:41Look,
00:34:41here it comes.
00:34:43Titus,
00:34:43I invite you this afternoon
00:34:44to the cinema.
00:34:45What does it say?
00:34:46A very funny one,
00:34:47don't eat them
00:34:47the daisies.
00:34:49Oh,
00:34:49I like that one.
00:34:50That?
00:35:06Competing with me?
00:35:08now too,
00:35:09whitebait?
00:35:10Good afternoon,
00:35:11painter.
00:35:12Mine is a rough sketch.
00:35:14Here,
00:35:14let's see if I can get it out
00:35:15a little bit of performance
00:35:16to my little sister.
00:35:18Are you going to sell it?
00:35:19No,
00:35:19No.
00:35:20Sell it no.
00:35:22Rent it,
00:35:23maybe.
00:35:24I never let go
00:35:25altogether
00:35:25of things
00:35:26that have meant
00:35:27something in my life.
00:35:29And my little sister
00:35:30a lot has happened by my side,
00:35:32good times and bad times.
00:35:34And that is never forgotten.
00:35:36But for a few bitches
00:35:37they will always see you well
00:35:38to an old sailor
00:35:39like me.
00:35:41He has seen the boys.
00:35:43I think it's a bit of a tide.
00:35:45Are you referring to
00:35:46to Beatriz's,
00:35:46No?
00:35:49Those are things
00:35:50that happen.
00:35:51They came to see me
00:35:52Pancho and Javi.
00:35:54And the girls to me.
00:35:56Do you know what I think,
00:35:57whitebait?
00:35:58That this whole thing
00:35:59it's pretty.
00:36:01Beautiful.
00:36:02Because deep down
00:36:02the boys,
00:36:04and perhaps without them
00:36:04realize,
00:36:05are defending
00:36:06homogeneity
00:36:07of the gang.
00:36:08They are trying
00:36:09that the group
00:36:09don't break,
00:36:10that no one leaves.
00:36:12Yeah.
00:36:13The little fish,
00:36:14have started
00:36:15to fight too soon
00:36:16against a law of life.
00:36:19But I don't think so
00:36:19that the blood
00:36:20I reached the river.
00:36:21Everything will return
00:36:22to its course.
00:36:23Painter,
00:36:23you'll see.
00:36:24Yeah,
00:36:25I'm sure of that.
00:36:27But it has emerged
00:36:27the first symptom.
00:36:29And it was also logical
00:36:30what happened to Beatriz.
00:36:32She will soon be a woman.
00:36:33And what does not happen now,
00:36:35will pass next summer.
00:36:37And to Beatriz
00:36:38will no longer interest you
00:36:38nor Javi,
00:36:39nor Pancho,
00:36:40nor Quique.
00:36:41Neither do we.
00:36:43Neither do we.
00:36:45And he...
00:36:46you will like them
00:36:47other boys
00:36:48older than her,
00:36:50other people.
00:36:51You will have other relationships,
00:36:52other problems.
00:36:54But...
00:36:55that will be
00:36:55summer
00:36:56coming,
00:36:57painter.
00:36:58And now we are
00:36:59in this.
00:37:00And there will be
00:37:00marjadillas,
00:37:01I assure you.
00:37:02In the Mediterranean?
00:37:04No,
00:37:05no no.
00:37:06At the summer cinema,
00:37:07that up to here
00:37:07they have arrived to me
00:37:08the waves.
00:37:08Thank you.
00:37:38We're waiting for Javi, for those.
00:38:00Are they coming?
00:38:01Then let them come to me.
00:38:04Look, on a date.
00:38:06I am with my aunt.
00:38:07I'll be back.
00:38:08Good luck, huh?
00:38:09See you later, Bea.
00:38:10Bye bye.
00:38:11Why do you wish yourself luck?
00:38:13Shall we buy sunflower seeds?
00:38:13I don't have any money.
00:38:15Why do you wish yourself luck, Di?
00:38:16Well, I'll buy them for you.
00:38:18And if you don't ask any more stupid questions, I'll buy you a chocolate bar, okay?
00:38:20Okay.
00:38:22A chocolate bar and a bag of sunflower seeds.
00:38:24And this one?
00:38:25Because if he didn't bring it, they wouldn't let me come.
00:38:29You're the one who was making the kitten the other day, huh?
00:38:31Yes, but I'm not going to do it anymore.
00:38:36Decita is there with her aunt.
00:38:37And what do I care if her aunt?
00:38:40What I want is to go out with your sister.
00:38:42Well, my mother said that...
00:38:44Tito, you want a bag of chips too, right?
00:38:47Yeah.
00:38:48A bag of chips?
00:38:49Yeah.
00:38:49Tito, right?
00:38:50Tito, right?
00:38:50Thank you!
00:39:20Thank you!
00:39:50Thank you!
00:39:52Thank you!
00:39:54Thank you!
00:39:56Let the foot move! Let the audience leave! Let the march go! Let the audience go! Come on!
00:40:14Am I going with this?
00:40:16No, Tito, Tito, come, look for a moment.
00:40:19What's up? We're almost there!
00:40:32I can't!
00:40:49Thank you!
00:40:51Thank you!
00:40:53Thank you!
00:40:55Thank you!
00:40:57Thank you!
00:40:59Thank you!
00:41:01Thank you!
00:41:03Thank you!
00:41:05Thank you!
00:41:07Thank you!
00:41:09Thank you!
00:41:10Thank you!
00:41:12Thank you!
00:41:13Thank you!
00:41:15Thank you!
00:41:16Thank you!
00:41:17Thank you!
00:41:18Thank you!
00:41:19Thank you!
00:41:20Thank you!
00:41:21Thank you!
00:41:22Thank you!
00:41:23Thank you!
00:41:24Thank you!
00:41:25Thank you!
00:41:26Thank you!
00:41:27Thank you!
00:41:28Thank you!
00:41:29Thank you!
00:41:30Thank you!
00:41:31Thank you!
00:41:32Thank you!
00:41:33Thank you!
00:41:34Thank you!
00:41:35Thank you!
00:41:36Thank you!
00:41:37Thank you!
00:41:38Thank you!
00:41:39Thank you!
00:41:40Thank you!
00:41:41Thank you!
00:41:42Thank you!
00:41:43Thank you!
00:41:44Thank you!
00:41:45Thank you!
00:41:46Thank you!
00:41:47Thank you!
00:41:48Thank you!
00:41:49Thank you!
00:41:50Does Lawrence McKay live here?
00:41:54Yes, but he's not here. If you want to talk to my mother, she's his wife.
00:41:57Yes, if it's not busy.
00:41:59She's not busy, she's just getting dressed. Come in.
00:42:02What's wrong with him?
00:42:03Nothing.
00:42:05Well, because he's caged.
00:42:06So that it doesn't escape.
00:42:09Were you caged when I was here?
00:42:11No, just him.
00:42:12Mrs. Greenfield, you are not Mrs. Greenfield.
00:42:16No, I'm Joe Positano. Are you Mrs. McKay?
00:42:20An old lady who owns a pet shop on 62nd Street is her mother.
00:42:23Yes, I know.
00:42:24He told me he didn't want to see his mother.
00:42:26He came with a taxi to beat me to the route.
00:42:27Mr. Positano, why does my mother want you to see my husband?
00:42:30Why did I write a comedy?
00:42:32Wait, I'm going to tell you the hard part.
00:42:34It's not going to fall.
00:42:34You will forgive me, I am in a huge hurry.
00:42:36It's musical.
00:42:39I can't stay here listening to you anymore. I'll call you later.
00:42:42What? Will you please listen to me?
00:42:44Mrs. McKay, she wants boys to come to the party so they don't get in the way.
00:42:46Listen to yourself, I'm not an unreasonable man. I hate Larry.
00:42:52Isn't that right?
00:42:53Well, here it is and I want an opinion.
00:42:56A little advice, in case it can be improved.
00:42:58What do you want?
00:42:59I'm going to tell my sister something.
00:43:03I need someone who can tell me if something's wrong. A critic.
00:43:06My husband is a novice critic.
00:43:07What do you want? Tiquito's here. If you leave again, I'll tell Mom.
00:43:10With that mom, eh? Ñe, Ñe, Ñe, Ñe, Ñe.
00:43:13I've also read a lot of your articles and reviews of your works...
00:43:16What does Javi say if you are already dating?
00:43:19Tell him no, that he's a friend and nothing more.
00:43:22He criticizes a work, he doesn't give one good and one bad.
00:43:25Like those critics out there.
00:43:27Hello.
00:43:29How are you, aunt?
00:43:31Hey, Desi, stay here with me. Come on, please.
00:43:33I just can't. I'm with my aunt.
00:43:35Where is Tito?
00:43:36He's gone with those.
00:43:37Come on, Desi, woman, don't be like that.
00:43:40You'll see, you'll remember.
00:43:42But I can't.
00:43:43My aunt is quite a lady.
00:43:44He's more of a pain than a little boy.
00:43:46I'm going to go for a bag of popcorn.
00:43:48I'll be back later, okay?
00:43:52Am I the lady?
00:43:53Gosh, ma'am.
00:43:53Jesus, poor thing.
00:43:56Ah, come in.
00:43:57It's Mrs. Greenfield, isn't it?
00:43:58Yes, ma'am, I do.
00:43:59I'll take her if she's going somewhere where she won't be overwhelmed.
00:44:01What do you think of the street?
00:44:02But again?
00:44:03Yes, I have to talk to my brother.
00:44:05Pancho says you should come with us, there's room.
00:44:14I can't, I'm with this one.
00:44:16Well, if you don't come with us, you're no longer part of the gang.
00:44:20Well, I don't care.
00:44:20Adam, don't let go, my king, give it to Mommy.
00:44:24Give it to mommy, right?
00:44:26Ole.
00:44:27Don't let go.
00:44:30How are you, aunt?
00:44:31I can only stay for a moment, okay?
00:44:32Come on, how's it going?
00:44:34Oh, stay, don't go on a date.
00:44:36My parents are going to find out and it's going to be organized.
00:44:38Don't be silly, woman.
00:44:40I'm leaving, okay?
00:44:41You'll tell me.
00:44:41How are you, aunt, aunt, aunt?
00:44:50Okay?
00:44:51Okay?
00:44:52No.
00:44:55Don't eat the daisy, please, please.
00:44:59Here am I waiting and anticipating the kisses that I'll get from you.
00:45:07Please, please, don't eat the daisy, please, please.
00:45:15I'm so romantic, but I'm getting frantic, wondering what you're going to do.
00:45:22Do you love me? Do you love me? Love me not. That's what I'm longing to know. Do you love me? Do you love me? Love me a lot. You'll prove it by letting the daisies grow. Oh, please, please, don't eat the daisies. Don't eat the daisies, please, please.
00:45:47Close when it showers while you're eating flowers. The hours will be wasted away. Please, don't eat the daisies today. Don't eat the daisies. Don't eat the daisies. Don't eat the daisies. Don't eat the daisies. Don't eat the daisies. Don't eat the daisies.
00:46:17Love has its heights. Love has its lows. Love has its highs and lows and ins and outs and ups and downs. Love's like a joyride on a merry-go-round.
00:46:33merry-go-round, merry-go-round, merry-go-round, merry-go-round.
00:46:37Ups, downs, ins, outs, highs, lows, any way the wind blows, any way the wind blows, goes low, goes low.
00:46:46Sometimes it's hot. Sometimes it's cold. But if it's hot or cold, you learn to burn and you freeze.
00:46:55Love's like a circus. And you're on a trapeze.
00:47:00On a trapeze. On a trapeze. On a trapeze.
00:47:04Ups, downs, ins, outs, highs, lows, any way the wind blows, any way the wind blows, goes low.
00:47:11Goes low.
00:47:21Love's like a circus. And you're on a trapeze.
00:47:27On a trapeze. On a trapeze. On a trapeze. On a trapeze.
00:47:30Up, ups, downs, ins, outs, highs, lows, any way the wind blows, any way the wind blows, any way the wind blows, goes low.
00:47:38Goes low. Goes low. Goes low.
00:47:44On a trapeze.
00:48:06I am Deborah Bond.
00:48:11In that case I'm sure you'll understand.
00:48:16What hurts? Your stomach or your gut?
00:48:46Of course, you spend two hours in a wet swimsuit.
00:48:50Look, I'm going to bed. I'll leave this here for you. If you want it, take it, and if not, leave it, okay?
00:48:56And if it hurts anymore, let me know. See you tomorrow, honey.
00:49:04Mother.
00:49:04That?
00:49:06I'm not going out with that guy anymore.
00:49:08Sounds great to me. I like it that way. See you tomorrow.
00:49:13See you tomorrow, Mom.
00:49:16Drink your milk, Tito.
00:49:27No.
00:49:29Mother.
00:49:30That?
00:49:32Mother.
00:49:33That?
00:49:34Drink your milk.
00:49:38I don't like.
00:49:40Mother.
00:49:42I'm coming, daughter. I'm coming.
00:49:43Augustine, open up.
00:49:59Moment.
00:50:01Augustine, I'm in a hurry.
00:50:03What's the rush?
00:50:07Let me pass.
00:50:11What's up big name?
00:50:12Hello.
00:50:16Augustine.
00:50:18Beatriz is now a woman.
00:50:19Gilio, Agustín!
00:50:33Figú, Agustín.
00:50:43Gilio, Agustín, Agustín!
00:50:45What's up? Huh? You haven't had your milk yet?
00:51:01I don't think so.
00:51:03And why?
00:51:05Because I don't like it, it tastes like cow.
00:51:15Good morning, dad.
00:51:17Good morning, daughter.
00:51:45Good morning, dad.
00:52:15And what about a year ago?
00:52:19Was my sister a woman?
00:52:20But you're messed up.
00:52:22Clear.
00:52:24And yesterday? Was my sister a woman yesterday?
00:52:27What's wrong with this guy? He's crazy.
00:52:31Seriously, you piranha, was my sister a woman yesterday?
00:52:35Do you want to stay with us, uncle?
00:52:37Fuck, of course!
00:52:39Well no, you're all wrong. My sister is a woman today.
00:52:46But, man, what are you saying?
00:52:48I know it very well. Beatriz is a woman today. And what was before is no longer valid.
00:52:55My mother told my father.
00:52:58What before is no good?
00:53:00No, today's will do.
00:53:14Let's see. Let's go.
00:53:16Wait, Felicín.
00:53:17But one by one.
00:53:19Let's see what we can write down.
00:53:20Me first.
00:53:21Good morning.
00:53:29Good morning.
00:53:29Good morning.
00:53:40See you later.
00:53:41See you later.
00:53:42See you later.
00:54:04See you later.
00:54:05Hello.
00:54:14Hello.
00:54:15Aren't you taking a bath today?
00:54:16No.
00:54:17And why?
00:54:19Because I have a cold.
00:54:21Ah.
00:54:21Well, I don't notice anything. It's the same to me.
00:54:29As always. She's as good as always.
00:54:31There comes Edesita. Maybe she knows something.
00:54:34Hey, Edesita.
00:54:36Hey?
00:54:36Beatriz is a woman from today. And what was before is no longer valid.
00:54:41As?
00:54:42Yes, my mother told my father.
00:54:45That Bea is already a woman.
00:54:46Hey?
00:54:47Well, I don't understand anything, but something is going on here.
00:55:09Look, there they go. Let's go.
00:55:12Javi!
00:55:13Kike!
00:55:15What's up, man?
00:55:16You know what?
00:55:17That?
00:55:18That Beatriz is a woman as of today. My mother told my father.
00:55:28Of course. That's why he doesn't bathe.
00:55:31And she doesn't bathe because she's a woman?
00:55:33Because it will be with the month.
00:55:35What month?
00:55:36With the one from August.
00:55:37Are you guys crazy or what?
00:55:39With her period. Beatriz has her period.
00:55:41What's happening?
00:55:43What's happening?
00:55:43What's happening?
00:55:43What's happening?
00:55:43What's happening?
00:55:44What's happening?
00:55:44What's happening?
00:55:46Oh, right!
00:55:48The period.
00:55:49But what period?
00:55:51Yeah, man, the period.
00:55:52But what period?
00:55:53The period.
00:55:55You explain it to him, Javi.
00:55:56Man, the rule.
00:55:57That Beatriz has her period.
00:55:59But what rule?
00:56:01But don't you know what a period is?
00:56:02No.
00:56:03Menstruation is something that happens to women every month.
00:56:07They bleed and stuff.
00:56:08Do they bleed?
00:56:09Yeah.
00:56:10A lot?
00:56:10Quite a lot, I think.
00:56:13Every month?
00:56:14Yes, every month.
00:56:16At the same time?
00:56:17Well, I don't know.
00:56:18More or less.
00:56:19That's why they put on pads.
00:56:20And why do they bleed?
00:56:22Because yes, because it is their obligation.
00:56:23And that means they can now have children.
00:56:26So my sister can have children if she wants.
00:56:30Clear.
00:56:40Celty!
00:56:41Celty!
00:57:11What's wrong, Tito?
00:57:39Nothing, I already know what's wrong with you.
00:57:41That you are in women's month.
00:57:43As?
00:57:44Yes, you're with the newspaper.
00:58:08Hello.
00:58:08Hello.
00:58:09Hello.
00:58:10Hello.
00:58:15What if you come for a walk?
00:58:17With who?
00:58:18With us.
00:58:19With the gang.
00:58:20With the gang.
00:58:20Hello.
00:58:20Hello.
00:58:21Hello.
00:58:21That?
00:58:23Thank you!
00:58:53Thank you!
00:59:23Thank you!
00:59:53Thank you!
01:00:23Thank you!
01:00:53Thank you!
01:01:23Thank you!
01:01:53Thank you!
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